What if
I had fallen to my knees
On the cold parking lot concrete
Tears washing over my cheeks
And cries no one should ever have to hear
Bellowing out from beneath my ribs
Screaming at the sky
Looking up at your face
Forcing you
(and everyone else)
To see me in this godforsaken state
Of absolute chaos
Heartbreak
In it's rawest form
What if I had begged you to stay?
What if I'd told you I can't do this without you?
What if I'd told you how much I needed you
What if I did anything other than fighting back the tears
Maybe for myself, maybe for you,
Mostly for the crowd of people gathering
Saying their goodbyes
Anxiously looking around to bear witness to everyone else's reactions
And I didn't want to be that girl
That girl who falls to the ground
Kicking and screaming and crying and begging
But what if I was?
What if I was any girl other than the one I pretended to be that day
The one that held her tongue and kept her mouth shut because she knew the second she opened it to speak she would sob
The one that wrapped her arms around you for the last time,
and the one that let go
The one that couldn't bear to watch you walk away
So she kissed you goodbye
Got back in the car
And drove home
What if i wasn't that girl who didnt allow herself to completely fall apart until she was alone in the privacy of her own home?
What if instead I'd made a scene,
Doing what everything inside me so desperately wanted to
Grabbing hold of your hand and refusing to let go
Losing the facade of confidence
The charade of strength
But I'm not that girl
And I never will be
So each and every time you leave
I kiss you goodbye
I unclench my fists and retract my anchors
I untether my heart from it's human home
And I put on a brave face
Maybe for myself, maybe for you,
Or maybe
For that girl.

I'd rather cut the cord
Than hang myself with it.

A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor

I spent my time tying pink ribbons to my words hoping somebody would untether them.
Hoping someone would listen to my cherry flavored cough syrup poems.
I wandered around thinking up the type of person who might love me;
gentle, caring, soft and quiet.

Then you came along.

And you could undo any knot imaginable if you were given enough time.
You hated cherry flavored cough syrup and you didn’t understand poetry.
You spoke so fast sometimes I wondered if you even knew what you meant.
But you always listened to my rambles as if I were telling you the cure for cancer.

I went about my days wondering how I could have overlooked someone such as yourself.
It only took me twenty minutes to decide I only wanted you to listen to me talk.
I could taste vanilla on your lips and I wasn’t even kissing you.
I laid on my bedroom floor for hours on end wondering how it might feel to love someone like you.

I fell in love with you on March 10, 2013 when you laced my left skate.
You had a laugh like an early morning songbird; a benevolent smile as if it were always spring.
You kept talking nervously about your hands until I held them and you went silent.
This was the first day I ever thought about kissing you. From then on, I haven’t stopped.

You haven’t stopped knocking the wind out of me since.

You touched my thigh underneath the table and I think I knew then that I was done for.
We kissed on the ferris wheel and you tasted like vanilla wafers.
I think your name is stuck on the roof of my mouth because I haven’t shut up about you since.
(I hope it always stays there.)

You’re like the first warm days of spring after a harsh winter.
You’re so alive and it’s refreshing for me; who forgot what air tasted like.
I want to plant a garden in your heart and watch it grow peacefully.
I want to tangle myself within your vines; wrap myself within your liveliness.

But no matter how ardently I loved you, it was never enough.
There was always a misapprehension with us, a broken line, a word that threw off the entire poem.
I am not afraid of many things, but losing you frightened me to the point of madness.
I didn’t mean to shut the door in your face, I really wanted you to stay. I truly did.

You hated when I said maybe so I started saying it to every yes or no question you asked.
It was the little things that changed; you said my name like it was rotting in your mouth.
Our last kiss tasted like rubbing alcohol and I wanted to kiss you again just to remove the flavor.
I wonder what went was going through your head while I was breaking. (Where’s the glue?)

How little you notice when someone is here; how much you notice when their absence approaches.
The freckle on your right wrist, the quiet way you read a book, how you talk to yourself when you’re nervous.
You touched my hair like my mother did, but you left a deeper scar than my father ever could.
No slamming doors, just a quiet magic trick that left me wondering if you were ever here.

I didn’t want to show up on your doorstep years later in tears because I forgot to tell you... you’re breathtaking.
I forgot to tell you, the stars detonate because they’re trying to imitate your eyes when you laugh.
I forgot to tell you, your touch could heal an open wound in under thirteen seconds.
But it’s been a year and I still haven’t explained how afraid I am to love you.

We met again and your voice was deeper and your eyes were colder.
You still laughed at my jokes but it was quiet and aloof.
Is that the way she likes you best? Vague and jejune?
I never wanted to treat you like a poem; never wanted red ink to touch your stanzas.

Given the chance, I would love you all over again- and right this time.
I would catch your hair glistening in the sunlight and tell you, “you’re wondrous.”
I have spent a good portion of forever writing you into poetry.
I cannot apologize for not letting go, you’ve always been home.

Love me or not, you’ll always have arms to hold you, ears to listen to you babble, lips to kiss you foolishly.
Carry on, carry on, you’ve never been any less than extraordinary to me.
I can feel how alive you are, you’re more human than I will ever be.
(I love you only always.)

A dust storm blows through Kansas
Stinging, lashing shrieks
The sand blows holes through a Canvas
Who collects the words, and sleeks
The gunfire of their sound, for weeks
His brows steeled and heavy
The whirlwind quits its wails
And leaves, lily-livered in its belly

A tsunami bellows over Mastushima bay
Body slamming into townsfolk
A long-time build up lead astray
One sun-browned girl is left to choke
But then spits out the damage, in half broke
And the colossal wave recedes
Quietened, calm and apologetic
Anger fleeing as it bleeds

Snow drifts and crawls its way past Moscow
Gentle, almost alluring in its ways
Children present their tongues, and the sow
Charges, squealing, into guts and begins frays
Which twist their ears burnt, lasting for a thousand days
And eventually a conscience melts the qualm
And the damage rectified on-surface
But frostbite clings to fingers; done already is the harm

Weather will hound and scorch and spit
And eventually untether
And though people bite and kick and hit
No emotion lasts forever

Swift winds run through the park, at dusk
Carried on legs of leaves
Temporary, as they blow from the path
Onto the verdant sheet of blades
Laid beside the pavement.

The contestants occasionally collide,
And tiny whirlwinds
Untether their foliage feet from the terrain
As they fall onto the track
Whistling merrily as they bounce upon the ground
And rebounce into their lane
To commence the runnings again.

No pace is kept
And each man is one moment a sprinter
And the next a marathon chaser
The disciplines remain inexorably tangled
In their fleeting eyes.

As wires round the world get lighter and thinner
Your news scroll feeds you various homicides,
From desktops at noon to plasma at dinner,
The auto-cue scrolls through this week’s most viral.

The network fail to mention the other seven billion
Who kept living their life devoid of such sinning.
Disquiet on your perch, picture your pleasure:
Hopping alone, around your enclosure.

The window slides up, wind ruffles your feathers.
Beak to the bars, you're helplessly tethered.
Yell 'til you're heard, ’til you’re hoarse and unkempt,
Yell 'til the neighbours are mad and hell bent.

Step back to your pedestal, tapping your feet,
The rhythm you summon traverses the streets.
Nearby inhabitants sit watching their screens,
Warn-out, occupied, unfulfilling their dreams.

Tip-tap-a-tip-tap-a-tip-tap away the evening and next day.
Now you live vicariously through social media,
You cannot stop tweeting, lonelier… lonelier.
Connections you make get quicker and quicker.

‘Life is the greatest’ upon appearances,
You pick and you carve a residual image;
The best fools fool themselves into submission,
Post exponentially, build on your rhythm;

Second life, third face, prosodic yet speechless,
Your diary now echoes, empty and featureless.
Stare at your screen, silent and grinning;
Hive mind rewired, this story needs spinning.

Forget losing face, that farcical demeanour.
The needle wobbles on your false life fever,
As sunlight exposes where your cage is broken,
The tether is loose but you're past noticing.

Shared knowledge free of charge, constantly flowing,
Ignore others' viewpoints, or pleas to come in.
The glass in the window is brilliantly glowing,
There's fire outside that your posts have been stoking.

White noise, connection lost, you're no longer hosting
That multi-channel, fibre-optic, bandwidth expansion.
Untether your Ethernet, the cage disappears
Find sanctuary outdoors when quiet is near.

The caged bird tweets devoid of all reason,
Fooling itself about its own lack of freedom.

Step into the mind of a young man
Staying up late night
My mind's a mess living in a world of stress
So let me break it down for you
I write verses to fight my inner demons
Rapscallions everywhere tryna bring me down
Imma keep grinding in a tranquil hell
Till i reach another level i've never been on
The world is enough a hell to be ******
Why curse it further?
During my severed journey in metro rails
I see people with facades of character
Unable to merge with their true mores
No one can recognize me amongst them
Oh! I guess im a stranger to you

All i think about is music
Past memories splash like tidal waves
Gallivanting between my two identities
One fractured, the other to survive
My heart struggling to untether from itself
Now I wonder which is my home...?
This one or the world i dream about..
Now you may leave...
Thanks for sticking around.

I lie awake in chilling darkness
Wilting lids refusing to unite
Mind unwilling to drift into peaceful slumber
Body wrestling the solitude of my empty bed
Yearning to be enveloped in the warm cocoon of his arms
But only finding a desolate space of sheets and pillows
My hand reaches for the only lifeline to my love
I swipe away a collection of meaningless pixels
And find a familiar figure
The axis of my world
I gaze into the pair of eyes that send whirlwinds through my aching heart
A beautiful dance of green and brown
My sight shifts to a glowing smile
Emitting sunbeams through the window of my amorous soul
I focus on every centimeter of skin
And feel my longing shift to content
Content of my lips parting his once more
Content of the pure ecstasy of his hand on mine
Content of the day we no longer have to say goodbye
For 300 miles may divide our bodies
But no force may untether our souls.