Submit your work, meet writers and drop the ads. Become a member
If i could take my sewing machine and sew you a song,
it would tell of old tales of girls sat by rivers crying their tears in to a river of wrong.
There would be a loud crescendo as time came to pass,
and love would be gentle, and not lost and profound,  
as much as it would tell you how to make it last.
It would tell the tale of two lovers, who struggled to survive, their love.
They made hope for each other, prayed for help from above.
Two lovers who had burns on their hearts from being burnt alive.
From being burnt by some other burnt heart.
From some other love whose love had dearly left and was depart.
The two lovers would be lost in each other, they would console and it would be suffit.
It would be enough.
It would not be enough, they would fear.
And this they held tight to their chest, next to the heart, and they held it dear.
They would long for the day when they would overflow from each other like a tap drips into a hole.
And from this sink, they would drink a mouthful of love everyday,
and this is enough,
they would, say, as their hurt became sewn into their soul.
If i could sew you a life in a pattern of cloth,
I would sew you a life that was love and that was loss.
I would sew you how people were lost from each other and had gone to war,
how they would cut their heart out, purely just because it was sore,
how these people would find themselves in each other but not in themselves anymore,
and how i would sew with cotton and silk,
and how you would see lovers crying, blood mixed with milk.
How you would see the colour of the sky that came from their eyes,
and the hate,
and the fame that came from their despise.
If i had some cotton i would sew you a tale.
I would would sew you a story,
but that would make no sense to someone with the universe in their hands,
and they would feel the love leaving between their fingers like fine pieces of sands,
and how they would not see hate but see the hearts of ten lost men,
who died in a coma of love,
and tore their muscles and shaved their hair for the lament,
of the ten girls who sat and cried to the lord above.
Oh if how i could sew you this tale,
if i could write and weave a song into life from these words,
how i could give you all of that which you deserve,
my love.
I could show you the heavens in your palms,
and the hell you construct that lays in your arms.
I would show you that we lose and we gain,
and that learning to let go, is never an ill gotten game.
For we lust, we love, and we let it all go,
and oh, my, god, doesn't it hurt so?
For you i would sew this with my sewing machine with a red letter and a gold pen,
and it would be a magnificent tale of way back when,
men were men,
and women stayed at home,
and the dog sat in front of the fire with a juicy bone.
There would be no jealousy,
no in-trepidation of fear that someone would steal thy love,
that someone would make you question yourself,
and that you are less worthy than thought from above.
And so with delicate fingertips, i weave and i sew,
for all of this my love,
for all of this you should know,
that love is never easy, and love comes, and love shall go,
and i am not forever, but i am here right now,
and i shall be here for a long time, if you were to take this vow,
sign me here with my cotton, and my lace,
let me give you a second look in the mirror at your face,
for is this you, for whom i sew this song,
is this for everything you lost, and everything that went wrong,
is this for your forefathers who loved and hated and cried and slaved away,
is this for your lovers, who changed when the night became the day?
Or is this for you,
who i see so very clearly,
for who i cannot but see,
and for who i would fight for with my hands, my fingers, my tongue,
bent, broken and down begging on one knee.
For i love so dearly.
For this is a song sewn in to the fabric of time,
i sew,
and it is for you,
for you are for me,
and it is mine.
anon  Sep 2017
Seamstress
anon Sep 2017
I am a master seamstress
I sew on a grin every day
You can never see my seams
Careful little stitchings
All across the surface

At the end of the day
I cut every little string
I let my sewn smile fall weak

I could smile without it
But it wouldn't be true
Because my cute little smile
Is merely a façade
The real me hides behind seams
She sews to be a survivor
The little seamstress I become


I am a master seamstress
I sew thoughts onto papers
The ink could never bleed through

My strong tight stitchings
Gliding across the blank paper

At the edge of the sheet
I find myself stopping
My stitches want to unravel
I have to let them out
Because they look so caged

So I exterminate my thoughts
They never come back to visit
I set them free for a reason
And it was for them to survive
This little seamstress has a heart


I am a master seamstress
I turn colors into thoughts
The thoughts I turn to material
The material I turn to beauty
The beauty I turn to stitches
The stitches heal broken hearts

My work is so well known
But then they go and leave
I do my part and they are pleased
I stitch their hearts up

They cut some stitchings
Right off my patched heart
The little strings I use
On my seamless tiny grin fray
The seamstress I was works no wonders


I am a master seamstress
I sew the strings onto the puppets
They act a lot like I do
So I admire their tough hearts
They are controlled by another
Little hands lift them up
And make them walk through life

They have their grins plastered on
Just like my seamless little smile
They prance and fly among us
But we never seem to notice them

It's like they are invisible
Falling upon deaf eyes
But I keep them alive
Because a seamstress always saves


I am a master seamstress
I sew what some call impossible
I prove them wrong with one stitch
Still they see right through me

I sewed myself invisibly
Don't let them see the real me
Don't let them know the seamstress
I've sewed their eyes to know
Not to look upon me
As I fix as I repair

They think of me as a fairy
Patching up their cuts
I'm just a small little figure
They never really see
That's just the way a seamstress likes


I am a master seamstress
I sew my wings of thread
Wear them proudly like a trophy
Every stitch is always perfect

They fly up off the wings
They soar when I fly up high
Drooping when I try to walk

My wings are seamless grins
They pretend to be when I'm not
Just like the little grin of everyday

Fly away all you little seams
All the little frayed strings
Gather up in all my stitchings

They look upon the air with care
But the seamstress can't fly away anymore


I am a master seamstress
Sewing up what cannot be fixed by man
Sew doudou pyé piman an mwen.
Sew doudou mèt kann a piman zwazo
Sew ki ka fè bonda manjak
Konsidiré I miel
Sew doudou piman miz an mwen
Sew ki ka soulajé ko mwen
Sew ki ka fè mwen lévé
Sew ki ka fè mwen soukwé soukwé adanw
Kolé séré
Sew ki ka fè mwen briyé kon letwal a lorian
O pipirit chantan
Man enmé bektew telman
Si ou té sav ki jan man enmé bektew
Man enmé bektew kon foufou
Man enmé voré asiw kon rakoun agoulou granfal
Piman miz an mwen
Pyé piman miz an mwen
Pyé la sa ka toujou poté
Piman aw ni mowdan kon pins a krab
Ban mwen on bon moso piman aw Pou nou mangé kon granmoun kalalu an nou doudou.
Piman aw woz woz woz doudou
Piman aw wouj wouj wouj
Piman aw nwè nwè nwè
Piman aw cho cho cho
Piman aw ka brenné
Piman miz aw ka chofé tout ko an mwen doudou
Ki sa ou mèté adan i pou I ka pike mwen konsa
On bon to piman doudou
I bon you bonnman doudou
I ni on ti gou mirtiy
Man pa Jin manje piman konsa doudou
Metey adan flakon
Pou mwen te parfumé mwen
Metey adan zakra jiwomon doudou
Pou man pe chofe ko mwen doudou
Piman miz
Piman miz
Se on ras piman ki telman Bon
Se on kalite piman
Ki ka dérayé moun ki pa save koman kuiziney
Piman miz piman miz
En Nou dansé doudou
On bel bolewo épi piman la sa ki ka voyé mizik asi nou doudou
Hg  Aug 2018
needle
Hg Aug 2018
wri
ting is
threading
your           life
thro             ugh
a ne           edle
and         if
you sew
secrets
you'll
get
po
ke
d
a
l
i
t
t
l
e
.
©Hg
Poetic T Aug 2014
Seamstress sew me a line of word
Make it colourful,
Make it stand out,
She did it, the words weaved in and out
One over the other,
They flowed vibrantly,
She was a master at sewing word
Her pins were
Pencil
&
Pen
Woven with each, shades came out
Each told a story, a life of its own
Happiness
Darkness
Terror
&
Joy
What was asked, she would sew
Every stich was new in her mind
To sew a word profound,
All took time
Once stitched there was no going back,
It was complete
Colourful,
Dark,
The words woven  in style
Like it or not,
Her woven words stitched to the page
This seamstress of ink and lead,
Now waiting to once again sew words
Upon a blank page...
judy smith Oct 2016
Marisa Mayeda's tiny hands are steady as she smooths the fabric out in front of her and examines the stitches, checking for bunching or knots.

“Lay it flat, so you can see the whole thing,” suggests instructor Joyce Blaney. Mayeda obeys, spreading out the gorgeous patchwork quilt she’s almost finished creating. It’s one of five she’s making for the babies at Torrance Memorial Hospital.

“It’s her Girl Scout project,” explains Blaney. “Each kid got to choose what they wanted to do, and since Marisa loves sewing, she picked this.”

Blaney’s studio at Sew Creative in Redondo Beach is colorful chaos: bolts of fabric, scrap baskets, ribbons and lace. Pincushions dot almost every surface, and the hum of Singer sewing machines underscores conversation.

It’s unhurried and something of a throwback that most post-baby boomers would recognize as a home economics class—a part of American curriculum that has dwindled over the decades. It’s where Blaney herself learned to thread a needle 50 years ago, fell in love with it almost instantly, and made it a part of her life.

“I learned in a classroom of 30 kids and one teacher. She must have lost her mind,” she laughs now. “It was very crowded. I didn’t realize how challenging that must have been until I started teaching my own students.”

The previous owner started Sew Creative in 1989 before retiring, whereupon Blaney—who had been an employee for several years—bought it and has run it for the past 13 years. Any kid—or adult —can join classes, starting from age six and up. “I primarily teach classes every day after school and on Saturdays. It’s a great opportunity for kids to have a creative outlet.”

According to studies from the University of Missouri, an increasing number of millennials and younger kids don’t know basic home skills, including sewing, cooking, or doing laundry. Only 30 percent of young adults know how to properly boil an egg, according to one study.

Learning by example, such as watching your mother hem a pair of pants, has become less common with each generation. We microwave our food or eat out a lot more. Convenience has made it easier to forgo learning how to cook, and with home economics classes gradually disappearing in the education system.

“Schools are so much more about academics now,” Blaney observes. “This gives kids a chance to make something with their hands, to feel confidence and have something to show for their work. One kid even said that sewing helps her relax, to focus on the moment. I mean, that’s pretty important. She gets it.”

The Queen Amidala costume that Ava Brunner is making for Halloween exemplifies that sentiment. Resplendent in flowing white fabric and a complex pattern of scalloped ruffles, it’s an intricate and challenging design. Brunner, who has been coming to Sew Creative for five years, is now a pro seamstress at age 11, and plans to be an actor and fashion designer.

“There’s no deterring her. Once she decides she’s going to do something ... ” Blaney shakes her head admiringly. “Nothing stops her.”

Mayeda, working diligently on her blanket, just started sewing two months ago at her mother’s suggestion. She had never sewn anything before, but she had a goal and dove in with enthusiasm.

“I wanted to make a new bag for my birthday, but I didn’t know how. So I needed to learn,” she said.

Like her teacher, she’s found a new thing to love—plus a brand-new bag for her birthday this week. And come this January, five newborns will get handmade, hand-stitched blankets for theirs.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/evening-dresses
Marva Butterfly Jul 2015
Life is Sew Amazing!
Once I was lost without a pattern to follow.
I discovered the Bible with its many golden threads.
Each verse was like a seam ripper, the words began to rip and open
the tightly woven seams of my heart.
The seams had been stitched with the cares of life.
Each stitch told the story of disappointment, pain, rejection, problems and strife.


Life is Sew Amazing!
Once a sinner now a new beginner.
I am a new creation a beautiful work of art sewed by the master seamstress.
There are no longer pins to ***** my heart only the love of a forgiving God.
The Holy Spirit’s scissors cut the old fabric pieces and stitched new ones into God’s design and plan.
He took His marking pencil and marked the lines I needed to trace.
I truly know that I am here because of HIS grace.


Life is Sew Amazing!**
The Bible is like a seam gauge, measuring tape or clear gridded ruler which instructs me in ways to measure up.
I am thankful for all the living appliques, which are examples of God’s handiwork.
Sometimes I’m stretched like a piece of elastic, under the weight of life’s pressure foot but He provides the interfacing to strengthen me.
He provides a thimble to protect me from the ****** of life’s transitions.
He is my loving pin cushion holding all the pins and needles
regardless of my condition.
My own family mocks my creations
With my patience wearing thin
I cut the delicate fabric
And wait to sew it back up again
And I repeat these actions
It's an endless battle
Between myself and my family
*Can they see the thread?
Can they see the patterns I've created?
boop I'm tired...
Lilith Charles Oct 2012
You pulled it apart
I patched it together
squares of hopeful triumph
though Nobody claps.
I sew and sew
threads of hope and hate
Nobody watches.
sewing for days
the stars have turned away,
pins have held together
sanity of expression
In repetition I sew
Nobody has hope.
Attractive gardens full of watch
Verticle beasts sound alarms
I sew
and Nobody listens.
It has been years
tumble and roar,
you are no more
Nobody cries.
You are Nobody.
Terry O'Leary  Sep 2013
NeverLand
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
    such strange things ‘have Never happened in our Land’,
    such quaint things ‘could Never happen in our Land’’,
    such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

    The ***** grinder preaches fine on Sunday afternoons -
    he quotes from books but overlooks the Secrets Carved in Runes:
    “You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
    it’s sink or swim as echoed dim in swinging door saloons”.
    The laughingstocks are flinging rocks at ball-and-chained baboons.

    While ghetto boys are looting toys preparing for their doom
    and Mademoiselles are weaving shells on tapestries with looms,
    Cathedral cats and rafter rats are peering in the room,
    where ragged strangers stoop for change, for coppers in the gloom,
    whose thoughts are more upon the doors of crypts in Christmas bloom,
    and gold doubloons and silver spoons that tempt beyond the tomb.

    Mid *** shots from vacant lots, that strike and ricochet
    a painted girl with flaxen curl (named Wendy)’s on her way
    to tantalise with half-clad thighs, to trick again today;
    and indiscreet upon the street she gives her pride away
    to any guy who’s passing by with time and cash to pay.
    (In concert halls beyond the Walls, unjaded girls ballet,
    with flowered thoughts of Camelot and dreams of cabarets.)

    Though rip-off shops and crooked cops are paid not once but thrice,
    the painted girl with flaxen curl is paring down her price
    and loosely tempts cold hands unkempt to touch the merchandise.
    A crazy guy cries “where am I”, a ****** titters twice,
    and double quick a lunatic affects a fight with lice.

    The alleyways within the maze are paved with rats and mice.
    Evangelists with moneyed fists collect the sacrifice
    from losers scorned and rubes reborn, and promise paradise,
    while in the back they cook some crack, inhale, and roll the dice.

    A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
    with broken neck, he looks a wreck, the sparrows all aflutter,
    the passers-by, they close an eye, and turn their heads and mutter:
    “Let’s pray for rains to wash the lanes, to clear away the clutter.”
    A river slows neath mountain snows, and leaves begin to shudder.

    The jungle teems, a siren screams, the air is filled with ****.
    The Reverent Priest and nuns unleash the Holy Shibboleth.
    And Righteous Jane who is insane, as well as Sister Beth,
    while telling tales to no avail of everlasting death,
    at least imbrue Hagg Avenue with whisky on their breath.

    The Reverent Priest combats the Beast, they’re kneeling down to prey,
    to fight the truth with fang and tooth, to toil for yesterday,
    to etch their mark within the dark, to paint their résumé
    on shrouds and sheets which then completes the devil’s dossier.

    Old Dan, he’s drunk and in a funk, all mired in the mud.
    A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
    “I’m feeling pain and crying rain and flailing in the flood
    and no god’s there inclined to care I’m always coughing blood.”
    The Monk, he turns, Dan’s words he spurns and lets the bible thud.

    Well, Banjo Boy, he will annoy with jangled rhymes that fray:
    “The clanging bells of carousels lead blind men’s minds astray
    to rings of gold they’ll never hold in fingers made of clay.
    But crest and crown will crumble down, when withered roots decay.”

    A pregnant lass with eyes of glass has never learned to cope.
    Once set adrift her fall was swift, she slid a slipp’ry ***** -
    she casts the Curse, the Holy Verse, and shoots a shot of dope,
    then stalks discreet Asylum Street her daily horoscope -
    the stray was struck by random truck which was her only hope.

    So Banjo Boy, with little joy, he strums her life entire:
    “The wayward waif was never safe; her stars were dark and dire.
    Born midst the rues and avenues where lack and want aspire
    where no one heeds the childish needs that little ones require;
    where faith survives in tempest lives, a swirl within the briar,
    Infinity grinds as time unwinds, until the winds expire.
    Her last caprice? The final peace that no one could deny her -
    whipped by the flood, stray beads of blood cling, splattered on the spire;
    though beads of sweat are cool and wet, cold clotted blood is dryer.”

    Though broken there, she’s fled the snare with dying thoughts serene.
    And now she’s dead, the rumours spread: her age? a sweet 16,
    with child, *****, her soul dyed red, her body so unclean.
    A place is sought where she can rot, avoiding churchyard scenes,
    in limey pits, as well befits, behind forbidding screens;
    and all the while a dirge is styled on tattered tambourines
    which echo through the human zoo in valleys of the Queens.

    Without rejoice, in hissing voice, near soil that’s seldom trod
    “In pious role, God bless my soul”, was mouthed with mitred nod,
    neath scarlet trim with black, and grim, behind a robed facade -
    “She’ll burn in hell and sulphur smell”, spat Priest and man of god.

    Well, angels sweet with cloven feet, they sing in girl’s attire,
    but Banjo Boy, he’s playing coy while chanting in the choir:
    “The clueless search within the church to find what they desire,
    but near the nave or gravelled grave, there is no Rectifier.”
    And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

    A sodden dreg with wooden leg is dancing for a dime
    to sacred psalms and other balms, all ticking with the time.
    He’s 22, he’s almost through, he’s melted in his prime,
    his bane is firm, the canker worm dissolves his brain to slime.
    With slanted scales and twisted jails, his life’s his only crime.

    A beggar clump beside a dump has pencil box in hand.
    With sightless eyes upon the skies he’s lying there unmanned,
    with no relief and bitter grief too dark to understand.
    The backyard blight is hid from sight, it’s covered up and bland,
    and Robin Hood and Brother Hood lie buried in the sand.

    While all night queens carve figurines in gelatine and jade,
    behind a door and on the floor a deal is finally made;
    the painted girl with flaxen curl has plied again her trade
    and now the care within her stare has turned a darker shade.
    Her lack of guile and parting smile are cutting like a blade.

    Some boys with cheek play hide and seek within a house condemned,
    their faces gaunt reflecting want that’s hard to comprehend.
    With no excuse an old recluse is waiting to descend.
    His eyes despair behind the stare, he’s never had a friend
    to talk about his hidden doubt of how the world will end -
    to die alone on empty throne and other Fates impend.

    And soon the boys chase phantom joys and, presto when they’re gone,
    the old recluse, with nimble noose and ****** features drawn,
    no longer waits upon the Fates but yawns his final yawn
    - like Tinker Bell, he spins a spell, in fairy dust chiffon -
    with twisted brow, he’s tranquil now, he’s floating like a swan
    and as he fades from life’s charades, the night awaits the dawn.

    A boomerang with ebon fang is soaring through the air
    to pierce and breach the heart of each and then is called despair.
    And as it grows it will oppose and fester everywhere.
    And yet the crop that’s at the top will still be unaware.

    A lad is stopped by roving cops, who shoot in disregard.
    His face is black, he’s on his back, a breeze is breathing hard,
    he bleeds and dies, his mama cries, the screaming sky is scarred,
    the sheriff and his squad at hand are laughing in the yard.

    Now Railroad Bob’s done lost his job, he’s got no place for working,
    His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
    The union man don’t give a ****, Big Brother lies a’ lurking,
    the boss’ in cabs are picking scabs, they count their money, smirking.

    Bob walks the streets and begs for eats or little jobs for trying
    “the answer’s no, you ought to know, no use for you applying,
    and don’t be sad, it aint that bad, it’s soon your time for dying.”
    The air is thick, his baby’s sick, the cries are multiplying.

    Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
    their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
    Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
    and midnight dreams abound with screams. Bob knows he needs to hurry.
    It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
    he chooses gas, they breathe their last, there’s no more cause to worry.

    Per protocols near ivied walls arrayed in sage festoons,
    the Countess quips, while giving tips, to crimson caped buffoons:
    “To rise from mass to upper class, like twirly bird tycoons,
    you stretch the treat you always eat, with tiny tablespoons”

    A learned leach begins to teach (with songs upon a liar):
    “Within the thrall of Satan’s call to yield to dim desire
    lie wicked lies that tantalize the flesh and blood Vampire;
    abiding souls with self-control in everyday Hellfire
    will rest assured, when once interred, in afterlife’s Empire”.
    These words reweave the make believe, while slugs in salt expire,
    baptised in tears and rampant fears, all mirrored in the mire.

    It’s getting hot on private yachts, though far from desert plains -
    “Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
    Beyond the blame and pit of shame, outside the Walled domains,
    they pet their pups and raise their cups, take sips of pale champagnes
    to touch the tips of languid lips with pearls of purple rains.

    Well, Gypsy Guy would rather die than hunker down in chains,
    be ridden south with bit in mouth, or heed the hold of reins.
    The ruling lot are in a spot, the boss man he complains:
    “The gypsies’ soul, I can’t control, my patience wears and wanes;
    they will not cede to common greed, which conquers far domains
    and furtive spies and news that lies have barely baked their brains.
    But in the court of last resort the final fix remains:
    in boxcar bins with violins we’ll freight them out in trains
    and in the bogs, they’ll die like dogs, and everybody gains
    (should one ask why, a quick reply: ‘It’s that which God ordains!’)”

    Arrayed in shawls with crystal *****, and gazing at the moons,
    wiled women tease with melodies and spooky loony tunes
    while making toasts to holey ghosts on rainy day lagoons:
    “Well, here’s to you and others too, embedded in the dunes,

— The End —