he wakes up to the sight of her donning back her clothing
"what a happy moment"
he thinks, then, taking a good look A̲t her, notes in
his mind: "hell, this lass is smoking"
[smoking hot]
like a barrel of a gat unloaded
she, having noticed that her inamorato's woken
up, gives him a salutation: "sweet morning!"
he replies: "so sweet I A̲I̲n't even sU̲re if
it's real; am I having an amazing dream O̲r it's
paradise?" his reply makes the chica giggle
then she replies: "hope it's not wA̲Y̲ disappointing
to hear, but nay, it's still the sinful
world of the living"; she then sA̲Y̲s she was going
to wA̲ke him up were he
in dreamland by the time she would
have been set to tA̲ke off; "I'm sorry"
she continues, - "but I need to
get to my place; I..."; "hold O̲[ɑ]n, if you"
he interrupts her, - "have 5 plus mins to
have a convo, I'd like to say some-thing to
you"; she replies: "I ain't in a rush, mate
so, yeah, I'll give you
an ear", like a side space on a gazette's front page
as he gets himself decent, he strikes
up speaking his mind:
"in this existence of mine, it's the first time
I'm feeling alive, & I'd be dE̲moralized
knowing our encounter's ju[ɪ]st a one-time
thing; you're pretty as a pI̲n-up & nice in disposition, & I'd
like to know you more
there's already something in which we're alike
music types we both prefer
are similar, right?"; she nods her bean in reply
he continues: "I could teach you to write
multisyllable rhymes, which is, besides
music liste[—]ning, what I get myself occupied
with I̲n my off time; I could gift you a bike
I mean, a pushbike, so, you & mE̲, we could ride
together, just like Slim & 5'9"
["write together"; Eminem & Royce da 5'9"]
[who have a bunch of rap collabs with each other]
and if you like some activity I'm
a stranger to
I'd bE̲ by your side
do I have chances to
meet you agA̲I̲n some next time?"
————————————————————————————————
she replies: "wow! handsome, truth
be told, the speech administered by
you has done some damage to
my inner equilibrium; I
will give my answer to
your query, but, like
you, now I feel like venting my mind"
"of course, I̲t's only right
if you too say what you think", - he replies
she asks him I̲f she is right
thinking that, till last nI̲ght spent with her
he's never had something li̲ke this before
clearly implying that that tI̲me's been his first
it feels wrong to him to lie to this girl, but replying to her
query directly ain't more comfo[—]rtable for
him; he gets out, like a crI̲me figure served
his time, with a reply that his per—sonality type's introvert
somewhat surprised bY̲ what she's heard
she notes: "in that nI̲ght club you sure
didn't seem like O̲ne, you seemed
quite co[ɑ]nfident"; "sorry if whA̲[ʌ]t I'm in—
—tending to say is a ******, sim.
to a bad trip, but my condU̲ct was in—
—fluenced by a supplement"
he replies, adding: "but you can be cA̲[ɑ]lm; I mean
in terms of indulging in
substance consumption, I'm no fiend
unlike a leader of a tough regime
that was just a O̲ne-time thing"; she respo[ɑ]nds to him:
"well, that's what matters the mO̲st, 'cause, as
you may recall our joint small disclosure last
night, we're for sticking to the sober track"
————————————————————————————————
she continues her go by add—
—ing: "now, I want you... to know: I've had
a magnificent night; I thI̲nk that's a kind
of thing we both needed"; the guy
nods, thinking: "I̲t's something I cA̲[ɛ]nnot deny"
she continues by noting to hI̲m that, despite
that scene in the night
club that he made
like that game where the MC̲ undermines
a corrupted *****'s reign
just 'cause... hE̲ didn't like
["Just Cause" videogame series]
the stuff the DJ
was playing, hE̲ doesn't strike
her as a ***** of a guy; she adds that she twigs what it's like
to be by oneself & that being a psy—
—chotherapist, as she unfolds herself
to him, her job's providing harmed souls with help
he thinks: "this can't be real", like cold in hell
then he says: "you're... a therapist?"; "right"
she quickly replies, adding: "you seem really surprised"
he says: "wE̲ll, doc, if I
were to guess wha[ʌ]t a girl with such a curb
appE̲A̲l does in life, I'd think it's some-thing that prescribes
being pleasing to eyes"
then he adds: "speaking of whI̲ch, these remind
me of a smile: you've got this green in your eyes"
["grin"]
as she gives him a slight
smile, she thinks in her mind:
"is he really so sweet, or hE̲ simply tries
to increase his odds wI̲th me?"; "alright"
the gal breaks the silence
being 'bout to say something else, but the guy
manages to outpace her timing
saying: "since you're a psy—
—chotherapist, guess it won't hurt if I say that I̲ am
somewhat sick & even evil inside
but to you, I'm a null danger, darling
so stay composed, like a
tune"; she giggles, then says: "you're droll, now ta
your question posed prior: yes, I'm bone down ta
meet with you again"; she gives her phone number
to him, then it hits her: "I still don't know how ta
call him"; she asks: "by the way
you've go[ɑ]t a name?"; he replies: "mine is Blake
and yours?"; she replies: "Lucille"
with a joke on his mind, he says:
"well, that pretty much explains why you babe
are so mind-blowing"; stumped, she says:
"sorry, but I don't think I grasp
what you mean by that"; he says: "the Negan's bat"
after which she gives a gentle laugh
[the scene where Negan gets the Glen's brains [mind] blown out with his bat called "Lucille"]
then says: "I'd jest why
I feel like HA̲rley Quin, but I think
that, by this time
you've already cO̲[ɑ]ttoned on wha[ʌ]t I mean"
he says: "an adorable therapist
who's met a sort of odd E̲gg who seems
to be a joker"; afrE̲sh, she gives
him a slight smile; "well, dolcezza, it's
["dolcezza" (Italian) - "honey"/"sweetheart"]
been nice to have a chat
with you", - she starts her response, whereafter adds:
"A̲lthough, A̲s I have
said prior, I need to go"; "wA̲I̲t just a bit"
he says, - "I'll call a taxi cab"
"by the wA̲Y̲, it's on me"
he adds while he grabs some cash
then hands it to her like: "as a sign of favor, no re—
—jections accepted"; she replies: "um, thA̲[ɛ]nks, it's so sweet
of you, much appreciated; feel free
to hit me up later so we
could pick time & location to meet
the next time"; both exchA̲nge "byes" with each
other, then, taking into consideration that he's
awful at osculating, she gives
him one aimed for his cheek; a blush-making thing hits
his mind, saying he'll need
her to provide him some training in this
kind of stuff; as she walks away, he can't help but gaze at this chick

****, bruh! call a bo[ɑ]mb squa[ɑ]d
'cause she's a bomb—
—shell, whose rear evokes a somewha[ʌ]t
unholy, wro[ɑ]ng thou[ɑ]ght
reminds him of a jihadi-done job
'cause this ***'s (boom) banging; this honey's dancing
boldly & lewdly, got his ja[ɑ]w dro[ɑ]pped
she's beyo[ɑ]nd "**[ɑ]t"
this gA̲l's freaking blazing
his hand's in offensive motion for her hind part
a haptic invasion
she moves on from wining to fondling, she's eager
like someone punished by dI̲nt of
a guillotine, his head's lost as she seductively strI̲ps her—
—self naked; she says: "make me
high as a rooftO̲[ɑ]p nearly reaching
the sky; give me a tI̲me so exquisite
that I̲'ll be left speechless
when this ro[ɑ]mp's over"
she's none short o'... a mind-blower, like a gun-toter
blowing a brain of a nazissistic hound wrongdoing
————————————————————————————————
she goes O̲U̲t like jU̲I̲ce in
["juice" in the sense of "electricity"; the "out like a light [electricity]" expression]
the wake of their energetic bout of nookie
as against l'heroi d'aquesta nI̲t that ca[ɛ]n't catch
["l'heroi d'aquesta nit" (Catalan) - "the hero of tonight"]
sleep, like a ham-****** skate cast
a pillowcase at; he's still awake af—
["catch slip"]
—ter more than ane half
of a twenty-fourth of day passed
his mind's got diverse thou[ɑ]ghts
going one after another, like a race track
occupied by sport cars
he's a nobo[ɑ]dy who's ended
up having a great tI̲me with a splendid
woman, which he's now lying in bed with
with his existence being nO̲ne but pathetic
he's been, like a person with whom O̲ne isn't ca[ɛ]ndid
in the dark &, processing the world as highly offensive
from a sociopolitical point, wa[ɑ]nting a vengeance
just li̲ke vigila[ɛ]ntes
he's up in arms, due to pieces of vI̲ce-ridden dreck with
their eyes blinded with pelf &
power; a hE̲A̲rt-damaged a[ɛ]nti—
—hero with little avE̲nues to spout the
anger, who seems to have found a
source of light he doesn't wish to be outta
he hopes she won't slyly desert him
the subsequent morning
if she arises before him

Not in a palace, but rather where purpose redeems,
Cinderella learnt the value of dreams.
She discovered her own brightness
amid the ashes—not by elaborate clothing, but rather with inner strength,  that's surely inspiring.

Despite the loud mocking from her step-sisters ,
she managed to rise above the superficial whispers.
Her inner personality was shown in deeds of kindness;
Her daily compass was patience and righteousness.

Her destiny wasn't sealed by the glass slipper, but it did highlight her great in  her ,
Since genuine magic exists in her heart
So bold that it sets her apart


Ler her path to encourage you to take a chance
It’s when you struggle you will find your stance
Let Cinderella's story be a reflection for you to see
That everyone of us has the ability to set ourselves free .

©Priyanka Bhagat

In the intricate tapestry of love,
the adage "once a cheater, always a cheater"
weaves a cautionary thread.


It is a phrase laden with the weight of experience,
a mantra that whispers of broken trust and shattered vows.


When someone treads the path of betrayal,
leaving the fragments of a once-whole heart in their wake,
the scars run deep.


The echoes of deceit reverberate
in the corridors of love,
leaving those who have been wounded hesitant to trust again.


The notion, "once a cheater, always a cheater," emerges as a defense mechanism,
a shield against the vulnerability of being deceived once more.


Yet, in the realm of love,
the narrative isn't always so black and white.
People evolve, learn from their mistakes, and yearn for redemption.


It's crucial to acknowledge the capacity for change
within each individual.
While the wounds of betrayal may linger,
they need not dictate the course of someone's entire romantic journey.


The human experience is multifaceted, and relationships are complex landscapes.


People stumble, fall, and sometimes, they rise anew, reshaped by the crucible of their own errors.


Love, at its essence, encompasses forgiveness, growth, and the possibility of second chances.


So, while the cautionary phrase carries the weight of wisdom,
it is equally important to recognize the potential for transformation.


People can break free from the chains of their past misdeeds,
learn to value trust, and construct relationships founded on honesty and integrity.


Love, after all, is as much about healing as it is about the initial spark.


In the end the tale of "once a cheater, always a cheater"
is not a universal truth
but rather a reminder that love demands conscientious navigation.


It prompts us to approach relationships with discernment,
to treasure the fragility of trust,
and to foster an environment where growth and change are not only possible but celebrated.

There was once a weak little sparrow. She has yet to learn to fly, so she fell out of the nest. Little did she know it would keep her alive. In a small stream she drifted on by as the other creatures burned alive, a fire engulfed the forest she once called home. It nipped the edges of the stream burning her wings, as time went by the fire died leaving the entire forest in ash. A lone witch searched the forest with tears in her eyes for any signs of life.
Only to find a lone little bird, barely clinging to life, desperate to survive. So the little witch took the little sparrow home, trying to save its life. Her wings were badly burned, and she would never be able to fly. The witch did what she could and kept the bird alive, but as time went by the sparrow grew sad. Knowing everything was gone, and she was alone as she looked at the burned forest.
Then the little witch had an idea, to try and turn the sparrow human, so they wouldn't feel so alone anymore. She didn't see the agony that would cause the sparrow, and never expected the burn scars would stay. So the little sparrow was turned human, well mostly. The witch has to teach her how to be human, which took many years. Eventually they lived comfortably, enjoying each other's company, but good things never last.
Someone from the nearby village saw the little witch and her small hut. They were suspicious of her, hating anything different from them. They looked disgusted by the other one, the sparrow didn't look like them. Not only that, but they hated the witch and chained the sparrow, forcing her to watch as they burned the witch. They studied the odd girl, wanting to know what she was, why she was different. The torture seemed to never stop, till she finally broke, harnessing the witches power and the life of the ancient forest that was burned. The ancient forest where she was born was burned by the villagers and the magic went into the little sparrow, hoping she would survive.
She went into a fury, slaughtering the village, leaving nothing left of the ones who tortured her, burned her only family alive and destroyed her home. She when she finally calmed, she was on the mountain overlooking the dead forest and decimated village, realizing she was truly alone.

his own & this world's realities are like the fuzz in the States
they're ones to escape, which is a plan of attack
that, like a unit of ammo dispatched
to the bean of a **** autocrat dying physically damaged & sad
hits his deli̲ght-bankrupt brain; like Donald the dung piece, today
he feels bold, so maybe there'll be, like abundance of cake
["bald"]
fortune coming his way; this one's a schmuck thing to say
["fortis fortuna adiuvat"/"fortune favors the bold"]
but this club reminds of Ukraine (what?)
he, like motorized cavalcades
from the next-door empire, invades
its territory causing, like unaccommodating writer, a sla[ɛ]m
[Eminem & his "Unaccommodating" song]
as he shuts the door frame; obvi, sO̲me people may
find them bars offensive, like an armed aggression
so my apologies, I'm somewhat ashamed
mainstream house stuff is on play
a thought in his skull: "this is lame"
Michael S. straight after he turned around & stumbled on blamed
Toby F.; through the crowd he cuts like a blade
[the ending of the "Frame Toby" episode cold open from "The Office" series]
having hopped U̲p on the stage
as if it were a narcotic substance you've ta'en
he, so loud as if with his cullions in grave
nU̲t-wrenching pain, bawls: "THIS ****** *****!", like a brace
of thigh highs colored with stains of blood; yanderE̲[eɪ]
["*****"; "so[ɑ]cks"]
schoolgirl; disgruntled, he makes for the f#cking DJ
delivers a verbal punch in his face by the fo[ɑ]llowing phrase:
"boy, go house-sit with your confounded
boring house sh#t, just like a housewyf"
whereafter thrusts him away
ending the uproar with "ciao, drip!"
music-wise, it's gon' go hard as nuts in this place
as if a flock of ones who're deranged
["who're" is supposed to be read/pronounced as "whoor"]
swung by a club in the wake of a ****** **[ɑ]spital break (nuts in this place)
he puts on midtempo dark cyberpunky synthwave
Gesaffelsteinish mid-paced
type of music; that's what drives his crumpet insane
speaking of crumpets, he spots a buxomish babe
while nodding his ******* nut to this cray
music, he feels like a **** being aimed
at, for she stands with her sight, like one of a gun, fixed his way
for a few secs, at each other they gaze
she's quite a fox with her vibrant locks
reminding of flame; somebody call a fire brigade
hourglass-shaped & rigged out in tight pa[ɛ]nts & a blouse
with a U̲-neck, like a fella without
*****, & leaving her waist a bit out
["******"]
on display; he makes his way to this frau
salutates her with "ciao"
she greets him with just the same, then he mouths
the following: "babe, you're way like a house
for lodging that's nowhere to be found
that is, in the deep of a labyrinth"
she's like: "what in the void's name's this about?"
he replies: "I'ma translate that one now"
"the way you look's amazing, ten out
of ten", like that "KleanColor" skin bro[ɑ]nzer
["a maze inn"; "Tan Out Of Tan"]
she makes a soft smile, then replies: "ain't you nice, pal
when you lay your thoughts out?"
"not being nice would be a crime
when you face a fine gal
like you", - he replies
"if so, rejecting the company of a guy so gracious would count"
as a crime too", - she replies
the guy asks the gI̲rl if she
fa[ɛ]ncies this sound
her reply is affirmative
she says she, mostly, faves underground
kinds of music; they vibe
to these tunes being pU̲t on, just like
that loony sh#twipe the whole antifa community'd like
to see end up ruined, just like
Aleppo or Mariupol; stop, I'd
like, before the main telling resumes, to rewind
a little: the newly-met vibe
to these hard-hitting beats put on; he finds
out, when asking her what drinkable fluid she'd like
to have, that she deems it uncool to imbibe (*****)
he replies: "to tell you the truth, so do I"
so if there's somebody to end up lit during this night
it is the moon in the sky
["some body"]
soon after having their soft drinks taken, they bounce
like the name of the style
of music brought into this wO̲rld heaps
before chicks twerking
blew into the mainstream like "blaow!"
["hips"]
like a sick pervert that digs scourging
while engaged in a bout
of carnal fun, he's got a whip ordered
they wait for several mins for it
finally, the motorized conveyance comes out
like a deb girlie
[debutante]
he trails this fox like she's prey to hunt down
watching her proceed to[–]ward it
in a way like she's on a catwalk waving around
a rig splurgy
having hopped in it, to a lodging place they set out
the saucy look in her eyes
once his palm is put on her thigh
a kind of luminous sign–
–board reading: "absolutely alright
with going on a lewd spree tonight"

winter slowly digests me
it's hard to process
standing in the spaces
between the void of pain and
the void of ecstasy
(any void is just the unbearability
of fullness)
no violin can invent
some tears
my eyes not split
searching for
a tree-womb
to shelter my skin
and slow my cells
to the decency
of breathing,
to unearth
the old tale
gently
like an offering