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Sally A Bayan Sep 2015
Up
The tree of the sweetsop
I see
Raindrops
Sliding down...to the leaves
Of the Fortune tree
Drip-dropping,
Straight falling
Splashing
Down
The
Graveled garden

From up
The tree of the sweetsop
There's rain,
Dropping now on my hands
We are connecting
Feeling
The union of
Cold and warm
Tears from the sky touching my skin
Never, never to be lukewarm
Towards
A presence-
And in its absence
Persists a longing.
Crystal, silvery droplets
I try to capture inside my palms
I would drink them, if possible
Make them stay in my system
Never to depart from me
As long as i can,
Lest they drop and be
Scattered
Disintegrate
Like molecules
On the
Graveled garden.



Sally

Copyright September 10, 2015
Rosalia Rosario A. Bayan
Don Bouchard Feb 2019
It's June, 1967.
Nature, still lying through
Parsley green teeth,
Breathes the last of spring,
Hints early summer warmth,
Pre-July's cicada whine,
August's heat and wind.

Crops, still tender green
Quiver beneath a humid sky,
Under a glowing sun.

Bicycles amuse our early lust
To soar untraveled ground,
Entering lazy summer's ennui,
We scan a hawk riding drafts
On the edge of our hill.

Dust, drifting up the graveled road,
Five miles below us,
Piques our interest,
Causes the dog to raise his head.
He ***** an ear
Toward a sound we cannot hear.

We hear gravel slapping rocker panels
Before the traveler's roof rises into view,
Catch our breath as the engine slows,
Start running for the house.

A stranger's arrived,
A traveling salesman,
Better than an aunt
Only stopping in for tea
And woman talk.

Dad keeps his welding helmet down,
Repairing broken things.
The hired man inhales his cigarette,
Acts disinterested.

My memories linger on the past....

Salesmen brought the latest farming gadgets:
Additives for fuel and oil,
Battery life extenders,
Grain elevators and fencing tools,
Produce and livestock products,
Lightning rods and roofing,
Chrome-edged cultivator shovels,
Insurance for everything:
Fire, water, wind, hail.

Pitches came without exception:

"Top o' the morning! Looks like you're busy.
Don't want to take your time."

"Looks like you could use some welding rod,
And I have something new for you to try."

"Have you used chromium additive in you livestock salt?
Guaranteed to put on weight and protect from bovine
Tuberculosis!"

"Say, have you heard about the effectiveness of a new
Insecticide called DDT? I've got a sample gallon here
For you to try. Works better than Malathion!"

Dad, eventually intrigued, began the slow dance
Of dickering, haggling over this thing or that.
Most salesmen, closing in for a ****,
Hadn't grappled with my father.

At noon, deals still in the air,
My mother called the men,
And we all trudged in to wash,
Waiting in line at the tub,
Scrubbing with powdered Tide
To remove the grime and grease,
Drying on the darkening towel,
Finding a seat at the table.

The salesmen expected the meal
As though it were their right,
A standing invitation:
Stop in at noon,
Make your pitch,
Sit at table,
Close the deal after.

We boys sat and listened
To man talk.
Eyes wide, we marveled
At gadgets,
Wondered at Dad's parleying,
Winced at the deals he drove,
Commiserated with squirming salesmen
Surely made destitute by Dad's hard bargaining.

In retrospect,
I know the game was played
On two sides,
That the battery additives
Bought for five dollars a packet,
Even with the two Dad finagled free,
Cost about five dollars for everything,
Returned forty-five and change
To the smirking, full-bellied salesman
Who left a cloud of dust on his way
To supper a few miles down the road.
We don't see traveling salesmen anymore at the ranches in Montana. I guess internet sales did them in.
Terry O'Leary Dec 2013
Flings and wings and rings rejected…
Cupid’s arrows fly deflected…
“It clearly is too late” she signed, “to love, adore or pay me mind”

Penciled lines drew cruel conclusions
mocking mirror’s cracked illusions…
Sometimes, in time, I hang awhile, reflected in her parting smile

Drifting wan, below unheeding
worried, wounded suns a’ bleeding…
Struck dumb by night, no way to say “Let’s sound the stars another way”

Shaking sands frame distant smokestacks,
shanty towns, forsaken oak shacks…
Pursuing dusk, collapsed and dyed, the docile dolphin deftly stride
beyond behind the ebbing tide, towards One-Way Ships of sunken pride


Gypsy dreamer in denial…
Sleep and slumber standing trial…
I never really ever slept inside the cryptic walls she kept

Martian moons provoke the oceans…
Strange enchantments stir the potions…
The mutant molten purple skies ignite subconscious fireflies

Voiceless echoes feigning laughter…
Crushing quiet screaming after…
Vague vagaries pretend to sleep, my conscience crumbles in a heap

Startled stars at dawn are slacking…
Still her tempest sail is tacking…
In fractured dreams sere silhouettes blow foghorns, trumpets, clarinets…
Discarded glowing cigarettes tinge One-Way Ships with pale regrets


Cold cathedral clocks upended…
Frozen second hands suspended…
Beneath the gauze of time I try to while away somewhere nearby

Ticking-tocking time’s a’ tolling…
Cruel eternity’s cajoling…
The future, tattered, calls bereft, with nothing but her shadows left

Brigantines skim gated grottos…
Distant divas voice vibratos…
Though eons pass, then intermix, I’m trapped ’tween time’s untallied ticks

Conquered candles flicker faintly…
Braided tresses quiver quaintly…
Demystified, untamed in time, her face is traced in puppet mime…
Amorphous tongues of jangled rhyme hail One-Way Ships that glide sublime


Bolts of lightning flash unkindly…
******, alone, I huddle blindly…
I drain another dram and bray “she’s far too far too far away”

Twisted waterwheels a’ thirsting…
Flaming flower buds a’ bursting…
Adrift, I stagger far below their unchained magic rainbow glow

White crowned wave crests break unbounded…
Shackled seashore sands lie pounded…
Unleashed, beyond the bridled world, her silver sails, cut loose, unfurled

Captive bluebirds nest in baskets…
Morning glories cover caskets…
Wee ballerinas swirl and spin while giant jokers smirk and grin
and, wasted, I withdraw within carved One-Way Ships in flasks of gin


Hungary hounds harangue the highlands,
howl at skies and desert islands…
Below, unfettered carbon crows conceal the parting path she chose

Lighthouse lamps and lanterns lolling…
Mute abandoned fleets are calling…
The shallow shadowed portholes vaunt dim traces of the past that haunt

Curved magnetic curtained faces
yearn contorted brief embraces…
Her fairy-tale like tattoo touch was serpentine but soft as such

Coffee cups and spoons corroding…
Mystic tea leaves, visions boding…
A cabaret calls, standing bare, beneath a splintered footloose stair,
vain vapors drape her vacant chair in One-Way Ships beyond repair


Splattered days are dripping dreary…
Shattered nights are wearing weary…
Without her footfall at my side I steal away within to hide

Fancies flame, persist to flaunt her…
Wanton whispers hiss I want her…
Hyenas, haggard, held at bay, still gnaw on bones of yesterday

Graveled graveyards grey and ghastly…
Apparitions pacing past me…
The answers to my whys and sighs have veiled her limpid pale blue eyes

Lurid figments storm the valleys
****** the helms of spectral galleys…
The coughing phantoms at the wheel, they make it all seem so unreal…
Rebounding cracks of thunder’s peal, shake One-Way Ships while seagulls squeal


Yesterday’s unsung, unspoken…
Bygone paths fold, draped and broken…
The weary winds of winter cling to voiceless nightingales and sting

Desert blossoms growing colder…
Drifting sand dunes pause, enfold her…
An arctic kiss and blush revealed forbidden pipe dreams flung afield

Weeping willows’ wilting snow drops
drip on tips of tiny toe tops…
Their opal fires bleed and fade while suns explode in icy jade

Jagged hours hangin’ heavy…
Footsteps pace the barren levee…
While pros and cons and kings debate, acclaim and blame and fame equate
the ruin’s remnants left to fate with One-Way Ships that fail to wait


Blazing blades of love surrender…
Memories and thoughts transcend her…
The Persian gazer’s crystal shows I’ve truly lost my ruby rose

Buried deep in evening’s embers
dust forgets what flesh remembers…
The bitter taste of farewell’s haste has laid the ****** skies to waste

Ruffled ravaged ravens ranting…
Churlish ancient churchmen chanting
resounding what she told me true “There’s nothing more that you can do”

Trial adjourned by judge and jury…
Freed, she flees, absolved of worry…
Remaining runes and relics burn to feed the ashes of the urn…
Six seers, wiser, soon discern the One-Way Ships of no return
Annie Jan 2010
In the land of the practical
There lived an ornamental
A desert rose.
A farmers wife
Planted her
To break up
The graveled nap
Of gray caliche
And from the time
She pushed her first shoot up
She knew she
Didn’t look like
The other plants.

The land could not
Be farmed
There was no oil
So the farmer and his wife
Moved On
Leaving the rose alone
Amongst the desert cabbage
And the other wild succulents.

At first she tried
To blend
Curl her velvety leaves
Into a cabbage
Fodder
For the desert fauna
But the animals avoided her
Because she looked odd.
They worried that she was poisonous
So she crawled back
Underground.

But still she longed
For light on her face
So she stuck another shoot up
Conserving all her energy
For her stems
She didn't want to frighten anyone
But her stems grew thick and woodsy
Like a thorny fig vine
And after a hiker
Cut his leg
She curled up
And crawled underground.

Years passed
Until she was as frozen
As the ground
Then one day
She sensed movement
Above her.
She pushed a shoot up
And standing above her
Smiling
Was a young woman
- There you are
The woman cried
- Why are you hiding away
My grandmother told me
All About you.
You were the one bright spot
Of color in her garden
She could smell your perfume
From her window
And it reminded her that
Beauty could survive
Even in such
A drab place.

And the rose blossomed.
Brian Oarr Dec 2012
As a teenage boy I used to fall asleep at night
listening to the graveled voice of Ernie Harwell
fashion for me word-images of the exploits
by a band of superheroes called the Detroit Tigers.
In those semi-lucid moments before slumber,
I could see the shimmering outline of my destiny:
you see all American boys are meant to be Tigers.
So imagine my confusion, when I fractured
the right talus bone my Junior year of high school,
even putting on weight around the middle,
where no athlete worth his pin stripes would gain.
My karma had begun to take on mass.

I began to acquire knowledge, as the only perceived defense
against some parallel universe impinging upon reality.
Oh, I had everyone convinced, even my keenest teachers
believed I was destined to make my mark in scholarly pursuits.
But no one saw the crying ego of one meant to be a Tiger,
nor how that bottled up the emergence of the Man.
Never reconciled, the Man curled up in fetal dormancy.
Lifespan became synonymous with interstellar drift.
And every encountered star of knowlege was dwarfed,
having long ago collapsed of its own gravity.
Still the heavens of knowledge are auspicious,
so I looked outward, when all the answers lay concealed within.

Only as my life left the outskirts of occluded reality
did I then begin to inherit from my instinctual id,
begin to listen to disconsolate internal voices,
who had known me all along, perhaps better than myself.
The thing is ... the stage has long been set on middle-age,
what props lie about are encrusted with patina,
laden with a dust impossible to gauge or preempt,
made worse by the lack of cast, save one.
Neither Beckett, nor Pinter, could have absurded this.
So, when my acts strike you as quixotic,
when I cut with a penknife through propriety,
it's because I finally remember what it meant to be a Tiger.
"Matter is just energy waiting for something to happen."
          --- Dr. Walter Bishop, Fringe Division
Zach Gomes Oct 2010
From the backbroken fliers over oceans
From between the spiny frills along palm fronds
From Mr. Happy, the chain smoking chaperone of good times
From Mr. Happy’s half-burnt ****, coiled in the ashtray
From the disciples of Theravada and the skinny Buddha’s pupilless eyes scanning jocose scansions of jungle
From the tanned holy heads of students lounging in graveled football fields
From my bowl of rice at breakfast in the shade while considering western cities, you are not here
‘You are not here,’ I’ve written in my letters
‘You are not here,’ I’ve typed into e-mails immense
You are not here, my coke head pals locked in the veins of seedy nightmares
You are not here, my penniless friends who mix music in ascetic dark rooms out in Bushwick
You are not here in no eastern Central Park running naked in the night from horseback cops after hours of merciless balling in the bushes
You are not here you fair-skinned beauties in crowded alpine funiculars bearing your aquiline noses holding your hats over the mountains
You are not here my lonely mother waiting by the phone for a call at midnight
You are not here, you are not in my poems, you are not in the distorted notes harpsichorded across my crass imagination
You are not here, you will not be here, will you read my letters home?
Christopher Rose Feb 2010
I
Sing, O Muse, of the wrath
That came from the East
To conquer our conquerors,
Of the left-handed Benjaminite, Ehud,
Chosen by G-d to free
The twelve tribes of
His chosen people.
For in his holy ******
Of Eglon, who, spurned by G-d,
Threw the chains of slavery on the
Exiles of exiles, diasporas of diasporas,
Kingdom of kingdoms trampled under
The wheel and foot, the people found
Their salvation in the crumpled body
Of an overweight king with a two-sided
Sword, fashioned by hand, in his protruded belly.

II

First, in the long succession of Judges,
Was Othniel, then Ehud, Shamgar,
Deborah, Barak, meaning lightning,
Followed by Gideon who destroyed
The altar of Baal, then Tola, Jair,
Jephthah, Ibzan, Elon, and Abdon.
Samson emerged late on the scene
And let the ***** from afar castrate his hair
And his G-dly strength.  But for all their
Effort there remained no king in Israel,
And everyone did what was right in
Their own eyes. The greatest of these
Poor souls from His chosen lot was the
Son of Gera, Ehud.  Giving his life to
Service, he offered his left hand as a
Sacrifice to Israel’s infidelities.

III

Sitting in his glorious throne room,
Talking of matters begot to none
But the war-chiefs who graveled at his
Every word, Eglon thought
Of his kingdom and prosperity
Allowing him and his company
To feast upon the rifled carcasses
Of the local gallopers and crawlers.
Then, not knowing where, a sickly
Perception of war entered and blew
The horn, resonating of blood and
Chariots, of men armed with spears,
Women and children weeping for their
Lost fathers and new-lovers. The sound
Reverberated; and written on the inside
Of his skull rested the words “wage war
With the kingdom of Israel.”

IV

And not making reply, or questioning why,
He knew but his men were to do and die.
Little did he know or think to think upon
That his free agency of choice was stolen
By the children of Abraham.  So, he
Gathered the armies of Moab
Of the Ammonites and
Of the Amalekites.  With a cloud of murderous
Dust trailing behind them, and war cries
Piercing the air, they rode on to the
City of palms. “Ride, my men,” cried the king,
“Steal and plunder, destroy their gods, and
Shimmer in the glory of destruction.” His armies
Heard his cry
But did not reply.  

V

Eglon and his armies, treading like
The young lion and the dragon,
Casting stretching shadows,
Conquered the twelve tribes.  Not
A cry was uttered from Israel;
They tumbled and crumbled before
The mighty hand of the veracious invaders
Like reeds amongst the wind on
A March afternoon breeding daises
On the golden meadow.  For years,
They toiled under Eglon’s rule
Under his might,
Under his perpetual night.
“Deliver us from this evil,”
Prayed unthankful Israel—
Like always before in the unperturbed cycle
G-d heard their cries from the wasteland.

VI
The existence of Ehud, G-d’s Judge,
Amalgamates at the tip of his left hand,
Would evil emanate from his finger tips?
Sinistra sinistra sinistra sinistra sinistra
Can he, caught in the grips of history,
Defy his wretched kind? With these questions
He, answering the summons of Him and
Armed with a double sided sword of two cubits
In length fashioned by his own hand, walked
Down from the mountains to the
Palace doorstep.
I
HAVE
A
MESSAGE
FROM
G-D
FOR
YOU

VII

As the blade pierced Eglon’s belly,
G-d’s writing evaporated from his mind.
Sent to a kingdom far away to conquer
A people he knew little about, his career,
His rule, his reign, would end at the edge
Of a man from amongst the commoners.
Here he lies, the once mighty king
Laying in a pool of his own feces
Sheol awaits for him after his death
Sheol awaits for us after our deaths
And, the young man, emerging from the king’s palace
With a smirk on his condensed face;
After the battle was won,
After Israel was delivered,
After his people forgot his very name,
He, too, from the tribe of Benjamin
Had Sheol waiting on him.
Revised version. Submitted for entry in Western Illinois University Elements Literary Magazine.
Copyright 2010
g clair Sep 2013
I stood before the town folk, who were all revved up, in gear,
" I'm laying claim to 'Yonder Road', which leads to my lot there".
And as I spoke, I found my voice~ "And I, G Clair, it is my choice
to take it back" and dared the few, who looked me in the eye, and knew
they'd met their match but here's the catch,
I took it straight, right down the hatch...
The road's not mine to take.

"We must decline. It's on the line, the Powell Township County Line"
~So half of it is theirs to sell? And so I'm thinking "What the hell?"
I never planned to buy the land, which leads up to my pile of sand,
and half a road? That's just a load of ****-a-mamey crap and toad!

Not one spoke on my behalf, that half-a-road was just a laugh,
but secretly I knew their game, to share the road, and to their shame,
I'd have to buy the township out, if private is, what it's about.
And so I kept my peace of mind. "I'll pay for Yonder, rob me blind!"
"And all in favor, just say 'Aye'" The room went silent. Then a cry~
from down behind the furthest row, an "Aye" and then the rest in tow
and everyone you would have thought, would die before the road was bought
and on that day, the vote was wrought, and ALL for one road to my lot.
the road was mine to take!

And as I drove on down my road, I wondered, if it ever snowed,
if they'd still plow a private road, or leave it to the one who owed
the price of owning graveled lane, which cut in two, by grassy mane
and wondered if I'd have to mow the place which pulled like undertow~
which drew the settlers through the plain, where nothing grows in fitful rain
yet wagons, traveling there in vain, would lose a wheel, and what a pain
and one last thought to keep me sane:

Those drivers who had lots to gain
whose hearts were heavy, just the same
from weary rolling over rocks
in untilled pastures, void of flocks
who held the reigns in calloused hands
and prayed while sweat dripped from their glands
to make it to their promised lands,
would LOVE... a road... like mine.
Of the items in the store,
All were second hand
An old computer did I buy,
With a broken stand

One side was badly scratched
Two knobs were missing too
But that’s not the story
I’m about to tell to you

T’was about the second week
Of the ‘puter at my place
Sitting there against the wall
Near the old staircase

I recall the night was late
As I readied me for bed
When I turned the ‘puter off,
The screen … it turned blood-red

The appearance caused a start
I gasped a breath of air
I couldn’t turn my gaze away
I stood right there and stared.

Then a low murmuring
From deep within the set
Cold chills ran over me
I’ve not forgotten yet

A voice, low and menacing
Containing graveled rasps
I could not then stop again
My involuntary gasp

I stood there mesmerized
My gaze remained transfixed
Thoughts racing through me
And all of them were mixed

The Voice on the other side
Of the blood-red display screen
Issued a command to me
So ominous and mean:

“Place your hand upon the screen
And repeat these words to me:
Where you are right now,
Is where I need to be.”

I felt my arm move upward
Powerless to resist
I felt a burning in my palm
As the display screen it kissed

I heard a voice and realized
The speaker it was me:
“Where you are right now,
Is where I need to be.”

As the words transmitted,
Involuntarily,
I could feel a change come on …
Overwhelming me.

As I stared in disbelief
My hand – it disappeared
Absorbed into the blood-red screen
As the burning onward seared …

Through my wrist, up my arm
It’s hotness I could feel
Inward was I screaming
Not believing this was real!

In reflection from the screen
I was being pulled into
I saw a face, and then I screamed:
“That horrid face is YOU!”

The rapid assimilation
Continued then until
All feelings were extinguished
And all was calm and still.

A trillion beings there transformed
To tiny bytes and bits
And ‘tis every part of us
All websites now transmits

Now here I am deep inside
This computers’ display screen
If there’s disturbance felt
Oh so sharp and keen

Just place your hand upon the screen
And read these words to me:
“Where you are right now,
Is where I need to be.”
……………………………………………………………………………………
           The figures stood still, a blank expression to fill. Their waxed complexion holding dust, soulless cages immune to rust. Light bulbs flash in rhythmic delirium, contrived joy running at a premium.
           Flocks of herds came to take notice of this brand new attraction, one designated worthy by an overriding faction. Social conscience had said its peace, and passed on its opinions in a shifty lease. Word had spread as fast as it could, regardless of whether it necessarily should.
           “T. Elsey Wax Museum” was the hottest ticket in the city. Vouched for by an annual subcommittee, composed of men of no esteem, and opposed to views deemed too extreme. Every vacant mind had jumped on board, its entrance fee was small enough to afford.
……………………………………………………………………………………
Prosperity renewed, discord unglued. The walls of Briar Field, seem to leave much concealed. It’s owner, a Mr. Holden Reeve, is a vain little creature beyond reprieve. He sees no value in an altruistic life, and seems to anguish in his everyday strife.
His facility has been thrashed in print, and regarded as no more than a publicity stint. Still, if true, his machine would be a marvel, something verging on plausibly being artful. Its said Mr. Reeve has tapped into the human soul, and made monetary gain his lonesome goal.
The patents of Mr. Reeve lay out the plan for an odd looking device, but it’s purpose isn’t made overly concise. According to speculation, the machine can resurrect an individual’s ideals, but I can’t tell you how worrisome that makes this reporter feel. Mr. Reeve is toying with the work of God, something he should know to be intrinsically unflawed.
……………………………………………………………………………………
Eliot Tern was standing in a ridiculously long line, it ran four blocks down to a street named Woodbine. Elliot had been there since midday, though he had begun contemplating whether or not he should stay. Looking back there was a hectic crowd, pushing and shoving in a manor quite loud.
Eliot had dragged his friend Henry along with him, though that boy thought their odds of getting in were pretty grim. Henry stood casually, kicking stones, outside the front of BMC Savings and Loans. A woman in front told him to knock it off, Henry called her a ****, but masked it with a cough.
It was two in the afternoon by the time the two boys were about halfway, a nearby baby cried as it spat up apple puree. Some of the sauce found its way onto a man’s face, he told the mother that her parenting skills were a complete disgrace. The woman slapped the man in vicious spite, though to speak truthfully she had every right.
The man screamed and pouted for a minute or two, then he calmed down, and began to clean up the child’s spew. He glanced around to see if anyone was glaring, and poor Henry was noticed hesitantly staring. The man pointed to Henry and began to call him a coward; he spoke with the type of veracity that made it quite apparent that he felt empowered.
Henry stood calm for only a moment, and then began to stare at the man like he was no more than an opponent. The boy picked up a large rock from a graveled path, and hurled it at the man with the feeling of contempt and wrath. The stone struck the man just bellow the eye, and for a moment it looked as though he would cry.
Then the man screamed with a furious hate, it became quite clear that he was now irate. Henry took off; leaving Eliot on his own, it wasn’t exactly a measure the boy could postpone. The man had begun pushing through the crowd trying to get to the boy; his face reflected no hint of joy.
Henry ran for about 10 minutes, he had pushed himself to no new limits. The man had given up the chase after leaving the line; he tried to reclaim his spot shouting, “*******! It’s mine!” The crowd booed the man as angry mobs do, and he had to walk his way to the back to calmly stew.
……………………………………………………………………………………
               Henry was only 12 when he walked in through the rusted doors of Briar Field, it’s hinges shrieked as though inadvertently sealed. A reception desk stood before a large, arched entrance, and there sat the owner’s, under-skilled, apprentice. The man spoke in a seemingly mocking tone, as though Henry was standing in a restricted zone.
         The boy, feeling mocked, turned towards the exit, the man ran up, in a manor quite hectic. He told Henry that he was only joking, just doing a bit of nonsensical provoking. He said to Henry that his name was Fredrick Barnes, grew up, quite happily, on several local farms.
           Fredrick, or Fred as he liked to be called, began explaining the nature of how he went bald. He told Henry that he had developed an addiction to charity, making his true nature no more than a parody. Lived for years with his ego at bay, and gave every dollar he earned away.
            It took its toll in rather short time; though to live vicariously makes it all seem fine. Fred ignored his dreams for far too long, believing God to be king making him just a pawn. Then one day, he told Henry, “I was caught in a storm”, he said, “The falling rain against the wind seemed so pleasantly warm.”
             Then a man came by, begging for some change. Fred had no issue giving up his entire measly, well-earned wage. His Christian nature told him he was no better, then this hungry man in a beat up old sweater.
            Fred handed over 1,200 dollars, a mere hours work for some uneducated scholars. The beggar began to smile, showing all of his teeth, there was a yellow glow from a plaque-ridden sheath. He then turned to Fred, with a more sinister grin, and Fred noticed then, that the man stunk of gin.
             He asked Fred if he had any money, timid, Fred responded, “This really isn’t funny.” The beggar pulled out a small caliber pistol, and said that, “one has a responsibility to be fiscal.” Skin peeled off of Fred’s wrist, as the beggar pulled at a watch through clenched fist.
              In the end, the beggar took all but Fred’s clothing, and left with a bang, as to not to seem imposing. He had only shot the man just bellow the knee, but blood loss had made it hard for Fred to see. He crawled and clawed his way towards a distant street lamp, but movements were elongated by the weight of his clothes, which, obviously, were quite damp.
              Fred laid hopelessly on the cold, wet cement, with the rain mocking him in its relentless dissent. The beacon he had crawled towards turned out to be a dead-end, the severity for which was hard for the man to comprehend. There in the stillness of the night, Fredrick Barnes became aware of the true nature of his plight.
              Holden Reeve had found Fred while the man was riddled with a complex terror, spouting off nonsense about living his life in error. Holden took the young man in through the doors of Briar Field, a museum, which, to the public, had yet to be revealed. It didn’t take long for Fred to fully recover; eventually he began to look at Holden as a brother.
             Fred turned to Henry and told the boy that was the end of his story, and now, it was time for the moment of glory. He opened the two doors hidden under the arched entrance, and Henry walked into the room, followed by Holden’s apprentice.
             When they entered the room Henry immediately asked, “Where’s Mr. Reeve? ...I’m sorry if he’s passed.” Fred laughed and told the boy Holden was most certainly not dead; in fact, the two of them were standing in the middle of his homestead. Then the boy noticed the nature of the room, and how cobwebs gave it the foreboding feeling of doom.
             There was another set of doors at the end of the room, but Fred turned and knocked on a bare wall with the backside of a broom. A panel slipped open and retracted into the wall, and out stepped a noble looking man, though, truthfully, quite small. There were no visible features on the man at first, so initially Henry was expecting the worst.
              Fred acknowledged him as Mr. Reeve, so Henry stood tall, and tried to make his back as flat as the wall. It wasn’t so much that the boy was often courteous, in fact, with regards to that sentiment, the boy was usually impervious. He just felt that in this particular situation, there was going to be no recapitulation.
              This was clearly a man who only spoke with the most precise of words, those capable of collecting and massacring mass herds. Though Holden Barnes would never speak to such a crowd, his absentmindedness for them would be hard to shroud. The man was indifferent to any collective thought, and his principles were to firm to ever be bought.
              Holden spoke to Fred in brief manor, those unheard of in the print of “The Banner”. He asked if Henry seemed like a reasonable boy, or if he was merely some shady companies plotted decoy. Fred vouched for Henry, who he didn’t know; playing a bluff, and hoping it wouldn’t show.
               Holden nodded and shook his friends hand, and spun to the boy, as though his motion had been a cautious ploy. “Who are you?”, and “Why should I care?”, Mr. Reeve asked Henry, the response for which seemed to be lost in the boys memory.

“If you can’t speak to me I don’t know if you should be here, I’m not the one in the room who you should naively fear. My greatest achievement lies just behind those doors over there, but if your this timid, you could get quite the scare. I’ve constructed a testament to the human soul, and it’s designed for any man to control.”

“Though to put it in such terms is hardly fair, it’s just not something that easy to compare. I’ve gotten to where I am, if you’ll dare me to say, through myself and am not one to decline the pay.  My invention just doesn’t seem to arouse much attention, in the press Fred says I haven’t even stirred up a mention.”

“I tell you this though, it’s been their mistake, for what I’ve created here is no preposterous fake. I’ve created a method of speaking with many various forms of reason, though to them it’s some form of religious treason. They seem to think I have resurrected the soul, ghostly figures ripped out of a black hole.”

“But that simply isn’t true, as you’ll come to see, now Fred tells me your name is Henry. You have to choose now before your walk through those doors, if your ready to dance on such hallowed floors. The mystery my seem quite vague to you, but understand this offer has been made to but a few.”

“I don’t understand, what should I say?”

“To ask such a question, here I thought you were a stray? An opinion, like ego is something to treasure, not cast off at someone else’s pleasure. This decision is yours and yours alone, you can use no alchemy from the philosopher’s stone.”

Henry was caught up in an odd predicament, one with no true equivalent. He had no real idea what he was choosing between, but he knew that he couldn’t let that fear be seen. So Henry said yes, without further discussion, and hoped along the way there would be no major repercussion.
At the end of the hall there stood an entrance, Fred stood by acting as apprentice. He told Henry to try and open the door, as Henry pushed his feet slid across the floor. Fred laughed and said that it was locked, and could only be opened one way, Holden kicked a loose rock imbedded in the wall, and soon, the door moved, quick to obey.
The room was not nearly as large as Henry had pictured, and distant light bulbs scornfully flickered. There was only one object in the center of the space, here Henry began walking with a quickened pace. It looked as though it was just a large computer monitor, but its framework seemed composed by an ancient astrologer.
Objects spun about with contact precision, and small fractures of light seemed to meet through collision. The spectacle was truly something to behold, though Henry still had no idea what was about to unfold. Mr. Reeve walked up to the machine and began to touch its screen, and all the lights stopped, and then seemed to reconvene.

“Alright Henry, I suppose it’s time I explained the true nature of this device, but somehow I only now realize you got in here free of price. No matter, it’s been a while since it’s seen someone new, I’m curious what some of these people are going to say to you.”

“What you are looking at now is a labor of scientific process, but believe me when I say there is no need to be cautious. There is no black magic at work here, though many have said so without coming near. This machine I’ve created does what some say to be impossible, like Nemo’s creation, just far less nautical.”

“This machine collects and records all forms of the written word, sweeps them in like collecting some massive herd. It organizes and sorts data of all different norms, and emits it in a conversational form.”

“You see this creation has given man a chance to talk to those of the past, allowing for a legacy only time can outlast.”

Henry stopped and stared at the man for quite a long period of time, and tried to figure out why Mr. Reeve looked so perfectly sublime. Henry now thought he understood the nature of the device, in fact Holden had made it all seem so concise. The machine would allow Henry to talk to anyone from the past, as long as there had been enough information amassed.

“Who do you want to talk to first? I’d suggest Ayn Rand, if you’re okay with being coerced.”

Henry had no idea concept of Mrs. Rand, so the concept to him didn’t seem overly grand. He lingered on the thought for a second or two, not wanting to pick an individual who could be considered taboo. Then, it came to Henry like a sudden case of dysentery, he saw this man as more than a visionary.

“Is it possible for me to speak to someone who didn’t actually exist?”

“I can see what I can do if that’s what you insist?”
……………………………………………………………………………………
Eliot was furious as he saw Henry; the boy had been gone so long it had slipped from his memory. He stood and waited for Henry to ask to step back into line, and then he would make it clear that everything was not fine. Eliot was now standing at the front, to just let Henry in would be a great affront.

“I’m going home.” Henry said as he let his eyes roam.

Eliot felt sick as Henry walked away, then he became curious how he had spent the last three hours of the day. “No matter” thought Eliot as he waited patiently, he’d have his victory soon enough, and he would take it graciously. Very suddenly a woman opened up the front doors of the institution, and thanked everybody for their “contribution”.

“It’s time to say goodnight. The museum will be open at 9 o’clock tomorrow, during daylight.”

The woman very casually walked away, as Eliot was in complete dismay. Then he had a calming thought, none of the creations were going to rot. All he would have to do is come back the next day, everything, he thought, will be okay.
……………………………………………………………………………………
Taylor Garritt Nov 2011
Dog days fly dust to dust over a hick
pit sardined between corona bikinis that house
the unmistakable stench of lukewarm apple
sauce in the c-cup padding and toothless
******* sitting indian style. Graveled friction
fading the back pockets of their overall
dungarees. Amongst them a settler on their native
turf accepting a Jim Beam peace pipe while above
the influence commercials march in protest claiming fried
egg consequences from engaging in the act. The culture
shock is worth the weekly once-in-a-lifetime chance
to sip the tabasco-glazed opening of my chemistry
teacher’s flask while he schools me in perfecting
the cotton eyed joe. A muffler spontaneously
combusts, melting the raybans off the face of a tragically
hip spectator taunted with “that’s why dad named you Joe Dirt.”
silhouettes above my head
hold me down like  paperweight,
the earth crumbles beneath me
and separates into quaking plates;
a toxic air instigates choking breaths
along my gasping throat that strains,
I am graveled as I contemplate
what my path is when I graduate.
Chuck Sep 2013
I'm in my eighth month of this journey
There have been highs and plunging lows
Many a word has been on the gurney
I've seen poets come and poets go

It was a sixties' high to have readers
For people to comment and like my words
My advice heeders and some needers
Meaningful relationships soon occurred

It has been a place where I've laughed and cried
A world of birthdays and sweet victories
A painful universe, euphoria died
Poets passed, nothing remains but histories

The trip of a lifetime in less than a year
Why do we write, why do we read and care?
It's more than I can emotionally hear
It's more than I can emotionally bare

At one point, I was addicted to this place
Constantly reading, checking, and writing
No narcissist could persist at such a pace
With poets I did some loving and fighting

Life forced me on the highway well traveled
I decided I'd leave this country for now
Yet with this decision, I have often graveled
I always found myself looking back somehow

Oceans, mountains, dales, and unexplored bends
That's this poetic journey desired so
No matter if we're laughing or crying my friends
We poets have or want nowhere else to go
Dedicated to this blessed sight that gave me an audience for my poetry, but Oh' so much more!!! Thanks, Hello Poetry!
Valsa George Sep 2017
As I walk through the graveled paths
When the stinging stones speak to me
Of the pain ****** on trampling feet
I see you in the unlit alleys of my memory

As the wind blows from a covert hide out
Twisting and shaking the branches of trees
Causing them to break and fly off the trunk
I see you in the torn pages of my life’s tome

As I listen to the song of lone birds
And their doleful notes fall in my ears
I am jolted out of my bohemian ways
And feel a plaintive tone floating to me

Wandering along the sprawling beach
As I hear the roar of waves
And when a humdrum of voices fills me
I hear your voice distinct like the beat of my heart

Like the pain at a needle point that shall always be
Like an intruder nudging to steal the inner space
Like the small tremors after a fateful seismic quake
I now know that in me you stay like sleeping fury

Even when I walked away from you
You stubbornly stuck to me
Like a leech tenaciously clinging to the skin
Oh! How hard I struggle to get you off!
julio lapensee Mar 2010
Sun coming out, Ugh!
Morning rises and it already starts
the yelling the screaming!!!,
Why? oh! why must I have to wake,
take this young man away,
to a Better Place  Mr. Grimreaper,
dont lead the way!! Are you Crazy!
just drag my breathing dead corpse,
along that graveled path so that i may feel my body
leaving this cold world and enjoying every
scar and wound that i leave behind!!!

You drag me, I SMILE=)  then salute the Life that I will not miss,
like a soldier going home from months of endless combat

I leave Now shed my Last Tear and Wave

GOODBYE!!!!
Tana Young Mar 2014
Sleep is my greatest misfortune,
sleep...? Is my aberrant torture
Never been consumed by something like this before
My body is at war, overwhelming gore
My eyelids are folding over my body
As I roll into my flesh bed
I'm forced into a slumber,
my eyes are obliged to unnaturally stay vexed  
I dream... or am I graveled?
My intellect is gulled, it affronts,
it soars into my heart
This is infernal, am I dreaming, or am I awake?
A vulture took my brain and put it on a stake
I took the "dream" and buried it all around
As I come back from my excursion
I am hampered, not manumitted  
I'm underground
Joshua Coffey Dec 2013
For the woman
Standing in the rain
The cold, and the darkness:

Come in.

Let your bags at the door
Strip off the shoes
You have used to tread the graveled road.

The rain still slips down your face
like tears,
I sense a tremble in your voice
like fears,
Not yet expressed.

You stand at the mirror
And see yourself strangely
You see the dirt
Speckled on your socks
Yet, I see the beauty
Speckled on your cheeks

Your glasses, I see
Broken, cracked and bent
Let me hold them,
Mend them
And give you perspective

Your heart, I feel
Broken, tired and spent
Let me stir it
And open it once more
To the love that stands knocking

For the woman
Standing in the rain
Come in, and rest
This is your safe haven.
I sense life’s precarious balance    hushed
Stilled    moving to the negative
Our aging rusty colored companion
Lying camouflaged on his brown tattered rug snug
In front of the warmth of the fireplace
Appears uncommonly restless
The living room Kmart clock    a
Plastic cheapness hanging between two white candles
Gives a strike    a moment today or tomorrow

It is bloodless white mid-morning the dog with a start
Throws head back making tags ring letting loose a feeble howl
Our bodies give a quick convulsive ****.
Innate fear acknowledges.
Coming distant its portentous screams shatters    sneaks
Into being     matter of factly taking sway of our simple lives
We sit in coated silence awaiting the
Arrival.

Defeated we stand
Early frost beneath the skeletal body of the silver maple
Grey shapes emanate from the silent visitor
Take form holding her brown corduroys and red sweater

Mom is pushed by unseen hand to her kness
Head bowed no sound
Her only movement hysteria of shoulders.
The tree bark softens allowing dad’s right hand
His face bathed in earthly blood
Gazes upward      my eyes follow up through the maple
Autumn bared     the stars shine beyond the naked limbs.

“Mr. Lawson, we found this underwear along with the clothes in the trunk of a parked car out on Bell Road close to the pond. We’re going to get some more men out there to drag it.”

The underwear was stained with blood.

The family huddles around the fire in the sanctuary of home
As the nets sieve the frigid waters of the silent pond.

Darby jumps up onto dad’s lap
His hand unknowing strokes the
Reddish fur    his eyes as the dogs
Shut to offerings given
Mom sits in the kitchen on the
Edge of a wicker back chair
Taken from grandma’s house
She is holding sister’s white tennis
Shoes against her chest
Rocking back forth back forth
I stand with my left arm crooked
Around the back of her neck
Remembering we once went fishing
At the pond on Bell Road
The hand strokes her heavy black hair

Out the window first light
Shows the tree line of the ridge
The net is empty

Mom is done
She get’s up to brew more coffee
While dad and I go outside to sit on the grey flaking
Front porch and confront the passive morning
Absently I read the comics
Dad lights up a Lucky Strike
The smoke issuing from the mouth
And nose coalesces with that rising from the water
Laden grass     he looks at me
I put down the paper   helpless in the
Company of his pain
Flipping the **** onto the newly graveled driveway
He stands   releasing me
It is still
We listen silently to the lone ringing
From the bell tower of Corinth Church
Up on the hill beckoning the people to
Worship the Methodist brand of God.

Somehow I knew
Dad walks   then runs   toward an old woman
Coming from around the corner from
Behind the woods   she is stumbling
Along the roadside as if drunk or lost
The old woman begins to turn away but – doesn’t
Dad picks her up cradling her as an infant
He slowly walks toward the house
The silence of the bell a muted scream

She is covered in an old grey granny dress
Imprinted with small purple and yellow flowers
Her bare feet are bleeding

After the others had their fun
One of the six
A middle aged man
Had taken her to a dilapidated barn
With **** skins spread eagle on the walls
While moving the sharp edge of a fish cleaning
Knife up down up down between her labial lips
He offered “Cry and holler all you want! You have no home to go back to.
We burned it! Burned it straight to the ground with your precious
Family inside.”

After his play the man took her to
His grandmother’s house up on Ridgeview Road
Just a couple of miles from ours
The old woman looked upon her nakedness and
With the dress   blessed her.
From the vacuous room a whispered
“Jesus Forgive Us “was heard.
A poem that has been published numerous times. I am considering a re-write....any thoughts....
Colin Carpenter Apr 2013
Through the trials our tongues are tied
to trying times; so many unsaid lines
underneath the rising tides, so many unsaid lies.

No pit burrows behind my grin,
no unlocked chains to rid this graveled ditch.

A picture of a boy, bloodied tree exclamation mark on his chest,
plants the seed for an aesthetic axe.

A glass windowed silhouette,
the infinite effect from eye to window cuts
to millions of pieces of mirrored selves.
The water drains from the watering hole,
A clay bed reflection.
The banks crack, crumble, coalesce into a bed
where two faces meet,
one lacking eyebrows: exasperated, emptied.

Our lives started with the first note ever played,
in the couch cushions where the second **** is displayed.

And our vision for this world,
it will not die when we are dead.
Death brings moments:
trees split by lightning,
grown men struck by screams
growing from a seed
planted in a field of dusty branches.
To plant a seed is to say we’re dead.
And when we are dead,
a weeping willow will grow from the ashes.
Derek DM Feb 2017
In a moment of glaring dead ecstasy
The foothold edge wedged down
The world spun into oblivion
Awakened into creamy havoc
On graveled hands and knees
Bludgeoned crevasses
In a dusty cowl of contempt
Toes betray ****** bow
A rocky curtsy of know how
Shake and stand in disdain
Our own dignity stained
Blech!
Silent are the rocks;
Silent the alleys and stone walls,
Cracked foundations and fountains.
No voices speak now, except through the wind
Twisting and turning, on its way through the gorges.
The weather has beaten out every surface,
Stamped it's stalagmite of time upon the faces.
The last rags of clothing hung out to dry
Are a sifting, unrecognizable ash of piled up molecules,
Indiscernible from the storm-strewn cadavers
Of wood, straw and leaves,
Leaves which can laugh at the ferocity of sudden gales
And chatter annoying, behind lifting fingers of twig,
Themselves tumbled shamelessly, into ancient doorways
That once were closed against all intruders.

The cipher of their blood has marked, defined this place,
Pressed it down, with the missing weight of forgotten culture,
Though their language is still indistinguishable from others,
But that their slivered bones have stopped up the pilfering,
The plundering of tombs by wild running waters,
Trickling down to the lowest graveled catacombs
Of a once vibrant village;
It is all running spaces of tomb now,
And the few visitors that happen to wander in
Find themselves holding their breath,
Wary of their modern dissonance
Disturbing the invisible residents of past days.
Steven Hutchison Apr 2013
Thomas Thornburg killed a man last week.
Shot him in the chest from his front porch.
Said he had it coming, but he didn't know why.
The white-haired prophet/executioner.
The confession was perhaps surpassed in the news
by the miracle of Tom finding the the trigger.
Thomas Thornburg brandished 104 years
of what he hesitantly called life.

When brought before the judge he denied representation.
"Never had nobody say nothing for me."
When the gavel struck, Tom raised his hand
and took with his age, his permission.
"Your honor," began the old man's graveled voice,
"This here is not a fair trial."
"You ma'am," he pointed to the woman in blue
who shifted her feet beneath her juror's chair,
"What did you make of Stalin?"
"And you," to the well-groomed 20-something with hair,
"Where were you when they bombed Hiroshima?"
The judge began a sentence he was forced to cut short.
"Ma'am, I imagine you might recollect Duke Ellington,
but I shook hands with Scott Joplin,
and had more than my share of drinks with Fats Waller."
"Mr. Thornburg," said the judge in a patient tone,
"is there a point to your interrogation of the jury?"

"Find me eyes, judge," said the stolid man in lowered tone
"that have seen what I've seen,
that knew life before world wars were named.
Eyes that have watched generations die
and everything change but politicians.
Find me a man who has had the displeasure
of waking up more mornings than there are in a century,
and I will call THAT man my peer."

Tom then turned and, on the weight of his cane,
shed the last of his living tears.
Joel M Frye Mar 2011
A fleeting glimpse of who I was,
a second sight of youth regained
was paradise to blinded eyes;
a gift of passing time detained.
A shaggy bear with angel's voice
was how a critic once described
my work. Through age and not by choice,
the golden tone grew tarnished, bled
of grace and wings. Last night...last night;
the angel burst through graveled throat,
dipped, soared in unfettered flight
through every song and spot-on note.
Expressive, strong, no cracks or strain;
what joy it was to sing again.
I retired as a professional musician 5 years ago because I couldn't perform to my standards.  It's nice to meet them once in a while.
loisa fenichell Apr 2015
1.
a dream about a boy & his bicycle,
which is red, & coated in winter
& in frost. a dream about a boy
with freckles trailing his hands like layers
of bad teeth. a dream about a boy
whose bones match mine,
but i can’t love him.
2.
more than anything mother
likes to sleep. second to that she likes
having a body that is much, much smaller
than mine is. still there are times
when i pretend that our sleeping is the same.
her nightmares creep into her graveled skin
the same way they creep into mine.
she will keep sleeping,
her bones will keep shrinking.
what does she know about boys,
about a boy?
3.
this is the story of the family of deer
that once lined the lawn
of the house down the street
from where mother & i live without anybody but walls
white as the faces of monks.
they lined the lawn for ten minutes, then were shot.

this is the story of a boy & his bicycle,
& bicycle tracks that line the bodies of dead deer.
a boy who doesn’t know how to cry unless
there’s been a fire.
a dream about a boy & his bike
burning like penances, like ancient worlds.
forest fires line my dreams. forest fires
do not make me love people. battered dogs
do not make me love people. there is a boy
& a bike & he has a dog & the dog too
has been bruised by flame.

4.
how to cure: a dry mouth?
how to cure: what has been lived in?
how to cure: a fire?
if only my mother could step out of her bed
now. she would see me shivering with the skin
of somebody who should never look like me.
Peace, a six letter word that is so abyss

a kind of thing that is so breezy and freaky.

The thing that makes the world go wild

and makes all **** so blind.

The one we aim to graveled evilness

and let kindness fight the beast for the best.

For it might be tight but if we fight

all of it will shine so bright.
G-
A name I cannot speak
a scottish graveled path
phantom like rises
in misty memory
of a memory never lived
only in heart, in possibilities
signed away upon an altar
To bury you -
never born nor even borne
leaving a hollowness
where you could have been -
in soil though fertile
never to nourish the seedling
of you of me
which I signed away upon an altar
dying this deathless death
parts of me, facets
shimmering through
an open window like
being a bearer
of one whose name I cannot speak
the graveled scottish path
winding round a splintered heart
under which you never nestled
under which the fruit
of you never hung
down heavy low
yet I know the weight of you
I feel them all
these touches of you
who never was
whose name I cannot speak
my scottish graveled path
whom I signed away upon an altar
Pardon me, but who are you?
To tell me what is wrong and true?
Have you looked upon God's face
and seen all of time through his grace?
I thought so, weakling man,
Lying fool, with a wasted span....

Excuse me! But who are you!
To tell me what there is to do?
Authority vain, were you born
As Jesus was? Did all mourn
upon your grave that followed you
through the End? And past it too?
I thought not, arrogant man,
wasted weary in graveled lands...

But then, Who's job is it to do what is to do
if what is to be done is done too?
Then who, may I ask, are you?
Then who, may I ask, are you?
Derek Jan 2015
tears on a tongue,
dried, graveled peppers scorched
her skin. it's damaging
to think the ground possesses the
fury of a pagan god.
it's an intensity, unmatched;
a handshake, five fingers.

she makes me want to hurt myself again.
my sanity lies on the edge;
the circumcised periphery,
make me whole.
loisa fenichell Jun 2014
pt 1

i am very aware of skin & i am very aware of a ***** in my mouth. it feels like the basement light ought to be turned off, but instead the room is very bright, like the insides of your mouth.
quick, open up your hands & we’ll see what’s inside of them. you taste like lipstick. i laugh.
your **** tastes like light red lipstick — like, you know that one traffic light by that one intersection in town by the yellow house? yeah, your **** tastes like lipstick & the lipstick is the same shade of red as that light. i laugh again.
she belongs to the yellow house. the yellow house belongs to her, like a mutt. no other dog could ever belong to her the way that yellow house can.
(you: when you were gone i got mad at you because you accused me of something i didn’t do.)
before you left we stood on graveled driveway & i should have told you that you smelled like new paint.

pt 2*

help we’re in these woods & help i’m vomiting again & help this time it’s your hair that’s piling out of my mouth
help my teeth are still vicious around your waist & help yours are still wrapped around hers
(please help please i’m vomiting again)
i think i’m drunk; i think we’re drunk; i think she’s drunk:
we’re stumbling over roots & rocks as though there isn’t a sky perched above us, high & deep like your throat against my shoulder: *that’s going to leave a mark

i mostly leave marks in bathrooms & you mostly leave marks on me, i think i’m a road, i tell you
& you laugh & so does she & i ask why she’s here & her eyes go dark like children’s bedrooms & your eyes narrow & i shut up
the sky is still very large, very wide, less like a throat now, more like a tongue
rough (draft) //// bitter
mouse Dec 2015
i.
to river-
what to pack.
first
line your heart with apathy so that your hands don’t get as ******.
then twenty lullabies your mama sang,
or twelve you found along the way, waiting in the gutter and half inside the oily iris pools
(the songs that see you when it’s dark, and know the curves of your hands.
those. bring those.)
bring your pen. bring a leash, and watch that it doesn’t become a noose. it’s a leash. remember this.
bring a tree. bring a windowsill to sit on and
bring your pile of unsent letters.
bring water.
bring a time piece more accurate than your skippy heartbeat.
the team captain will tell you what to do. how to handle the footprints
and where to go.

ii.
i found receipts on the floor this morning.
receipts for the cost of my ease and peace
in closed eyes and closed palms holding hands.
i still can’t find my chapstick.
i asked you where my chap stick went
please blink back
to at least let me know that you heard.
i am full of everything possible and the bathroom smells like vinegar and fresh paint
brushed along my skin
when will i hear your voice again?
there’s a square of light on my ceiling, a puddle of light on the floor.
is this the lights shining through the windows
or is the sunset reflected in the glass?
i am unsure.
i am waiting.

iii.
from the collection of empty envelopes,
and stamped post cards unwritten,
i can hear your silence roar.
i’m ready.
you sat in the calm eye of my hurricane mind.
she says she doesn’t want me to be tied down to that
but you were my anchor, holding me steady.

iv.
if i could,
i would.
i would speed up the days to skip past the moments that make me who i will be.
i would speed up the days so that the sun streaks across the sky, so that the sun becomes a shooting star, so that i could read all the wishes i don’t bother to make,
but then they can’t break so
it’s okay.
maybe it’d look like the lines on the highway, the yellow ones that have to be broken to let us pass.

v.
sometimes i go out into the night lit artificially from below the surface of a ***** swimming pool.
leaves would float on its surface.
i’d sit on the metal railing, my feet dangling into empty space and i would lick at the smoke curling from my fingertips.
if i held my left hand out just right, i could see the light reflecting and swimming across my skin.
(when will i see your face again?)
there’s a man down on the ground, sitting
on the brick wall holding me in. there’s a shovel in his hand. and a rake. i can see his silhouette by the lantern at his side, like a bright eyed guide. i could hear a radio from somewhere over his shoulder.
i listened to the radio shows with him. the graveled voices talked about death.
i always had the urge to leap down to the ground and walk across the lawn to sit beside him. to tell him stories.
but then i always questioned whether or not he was real.
i sat on my sill.

vi.
do you remember how you drew constellations across my hands?
was it worth the lamp light?
across the fate line and the life line, you would dot
three stars across my palm.
orion’s head at the logic line,
the bases of my fingers became a bow, the tip of my *******, the star.
you liked it when i stuck it up at you. you said you saw stars when i felt something.
orion was a hunter, and my heart is my weapon.

vii.
the team captain looked you hard in the eye and rolled his neck.
our eyes met on the moon.
his teeth was made of bullets.
“my little thing,” you’d speak.
captain, o captain, he’d watch the bus driver drive home alone again.

viii.
i am a UFO.
an unaccompanied floating overture you’ll soon forget about.
an unhappy finished omen swooping in with the Crushing Weight of Reality to smother your dreams.
an unbalanced fumbling orbit, unsure and unsteady.
it’s me.
an unmelted frozen ocean falling.
the trouble with you calling me your snowflake is that i will melt under your gaze and become the water you drown in.
maybe it’s better if you pack
your things and find the captain.
he’ll tell you what to do and
where to go.


**mouse
parts of this are published in lit magazines.
a final.
Terry O'Leary Jun 2021
The noblemen control the pen, indeed they own the farm,
but nonetheless exude finesse (and need I mention charm?)
with revenue to sate the few, exulting arm in arm;
for all the rest, they wish the best and certainly mean no harm.

The fourth estate stands proud and straight, emplaced upon a peak,
beside a birch where parrots perch and claim the truth to speak;
while hatching schemes, they’re hawking dreams to keep us mild and meek,
promoted by the gods on high, that clever reigning clique.

They spread their lies throughout the sties to keep the truth at bay
and horoscopes are filled with hopes for those with faith to pray;
the other few wait in the queue, with faces made of clay,
collecting crumbs which have become their dreams of yesterday.

The tube embeds the talking heads (you know the ones, the tools)
who on the screens won’t spill the beans, lest mighty might unspools,
so bend the news reflecting views of those who set the rules
to obfuscate and fabricate their pabulum for fools.

With pyrite smiles and other wiles, they thrive concocting tales
that lead to wars on foreign shores, which help improve the sales
of missile tips and battleships, discounting death that pales
and broken hearts for body parts a graveled grave regales.

You wouldn’t guess, the yellow press, when out to make a ****,
will sell their soul (to dodge the dole) and feed the swine some swill –
a trenchant trope with inside dope that gives the crowds a thrill
(when mixed with tripe, they call it hype) and masks a bitter pill.

The tabloids reek of doublespeak – when did the stench begin?
In olden times, with paradigms, no doubt with but a grin;
but nowadays, in subtle ways, there’s far more discipline:
they scrawl their screeds neath headline ledes that give the tales a spin.

A clever dunce tried hard just once to read between the lies
and thereby found that facts are drowned within a newspeak guise.
Yeah, all that stuff reflects the slough they hide behind their eyes,
although absurd it fuels the herd like  sustaining flies.

Within the fort a special court is hidden from our view
where sits a judge who’ll never budge, called Captain Kangaroo;
as justice bleeds, those evil deeds (like leaking what is true)
will be convicted as pre-scripted by the hangman’s crew.

A blue-eyed wight uncloaks the night and when (by chance, perhaps)
his whistle blows, the airwaves close, high crime stays under wraps,
and those that sin prevail again with feathers in their caps;
the price instead’s the leaker’s head, precluding a relapse.
Amber S Mar 2011
you never realized
you were blind. so ******* blind.
i defended you, caught bullets for you, graveled at your feet for you.
thinking everything was my fault
all for you.

you smiled.
                                          one smile.
and gone.
    all i see now is your ghost
everywhere.
your ghost haunts me; making faces and telling me over and over
"you fool. you fool"

i wish i was face to face with you

so i could throw my emotions at you
i would gather them up in one big bundle
and shove them in your face
you would suffocate. you would cry.
you would suffer.
like i had been for so long
i would ask you,
"how does it feel?"
but you wouldn't be able to respond
for the pain would be too great
then, then
finally,

i would breathe.
the baggage will be gone, and i will run
i will laugh at you
laugh until tears leak from my eyes
laugh until my ribs break


if you weren't such a ******* coward,
i would have won.
instead you hide behind
your lies, fake confidence
you're cracking
but i know you won't admit
i'm the only.
the only one who sees

look me in the eye.
admit it
admit you threw me away
admit you never cared
admit that this all meant nothing
and admit...
admit you can't do it.






your ghost is here
with no intention of leaving
Phosphorimental Sep 2014
You’re too used to your blunted ways
Worn habits of reason is why you stay
So tired of hearing the same arcane
From a heart that cashes in on pain
Grab your Sufi sluicing pan,
Ya Allah, let’s pull the gold of soul by hand
From this parched and grinning desert creek
Sift the dust and graveled speech
Unlearn the ways you understood
Mine the vein, the pay is good.
Trade the bone china we can’t afford
For tin cans, wool, and a Damascene sword.
Madison McCray Dec 2014
our relationship was built poetically
allowing our deepest thoughts to tear us apart
for I was fragile you touched my soul gently
in hope to save ourselves from future part
together enduring a graveled road
a chance for love was rather difficult
the opportunities came in quite a load
all that failed was at my fault
though your absence was my only fear
I opened the door that let you walk
now glancing back into the mirror
they were my mistakes that you would mock
my love for you has grown to be
more than just a poetic melody

— The End —