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Mariah Tulli Feb 2019
Chovia a umas três horas, nada tão diferente de dias normais em São Paulo. Clara se arrumava para o trabalho com aquela pressa de quem ia perder o trem, mas na verdade era apenas a euforia pro segundo encontro com Luisa, que ia acontecer no fim do expediente. Se desesperou mais ainda quando olhou para cama e viu o tanto de roupa que havia deixado espalhada.  E se no final nós viermos para minha casa? Vai estar tudo uma bagunça, pensou ela, mas deixou assim mesmo, pois não queria criar expectativas demais, era apenas o segundo encontro e como já havia notado, Luisa parecia ser daquelas meninas meio tímidas de início. Pronto, calça preta, blusa preta e um boné vermelho que combinava com o tênis, pois em dias de chuva era necessário já que sempre perdia a sombrinha.

- Oii linda, então está tudo certo pra hoje né? Saio às 17h e prometo não atrasar. Disse clara enfatizando aquela idéia de pontualidade mais pra ela mesma do que para Luisa.
- Clara.. ops, claro rs! Te encontro no metrô perto do seu trabalho :)

Luisa tinha mania de fazer piadas com coisas bem bobas, era sua marca. Logo em seguida da mensagem enviada percebeu que mais uma vez tinha feito isso e riu de si mesma. Assim se estendeu o dia, Luisa sem muito o que fazer pois era seu dia de folga, então estava com todo o tempo do mundo para se arrumar, mas era daquelas decididas que pensava na roupa que iria vestir enquanto tomava banho e em dez minutos já estava pronta. O relógio despertou às 16h, trinta minutos se arrumando e mais trinta no metrô. Luisa estava pontualmente no local combinado, mesmo sabendo que Clara iria demorar mais um pouco ate finalizar todas as tarefas. Mais trinta minutos se passaram e nesse tempo Luisa já estava sentada em um bar ao lado da saída lateral do metrô com uma cerveja na mão, avistou aquele sorriso intenso de Clara, sorriu de volta cantarolando em sua cabeça “cê tem uma cara de quem vai fuder minha vida”, música vívida entre os jovens.

-Desculpa, te deixei esperando mais uma vez, como vamos resolver essa dívida aí? Disse clara esperando que a resposta fosse “com um beijo”.
-Sem problemas, já estou quase me acostumando, me rendi a uma cerveja, mas podemos beber outras lá em casa, o que acha?

Sem mais nem menos Clara aceitou e ficou surpresa pelo convite, a timidez percebida por ela já tinha ido embora pelo jeito. Chegando lá sentou em um colchão em cima de um pallet que ficava na sala e começou a analisar todo o ambiente, uma estante com dezenas de livros e três plantas pequenas no topo. Luisa com o tempo livre do dia deixou a casa toda arrumada e a geladeira cheia de cerveja, abriu uma garrafa e sentou-se ao lado de Clara em seu sofá improvisado.

-Posso? Pergunta Luisa ao indicar que queria passar a mão no sidecut de Clara.
-Claro, aproveita que raspei ontem.

Com a deixa para carícias, a mão ia deslizando de um lado para o outro em um toque suave na parte raspada do cabelo, até chegar ao ponto em que Clara já estava ficando um pouco excitada e gentilmente virou-se para Luisa encarou-a e sorriu, sem dizer nada, silêncio total, deixando aquela tensão pré beijo no ar por uns segundos. E sem nenhum esforço deixou que acontecesse naturalmente, sentindo aquele beijo encantador de Luisa. Pernas se entrelaçaram, corpos mais pertos um do outro, Clara acariciava lentamente o ombro de Luisa, aproveitando o movimento para abaixar a alça de sua blusa e dar um leve beijo na parte exposta, se estendendo ao pescoço, fazendo Luisa se arrepiar. Naquele momento o ambiente começa a ficar mais quente e num piscar de olhos as duas já se livraram de suas blusas. Clara volta a acariciar a pele de Luisa, mas dessa vez mais intensamente, percorre a mão pela barriga, puxa cuidadosamente a pele perto do quadril para conter o tesão, vai deslizando pela coxa, e num movimento quase imperceptível abaixa o short de Luisa e beija seus lábios molhados, fazendo-a soltar gemidos de excitação, criando um clima mais ofegante. Luisa em um mix de sensações sentiu a pulsação mais rápida de suas veias acelerado o coração, pernas tremendo e mãos suando, até perceber que aquele oral era o primeiro em que se entregava por completo, e se entregou.  Estava segura de si que aquilo era mágica e com a respiração voltando ao normal, posou um sorriso no rosto, abraçou Clara e perdurou o afago até cair no sono.
Clara
Tell me what to do.
All I ever wanted
was to help you.
I don't know what's wrong
But I'm writing you this song.
Clara
I know you want help.
So I'm here to help

Clara
I know that you're scared.
Clara
I know that you're worth it.
We met in the dark
I found a light
You put a pillow on your eyes.
Clara
You have to believe:
It'll be ok
But I can't go back to the dark.

Clara
I'm at the edge for you
Clara
I can't give my love to
Someone who spits on it and hands it back
Clara
I still love you

Clara
What happened to summer of 2012
Don't you know to make new friends
But keep the old
Kenny H Jun 2013
One day, when I awoke,
I remembered a nightmare I had that previous night.

I was at a school, a haunted school,
With a group of girls I didn't know.
They were there to release the spirits of three sisters
Who were trapped there by a mysterious phantom.

The first girl was named Clara,
She had hazelnut hair, hazelnut eyes,
A heart that could only be described as infinite.
She was the oldest of the three.

The second girl was named Nora,
She had a sense for adventure and heroics,
Her eyes only looked forward,
And would sacrifice herself to save her friends.
She was the middle of the three.

The third girl was named Mary,
She had a tame body and never really spoke up,
What she had in shyness she made up with her smile,
And she liked to sing and dance.
She was the youngest of the three.

We climbed up the fire escape behind the school,
The ladder was sticky,
We couldn't tell what it was because it was so dark
No one had thought to bring a flashlight.
We reached an unlocked door
That Nora keenly opened up.
Bella scolded her to be more careful,
But surprisingly Mary was the first to enter
And she hid behind the door to let us through.
It was me, then Nora, then Clara
As we entered a brightly lit hallway
With a door all the way at the end.
And so we walked.

Nora jumped ahead of me,
While Clara stayed behind with Mary
Who regretted her jump start.
So we walked down the hall quietly
With Nora making giggles here and there,
I would look over my shoulder every now and then
To make sure Mary and Clara were fine.
Mary held her hands behind her back
And was looking at her feet,
Clara was looking ahead with her hands together in front
She titled her head, and smiled.
For someone whose sister is lost
She seemed quite content with the people she was with.

Eventually, we reached the door
Which looked like a plain old door,
Nothing seemed out of the ordinary about it.
Nora haphazardly opened it only ajar
Because Mary shouted to stop.
Nora looked back with a questioned stare.
Clara took it upon herself to slowly open the door
And make sure everything was safe.
I just stood there breathless.
Clara called us over one by one
To the strangest wooded area.
A wooded area in a school
It was covered with black trees, dead orange grass,
And a purple sky with a yellow full moon.
There were no visible creatures,
Yet I felt like we were being watched.

We walked through the crusty grass
Whispering where we should go.
Nora pointed her finger to the distance.
Clara, Nora, and Mary marched ahead of me
All determined to move forward,
Although Mary let Nora and Clara walk in front of her.

At this point I realized
I was like a ghost to these girls,
I seemed more like a wish
And more and more
Like a wish to save them.

We entered a clearing
And saw the large faceless dark phantom
Breathing cold air.
The girls and I stood stiff
And the phantom took it upon himself
To come to us.
He stood in front of the girls,
All three of them were crying ****** tears.
The phantoms pat the girls on the head,
Comforting them genuinely.
He took them into his darkness,
And they disappeared from my sight.
George Andres Jul 2016
Maria, ang Ibarra na 'yong inirog
At pag-ibig na nalimot
Ay muling umahon sa ilalim ng ilog
At ako'y ginising sa aking pagtulog

Ang iyong kwento'y tila nauulit
Ikaw Maria Clara, siyang naging kapalit
At ako si Ibarrang nasasaktan nang labis
Dahil kay Linares na di maalis

Ikaw ang Modernong Maria Clara
Masiyahin, mabuti at mganda
At ako si Crisostomong Ibarra
Walang pinagkaiba
Hanggang sa kasalukuya'y di ka makuha

Ikinasal sa bayan at mga pangarap
Patawad ngayo'y di kita maharap
Ika'y isang malayong pangarap
Na sa mga kurso'y di ko mahagilap

Anupa't ika'y nakangiti ngayon
Ngunit huwag gayahin ginawa ni Clarang noon
Maging masaya ka sa sa piling ni Linares na iyong ****
Habang ako'y magdurusa sa loob ng marami pang taon

Saglit at sa loob'y nagkakasiyahan
Tugon nila'y marahan sa aking nararamdaman
Musikang ngayo'y kakampi
Dusa sa di makuhang pulang mga labi

Kung darating man ang panahong "Ikaw"
Hiling ko'y maging masaya at di mapanglaw
Mukha mo sa puso ko'y di manakit at manghataw

Sa di pagtingin sa king mata
Wari ko'y alam mo na
Ang aking tunay na nadarama
Mahal kita Maria Clara,
Paalam na
2015 Noli Me Tangere
“Binibini”
Para sakanya na nalubhasa
Sa pagibig sakanya ay nilathala
Tila awit at  tula na isinulat sa prosa
Nais ng binibini ibahagi sinta
Ngunit mas nabighani ka sa babaeng dinaan sa ganda
Hindi sa pagibig na kaniyang isinulat pa sa pamamagitan ng kanta at tula

Para sa binibining sinugatan ng patalim
Hayaan **** humilom ang sakit at pighati
Mahalin mo ang sarili at hayaang tahiin ang sugat na malalim  kahit na mahapdi

Para sa binibini’
Patawarin mo na ang sarili
Sa nakaraang tinatakbuhan mo lagi
Para sa binibining napaka ganda ng ngiti
Hayaan **** yakapin ka ng ginoong binigay sayo ang tala at langit
At ang halaga na sayo ipinagkait

Ang tunay na ginoo ay darating
Katulad ng sinta ni maria clara’y makakamit
Hayaan mo na sila at pusoy patahanin
Isara ang mga mata sa mga taong
Hindi kayang manindigan sakanilang salitang tila isang papel na punit punit

Binibini ikaw nay magpahinga
Hayaan **** maramdaman ang pagiging prinsesa
Dahil hindi ka sundalo upang ipag laban
Ang isang duwag na ginoo
Na nag tatago pa sa saya ng kanyang ina

Magpatuloy ka sa kanta at tula
May isang nag bubukod tanging ginoo ang sisilip sayong halaga
Makakakita at dinig sa ritmo ng kantang tinutugtog at inaawit ng may magandang himig at tugma
At siya ang mag sisilbing gamot
Sa mahapding sugat na dulot ng maling pag ibig na ibinigay ng ginoong hanggang salita

Ginoo ni maria clara , ikaw sanay bumalik.
Nakalimutan ka na ng kabataan ginagalawan
Ng hinirasiyong mapang akit
Ang mga maria clara ngayon
Ay umiiyak dahil sa paglisan ng ginoong
Tunay , at siyang nag iisang nagpaka lalaki sa mundong puno ng batang pag iisip.
Agua limpia, clara, clara, clara,
tan limpia y tan clara que parece cristal,
tan clara y tan limpia que yo la deseara
convertida en la tela de un vestido nupcial.

¡Qué feliz la novia rubia que lo usara!
Tendría que ser buena, hermosa y virginal.
¿Se concibe nada más bello que agua clara
transformada en la tela de un vestido nupcial?

¡Qué pena que no haya en nuestro siglo, hadas!
Que se hayan concluido todas las encantadas
madrinas que creara la fábula oriental.

¡Yo quisiera un vestido hecho con agua clara!
¡Yo quisiera un vestido tal como lo soñara
mirando esa corriente que parece cristal!
Eres mi amor, Paula, mi amor, Paula, Clara quise decir.
Y cuánto tiempo, Paula, digo Clara,
sin ti y sin mí. Las diligencias
parten sin mí y sin ti.
O a ti te llevan hacia el norte, hacia el pobre Roberto.
A mí, hacia el sur, contigo hacia el sur, donde ya no estabas,
donde nunca estarías. Ahora he tomado el tren
para decirte adiós. Y sueño, sueño mío.

Cerré los ojos, deslumbrado por la memoria.
Apreté la cintura del paisaje, recorrí sus caderas,
miré sus ojos verdes, ceniza con sentido.
Tendía el cielo su metal hermético.
Y se superpusieron mediterráneos y cantábricos,
cipreses respirados desde un sótano,
casi a vista de muerto, y jazmineros.
Después, las cosas y sus nombres
perdieron sus contornos, su significación
y fueron nada más que ritmo, armonía viajera
liberada de los instrumentos que le dieron su carne.
No queda nadie ya que pueda perdonarte,
que pueda perdonarme, perdonarnos.
Nadie que pueda rescatar los besos que se pudren
sobre Roberto y su locura piadosa.
Ahora que voy a ti, a encontrarte en la aduana de la muerte
pienso, Clara, amor mío, que cuando nos besábamos
era a Roberto a quien besábamos, al engañado
hijo de nuestro amor. Él murió un día.
Su esposa, tú, amor mío, Clara, también has muerto ahora.
Yo tomé el tren para encontrarme en la frontera,
para decirte adiós desde el lado acá de la muerte, amor de mi vida.

Pero nunca llegaré a ti.
El viejo Brahms es viejo, y está gordo.
Me he quedado dormido y me he pasado de estación.
¿Comprendes, amor mío, que nunca llegaré a tu lado
por culpa de este sueño, que es mi bálsamo y mi enemigo?
Ya nunca llegaré a tu lado.
Puede ser, amor mío, que no te amara ya,
que no te hubiese amado nunca,
que sólo hubiese amado a mi propio amor,
el amor que te tuve, Clara, amor mío.
"Hey loverboy," she says. I don't respond.*



A rough draft excerpt from my story, Fictional Truth.



“Hey loverboy,” she says. I don’t respond. I enjoy ignoring her for a moment after I come out of a day dream.

“Hey. Jake. Snap out of it boy. Time to come back to earth,” she says with her usual tone of pleased annoyance. This time I leave the world inside my head and return to reality. Slowly turning my head to the right, I can see those deep blue eyes gazing up. I never get tired of her eyes.

“Come on, you said you’d help me here.”

“Sorry,” I say with a half grin and my best attempt at contrition. I look down to the papers in her lap. Right, math. I was helping her with calculus. She was really very good at math. We were in the same class, but she was two years younger than me after skipping two grades in elementary school.

“This one you just take the derivative of your function and plug in these two values.” I can remember these things effortlessly now, which was a huge accomplishment for someone who doesn't particularly like math.

“See, this is why I keep you around,” she says, those rosy lips that I so adored pulled into a little smirk. She reaches up and kisses me. She always seems to find an excuse to kiss me. “You can go back to daydreaming now.” Indeed I do, retreating back to the dreamscape inside my head. This time I think back to when I met Clara.


I had just arrived on campus, a bright eyed college freshman. There I was, lost in a sea of beautiful women. Small private schools had never been kind to me in that regard. Everything on campus was a wonder. Nobody from my high school had come here and I was very much alone but I didn't mind, I had outgrown most of my high school friends long ago. It was long past time for me to expand my horizons.

I found myself standing in front of a massive glass building. I wasn't past checking my reflection in the glass windows. Had to make sure my hair still looked as good as it did when I arrived. Who knew when I might run in to? Opening the doors I caught a waft of the bookstore smell, unlike anything I expected. At home the bookstores were small, with dusty leather covers that begged to be handled and old people that smelled like coffee. This was completely different. The odor of panicked freshman and newly bound textbooks permeated the air. I decided right then I wouldn't be spending much time there.

There was a long line extending towards the back of the building. Not knowing better, I assumed it was the line I was supposed to be in and slowly made my way to the rear. This would take forever. I pulled out my phone and started on another game of Angry Birds. I had been killing evil pigs for almost five minutes when I began to feel like I was being watched. Sure enough I glanced up to see a large pair of deep blue eyes looking at me.

“You know, some psychologists say that technology is making us less social,” said the girl looking up at me. I couldn't respond. She had straight black hair pulled behind her in a long ponytail. She had a small, perfectly formed nose with what seemed like a sea of freckles on it. Even more freckles danced on her cheeks. She was several inches shorter than me, maybe 5’9” and had on tight jean shorts and a black tank top that exposed only the most tantalizing amount of cleavage.

“So I’m just starting to feel a little uncomfortable with you ******* me with your eyes like that,” she said with the smirk on her face that I would soon come to know.

“Sorry,” I said, a tiny grin tugging at the corner of my mouth, “You surprised me a bit.”

“I’m Clara. This is the point in conversation where you tell me your name.” I liked her already. She had confidence and wit that was both abrasive and attractive.

“I’m Jake, pleased to meet you.” ****, I was smooth, like a wagon over rocks. “Are you a freshman too?”

“Yep. Just got here. I don’t think this line is moving.” I really liked the way little dimples appeared at the corners of her mouth even when she frowned slightly.

“It really doesn't seem to be. At least I have pleasant company,” I said. Oh man I was so smooth! I was really proud of myself right there. Flirting was hard with pretty girls, they seemed to throw me off balance.

“Well, that was the least offensive flirting I've heard all day,” she replied. Good gosh this girl was straightforward. “It’s a good thing you’re cute or I might not have accepted that.” Cute. Okay, I could work with cute. “So you’re in psychology 1000?” she asked.

“Nope, I took that during high school.” I replied. Why would she ask that?

“Well, you’re standing in the psychology book pickup line.” She said with a slightly puzzled look on her face. I definitely was not in psychology.

“Oh, Psychology! I, uh, I thought you said, uh, philanthropy. Nope, I’m definitely in the right line." Okay, that was a lie and I was at least 100% sure philanthropy was not a class. But hey, I was under pressure. She looked at me like I was slightly on drugs but moved on without hesitation.

We talked about various meaningless things while the line crept closer to the back of the store. The stunningly blue shade of her eyes made it very difficult to focus on conversation. When we got to the pickup window, she paid for her book and stepped to the side, watching me. I decided to bow out of buying a several hundred dollar book just to avoid looking like an idiot. I comforted myself with the fact that she might think it was funny.

“Soooo. I’m not really in philanthropy. Or psychology. I just didn't want to stop talking to you just yet.” I said with a sheepish grin. Luckily for me, she laughed.

“Alright then Mr. Jake, what books do you really need? Maybe we can go stand in line again.” I listed off several books that I needed for classes.

“Calculus. I need that one as well. Come on silly.” She turned her back and started walking. I followed right on her heels, a goofy grin plastered all over my face.

That was my first interaction with Clara. We spent the next two hours gathering all of our books, and at the end I carried her rather large pile back to her dorm room. I was promptly rewarded with her phone number and some cookies that her mom had packed.


“Hey. What about this one?” Clara’s voice comes from beside me. I lean over to look at the paper again.

“This time just take the anti-derivative of cosine and solve for x.”

“Oh right. That's the last one.”

“What do you want to do now?” I ask.

“How about we go to your room and see if we can make your roommate uncomfortable enough to leave?” She says with a mischievous grin, bringing those deep blue eyes nearer to mine. She always seems to find an excuse to kiss me.
A rough draft excerpt from my short story, Fictional Truth.
Iraira Cedillo Mar 2014
The poorest juggler ever seen
Was clumsy Clara cleech,
Who juggled a bean, a nectarine,
A pumpkin, and a peach.

She juggled a stone , a slide trombone,
A celery stalk, a stick,
A seeded roll, a salad bowl,
A bagel, a boot, a brick.

With relative ease she juggled a cheese ,
She juggled a lock,  lime,
Yes, clara juggled all of these
. . . But just one at a time
Bayani --
Sa tuwing nagtatapo ang aking kanang kamay at ang aking dibdib
Doon ko mas naisasaisip at naisasapuso ang pagiging isang Pilipino
Na hindi ako isang banyagang titirik sa malaparaisong lupain
At panandaliang mabibihagni sa mga likas na yaman
O mismong sa mga modernong Maria Clara
O mga aktibisang nagmistulang mga bayani
Sa kanilang walang pag-imbot
Sa pagsulong nang may paninindigan
Sa kani-kanilang ideolohiya.

Sa araw-araw kong pagbibilad sa araw
At pagharap sa bawat pagsubok na minsang nakapapatid at nakapagpapatalisod,
Ni minsa'y hindi ko pinangarap na gawaran ng salitang "bayani."

Dito sa aking Bayang, "Perlas ng Silanganan,"
Ako'y nahubog maging sanay at buo ang loob
Hindi ng mga kahapong idinaan na sa hukay
At nagsilbing bihag ng kasaysayan at rebolusyon,
Bagkus ng sariling karanasang
Nagbukas sa aking ulirat
Na may iba pa palang pintuan patungo sa kahapon.
At pupwede ko palang matuklasan
Na hindi lamang sa mga nag-alay ng buhay sa sariling bayan
Maihahambing ang katuturan ng mahiwagang salita.

Paano nga ba na sa bawat pagsilang ng araw at pagbukod ng mga ulap sa kanya
Ay maituturing ko ang sarili bilang isang bayani?
Nagigising ako na pinamumunuan hindi lamang ng isang pangulo
Kundi ng mga katauhan na siya ring nagbibigay kabuluhan sa pagrespeto ko sa aking sarili
At sa tuwing nag-aalay ako ng mga hakbang at padyak sa pampublikong mga lugar
Ay nahahaluan ang aking pagkatao ng mga abo ng mga nagtapos na sa serbisyo
At tila ba sa kaloob-looban ko ay may sumisigaw na hindi ko alam kung ano
At sumisira sa mga pintuang minsan ko nang sinubukang sipain
Ngunit hindi naman ako pinagbuksan.

Masasabi kong natuto akong hindi sumuko sa laban ng aking buhay
Pagkat ako rin pala'y may pinaglalaban
Hindi ko ninais na maging talunan sa bawat paglisan ng araw sa kabundukang minsan ko na ring inakyat at pinagmasdan
Akala ko hanggang doon na lamang ako
Na ang buhay ko'y hindi isang nobelang magiging mukha sa salapi
At pagkakaguluhan saan man sila magdako
Ngunit minsa'y limot na ang halaga.

Dito sa aking istorya'y hindi ko maipagmamalaking ako ay isang bayani --
Ngunit sa kabila ng paglaganap ng demokrasya
Ay nais ko pa ring makasalamuha ang kahigpitan ng hustiya
Nang sa gayo'y masilaya't malasap ko ring mahalaga pa rin sa lahat
Ang pagbuwis ng mga buhay --
Silang mga pinagbunyi o silang nilimot ng sarili nilang mga kababayan.

Gusto kong manatili bilang isang Pilipinong may dangal sa aking pagkatao
Na ako'y titingala hindi dahil ako'y nagmamataas
Bagkus sagisag at bunga ito ng paghilom sa akin ng may Likha
At isang grasya ang buhay na hindi ko nanaising itapon sa wala.

Hindi ako magbibigay-pugay sa watawat na walang kamuang-muang
Na ang aking laban ay tapos na.
Hindi ako magpapadaig sa lipunang maaaring bumagsak sa kahit anong pagkakataon
Kapag ito'y nakalimot sa Ngalang higit na tanyag sa kanya.
At kung ito ang magiging dahilan para ako'y maliko sa ibang ideolohiya'y
Lilisanin ko na lamang ang aking pagkatao --
Ngunit ako'y madiing magpapatuloy sa aking lakaring higit pa sa pagka-Pilipino
Kahit na ang mga tungkuling nasa harap ko'y hindi pa lubos na malinaw
Pero pangako --
Hindi ako titigil.

Oo, pupuwede akong magsimula sa wala
Pero ako ay may mararating
At marahil bukas o sa makalawa,
Kung tayo lamang ay magpapatuloy sa pakikibaka para sa ating mga paniniwala'y
Magiging higit pa tayo sa mga bayani.
At hindi mahalaga kung tayo'y limutin ng bukas
Gaya ng paghawi ng masidhing hangin sa mga ulap na emosyonal.

Ayos lang --
Pagkat sa likod ng mga kurtina nang walang humpay na palakpakan
Ay naroon ang tunay na mga bayani
Na hindi sigaw at mga pagbubunyi ang mithiin.
Hindi ginto’t mga pilak ang maibubulsa sa kamatayan
Bagkus ang makapaglingkod sa bayan na may bukal na puso't malinis na konsensya
At kalakip nito ang higit pa sa mga pamanang medalya ng kasaysayan.

Sa muling pagkikita, salubong ng ating mga ninuno
Ay mabubuksan ang ating pagkatao sa isang paraisong patay na ang kabayanihan.
Doon, sama-sama nating lilisanin ang ganid na administrasyon
At hihipuin ang galit ng lambing ng Liwanag na higit pa sa milyong mga lampara
At doon lamang natin lubos na maaakap ang pagiging isang "bayani."
Carl D'Souza Jul 2019
Jim, Clara, Lizzie, and Tim
are sitting comfortably
around a work meeting table
drinking delicious coffee and
eating delectable sandwiches
which their manager provided for free;
these employees love their manager.

Jim, Clara, Lizzie and Tim
area engaged in a ‘Quality-Circle’:
A group of employees
who meet regularly
to consider ways of improving
their workplace.

Jim, Clara, Lizzie and Tim
conceptualise themself
as not slaves but cooperators
with their manager
to improve
the functioning of their workplace
for the benefit of the employees,
and the benefit
of the shareholders, customers, suppliers
management and
their whole society.

Jim, Clara, Lizzie and Tim
are exercising joyful creativity
to identify problems
and discover solutions
which they will diligently implement
to improve their workplace,
to increase their joy and happiness
in their workplace:
by increasing ease of their work,
by increasing efficiency of their work,
by improving quality of their work,
by increasing productivity,
by increasing customer satisfaction,
by improving environmental impacts,
by increasing profits.

Jim, Clara, Lizzie and Tim
realise that a continuously-improving
well-functioning workplace
provides them secure and enjoyable employment;
so, participating in the joyful creativity
of a quality-circle
striving to continuously improve their workplace
makes them feel
joyful and happy.
Marieta Maglas Aug 2013
She started to reorganize the kingdom,  to give it access to the sea,  
To modernize the economy, and any army officer had a college degree.
That superpower had one weakness: she was stronger than her king.
She reorganized the political administration by creating a diplomacy ring.

She used the high trees belonging to their forests  to build  many ships.
She opened gold mines by using slaves  being  beaten with hard whips.
Reforming the toll system, she rose the taxes to pay for the army wars,
And created the overseas colonies to have many ports on the seashores.

She dissolved the parliament not wanting to consult with them.
A lot of  protests took place in the main cities her behavior to condemn.
The archbishop retired, because she reduced the ecclesiastical rights.
The new archbishop was trustful to her, and made new religious rites..

This way, Surah held completely the religious and the political power.
To advocate her prerogatives, a new Doctor Fox she started to empower.
Surah created a new high society at the John's court to control his life.
The old nobility lost the independence, which was a major cause of strife.

Surah met John and asked him to give her a part of his kingdom.
John gave her a big province , which it became her  new sub-kingdom.
She recruited and trained a new secret army, being ready to strike him
Clearly knowing  that his chances of winning this battle are pretty slim.

John knew  he was too young to be a ruler and allied with Frederick.
To make friends the vassals for this battle with Surah, they were quick.
When her army was subdued , she really saw the fire of God as sacred.
She had to face His army, and to see how her own men were massacred.

There always had been poverty, but at that time, after seven years, there were many vagabonds on the streets. Frieda was preparing the dinner waiting for Pauline to come. Eda , their friend, helped her. Eda worked as  a servant for a rich person. Her husband was a digger. Pauline entered the house in a rush being very upset and saying,

'A **** stole my bag .'Eda said,'Hoboes have no license to beg.'
'I tried to catch him , but he ran so fast.' 'You should shake your leg'
'People like him are tied to a cart, and whipped till they are bloodied',
Said Pauline,'they're forced to return to their homes being so muddied.'



'By law, the vagabonds can be made slaves for ten years', said Frieda.
' If they ran away during this time they're made slaves for life’, said Eda.
'Some  people have to rely on poor relief', said Pauline. 'Others thrive.
After having money they're forced  to pay a tax to keep hoboes alive',

Said Eda.'The overseers can provide work for any able-bodied vagrant.
If he refuses to work he's whipped, but he waits to be caught in flagrant’,
Said Frieda. 'The pauper's child goes to the employer to be an apprentice',
Said Eda.'For many poor people, drinking gin is their only preference.'

Pauline said, ‘I would like to eat roast beef cooked with pea.'
'My dear, meat is a luxury. We have  bread, butter, potatoes and tea' ,
Said Frieda.'By the way, where's Surah now?''She's John's vassal
As a landless queen.’Pauline smiled.’ She lives in her old castle.'
(Mary , Clara and Sarah, another nun, were preparing their dinner. On the table , there were corn, carrots some cheese, a little bread, a bottle of milk and six eggs.)

Mary said,'Monastery churches were converted to parish churches.
Buildings having monastic cells were left to ruin for social searches.'
'In order to hide, we must build new monasteries in the mountain valleys',
Sarah said.' Teaching poor people, others live near towns having alleys’,

Said Clara.'They live humble lives needing silence to devote themselves
To the worship of God, to copy out  manuscripts placed on their shelves,
To baptize the people, to farm their lands, and for tending their sheep',
Said Mary.'She restricted pilgrims from coming there to pray and to sleep',

Said Clara.'Many suppressed monasteries were hardly hit to surrender.
To confiscate the lands', said Mary,'Surah also convicted any defender.'
'You're right. Those , who agreed to surrender were given pensions for life',
Said Clara,'The transfer of the  lands to the Crown was Surah's greatest strife.

Some monasteries were transformed into workhouses for poor people
Having no income. Throwing out the bell, she built a room in every  steeple',
Said Sarah.'Surah deterred poor people from asking the state for help.
In houses, they wore uniforms being angry, while hearing the dog's yelp.

Husbands , wives and children still live separately , while breaking the stone .
Many children are looking like having a syndrome of the hungry bone',
Said Mary.'What is she doing now?'Clara asked.'John pushed her out the door’,
Said Sarah,'She tastes the peace while recovering from her last war!'
(In his castle, Frederick, John and Matthew, who was Frederick’s councillor, were waiting for the dinner.
John was 19 years old , not a minor any longer. On the table, there were green beans, asparagus, grapefruits, cheese, bread, avocado and eggs.)

John said ,'my mother didn't let her have a very close relationship with us,
But help was there when I needed it most , and aunt Surah loved me, thus.’
Frederick said,'Then, why did she declare war against you? It's strange.'
'In just one year', said Matthew,'it's amazing how many things can change.'

'She taught you everything , this way, you tried to undermine her power',
Said Frederick. 'She threatened to destroy me, but I could never cower',
Said John,'her counselors built a wall between myself and my people.'
Matthew smiled', she was that sound coming from a mysterious steeple'

'Each king ceded to me a part of his land in exchange for his vassalage,
And she didn't like it', said John.'She couldn't add controls to backstage’.
Matthew said,’ You took their territories on the coast to expand the naval power.
You traced the traitors, who were her people to imprison them in the tower.’

’ She had governed your  kingdom while limiting your power and influence’,
Said Frederick, ' and while advising you  to use some diplomatic prudence.'
John said,'then, she used her corsairs to attack my merchant ships.'
Matthew said,'we must trace her, and cope with missing information slips.’

To be continued...tomorrow
David Whitney Mar 2021
"Look Of Despair"

Clara looked out of the window
A woman stood waving her hand
The woman was Clara's first daughter
But Clara did not understand
Bewildered she had many questions
Why were masks hiding faces away
Why was there no hugging or kissing
Had the care home gone into decay
The woman outside looked familiar
Though Clara could not put a name
With masks over everyone's faces
Everybody looked much just the same
Clara wished her husband Henry
Could visit her like just before
But dementia had fuddled her memory
Her husband had died in the war
The woman was still stood there waving
Why on earth did she not come inside
And why was she waving at Clara
And why had she suddenly cried
Clara sat down in the corner
Nobody would bother her there
She could still sit and talk to her Henry
Though she spoke to a vacant arm chair
Each day was the same but now different
No visitors came anymore
The TV was all about Covid
What on Earth was she still living for
Tears held inside started falling
She felt so abandoned and lost
The care staff were doing their duties
But warm hugs weren't a part of the cost
She tottered her way to the window
The woman outside was still there
Clara remembered her daughter
And she waved with a look of despair.

The End
By David Whitney     c2021
Lyka Adlawan May 2018
Tagu-taguan,
Maliwanag ang buwan
Munti kong tula,
Inyong pakinggan

Ito'y patungkol
Sa kabataan
Na inaakalang
Pag-asa ng bayan

Wala sa likod,
Wala sa harap
Ano ang kabataan
Sa hinaharap?

Handa na ba kayong
Malaman ang totoo?
Pagbilang ng sampu,
Malalaman na ninyo

Isa, dalawa, tatlo
"Tara, pre! Dota tayo!"
Isa, dalawa, tatlo
"Kyah, pa-like ng DP ko"

Isa, dalawa, tatlo
"Naka-hithit na ako"
Isa, dalawa, tatlo
"Tara, shot na tayo"

Mga kabataang nakikiuso
Mga kabataang lulong sa bisyo
Kabataang imbis na ang dala'y libro
Ang palaging hawak ay sigarilyo

Apat, lima, anim
Wala nang ibang alam gawin
Apat, lima, anim
Kung hindi gadgets ay pindutin

Apat, lima, anim
"Babe, walang tao sa'min"
Apat, lima, anim
"Babe, pwede na nating gawin"

Mga kabataang napapariwara
Mga kabataang sa tukso'y nadadala
Kabataang tinuturing na Maria Clara
Na ngayo'y mas kilala na sa Maria Ozawa

Pito, walo, siyam
Nasirang kinabukasan
Pito, walo, siyam
"Aking pinagsisisihan"

Pito, walo, siyam
"Ako'y nanghihinayang"
Pito, walo, siyam
"Ibalik niyo 'ko sa nakaraan"

Totoo nga ang kasabihan
Ang pag-sisisi'y nasa hulihan
Ang ating nakaraan
Ang siyang madidikta ng kinabukasan

Ngunit hindi ko naman nilalahat
Ang nais ko lang, kabataa'y mamulat
Ang buhay natin ay parang aklat
Tayo ang gumagawa ng sarili nating kwento at pamagat

Hindi ko tatapusin ang bilang sa sampu
Dahil hindi ako ang magdidikta ng kinabukasan niyo
Ngunit sa pagtatapos ng munting tula ko
Sana'y makapagsimula kayo ng panibagong kwento

Kwento na kung saan kayo ang bida
Kwento na kung saan kayo ang pag-asa
Salamat sa pakikinig mula umpisa
Ngayon ang tulang ito'y tinatapos ko na
Siendo mozo Alvargonzález,
dueño de mediana hacienda,
que en otras tierras se dice
bienestar y aquí, opulencia,
en la feria de Berlanga
prendóse de una doncella,
y la tomó por mujer
al año de conocerla.Muy ricas las bodas fueron
y quien las vio las recuerda;
sonadas las tornabodas
que hizo Alvar en su aldea;
hubo gaitas, tamboriles,
flauta, bandurria y vihuela,
fuegos a la valenciana
y danza a la aragonesa.   Feliz vivió Alvargonzález
en el amor de su tierra.
Naciéronle tres varones,
que en el campo son riqueza,
y, ya crecidos, los puso,
uno a cultivar la huerta,
otro a cuidar los merinos,
y dio el menor a la Iglesia.   Mucha sangre de Caín
tiene la gente labriega,
y en el hogar campesino
armó la envidia pelea.   Casáronse los mayores;
tuvo Alvargonzález nueras,
que le trajeron cizaña,
antes que nietos le dieran.   La codicia de los campos
ve tras la muerte la herencia;
no goza de lo que tiene
por ansia de lo que espera.   El menor, que a los latines
prefería las doncellas
hermosas y no gustaba
de vestir por la cabeza,
colgó la sotana un día
y partió a lejanas tierras.La madre lloró, y el padre
diole bendición y herencia.   Alvargonzález ya tiene
la adusta frente arrugada,
por la barba le platea
la sombra azul de la cara.   Una mañana de otoño
salió solo de su casa;
no llevaba sus lebreles,
agudos canes de caza;

  iba triste y pensativo
por la alameda dorada;
anduvo largo camino
y llegó a una fuente clara.   Echóse en la tierra; puso
sobre una piedra la manta,
y a la vera de la fuente
durmió al arrullo del agua.   Y Alvargonzález veía,
como Jacob, una escala
que iba de la tierra al cielo,
y oyó una voz que le hablaba.Mas las hadas hilanderas,
entre las vedijas blancas
y vellones de oro, han puesto
un mechón de negra lana.Tres niños están jugando
a la puerta de su casa;
entre los mayores brinca
un cuervo de negras alas.La mujer vigila, cose
y, a ratos, sonríe y canta.-Hijos, ¿qué hacéis? -les pregunta.Ellos se miran y callan.-Subid al monte, hijos míos,
y antes que la noche caiga,
con un brazado de estepas
hacedme una buena llama.   Sobre el lar de Alvargonzález
está la leña apilada;
el mayor quiere encenderla,
pero no brota la llama.-Padre, la hoguera no prende,
está la estepa mojada.   Su hermano viene a ayudarle
y arroja astillas y ramas
sobre los troncos de roble;
pero el rescoldo se apaga.Acude el menor, y enciende,
bajo la negra campana
de la cocina, una hoguera
que alumbra toda la casa.   Alvargonzález levanta
en brazos al más pequeño
y en sus rodillas lo sienta;-Tus manos hacen el fuego;
aunque el último naciste
tú eres en mi amor primero.   Los dos mayores se alejan
por los rincones del sueño.
Entre los dos fugitivos
reluce un hacha de hierro.   Sobre los campos desnudos,
la luna llena manchada
de un arrebol purpurino,
enorme globo, asomaba.Los hijos de Alvargonzález
silenciosos caminaban,
y han visto al padre dormido
junto de la fuente clara.   Tiene el padre entre las cejas
un ceño que le aborrasca
el rostro, un tachón sombrío
como la huella de un hacha.Soñando está con sus hijos,
que sus hijos lo apuñalan;
y cuando despierta mira
que es cierto lo que soñaba.   A la vera de la fuente
quedó Alvargonzález muerto.Tiene cuatro puñaladas
entre el costado y el pecho,
por donde la sangre brota,
más un hachazo en el cuello.Cuenta la hazaña del campo
el agua clara corriendo,
mientras los dos asesinos
huyen hacia los hayedos.Hasta la Laguna Negra,
bajo las fuentes del Duero,
llevan el muerto, dejando
detrás un rastro sangriento,
y en la laguna sin fondo,
que guarda bien los secretos,
con una piedra amarrada
a los pies, tumba le dieron.   Se encontró junto a la fuente
la manta de Alvargonzález,
y, camino del hayedo,
se vio un reguero de sangre.Nadie de la aldea ha osado
a la laguna acercarse,
y el sondarla inútil fuera,
que es la laguna insondable.Un buhonero, que cruzaba
aquellas tierras errante,
fue en Dauria acusado, preso
y muerto en garrote infame.   Pasados algunos meses,
la madre murió de pena.Los que muerta la encontraron
dicen que las manos yertas
sobre su rostro tenía,
oculto el rostro con ellas.   Los hijos de Alvargonzález
ya tienen majada y huerta,
campos de trigo y centeno
y prados de fina hierba;
en el olmo viejo, hendido
por el rayo, la colmena,
dos yuntas para el arado,
un mastín y mil ovejas.
    Ya están las zarzas floridas
y los ciruelos blanquean;
ya las abejas doradas
liban para sus colmenas,
y en los nidos, que coronan
las torres de las iglesias,
asoman los garabatos
ganchudos de las cigüeñas.Ya los olmos del camino
y chopos de las riberas
de los arroyos, que buscan
al padre Duero, verdean.El cielo está azul, los montes
sin nieve son de violeta.La tierra de Alvargonzález
se colmará de riqueza;
muerto está quien la ha labrado,
mas no le cubre la tierra.   La hermosa tierra de España
adusta, fina y guerrera
Castilla, de largos ríos,
tiene un puñado de sierras
entre Soria y Burgos como
reductos de fortaleza,
como yelmos crestonados,
y Urbión es una cimera.   Los hijos de Alvargonzález,
por una empinada senda,
para tomar el camino
de Salduero a Covaleda,
cabalgan en pardas mulas,
bajo el pinar de Vinuesa.Van en busca de ganado
con que volver a su aldea,
y por tierra de pinares
larga jornada comienzan.Van Duero arriba, dejando
atrás los arcos de piedra
del puente y el caserío
de la ociosa y opulenta
villa de indianos. El río
al fondo del valle, suena,
y de las cabalgaduras
los cascos baten las piedras.A la otra orilla del Duero
canta una voz lastimera:«La tierra de Alvargonzález
se colmará de riqueza,
y el que la tierra ha labrado
no duerme bajo la tierra.»   Llegados son a un paraje
en donde el pinar se espesa,
y el mayor, que abre la marcha,
su parda mula espolea,
diciendo: -Démonos prisa;
porque son más de dos leguas
de pinar y hay que apurarlas
antes que la noche venga.Dos hijos del campo, hechos
a quebradas y asperezas,
porque recuerdan un día
la tarde en el monte tiemblan.Allá en lo espeso del bosque
otra vez la copla suena:«La tierra de Alvargonzález
se colmará de riqueza,
y el que la tierra ha labrado
no duerme bajo la tierra».   Desde Salduero el camino
va al hilo de la ribera;
a ambas márgenes del río
el pinar crece y se eleva,
y las rocas se aborrascan,
al par que el valle se estrecha.Los fuertes pinos del bosque
con sus copas gigantescas
y sus desnudas raíces
amarradas a las piedras;
los de troncos plateados
cuyas frondas azulean,
pinos jóvenes; los viejos,
cubiertos de blanca lepra,
musgos y líquenes canos
que el grueso tronco rodean,
colman el valle y se pierden
rebasando ambas laderasJuan, el mayor, dice: -Hermano,
si Blas Antonio apacienta
cerca de Urbión su vacada,
largo camino nos queda.-Cuando hacia Urbión alarguemos
se puede acortar de vuelta,
tomando por el atajo,
hacia la Laguna Negra
y bajando por el puerto
de Santa Inés a Vinuesa.-Mala tierra y peor camino.
Te juro que no quisiera
verlos otra vez. Cerremos
los tratos en Covaleda;
hagamos noche y, al alba,
volvámonos a la aldea
por este valle, que, a veces,
quien piensa atajar rodea.Cerca del río cabalgan
los hermanos, y contemplan
cómo el bosque centenario,
al par que avanzan, aumenta,
y la roqueda del monte
el horizonte les cierra.El agua, que va saltando,
parece que canta o cuenta:«La tierra de Alvargonzález
se colmará de riqueza,
y el que la tierra ha labrado
no duerme bajo la tierra».
    Aunque la codicia tiene
redil que encierre la oveja,
trojes que guarden el trigo,
bolsas para la moneda,
y garras, no tiene manos
que sepan labrar la tierra.Así, a un año de abundancia
siguió un año de pobreza.   En los sembrados crecieron
las amapolas sangrientas;
pudrió el tizón las espigas
de trigales y de avenas;
hielos tardíos mataron
en flor la fruta en la huerta,
y una mala hechicería
hizo enfermar las ovejas.A los dos Alvargonzález
maldijo Dios en sus tierras,
y al año pobre siguieron
largos años de miseria.   Es una noche de invierno.
Cae la nieve en remolinos.
Los Alvargonzález velan
un fuego casi extinguido.El pensamiento amarrado
tienen a un recuerdo mismo,
y en las ascuas mortecinas
del hogar los ojos fijos.No tienen leña ni sueño.Larga es la noche y el frío
arrecia. Un candil humea
en el muro ennegrecido.El aire agita la llama,
que pone un  fulgor rojizo
sobre las dos pensativas 
testas de los asesinos.El mayor de Alvargonzález,
lanzando un ronco suspiro,
rompe el silencio, exclamando:-Hermano, ¡qué mal hicimos!El viento la puerta bate
hace temblar el postigo,
y suena en la chimenea
con hueco y largo bramido.Después, el silencio vuelve,
y a intervalos el pabilo
del candil chisporrotea
en el aire aterecido.El segundo dijo: -Hermano,
¡demos lo viejo al olvido!

  Es una noche de invierno.
Azota el viento las ramas
de los álamos. La nieve
ha puesto la tierra blanca.Bajo la nevada, un hombre
por el camino cabalga;
va cubierto hasta los ojos,
embozado en negra capa.Entrado en la aldea, busca
de Alvargonzález la casa,
y ante su puerta llegado,
sin echar pie a tierra, llama.   Los dos hermanos oyeron
una aldabada a la puerta,
y de una cabalgadura
los cascos sobre las piedras.Ambos los ojos alzaron
llenos de espanto y sorpresa.-¿Quién es?  Responda -gritaron.-Miguel -respondieron fuera.Era la voz del viajero
que partió a lejanas tierras.   Abierto el portón, entróse
a caballo el caballero
y echó pie a tierra. Venía
todo de nieve cubierto.En brazos de sus hermanos
lloró algún rato en silencio.Después dio el caballo al uno,
al otro, capa y sombrero,
y en la estancia campesina
buscó el arrimo del fuego.   El menor de los hermanos,
que niño y aventurero
fue más allá de los mares
y hoy torna indiano opulento,
vestía con ***** traje
de peludo terciopelo,
ajustado a la cintura
por ancho cinto de cuero.Gruesa cadena formaba
un bucle de oro en su pecho.Era un hombre alto y robusto,
con ojos grandes y negros
llenos de melancolía;
la tez de color moreno,
y sobre la frente comba
enmarañados cabellos;
el hijo que saca porte
señor de padre labriego,
a quien fortuna le debe
amor, poder y dinero.
De los tres Alvargonzález
era Miguel el más bello;
porque al mayor afeaba
el muy poblado entrecejo
bajo la frente mezquina,
y al segundo, los inquietos
ojos que mirar no saben
de frente, torvos y fieros.   Los tres hermanos contemplan
el triste hogar en silencio;
y con la noche cerrada
arrecia el frío y el viento.-Hermanos, ¿no tenéis leña?-dice Miguel.             -No tenemos
-responde el mayor.               Un hombre,
milagrosamente, ha abierto
la gruesa puerta cerrada
con doble barra de hierro.

El hombre que ha entrado tiene
el rostro del padre muerto.Un halo de luz dorada
orla sus blancos cabellos.
Lleva un haz de leña al hombro
y empuña un hacha de hierro.   De aquellos campos malditos,
Miguel a sus dos hermanos
compró una parte, que mucho
caudal de América trajo,
y aun en tierra mala, el oro
luce mejor que enterrado,
y más en mano de pobres
que oculto en orza de barro.   Diose a trabajar la tierra
con fe y tesón el indiano,
y a laborar los mayores
sus pegujales tornaron.   Ya con macizas espigas,
preñadas de rubios granos,
a los campos de Miguel
tornó el fecundo verano;
y ya de aldea en aldea
se cuenta como un milagro,
que los asesinos tienen
la maldición en sus campos.   Ya el pueblo canta una copla
que narra el crimen pasado:«A la orilla de la fuente
lo asesinaron.¡qué mala muerte le dieron
los hijos malos!En la laguna sin fondo
al padre muerto arrojaron.No duerme bajo la tierra
el que la tierra ha labrado».   Miguel, con sus dos lebreles
y armado de su escopeta,
hacia el azul de los montes,
en una tarde serena,
caminaba entre los verdes
chopos de la carretera,
y oyó una voz que cantaba:«No tiene tumba en la tierra.
Entre los pinos del valle
del Revinuesa,
al padre muerto llevaron
hasta la Laguna Negra».
    La casa de Alvargonzález
era una casona vieja,
con cuatro estrechas ventanas,
separada de la aldea
cien pasos y entre dos olmos
que, gigantes centinelas,
sombra le dan en verano,
y en el otoño hojas secas.   Es casa de labradores,
gente aunque rica plebeya,
donde el hogar humeante
con sus escaños de piedra
se ve sin entrar, si tiene
abierta al campo la puerta.   Al arrimo del rescoldo
del hogar borbollonean
dos pucherillos de barro,
que a dos familias sustentan.   A diestra mano, la cuadra
y el corral; a la siniestra,
huerto y abejar, y, al fondo,
una gastada escalera,
que va a las habitaciones
partidas en dos viviendas.   Los Alvargonzález moran
con sus mujeres en ellas.
A ambas parejas que hubieron,
sin que lograrse pudieran,
dos hijos, sobrado espacio
les da la casa paterna.   En una estancia que tiene
luz al huerto, hay una mesa
con gruesa tabla de roble,
dos sillones de vaqueta,
colgado en el muro, un *****
ábaco de enormes cuentas,
y unas espuelas mohosas
sobre un arcón de madera.   Era una estancia olvidada
donde hoy Miguel se aposenta.
Y era allí donde los padres
veían en primavera
el huerto en flor, y en el cielo
de mayo, azul, la cigüeña
-cuando las rosas se abren
y los zarzales blanquean-
que enseñaba a sus hijuelos
a usar de las alas lentas.   Y en las noches del verano,
cuando la calor desvela,
desde la ventana al dulce
ruiseñor cantar oyeran.   Fue allí donde Alvargonzález,
del orgullo de su huerta
y del amor a los suyos,
sacó sueños de grandeza.   Cuando en brazos de la madre
vio la figura risueña
del primer hijo, bruñida
de rubio sol la cabeza,
del niño que levantaba
las codiciosas, pequeñas
manos a las rojas guindas
y a las moradas ciruelas,
o aquella tarde de otoño,
dorada, plácida y buena,
él pensó que ser podría
feliz el hombre en la tierra.   Hoy canta el pueblo una copla
que va de aldea en aldea:«¡Oh casa de Alvargonzález,
qué malos días te esperan;
casa de los asesinos,
que nadie llame a tu puerta!»   Es una tarde de otoño.
En la alameda dorada
no quedan ya ruiseñores;
enmudeció la cigarra.   Las últimas golondrinas,
que no emprendieron la marcha,
morirán, y las cigüeñas
de sus nidos de retamas,
en torres y campanarios,
huyeron.           Sobre la casa
de Alvargonzález, los olmos
sus hojas que el viento arranca
van dejando. Todavía
las tres redondas acacias,
en el atrio de la iglesia,
conservan verdes sus ramas,
y las castañas de Indias
a intervalos se desgajan
cubiertas de sus erizos;
tiene el rosal rosas grana
otra vez, y en las praderas
brilla la alegre otoñada.   En laderas y en alcores,
en ribazos y en cañadas,
el verde nuevo y la hierba,
aún del estío quemada,
alternan; los serrijones
pelados, las lomas calvas,
se coronan de plomizas
nubes apelotonadas;
y bajo el pinar gigante,
entre las marchitas zarzas
y amarillentos helechos,
corren las crecidas aguas
a engrosar el padre río
por canchales y barrancas.   Abunda en la tierra un gris
de plomo y azul de plata,
con manchas de roja herrumbre,
todo envuelto en luz violada.   ¡Oh tierras de Alvargonzález,
en el corazón de España,
tierras pobres, tierras tristes,
tan tristes que tienen alma!   Páramo que cruza el lobo
aullando a la luna clara
de bosque a bosque, baldíos
llenos de peñas rodadas,
donde roída de buitres
brilla una osamenta blanca;
pobres campos solitarios
sin caminos ni posadas,¡oh pobres campos malditos,
pobres campos de mi patria!
    Una mañana de otoño,
cuando la tierra se labra,
Juan y el indiano aparejan
las dos yuntas de la casa.
Martín se quedó en el huerto
arrancando hierbas malas.   Una mañana de otoño,
cuando los campos se aran,
sobre un otero, que tiene
el cielo de la mañana
por fondo, la parda yunta
de Juan lentamente avanza.   Cardos, lampazos y abrojos,
avena loca y cizaña,
llenan la tierra maldita,
tenaz a pico y a escarda.   Del corvo arado de roble
la hundida reja trabaja
con vano esfuerzo; parece,
que al par que hiende la entraña
del campo y hace camino
se cierra otra vez la zanja.   «Cuando el asesino labre
será su labor pesada;
antes que un surco en la tierra,
tendrá una arruga en su cara».   Martín, que estaba en la huerta
cavando, sobre su azada
quedó apoyado un momento;
frío sudor le bañaba
el rostro.           Por el Oriente,
la luna llena, manchada
de un arrebol purpurino,
lucía tras de la tapia
del huerto.           Martín tenía
la sangre de horror helada.
La azada que hundió en la tierra
teñida de sangre estaba.   En la tierra en que ha nacido
supo afincar el indiano;
por mujer a una doncella
rica y hermosa ha tomado.   La hacienda de Alvargonzález
ya es suya, que sus hermanos
todo le vendieron: casa,
huerto, colmenar y campo.   Juan y Martín, los mayores
de Alvargonzález, un
Just Melz Aug 2014
She slowly started to hear what sounded like whispers in the distance, her mind was at ease though.  It felt like a bed she was laying on, plush, maybe even extra pillows under her head. Her face ached more than she thought possible and trying to open her eyes made her head throb more than she could stand.  

There was a shadow in the distance, a man, standing perfectly still. She could only make out his shape but he seemed familiar, friendly. She finally felt safe though, for the first time in days. The man said something she couldn't understand, then he rushed to her side.

"Clara, you're awake! Finally! It's been 12 hours. How are you feeling?" he said rushed and excitedly.

"Uncle Frankie?" she asked weakly.

"Yes Sweetie, I'm here, you're safe now" he said with a big awkward smile. He'd always been awkward, since she was a little girl, but he was her dad's little brother and she loved him like a father.

"What happened?", she was so confused, the last few days were a blur of fists and guns in her mind.

"Johnny BlackHeart and his crew kidnapped you Clara. They held you captive for days, called us for ransom and demands, said they'd torture you if we didn't comply.  We finally found out where they were keeping you yesterday, me and the guys came in guns blazing and killed most of the guards. We thought we'd lost you for a few minutes but George got you out just in time. We're so lucky you made it."

She took all this in and in the next instant all the memories came rushing back, the beatings, the restraints, all of it.  She sat up quickly, refusing her uncles hand for help.

"We need a family meeting, now! Get George and the boys in here immediately!" she said angrily.

"What are you going to do?" he asked wearily.

She looked at him like it should have been obvious but she said it anyways, in the calmest voice she could.

"Get Revenge"
The next chapter in my "mafia" story. If you haven't, I suggest you read Clara Pt.1 too.  There shall be several more chapters to this story.  I hope you all like it. Thanx for reading!
Today,
John took off his sunglasses
But left on his hat,
As he smiled at the lady behind the
Counter at the motel.
She had a beehive hair-do, he noticed,
Two feet tall and yellow,
But he didn’t say anything.
She smiled back, slid a key to him,
Told him, “Room 303”.

Yesterday,
John put on his sunglasses,
And stopped at the screen door,
Reaching up for his hat.
It was sunny yet windy,
And he planned to be rebellious.
Windows down, top speed,
No destination,
He drove.

In 1987,
John met a lady named Clara,
And fell in love with the way
She served him coffee and pecan pie
In that old greasy spoon,
Built inside an old railroad car,
Which sat beside the river’s shore
Out on Interstate 24.
She had a yellow beehive
That was twenty years out of time,
And she could have been out of her mind,
But she knew how to smile,
To drive a lonely man wild-
But how she refilled his coffee for free,
Without a doubt, was his favorite part-
She seemed to just dive right through
The hotness and steam, straight into his heart.

In 1991,
John and Clara got married.
She had one of those tiny, white,
Lace-covered cowboy hats that matched her dress.
It clung to her climbing hair, and
Tiny leaves and babies’ breath were everywhere.
Why those hats were ever in style, he never knew,
But he said nothing, because
Her sister wore one too.
They smiled for the pictures,
She held up her heavy dress.
They held hands and waved,
Before climbing into
John’s beat-up Cabriolet-
In love, driving away.

Now it’s
Eighteen years,
Eighteen excuses
To try to hang onto the past.
John liked to close his eyes sometimes, and
Picture her: pink apron,
Arms loaded with plates of food.
Meatloaf, mashed potatoes,
Every kind of bean:
Red, black, pinto, kidney and green;
Number one was the free coffee,
Or was that reason eighteen?

Yesterday,
John put on his sunglasses,
And stopped at the screen door,
Reaching up for his hat.
It was sunny yet windy,
And he planned to be rebellious.
Windows down, top speed,
No destination,
He drove.
He drove until he passed
The sister’s house in which
His Clara now lived,
The cowboy hats, like their love,
Forgotten and gone.
In a different town in a different world,
He drove into a tiny motel parking lot,
Not paying attention to
Whether he was okay with
Moving on or not.

Today,
John took off his sunglasses
But left on his hat,
As he smiled at the lady behind the
Counter at the motel.
She had a beehive hair-do, he noticed,
Two feet tall and yellow,
But he didn’t say anything.
She smiled back, slid a key to him,
Told him, “Room 303”.
But before he went,
Ready for rest, dying to sleep,
Perchance to dream
Of anything but what happened to
Half his life in Chattanooga, Tennessee…
He took in her friendly eyes,
Mysterious style,
Warm smile.
And John couldn’t help it,
He felt delighted when she said:
“The coffee in the morning
Costs a dollar-forty-three.
But I like your sunglasses,
And you seem alright by me…
So I may just pour you a cup for free.”
Robert Zanfad Mar 2010
Working here in the alley just off Thirteenth Street
I heard echoes of "Clara" amid soul-piercing sobs -
A woman shambled over, arms glued to her sides,
Empty hands holding invisible sand bags.
Tear-streaked, wet cheeks, still crying,
Paused, wailing "Have you seen my Clara?"
I wanted to help her, really I did
So pathetically lost, sad, hopeless and desperate.
Yet I answered with truth, "No, I didn't"
Who was this woman, and Clara, at that?
Maybe a child, wandered away ages ago,
Mother, gray, tormented, still searching...  
"Then *******", she yelled, shuffling away
Toward Thirteenth Street, unconcerned
She wore just one slipper for two ashy feet.
A simple reply could've tendered new hope
Of holding dear Clara
Before death finally stole her

Then an old sod danced his odd waltz,
Legs still unsteady, he stopped here
To water the wall -
Swore he knew me - two soldiers in 'Nam -
But I was too young.
Remarked my health must be failing,
He'd never seen me so pale, suggesting
Medicine from the brown bag he held.
He offered to hold the long ladder steady
So I wouldn't fall again like I did in Saigon.
"No!", I held firm, but we commiserated
Our hard times since then;
Dayday, and Niney, our friends
Never came back, though we see them
Sometimes in this alley.
Then Matty, my brother, stumbled away
In search of lost buddies in bottles of gin.

Tiki, so skinny, ever the beauty, insisted
We go on a date right there in the alley,
Grabbing my crotch to punctuate
Her proposition, as if words weren't enough.
I offered she was quite pretty, but then
"If only I wasn't married," I lied, so she settled
For the cigarette I lit for her instead;
Wondered when work would be done-
Get to business, making used condoms,
Repaving the alley just off Thirteenth Street.

Perched high on my ladder, I could just see
Distant Broad Street, latex expressions of love
No longer sticking to treads of my boot.
Out there on that corner,
A man from The Nation selling bean pies,
Ignored me for days when I passed him by;
Asked me this morning if I'd like to try
The healthy delicacy he'd held high to God.
I felt blessed, accepted, he addressed me.
Rastafari, camped on the other side,
Still passed out free samples of Passion and Bliss,
Names he gave to incense he wished
Would transform shattered glass and trash
Into the heaven his dreams said might be.
I wore his fresh gifts, sticks behind each ear
Perfuming the stink of stale *****, used condoms
And I wondered if they walked here, too,
Through this alley just off Thirteenth Street.
Copyright 2010 Robert Zanfad
AL Marasigan Jul 2016
Hinhin, But-an, Maria Clara kumbaga
Mga batasan sa babaeng pilipina
Pero ngano karong panahona
Ang uban sa ila lahi nag tirada


Cool, Tisoy, Dato mao ang ginapangita
Sa mga babaeng hadlok mabutata.
Mangutana ko asa ang gugma,
Kung permi nalng ing-ani trip nila.


Mga lalaki perti sad ang gara,
Pag ang babae nay muduol kanila.
'Naa kay Car?' Perming pangutana
Sa mga dalagang kani lang ang punterya.


Unsaon ta man, karong panahona
'Naa koy Car.'mansad tubag aning mga lakiha.
Haaay, parehas rjud silang mga tawhna
Di nata magtell basig diay naay mabuong gugma.

Lahi najud karong panahona,
Pati mga prinsipyo kalimtan na.
Pero unsaon ta man, daghan man nagapadala
Sa mga butang na dili needed sa gugma.
(Filipino)Visayan Poem.
This was made during the summer break.
Francis Duggan Aug 2010
It's cold in Duhallow this morning and the fields that were green yesterday
Lay chilled to the frost that the night brought a cover of silvery gray
And the little dunnock on bare hedgerow too cold and too hungry to sing
On **** branch he perch sad and silent the hardship that January can bring.

The robins and sparrows by back door like beggars they wait to be fed
In hope that when breakfast is eaten the housewife might throw out some bread
With no thought for song or for nesting their battle is to stay alive
How many will live to see April the Winter so hard to survive?

The first heavy snows of the Winter have fallen on the higher ground
On Clara, Shrone and Caherbarnagh the hills are so white all around
The blackbird and thrush on the bare branch their feathers fluffed against the chill
And hare has come down to the lowland there's nothing to eat on the hill.

But I can remember the bright days when sun shone on the leafy tree
And robins and thrushes and finches piped in the woods of Knocknagree
And to her nest on barn rafters the sparrow brought feathers and hay
And out on the dandelion meadow the pipit sang all through the day.

Young calves and young lambs in green pastures were full of the frolics of Spring
And joy too had come to the river the song of the dipper did ring
And moorhen was out with her babies and she chirped loud if human was near
Her first lesson to them survival to teach them the meaning of fear.

It's cold in Duhallow this morning the thrush silent on the bare tree
And gray on the fields and the hedgerows and gray over all Knocknagree
But I can remember the bright days when nesting birds piped all the day
And hedgerows and woodlands and meadows smelt sweet with the blossoms of May.
Jon Shierling Oct 2013
There was water near, her horse could smell it, and so could she after journeying so far. Seemingly small things regained their importance in an empty land such as this, for what use is wealth without water, or power without others to wield it upon? A strange thought, not like her at all. People changed in this desert though; she knew from the way she watched her horse’s stride, and how she could remember all the names of the constellations, something she had not been able to do since times long past. She would not allow her mount to make directly for the water source, a well most likely, and she was wary. Around the foot of this dune, and there it was, the expected well, and a single palm standing sentry beside it. She drew water, relished the sound as it sloshed around in the hide bag, relished the act of letting her horse drink first, the joy of uncomplicated companionship. She drank, refilled her own water skins, ate a few dates, and let her gaze wander. She had maybe an hour left of daylight and was in no hurry to arrive, wherever it was that she was going. A hawk cried as it stooped upon a hare two hundred yards to her right, a beautiful thing to her. And on the heels of that, a fear. A quarter mile away, outlined against the distant plateau, walked another rider.

She had been drifting, sailing almost into a sleep, and now she was awake. What was that sound? Guitar. Her guitar, played with unsure hands, hesitant and sad. Bodiless chords making their way through the open window. God it was hot, oppressive almost, and she could still see the sweat beading on Clara’s forehead. She would not get back to sleep now, not so uncomfortable. She wriggled out of bed, carefully moving out of Clara’s arms. Needlessly though, Clara never woke without a good shaking or a loud noise. She pulled her green sweater off of the chair where it had been thrown an hour before and paused before putting it on. Something she had forgotten to do maybe, something at the back of her mind. Nothing. Closing the door behind her, she padded through the small living room to the open balcony and stood behind the man sitting on an old barstool, rescued he said, from a bar in Alfama. She watched him try and play her guitar, watched him bent in concentration. There was a bottle of wine and two glasses, one empty, standing on the wicker table next to him. Picking up the empty one, he held it out to her without turning around. “I hope I didn’t bother you Ta’ra, I was in a mood and couldn’t help it.” “No,” she said, taking the offered glass, “It’s too hot to sleep.” It annoyed her that he always knew when someone was around him, and in she and Clara’s case, which one of them. Curling up on the loveseat opposite him, she gazed out at Lisboa in all of its late afternoon beauty. “Give that back, you’re butchering whatever the hell it is you’re trying to play,” holding her hand out for her guitar. He handed it back to her, shrugged and said something about it being a long time since he’d picked up an instrument. She smiled, drained her glass, and began to play an old song, barely remembered. “Çevrem, etrafım şen mutlu iken. Ben yine hüzünlüyüm” She had never heard the melody played with a guitar, but she knew it well enough to play it without any hesitation. A haunting thing, this song, in a dialect she only knew by proximity, but no less powerful for people who cared for such things. She cradled her guitar, intent only on the music, on where her fingers must go. He watched and listened. “Why talk. If you do not listen to me? Running away…”
Just Melz Aug 2014
Her eyes slowly lifted,  she squinted at the light practically burning her eyes.  There were shapes,  human shapes, surrounding her but she couldn't make out the faces. Then within her line of sight a fist comes hurling towards her face, connecting with her jaw and giving her whiplash on top of the large bruise that was surely already forming.  

All of sudden there was shouting and bright lights coming from every direction, gun shots blazing through the dimly lit room. A man shouted her name, she couldn't tell where it came from or who said it but they certainly said Clara.  She scanned the room, bodies were steadily dropping,  men screaming like babies,  suddenly the ropes that tied her hands were being undone.

"We've got you ma'am" said a familiar voice from the shadows.  

As quickly as it all began she was being carried through a dark hallway in strong arms. Slowly all the lights faded to nothing and she could no longer even hear her own breath.
Clara is the name of a fictional character I created to be part of a Poetic Mafia Novel, the novel may or may not be written, but this is a beginning story that we won't be using.  I thought I'd share Clara's story with everyone here.  If you like it or have ideas or guesses about how it will continue.  Please comment below. I will be posting new additions ever few days. Thank you for reading.  :)
Hannah Johnson Apr 2011
it costs a dollar twenty five for the drier that leaves your clothes still damp

but the lemons on the tree are perfectly ripe

and the wind chime sounds like

namaste.

though the clouds are thinning

it’s just cool enough for sneakers

and warm enough for tank tops.

gram is in the basement

dad is at the liquor store

and mi madrastra es talking with

the man who rents the apartment upstairs

exchanging recipes

and munching on chicharrones.

today

I live in the Santa Clara slums

and

feel as at home as I did

in the rain.
C B Heath May 2013
We stopped beside the railings, years above

the harmless foaming spittle-waves, your hands

inside your sleeves as though you knew the land

would punish both of us before the shove -

which came without your help. I threw myself

into the breeze - you didn’t wheeze or cry,

but blankly watched your brittle lover fly

into the floor. I hit the coastal shelf,

survived the fall beyond all reasoned doubt.

The people found me somewhere safe to dwell

wherein my Clara couldn’t raise a hell

of my conditions. When I wanted out

they let you in. I thought I’d said enough:

‘Oh Clara, I do not deserve your love.’
Nigel Morgan Dec 2013
A Tale for the Mid-Winter Season after the Mural by Carl Larrson

On the shortest day I wake before our maids from the surrounding farms have converged on Sundborn. Greta lives with us so she will be asleep in that deep slumber only girls of her age seem to own. Her tiny room has barely more than a bed and a chest for her clothes. There is my first painting of her on the wall, little more a sketch, but she was entranced, at seeing herself so. To the household she is a maid who looks after me and my studio,  though she is a literate, intelligent girl, city-bred from Gamla Stan but from a poor home, a widowed mother, her late father a drunkard.  These were my roots, my beginning, exactly. But her eyes already see a world beyond Sundborn. She covets postcards from my distant friends: in Paris, London, Jean in South America, and will arrange them on my writing desk, sometimes take them to her room at night to dream in the candlelight. I think this summer I shall paint her, at my desk, reading my cards, or perhaps writing her own. The window will be open and a morning breeze will make the flowers on the desk tremble.

Karin sleeps too, a desperate sleep born of too much work and thought and interruption. These days before Christmas put a strain on her usually calm disposition. The responsibilities of our home, our life, the constant visitors, they weigh upon her, and dispel her private time. Time in her studio seems impossible. I often catch her poised to disappear from a family coming-together. She is here, and then gone, as if by magic. With the older children home from their distant schools, and Suzanne arrived from England just yesterday morning, they all cannot do without lengthy conferences. They know better than disturb me. Why do you think there is a window set into my studio door? So, if I am at my easel there should be no knock to disturb. There is another reason, but that is between Karin and I.

This was once a summer-only house, but over the years we have made it our whole-year home. There was much attention given to making it snug and warm. My architect replaced all the windows and all the doors and there is this straw insulation between the walls. Now, as I open the curtains around my bed, I can see my breath float out into the cool air. When, later, I descend to my studio, the stove, damped down against the night, when opened and raddled will soon warm the space. I shall draw back the heavy drapes and open the wooden shutters onto the dark land outside. Only then I will stand before my current painting: *Brita and the Sleigh
.

Current!? I have been working on this painting intermittently for five years, and Brita is no longer the Brita of this picture, though I remember her then as yesterday. It is a picture of a winter journey for a six-year-old, only that journey is just across the yard to the washhouse. Snow, frost, birds gathered in the leafless trees, a sun dog in the sky, Brita pushing her empty sledge, wearing fur boots, Lisbeth’s old coat, and that black knitted hat made by old Anna. It is the nearest I have come to suggesting the outer landscape of this place. I bring it out every year at this time so I can check the light and the shadows against what I see now, not what I remember seeing then. But there will be a more pressing concern for me today, this shortest day.

Since my first thoughts for the final mural in my cycle for the Nationalmuseum I have always put this day aside, whatever I might be doing, wherever I may be. I pull out my first sketches, that book of imaginary tableaux filled in a day and a night in my tiny garden studio in Grez, thinking of home, of snow, the mid-winter, feeling the extraordinary power and shake of Adam of Bremen’s description of 10th C pre-Christian Uppsala, written to describe how barbaric and immoral were the practices and religion of the pagans, to defend the fragile position of the Christian church in Sweden at the time. But as I gaze at these rough beginnings made during those strange winter days in my rooms at the Hotel Chevilon, I feel myself that twenty-five year old discovering my artistic vision, abandoning oils for the flow and smudge of watercolour, and then, of course, Karin. We were part of the Swedish colony at Grez-sur-Loing. Karin lived with the ladies in Pension Laurent, but was every minute beside me until we found our own place, to be alone and be together, in a cupboard of a house by the river, in Marlotte.

Everyone who painted en-plein-air, writers, composers, they all flocked to Grez just south of Fontainebleau, to visit, sometimes to stay. I recall Strindberg writing to Karin after his first visit: It was as if there were no pronounced shadows, no hard lines, the air with its violet complexion is almost always misty; and I painting constantly, and against the style and medium of the time. How the French scoffed at my watercolours, but my work sold immediately in Stockholm. . . and Karin, tall, slim, Karin, my muse, my lover, my model, her boy-like figure lying naked (but for a hat) in the long grass outside my studio. We learned each other there, the technique of bodies in intimate closeness, the way of no words, the sharing of silent thoughts, together on those soft, damp winter days when our thoughts were of home, of Karin’s childhood home at Sundborn. I had no childhood thoughts I wanted to return to, but Karin, yes. That is why we are here now.

In Grez-sur-Loing, on a sullen December day, mist lying on the river, our garden dead to winter, we received a visitor, a Swedish writer and journalist travelling with a very young Italian, Mariano Fortuny, a painter living in Paris, and his mentor the Spaniard Egusquiza. There was a woman too who Karin took away, a Parisienne seamstress I think, Fortuny’s lover. Bayreuth and Wagner, Wagner, Wagner was all they could talk about. Of course Sweden has its own Nordic Mythology I ventured. But where is it? What is it? they cried, and there was laughter and more mulled wine, and then talk again of Wagner.

When the party left I realized there was something deep in my soul that had been woken by talk of the grandeur and scale of Wagner’s cocktail of German and Scandinavian myths and folk tales. For a day and night I sketched relentlessly, ransacking my memory for those old tales, drawing strong men and stalwart, flaxen-haired women in Nordic dress and ornament. But as a new day presented itself I closed my sketch book and let the matter drop until, years later, in a Stockholm bookshop I chanced upon a volume in Latin by Adam of Bremen, his Gesta Hammaburgensis Ecclesiae Pontificum, the most famous source to pagan ritual practice in Sweden. That cold winter afternoon in Grez returned to me and I felt, as I had then, something stir within me, something missing from my comfortable world of images of home and farm, family and the country life.

Back in Sundborn this little volume printed in the 18th C lay on my desk like a question mark without a sentence. My Latin was only sufficient to get a gist, but the gist was enough. Here was the story of the palace of Uppsala, the great centre of the pre-Christian pagan cults that brought us Odin and Freyr. I sought out our village priest Dag Sandahl, a good Lutheran but who regularly tagged Latin in his sermons. Yes, he knew the book, and from his study bookshelf brought down an even earlier copy than my own. And there and then we sat down together and read. After an hour I was impatient to be back in my studio and draw, draw these extraordinary images this text brought to life unbidden in my imagination. But I did not leave until I had persuaded Pastor Sandahl to agree to translate the Uppsala section of the Adam of Bremen’s book, and just before Christmas that year, on the day before the Shortest Day, he delivered his translation to my studio. He would not stay, but said I should read the passages about King Domalde and his sacrifice at the Winter Solstice. And so, on the day of the Winter Solstice, I did.

This people have a widely renowned sanctuary called Uppsala.

By this temple is a very large tree with extending branches. It is always green, both in winter and in summer. No one knows what kind of tree this is. There is also a spring there, where the heathens usually perform their sacrificial rites. They throw a live human being into the spring. If he does not resurface, the wishes of the people will come true.

The Temple is girdled by a chain of gold that hangs above the roof of the building and shines from afar, so that people may see it from a distance when they approach there. The sanctuary itself is situated on a plain, surrounded by mountains, so that the form a theatre.

It is not far from the town of Sigtuna. This sanctuary is completely covered with golden ornaments. There, people worship the carved idols of three gods: Thor, the most powerful of them, has his throne in the middle of the hall, on either side of him, Odin and Freyr have their seats. They have these functions: “Thor,” they say, “rules the air, he rules thunder and lightning, wind and rain, good weather and harvests. The other, Odin, he who rages, he rules the war and give courage to people in their battle against enemies. The third is Freyr, he offers to mortals lust and peace and happiness.” And his image they make with a very large phallus. Odin they present armed, the way we usually present Mars, while Thor with the scepter seems to resemble Jupiter. As gods they also worship some that have earlier been human. They give them immortality for the sake of their great deeds, as we may read in Vita sancti Ansgarii that they did with King Eirik.

For all these gods have particular persons who are to bring forward the sacrificial gifts of the people. If plague and famine threatens, they offer to the image of Thor, if the matter is about war, they offer to Odin, but if a wedding is to be celebrated, they offer to Freyr. And every ninth year in Uppsala a great religious ceremony is held that is common to people from all parts of Sweden.”
Snorri also relates how human sacrifice began in Uppsala, with the sacrifice of a king.

Domalde took the heritage after his father Visbur, and ruled over the land. As in his time there was great famine and distress, the Swedes made great offerings of sacrifice at Upsal. The first autumn they sacrificed oxen, but the succeeding season was not improved thereby. The following autumn they sacrificed men, but the succeeding year was rather worse. The third autumn, when the offer of sacrifices should begin, a great multitude of Swedes came to Upsal; and now the chiefs held consultations with each other, and all agreed that the times of scarcity were on account of their king Domalde, and they resolved to offer him for good seasons, and to assault and **** him, and sprinkle the stall of the gods with his blood. And they did so.


There it was, at the end of Adam of Bremen’s description of Uppsala, this description of King Domalde upon which my mural would be based. It is not difficult to imagine, or rather the event itself can be richly embroidered, as I have over the years made my painting so. Karin and I have the books of William Morris on our shelves and I see little difference between his fixation on the legends of the Arthur and the Grail. We are on the cusp here between the pagan and the Christian.  What was Christ’s Crucifixion but a self sacrifice: as God in man he could have saved himself but chose to die for Redemption’s sake. His blood was not scattered to the fields as was Domalde’s, but his body and blood remains a continuing symbol in our right of Communion.

I unroll the latest watercolour cartoon of my mural. It is almost the length of this studio. Later I will ask Greta to collect the other easels we have in the house and barn and then I shall view it properly. But for now, as it unrolls, my drama of the Winter Solstice comes alive. It begins on from the right with body of warriors, bronze shields and helmets, long shafted spears, all set against the side of Uppsala Temple and more distant frost-hoared trees. Then we see the King himself, standing on a sled hauled by temple slaves. He is naked as he removes the furs in which he has travelled, a circuit of the temple to display himself to his starving people. In the centre, back to the viewer, a priest-like figure in a red cloak, a dagger held for us to see behind his back. Facing him, in druidic white, a high priest holds above his head a gold pagan monstrance. To his left there are white cloaked players of long, straight horns, blue cloaked players of the curled horns, and guiding the shaft of the sled a grizzled shaman dressed in the skins and furs of animals. The final quarter of my one- day-to-be-a-mural unfolds to show the women of temple and palace writhing in gestures of grief and hysteria whilst their queen kneels prostate on the ground, her head to the earth, her ladies ***** behind her. Above them all stands the forever-green tree whose origin no one knows.

Greta has entered the studio in her practiced, silent way carrying coffee and rolls from the kitchen. She has seen Midvinterblot many times, but I sense her gaze of fascination, yet again, at the figure of the naked king. She remembers the model, the sailor who came to stay at Kartbacken three summers ago. He was like the harpooner Queequeg in Moby ****. A tattooed man who was to be seen swimming in Toftan Lake and walking bare-chested in our woods. A tall, well-muscled, almost silent man, whom I patiently courted to be my model for King Dolmade. I have a book of sketches of him striding purposefully through the trees, the tattooed lines on his shoulders and chest like deep cuts into his body. This striding figure I hid from the children for some time, but from Greta that was impossible. She whispered to me once that when she could not have my substantial chest against her she would imagine the sailor’s, imagine touching and following his tattooed lines. This way, she said, helped her have respite from those stirrings she would so often feel for me. My painting, she knew, had stirred her fellow maids Clara and Solveig. Surely you know this, she had said, in her resolute and direct city manner. I have to remember she is the age of my eldest, who too must hold such thoughts and feelings. Karin dislikes my sailor king and wishes I would not hide the face of his distraught queen.

Today the sunrise is at 9.0, just a half hour away, and it will set before 3.0pm. So, after this coffee I will put on my boots and fur coat, be well scarfed and hatted (as my son Pontus would say) and walk out onto my estate. I will walk east across the fields towards Spardasvvägen. The sky is already waiting for the sun, but waits without colour, hardly even a tinge of red one might expect.

I have given Greta her orders to collect every easel she can find so we can take Midvinterblot off the floor and see it in all its vivid colour and form. In February I shall begin again to persuade the Nationalmuseum to accept this work. We have a moratorium just now. I will not accept their reasoning that there is no historical premise for such a subject, that such a scene has no place in a public gallery. A suggestion has been made that the Historiska museet might house it. But I shall not think of this today.

Karin is here, her face at the studio window beckons entry. My Darling, yes, it is midwinter’s day and I am dressing to greet the solstice. I will dress, she says, to see Edgar who will be here in half an hour to discuss my designs for this new furniture. We will be lunching at noon. Know you are welcome. Suzanne is talking constantly of England, England, and of course Oxford, this place of dreaming spires and good looking boys. We touch hands and kiss. I sense the perfume of sleep, of her bed.

Outside I must walk quickly to be quite alone, quite apart from the house, in the fields, alone. It is on its way: this light that will bathe the snowed-over land and will be my promise of the year’s turn towards new life.

As I walk the drama of Midvinterblot unfolds in a confusion of noise, the weeping of women, the physical exertions of the temple slaves, the priests’ incantations, the riot of horns, and then suddenly, as I stand in this frozen field, there is silence. The sun rises. It stagge
To see images of the world of Sundborn and Carl Larrson (including Mitvinterblot) see http://www.clg.se/encarl.aspx
birches and tastsy jerky wood.  resin in the immediate shubbary.... and dust and cobwwebs growing adjacent to the jerky wood.  Myraid of birds, ranging from small birch-types to crows.  A lingering dominant hawk.  A giant possum crossing between borders carrying unborn infants.  Dusty walls with abandonded spiderwebs- insect carcassases dangling, still.  Pool motors revving in every direction lets of a subtle hum that compliments the planes descending and ascending oer-head

the water is grainy yet cool and healing.  the sprinklers function at midnight and sometimes on the weekend.  Maintinance trucks, expensive commuter vehicals, modest vehicls, unmanned vehicles, arrowhead trucks, macdonalds trucks, safeway trucks....

the earth is still wheaty and chalky adjacent the jerky trees, the jerky trees have little hairs and appetizing off red color, the bark saddles off with grace and with a satisfying tare.
¿Sevilla?... ¿Granada?... La noche de luna.
Angosta la calle, revuelta y moruna,
de blancas paredes y obscuras ventanas.
Cerrados postigos, corridas persianas...
El cielo vestía su gasa de abril.Un vino risueño me dijo el camino.
Yo escucho los áureos consejos del vino,
que el vino es a veces escala de ensueño.
Abril y la noche y el vino risueño
cantaron en coro su salmo de amor.La calle copiaba, con sombra en el muro,
el paso fantasma y el sueño maduro
de apuesto embozado, galán caballero:
espada tendida, calado sombrero...
La luna vertía su blanco soñar.Como un laberinto mi sueño torcía
de calle en calleja. Mi sombra seguía
de aquel laberinto la sierpe encantada,
en pos de una oculta plazuela cerrada.
La luna lloraba su dulce blancor.La casa y la clara ventana florida,
de blancos jazmines y nardos prendida,
más blancos que el blanco soñar de la luna...
-Señora, la hora, tal vez importuna...
¿Que espere? (La dueña se lleva el candil).Ya sé que sería quimera, señora, mi sombra
galante buscando a la aurora
en noches de estrellas y luna, si fuera
mentira la blanca nocturna quimera
que usurpa a la luna su trono de luz.¡Oh dulce señora, más cándida y bella
que la solitaria matutina estrella
tan clara en el cielo! ¿Por qué silenciosa
oís mi nocturna querella amorosa?
¿Quién hizo, señora, cristal vuestra voz?...La blanca quimera parece que sueña.
Acecha en la obscura estancia la dueña.
-Señora, si acaso otra sombra, emboscada
teméis, en la sombra, fiad en mi espada...
Mi espada se ha visto a la luna brillar.¿Acaso os parece mi gesto anacrónico?
El vuestro es, señora, sobrado lacónico.
¿Acaso os asombra mi sombra embozada,
de espada tendida y toca plumada?...
¿Seréis la cautiva del moro Gazul?Dijéraislo, y pronto mi amor os diría
el son de mi guzla y la algarabía
más dulce que oyera ventana moruna.
Mi guzla os dijera la noche de luna,
la noche de cándida luna de abril.Dijera la clara cantiga de plata
del patio moruno, y la serenata
que lleva el aroma de floridas preces
a los miradores y a los ajimeces,
los salmos de un blanco fantasma lunar.Dijera las danzas de trenzas lascivas,
las muelles cadencias de ensueños, las vivas
centellas de lánguidos rostros velados,
los tibios perfumes, los huertos cerrados;
dijera el aroma letal del harén.Yo guardo, señora, en viejo salterio
también una copla de blanco misterio,
la copla más suave, más dulce y más sabia
que evoca las claras estrellas de Arabia
y aromas de un moro jardín andaluz.Silencio... En la noche la paz de la luna
alumbra la blanca ventana moruna.
Silencio... Es el musgo que brota, y la hiedra
que lenta desgarra la tapia de piedra...
El llanto que vierte la luna de abril.-Si sois una sombra de la primavera
blanca entre jazmines, o antigua quimera
soñada en las trovas de dulces cantores,
yo soy una sombra de viejos cantares,
y el signo de un álgebra vieja de amores.Los gayos, lascivos decires mejores,
los árabes albos nocturnos soñares,
las coplas mundanas, los salmos talares,
poned en mis labios;
yo soy una sombra también del amor.Ya muerta la luna, mi sueño volvía
por la retorcida, moruna calleja.
El sol en Oriente reía
su risa más vieja.
Frisk Jan 2016
“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus.
“Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o
Allison Rose Nov 2013
All Clara wanted was clarity.
She wanted to be lifted from
this oppressive closedness of
all of those around her. She
felt free but only to herself
because she shoveled the joy
and passion and life that grew
inside her vigorously out into
the world. But with no one to
pick it up, to reciprocate her
joy and openness, she withered.
She never stopped until she
had shoveled it all from inside
her, and was left with an empty
vessel, no one to refill it with
their own. No mountains to
grow inside her, no rushing
river to fill her to the brim with
vitality, no seedling aspens to
sprout along her inner banks.
She felt utterly barren inside.
She felt weak from empty, faint.
Everything in her world seemed
fuzzy.
¡Qué lástima
que yo no pueda cantar a la usanza
de este tiempo lo mismo que los poetas de hoy cantan!
¡Qué lástima
que yo no pueda entonar con una voz engolada
esas brillantes romanzas
a las glorias de la patria!
¡Qué lástima
que yo no tenga una patria!
Sé que la historia es la misma, la misma siempre, que pasa
desde una tierra a otra tierra, desde una raza
a otra raza,
como pasan
esas tormentas de estío desde esta a aquella comarca.
¡Qué lástima
que yo no tenga comarca,
patria chica, tierra provinciana!
Debí nacer en la entraña
de la estepa castellana
y fui a nacer en un pueblo del que no recuerdo nada;
pasé los días azules de mi infancia en Salamanca,
y mi juventud, una juventud sombría, en la Montaña.
Después... ya no he vuelto a echar el ancla,
y ninguna de estas tierras me levanta
ni me exalta
para poder cantar siempre en la misma tonada
al mismo río que pasa
rodando las mismas aguas,
al mismo cielo, al mismo campo y en la misma casa.
¡Qué lástima
que yo no tenga una casa!
Una casa solariega y blasonada,
una casa
en que guardara,
a más de otras cosas raras,
un sillón viejo de cuero, una mesa apolillada
(que me contaran
viejas historias domésticas como a Francis Jammes y a Ayala)
y el retrato de un mi abuelo que ganara
una batalla.
¡Qué lástima
que yo no tenga un abuelo que ganara
una batalla,
retratado con una mano cruzada
en el pecho, y la otra en el puño de la espada!
Y, ¡qué lástima 
que yo no tenga siquiera una espada!
Porque..., ¿Qué voy a cantar si no tengo ni una patria,
ni una tierra provinciana,
ni una casa
solariega y blasonada,
ni el retrato de un mi abuelo que ganara
una batalla,
ni un sillón viejo de cuero, ni una mesa, ni una espada?
¡Qué voy a cantar si soy un paria
que apenas tiene una capa!Sin embargo...
                            en esta tierra de España
y en un pueblo de la Alcarria
hay una casa
en la que estoy de posada
y donde tengo, prestadas,
una mesa de pino y una silla de paja.
Un libro tengo también. Y todo mi ajuar se halla
en una sala
muy amplia
y muy blanca
que está en la parte más baja
y más fresca de la casa.
Tiene una luz muy clara
esta sala
tan amplia
y tan blanca...
Una luz muy clara
que entra por una ventana
que da a una calle muy ancha.
Y a la luz de esta ventana
vengo todas las mañanas.
Aquí me siento sobre mi silla de paja
y venzo las horas largas
leyendo en mi libro y viendo cómo pasa
la gente al través de la ventana.

Cosas de poca importancia
parecen un libro y el cristal de una ventana
en un pueblo de la Alcarria,
y, sin embargo, le basta
para sentir todo el ritmo de la vida a mi alma.
Que todo el ritmo del mundo por estos cristales pasa
cuando pasan
ese pastor que va detrás de las cabras
con una enorme cayada,
esa mujer agobiada
con una carga
de leña en la espalda,
esos mendigos que vienen arrastrando sus miserias, de Pastrana,
y esa niña que va a la escuela de tan mala gana.
¡Oh, esa niña! Hace un alto en mi ventana
siempre y se queda a los cristales pegada
como si fuera una estampa.
¡Qué gracia
tiene su cara
en el cristal aplastada
con la barbilla sumida y la naricilla chata!
Yo me río mucho mirándola
y le digo que es una niña muy guapa...
Ella entonces me llama
¡tonto!, y se marcha.
¡Pobre niña! Ya no pasa
por esta calle tan ancha
caminando hacia la escuela de muy mala gana,
ni se para
en mi ventana,
ni se queda a los cristales pegada
como si fuera una estampa.
Que un día se puso mala,
muy mala,
y otro día doblaron por ella a muerto las campanas.
Y en una tarde muy clara,
por esta calle tan ancha,
al través de la ventana,
vi cómo se la llevaban
en una caja
muy blanca...
En una caja
muy blanca
que tenía un cristalito en la tapa.
Por aquel cristal se la veía la cara
lo mismo que cuando estaba
pegadita al cristal de mi ventana...
Al cristal de esta ventana
que ahora me recuerda siempre el cristalito de aquella caja
tan blanca.
Todo el ritmo de la vida pasa
por el cristal de mi ventana...
¡Y la muerte también pasa!¡Qué lástima
que no pudiendo cantar otras hazañas,
porque no tengo una patria,
ni una tierra provinciana,
ni una casa
solariega y blasonada,
ni el retrato de un mi abuelo que ganara
una batalla,
ni un sillón de viejo cuero, ni una mesa, ni una espada,
y soy un paria
que apenas tiene una capa...
venga, forzado, a cantar cosas de poca importancia!
Mes de rosas. Van mis rimas
en ronda, a la vasta selva,
a recoger miel y aromas
en las flores entreabiertas.
Amada, ven. El gran bosque
es nuestro templo; allí ondea
y flota un santo perfume
de amor. El pájaro vuela
de un árbol a otro y saluda
la frente rosada y bella
como a un alba; y las encinas
robustas, altas, soberbias,
cuando tú pasas agitan
de los himnos de esa lengua;
sus hojas verdes y trémulas,
y enarcan sus ramas como
para que pase una reina.
¡Oh amada mía! Es el dulce
tiempo de la primavera.

Mira: en tus ojos, los míos;
da al viento la cabellera,
y que bañe el sol ese aro
de luz salvaje y espléndida.
Dame que aprieten mis manos
las tuyas de rosa y seda,
y ríe, y muestren  tus labios
su púrpura húmeda y fresca.
Yo voy a decirte rimas,
tú vas a escuchar risueña;
si acaso algún ruiseñor
viniese a posarse cerca
y a contar alguna historia
de ninfas, rosas o estrellas,
tú no oirás notas ni trinos,
sino enamorada y regia,
escucharás mis canciones
fija en mis labios que tiemblan.
¡Oh amada mía! Es el dulce
tiempo de la primavera.

Allá hay una clara fuente
que brota de una caverna,
donde se bañan desnudas
las blancas ninfas que juegan.
Ríen al son de la espuma,
hienden la linfa serena;
entre polvo cristalino
esponjan sus cabelleras,
y saben himnos de amores
en hermosa lengua griega,
que en glorioso tiempo antiguo
Pan inventó en las florestas.
Amada, pondré en mis rimas
la palabra más soberbia
de las frases de los versos
de los himnos de la lengua;
y te diré esa palabra
empapada en miel hiblea...
¡Oh, amada mía! Es el dulce
tiempo de la primavera.

Van en sus grupos vibrantes
revolando las abejas
como un áureo torbellino
que la blanca luz alegra,
y sobre el agua sonora
pasan radiantes, ligeras,
con sus alas cristalinas
las irisadas libélulas.
Oye: canta la cigarra
porque ama al sol, que en la selva
su polvo de oro tamiza
entre las hojas espesas.
Su aliento nos da en un soplo
fecundo la madre tierra,
con el alma de los cálices
y el aroma de las yerbas.

¿Ves aquel nido? Hay un ave.
Son dos: el macho y la hembra.
Ella tiene el buche blanco,
él tiene las plumas negras.
En la garganta el gorjeo,
las alas blancas y trémulas;
y los picos que se chocan
como labios que se besan.
El nido es cántico. El ave
incuba el trino, ¡oh poetas!
de la lira universal
el ave pulsa una cuerda.
Bendito el calor sagrado
que hizo reventar las yemas,
¡oh, amada mía, Es el dulce
tiempo de la primavera.

Mi dulce musa Delicia
me trajo un ánfora griega
cincelada en alabastro,
de vino de Naxos llena;
y una hermosa copa de oro,
la base henchida de perlas,
para que bebiese el vino
que es propicio a los poetas.
En la ánfora está Diana,
real, orgullosa y esbelta,
con su desnudez divina
y en actitud cinegética.
Y en la copa luminosa
está Venus Citerea
tendida cerca de Adonis
que sus caricias desdeña.
No quiere el vino de Naxos
ni el ánfora de ansas bellas,
ni la copa donde Cipria
al gallardo Adonis ruega.
Quiero beber del amor
sólo en tu boca bermeja.
¡Oh amada mía! Es el dulce
tiempo de la primavera.
Lunar May 2016
flowers grow around her feet,
when she walks on cobbled streets.
a dainty ivory countenance,
and delicate pale hands.
not a single black stain on her,
except straight ebony hair.
her laughter resonates like chimes,
she smells of old books and pines.
rosy lips sip lemon tea,
dark eyes as clear as light seas.
deft fingers write with stardust,
a sweetie pie with a perfect crust.
besides a writer, she's an artist too;
a musician, a joker; what else can she do?
a lover of animals and raindrops,
finds happiness in a plant ***.
made of sun rays in the days,
stars and moonlight at nights.
adores the winds and skies;
she makes gray hellos into colorful goodbyes.
...
the little fairy, made to wear flower crowns
the nature's princess, that's what she is
if i wrote what i love about her
it'd be a never-ending list
i hope you enjoyed this one, charm-y clehrry. and i'm too, so, very much, beyond euphoric to have met another poet pal, artist, musician and carat in our friendship. {feeling wonhui vibes} ''sd;aksdas;';hd okay i just love you a whole lot.

— The End —