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Dreams of Sepia Aug 2015
There's a Russian fairytale of snowdrops in January
a girl meeting the twelve seasons in human form
who lead her in the middle of winter to where snowdrops grow

I never thought once that I'd live in a land where snowdrops grow in February rather than in April
& where the snowy winter has become a memory

& where in my childhood we weren't able to buy sauerkraut & pickled gherkins done the way we liked
yet which now has become more international

& where people smile & say ' sorry' to you politely
if you tread on their feet
as if their feet were the problem

& where time is measured by the Big Ben & Greenwich
instead of by the Kremlin
& it always rains in summer but there are rarely any thunderstorms

& people holiday in places like Majorca & Benidorm
if they're working class
& France, if they're middle class

& where I went to a public ( private) girls' school
& wore a red uniform
& sang the hymn ' Jerusalem'

believing in this green & pleasant land
with all my heart
until I left & came back again,

this time, an adult, a European
living through the British recession
& shocked at the newly hostile attitude to migrants

yet even now when I see those snowdrops
in February
my heart soars & I'm back living a fairytale

a child in wonder
just as before
PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
Louise Glück  Feb 2010
Snowdrops
Do you know what I was, how I lived?  You know
what despair is; then
winter should have meaning for you.

I did not expect to survive,
earth suppressing me. I didn't expect
to waken again, to feel
in damp earth my body
able to respond again, remembering
after so long how to open again
in the cold light
of earliest spring--

afraid, yes, but among you again
crying yes risk joy

in the raw wind of the new world.
Snow fell today and cleansed the ground, in a shroud of white.
As quickly as the snow came it disappeared.
As quickly as the ground was made clean
it was dirtied by the living.
Dirt, fumes and car tracks sullied the linen white earth.
Nothing stayed today,
not the snow,
not the footprints,
not the cold wind blown faces of children.
Nothing good can stay.
But, for an hour the ground and day became pristine.
A cold, weak sun shone on the glittering snow
Like the first winter snowdrops promising a spring,
weak  winter sun promised better days.
Snowdrops the striking bloom of the winter months,
lifted up their delicate heads in a blanket of blue white drops.
So, snow fell like spilt milk, and snow melted away.
But, the snowdrops ‘milk flower of the snow’ stayed.
© JLB
28/ 02/2018
02:00 GMT
Snowdrops are like little white warriors
They just march up front fearlessly
straight through the snow
To see the sun
once more
I know the season isn't right
but I just love the snowdrops :D
They are the cutest thing you can imagine. ;*
Keith Wilson  Mar 2017
Snowdrops
Keith Wilson Mar 2017
A lone tree stands out
Against the stormy sky

On the far side of
The lawn in our garden

Surrounded by snowdrops
Quite a pretty picture!

Keith Wilson March 2017
Alan McClure Jan 2011
No-one told the snowdrops
that the world is coming to an end
that there is no sense in trying anymore
that darkness has finally defeated the light

And ignorant of the truth
they push once more
through the mould and grit
raising their heads above ground

Stopping me in my tracks.

Oh yes!  Things used to live here!
The wan Scottish sun used to warm us
and the endless pounding rain slaked thirst
and pumped like blood into new life and hope.
How did we forget?

And they change everything.
They change everything.
They return the world to the state they need it to be in,
they are nodding heralds of the coming supernova

which will happen
with us
or
without us.
- From Also Available Free
Joe Cole Mar 2015
We all look forward to the snowdrops
The harbinger of spring
In many shades of white
Offtimes tinged with green
Beautiful, oh so beautiful
Sweeping swathes of green tinged white
But they shrink into nothingness
Against the aconite
Aconite of deepest gold
Brighter than the sun
Aconite the first to show
Amid deep winters gloom
When the aconite first does show
Bluetits start to flit and sing
You see it's not the snowdrop
Who is the harbinger of spring
Strangely not many people know that the aconite flowers before the snowdrop
Hilda  Nov 2012
The May Queen.
Hilda Nov 2012
You must wake and call me early, call me early, mother dear;
To-morrow 'ill be the happiest time of all the glad New-year;
Of all the glad New-year, mother, the maddest merriest day;
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

There's many a black, black eye, they say, but none so bright as mine;
There's Margaret and Mary, there's Kate and Caroline:
But none so fair as little Alice in all the land they say,
So I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

I sleep so sound all night, mother, that I shall never wake,
If you do not call me loud when the day begins to break:
But I must gather knots of flowers, and buds and garlands gay,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

As I came up the valley whom think ye should I see,
But Robin leaning on the bridge beneath the hazel-tree?
He thought of that sharp look, mother, I gave him yesterday,--
But I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

He thought I was a ghost, mother, for I was all in white,
And I ran by him without speaking, like a flash of light.
They call me cruel-hearted, but I care not what they say,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

They say he's dying all for love, but that can never be:
They say his heart is breaking, mother--what is that to me?
There's many a bolder lad 'ill woo me any summer day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

Little Effie shall go with me to-morrow to the green,
And you'll be there, too, mother, to see me made the Queen;
For the shepherd lads on every side 'ill come from far away,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The honeysuckle round the porch has wov'n its wavy bowers,
And by the meadow-trenches blow the faint sweet cuckoo-flowers;
And the wild marsh-marigold shines like fire in swamps and hollows gray,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The night-winds come and go, mother, upon the meadow-grass,
And the happy stars above them seem to brighten as they pass;
There will not be a drop of rain the whole of the live-long day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

All the valley, mother, 'ill be fresh and green and still,
And the cowslip and the crowfoot are over all the hill,
And the rivulet in the flowery dale 'ill merrily glance and play,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

So you must wake and call me early, call me early, mother dear,
To-morrow 'ill be the happiest time of all the glad New-year:
To-morrow 'ill be of all the year the maddest merriest day,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

New Year's Eve

If you're waking, call me early, call me early, mother dear,
For I would see the sun rise upon the glad new-year.
It is the last new-year that I shall ever see,—
Then you may lay me low i' the mold, and think no more of me.

To-night I saw the sun set,—he set and left behind
The good old year, the dear old time, and all my peace of mind;
And the new-year's coming, mother; but I shall never see
The blossom on the blackthorn, the leaf upon the tree.

Last May we made a crown of flowers; we had a merry day,—
Beneath the hawthorn on the green they made me Queen of May;
And we danced about the May-pole and in the hazel copse,
Till Charles's Wain came out above the tall white chimney-tops.

There's not a flower on all the hills,—the frost is on the pane;
I only wish to live till the snowdrops come again.
I wish wish the snow would melt and the sun come out on high,—
I long to see a flower so before the day I die.

The building-rook'll caw from the windy tall elm-tree,
And the tufted plover pipe along the fallow lea,
And the swallow'll come back again with summer o'er wave,
But I shall lie alone, mother, within the mouldering grave.

Upon the chancel casement, and upon that grave of mine,
In the early morning the summer sun'll shine,
Before the red **** crows from the farm upon the hill,—
When you are warm-asleep, mother, and all the world is still.

When the flowers come again, mother, beneath the waning light
You'll never see me more in the long grey fields at night;
When from the dry dark wold the summer airs blow cool
On the oat-grass and the sword-grass, and the bullrush in the pool.

You'll bury me, my mother, just beneath the hawthorn shade,
And you'll come sometimes and see me where I am lowly laid.
I shall not forget you, mother; I shall hear you when you pass,
With your feet above my head in the long and pleasant grass.

I have been wild and wayward, but you'll forgive me now;
You'll kiss me, my own mother, upon my cheek and brow;
Nay, nay, you must no weep, nor let your grief be wild;
You should not fret for me, mother—you have another child.

If I can, I'll come again, mother, from out my resting-place;
Though you'll not see me, mother, I shall look upon your face;
Though I cannot speak a word, I shall harken what you say,
And be often, often with you when you think I'm far away.

Good night! good night! when I have said good night forevermore,
And you see me carried out from the threshold of the door,
Don't let Effie come to see me till my grave be growing green,—
She'll be a better child to you then ever I have been.

She'll find my garden tools upon the granary floor.
Let her take 'em—they are hers; I shall never garden more.
But tell her, when I'm gone, to train the rosebush that I set
About the parlour window and box of mignonette.

Good night, sweet-mother! Call me before the day is born.
All night I lie awake, but I fall asleep at morn;
But I would see the sun rise upon the glad new-year,—
So, if you're waking, call me, call me early, mother dear.

Conclusion.

I thought to pass away before, and yet alive I am;
And in the fields all around I hear the bleating of the lamb.
How sadly, I remember, rose the morning of the year!
To die before the snowdrop came, and now the violet's here.

O, sweet is the new violet, that comes beneath the skies;
And sweeter is the young lamb's voice to me that cannot rise;
And sweet is all the land about, and all the flowers that blow;
And sweeter far is death than life, to me that long to go.

I seemed so hard at first, mother, to leave the blessed sun,
And now it seems as hard to stay; and yet, His will be done!
But still I think it can't be long before I find release;
And that good man, the clergyman, has told me words of peace.

O, blessings on his kindly voice, and on his silver hair,
And blessings on his whole life long, until he meet me there!
O, blessings on his kindly heart and on his silver head!
A thousand times I blest him, as he knelt beside my bed.

He taught me all the mercy for he showed me all the sin;
Now, though my lamp was lighted late, there's One will let me in.
Nor would I now be well, mother, again, if that could be;
For my desire is but to pass to Him that died for me.

I did not hear the dog howl, mother, or the death-watch beat,—
There came a sweeter token when the night and morning meet;
But sit beside my bed, mother, and put your hand in mine,
And Effie on the other side, and I will tell the sign.

All in the wild March-morning I heard the angels call,—
It was when the moon was setting, and the dark was over all;
The trees began to whisper, and the wind began to roll,
And in the wild March-morning I heard them call my soul.

For, lying broad awake, I thought of you and Effie dear;
I saw you sitting in the house, and I no longer here;
With all my strength I prayed for both—and so I felt resigned,
And up the valley came a swell of music on the wind.

I thought that is was fancy, and I listened in my bed;
And then did something speak to me,—I know not what was said;
For great delight and shuddering took hold of all my mind,
And up the valley came again the music on the wind.

But you were sleeping; and I said, "It's not for them,—it's mine;"
And if it comes three times, I thought, I take it for a sign.
And once again it came, and close beside the window-bars;
Then seemed to go right up to heaven and die among the stars.

So now I think my time is near; I trust it is. I know
The blessèd music went that way my soul will have to go.
And for myself, indeed, I care not if I go to-day;
But Effie, you must comfort her when I am past away.

And say to Robin a kind word, and tell him not to fret;
There's many a worthier than I, would make him happy yet.
If I had lived—I cannot tell—I might have been his wife;
But all these things have ceased to be, with my desire of life.

O, look! the sun begins to rise! the heavens are in a glow;
He shines upon a hundred fields, and all of them I know.
And there I move no longer now, and there his light may shine,—
Wild flowers in the valley for other hands than mine.

O, sweet and strange it seems to me, that ere this day is done
The voice that now is speaking may be beyond the sun,—
Forever and forever with those just souls and true,—
And what is life, that we should moan? why make we such ado?

Forever and forever, all in a blessèd home,—
And there to wait a little while till you and Effie come,—
To lie within light of God, as I lie upon your breast,—
And the wicked cease from troubling, and weary are at rest.

**~By Alfred Lord Tennyson 1809—1892~
Marian Jan 2014
~-English-~

The Beauty Of Flowers (Multiple Tankas I)

A field of tulips
Is where I laid down to sleep
And dream a sweet dream
Dew sparkled on the tulips
And fell upon my fair cheeks

In the shady woods
Ladyslipper Orchids grow
Near a babbling brook.
Yellows and Pinks standing tall
With ferns spreading all around.

Beside the ocean
The hibiscus are blooming
Such a sweet perfume
Lingers on the salty breeze
Such beautiful rainbow hues

Snowdrops are the first
To appear blooming in frost
Pure white heads nodding.
Cold hardy and full of life,
They offer a hope of Spring.

Beside the farmhouse
Gardenias are blooming
White satin blossoms
Their perfume is breathtaking
Rain-washed petals of fragrance

~Timothy & Marian~


~-French-~

La beauté des fleurs (plusieurs Tankas je)

Un champ de tulipes
Est où j'ai prévue de dormir
Et un doux rêve
Rosée brillait sur les tulipes
Et tomba sur mes joues justes

Dans les bois ombragés
Ladyslipper orchidées poussent
Près d'un petit ruisseau.
Jaunes et roses debout
Avec fougères répand tout autour.

À côté de l'océan
L'hibiscus sont en fleurs
Tel un doux parfum
S'attarde sur la brise salée
Ces teintes belle arc-en-ciel

Perce-neige est les premiers
À comparaître fleurissant en gel
Têtes blanches pures hochant la tête.
Résistantes au froid et pleine de vie,
Ils offrent un espoir de printemps.

À côté de la ferme
Gardénias sont en fleurs
Fleurs de satin blancs
Leur parfum est à couper le souffle
Pétales restés du parfum

*~ Timothy et Marian ~
Another Dad and Daughter collaboration.
Hope you enjoy! :)
© Timothy 10 January, 2014.
© Marian 10 January, 2014.
Antony Glaser  Feb 2016
Snowdrops
Antony Glaser Feb 2016
Dogwood shimmers in the late winter light.
Yellow red and in between.
Jenny likes the nearby willow.
The white buds draws her mind
to the later treat
a walk to the snowdrop trail
where upon Peter will renew his vow
one day set up home at Stevenage
so close to Benington Lodge
her favourite  indulge
Oscar Wilde  Jul 2009
Ravenna
Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.

— The End —