Science says that there's a mathematical equation that explains everything in life.

But I say that not even physics bears an explanation for...the guidelines of attraction.
Our primal reactions are multiplied in...the highlights of passion.

These laws of love that linger like a lanterns lost illumination...
Like the campfire light on a clear night, leaves coals of culmination.

Sweat beads lead to bare threads and bare bodies.
And oh my, how bare bodies lead to imaginations running wild.

Cold winds inspire warm kisses and close skin.
Sincere actions aren't sins.

Bodies wound in union, formed by light and tightly bound.
Together, these twisted vines penetrate the hardest ground...
Together, harmonic souls produce passionate sounds.
Yet, still somehow, love gets lost more than love gets found.

This equation is unending...like numbers off lips that kiss the air.
Body language spoken...Our physical bonds parallel eternity and pi squared.
And you know that every moment that we share is nothing short of...molecular love for the masses...
Now held captive by gravity and magnetism...

See, the last full moon marked retrograde...and if the moon affects the tide of the ocean...and our bodies are roughly 75% water...can we assume that this is the only body powerful enough to keep ours apart?

This gravity...
This pull...
It's pulling me apart...so let me pull you closer, stop pushing me away!
Hold on tight, dont let these planets drift away into a dark rift of decay.

Let your love lap upon this solid stone like a river riffles smooth sandbars into hills of higher ground.

Because baby, without your water on my beach...
I'm nothing but a desert, dry and deserted.

The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.

After decades and decades of distance
I've found you
The sluggish, torturous moments of the laps
have finally passed.
Time has bruised me, pounded me, bled me
to the core.
Hours spent as a pack of wolves,
howling for a soul.
I've hunted, starving in my travels.
Searching for you.
Me, a pack of hunting dogs not just stalking
quietly through still woods....
but bolting with snarling furled lips....
exposing razor sharp fangs to sink deep within
the throat of the love I long for.
Hold tight until the struggling gazelle gasps its last.
The hunt is over,
the heart full from the gorging.
Purring in each others company.
While resting tranquilly on the aromatic clover.
Riffles unable to focus, our stripes blending,
as our bodies merge.
The great cats we are, no predator to fear.
We slumber and bask in our regal glory.
Our cat eyes fixed on each other!

© Crystal Erickson  12/14/07

"O GOD ! only hand--- only leg
bleeding, hanging to the chopped body --o god !?!"

enough ! to discharge the debt of the soil.

"o god!
these little babies who are supposed to be the metaphor of passion,
are forced to be the product of flesh trade !
these tender hands , supposed to paint the alphabets
are made to clean the riffles !
o god !
they are eating mud--
they are drinking the ***** of animals...."

yes! the survival is important
to break the shackles of this soil.
"O GOD ! O GOD ! O GOD ! O G>>"
no !. no!. sympathy? charity ? i am not the beggar !
do not come on the wings of eagle holding the dove.
if you have a human soul..
demand those who are shedding crocodile tears.
i demand the answer , not the bread of consolation.
do the sons of my soil robbed these big-brothers at any time?
tell them not to declare the renegades as the protectors of my land.
* * * * * *
tigris and euphrates, ganga and godavari
amazan, dandakaranya
somalia, rhodesia---- red with blood
santiyago, madrid, -- echoing
tahir square, beijing, brasilia... burning--
* * * * * * * **
i may be falling down-- but i will rise ...
o big brother... you are not god
you can declare yourself as jesus
i am the child of spartucus

"o god ! are you a terrorist? are you a revolutionary?"

ha ha ha--- let it be.
now , the deserts having oil in lap
the forests having minerals in heart
the voices demanding the natural justice
are these the shelters of terrorists.. revolutionaries ?
let it be!
i am a revolutionary........
to discharge the debt of my soil !!

before i begin, a pre-scriptum...
         in my hand, this minute?
                   what a rare delight...
the Beauties of Sterne:
                                with some account of his life...
printed for J. Walker,
published by J. Walker, Paternoster Row &
   J. Harris, St. Paul's Church Yard...
London... 1811!
    and being a big "fan boy" of the fiction
that a bibliophile might have an adventure:
Roman Polanski's the Ninth Gate...
   now, for a book that's... 208 years old?!
it's not in bad shape... sure...
the hardcover is missing by a half...
but all the text is intact...
              obviously colouring of the pages...
but hey... i'm not a museum...
             the book is still fiddled with...
ha ha, the opening page with a picture
reads as follows:
   there are worse occupations in this world,
than feeling a woman's pulse...
perhaps a quote about... insensibility?
   it reads as follows:
       it is the fate of mankind, too often,
to insensible of what they may enjoy at
the easiest rate (sermon XLII)...
   besides, lucky for me youtube continues
to glitch from time to time...
    now looking more in line with channels
than individual artists...
   notably? Harakiri Diat (channel)...
eh... :wumpscut, the soft machine,
demdike stare, vomito *****, feindflug
weren't enough...
          turns out... there's more...
beyond penta, matutero and GloOMy
PhAntOM... well, please, allow me:
   filmmaker - the love market,
              la ***** bianca - demian...
hell... if you want to venture into the past?
i know one band that freaked out
my ex-girlfriend... gong - flying teapot...
or that song by greenskeepers, lotion...
               i thought i'd never see someone
become freaked out about music...
curios and also highly curious, yes...
but freaked out?
                 primitive knot - puritan...
demolition group - you better...
          1986 Yugoslav minimal electro...
Bruce Roach - Gut...
              and as it turns out...
    i look from this corner of the internet and find
absolutely no need to delve into
the dark web... install Tor...
           if you really want to...
  you'll find all you need... but you need
to sift through a bibliography of a book prior
to... it's all here... this sort of material
has an inbuilt filter... it filters out
             mainstream consumers of content...
i should know...
    3 websites that banned me,
1 suspended me...
                   i crossed the threshold...
    normie poetic: outcast *****...
           yet i still sometimes happened to chance
upon a will...
           lao che - soundtrack (the whole album
is decent) -
              


.i once heard it was based upon the following maxims: bogatemu wszystko wolno (the rich are allowed anything), siła razy gwałt (force multiplied by ****)... well... over the years, that much was true... but then i conjured a reply: nie wszystko wolno bogatemu (not everything is given an allowance to be expressed by the rich) and wola odiąć gwałt (will, having substracted ****): otherwise it's still wola razy gwałt (will, multiplied by ****).

****, i only just "woke" up from
this game,
you know that game...
oh i'm pretty sure you know it...
it's called
   pass the jew along...
   rudolf höss
      cited, among the list:
ibrahim ibn yaqub,
         radhanites (there's a surd
H in there, rad-'anites)
    casimir III...
esp. the latter...
           so.. give the current h'americans,
we're still playing the globalist
nomad game of: juggling the jews,
yes, no, maybe?
so my mother tended to
two old jewish women,
because, just "because"
their sons were active in
the "economics" of passing law
and techno-literacy?
oh... right... i "see"...
                            i... "see"...
in defence, of the "neglected" ones...
makes perfect sense,
de facto 51,
                  area 51 was always
a propaganda convert term
for Israel, rather than some area
bound to Nevada, wansn't it?
wasn't it?
                      ask me again
one year from now,
did we live peacefully among the jews?
they'll tell you the joke...
didn't the jews shoot,
with riffles,
   with bent barrels / sights
aiming at themselves rather
than the nazis?
       no, no soap jokes when
it comes to yews...
the yids...
      everyone in poland just
wondered: why so pacified?
        so blatant in walking into
an inferno?
                      you know...
it took Poland longer to surrender,
while being attacked by both
the Germans and the Russians,
than it took for the Fwench
to be attacked by the sole effort
of the Germans?
    funny... that...
                               i truly admire
some nazis, for their ingenuity...
notably? erwin rommel...
   lothar von arnauld de la periè(re)...
(subtle, i give you that one,
per-y'eh...
                 'old 'ack 'old 'ck
   h-b-h-b,
                                    rein in...
otherwise perié... ergo without
                                           the -re)...
michael wittmann...
and i'm a ******...
      **** me...
they didn't bomb paris,
might as well state:
they also didn't bomb
  marienburg or most of danzig...
Warsaw? taken down,
levelled, brick by brick,
        until no brick stood on brick...
              what?!
i thought the western capitalist-ico
communist insurgents
wanted target practice?
          i thought these people
wanted nazis, no?
          i'll admit... tiki torches?
you must have never looked
at european football hooligans...
tiki torches?!
you having a bbq?
            never heard of flares?        
- mind you...
you know what's worse beside
beind ridiculed?
having your intelligence
insulted...
i.e. do i look like someone
who managed to ****
your mother with a *******
harmonica,
or, am i, bound to the responsibility,
of your parents playing
the irresponsibility card,
attempting to convey a child
into existence aged circa 50
circa 45,
and what comes out is
an autistic cucumber?!
    **** me...
try giving ****** lessons
to circa 50 year olds;
and now the paradox...
   "i'm" the "schizophrenic"...
cool cool, coolio...
     i'll just hide in that "harem's"
worth of a brothel with
the prostitutes who tell
me they get s.t.d. checks on
a regular basis, o.k.?
_____

what am i to add to this?
not much, is there...
was the great gatsby by f. scott fitzgerald
ever great?!
  how satisfying it is to be unable
to please the crowd....
words, after all, are not bread...
how one wishes
for an anathema rather than
a martyr's embrace...
            one begins to imagine...
then one loses interest...
then...
                    peering through
the eye of a needle
watching a camel walk through...
one spots something outside
the realm of the metaphorical miracle...
do i have to?
      what if i remain to this side
of the eye of the needle?
what riches do i have that i cling to...
books & music...
does that make me rich?
what are the sort of riches where either
people plunder readily (music),
or do not engage with to begin
with?
who are ready to read...
i can claim to be a book thief...
i stole two books from my high school
library... the quran and the scarlet &
the black by stendhal...
            "stole"... i extended their
licance of being borrowed...
how am i rich: if my riches are the riches
no one would want to steal?!
i am rich... though...
               but i am rich in a both
materialistic / non-materialistic paradox
frame...
                what i own no one wants to
steal! why steal a first cheap edition
of a dickens' novel if you're not going
to read it!
              
       **** **** ****.... if they were such
philistines... when blitzing London,
why did st. paul's remain intact?
   "coinicidence"? i don't think so...
and why did they steal all those
art-works? again, "coincidence"?

                    they were people:
i find it uncomfortable to suit them up
in transcendence,
to be: epitome evil...
  to be the übermensch...
                   they loved art as much
as they loved being the antithesis
of the golden horde: gucci, dolce & gabbana
zz top: well dressed men...

     nazis loved art and fashion,
by far the best dressed army in the world
and history...

   ol' herman and otto came back
from the eastern front to a scared wife and mother...
people! they weren't mythical creatures...
the nazis can hardly become
chimeras as they become in the minds
of pseudo-communists of the western lands...

they are hardly the epitome of evil,
i know the 21st century narrative
deems them: "the perfect example"...
come on... they're not evil embodied
with not subsequent examples to be given
to... historical capitalism of evil:
there's always someone waiting,
some group of people to stage
a competition libra... and they will...
overcome the nazis...
it's only a question of ingenuity /
imagination...
           gas chambers was only industrial...
it will become personal in the years to come...
methodologically trained cultured
barbarians woken from a slumber...

the nazis were not: philistines...
   in no defence: didn't they speed up the creation
of the state of israel?
   didn't they? **** uncle:
   lavrentiy pavlovich Beria is going to state
the matters differently?
like hell he is...

        my family also suffered in that war...
sure, not in a concentration camp:
but on the front...
             there's even a joke that my
grandfather remembers:
the jews were shooting with bent nozzles
of riffles...
   as he also remembers two ss-men
who he asked for sweets,
and they would give them to him,
he'd as them: herr! bitte bon-bon!
   sweets so sweet that he would have
to rinse his hands under water
to unglue them from the sickly in-between...
how all the insurgent soviet soldiers
were teenagers and preferred to
sleep in pigstys and among the goats
in the hay...

how did the nazis become mythological
i will never understand,
at uni i had a **** history teacher,
canadian, she really liked my essay
on napoleon... how he was a great
strategist...
akin to?  

   erwin rommel wasn't a ****...
erwin rommel was, erwin rommel...
a great strategist...
        am i supposed to thrive in this
current year of polarized *******?
it's the current topic,
i can't escape it,
  sure, i'd love to have a Wordsworth
moment, lurking in me,
or an anna akhmatova breakthough...
instead?! i'm given this sort of *******
on a platter,
  and all that's missing are the wedges
of lemon and the eager oysters to
be gulped down... lucky me!

no, i don't like how the nazis are misrepresented
as both the übermenschen:
these mythological epitomes of evil
(no greater evil is to come? really?!)
and at the same time
as philistines: they stole art,
they ensured that critically cultural
documents of architecture were left
undisturbed... st. paul's cathedral...

         it's not like some otto or moritz
didn't come back home to a wife
and children... no...
he came back to the shadow cult
of the ******* hanging over him...

you know what the most haunting experience
i have ever experienced was?
Ypres... world war I site...
visiting a german cemetary...
compared to the allies cemetary?
**** me, what a meagre sight!
           the allies were burried with marked
graves, each man to his own cross...
the german burial ground?!
  mass graves....
eh: one marker: 200 bodies in one pit...
                 and here's the 21st century with
games about shooting: zee nat'zees...

   just visit the world war I cemetaries...
the ally cemetaries? square miles...
each man with his white cross...
german cemetaries? as mass graves go...
one marker per 200+ troops...
so... not that much space required...
less: bombast!
               pride & prejudice /
   pomp & circumstance...
   which the english speaking world is...
of the latter convenience to suit the narrative.

to reiterate...
   as a ******... the whole german fetish
isn't my kind of gig...
what with my grandmother being born
on the front... given opiates at an early
age so she would not cry and allow
the soldiers to locate her and my gread-grandparents...
but...
   they were the best dressed army in
the history of warfare...
they were not philistines and they certainly
weren't the mongolian golden horde...
i.e. they stole art, notably jewish artwork...
and if a luftwaffe squadron were to drop
a bomb on st. paul's? they'd probably
be shot...
  after all... Posen wasn't destroyed,
Breslau wasn't destroyed...
        Danzig wasn't destroyed...
Cracow wasn't destroyed...
             o.k., half of Warsaw was,
but we know why that happened
(or at least i do... idealist students who
thought they could fight the enemy
with slingshots and air-pistols)...
why? the Germans were simply thinking:
oh... we'll just be moving back...
i once explained it to myself...
they weren't exactly some mythological
grand evil template...
so i started thinking about them as:
Hans von Seeckt...
  or Otto Hertz...
              or some other german random
soldier...
      well... you should travel to Ypres,
Belgium... and visit a German cemetary
from war world I... then visit
the allies graveyard...
       each soldier, individually buried...
with his pwetty pwetty weißkreuz -
mostly named...
                 now visit a german cemetary...
mass.... graves...
                they just dumped them,
heaped them...
                        to me they were people...
you can't exactly reason with a mythological
evil - an archeological evil,
   an archetypical evil...
          for an archetypical evil?
try the nuclear family...
                         ******... that sort of thing...
child abuse... too many actors
were involved in this story,
too many mistakes, too many naive blunders...
evil on this scale is easily diluted...
which is why it's taught as history,
in schools...
   no one will teach children about...
oh... say... the Wiener Blut scenario...
   Josef Fritzl...
                    i'm pretty sure this will not be
taught in a history class...
                or... the H. H. Holmes Hotel story...
but it might become a jack the ripper
tourist-fetish... might it not? well, it already is.

I befriend the antonyms of the light
Now the face of the night won't let me go
No matter what I do, even with all my might
So have no choice but to dance with the flow

I am a man who ate the forbidden apples
Indeed the wisdom of the dark was among the highest
Definitely a door to the unknown, until I am longing for riffles
Because I can take the lies of reality no more, such lunacies

Life was supposed to be a thankful journey
A sweet dance from hello's to farewell
Lucky are those who've found serenity
Who hasn't heard the music of hell

I've been too far, my clock is ticking in a cycle of forever
I need a reformat not just a simple reboot
Do not save any good files, that's not so clever
All parts of me was already been infected even to the root

I befriend the antonyms of the light
Now the face of the night won't let me go
No matter what I do, even with all my might
So have no choice but to dance with the flow...


Written: March 4, 2015 @11:00am

Mysterious Aries

Our dog, Hannah and I wended our way
    across the Moraine highway
that winds west toward the park.

The front range, rising to our right
    and Lumpy Ridge to our left
were shrouded in the post-dawn mist.

A short walkway through speckled fields
    of Asters, Mexican Hats and Gallardia
led us to the tall gray slat fence
     that lines the path down the hill
to the Big Thompson River Walk.

Hannah and I took copious notes
      each in our own way as we took in
the sounds and sights along the trail.

      The morning lights danced over
rock-strewn rocks and riffles tumbling down
      from the mountain rains and melting snows
and the sweet music of the river
     assured us that tranquility exists even
amongst the jagged rocks of a troubled world.

*Estes Park, August, 2016

The soft touch of morning
Rises to meet the late breaking day
Covered up and clouded, and looking lonely.
Dark birds and their shadows fly low, and South, in a hurry,
Sounds are loud and crack the mornings air, with their breaking,
And ice pops  and water wheezes beneath the shallow pools,
With air moving quietly up and out,
And winters grass riffles, with the cold air moving in and around,
And the seed of this morning, that shall become the plant of the day,
Can see the sun, and feel its' warmth, even in the cold.

"I've been told that to fix the problem, you must first find its root... But you can't fix something that's not broken. I am not broken, just slightly damaged. My mind is like a thousand year old oak tree, and my facade as fragile as porcelain. My emotions act as a wrecking ball and when the night hits I'm nothing but a decaying mask. I fear pain, so I don't welcome love. I turn it away; a ruthless rejection, and send it back to where it came from. It haunts me, and in the night my own demons become insomnia. To fix the problem, I must first find its root." 
Or perhaps I mustn't focus on finding the root, I think the real issue might be that I am conscious that there are monsters in my head and my insomnia is result to the ongoing battle I have with myself and those monsters. Weather to love them or hate them, I do not know.  They save me and protect me, yet they seclude me from the rush of risk and beauty of bewilderment. When I lay in my bed my body feels great fatigue but my mind and my eyes are wide awake; ready to run circles around the world if they could. I no longer think that the solution would be to find a root or a specific turning point, but to end the battle of contradiction with the monsters that have taken over my thoughts and stolen my sleep. So do I love them because they protect me and have made me a smarter person? Or Do I hate them because they are the bricks that make up the walls I have built and they are the guards holding the riffles at the top of the walls shooting every single beautiful daring soul in their attempt to reach the real me? I will hate them. Yes the souls that have hurt me right after gaining my trust are the reason to my hurt and the nutrition to the growth of my monsters, but the very own monsters themselves are the ones responsible for my inability to recover from the inevitable hurt. They have Inprisoned me in this constant dark and uttermost thick desolation. It is because of how overpowered I am by them that I fail every single time in my attempt to breath. They are suffocating me and burying me in a state so dark I fear the incapacity to  get myself out. It is a journey of endless work, the wounds i have will eventually heal, but there will always be scars. It's like an addiction, even after being clean and sober the want of the drug will always be as great as it was the first time. So the fragility of my scars is so great it is completely capable to revert me back into the dark whole if i get hurt or scared again. i need to realize and accept that these things are inevitable and not close myself but open myself even more for the next person. The final solution will be to accept that the mosters?they are their, acknowledge them, deal with them, and never let them take over and do what they want with me. Then and only then will I be able to sleep.