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Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
The tractor stands frozen - an agony
To think of. All night
Snow packed its open entrails. Now a head-pincering gale,
A spill of molten ice, smoking snow,
Pours into its steel.
At white heat of numbness it stands
In the aimed hosing of ground-level fieriness.

It defied flesh and won't start.
Hands are like wounds already
Inside armour gloves, and feet are unbelievable
As if the toe-nails were all just torn off.
I stare at it in hatred. Beyond it
The copse hisses - capitulates miserably
In the fleeing, failing light. Starlings,
A dirtier sleetier snow, blow smokily, unendingly, over
Towards plantations Eastward.
All the time the tractor is sinking
Through the degrees, deepening
Into its hell of ice.

The starting lever
Cracks its action, like a snapping knuckle.
The battery is alive - but like a lamb
Trying to nudge its solid-frozen mother -
While the seat claims my buttock-bones, bites
With the space-cold of earth, which it has joined
In one solid lump.

I squirt commercial sure-fire
Down the black throat - it just coughs.
It ridicules me - a trap of iron stupidity
I've stepped into. I drive the battery
As if I were hammering and hammering
The frozen arrangement to pieces with a hammer
And it jabbers laughing pain-crying mockingly
Into happy life.

And stands
Shuddering itself full of heat, seeming to enlarge slowly
Like a demon demonstrating
A more-than-usually-complete materialization -
Suddenly it jerks from its solidarity
With the concrete, and lurches towards a stanchion
Bursting with superhuman well-being and abandon
Shouting Where Where?

Worse iron is waiting. Power-lift kneels
Levers awake imprisoned deadweight,
Shackle-pins bedded in cast-iron cow-****.
The blind and vibrating condemned obedience
Of iron to the cruelty of iron,
Wheels screeched out of their night-locks -

Fingers
Among the tormented
Tonnage and burning of iron

Eyes
Weeping in the wind of chloroform

And the tractor, streaming with sweat,
Raging and trembling and rejoicing.
Miguel Jul 2018
Women are born with heavy feathered wings
Hands that hide starlit craters
Celestially they spin in infinity and find each other
Stroking the softness, in awe at the wonder of the unashamed mystique
That perpetuates newly hatched faces

A world without the incessant need for reassurance
Which towers intimidatingly over the forest border
Small ordinances that keep themselves airless
No longer striving for the greater force of flight
Clipping away their feathers with garden shears, hosing down the blood

Tuscan architecture abandoned countless ages ago
Ancient in idea and aesthetic
I’ve wandered many miles to reach such exotic visions that have been dead for so long
The heads of kings lined up on the edge of a waterfall
Their bodies still holding onto the swords they clipped their wings with long ago

A little further, a river emerges and spills cold water from the azimuth of God
There was a communicator present at the time of cleansing, unbeknownst to me
To accept ones sins is to be cleansed of them, don’t you agree?
He asked this with shaking shoulders, his robes unraveling to reveal the scars on his chest
One for each pectoralis
I looked away in tragedy

I enter the wooden gate, into the Macedonian fortresses of old
My torso has been replaced with a harp, which I feel these princes pluck so sensitively
I hear the timber echo throughout my chest and vibrate in my throat
My back has merged without consent to a beast that bends backwards
The harp strings have been torn
I am now mute

Raising the weary head of the sleeping dog and the sleeping disdain
I slept in an isolated piece of land untouched by human hands
And sank into the forest floor
In which the grass and all living creatures decided I had left the physical form
My eternal resting place
Casey Carter Feb 2015
Control
Like love
Is indifferent
To race, color or age

I see upright monkeys
With honed, lunatic, pestilent
Expressions
Around endless corners
living out-
and hosing down somberly-
Frequency dreams
Battery life sputter drains
that whip with sardonic torment-
Beat with blood-bathed smiles
Laughing to slow vertiginous rhythm
in captivating faces

Take, take, take-
To receive such
an empty promise

And I've lost interest
in this silent war
We've constructed
so dizzily
Currents © 2009, Casey Carter
Curt A Rivard Sr Jul 2012
Beside the tree of life I sit alone and write
So many pieces of broken headstones
Wedged in the valley of the branches
Each one stolen from the field behind
Placed into the bark in hopes to show that they were kind
Hard to comprehend the fact I am taken on a higher education
Today is day one and the only crime is my age
I am an old dog who still can learn new tricks
Like a red alert or white meteor flares on a dark night
My Friendly Ghost ring tone wale’s out my phone.
I know it’s time to put all personal feelings and thoughts aside
Without any delay I respond
Heading back to the maze again and so soon
No dragging left hand on wall I know my way out this time
Into the chiller once again and there he laid near another
Pushing you out I’m taking you to a better place
And In matter of minutes I will see your face
Out your zippered pouch you emerged
Onto to the table in the preparation room I laid you
After a detailed look over I then prayed for thee
For I know what is I think to come next
I was given vivid words in complete details prior
Numbed with fear I wanted to see more
Laying out all the instruments and many odd shapes they all were
Saw so much before with the others but this time I’m given a blue apron
Step one was to first watch and then I must do just the same
Tan eye cap with thorns go in and grab hold of the velvet underside
So clear the color blue I saw the lost Atlantis water in you
Mouth now opened and rivets with wire are shot into your firm gums
He held your chin up and I twisted it shut
To a perfect gap I took you so thin the entrance was
In earlier times a silver dollars was the rule
And in your mouth it went to pay the ferry man
Breaking the rigor in the arms is next to follow
Scalpel in his right hand and the neck in the left
Feeling around for the perfect spot of execution
He Suddenly then makes a quick and clean cut
Sinking hooks went in he exposed and pulled out your major one
Then came the elevation and he held it with a stainless steel handle
Strings now are cut and perfect lengths yes they were
Under the massive one I reached in with the angled tweezers
Spun threads I pulled and through the opening underneath
Like tying a child’s shoe he did the first loops
Next came a tiny snip with the special scissors
Then after a wiggling push the valve was in its sheath
Now the torquing of the strings to hold them tight like acting as a hose clamp
Same now is done to the second biggest one
A Thick rubber hose now finds its way and attaches itself to the port of entry
After the precise ratio customized to your specks
The proper mix of a liquid concoction and concentration of flesh color rejuvenator
Now join forces together inside the tornado simulator vat
Dials are set and switches are then flicked to power it up and power it on
Spinning like a sky high typhoon the raging torrent in its attempt
To slow down the decomposing process now only scares your soul away
Clinging for dear life was still no match, many clots there were and many I saw
I had my hand in the helping of you so you could be set free
Out you escaped you’re now free and all the rest I washed away
Like magic right before my eyes
Your pale color is now taking on a new tone
To help the proper flow and to stop things that might grow
Dampened sponges now massage your face and arms
When it came to your hands I shook it first and then told you my name
Blended mix is coming to its end what is then next
Knots are released and oozing they were
A quick packing of gauze slows the red sea’s waves
Drying salts and a squirt of super glue then arrest the flow
Hosing all the magenta away jelly suds are then applied
Washing your strands and then your frail brows
In-between my fingers bubbles did appear
Like a new born infant I treated thee
In hopes that someday that’s how they will treat me
Warming the flow to a comfort zone I gave a quick rinse
Foaming growing lather now upon your face
A five bladed razor in his hand he gave you the perfect shave
My hands are now dunked into the soothing cream
On your smooth as a babies bottom grin it is rubbed
That is all for today lets wrap him up and yes I did tuck him in.

(CARSr. 7-10-12)
A little *** and spirit
Make days tighter



Easier moments
   dense air




Heartful silence
Islands hosing negative measurements



Singing folk tales
Going home from visiting a friend
I have walking this same path
Walked this way, countless times
Up a slight hill of a lonely street
To a desolate alley in summer darkness

But I need to take a call of nature
So I start to relieve myself
To **** against a unyielding wall
And I am blind to those behind me
Two youths of eighteen or nineteen

I feel the liquid pouring down my leg
Then in seconds it is a ball of flame
My left leg, burning in pain, agony
I turn and they are running and laughing
Leaving me alone and I feel the skin burn

I kick the right shoe off my foot
And intend to take off these burning Jeans
But the foot is a ball of orange flame
The liquid had not travelling down the leg
It had gone into my shoe, burning from inside

I am shaking, in my shorts in night summer heat
I try kicking this fire out against the wall
The agony has taken my mind, insanity takes the pain
Unknowing, three toes snap as I continue to kick
But the fire burns on, with the smell of burning flesh

No one is there to help me, I only want to sleep
Concrete steps keep me from reaching safety
From this alley up to the waiting maisonettes
So I hold the rail, and force myself to climb up
And still the left leg burns and the pain returns in fury

I make it and there is someone in the kitchen
The first maisonette that stands on the corner
He sees me and he sees the flames that hurt me
He looks at me in horror, and then there is screaming
The screaming is coming from me, I can not stop

The man comes out with a bowl of water
He throws it over the burning foot and I pass out
I awake and there is a neighbour holding me
I see people all around me and I try to remember
The pain and memory come rushing back

Firemen are there now, hosing my leg with water
I hear a crackling and realise it is the leg
The screaming starts again, and it never stops
Coming deep inside of me, for this madness to end
And again darkness takes me as my mind shuts off

I am in an Ambulance, but I do not feel safe
They are out there and could still come for me
Why did they do this? What did I do?
I never even knew who they were
And the horror etches deep into my head

That was years ago, and I still carry the scars
The leg was saved, full thickness burn
Skin grafts rebuilt it, but it still breaks down
Three toes amputated, the big toe and ones next
Yes it still haunts me now and it always will
copyright Chris Smith 2010
Brent Kincaid Apr 2016
Bell bottom hip huggers
And my Frankenstein shoes
That had stack soles and heels
That I could only barely use.
A crop-top sleeveless tee shirt
With a superman emblem on it
And diamond ring on my hand.
In case I might have to pawn it.

Because we were picketing
Downtown at the City Hall
And at some police stations.
It was the seventies after all.
Our parents raised us to acquiesce
It was their America they protected.
And it was just exactly this blindness
That we, en masse, all rejected.

We failed to understand them
The generations that came before
That prized prejudice and bias
And celebrated sending us to war.
We felt there was another way
To go about sweeping social change.
We saw beating and fire hosing
As nefarious and more than strange.

We got beaten ourselves and jailed
For just pointing injustice out to them
And watched our sit-ins and love-ins
Turned into scenes of ****** mayhem.
We heard them call us all criminals,
Long haired ******* was a favored taunt.
It seems we were entitled to our opinions
As long as we didn’t chose to flaunt.

It felt so very much like **** Germany
Including storm troopers and jack boots
And the local politicians were obviously
At least agreeing if not in cahoots
With the police in their fear of rebellion
And protecting their good paying jobs.
So, they beat us and vilified the students
Calling them ***** communists, and slobs.

And, yes, some of us were getting high
Back in our homes and apartments.
Sometimes it seemed the only way
We could deal with the estrangement
Between what our country said it was
And what it turned out it really was.
It was hard to realize our land wasn’t free
And there was no social Santa Claus.
A forester named Johnny Splinter
could never find work in winter,
but when summer was nigh and the fires were high
he'd make twelve thousand hosing down tinder.
Hosing Cigarette butts
and brain matter off the asphalt
in the parking lot
                 from those who painted blindly
from their third story windowsills

You kids, who mourn
the loss of some delusion
of art in memory
                  of yourselves
now seek the redemption
of a summertime soliloquy  

Mary Fahey/Michael Sinclaire. March 2013.
Yule Tide

The pig
In the pen
Is being slaughtered
To day
Christmas starts
With a killing
Some get
Pork roast
Others get trotters
In the yard
My neighbour
Is hosing away
The blood
His sacrificial
Duty done
And I got a shoulder ham
You gazed behind me
Roughly hosing your minutes
noting all entrances to the nearest exit,
Nursing my emotions unwilling to care for me
Let this chaos end to begin please.
I plead for you, baby.
Reverse, there will be a content position waiting in my arms.

A sentimental hug confronts the overbearing sigh.

Idling memories spraying views based in realm sleep

Gone you are only to return flourished in a new beauty.

I miss our dreams dearly my love.
If you need a place to pick your nose,
Eat contraband &/or beat your meat,
God bless the child that's got his own,
That's got his own bedroom,
His personal Reichstag bunker,
His private Junker Bauhaus,
If you get my drift?
If you don’t, “Get Bent!”
I am not here to entertain you.

So I am coming in from garden hosing--
Not lederhosen, you Aryan punks!--&
I'm on my rear patio thinking to myself
I couldn’t get any higher,
Even with Jackie singing:
Search Results Jackie Wilson - (Your Love Keeps Lifting Me) Higher And Higher (Best ... Aug 11, 2011 - Uploaded by jakebucknall 123 Jackie Wilson - (Your Love Keeps Lifting Me) Higher And Higher (Best Quality). The Staple Singers -I https://www.youtube.com/watchv=mzDVaKRApcg.
But I digress.

A spot of hose magic,
Watching my garden grow.
Keeping things moist & fertile,
Leonard Cohen (RIP) on the airwaves,
A fat blunt betwixt my lips,
"Curling up like smoke above my shoulder."
“Don’t get me started,” I said,
Paying tribute to beloved Joan Rivers (RIP)
Lost so senselessly, so humorlessly,
To some whack-job-wonder boy,
Who just happened to score perfect 800s
On his high school SAT exams, &
Later worming his way into Med School,
Which rather begs the obvious question:
Those 11-year old Frankensteins,
Why did their Bubbes give them a
Chemistry sets for Chanukah?
Later earning state Medical licenses,
Licenses to practice,
Licenses to **** & just say
*“OOPS, I did it again!”
betterdays Jan 2017
fingertips,
twitch itch and burn
with need

need to touch
torch-hot flesh
to feel, white-hot soul
ooze through thin-skin membrane

toungetips rake softlips
stealing murmurings
of heart and head
leaving desire
simmering  there instead

yearnings, deeper delvings
desperate dionysion delusions
draining staining steaming seeming
never ending mind bending soul rending ***

stealing silent sombulent kissses
of fearful guilty farewell
trip tip-toeing doors silently closing
need hosing, shamful moseying away
from who the....what the...oh hell!

fingertips tapping drumming
hunover mind blown but still hummin
no excuse away from home and lonely
awaiting the bill, cash only,
cause credit be evidence of crime of illicit time

now despondent knowing heart-sore
bad to the bone core, never wash away rime
dang, stuffed up to one's own detriment
balancing on earth-quaking, slip-sliding
no-place, nowhere to be hiding, mudsliding firmament
thinking deep, dark, stark stupidity rules
now just me the jester and the fools
all counting the cost and consequence
of one night, tispy cheap drunk nasty, nasty  thrill
Writing exercise only... me and the gnarly  surferdude are still strong and good....
Jim Allen Jan 2017
My brother's wife is dying,
diagnosed three months
prior to my spouse
they have had almost
three years.

I am happy to have been first,
for now I know how to be
that older brother
never there for him before.

It is peaceful on the farm
the cycles present themselves
as nature instructs,
together they bury the beloved
in the garden.

My dear ones fashion markers from
bark, agates, photographs
and feelings.

I watched them laugh
in the heat of the brutal
southern summer
hosing each other cool
naked as jays in their fifties,
humor comes without
a date of expiration.

My brother is the family
genealogist, he knows every
detail of our heritage,
knows his black neighbor
is our relative,
when they fish they are uncle
and cousin.

Laura prepares them sandwiches
from the garden, curses the raccoons
for eating all but the last tomatoes,
she slathers them with mayo
for the boys on the plantation's
levy.

Bob takes her for chemo at 6am
all year long.
They read each copy of Prism
in the cubicle
while Laura is tethered,
making mental notes
of my perceptions
for accuracy.

Soon I will get the call
I will be up even though
it is 2am.
What we say to one another
will be private but only for
a time.

Life is designed to be shared,
it is not a secret hell
to be endured.
We will likely walk again
on the rich soil Laura
called "Green Acres."

He will see her planting
cukes and maters in spring
grateful for the strength
of wreckless youth
which drove her from the Bronx
at 17 determined not to be
the butterfly of New York class
with all its dreadful
opportunities.
Real time
Brent Kincaid Nov 2017
Platitudinous, pusillanimous,
Pulchritudinous, posterior
Poseur, postulating pus bag
Posing as plenipotentatious
President POTUS, posturesome
Proudly putting paws on *******
Publicly preposterous woosie
Pretending propriety: a putz.

Eternal egregious eccentricity,
Endless empathy-less publicity,
Effectively inbalming ethnicity
Eviscerates any essential nobility
Excluding even existential energies
Of expectations of excellence
Instead enacting evolution-free
Economical inimical extortion.

Hourly horror holler hate,
Both houses holding hotheads
And hundreds of houris
Honoring honor-free hopes
Hesitation-free horrible haste
Hosing hope and helpmeets
Who have inherited helplessness
From heartless halfwit hoydens.

Boisterous ***** and boors
Beat beauty and belief badly
But beg and bawl for bounty
Bathing in bastardy and blood
But beyond bowing to betters
Banquets and bowers of berks
Badly bent beyond blessing,
They’re best boxed for burying.
PJ Poesy Apr 2016
Badger: (Sniffs and snorts) You, you Sir are on my road. Listen, you I am speaking to you. Who are you? Why is it that you lay on my road? This is my road and you do not belong here. Wake up Sir, or I shall become indignant. What right have you here on my road? I do not take lightly to strangers appearing on my road, in the middle of a night as such. You see, only the stars are out tonight to guide my way. You Sir are an obstacle of alarming disproportion and you indeed do not smell well. In fact I would say, you stink. So if you would kindly remove yourself from these premises, I will not be forced to reckon with you further. (Snort, sniff) Sir, Sir?!

Man: (Waking) Huh? Wha-wha-wha-what? (Shriek, shiver) Uhh!

Badger: Oh for the goodness of ground squirrels. Now this is indeed no such behavior in which I shall tolerate. Take your stinking self off my road before I snarl, and snap upon your nose, a reminder you should never forget.

Man: Oooh. Ahh. I am sorry Mr. Badger, Sir. Please forgive me as I am not well and must have suffered a spell here on your road. I insist Sir, I am not a drunkard or here to cause you harm. It’s just that at times I lose equilibrium, as my brain and nerve endings are not in harmony. I am so sorry to have made such a spectacle of myself, here on your road. If you give me a moment to compose myself, I shall be on my way.

Badger: Oh, I see. Well, this is some fine mess. I do suppose you will need some assistance. Take cover there, over by that tree across the road there, on the other side. I will divert the attention of the bear and mountain lion, as they shall be following up shortly. Now scurry on, or waddle or whatever it is you do.

Man: Thank you kind Sir. Mr. Badger Sir (Shuffles across street.)

Badger: Oh bother, no need for sniveling. Move along.

(Later at dawn, man wakes to lawn sprinkler hosing him down, and an odd recollection.)
ZL Aug 2016
cherry pie is warm and all
and wood is hard and tall
I tripped on lust
what a fall!

confused emotions
witches potion
lost in motion
strange notion.

tainted thoughts I'm closing
old flames I'm hosing
hand picked by God
time to start living like I'm chosen!
Trevor Gates Dec 2018
That other part of me is hemorrhaging again

You can see it if I pull up my shirt

It’s just below the scar on my stomach

Don't you see it?

That’s ok; no one does the first time

You have to get used to the idea that something

Something lives inside your body

Other than yourself.

It’s like letting the pus of an infection

Or the twisting the water out of a damp towel

Counting the minutes, are we?

Those cracks in the medicine cabinet are getting bigger

By the day

The walls are hollowing out

As much as you to picture me,

You’re going to be distracted by the woman walking the other way

Crossing your path wearing black stockings,

a low trim skirt

And a pale face that bears no eyes.

I’m past the elevators, in apt# 276—

Ignore the violently shuddering man in 274

Like an idling phantom, turning to catch you

Our synthetic blood laced with FDA-approved preservatives

The bass boosted from trunks of Cadillac coup-devilles

Synths layers—then delayed, and phased through mixer boards

Faces given masks to paint and supply over masses with

Industrial strength dream pop for Death metal Floridians

Mesa Boogie rectifier amps thrashing and impregnating ears

Scotch eggs soft boiled and left in saucers of cream and Irish whiskey

Children walking single file face towards modern Auschwitz.

Snail trails over rotten apple cores

Left by riot girl Eves

And warned by Adam O’ Conservatism

Ahead of corporate delusions of grandeur

The people raise banners to spoon-fed malcontent fools,

Hiding the holes in their teeth,

Using metal clamps for their jaws and joints

Hosing down any person not white in appearance

And pigmentation, putting the carcasses in  

Meat grinders and rubber soles

The devil in the frying pan, ready to harden arteries like teenage *****.

An incoherent mess of self-indulgent metaphors

Spewing from rushing fingers tips on clashing keyboards

And aching, sore, tense back muscles,

And weakened nimble fingers

From a late 20s savant or loser

Unfulfilled, unquenched, unsatisfied, but—

The time will come when we shine and when we reap what we sew

And live lives that we always wanted for ourselves

But the longer we wait the older we get,

and the days don’t last as long

The weeks fly by

And the eternal year of our youth is

but the quick and fleeting year of our age

At one point does the ambition and aspiration,

fade like our energy in our bodies?

We learn to live with disappointment

and join the herd of others like us

And praise the idols of the limelight

The industrial age for the modern American economy,

For when the night has a thousand eyes

And we’re a thousand kisses deep

And we shed tears only angels can envy

We’ll know what sorrow is

captured on film and described in books

Where literature can emphasize—

illustrate with text what paintings couldn’t

It’s a stupid septuagenarian fantasy that fades

With the vagrant woodsman covered in ash and coal

Roswell interstellar lights escaping over the 1950s desert

And the roads smelling of sulphur and shrimp

Crystallized cathedral spires

I’ll get naked for a dive bar lunch of psychosexual deviants

And Warhol-esque color coding mixed drinks under neon flickering

and horse fly buzzing

And clubs to dance till the apocalypse can edge our lust

Seek fulfillment in the retro ultra-nuclear fusion reactor made up by

Technobabble neuromancers sitting in platinum rooms waiting
for the show to be picked up for a revival on cable 25 years later.
We’ll run the blade against the grain and find that soft spot

For the blackened metal to merge with flesh

and can call itself bone when we know it’s all just really

Artificial.
Andrew Rueter Nov 2018
It’s eating prey
Time of day
Enter fray
Rent or stay
Gents who play
Bent the game
Their dented brain
Centered pain
And mentored shame
As inventors of rain

A mad goon
Raccoon
Attack looms
I’ll crack too
From flak flumes
Under black moons
That lack hues
To track clues
So I stack blues
To attract feuds
With a knack to lose
Looking back to you
I see a path to choose
With a wrathful queue
Remembering old news
Stomping a bold shoe
The way the cold do
Using a honed broom
To get me to fold soon
And grab the gold spoon
From your sold room
That holds doom

A habit teacher
Rabid creature’s
Static bleeder
Rapid feature
Fed me ether
Yet no relief for
My silent grief core
That starts to seethe more
After I have seen the door
To your seasoned store
Closed for sure

A saline
Daydream
Grays beams
Of light streams
So my plight seems
Like a night scene
But my fright means
That my sight’s been
Judged rightly

I’m decomposing
Juxtaposing
My lust with posing
For the trust I’m hosing
Of dust deposing
Varmint nosing

Lost and found
In the ground
Safe and sound
Except for hounds
Who’s sharpened crowns
Lie in darkened frowns
As they roam the town
That exists underground
They belong in the pound
So I can peacefully drown
Andrew Rueter Oct 2018
People on my paper
Taper
From my eraser
For I’m safer
Avoiding their paper cuts
In my lonely rut
As a homely nut
Who’s doors are shut

My notebook
Notes looks
To quote crooks
Who float hooks
To trick innocent fish
To do as they wish
Because I want bliss
I write down their list
Of how to make mist

Receipts
Of deceit
For defeat
At my feet
Are blank sheets
With no signature
Because I’m immature
And don’t admit I hurt

The world keeps turning
As textbooks are burning
So I’m incapable of learning
Why those who spurn me
Put me on gurneys

The stationery
Stated the scary
Apothecary
That makes us weary
Was the way to parry
The judges staring
At my pages tearing
From my burden bearing
Attempts at caring

But the judges became more imposing
My life they were hosing
Constantly nosing
Sympathy posing
Secretly hoping
A shotgun loading
Equaled my foreboding

Then through the papyrus
I saw your iris
Infecting virus
Distracting from the pain
Of the words on the page
Calming my rage
Like a sobering mage

But a paper ***
Playing God
Knowing odds
Said I’m flawed
Sending an origami
Tsunami
Upon me
With a piece of parchment
Showing where my heart went
How plainly evident
I wasn’t heaven sent

The text
Said ***
Was next
So I flexed
Which indexed
My intentions
As extensions
Of *** tension

My lousy excuse
Of a paper noose
That was obtuse
Cut you loose
After my poor example
Of a newspaper scandal
Making our fire burn ample
Incinerated our paper candle

I decide not to stay
Through this paper mache
Facsimile fray
Dominion grave
So a road I pave
With paper plates
For the wasteful fate
Of an empty slate

Through days I’m wading
Calendar fading
Ink degrading
The endless waiting
As my head is deflating
Because my construction paper
Always becomes obstruction vapor
So I become a substance faker
Loveless taker

Only when I finish my paper route
Will I see that my shameful doubt
Kept me out
Of record books
For I was shook
And my eraser took
The writing off the page
As I die of old age
the dirty poet May 2019
bomb-sniffing dogs, towing cars
ripping down my poems
scooping the homeless from storefronts
herding them into the park
i’m surprised they’re not hosing down anyone
with ***** feet
Arbin Moreira Jun 2018
Sitting always in the light I’ve grown tired,
I’ve given up the happy façade,
Slow strides and dead eyes,
I live life as a pass time,
Surrounded by demons at night,
Nightmares and rage written about life between death.

Before I approach you, I put on my mask,
Facing away from you I hide my past,
A mask so realistic you would touch and not question,
I fear one day you’d touch too hard and feel its weight,
Why its so heavy and repulsive yet you haven’t noticed,
Maybe you will soon by fate.

When my mind wonders and I start to feel,
The mask falls off and I’m scared to be seen,
I cover my face and run into the dark,
I put back on the mask but the demon smacks me aback,
Searching for my possession in the dark I search,
I search before you can find me,
I feel something similar to my face and I lift it,
Its very heavy and sloppy saying,” put me down”,
With my eyes adjusted I see a head decaying within a sheet,
I’d have to bury it… I carry the body and run full speed,
The body begins to scream and I see someone in front of me.
I then crash into a mirror head first and I collapse with its shatter,
I look at the screaming body… I struggle to mount and smother it,
Fearful and disgusted I feel close to suffocating the abomination,
I’ve forgotten how familiar his face felt,
But not before a barrel touches my chest and a sudden motion forces a switch of positions,
Loud bangs and flashes fill the room and his frowning mask is revealed,
It was revealed already sprinkled with dark red liquid,
I slide my hand across his mask as he laughs.

After the 5th bullet,
He pulls my lost mask out and fits it on,
He laughs under a frowning mask and I cry under one of laughter,
Heavily smearing my blood across his frown …he laughs louder,
He empties the clip of his gun and stares at me in the dark,
Again with a swift motion I am lifted and he head butts me,
Both of our dramatic faces collide… breaking and shattering.

Bleeding upon the floor I choke on blood hosing through my mouth,
Sliding my hands across the surface I cut myself trying to find something,
The broken pieces of my mask that complete me… I find the biggest and slip it on.
Hearing laughter I crawl into the light and feel ashamed,
Dragged back from the light I feel no pain,
This monster will devour me along with my sanctified hate.

I can’t allow myself to die when this façade wants to survive,
Still alive I’m starting to realize I was painted as the antagonist,
I’d cry for help but this is deeper than even fate,
I cannot escape such a fall… I would be delusional to think I wouldn’t die here,
I cannot be saved today… a Façade in the hours of the finest death,
The dying light traps what can never be changed but will always remain as my regrets,
My past times crumble upon my face and my memories burn in the heat of the light,
Feeling hopeless I know I simply can’t escape.
The happiness I faked in my false gestures were the causes,
The cause of pleasure and disaster of great measure,
The dark has become venomous to my eyes as has the light,
Crimson is all I can see and all I feel,
My dyed rotten mask sits upon my expression,
The happiness I tried to mimic and replace ended me,
The man who laughs heavily is the actual symbol of hope, trust and forgiveness,
As he stops laughing and kneels beside me… all I would hear is silence and silence is all I wanted,
My story is written between the pages of books about life and death,
My façade…façade… façade…. I sleep away with the contributions I’ve made.
A simple dramatic poem written about the feud between hidden emotions
Ryan O'Leary Jun 2019
~
It rained in the night,
one would have thought
that, in addition to the
hosing down of the area
where I mixed concrete,
the residue of cement
would have been washed
away?

Not so, at 7 am I discovered
what appeared, a dead ver
de terre.

I dipped it in fresh water,
not easy to wash a worm,
but, my efforts were duly
rewarded.

Back on the Irish misted
grass, the previously stiff
stick of spaghetti began to
move.

Enough to alert the hen
blackbird with young in
the next hedge row.

Away it went wiggling
with delight, perhaps
with a slight tinge of
Portland ™.

Nothing better to toughen
up a baby bird.
TheConcretePoet Nov 2019
when you
insert fire
into fire... .
it
only intensifies

heavy
oxygen in
the air
feeds the
burning

the heat
and smoke
arrest their
hearts

monolithic
bodies
melted... .
exhausted

all cooled
down with
a spasmic
hosing
Vicki Kralapp Aug 2020
Days of long, hot, steamy afternoons,
digging forts in sandpits during the peak of summer,
hunting grasshoppers as they fled from my cupped hands,
I ran like the banshee I was, growing up wild in the country.

Memories of days in shorts and undershirts,
my skin stained orange like the sand I played in,
I lived on Kool-aide and peanut butter sandwiches,
snacking on sweet red raspberries and currents that grew in our garden.

Cool nights playing twilight tag with my brothers;
the air turned crisp, always ending too soon,
mom hosing us down before we were allowed inside.
Washed clean and tucked in, welcomed sleep greeted us as our heads hit the pillow.
All poems are copy written by Vicki Kralapp 8/2020

— The End —