Submit your work, meet writers and drop the ads. Become a member
 
Eleanor Webster Oct 2017
"I'd like to be a fly on the wall," you say.
Would you?
Would you really like to be privy to all
that drama and intrigue, without ever being noticed?
Sounds nice, I suppose.
But I'll let you in on a little secret-
That, my dears, is false advertising.
Truth is, people always notice flies
They just choose to ignore them
And lower their voices when you buzz by on sugar-spun wings of self-confidence-
Maybe it's just all in your head
Maybe you've misinterpreted things-behind kaleidoscope eyes
It always looks like there are more of them than you.

So you gain confidence
You hover on the fringes of their circle
And drone out a low hum of 'what've you been up to today?'
Or 'how're you?'
Or 'long day, huh?'
The response is offhand
A verbal flick of the wrist
Batting the ball back into your conversational court
Because coming at you with a fly swatter
Or a rolled up Cosmo magazine
Takes more effort than they're willing to give.

You buzz about some more
Hoping maybe the silence will entice them to engage
But no,
They can't hear your buzzing
Or they won't.
So instead you stand
Fly on the wall
Content with watching the light catch your wings
Repeatedly wringing your hands near your face
In a way they probably think is malevolent
I promise I'm not plotting-
I'm just juggling the weight of my loneliness
Maybe if I shift it from one palm to another
Somehow I will lighten the load.

Take comfort in this, little fly-
The sun makes your wings iridescent
And even though they'll never get close enough to see that, you can.
It's not a trick of the light
Your fractal eyes do not deceive you-
They are duplicate.
A poem about social exclusion.
Eleanor Webster Oct 2017
You're obsessed with being a unit because you never feel whole
Soul sullied by the deceit of past flames
Betrayed by the boredom and apathy of she with crimson hair
Why do you care if I’m alone right now?
Why do you care if I’m fraternising with newfound friends of the male gender
Bending me till I break down in tears and ask for forgiveness for sins I did not commit
And offences with heavier burdens than they are due
Forgive me Father, for I have skinned my knees on repeated apologies until my lips are chapped and raw
Until I began to see how my God couldn’t possibly love me
Until a smile was all it took to intoxicate me into another winner-takes-all verbal brawl
Until I learnt to scrawl the ten commandments into my skull
Thou shalt not choose your new friends, for you are too naive, consult me
Thou shalt not lie with anyone other than me, I’d rather you didn’t sleep
Thou shalt not talk to men other than to exchange pleasantries, I’d rather you didn’t breathe
Thou shalt not choose career opportunities that could take you away from me
Thou shalt not
Thou shalt not
Thou shalt not
I see you broken and bleeding on a cross and you whisper, “how could you do this to me?
I died for your sins
I died for your sins
I let the light in and I died for your sins.”
Enough!
I will make my own religion
One that breathes rose petals among the barbs
Armed with the knowledge of what worship should be
And you told me I must learn to pray on my knees,
But tell me:
If you took me to the altar,
How much life would I have to sacrifice
For this all-consuming, greedy god
Of love?
This has already gone up on my YouTube channel, but I wanted to write it out for people who prefer page poetry, and just if anyone was interested in how I write out spoken word! This  poem is about controlling and possessive relationships. I was very much inspired by 'The Altar', by Banks, I found it to be a really powerful song. Because I've been neglecting this I will be putting up two poems today- this is the first!
Eleanor Webster Oct 2017
Red flannel, cotton, aged 13-14.
I shrug my arms through each sleeve,
Pulling them slowly upwards as they catch on the sleeves of my t-shirt
So that when my hands peek through the other side
Maybe I can pretend I am you.
Maybe I can clench these hems between my tiny fists
And these sleeves can become metal armour
Against those savage blades that tear your gentle skin.

Or maybe my inexplicable need
To wear your shirt
Came from a naive, controlling force within me.
Maybe with this shirt I am the puppet master,
Maybe if I raise my arms in defiance not surrender,
You will too.
Maybe for just a moment,
You could be my vessel
And I could exercise my will.
In this moment I want nothing more than for you to be my marionette,
To dance from the dangers of your own mind towards the avenues that I refuse to believe will be no help
(At least give them a try, I plea,
But the puppeteer would snap you to attention
With a flick of her wrist
And frogmarch you to the helpers' gates).

I finally understand the appeal of Sims,
Cos when someone does something you don't want them to do
You can quit without saving
You can turn off free will and become a God.
I know that when faced with the character creation page
Many would choose to change the way you are
But trust me, the only thing I would alter is this deep and draining pain-
And your resignation towards it.
I'd decrease your exhaustion
And increase your hope,
Give you excess of it.

I shrug off the shirt.
Because you are not a puppet,
I cannot force your hand,
Although I will not stop trying to care for you the only way I know how:
By asking. Begging.
Accept help from those who may hold the answers-
Darling, I know it's not guaranteed,
But nothing in this life is.
It cannot hurt to try.

Even if it were possible,
If you handed me the control bar of this
Intricate,
Delicate,
Beautiful,
Broken doll,
Despite my longing to force you to care for yourself,
I would always let you choose.
I would cut your strings.
I wrote this poem around a year ago, about a friend suffering from depression. I struggled with the tensions between letting them have free will and intervening for their own safety.
Eleanor Webster Oct 2017
What makes a good poem?
Is it the rhythm? The structure? The carefully placed similes like dog treats and the restricted use of rhetorical questions?
Oh.
If that's the case,
I think I failed the test.
Oh please! Don't leave! Let me try this again!

(A cough to clear the throat)
Ha-HEM.

When one writes iambic pentameter
Doth that make his good prose the worthier then?

...No?

If I write a witty couplet in a rhyme
Does that make this utter **** more worth your time?

Have I got the tempo right?
I need an exclamatory tone!
Rhyming feels better somehow
But it doesn't make trombone.

My jittery jilted stream-of-consciousness different-line-length punctuation-less word-***** onto a page-
Pause for breath-
Can never match the likes of Donne or Keats;
But I've bled my soul and fire onto this page
And surely, that is worth more than conceits?
This is my attempt at humour. Apologies. The title is a play on 'A Good Friday, 1613, riding Westward', a poem by John Donne, who I was studying at the time. This was prompted by reading all the great poets and realising that, technically, I will never be as 'good' as them. But I like to think that art isn't quantifiable, and that so long as you write with truth and emotion, you'll create something beautiful.
Eleanor Webster Sep 2017
A ******* the train with witch's hair and dark eyes
Stared at me as if I was hiding a secret in the curve of my lip
Or the space between my eyebrows
Or in whirlpool-pupils
I wonder if there is something of the occult in the way I walk
Like a dead woman who adores the crows that pick at her bone marrow
Is there something in the hollows of my eyes that suggests
I am not afraid of the demons summoned to hunt me down
On my morning commute?
This girl was staring at me really weirdly on my way to work the other day. (This is a recent poem) she had witchy kind of hair and as soon as I found myself thinking that I knew I'd write a poem about her. Enjoy.
  Sep 2017 Eleanor Webster
Nick Moore
I love
that you
love

The things
that you
love

Even if I don't

Could you do the same for me?

If yes

What great lovers
we
could
be....
Eleanor Webster Sep 2017
My god, you've finally done it.
I'm lost for words.
Me! Lost for words!

Words have always been my friends,
My tools,
Working for me when they would work for no one else.
I'd pluck perfect prose out of the air before me
Words curling luxuriously like cats around my writing hand
They seemed standoffish to others
But I was the Cat-whisperer of creative composition
My magic was language
I have personified pain
Allegorised anger
Sensationalised sadness
But when it comes to your love
I must use the words of another
For I cannot heave my heart into my mouth.

Why?
I want to give you the gift of my words,
For they are the only thing I have left to give,
My heart was always yours, even before we knew
How well we fit.

When talking on any other subject
I find it hard to stop
But when it comes to you,
My silver tongue turns to lead
Because you are the one thing I cannot articulate
How can I explain that when I look up to the sky I search for the colour of your eyes but I can never find it
That falling in love with you was like falling in love with a sunset
That the way you look at me feels as if, for the first time, I am a girl worth writing a story about.

People have put these sentiments into much better words than I ever could
And I love you always seemed enough before
But how can that crescendo of emotion I feel-
And the constant gentle waves that lap the seashores of my mind,
For what is love if only felt in passion not in anger-
Be summarised in three short words?

You know me.
I like to compartmentalise,
Categorise,
Have a name and a meaning for everything I do,
A consolation prize from society-
Sure you're weird, but others are too,
From my sexuality to my star sign
My life is neatly noted
With post its and labels
An explanation for everything
An Oxford dictionary definition for anyone who sticks around long enough to care
I like to pretend I don't do it
But I do.

You were the first person to make me realise:
There are some things
Beyond language.
Poem from a while back- like I say, I'm working through my collection until I get up to date. This was when I was starting to write poetry and still found it hard to put my feelings into words.
Next page