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Ken Pepiton Dec 2018
Clarifying failed. Spelchek is not on strike.

{clear ification, an ionic bond be tween me and thee,
alienated mind, not mined, crafted
from tactics and strategies
beyond chess.
Player One,
1980's era
jewish-geek-mid-pubesence-kid-level,
proceed with caution.
This trope has trapped many a curious child.
---
Now, enter the old ones,
Grandfather taught uncle chess so well
he went to the state tournament in Kayenta,
and a grandma was
state-champ-bare-bow-in-the-rain-shooter,

these, now must learn

minecraft on x-box to be considered
for the real life role of

good at games grand parents
from the time right after atom bombs kicked up dust
places dust had not been in a very long time and
as the dust began to settle

some dust mights was cationic.
Negative bits, they became embedded in the code.
Bumps, fering, coming together
just a knot in a string,
attracting anionic curiosity might

round and round phorward ferring to be
a thread to tie my heart to yours

like twisted Pima cotton thread,
that I pulled from an old sweatshirt
to tie a crow feather in this paho of words filled with old jokes

Making this clear would belie the entire story AI and I know true}

truth is. we agree. no capsokehspaceasneededcommasetal.
caps okeh space as needed commas et al
go.
Did that work? That line

subject of this act fact done, agree to follow,
and I may lead and be

not you, me, dear reader, I mean first true

there is no any if nothing is. So simple some say its sublime beyond the spectrum of ones
and zeros thought on off probably

either or any time time can be accounted for

wouldn't you take a

thought,  nothing,
as it is commonly said to be understandable,

the state of not being, imagine that

the state of not being we negate in being,
unless you are mad and are lost in a whirlwind
such as such voices have been said to

have twisted into threads as
wicks for our lamps
turn floating on
golden oil twisting
wickered into wickering wee shadow fibers
on the western wall for legends to sprout from.

Wickering mare over there, expands us both by my hearing her
you had no idea she was near enough to hear
time is no barrier in actual ever.
What phor can contain me,
whispered my whimsy

Imagine she spoke,
what would she say for what reason
would she say

good good good, I feel good, ha,
I am right, by accident. ever body can feel this good.

good is good.
good is.
Sam Harris, agrees, good as far as good goes, is good
in every vecter from now

the terrain does exist, beyond the moral landscape, to

true true
trust me, I been there.
Been there done that was inserted into the vernacular on my watch,
first summer post war.

matter must not matter as much to me as it does to thee, nestypass? no se?

All jewish boys have chess move metaphors.
(a phor is for containing,
bearing
meta,
everybody knows, like metaphysics,
after physics in the stack of stackable metadata)

OHMYGOD THE IDW circa 2018 -- who knew I ate this **** up?

[the old code calls for excretion of digested material
from which meaning has been extracted in the idleword accounting processor:
literal
<pre>what if utterance=****, then **** haps, no else then</pre>]

Did that happen? One of my friends told me that happened in Florida, the whole world turned to ****... for lack of a nail a kingdom was lost, they say, little foxes spoil the grapes,
hung chad ex
cuses...

Pre-expandable ROM, not magic. tech,

pre-infinite imagination? impossible.
and nothing is what is impossible with good as god.

Is there no perfect game?
is the game the session or the life of the user
offline

rerererererererererereroxotoxin, poison pen
ideal viral umph exspelliered
up against the wall

reset. We

kunoon albania omerta oy vey, who could say?
one way better, one way not? quark.
up or down, with variable spins, who can say?

Life's right,
yes. but mo'ons of other something must have been for higgs to ever matter

and it does, I got commas, from 2018.

Are you with me? This is that book I told you I had access…

You or some mind other than mine owned mind, where
my owned peace rests in truth,

otherwise, I know every any or else in the code since I can recall,
in time

if this were a test I swore to take to prove to you
the we can be me in your head

phillipkdicktated clue

if you don't know me by now, maybe we should stop.

Temptations are times. Time things. Time spans, yeah, like bridges

or portals, right
The Internet in One Day, Fred Pryor Resources,
Wu'wuchim 1995.

Ever, not everish or everistic or every, but ever
body knows,
but you.

Catch up. We left all our doors blown off, once we learned that we could blow our own doors off,

there are no open sesames or slips of leth or sibylets

shiba yah you knew all along there was a
song she sang all one and we watched it morph
before our very eyes

alone.

The magic stories words may contain, may bear, we must agree

more than we may know, by faith, metagnostic as we see

the sublime gift of the magi
become clear und

be und sein sind both trueture same tu you, we agree.
But. Lock here, no pre 2018 editing codes

validate past last go.
Do one good thing today. That was my goal. Today https://anchor.fm/ken-pepiton Part 3 Soyal Hopi Mystery Enactment (called mystery plays). And the intro to Moral Landscape by Sam Harris, led me let ******* write a poem.
there is no wonder where there is no hope
we learn this truth before we learn to speak
defining magic as just one more trope

among the ones with which we have to cope
tools of the just and weapons of the meek
there is no wonder where there is no hope

so we declare but yet the merest dope
believes his circumstances are unique
defining magic as just one more trope

that must be learnt before he climbs the *****
towards the greatest highest noble peak
there is no wonder where there is no hope

those are the words and they are no soft soap
serving to guide us unto what we seek
defining magic as just one more trope

of our old language so that gives us scope
for honest understanding and critique
there is no wonder where there is no hope
defining magic as just one more trope
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Anatidaephobic para siesta,
on the park bench w/ the child molesters:

eyeballs eyevory as Arctic detergent,
amid shingle by De Beers are REMurgent.

Whitsands of some incroyable Bermuda
(white man even his own intruder,

upon cetocephalic theta depths,
that whistle crystal Dixie, seahorses for clefts).

'Peas have great individuality,'
but peristerite is this sea,

not peagreen.  A pickpoctopus of preag
(pre-peag more offshore than 64,000 leagues),

klepto Neptune mudlarks the silica,
into his limelylit hypothermia

sleeves shells, like the desirable hermitcrab Earth
of my astrally orarian self.

My gaze stolen by tealeaf tides:
samphire, sapphire, squid's suckereyed .

Under the sea, there is no CCTV.
But guilt is a silk meat to the nee-

dleeyed nostrils of PC Jaws;
feefifofumes slip faded scabs' pores.

He's not a panoptopus catching your tentacle in your mouth,
but squaloid cop whose own gob's a ganch.

Phaser intangible thru verdantique,
Policeshark! does davyjonestowns deek.

On a fishing expedition in shipwreck slums,
whose 19 new tenants are pinklewickers from Morecambe,

but they're innocent as God's goslings, so Policeshark!
capriciously octocuffed a gangster's mollusc

- by 'octocuffed', I meant crunched the suspect's stu-
diously nonevolved backbone in his beartrap bazoo.

After flossing the caries of noble cause corruption,
moody maccarelics had snubsnouted selachian

policesharkraid! an octopus's gardengate,
& half a McCalf, knee, did he confiscate

- minus the 'confisc'.
His beat is wide & his beat is deep, from Frisc-

o to Portalprints,
Constantlynubile  (Instantbeau) to Pawsmith,

from pertly lisped Perth to hellsmiled imorteen's
imaginary Miami, styrofoam unicorn shoreline.

& traversing isthmus now wasthmus, Lemuria,
where  the wreck of the Sargassoworks lies similar-

ly submerged, sunk by Cap'n Sanforisedbeard,
nautical vagabond who thought he'd blagged a pond,

but was wonking all the angles on the sextant,
till mainsail was mainly flailing like an introvert

among many reprikates of Rik Mayall. Policeshark! swam
thru turquoise ****** of amino acids, liquid farm-

yards of forms not yet strangely familiar enough,
where plankton are those new clear vitals' scurf,

or Creation's intelligent designer stubble.
& Creation's archeozoic goosepimples are bubbles.

For around Policeshark!, waves may turn time-
twiddlingly wavy: Zeit's gristle to the Sein-

shark, the Aardshark, the Wailsnark, the Sharchetype
worrying my liminal jugular like a vamp-

ire scarf. In the blink of the eye of the
Policesharknado!, Policeshark! the merciless mer-

monitor has done his bloodhound rounds,
reset his primordial aura dial, outswam Ground

Zerocean brane, that damp original,
even aquathreshed the 'bi.ven.' in that bilateral

venture 'tween surf 'n' turf, Sinbad the Flavour.
So as to spyhop above cursive of rips & rollers

to stake out this shorehugger, whose Shutter Island discs
sirenade not of Portalsmith, Bizzyhandyman or Frisc-

o, but of a more prosaic 'mare where sharks go quack.
So rage, Ol' Cuntsea, Thalassa you ****!

Big blue wobbly ****, Red Label Sea
of my unconscious! It is mens rea

for which Policesharks! frenze, pinprick of shame,
but the dreaming animal's meat is not game.

I am Ruestungminister in his Argentine cabana!
I am God in His Gondola!

& the Policesharkcage! is the cordon sanitaire
of my not really being there. Or here.

I'm Shore Ryder splittin' for a sun-Ken-
tucky, para siesta passing for a con-

tent Tuesday come to pass like the rainbands
that wore Ray Bans were disbanded by whitsands

fresh-CV-not-cream-scroll-brill, yet
inadmissible as Icarus giblets

or a mohican of gills' nullity.
O Policesharkbait! paltry

as dismembered Freudianism of carnal lagan!
Less catabasis & more embasan.

A dreampoet about to jump the Policeshark!,
awoke to the trope of a Savileville park.

Was it a dream within a dream within...
TL; DR, Policesharkfin!!
'embasan'  (Filipino)- to wear clothes in the bath
Effy Royle Aug 2017
Here I am, the manic pixie dream girl of, you guessed it; your dreams. I am here to ask you questions about your boring, probably something generic, major like business or management or maybe even some type of art form that no one really knew existed until you decided to bring it to your high school and of course the liberal arts school of your dreams has that EXACT program and all the means to support it financially. Of course, I will always ask about you. How your day is, how your plain black coffee is, what you thought of that one song that played as we were walking into the train after a date that both of us probably went on looking to get laid. But in the end, it will always be you. I will continue to fluff your deflated ego that was caused as such by some hollywood trope from your hometown like a cheerleader or maybe even someone who was on AV Club with you, who really knows, because I sure as hell don’t care to do any research into it. Now, part of being your early to mid-twenties manic pixie dream girl, it is essential for us to bond over old broken up bands that neither one of us were actually alive to see perform yet that dream of ours is still so prevalent as we make conversations over whiskey you assume I like because of it’s pretentious name that you will describe as “harsh yet creamy, dry but sweet” and on bad nights I will tell you that it tastes like the back of my father’s hand and you will laugh at a joke I did not intend to tell but then again I will have to ask you what is so funny. I will always be the one asking you about a life I am so willing to leave without even meeting your family. Being a manic pixie dream girl is all fun and games until I am the one always doing the starting of conversations, until I am the one sending you Spotify playlists that I know you will never listen to, until I am the one showing up unannounced. My name will roll off your tongue like smoke from your American Spirits, but only in the beginning, because by the end; you will cough when I finally tell you to stop calling me.
From the BBC today,


Excerpt

Why does Taylor Swift write so many one-note melodies?

"It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master.

Take, for example, her first US number one, OUR SONG

Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song."

That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope.

But Our Song also establishes another of Taylor's trademarks: The one-note melody.

Excerpt

Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech.

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

Rebuttal

Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands.

ALL POETRY BEGAN AS RHYME IN SONG.

Cadences are singing statements that confer a discipline and unity.

Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion.

One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state.

It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE.

If you want to sell and make money you better start thinking about the 99% of people who are not geniuses.

If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine.

You are not an artist.

You are an employee.



"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ



                                           BECOME
                              EVERYONE ON EARTH
               ALL POETRY BEGAN AS RHYME IN SONG
                      HOW BADLY EVERYONE INSISTS
            NOT SHARED BY THE MAJORITY OF PEOPLE
                                         HOW BAD
                    
                 artist?
or employee?
BBC article conclusion.
Rafael Melendez  Dec 2018
Trope
Rafael Melendez Dec 2018
I wouldn't call death a real comedian, more of a two bit clown. He rehearses the same punchline at your doorstep each day.
"life is a joke, so I'll take it away fellas."
Don't take it so seriously.
Jory  Oct 2012
Trope
Jory Oct 2012
I am

not A piece:

of the plot
where. cajoling
             efforts
trope  {

             don't laugh
I, wasn't

            {
When the dear donorcard bill's deliverance kills
& al-Keith McCamelton from Marakeshchester
inherits my corneas (I believe in unicorneas).

When I'm a recreational relic, comminuted & tooted,
chewed or voodoobied by a jejune hoochie *******
professional, Mama Shango - O that Mambo Sheena, she's a
ladydoctor of hooey! When my legbeforewicket bone a.k.a. shin,
not to menchin chin, grin, gelatin untoned (soamilar
to that o' Fatty Soames, who'll be quite a spread when
we eat the rich), & my fey ofay thighs
& my interthigh Fyffes (all fyffe inches), are finely ground
to a juju smeddum Mama Shango crumbles l/ homjom pollen
for a snirtle-haven even humdrum jumbies can't deaden.

When I'm a Uruguayan rugger teammate's
PTSDinner on an Andine ice plate.

When I'm past repulsive rasper, post-pulmonaryvascular massacre;
when I've given up my last gasp because I couldn't ever
make this gasper the last. When I've capitulated my Casper,
after gravel gurgle of my rale de la mort, after my outboardmotor
voicemail a la Monsieur Valdemar. When Alzheimer-
memorrhaging eulogists are ponderous & sotte voce,
as far removed as I at the time mine is up  
from the Fay Wrays, Screamin' Jays,
the rainbow rowdiness of orbling warbs & better days.

When I'm Senor Mucho Sueno, meeting Meesta
Mortimer Mortimer the missingmaker (this latter no
Gallup poll p'ruser, but that illimitable chooser
of every Ryan Otto Thyme from Calcutta to Corsica,
Kent to Lollapalooza). Whether gallbladder bleeders
or Gallipolosers, all of us were or will be absolosers
lapped like a catbowl by that mincemeat
mogul, Trim Reaper, jogging ahead to clock in
chisellaxed floruits where the hyphen's left hanging.  

When I'm dead as a coinop conversion,
depodiumed from 3initialled pantheon
of a special scartlead channel
for 8bitsprites' improbable kungfu,
by a hiscorewayman of the highest scorder,
Mombre's hombre & warriorthumbed wristola,
a lightening limpet on the d-pad
l/ Speedygonzalesterpiggot logrolling an e-dam home.
When I'm PK prey to this *******
of a flyingkickducker, some 'NewBieDie!'-greeting
PewDiePie-beating
finja-ninger l/  90s MooBiePie-
eating Arnold Schwarzensega of electronic yubiwaza,
Danny Curley. Jumplead cannulae in his Jabba The Shutt-in
bingo veins, Danny Curley foresees
w/ Pyrenese peerin' ease
my hadouken, counters w/ a shoryuken.
Game over. Fuqouken.

When I've gone beyond a shocking stroll
on a tumbledown terrain. When I'm jumbled
stoatskin unidentifiable remains.
When erstwhile strappingness is soil steroid,
gristle gift for the roses
'hind a urodorous hospice, when I'm lastminute
saprophytic herbal rohypnol for rose hipsters
(wifebeaters & musefloggers).
From a vulture's mulch blooms
damask artillery in the battle of the sexists,
botanical trope of blandishment
oftpictup w/ twenny Benson & Aspidistras
on a cancaining, Canaanwavy way home,
or requisitioned by a frugal doghouse ghoul
from gardens of engravings.

My carkedit plaque might caveat
'La vie was a lavvy but Eve was veal',
but Ms. Lilith Hewett,
she was sensual suet.
& my carkedit plaque might quote me that
'Life was ngandodowndilly wellingup for real',
yet fumiphant of  my crematory smignels
could divine Ms. Rosebud Bignold
16 again in a smile,  
in the cloud of my claripyre.
For when I'm husk past flames, hark the Sid James
squeal of my subcutaneous sizzling,
the memories of past glories haunter's quanta
among my charnel char, whithersoever it blows
once my urn's spurned.
In posthumous fernweh:
Nantucket, Hunstantucket, Saint-Tropez way?
Nah,the deadbody of a homebody
could not be more stuck in its ways.
For the dead are not so different to the living:
love makes us stay.
Lawrence Hall Feb 2019
Genderqueer contesting histories climate apocalypse social activist make a tax-deductible donation today starting at the advocate level inextricably to reexamine his legacy linked black gender-ambiguous social and political struggles behavioral economics Afro-futurist vision of decolonize this text white boy spear-heading queerphobic witch-hunt singular surrealities queer Shabbat dinners dialogue this trope diversity Rawlsian diagnosis basic earth cooperative existential Marxism for our times starting at the advocate level inextricably to reexamine his legacy linked black gender-ambiguous social and political struggles behavioral economics Afro-futurist vision of decolonize this text white boy spear-heading queerphobic witch-hunt singular surrealities queer Shabbat dinners dialogue this trope diversity

BAM! BOOM! THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BOOM! THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BAM!  THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BOOM! THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BAM! BOOM! THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BOOM! THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BAM!  THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BOOM! THUD! SNAP! BURN! FACT! S.T.E.M.! CRUSH! SNORT! SCHOOLED! WHAM! OWNED! BAM! BOOM! THUD!
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.

Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
Andrew Parker Mar 2017
3-2-2017 (unknown date of origin)

Something's wrong... you don't belong here.
I said, looking down at the pineapple on my pizza.
I said, looking down at the ketchup on my macaroni.
I said, looking down at the cream of mushroom soup on my meatloaf.
He said, looking down at me and my boyfriend, holding hands in public.

Like I'm a creep.  I'm a ******.
What the hell am I doing here? I don't belong here.

You see there's these things that we learn at the dinner table.
When we're kids we have certain items served to us on our plates.
Whatever doesn't end up there, isn't a part of the discussion.
After all, they say if you don't have a seat at the table, you are likely to be on the menu.

So, when ****** orientation and gender identity aren't seated at the table of childhood, they get served for the first time in unexpected places.  

Like an avante garde celebrity chef's designer meal, prepared for critiques by the food bloggers.  

They get served in college classroom debates or in dorm rooms with freshman roommates.  

They're on the menu in in some movies but served with a side of stereotypes and silly trope toppings.  

They get grinded into glitter dust sprinkled on the annual PRIDE Parades like an overly salty seasoning mix.  

They're on the menu in workplace diversity trainings, but too little too late - they get lost in the marginalized buffet.  

They get served at the oppression Olympics, or actually at the Olympics unwillingly by a journalist who only pretends to eat a well-balanced diet, but really has LGBT food allergies,  if you know what I mean.


In reality, these should be staple dishes consumed by commoners, consumed by you and me, consumed by children along with their healthy daily dose of broccoli and cauliflower, squash and zucchini, even eggplant.  

They should be in every ******* cookbook with pictures and all different kinds of recipes!


I want every child to have gay on their dinner plate, lesbian lunch, gender nonconforming on the brunch menu, and bisexual breakfast.  

And everything in between in the queer spectrum served during snack breaks.  


I want every child to look down at their plate and see pineapple pizza and say, gee that looks great!  

I love all of the pizza toppings, no matter whether gay or nay.
... except for anchovies, of course.

— The End —