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Hayleigh May 2014
If i could,
I would,
Carefully take you apart,
And put you back together,
Piece, by fragile piece,
And i would not cease,
Until the job was done.
Until the sun once again, shone from those lost, wondering eyes,
Until the cries that had chained you down,
Had been removed from the ground.

And if i could, i would,
Take my tools
And attentively drill out
Your insecurities,
All those flaws, you believe to be
Impurities
And ***** in self acceptance so tight,
So that never again at night,
Would you be reluctant, to hold yourself,
As you sparkle in the moonlight.

And if i could, i would,
Clamp together,
Your hopes and dreams,
Your self belief,
And tie them together at the seams
With double knots,
So that you never forgot, how
Capable you are.

I'd take each glittering star,
and plant them in the pupils of your eyes,
So that each time you cry
You'd be reminded of the beauty inside,
Of you.

And if i could, i would,
Paint over your frame work,
And tentatively cover up those scars,
So you'd never again see the hurt,
And never doubt
Just how perfectly imperfect you are.

And if i could, i would,
Saw away your sorrows
So when you thought of your tomorrows,
You weren't filled with dread,
You were filled with joy and hope
And optimism instead,
So that before you went to bed,
You were not filled with self defeating thoughts,
Ruminating inside, that pretty little head.

And if i could, i would,
Weld securely into place,
A genuinely happy smile,
Across your dainty face,
And a hand in yours,
So you'd never have to brace
Anything alone.

And if i could, i would,
Disassemble your malfunctioning thought processes
And rewire them back together again,
With a spanner, in the manner,
That meant you were not
Classed as insane.
I'd unfold and rearrange,
The chemical imbalances
Within your brain
So that the years of disdain,
And self blame,
Where a thing of the past,
I'd put you back together,
In a way, that showed you,
You were meant to last.

And if i could, i would,
Attach wings to your spine,
So there'd never be a time,
That you'd stumble and fall
You'd stand tall,
You'd rise above it all.

And if i could, i would,
Take the lonely shadows of your heart,
Rip them apart
And blaze them,
In a light so bright
It'd never die out,
You would never again doubt
All that you are,
And all that you can be.
And if i could, i would,
I'd set you free.
nivek Aug 2016
being a spanner in most others works
is a place reserved for poets
a lonely furrow at times, but absolutely vital
Hayleigh Jan 2015
If i could,
I would,
Carefully take you apart,
And put you back together,
Piece, by fragile piece,
And i would not cease,
Until the job was done.
Until the sun once again, shone from those lost, wondering eyes,
Until the cries that had chained you down,
Had been removed from the ground.

And if i could, i would,
Take my tools
And attentively drill out
Your insecurities,
All those flaws, you believe to be
Impurities
And ***** in self acceptance so tight,
So that never again at night,
Would you be reluctant, to hold yourself,
As you sparkle in the moonlight.

And if i could, i would,
Clamp together,
Your hopes and dreams,
Your self belief,
And tie them together at the seams
With double knots,
So that you never forgot, how
Capable you are.

I'd take each glittering star,
and plant them in the pupils of your eyes,
So that each time you cry
You'd be reminded of the beauty inside,
Of you.

And if i could, i would,
Paint over your frame work,
And tentatively cover up those scars,
So you'd never again see the hurt,
And never doubt
Just how perfectly imperfect you are.

And if i could, i would,
Saw away your sorrows
So when you thought of your tomorrows,
You weren't filled with dread,
You were filled with joy and hope
And optimism instead,
So that before you went to bed,
You were not filled with self defeating thoughts,
Ruminating inside, that pretty little head.

And if i could, i would,
Weld securely into place,
A genuinely happy smile,
Across your dainty face,
And a hand in yours,
So you'd never have to brace
Anything alone.

And if i could, i would,
Disassemble your malfunctioning thought processes
And rewire them back together again,
With a spanner, in the manner,
That meant you were not
Classed as insane.
I'd unfold and rearrange,
The chemical imbalances
Within your brain
So that the years of disdain,
And self blame,
Where a thing of the past,
I'd put you back together,
In a way, that showed you,
You were meant to last.

And if i could, i would,
Attach wings to your spine,
So there'd never be a time,
That you'd stumble and fall
You'd stand tall.

And if i could, i would,
Take the lonely shadows of your heart,
Rip them apart
And blaze them,
In a light so bright
It'd never die out,
You would never again doubt
All that you are,
And all that you can be.
And if i could, i would,
I'd set you free.
A repost for all of you who are suffering, or who know someone suffering from mental illness. Big hugs to you all ***
My defensive carer named Alfreido Dimpitt Reemo



You see my nice regular carer, Andrew Williams was sick and didn't want go to work
Which put spanner in the works in the office, and they were wondering who will replace him
So they decided to ask Alfreido Dimpitt Reemo a call, and were happy when he said yes
And they forgot to tell his first client, who can be very confusing in conversation
But they forgot to tell that client and Alfreido turned up at his door
And this was the day that Andrew was going to take him for a walk through the domain
Where the Christmas carols, and Alfreido was happy to take him
And they had a cool time, till the client told him about his old carer who was names Reimo
And Aldreido snapped at him, and his client thought that he doesn't understand happiness
And this made him happier, and he started laughing and trying to joke around with Alfreido
And Alfreido did joke with him, and really they started to hit off
And then, so his client mentioned his old carer Reimo and how much of a **** he was
And Alfreido got defensive, in fact he got so angry he nearly hit his client
And this made his client too shy to say anything else
On the risk that Alfriedo was going to do it again
And he even was afraid to speak his mind, in the risk he'll snap at him
And his client were unhappy about how this carer treated him
Especially when they were leaving the domain and there were some teenagers teasing him
And this made his client think that Alfreido was teasing him with the kids
I know he had issues for what he said, but, he though this was very wrongs the way
His carer was behaving, and every time he mentioned Reimo, in hoping that he would
Joke around with you, he will snap, as if you were trying to rob you or something
So at the end when Alfriedo left, he didn 't know what to do
So he rang up the carers organization and told them why Alfreido came instead of Andrew
And they told him they had no choice, it was either Alfreido or no one
And this client said, ok in the future, I will prefer no one, especially if you send him again
Because he is too defensive, when I mention the name of my old carer
And despite telling him why he snapped, he still felt very unsafe
And said, I want you to send no one, or send no one
Because I felt I am offending this carer with anything I say
And I don't know what I really said, and the organisation said, fine
And Alfreido never saw him again,
And the next time Andrew came, and he was very relieved
And told him that the bad carer has gone, and will never return
And Andrew said, yes, mate, I will make sure they don't ever send him again


Sent from my iPhone
Hayleigh Jan 2016
If i could, i would,
Disassemble your malfunctioning thought processes
And rewire them back together again,
With a spanner, in the manner,
That meant you were not
Classed as insane.
I'd unfold and rearrange,
The chemical imbalances
Within your brain
So that the years of disdain,
And self blame,
Where a thing of the past,
I'd put you back together,
In a way, that showed you,
You were meant to last.
And excerpt of one of my poems, for all those who are suffering or who know someone that is suffering. There is always hope.
Ashwin Kumar Dec 2023
All the best again, dear Sis
You, I am gonna miss
All the time you were here
Never did I miss a gear
While driving the car of my life
Even were it never free of strife

Whether it be the tea you made
Or the pastas and noodles you cooked
Never will the memories fade
No matter how hard Satan tried
To put a spanner in our works
Very endearing, are your quirks

Your presence, did I almost take for granted
Because, no matter what
There was nothing you missed
Including meeting our neighbours and their cats!

You turned Despair Into Hope
Even if the devil in me
Tried its best to make me mope
You turned Hatred into Love
And never was there a problem
Which you could not solve
And finally, you turned Stress into Peace
With a remarkable ease

Always, was there a smile
On your beautiful face
Because you went the extra mile
To help us achieve inner peace

You, I am gonna miss badly
But all that matters
Is that you should be happy
And unless were I mad as a hatter
Always, will I love you
And always, shall our bond be thicker than glue
So, wish you all the very best
Sure am I, that you will face a stern test
However, equally am I sure
That, everything shall you endure
As ever, with a smile on your beautiful face
Irrespective of the place
Poem dedicated to my dear sister Shreeja, who is returning to London on Tuesday 19th Dec '23; after a stay of 3 months in India.
Mateuš Conrad Aug 2016
feminism is pretty much a failure like communism... the latter wanted the workers of the world to unite... but they didn't... each working man took too much pride in his earnings an expenses to the extent that he sought no idealistic solution... the self-preservation element... feminism is very much alike to communism... it comes from the same source, the bourgeoisie caste... which explains why prostitutes in France defended their pundits... they basically said: ******* little Freudian undecided *****, with us it's 100 ***** a week... with you it's only about 100,000 interpretations of a **** in clingfilm at a Hollywood premier: your choice, either 100 *****, or a ***** and the cinema of the would-be agonies or a man resembling Richard Burton, sober, and being a Swedish patent for a house-husband, and a closet poet, and a chef, and a, and a, and a... can i suggest a kaleidoscope as the safest investment?

imagine sitting in a brothel waiting room,
there's about 10 of them -
and they're looking at your like you're
their father and they're about to skin you alive
like piranhas with their eyes -
it can be quiet intimidating,
what for £10 entry fee and £110 and hour
baggage of silenced ******* -
you're basically ******* Ferraris and Lamborghinis -
but it's worth the while,
you genitalia turn into a pavlova before
it's baked mush - your testicles are soaring
angels with the ticklish bits added
to what feels like a shiver of goosebumps -
you sit there for a while, it's the hardest time
to be making choices, you ask for a cup of water
(i always did),
you get it, Keith Lemon is doing his talk show,
the older prostitutes are un-amused -
they're the ones who'd skin you alive,
pick one and she turns into a sadistic
vacuum cleaner in the realm of oration -
you think these terrorists and so-called
martyrs would have the ***** keep up with an ante-chamber
like that? these women can sniff out perversity
like they might sniff out a woodlice in damp wood...
or the spiders that complete their weaving
and never take the central role on the stage,
but ****** their spiderweb before scuttling
into the frenzy of making a body of other insects
into immobile dough to **** into on the sidelines,
they're the out-of-body experiencing their architecture,
there's no ego in them, not central nervous system...
i always thought that spiders compensated the
cartesian problem with their spiderwebs -
they extended their nerves through their *****
into an architectural project of nerve endings / extensions...
see, that's the thing about poetry: pure narration...
no technique, no nothing, no need to create a
third person or first person ******, no characters
to study and incubate into a thrill ending: poetry
is the purest form of narration, easily a ricochet
into digression that in fiction would only mean another
grey matter character to involve in the plot.
. and - (dot and hyphen, as suggested by Nietzsche,
is steaming along forgetting the semi-colon).
- i swear insects are the perfect telescopes into
alien life... on that micro level you get to
understand the many hazards of differentiated life
elsewhere... it's the microbes you need to
mind as the real hazards and blizzards -
but this one time i broke the brothel rule
denoted as choice: i didn't make one.
i asked for one to make a choice for me...
one talkative gall said i shouldn't be asking...
so i replied: well aren't you the talkative one...
you'll do. told you a butcher's supermarket -
i turned myself into a piece of meat -
the ***** butcher said: he'll have to do,
he prompted me to talk the heretical *credo
...
the outer-body experience, prostitutes are the experiment,
i asked of the 10 present and my penguin **** solo
shrivelled up newspaper of ******* to chose -
and she did... it's funny giving choice to someone
who you payed to choose from... these Muslim martyrs
will find it had to keep it level headed like Solomon -
these boys will really struggle to reap their rewards...
they just blow up ten people but never sat in
the company of ten prostitutes...
ten blown up, in the company of ten prostitutes...
you really don't know what it's like trying out
whether you could stomach a harem, let alone keep
one like a walrus...
ever stole a kiss from a ******* who's saintliness
involved never giving one but merely ******* more ****?
hmm? oh i can get pornographic after all...
it's a joyride troupe of force in thinking the joys i
nourished in such places... although i have to admit
Amsterdam would never feed such poems...
it's just common place everything's worth clapping
(or too much clapping by the serfs at a Bolshoi ballet),
you need the thrill of something being illegal...
in the case of itemising England it's the brothel owners
that are the culprits, not the prostitutes, nor the pundits,
which is why i asked to perform oral *** once in a while
for the extra undocumented 10 quid... that didn't fall
into the hands of the madame... so it ends...
feminism alright for you, in that ivory tower of yours,
unscathed, belligerent and with sulphuric toxic gas
to **** out from your mouth as the proper argument?
the heart not steady? i see... i guess you have a hard fight
ahead of you... young men go to prostitutes undiscriminating
their age and **** as **** would do too,
but young women don't go to prostitutes,
professional women do... and they'd always probably
**** some young dude... see the difference?
young men go to prostitutes... young women have all
the eye-to-**** candy they can have... older women order
**** and limousine, a night out, a date, a dinner...
young men are like: broken pipe, need a plumber,
stillson pipe wrench! and where's that ******* spanner?!
and contrary to popular beliefs, cats have
a second weak spot other than petting their heads
and playing with their whiskers... the point
between the evolve coccyx and the spine...
they really love a rub when the coccyx turns into
a tail... it's almost like a reverse test for prostate cancer...
every cat sitting down when rubbed in that area
will do a marching army band salute of raising its
hind in anticipation of a rainbow -
and yes, urinating with ******* is pretty much as
exciting as a woman massaging her ******* with
a shower head with pulverising pressurised water.
Ben Jones Feb 2015
When Charlie was a young'un with a crayon and some paper
He would scribble til the paper ripped and the crayon turned to vapour
His mother would console him and she'd offer her advice
But just to drive the message home, she'd loudly sing it twice

Follow the lines, my boy, just follow the bleedin' lines
Just pick a side and stay there, always follow the lines
If you're not a fool then fake it
If you show your spine they'll break it
Follow the lines, follow the lines, follow the lines

So when Charlie went to high school, how he tried to walk in stride
But the boredom of geometry provoked his naughty side
His professor would chastise him with a ruler and a cane
And, as an aid to memory, he sang him twice again

Follow the lines, young Charlie, you follow the blasted lines
Give it a try, you'll soon see, never cross over the lines
Don't be smart or play the joker
Aim for mainly mediocre
Follow the lines, follow the lines, follow the lines

When assembling a wardrobe with his Allen key and spanner
He threw himself into his task in an overzealous manner
So when he called his father to report a broken bone
His old man tutted ruefully and sang right down the phone

Follow the lines now Charlie, just follow the ******* lines
Don't improvise or gamble, why didn't you follow the lines
Dodge unnecessary ructions
And adhere to the instructions
Follow the lines, follow the lines, follow the lines

So in time, he raised a family, the lines etched in his head
One day he heard a buzzing from his aging garden shed
As he listened at the planking, how his face was drawn and long
For between the buzz and rustle, squeaked a tiny little song

Follow the lines, buzz-buzz, just follow the buzz-ing lines
Follow the bee before you, just buzz and follow the lines
Find the flowers when it's sunny
Fetch the nectar, make the honey
Follow the lines, follow the lines, follow the lines
Buzz buzz

**
Hayleigh  Nov 2014
mental illness
Hayleigh Nov 2014
If i could, i would,
Disassemble your malfunctioning thought processes
And rewire them back together again, 
With a spanner, in the manner,
That meant you were not
Classed as insane.
I'd unfold and rearrange,
The chemical imbalances
Within your brain
So that the years of disdain,
And self blame,
Where a thing of the past,
I'd put you back together,
In a way, that showed you,
You were meant to last.
Odd Odyssey Poet Dec 2022
"But let me tune you the live about life's simulation,
that assimilates one's worth. Poetry's code isn't of ones
and zeroes, but of all lines and words"
Says the wit of a coloured oan wanting to chuff the girls

It's all about the honeys, and maybe some sweet
success of hustling for a little extra money

Taking a stand on every stanza, I grew up to different standards
Unlike the hood rapper clutching the 48 hammer,
I was taught in my hood how to hold a 48 spanner
I have my odds in odes; every heavy breath in each
coma—not so common
Given the stereotype of dealing and robbing
To steal your stereo if the right type,
and best to drive with caution

A dark skinned coloured
fitting in with the blacks by appearance
Accents do tend to change ears intently hearing
Whites think I'm that way out of a private school fashion
But I did at times hang out with the wrong crowd,
at times on weekends smoking **** and relaxing

And yes I'm actually coloured; to those of you asking
Hit you with a "hey what's up, what's happening"
Don't mind me asking questions with this sort of coloured accent
"Yoo what's the story," we start our conversations
in the morning. A different kind of breed Godsent

I don't force how I speak
But if it disturbs the peace
I'll change my tone of speech
And find solace in writing another poetry piece

                                            @the Coloured poet
Zulu Samperfas Jun 2013
Oh how I'd love that
and from a San Francisco organization no less
a month in the Santa Cruz mountains, no less
the most liberal city in America no less
and last year's winner has his picture displayed
and it is not innovative or interesting or shocking but all too predictable
Like something I saw how long now has it been?  twenty five years ago...
how many times have I seen this picture
a white guy, looking very much the suffering, creating artiste
handsome, like an actor, but not an actor, a creator of meaning
of art, and he can't smile, but looks away from the camera
mimicking an ad for J. Crew
it's amazing how only white men can write about the important things in the world
and the background, how many times before have I seen it
a graffiti sprinkled nowhere in an urban jungle
somewhere where preppy white guys never go
street art, street communication created by people
who don't see this concrete as an exotic backdrop for their egoistic posing
but as a part of their lives, as part of their meaning, their world
and he stands there, in front of it,
Mr. Screenwriter, the gulf of culture separating him from that background
spans the entire country, or an entire universe
but the implication of the picture is: he is home here
this is who he is and he can emcompass everything, since white men
as we know, have a magic ability to understand and synthesize everyone
all genders, all races, all religions
the rest of us are merely stuck in our own myopic little worlds
of gender, race, socio-economic status
but these spanner of time and space and human difference, they can be anyone
they can understand and represent anyone
So I look at the picture
and think, I could apply, but I'm busy during the blissful month of the residency
but how dissapointing, that I feel looking at this picture, now online of course
that it is the same picture that I looked at over twenty five years ago
pinned to a film school wall
in Los Angeles, in New York, in those edgy more conservative places
and it is the same guy.  the white screenwriter artist who will write about me
and others and it will be a lie
and we are excluded.  all the rest of the human race.
but what he writes will be exalted as truth
when I know, that no matter how time he spends wandering
the foriegn worlds of ghettos and genders
the one thing he knows, the only thing he knows how to write about is
white guys, because he is no superhuman
he is like us.  He will write about white guys and there will be
more films about white guys, who are supposed to represent all of us
but they don't, because they are only human,
and can only represent themselves.
Dropped a spanner on my toe

                Ouch...my toenail said

I need a joint to fix it

(5/7/5 syll count)
24th July 2012

— The End —