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Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.

Boy no more, he wears all coats,
Frocks, and blouses, capes, capôtes,
He bears no bow, or quiver, or wand,
Nor chaplet on his head or hand:
Leave his weeds and heed his eyes,
All the rest he can disguise.
In the pit of his eyes a spark
Would bring back day if it were dark,
And,—if I tell you all my thought,
Though I comprehend it not,—
In those unfathomable orbs
Every function he absorbs;
He doth eat, and drink, and fish, and shoot,
And write, and reason, and compute,
And ride, and run, and have, and hold,
And whine, and flatter, and regret,
And kiss, and couple, and beget,
By those roving eye-***** bold;
Undaunted are their courages,
Right Cossacks in their forages;
Fleeter they than any creature,
They are his steeds and not his feature,
Inquisitive, and fierce, and fasting,
Restless, predatory, hasting,—
And they pounce on other eyes,
As lions on their prey;
And round their circles is writ,
Plainer than the day,
Underneath, within, above,
Love, love, love, love.
He lives in his eyes,
There doth digest, and work, and spin,
And buy, and sell, and lose, and win;
He rolls them with delighted motion,
Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein,
That they may seize and entertain
The glance that to their glance opposes,
Like fiery honey ****** from roses.

He palmistry can understand,
Imbibing virtue by his hand
As if it were a living root;
The pulse of hands will make him mute;
With all his force he gathers balms
Into those wise thrilling palms.

Cupid is a casuist,
A mystic, and a cabalist,
Can your lurking Thought surprise,
And interpret your device;
Mainly versed in occult science,
In magic, and in clairvoyance.
Oft he keeps his fine ear strained,
And reason on her tiptoe pained,
For aery intelligence,
And for strange coincidence.
But it touches his quick heart
When Fate by omens takes his part,
And chance-dropt hints from Nature's sphere
Deeply soothe his anxious ear.

Heralds high before him run,
He has ushers many a one,
Spreads his welcome where he goes,
And touches all things with his rose.
All things wait for and divine him,—
How shall I dare to malign him,
Or accuse the god of sport?—
I must end my true report,
Painting him from head to foot,
In as far as I took note,
Trusting well the matchless power
Of this young-eyed emperor
Will clear his fame from every cloud,
With the bards, and with the crowd.

He is wilful, mutable,
Shy, untamed, inscrutable,
Swifter-fashioned than the fairies,
Substance mixed of pure contraries,
His vice some elder virtue's token,
And his good is evil spoken.
Failing sometimes of his own,
He is headstrong and alone;
He affects the wood and wild,
Like a flower-hunting child,
Buries himself in summer waves,
In trees, with beasts, in mines, and caves,
Loves nature like a horned cow,
Bird, or deer, or cariboo.

Shun him, nymphs, on the fleet horses!
He has a total world of wit,
O how wise are his discourses!
But he is the arch-hypocrite,
And through all science and all art,
Seeks alone his counterpart.
He is a Pundit of the east,
He is an augur and a priest,
And his soul will melt in prayer,
But word and wisdom are a snare;
Corrupted by the present toy,
He follows joy, and only joy.

There is no mask but he will wear,
He invented oaths to swear,
He paints, he carves, he chants, he prays,
And holds all stars in his embrace,
Godlike, —but 'tis for his fine pelf,
The social quintessence of self.
Well, said I, he is hypocrite,
And folly the end of his subtle wit,
He takes a sovran privilege
Not allowed to any liege,
For he does go behind all law,
And right into himself does draw,
For he is sovranly allied.
Heaven's oldest blood flows in his side,
And interchangeably at one
With every king on every throne,
That no God dare say him nay,
Or see the fault, or seen betray;
He has the Muses by the heart,
And the Parcæ all are of his part.

His many signs cannot be told,
He has not one mode, but manifold,
Many fashions and addresses,
Piques, reproaches, hurts, caresses,
Action, service, badinage,
He will preach like a friar,
And jump like Harlequin,
He will read like a crier,
And fight like a Paladin.
Boundless is his memory,
Plans immense his term prolong,
He is not of counted age,
Meaning always to be young.
And his wish is intimacy,
Intimater intimacy,
And a stricter privacy,
The impossible shall yet be done,
And being two shall still be one.
As the wave breaks to foam on shelves,
Then runs into a wave again,
So lovers melt their sundered selves,
Yet melted would be twain.
Debra A Baugh Jul 2013
as darkness cradles
its palpability encompasses
dreams

a moments sway...

inebriates as images of him
passes through salient memories
of Him and I

those moments spun like silk...

his visage visible; an augury to me
dreams allusion dallies like
gossamer in gentle breezes
teasing, taunting in its promise
of fulfillment

dreams alight...

his ambling soft, blush arises as
I bow into maleness, where
urgency slides, tasting silken
curvatures; that stare into hazel
eyes beckon lips

memories caress...

rise and fall of gasped breaths
unleashed wilder dreams
beneath thirst of his eyes,
swallowed by seduction

those naked memories...

flush, deep within our hunger;
a rush fed into sweet pulses,
bodies rise; cognizance slips
back, wetness effusive

drenched...

entwined, legs, hips fingertip
forages; his breath mine mingle
and whispered moans

abandoned...

those dreams linger still
in darkness of midnight
calling his name in want

a remembered taste...
Debra A Baugh Jun 2012
Bestowed whispers abound
wisping against softness;
an alluvium flows in abated
breaths, crashing into dreams
awaiting uttered sighs;
aching to taste prurience rage
as tongue besieges pout
of want, awakening soul;
melding into silky fragility
gliding across masculinities
plain, caressing in tender
fingertip forages as I'm
consumed within his essence...uncoiled
Debra A Baugh Feb 2013
I breathe in song leaving silk dictation
upon his skin, converging each note in
dreams of his reality

denuding him...

absorbing him in whispered aubade's,
savoring him in fingertip forages; aching
for his touch to mould me, caress and
hold me like a paintbrush to canvas;
its bristles a tongue tasting every
curve of me

undulating...

I dance with him slowly; by our song
bodies swaying with a beggars need,
as hips and thighs whisper in wanton
heat leading us to temptation's portal
of lust

hungry...

in savored decadence a delicacy of
truffled sweet creaminess upon
tongue splayed between open thigh,
and still in song skin upon skin;
passion rides leaving us wet
and wanting

devouring...

with hungry mouths sinking beneath
our coveted desires; probing delicious
fantasies, pulsing for him to plunge
shamelessly in out wetness as we
sing our own songs of uttered sighs
and moans

our lover's ballad...sung
Third Eye Candy Jun 2014
in the night
the trees lose their bark
and gain a smooth
dark.
they twist in the breeze
and lean moonward
in the rain
sheet.
if the rain
rains
and the moon
looms.

in the night
what crawls,
crawls deepish
and sleepless.
it dreams
wishless...
and scurries in leaf pits
and scents the air-wick
with black
eyes -
inhaling the volume
of silence
without lids
to shut
with.

just an iris
the light
shuns
a bit.

and the moonlight forages
the constant moor
of lesser marshes.

the damp cringe of the late hour
stark with stars with no power
to overcome the poetry
of the lowest things
that aspire
to cold flame
or some heaven's breath
on a dying ember
with no
name.

just before dawn
glass drum skins
crack.
and the up above
is down below
sifting through the pollen
on the plump thighs
of sleeping bees
while singing
to itself

It's Self.

or

It's Dream.
Eriko Aug 2015
the spoils of ego
have created the vile
and the grasps of men's malevolence
will raise the hairs on the fallen arm
the snaking graze bringing diaphragms to a chill
and the eye of lost men reflecting to the churning sky
brimming with echos of lost contraptions in time
the pockets of dream viewers upon heart's decline
and the whisper of one final, sweet bliss
the clamor of doubt sunk like wounded icicles
the gleam of one's bone under lampshade glow
and the lingering touch of medallion thrones
the greed of man washes over ashore
upon the silhouetted fingers of children tomorrow
and the affection of what's promised will wander
soon to the forages of tabooed swelling yonder
simmering in the ashes broken into fragments
eroded into sands of time to slip through palms
and as the day spin on its axis
twisting men's gaze to crunch into manifesting feats
to brink a think that they must all abide
to the fists of iron and crunch of another bone
how they dare treat another soul
in such fruitless fashion
and ambition lacking in direction
their virtues of moral must stand on a compass
without it, they cease to be
pinned to a brick
because their heads are too thick
and don't for a second think
that they are able to keep
the walls fortified, for it too will sink
and they shall fall to their knees
if they refuse to listen
and keep their shiny egos
shaved to a comfortable narrow
Fog-grey paint on wood…
Sentry!
Imprisons willing hostage…
Safe!
It jars - jams handle door to floor
Uterine prison seals hermetic hermit

The fawn as naked innocent born.
Cow mother forages for food…
To earn!
Boy buck lay prone; ears twitch.
Waiting to exhale.
Wolf pants foul -  
turn handle -
entry permit?

On eves gone by wolf violates fawn.
Cow mother oblivious in her providing!
Crept in!
Kneeled!
As fawn feigned sleep…
Lupus leered, licked - abused like prey

This night young deer escapes the hunt
Lays quiet, tremulous.
Wets itself!
Chair holds!
Patriarchal coward creeps back to fetid lair
Brief reprieve?
Grow strong - pray another day!

©pofacedpoetry – Billy Reynard-Bowness (2018) – All rights reserved
When the fairytale becomes the nightmare!
Debra A Baugh Jun 2012
Tonight laying sprawled across
my bed; breeze through my window
lingers around me whispering his
name, its melodious assemblage
whispers like silk brushing against
my lips; tangling within my curled
mane and its softly blown whisper
of silk cradles the breadth of me as
I call out his name.

over and over again...

Like loose rose petals strewn from
pillow to pillow, teasing me as his
breath glides from nip to mound in
unuttered sound a whimper escapes
inside my head; he arrived standing
over me watching as breast would
gently rise, his heat I'd feel, yearning
to have him slide in to cradle my softness.

Those silken whispers would travel the
length of me, then I'd remember moments
of pure ecstasy; realizing its the breeze of
a sultry night playing upon my hunger to
feel him whispering his want and need
as discarded silk slips from each limb
slowly

and...

Fingered forages of self-indulgence
left me shuddering as if, he'd just kissed
and whispered into my wetness; It was then
I knew, looking back I could never forget each
and every time he'd touch me intimately.

that...

his silken whispers pleasured me deeply,
leaving me breathlessly wanting; knowing
I'd never find anyone to love me the same.
Angela Okoduwa Sep 2016
The foggy morning,
hiding the misty
Distant trail.
By the bush side,
A striped mouse,
Forages for food in the dump.
Unaware of the bulky,
Slithering predator patiently waiting For a careless wander.
An image of a cute little prey and a malevolent pretty predator I saw months back.
Your disgrace has had thee mortal, my sire;
You rushed me mindlessly, to my desire,
Only to disengage me in a warned hurry,
On a wild night, in the kiss of unasked beauty.

Your **** has failed thee alone, my prince;
You have made yourself endure your lost vitality,
And have eliminated my love ever since,
Your love is coarse, your heart is not chilly.

I tell thee, just give ‘em more and more;
For papers and pens do not like us anymore,
And so our being shall mean none else to one,
My love has left me tense all on my own.

I tell thee, just give ‘em all your pulse;
Empty my brown heart from its hard curses,
You fade one night, and glow anew and come again,
You were here at once, but dispersed and loved in vain.

I tell thee, just unleash all your freedom;
Make the crowd love thee t’is time, at random,
For our passages have love meaning no more,
Nor the remembrance that once lived short.

Shall I attempt t’is time, to seize and bind ye?
What is the value of an illusion, when all is masked,
When ‘tis but the savage product of a dream,
When all of mine is renewed pain, and limbs.

Shall I bring my unknown poetry to thee?
Yearning for a bliss so damp and unloved,
But those beside, whose songs bear filthy flattery,
Sought naked by thee, in adultery through the night and day.

Shall I bring my poems to who shan’t read,
Shall I be seen as they console, as they converse.
Shall I be greedy at breast, while easy at heart
Shall I be present in my toil, in my worried verse.

Shall I be a verse to thee myself, and read me,
Shall I be a sacrifice to all glory and again.
Shall I make my whole age belong to you,
Shall I undo my fate, and wish all was true.

Shall I fight at sunset, and come back at dawn,
Shall I see what I have written and done,
Shall I compare us to the morning dew,
I have found no love so fond as you.

But who says you are a child and immortal still,
You are what the long crowd is wanting,
The vanity of what they are doing,
The yule and beer the bold blood feels.

Who says you have been a fond one at all,
Who whispers such thoughts behind the hall,
That they have seen but too rapidly,
With a pride too big, to truly hear and see.

And who says you have been a lover to me,
You have turned against your own immortality,
And your soul, then, shall not retreat to me,
You have left the heavenly sight you could not see.

And who says my poems are all over you,
For you are not a prey to any wondrous sight,
Not a bright poem for a quality night,
Not a sterling soul for the Northern Light.

And who says my poems are not ancient,
For those who hear not through the yelping rain,
For those who lay asleep on every shiny day,
For those with less to writ than to say.

And who says my poems are tolerant,
Who says they shall be nice to such impediments,
Who says they are to writ in thy honour,
Who says they shall forgive, and forget like before.

And who says my poems are those of thine,
Who says you are entwined in my mind,
Who claims you have my artistic heart,
Who writs I’ll die in my narcissistic art.

And who says my poems are for all those,
With clumsy ears and a ruddy face and nose,
Whose intelligence gives birth to no merit,
Whose defense is void of pure delight and wit.

And who says my words are for all these,
Who twitches not at the intuition of my prose,
Who wonder at the sublime virtue of kisses,
Whose pain is born from the lavender and rose.

And who says my subtle words is for such beings,
Who hide at sunset and stretch at the sound of dawn,
Who says mortals are the most stellar of kings,
Who says the possessive rainbow shan’t be gone.

And who loves with the inherent new feelings,
Who goes to sleep by the wrath of art,
Who sees not through his heart’s beating,
Who shall have their ripe hopes torn apart.

And who pains from their selfish illusions,
Who lies to their merit and imagination,
Who molests the notion of salvation,
Who tells deceit and upholds deception.

And who silences his laden soul beneath his lust,
Who scratches it with a chain of sins,
Who curses but the fond forages of love,
Whose guise shall impede his own veins.

And who loves with hate, that hate causes pain,
Who writhes in the joy and scarce delight of friends,
Who hinders reliefs, who exalts tears;
Who weeps evenly, who alters love for fears.
wordvango Jun 2016
Hansel and Gretel were so named to make them
the laughing stock of the hood. They had a crack head mom
and a dad who disappeared before they were born.
Often they had to subsist on small tidbits of bread they
found on the path into   the forest.  

Once on their forages they met a little girl
dressed in red. She said her name was hood.
She had a red dress.
She had a knowing about the forest and the  surroundings.
Said don't trust no one. They are all *******
wolfs. And they walked.

Where they ran into three lil pigs i forget.
Think it was in Louisiana  around Baton Rouge
near the Bayou la batre and the wind was blowing
and the Republicans ignored them
and the Police kept them in

and the little boy, Jack Horner , who had a finger in the ****
saw them coming , and pulled his thingy outta the hole
and all hell broke loose.
I give my votes to the guy on the fence
who fell and all the King's horses
all the King's men
didn't even try to put back together.
andrew juma Jul 2016
He forages on my doubts
Keeps me sleepless with distress
The real me is envious of me
She is all he wants
Can she stand the real me?

I resent the disgraceful me
Can't look at my reflection in the mirror
He threatens my core existence
So I fight to keep him burried

He mocks, taunts and mortifies
Even as she tells me I have beautiful eyes
It is good she cant peep inside through those windows
And see the struggles inside

I keep him padlocked in the depths
Listen to music and tour nice places
But in the quietest of moments
He creeps back to me

Dampens my spirit
Telling me I am way below
Not good enough
That I will ***** up as always

It is worrying what he can do
Destroy a lifetime in a day
Turn love to hate in a moment

But I wont let him hurt her
I'll leave her if I have to
The struggle to be a perfect man
Hustle and bustle of underground merry plaza showcase, the underbelly, the underlife, the true essence of the show going on at 8, men speaking rhythmically, eating quickly, with waste boxes, recyclables, the news is digestible, a man forages for answers in his phone, digging with his thumbs, and another reaches through the speaker to try to hear the close, the head anchored up, the scarf hanging at the direction towards the sun, oh the glamorous walls and the anxious souls, oh the marble staircase and the jansport backpack, more cleaning services than surfaces, less times more money, more money, less time, time is like money, it freezes and then it flows, what was the expression again?  Only the smell of coffee is lucrative, only the stench of ***** diapers, babies, in a place like this, where murmers are murmurs and eat isn't required but fufilled then joked about over digestion, a proper coffee break, he is of an ash tray the men gossip, not directly, but imply, stick to facts but hierarchies fill in like water into a ravine, never obscene, silent struggles to an invisible top held by Rockefeller who is no longer in this world, his spirit keeps some sort of hope driving noses into the pizza lunches, and the limitless contemplaions, the tough desicions, men around coffee are women amidst vultures, who has a higher grasp, whose the one getting cursed, overdone, overpowered, the cards turning in silence, literally in glances, a polite face turns to a disappointed hatred in seconds, perfect, like a diamond
Lorraine Colon Mar 2021
When sad, empty eyes chance to rest upon
Other eyes fixed in a hopeless gaze,
What sweet fantasies overrun the mind--
Navigating love's enchanting maze

How the pulse quickens when love is the prize,
Like dried kindling, hope begins to burn;
But what pain when one heart greedily feasts,
And for the other shows no concern

What a dilemma when only one heart
Lights the darkness with love's burning flame;
Merciless anguish does not spare the rod
When Love's endeavor is put to shame

For what is the mainstay of caring hearts
If not love that's given in return?
Just as a candle's flame must extinguish
When there remains no wick left to burn

I've heard it said love begets love, and yet
Love's hunger still courses through my veins;
So my starving heart forages for crumbs
In Love's graveyard of decaying  remains

Unrequited love always takes its toll --
A forbidding toll each heart must pay;
Love cannot survive without sustenance,
Weakened by neglect, it fades away
wordvango Aug 2015
differences collide like a small stray cat and a
homeless dog collide in one apartment and make  a go of it
where on a field forget-me-nots grow into the wiregrass
the taller seems to win just in the beginning
and the four leaf clovers hide from the din
when peanuts are dug from there      hiding spots
and butter comes
where cotton is grown the next season
to make a bag to haul the next years forages
there must be two apologies and
two comings and goings
like a bird and squirrel going
for the same seeds
the eagle and the mouse
one wins this time
the next is uncertain;
and next year as has the years before
started again with a clean slate
hoping for all a harvest
of never seen bounty,
the insect the vermin dog and cat
the green grass the sunsets.
You and I.
Donall Dempsey Jul 2019
AFTER LONDON

The silence deepens.

As if it were a living being
it forages in the forest.

The next step taken
takes me out of the present

into history
into fantasy

as if I have become
a fairy story.

Tropes trooping through
the clearing.

The huff and puff
of a bad wind rising.

The silence broken.

Inside  the belly
of the forest

where green is
the only colour seen

lies a partly
digested house.

Vines snaking through
its empty windows.

Its roof thrown
upon its floor.

Its wall crumbling
back into nature.

I sit and read my
Richard Jefferies.

A finger of frond
reading along with me

eager to turn
the next page.

The silence
deepens.
Richard Jeffeeries...he of the beautiful nature writing that influenced the nature writing of poet Edward Thomas.
Jefferies's novel, After London (1885), can be seen as an early example of "post-apocalyptic fiction": after some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life.
The house gone to ruin that nature takes back is my memory of numerous houses I have come across including even one on the island of Lampedusa
Jamison Bell Mar 2022
And just as the morning sun forages through the forest floor.
Like it’s looking for a dropped contact lense.
So too I, a mercenary of reason. Waking and trudging through each day.
Starved for purpose. Understanding.
Instead I’m asked to just choke it down. The hypocrisy, the indignant righteous illusion of free will.
Tongue scraped with charcoal. To the point I question whether or not.
Would it not serve me better to just bite down on my own throat?
To clench my teeth and pull back just far enough to watch the light fade from my eyes.
A poem like the ghost of a memory that was never real. Floats just out of reach.
This is a starter poem
Above is the beginning line
Others shall follow
Once it gets its legs
As it forages for the next rhyme
Taking baby steps
Word by word
Trepidatious
Hunting for that special bon mot
Just around the next phrase
Barreling toward my brain
Trying to relate
But only going so deep
Into the emotion underneath
Donall Dempsey Jul 2022
AFTER LONDON

The silence deepens.

As if it were a living being
it forages in the forest.

The next step taken
takes me out of the present

into history
into fantasy

as if I have become
a fairy story.

Tropes trooping through
the clearing.

The huff and puff
of a big bad wind.

The silence broken.

Inside  the belly
of the forest

where green is
the only colour seen

lies a partly
digested house.

Vines snaking through
its empty windows.

Its roof thrown
upon its floor.

Its wall crumbling
back into nature.

I sit and read my
Richard Jefferies.

A finger of frond
reading along with me

eager to turn
the next page.

The silence
deepens.


*


Richard Jefferies...he of the beautiful nature writing that influenced the nature writing of poet Edward Thomas.

Jefferies's novel, After London (1885), can be seen as an early example of "post-apocalyptic fiction": after some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life.

The house gone to ruin that nature takes back is my memory of numerous houses I have come across including even one on the island of Lampedusa.
Donall Dempsey Jul 2020
AFTER LONDON

The silence deepens.

As if it were a living being
it forages in the forest.

The next step taken
takes me out of the present

into history
into fantasy

as if I have become
a fairy story.

Tropes trooping through
the clearing.

The huff and puff
of a big bad wind.

The silence broken.

Inside  the belly
of the forest

where green is
the only colour seen

lies a partly
digested house.

Vines snaking through
its empty windows.

Its roof thrown
upon its floor.

Its wall crumbling
back into nature.

I sit and read my
Richard Jefferies.

A finger of frond
reading along with me

eager to turn
the next page.

The silence
deepens.

*

Richard Jeffeeries...he of the beautiful nature writing that influenced the nature writing of poet Edward Thomas.
Jefferies's novel, After London (1885), can be seen as an early example of "post-apocalyptic fiction": after some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life.
The house gone to ruin that nature takes back is my memory of numerous houses I have come across including even one on the island of Lampedusa

— The End —