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Riley Cartwright Dec 2018
.................................................................­.........................
T
Th
The
The m
The mu
The mus
The musi
The music
The music i
The music in
The music in m
The music in my
The music in my h
The music in my he
The music in my he
The music in my hea
The music in my head
The music in my hea
The music in my he
The music in my h
The music in my
The music in m
The music in
The music i
The music
The musi
The mus
The mu
The m
The
Th
T
H
Ha
Has
Has b
Has be
Has bee
Has been
Has been o
Has been on
Has been on r
Has been on re
Has been on rep
Has been on repe
Has been on repea
Has been on repeat
Has been on repea
Has been on repe
Has been on rep
Has been on re
Has been on r
Has been on
Has been o
Has been
Has bee
Has be
Has b
Has
Ha
H
T
Tu
Tur
Turn
Turne
Turned
Turned a
Turned al
Turned all
Turned all t
Turned all th
Turned all the
Turned all the w
Turned all the wa
Turned all the way
Turned all the way u
Turned all the way up
Turned all the way u
Turned all the way
Turned all the wa
Turned all the w
Turned all the
Turned all th
Turned all t
Turned all
Turned al
Turned a
Turned
Turne
Turn
Tur
Tu
T
F
Fo
For
For q
For qu
For qui
For quit
For quite
For quite s
For quite so
For quite som
For quite some
For quite some t
For quite some ti
For quite some tim
For quite some time
For quite some tim
For quite some ti
For quite some t
For quite some
For quite som
For quite so
For quite s
For quite
For quit
For qui
For qu
For q
For
Fo
F
......................................................­....................................
Sadly, I've forgotten the melody
b g  Apr 2015
teeth
b g Apr 2015
i don’t think there are things quite like this:
quite like ocean-breathing. quite like soft
hearts and softer fingers. quite like hands
strong and hair pulled.
kiss me until i forget her name. push me
on my knees in the hallway—breathe me;
breathe me; breathe me.
i don’t think there are things quite like this:
quite like “take it off”. quite like “****, ****,
you’re—”. quite like “how much **** would
you get for this hickey?”.
give me mouth to neck to hands to back.
give me soft, give me softer, harder. give
me all teeth, all fingernails, all scratch and
no soothe.
i’m not drunk but i might as well be; you
have never been an instrument i knew how
to play well enough to perform. i’m on my
knees and then not anymore and i’m not
one for praying but i feel like this is the
moment i ask god when i turned into
something so close to an exit wound
even my mother wouldn’t recognise me
anymore.
i don’t think there are things quite like this:
quite like trembling so hard the china might
scatter on the floor like ashes. quite like
“i’m not just using you”. quite like whispers
so soft they seem to go up in smoke.
he kisses my neck and i go weak in the knees
but i feel like i would be strong enough to
withstand a hurricane like this. he kisses
my neck and his hand is on my hip and
i think about how sometimes a flood brings
more than it takes away and i think
that’s you. i think that’s you. sometimes
i wonder if i could be like that for you
too.
you see, i don’t think there are things
quite like this:
quite like shaking but still. quite like
cold but willing. quite like you.
Dani  Dec 2017
Not Quite
Dani Dec 2017
Not quite white
Not quite latino
Not quite anything

Too dark to be white
Too light to be latino
Too mixed to be anything

Not quite that language
Not quite that accent
Not quite anything

Too feminine for this
Too masculine for that
Too mixed to be anything

Not quite this thing
Not quite that thing
Not quite anything
Heather Butler  May 2010
Circles
Heather Butler May 2010
The walls here are white.
White?
Quite.
The walls here are quite white.
And so soft, inviting --
little whispers
laughing -- ha ha --
could I but once
see them and not desire to
      fly through them --
  ha -- but my hands --
bound to these hips --
a waist.
Waste.
Mine?
     Do let's try to be careful.
Careful,
   careful.
Circles --
  aah -- circles.
White?
Quite.
  Nice clean labcoats --
let's try another example --
  Maybe this time we can --
Quite?
-- understand.
The walls
           white
    are here
Quite
      to understand...
-- Ha ha ha --
Circles.
    If you are not
already,
       I am quite --
Quite --
          white --
     sure --
                I can bring you
D
  O
    W
       N
    and you can run
  circles
Drown
          ha ha ha
     around this
                  quite
                          white
    ­       table --
                    bed --
go insane.
      Do let's try to be careful
                              with this one.
And see?
          Yo soy
                     feliz
        estoy muy contenta
                        aquí.
       No quiero estar --
                  estar --
           ser en cualquier
                             otro lugar.
              ¿Miras?
                      ¿Sí?
         ­   Ay, circles, circles,
                y el oscuridad --
                         closes in
                 around
                                   me
                                me
¿Blanca?
         Quite.
Estoy aquí
                        with you.
                                Los ojos --
                           sí, y el alma --
                       ay --
                                 me duele.
Señor -- good, good sir --
         put me down --
                  ayúdame a dormir
        porque these circles --
White?
                    Quite.
              -- so tiresome.
     walls surround
              me?
                      me?
      What could you want
                              with me?
                           Me?
               Escaping --
      turmoil.
                  You must leave --
          this chair --
                     mine.
               Not thine own.
       This booke is mine to
                               be writ.
                Ha ha --
                    ha--
         This mind travles
                   c    i    r    c    l    e    s
As if I were ever so good
                              a writer --
                    speaker --
           repeat me
                      repeat me
                               repítame
                          Me me me
                                      duele.
Ay, señor --
             mátame,
                    por favor.
       Yo no quiero vivir en este lugar.
                                Quiero --

                             dormir.

                  Forevermore.

White?
Quite.
Heather Butler; 2010
Edward Laine Sep 2011
The old green door creaked when it opened. The same way it always did. The same old pitiful, sad sound it had made for years.
Sad because, like the rest of Jimmy's Bar it wouldn't be broken the way it was if someone would only take the time to fix it, in this case to grease the hinges, and then maybe the joint wouldn't be such a dive.
But that was the way it was, and the old green door pretty much summed up the whole place before you had even stepped in.

It was an everyday scene, this dreary November afternoon like any other: the glasses from the night(or nights) before were still stacked up on the far end of the bar, waiting to be washed, or just used again. The regulars, as they were known really didn't care if they were drinking out of a ***** glass or having a shot or a short out of a pint glass or beer or a stout or a bitter or an ale or a cider or even a water or milk(to wash down or soak up the days drinking) out of the same old ***** glass they had been drinking out of all week long.
Anyway, when the door creaked this time, it was old Tom Ashley that made it creak.
He shuffled in like the broken down bindle-stiff he was. Yawning like a lion and rubbing his unwashed hands on his four day beard. His grey hair as bed-headed and dishevelled as ever.  He was wearing the same crinkled-up blazer he always wore, tailor made some time in his youth but now in his advancing years was ill-fitting and torn at the shoulder, but still he wore a white flower in the lapel, and it didn't much matter that he had picked it from the side of the road, it helped to mask the smell of his unwashed body and whatever filth he had been stewing in his little down town room above the second hand book store. It wasn't much, but it suited him fine: the rent was cheap, and Chuck, the owner would let him borrow books two at a time, so long as he returned them in week, and he always did. He loved to read, and rumour had it, that a long time ago when he was in his twenties he had written a novel which had sold innumerable copies and made him a very wealthy man. The twist in the tale, went that he had written said novel under a pen name and no soul knew what it was, and when questioned he would neither confirm nor deny ever writing a book at all. It was some great secret, but after time people had ceased asking questions and stopped caring all together on the subject. All that anybody knew for sure was; he did not work and always had money to drink. It was his only great mystery.  T.S Eliot and Thomas Hardy were among his favourite writers. He had a great stack of unread books he had been saving in shoe box on his window sill. He called these his 'raining season'.

But for now, the arrangement with Chuck would suit him just fine.
He dragged his drunkards feet across the floor and over to the bar. All dark wood with four green velour upholstered bar stools, that of course, had seen better days too.
He put his hands flat on the bar, leaned back on his heels and ordered
a double Talisker in his most polite manner. He was a drunk, indeed but 'manners cost nothing'' he had said in the past. Grum, the bartender(his name was Graham, but in the long years of him working in the bar and
all the drunks slurring his name it gradually became Grum)smiled false heartedly, turned his back and whilst pouring old Toms whiskey into a brandy glass looked over his shoulder and said, ''so Mr. Ashley, how's
life treatin' ya'?'' Tom was looking at the floor or the window or the at the back of his eyelids and paid no attention to the barkeep. He was always
a little despondent before his first drink of the day. When Grum placed the drink on the bar he asked the same question again, and Tom, fumbling with his glass, simply murmured a monosyllabic reply that couldn't be understood with his mouth full of that first glug of sweet,
sweet whiskey he had been aching for. Then he looked up at tom with
big his shiney/glazed eyes, ''hey grum,
now that it is a fine whiskey, Robert Lewis Stevenson
used to drink this you know?'' Grum did know, Tom had told him this nearly every day for as long as he had been coming in the place, but
he nodded towards Tom and smiled acceptingly all the same. ''The king of drinks, as I conceive it, Talisker, he said'' Grum mouthed the words along with him,  caustically and half smiled at him again. Tom drained his glass and ordered another one of the same.

A few more drinks, a few hours and a few more drinks again
passed, Tom put them all on his tab like he always did. Grum,
nor the owner of the bar minded, he always paid his tab before
he stumbled home good and drunk and he didn’t cause too
much trouble apart from the odd argument with other customers
or staff but he never used his fists and he always knew when
he was beat In which case he would become very apologetic
and more often than not veer out of the bar back stepping
like a scared dog with his tail between his tattered trousers.
Drinking can make a cowardly man brave but not a smart
man dumb and Tom was indeed a smart man. Regardless
of what others might say. He was very articulate, well read
with a good head (jauntily perched) on his (crooked) shoulders.
By now it was getting late, Tom didn't know what time it was,
or couldn't figure out what time it was by simply looking at
the clock, the bar had one of those backwards clocks, I
don't know if you have ever seen one, the numbers run
anti-clockwise, which may not seem like much of task to
decipher I know, but believe me, if you are as drunk as tom
was by this point you really can not make head nor tails of
them. He knew it was getting late though as it was dark
outside and the  lamp posts were glowing their orange glow
through the window and the crack in the door. It was around
ten o’clock now and Tom had moved on to wine, he would
order a glass of Shiraz and say ''hey Grum, you know Hafez
used to drink this stuff, used to let it sit for forty days to achieve
a greater ''clarity of wine'' he called it, forty days!'' ''Mr Ashley''
said Grum looking up from wiping down the grimy bar and
now growing quite tired of the old man’s presence and what seemed
to be constant theories and facts of the various drinks he
was devouring, ''what are you rabbiting on about now, old
man?'' ''Hafez'' said old Tom ''he was a Persian poet from the
1300's as I recall... really quite good'', ''Well, Tom that is
truly fascinating, I must be sure to look in to him next time
I'm looking for fourteenth century poetry!'' said the barkeep,
mockingly. ''Good, good, be sure that you do'' Tom said,
taking a long ****-eyed slurp of his drink and not noticing
the sarcasm from the worn out bartender. He didn't mean
to poke fun at Tom he was anxious to get home to his wife
who he missed and longed to join, all alone in their warm
marital bed in the room upstairs. But Tom did not understand
this concept, he had never been married but had left a long
line of women behind him, loved and left in the tracks of his
vagabond youth, he had once been a good looking man a
''handsome devil'' confident and charming in all his wit and
literary references to poets of old he had memorised passages from ,Thoreau,Tennyson ,Byron, Frost etc. And more times
than not passed these passages of love and beauty off as
his own for the simple purpose of getting various now wooed
and wanting women up to his room. But now after  many
years of late nights, cigarettes and empty bottles cast aside
had taken their toll on him he spent his nights alone in his
cold single bed drunk and lonely with his only company being
once in a while a sad eyed dead eyed lady of the night, but
only very rarely would he give in to this temptation and it
always left him feeling hollow and more sober than he had
cared to be in many long years.
The bell rang last orders.
He ordered another drink, a Gin this time and as he took
the first sip, pleasingly, Grum stared at him with great open
eyes and his hand resting on his chin to animate how he
was waiting for the old man to state some worthless fact
about his new drink but the old man just sat there swaying
gently looking very glazed and just when the barkeep was
just about to blurt out his astonishment that Tom had noting
to say, old Tom Ashley, old drunk Tom took a deep breath
with his mouth wide, leaned back on his stool and said...
''hey, you know who used to drink gin? F. Scott Fitzgerald''
''really?'' said the barkeep snidely ''Oh yes'' said Tom
''The funny thing is Hemingway and all those old gents
used to tease Fitzgerald about his low tolerance, a real
light weight! He paused and took a sip ''but err, yes
he did like the odd glass of gin'' he said, mumbling
into the bottom of his glass.
Now, reaching the end of the night, the bartender
yawning, rubbing his eyes and the old man with
close to sixty pounds on his tab, sprawled across the
bar, spinning the last drop of his drink on the glasses
edge and seeming quite mesmerised by it and all its
holy splendour, he stopped and sat up right like a shot,
and looking quite sober now he shouted ''Grum,
Graham, hey, come here!'' the sleepy bartender was
sitting on a chair with his feet up on the bar, half asleep,
''Hey Graham, come here'' ''eh-ugh, what? What do you
want?'' said the barkeep sounding bemused and
befuddled
in his waking state, ''just come over here will you,
please''
the barkeep rolled off his chair sluggishly and slid
his feet across the floor towards the old man ''what is
it?'' he said scratching his head with his eyes still half
closed. The old man drowned what was left of his
drink and said ''I think I've had an epiphany, well err
well, more of a theory really w-well..'' he was stuttering
. ''oh yeah? And what would that be, Mr Ashley?'' said
the bartender, folding his arms in anticipation. ''pour
me another whiskey and I'll tell you''
''one mor... you must be kidding me, get the hell
out of here you old drunk we're closed!'' the old man
put his hands together as if in prayer and said in his
most sincere voice, '' oh please, Grum, just one more
for the road, I'll tell you my theory and then I'll be on
my way, OK?'' ''FINE, fine'' said Grum ''ONE more and
then you're GONE'' he walked over to the other side
of the bar poured a whiskey and another for himself.
''OK, here’s your drink old man, and I don't wanna
hear another of your ******* facts about writers
or poets or whoever OK?'' Tom snatched the drink of
the bar, ''OK, OK, I promise!'' he said. Tom took a slow
slurp at his drink and relaxed back in his seat and
sat quite, looking calm again.
The bartender sat staring at him, expecting the old
man to say something but he didn’t, he just sat there
on his stool, sipping his whiskey, Grum leaned forward
on the bar and with his nose nearly touching the old
mans, said ''SO? Out with it, what was this ****
theory I just HAD to hear?'' ''AH'' said the old man,
waving his index finger in the air, he looked down
into his breast pocket, pulled out a pack of cigarettes,
calmly took two out, handed one to the barkeep,
struck a match from his ***** finger nail, lit his own
the proceeded to light the barkeeps too.
Taking a long draw and now speaking with the blue
smoke pouring out his mouth said '' let me ask you a question''
... he paused, …  ''would agree that everybody
makes mistakes?'' the barkeep looked puzzled as to
where this was going but nodded and grunted a
''uh-hum'' ''well'' said the old man would you also
agree that everybody also learns... and continues
learning from their mistakes?'' again looking puzzled
but this time more  intrigued grunted the same ''uh-hum'' noise,
though this time a little more drawn out and
higher pitched and said ''where exactly are you going
with this?'' curiously.
''well..'' let me explain fully said Tom. He took another
pull on his cigarette and a sip on his drink, ''right,
my theory is: everybody keeps making mistakes, as
you agreed, this meaning that the whole world keeps
making mistakes too, and so the world keeps learning
from is mistakes, as you also agreed, with me so far?''
the barkeep nodded ''right'' Tom continued ''the world
keeps makiing and learning from its mistakes, my
theory is that one day, the world will have made so
many mistakes and learned from them all, so many
that there are no more mistakes to make, right? And
thus, with no mistakes left to learn from the word will
be all knowing and thus... PERFECT! Am I right? The
barkeep, now looking quite in awe and staring at his
cigarette smoke in the orange street light coming t
hrough the window, raised his glass and said quite
excitedly ''and when the world is then a perfect place
Jesus will return! Right?'' ''well Graham...'' said the old
man doubtingly ''I am in no way a religious man, but I
guess if that’s your thing then yes I guess you could be
right, yes''
He then drowned the rest of his whiskey in one giant
gulp, stubbed out his cigarette in the empty glass
and said ''now, I really must get going ,it really is getting quite
late'' and begun to walk towards the door. The
bartender hurried around the bar and grabbed Tom
by the arm,
'' you cant just leave now! We need to discuss this!
Please stay, we'll have another drink, on the house!''
''Now, now,Graham'' said the old man, ''we can discuss
this another night, I really must get to bed now'' he
walked over to the door, and just as his hand touched
the handle the barkeep stopped him again and said
quite hurriedly,'' but I need answers, how will I know
everything is going to be alight? You know PERFECT,
just like you said!'' the old man opened the door
slightly, turned around coolly and said ''now, don’t
worry yourself, I’m sure everything will turn out fine
and we’ll talk about it more tomorrow, OK?'' the
barkeep nodded acceptingly and held the door open
for the
old man, ''sure sure, OK'' he said ''tomorrow it is,
Mr Ashley''
Just as Tom was walking out the door he stopped
looked at the   barkeep with large grin on his face
and said very fast, as fast as he could ''you-know-an-interesting
-fact-about-whiskey-it-was -Dylan-Thomas'
-favourite-drink-in-fact-his-last-words-were -"I've-had-18
-straight-whiskeys......I-think-that's-the-record."­!! HAHA '' he
laughed almost uncontrollably. Graham the barkeep looked
at him with a smile of new found admiration and began to
close the door on him.
Just as the door was nearly shut, the old man stopped
once
more, pulled out a roll of money, looked in to the
bartenders
eyes and put the money into his shirt pocket, then putting
his left hand on the bartenders shoulder said ''oh and
Grum, one of those great ol' women I let get away, once told ,me:
''if you are looking at the moon then,everything is alight'' and slapped
him lightly on the cheek.
. Then finally, pointing at the barkeeps shirt pocket said ''
for the bar tab'' then went spinning out the door way with
the grace of a ballroom dancer(rather than the old drunk
he had the reputation for being) and standing in the
orange glow of the street and seeing the look of sheer
wonderment on the bartenders face still standing in the
old green door way and shouted ''LOOK UP, THE MOON,
THE MOON!'' The barkeep, shaking his head and laughing,
peered his head out of the door and took a glance at the
moon and grinned widely then closed the old green door
for the night. It made the same old loud creak when he shut it.

                                       FIN
MARY, MARY, QUITE CONTRARY: A Dreadful Tale about a Dead Anglo Mother, A Dreadful, Avenging Syrian Aunt, A Stolen Baby Sister, and a Hateful, Unfaithful, Defaulting Father.

Mary, Mary, quite contrary
How does your garden grow?
With people, people who hardly know
Your vices, your intrigue, your lies, and so,
You’ve ruined lives, and now I will show

How demonizing you are, with just your thinking
About your “slemly” self,  just linking [Nice in Arabic]
That self to your own, and not us--no one else
You belong in no company, your old-time thinking.
Adopting my sister, without any inkling
Of what it takes to challenge the motherless
And seeing we ended up, also, being fatherless.

Travesties galore made this woman happy
You won hearts, but you seemed quite daffy.      
Childhood, telling us we’d never be as good
As your Syrian daughters - such a strange brood!
This kind of “teaching” by a Syrian mom was kinda lewd.

She verily and surely became our ISIS
She thought who could ever, ever be like us
She raved for hours so very against us
To that red-headed family so she could easily best us!
Humiliating us at every stop
We really, really got a lot
From her, the decadent Queen of ISIS
No, she’d never, ever be like us!

Twenty years to a guileless young person
Is a forever herstory an eternity…
A lesson, an identity…
Carried on secretly, destroying our Syrian identity.
She stole that connection, filling it with confusion
She with cruel humor would **** our loving illusion
Stopped it in its growth,
Forever unseating that family oath.
To care - without any rejection.
It was She that was The Great Defection.

Mary, Mary how does your hatred grow
Picked on those who had no Syrian power
But you didn’t see yourself becoming lower
To the ends of the earth, heartless black flower.

In her mind she’d be our Mother
But as this poet, I did not know it
Things would be better if we like sheep
Worshipped Mary, into the deep
Quite similar to the rest of her Keep
Then mayhap we’d enjoy their fully undeserved sleep.

Taught my dear baby sister like her to hate
Would I had the power to shut up her pate
Her mouth was evil to the core
I never, never could stand more.
Her hatred entered me, made me sore.

Screaming at us to keep us out
Stupid Daddy joined her in this falling out
She, successful -as any lout.
By God I thot I must be evil
Their strange behavior was not legal.
Would that she’d accept me, that dangerous eagle.
I lost my sense of self and ‘came very sad
Would that I could be like she so glad.
‘Tis fifty years now, and I can’t stop crying.
No one ever heard this “mother” sighing.

Hell, Mary, full of Face
Recognizing only your Syrian race
Did anyone else matter? Just your primitive face?
Everyone one was hurt, except you and your nace
There’ll be no one, ever, that could take your place.
Laughing to destroy our wanted Arab destiny
Which you did, and did, successfully, with your fantasy.

Mary, Mary, quite contrary
How does your garden grow?
Like plants, you lined us up all in a row
One good, two bad - you did the choosing
And what did you leave?
Only us, who did the losing.
You didn’t water those two plants.
Treated us two as if we were ants.
Watered sissa so she would grow
Your dreaded deeds no one would know
Judgement is left only to God.
But you and Dad should’ve returned to your sod.
Your behavior to the motherless seems very odd.
My sister and I two tossed peas in a pod.

Deserting us suddenly knowing only this hateful group
There’s nothing to which she wouldn’t stoop
Her sick obsession to hurt the powerless
Speaks of a very worst yes, cruel foulness.

We lived at a convent school very protected
Visiting weekends this aspiring ****,
Two sisters know she made a very strong mark
She was not our blood, we couldn’t take part
Of this constant coldness on her part.

And another Aunt with two daughters, good
They were always with us, always stood
The opposite of this wicked would-be aunt
This family, Americanized and very sane
Never did play the ancient Ottoman game
These Aunts were our world - our windowpane.

Two aunts - endowing us with a Syrian heritage,
One, the bad one, with too much leverage
The good one to teach a cheerful Syrian beverage      
With balance, love, and the length of days
Not like the other, the one who dismays.

We represented that bad woman’s target
What it came from. Could it be her precious Margaret?
No, not at all her peaceful daughter
But the other, gladly joined in on the slaughter
Making serious and even much more, fodder.

We had no tools to breach this hate
I guess that it would have to be our fate.
To live our lives just disenchanted.
Our hearts broke, as if forever lancets.
With Syrians there’d be no more dances

Taking my sweet sis turning her against us
She did truly give strong heed to finally fence us.
What ever could we find for our defenses?

Dad, real Dad, inebriated dad,
Fell in with them: became this negative father
Sought their pity--likening me as a foreign daughter
He was in love with them, weakly turning
But in turn, the two of us, spurning
Back to his Syrian fold back, not farther
Unwittingly, unrepentedly, uncaringly, joining the laughter
Discarding his American daughters to a mental slaughter.

At his picnic - family there - he called us foreigners
Foreigners we were, surely, when with them
They couldn’t ever believe in us,
Dad influenced them, peeved at us.
Made us feel like little fools.
No, we never had the tools
To fight this ignorance - Change these mules?

Punishing, punishing us as wedded women
Accused of all that they gossiped about
What did they say? And this truant dad a lout
Speaking of us in downing tones
I’d feel far better had they broken my bones.

Closing his relationships to his
Two lesser liked non-Arab sisters
Would there would be a better mister
He considered us two a mere sinful blister.

We ran away from this horrible drunk
He hated his daughters and he stunk
And then we suffered the worst of any they would dunk
Uncomfortable at their Arab-speaking home
We stopped visiting long before their moan
We were “no good”  said our Syrian family
Would that we knew that we’d be anti-Family.

They had something to hate and did they do it
We had no idea we were just a joke
Their words, their disgust, far more than a poke.
Their anti-American provincial views
Made little sense - such perverted mews
All we loved, we would really lose.
There was never any right to choose.

That Family didn’t speak, avoided us
At sissa's Syrian wedding. It was all mined
That scene returns to me all of them lined  
Winding its way into my unbidden mind,
They were so, so truly unkind
We always would be to them the “Other”
Yes, us, us, us, without a mother!

We lost three mothers, our real one gone
Also our good step-mother quickly on
Add Mary to that three, glad she is gone
Perhaps Dad guilty of the first two deaths
I shan’t continue - you’d lose your breaths.
  
But Hail that Lady, she would change our world
Sending us suddenly into a whirl.
How to change the young with screaming?
She’d not change but destroy our dreaming
Waking horribly from our Syrian dream
We just didn’t fit their shady crème de la crème.

Everyone was fooled by this greedy witch
She and her daughters I’d deem as *****
What was in them, caused their making?
Taking away, taking, taking, taking.
Good cousins now, have seen an awakening
My work of writing revealed Mary’s faking.

Hail Mary full of Face
Only using her charms to erace
The sisters she wished not to embrace
With threads of lies an unrevealing face
Syrians’ acceptance of her goldarn place  
No one ever will she replace  
In every way she used her mace
A clever poison to keep her place
Successfully, she’d snidely hid her dreams
Wearing a mask to hide her themes.

She’d always hated us through and through
We didn’t know it till she did what she’d do
Her masque did work, from dusk to dawn.
Hatred of us was what she would spawn
She would definitely **** our spirits
Would that I could reveal all her lyrics.

Our Syrian sissa’s wedding put us in place
That even there we could have little space.
No other family events could we be included.
Engagements, baptisms, we would be excluded
Their intentions now were completely nuded.   deluded!

You stole our little baby entering the world
Through our Mom’s Death
You stole my Dad’s affection
He also her straw man, worshiping Mary‘s fiction
Her stand could only be that of affliction.

Hail Mary full of Face
Face that faced nothing exçept winning the Ace
Did no one ever tell you - you were a case?
Using your screams to stuff our mind
And even more shrieking to clog our mind
No other Syrian family could be so unkind.

Always filling us with her delicious food
Only to turn against us, trussing our good mood.
I’d like to regurgitate all that poisonous food
Anything about her became totally lewd.
She bragged of her daughters - were they really that good?
When we were children, told us we’d never be like them
We never wanted to be like those hurting us.
Took our Dad’s affection, he also deserting us
We never but finally saw that they were into hurting us.

She has attacked us screaming, screaming on end
Never an explanation, never to end
She took money, stole sister too, not a lend.
With this cruel treatment, we were not able to fend.
I’ve never heard such venom in any human voice
It seared through both my ears, such an odious noise
Those first twenty years were so very splendid
But later with her actions - all was ended
With her allotted time this is how she would spend it.

Sister, affections stolen, obeying by fear
Couldn’t counter - with a mere
Stand up to this fraud of a Mother Dear.

Our baby sis had became her clay
She would remake her through many a day.
She owes us much, this lying thief
No family tree would know, not even a leaf
She stole and changed our beautiful blood
Returned nothing except a bad bad flood
Of making our names into family mud.

She then gave out inimical messages
The taunting that came from her mealy mouth
From Damascus, that lousy mouse.
Couldn’t discuss, but only scream
What ever, ever, did she mean?
This Family into which father bought.
Their apathetic “reasoning” I was never taught.

Her daughters conscripted to the Mary core
Following her words, her iron ore
Inflated us with much heavy criticism
To fill our sissa with a lack of witticism

Lying, lying she always, always hated us
For twenty years, she consistently slated us
For slaughter, just like little lambs
Motherless, she took our little lamb
She won, didn’t she, in her sham?
Mary & dad really fated us with their sick flim flam!

She’d tackle anyone, anything in her path
And she did, with her oh so dreadful wrath.
What powered this extremely devilish mind?
She had never, ever, been really kind.

Our sodden father turned to her
She was Goddess, he deemed Something
While we were nothing, nothing, NOTHING!
It didn’t happen till twenty years after
From kindliness to hypocrisy
One would not believe.
Our real selves never to retrieve.

A sweet child, sissa, full of love
Knew they were cold and she let us know
After those years, sadly though
Turned into another hateful *****
Forced to be like them, else be ditched.

Dad, dad, the precious Syrian lad
Embraced the family gatherings that they had
Youngest of the Ikmuks - he was mad
Allowed them the desecration of our pad
They could say anything--made it their fad.

He wouldn’t speak to them of their travesty
Worshipped them, and ever drastically
Wanted to be Them, lest he be
On the Outs from the Family Tree
Ousted, married out of the Tribe
Hardly now, when this happened, few are alive.
He refused to tell them we both should be here.
He would never, ever, play it fair.
“Dad, if you go, I’ll never be the same.”
He would never, never take the blame.
Of his paltry stabs at being a human
Go stuff him in a jar with more rotten cumin.

Never defended us, never, never
Always took their part like a mismatched lever.
Usually a Dad with a daughter would stay beside her
But then, he gave Mary a far wider rider.

Gatherings went on, by the family Mare.
All our lives had been spent with them before
But Iron Lady with Iron Ore
Came through later and before.
She would win, so well connected to her vile kin
Change, girl, change, you’re just an Anglo fem.
Don’t, please, don’t pay much attention to them.
Sudden hate - my thoughts now were dashed.
I changed - they took all I had and then they smashed.

They brought us into their sickly Ottoman lives
But all of them acted as if we had the hives
They, centuries‘ habit, it was the mid-1950’s why so bold?
They were too much, too much very, to behold
We were stricken, treated as in days of old
We would never be part of their unhealthy mold  [Mould?]

Regular at Church. What kind of God could she worship?
You know who should have been told? The Syrian Bishop!
The She-Devil not even relishing the Church script
Eternally, she would always, rip, rip, and then grip!
Instead looked to those after Church who would serve her!
She did just this with a total fervor.
No Communion, no worship, but her only feats
To seek and add to gossip in the streets
Afterward. When-Where everyone meets.

Se enjoyed the Devil of Power over those she knew
Verily, she should have been thrown in the loo.
Few new. Only the rejected two.

Mary, Mary full of Mace
You never did achieve much grace
Wish you could have finally
Fallen on your ignorant Face
There’s really not going to be any space
To explain your bad translation of a very good race.
The Syrian families I always know very well
Would never have made this kind of hell.

The Syrian race is good, except for this “mother”
I speak from my place as the dreaded ”Other”
You are and were a terrible, mother
You’re a crude example of this Middle Eastern  race.
Very few of them did see through your face.

In that family I barely gleaned this toxicity
But, never, ever, did I witness much felicity.
They llaughed and laughed about any Other
Played well their acts as if they cared
They knew Syrian-like we would not fare
We, Dad, all sisters three - fell for her snare.

What think you, God, of these poor children
How il-ly this Family thoroughly tilled them
Two non-Arab daughters’ given bad repute
Their shocking beliefs really made us mute
All that came from her demented mind
All that encountered Mary’s “kind”
She destroyed our conception of self
This hypocrisy would make one melt.

She infiltrated us, her daughters, and my Sissa
That we were not as good as she - but she lost her mister
Had Uncle [our blood] lived, this would never have occurred.
But Auntie [not our blood] surely had demurred.
Her hooked-nose criticizing, and simple daughters,
Psychologically--against us-- they joined in on these slaughters.
Kindness for two decades to rent, later they spent
Hell on the motherless, but hiding that intent
Taught her daughters: “Don’t be involved with them”
We really do know some of what she did, or said,
This is the kind of meal that she constantly fed
Her masque nearly hiding her evil bent.
Too bad she wasn’t forced back into her Syrian tent.

Mary, Mary quite contrary, How does your world work?
You won, you won, you ignorant, piece of work
You demanded respect from all of us, treacherous,
She got it, didn’t know it, then she brought down the two of us

Sneaky, low-life, hypocrite witch
We always thought we had a niche
But lost kids like us did never snitch
We wouldn’t, didn’t open up about that *****.

We had a twenty-year comfort zone with her
Deserted at last by her flying fur
Stolen, deserted at last by Dad--that foul mister
Stolen, deserted, lastly by our pretty baby sister.

This left us changed by this She-Devil
Would that there’d be a way to counter her evil
We couldn’t - she was always far too strong
An ISIS for us - this would last too long.

After these years, I could not grow
Was I a real woman? -  I didn’t know!
Being a mother couldn’t show
That this Family created a list of woe.

When Sissa had babies & a mom to help
We did this alone - all this we felt.
Her faulted hatred never did melt.
I didn’t know how to take a stance
Nor could I find out how to advance.
We had to oppose Aunt Mary’s dance.

That Sissa could not bo
This poem represents many years of my life. It is all true.
Carol Rae Bradford, M.Ed., Author, "Mayflower Arab: A Memoir"
Thank you for accepting my poetry. April 16, 2015
……………………………………………………………………………………
           The figures stood still, a blank expression to fill. Their waxed complexion holding dust, soulless cages immune to rust. Light bulbs flash in rhythmic delirium, contrived joy running at a premium.
           Flocks of herds came to take notice of this brand new attraction, one designated worthy by an overriding faction. Social conscience had said its peace, and passed on its opinions in a shifty lease. Word had spread as fast as it could, regardless of whether it necessarily should.
           “T. Elsey Wax Museum” was the hottest ticket in the city. Vouched for by an annual subcommittee, composed of men of no esteem, and opposed to views deemed too extreme. Every vacant mind had jumped on board, its entrance fee was small enough to afford.
……………………………………………………………………………………
Prosperity renewed, discord unglued. The walls of Briar Field, seem to leave much concealed. It’s owner, a Mr. Holden Reeve, is a vain little creature beyond reprieve. He sees no value in an altruistic life, and seems to anguish in his everyday strife.
His facility has been thrashed in print, and regarded as no more than a publicity stint. Still, if true, his machine would be a marvel, something verging on plausibly being artful. Its said Mr. Reeve has tapped into the human soul, and made monetary gain his lonesome goal.
The patents of Mr. Reeve lay out the plan for an odd looking device, but it’s purpose isn’t made overly concise. According to speculation, the machine can resurrect an individual’s ideals, but I can’t tell you how worrisome that makes this reporter feel. Mr. Reeve is toying with the work of God, something he should know to be intrinsically unflawed.
……………………………………………………………………………………
Eliot Tern was standing in a ridiculously long line, it ran four blocks down to a street named Woodbine. Elliot had been there since midday, though he had begun contemplating whether or not he should stay. Looking back there was a hectic crowd, pushing and shoving in a manor quite loud.
Eliot had dragged his friend Henry along with him, though that boy thought their odds of getting in were pretty grim. Henry stood casually, kicking stones, outside the front of BMC Savings and Loans. A woman in front told him to knock it off, Henry called her a ****, but masked it with a cough.
It was two in the afternoon by the time the two boys were about halfway, a nearby baby cried as it spat up apple puree. Some of the sauce found its way onto a man’s face, he told the mother that her parenting skills were a complete disgrace. The woman slapped the man in vicious spite, though to speak truthfully she had every right.
The man screamed and pouted for a minute or two, then he calmed down, and began to clean up the child’s spew. He glanced around to see if anyone was glaring, and poor Henry was noticed hesitantly staring. The man pointed to Henry and began to call him a coward; he spoke with the type of veracity that made it quite apparent that he felt empowered.
Henry stood calm for only a moment, and then began to stare at the man like he was no more than an opponent. The boy picked up a large rock from a graveled path, and hurled it at the man with the feeling of contempt and wrath. The stone struck the man just bellow the eye, and for a moment it looked as though he would cry.
Then the man screamed with a furious hate, it became quite clear that he was now irate. Henry took off; leaving Eliot on his own, it wasn’t exactly a measure the boy could postpone. The man had begun pushing through the crowd trying to get to the boy; his face reflected no hint of joy.
Henry ran for about 10 minutes, he had pushed himself to no new limits. The man had given up the chase after leaving the line; he tried to reclaim his spot shouting, “*******! It’s mine!” The crowd booed the man as angry mobs do, and he had to walk his way to the back to calmly stew.
……………………………………………………………………………………
               Henry was only 12 when he walked in through the rusted doors of Briar Field, it’s hinges shrieked as though inadvertently sealed. A reception desk stood before a large, arched entrance, and there sat the owner’s, under-skilled, apprentice. The man spoke in a seemingly mocking tone, as though Henry was standing in a restricted zone.
         The boy, feeling mocked, turned towards the exit, the man ran up, in a manor quite hectic. He told Henry that he was only joking, just doing a bit of nonsensical provoking. He said to Henry that his name was Fredrick Barnes, grew up, quite happily, on several local farms.
           Fredrick, or Fred as he liked to be called, began explaining the nature of how he went bald. He told Henry that he had developed an addiction to charity, making his true nature no more than a parody. Lived for years with his ego at bay, and gave every dollar he earned away.
            It took its toll in rather short time; though to live vicariously makes it all seem fine. Fred ignored his dreams for far too long, believing God to be king making him just a pawn. Then one day, he told Henry, “I was caught in a storm”, he said, “The falling rain against the wind seemed so pleasantly warm.”
             Then a man came by, begging for some change. Fred had no issue giving up his entire measly, well-earned wage. His Christian nature told him he was no better, then this hungry man in a beat up old sweater.
            Fred handed over 1,200 dollars, a mere hours work for some uneducated scholars. The beggar began to smile, showing all of his teeth, there was a yellow glow from a plaque-ridden sheath. He then turned to Fred, with a more sinister grin, and Fred noticed then, that the man stunk of gin.
             He asked Fred if he had any money, timid, Fred responded, “This really isn’t funny.” The beggar pulled out a small caliber pistol, and said that, “one has a responsibility to be fiscal.” Skin peeled off of Fred’s wrist, as the beggar pulled at a watch through clenched fist.
              In the end, the beggar took all but Fred’s clothing, and left with a bang, as to not to seem imposing. He had only shot the man just bellow the knee, but blood loss had made it hard for Fred to see. He crawled and clawed his way towards a distant street lamp, but movements were elongated by the weight of his clothes, which, obviously, were quite damp.
              Fred laid hopelessly on the cold, wet cement, with the rain mocking him in its relentless dissent. The beacon he had crawled towards turned out to be a dead-end, the severity for which was hard for the man to comprehend. There in the stillness of the night, Fredrick Barnes became aware of the true nature of his plight.
              Holden Reeve had found Fred while the man was riddled with a complex terror, spouting off nonsense about living his life in error. Holden took the young man in through the doors of Briar Field, a museum, which, to the public, had yet to be revealed. It didn’t take long for Fred to fully recover; eventually he began to look at Holden as a brother.
             Fred turned to Henry and told the boy that was the end of his story, and now, it was time for the moment of glory. He opened the two doors hidden under the arched entrance, and Henry walked into the room, followed by Holden’s apprentice.
             When they entered the room Henry immediately asked, “Where’s Mr. Reeve? ...I’m sorry if he’s passed.” Fred laughed and told the boy Holden was most certainly not dead; in fact, the two of them were standing in the middle of his homestead. Then the boy noticed the nature of the room, and how cobwebs gave it the foreboding feeling of doom.
             There was another set of doors at the end of the room, but Fred turned and knocked on a bare wall with the backside of a broom. A panel slipped open and retracted into the wall, and out stepped a noble looking man, though, truthfully, quite small. There were no visible features on the man at first, so initially Henry was expecting the worst.
              Fred acknowledged him as Mr. Reeve, so Henry stood tall, and tried to make his back as flat as the wall. It wasn’t so much that the boy was often courteous, in fact, with regards to that sentiment, the boy was usually impervious. He just felt that in this particular situation, there was going to be no recapitulation.
              This was clearly a man who only spoke with the most precise of words, those capable of collecting and massacring mass herds. Though Holden Barnes would never speak to such a crowd, his absentmindedness for them would be hard to shroud. The man was indifferent to any collective thought, and his principles were to firm to ever be bought.
              Holden spoke to Fred in brief manor, those unheard of in the print of “The Banner”. He asked if Henry seemed like a reasonable boy, or if he was merely some shady companies plotted decoy. Fred vouched for Henry, who he didn’t know; playing a bluff, and hoping it wouldn’t show.
               Holden nodded and shook his friends hand, and spun to the boy, as though his motion had been a cautious ploy. “Who are you?”, and “Why should I care?”, Mr. Reeve asked Henry, the response for which seemed to be lost in the boys memory.

“If you can’t speak to me I don’t know if you should be here, I’m not the one in the room who you should naively fear. My greatest achievement lies just behind those doors over there, but if your this timid, you could get quite the scare. I’ve constructed a testament to the human soul, and it’s designed for any man to control.”

“Though to put it in such terms is hardly fair, it’s just not something that easy to compare. I’ve gotten to where I am, if you’ll dare me to say, through myself and am not one to decline the pay.  My invention just doesn’t seem to arouse much attention, in the press Fred says I haven’t even stirred up a mention.”

“I tell you this though, it’s been their mistake, for what I’ve created here is no preposterous fake. I’ve created a method of speaking with many various forms of reason, though to them it’s some form of religious treason. They seem to think I have resurrected the soul, ghostly figures ripped out of a black hole.”

“But that simply isn’t true, as you’ll come to see, now Fred tells me your name is Henry. You have to choose now before your walk through those doors, if your ready to dance on such hallowed floors. The mystery my seem quite vague to you, but understand this offer has been made to but a few.”

“I don’t understand, what should I say?”

“To ask such a question, here I thought you were a stray? An opinion, like ego is something to treasure, not cast off at someone else’s pleasure. This decision is yours and yours alone, you can use no alchemy from the philosopher’s stone.”

Henry was caught up in an odd predicament, one with no true equivalent. He had no real idea what he was choosing between, but he knew that he couldn’t let that fear be seen. So Henry said yes, without further discussion, and hoped along the way there would be no major repercussion.
At the end of the hall there stood an entrance, Fred stood by acting as apprentice. He told Henry to try and open the door, as Henry pushed his feet slid across the floor. Fred laughed and said that it was locked, and could only be opened one way, Holden kicked a loose rock imbedded in the wall, and soon, the door moved, quick to obey.
The room was not nearly as large as Henry had pictured, and distant light bulbs scornfully flickered. There was only one object in the center of the space, here Henry began walking with a quickened pace. It looked as though it was just a large computer monitor, but its framework seemed composed by an ancient astrologer.
Objects spun about with contact precision, and small fractures of light seemed to meet through collision. The spectacle was truly something to behold, though Henry still had no idea what was about to unfold. Mr. Reeve walked up to the machine and began to touch its screen, and all the lights stopped, and then seemed to reconvene.

“Alright Henry, I suppose it’s time I explained the true nature of this device, but somehow I only now realize you got in here free of price. No matter, it’s been a while since it’s seen someone new, I’m curious what some of these people are going to say to you.”

“What you are looking at now is a labor of scientific process, but believe me when I say there is no need to be cautious. There is no black magic at work here, though many have said so without coming near. This machine I’ve created does what some say to be impossible, like Nemo’s creation, just far less nautical.”

“This machine collects and records all forms of the written word, sweeps them in like collecting some massive herd. It organizes and sorts data of all different norms, and emits it in a conversational form.”

“You see this creation has given man a chance to talk to those of the past, allowing for a legacy only time can outlast.”

Henry stopped and stared at the man for quite a long period of time, and tried to figure out why Mr. Reeve looked so perfectly sublime. Henry now thought he understood the nature of the device, in fact Holden had made it all seem so concise. The machine would allow Henry to talk to anyone from the past, as long as there had been enough information amassed.

“Who do you want to talk to first? I’d suggest Ayn Rand, if you’re okay with being coerced.”

Henry had no idea concept of Mrs. Rand, so the concept to him didn’t seem overly grand. He lingered on the thought for a second or two, not wanting to pick an individual who could be considered taboo. Then, it came to Henry like a sudden case of dysentery, he saw this man as more than a visionary.

“Is it possible for me to speak to someone who didn’t actually exist?”

“I can see what I can do if that’s what you insist?”
……………………………………………………………………………………
Eliot was furious as he saw Henry; the boy had been gone so long it had slipped from his memory. He stood and waited for Henry to ask to step back into line, and then he would make it clear that everything was not fine. Eliot was now standing at the front, to just let Henry in would be a great affront.

“I’m going home.” Henry said as he let his eyes roam.

Eliot felt sick as Henry walked away, then he became curious how he had spent the last three hours of the day. “No matter” thought Eliot as he waited patiently, he’d have his victory soon enough, and he would take it graciously. Very suddenly a woman opened up the front doors of the institution, and thanked everybody for their “contribution”.

“It’s time to say goodnight. The museum will be open at 9 o’clock tomorrow, during daylight.”

The woman very casually walked away, as Eliot was in complete dismay. Then he had a calming thought, none of the creations were going to rot. All he would have to do is come back the next day, everything, he thought, will be okay.
……………………………………………………………………………………
Cass was the youngest and most beautiful of 5 sisters. Cass was the most beautiful girl
in town. 1/2 Indian with a supple and strange body, a snake-like and fiery body with eyes
to go with it. Cass was fluid moving fire. She was like a spirit stuck into a form that
would not hold her. Her hair was black and long and silken and whirled about as did her
body. Her spirit was either very high or very low. There was no in between for Cass. Some
said she was crazy. The dull ones said that. The dull ones would never understand Cass. To
the men she was simply a *** machine and they didn't care whether she was crazy or not.
And Cass danced and flirted, kissed the men, but except for an instance or two, when it
came time to make it with Cass, Cass had somehow slipped away, eluded the men.
Her sisters accused her of misusing her beauty, of not using her mind enough, but Cass
had mind and spirit; she painted, she danced, she sang, she made things of clay, and when
people were hurt either in the spirit or the flesh, Cass felt a deep grieving for them.
Her mind was simply different; her mind was simply not practical. Her sisters were jealous
of her because she attracted their men, and they were angry because they felt she didn't
make the best use of them. She had a habit of being kind to the uglier ones; the so-called
handsome men revolted her- "No guts," she said, "no zap. They are riding on
their perfect little earlobes and well- shaped nostrils...all surface and no
insides..." She had a temper that came close to insanity, she had a temper that some
call insanity. Her father had died of alcohol and her mother had run off leaving the
girls alone. The girls went to a relative who placed them in a convent. The convent had
been an unhappy place, more for Cass than the sisters. The girls were jealous of Cass and
Cass fought most of them. She had razor marks all along her left arm from defending
herself in two fights. There was also a permanent scar along the left cheek but the scar
rather than lessening her beauty only seemed to highlight it. I met her at the West End
Bar several nights after her release from the convent. Being youngest, she was the last of
the sisters to be released. She simply came in and sat next to me. I was probably the
ugliest man in town and this might have had something to do with it.
"Drink?" I asked.
"Sure, why not?"
I don't suppose there was anything unusual in our conversation that night, it was
simply in the feeling Cass gave. She had chosen me and it was as simple as that. No
pressure. She liked her drinks and had a great number of them. She didn't seem quite of
age but they served he anyhow. Perhaps she had forged i.d., I don't know. Anyhow, each
time she came back from the restroom and sat down next to me, I did feel some pride. She
was not only the most beautiful woman in town but also one of the most beautiful I had
ever seen. I placed my arm about her waist and kissed her once.
"Do you think I'm pretty?" she asked.
"Yes, of course, but there's something else... there's more than your
looks..."
"People are always accusing me of being pretty. Do you really think I'm
pretty?"
"Pretty isn't the word, it hardly does you fair."
Cass reached into her handbag. I thought she was reaching for her handkerchief. She
came out with a long hatpin. Before I could stop her she had run this long hatpin through
her nose, sideways, just above the nostrils. I felt disgust and horror. She looked at me
and laughed, "Now do you think me pretty? What do you think now, man?" I pulled
the hatpin out and held my handkerchief over the bleeding. Several people, including the
bartender, had seen the act. The bartender came down:
"Look," he said to Cass, "you act up again and you're out. We don't need
your dramatics here."
"Oh, *******, man!" she said.
"Better keep her straight," the bartender said to me.
"She'll be all right," I said.
"It's my nose, I can do what I want with my nose."
"No," I said, "it hurts me."
"You mean it hurts you when I stick a pin in my nose?"
"Yes, it does, I mean it."
"All right, I won't do it again. Cheer up."
She kissed me, rather grinning through the kiss and holding the handkerchief to her
nose. We left for my place at closing time. I had some beer and we sat there talking. It
was then that I got the perception of her as a person full of kindness and caring. She
gave herself away without knowing it. At the same time she would leap back into areas of
wildness and incoherence. Schitzi. A beautiful and spiritual schitzi. Perhaps some man,
something, would ruin her forever. I hoped that it wouldn't be me. We went to bed and
after I turned out the lights Cass asked me,
"When do you want it? Now or in the morning?"
"In the morning," I said and turned my back.
In the morning I got up and made a couple of coffees, brought her one in bed. She
laughed.
"You're the first man who has turned it down at night."
"It's o.k.," I said, "we needn't do it at all."
"No, wait, I want to now. Let me freshen up a bit."
Cass went into the bathroom. She came out shortly, looking quite wonderful, her long
black hair glistening, her eyes and lips glistening, her glistening... She displayed her
body calmly, as a good thing. She got under the sheet.
"Come on, lover man."
I got in. She kissed with abandon but without haste. I let my hands run over her body,
through her hair. I mounted. It was hot, and tight. I began to stroke slowly, wanting to
make it last. Her eyes looked directly into mine.
"What's your name?" I asked.
"What the hell difference does it make?" she asked.
I laughed and went on ahead. Afterwards she dressed and I drove her back to the bar but
she was difficult to forget. I wasn't working and I slept until 2 p.m. then got up and
read the paper. I was in the bathtub when she came in with a large leaf- an elephant ear.
"I knew you'd be in the bathtub," she said, "so I brought you something
to cover that thing with, nature boy."
She threw the elephant leaf down on me in the bathtub.
"How did you know I'd be in the tub?"
"I knew."
Almost every day Cass arrived when I was in the tub. The times were different but she
seldom missed, and there was the elephant leaf. And then we'd make love. One or two nights
she phoned and I had to bail her out of jail for drunkenness and fighting.
"These sons of *******," she said, "just because they buy you a few
drinks they think they can get into your pants."
"Once you accept a drink you create your own trouble."
"I thought they were interested in me, not just my body."
"I'm interested in you and your body. I doubt, though, that most men can see
beyond your body."
I left town for 6 months, bummed around, came back. I had never forgotten Cass, but
we'd had some type of argument and I felt like moving anyhow, and when I got back i
figured she'd be gone, but I had been sitting in the West End Bar about 30 minutes when
she walked in and sat down next to me.
"Well, *******, I see you've come back."
I ordered her a drink. Then I looked at her. She had on a high- necked dress. I had
never seen her in one of those. And under each eye, driven in, were 2 pins with glass
heads. All you could see were the heads of the pins, but the pins were driven down into
her face.
"******* you, still trying to destroy your beauty, eh?"
"No, it's the fad, you fool."
"You're crazy."
"I've missed you," she said.
"Is there anybody else?"
"No there isn't anybody else. Just you. But I'm hustling. It costs ten bucks. But
you get it free."
"Pull those pins out."
"No, it's the fad."
"It's making me very unhappy."
"Are you sure?"
"Hell yes, I'm sure."
Cass slowly pulled the pins out and put them back in her purse.
"Why do you haggle your beauty?" I asked. "Why don't you just live with
it?"
"Because people think it's all I have. Beauty is nothing, beauty won't stay. You
don't know how lucky you are to be ugly, because if people like you you know it's for
something else."
"O.k.," I said, "I'm lucky."
"I don't mean you're ugly. People just think you're ugly. You have a fascinating
face."
"Thanks."
We had another drink.
"What are you doing?" she asked.
"Nothing. I can't get on to anything. No interest."
"Me neither. If you were a woman you could hustle."
"I don't think I could ever make contact with that many strangers, it's
wearing."
"You're right, it's wearing, everything is wearing."
We left together. People still stared at Cass on the streets. She was a beautiful
woman, perhaps more beautiful than ever. We made it to my place and I opened a bottle of
wine and we talked. With Cass and I, it always came easy. She talked a while and I would
listen and then i would talk. Our conversation simply went along without strain. We seemed
to discover secrets together. When we discovered a good one Cass would laugh that laugh-
only the way she could. It was like joy out of fire. Through the talking we kissed and
moved closer together. We became quite heated and decided to go to bed. It was then that
Cass took off her high -necked dress and I saw it- the ugly jagged scar across her throat.
It was large and thick.
"******* you, woman," I said from the bed, "******* you, what have you
done?
"I tried it with a broken bottle one night. Don't you like me any more? Am I still
beautiful?"
I pulled her down on the bed and kissed her. She pushed away and laughed, "Some
men pay me ten and I undress and they don't want to do it. I keep the ten. It's very
funny."
"Yes," I said, "I can't stop laughing... Cass, *****, I love you...stop
destroying yourself; you're the most alive woman I've ever met."
We kissed again. Cass was crying without sound. I could feel the tears. The long black
hair lay beside me like a flag of death. We enjoined and made slow and somber and
wonderful love. In the morning Cass was up making breakfast. She seemed quite calm and
happy. She was singing. I stayed in bed and enjoyed her happiness. Finally she came over
and shook me,
"Up, *******! Throw some cold water on your face and pecker and come enjoy the
feast!"
I drove her to the beach that day. It was a weekday and not yet summer so things were
splendidly deserted. Beach bums in rags slept on the lawns above the sand. Others sat on
stone benches sharing a lone bottle. The gulls whirled about, mindless yet distracted. Old
ladies in their 70's and 80's sat on the benches and discussed selling real estate left
behind by husbands long ago killed by the pace and stupidity of survival. For it all,
there was peace in the air and we walked about and stretched on the lawns and didn't say
much. It simply felt good being together. I bought a couple of sandwiches, some chips and
drinks and we sat on the sand eating. Then I held Cass and we slept together about an
hour. It was somehow better than *******. There was flowing together without tension.
When we awakened we drove back to my place and I cooked a dinner. After dinner I suggested
to Cass that we shack together. She waited a long time, looking at me, then she slowly
said, "No." I drove her back to the bar, bought her a drink and walked out. I
found a job as a parker in a factory the next day and the rest of the week went to
working. I was too tired to get about much but that Friday night I did get to the West End
Bar. I sat and waited for Cass. Hours went by . After I was fairly drunk the bartender
said to me, "I'm sorry about your girlfriend."
"What is it?" I asked.
"I'm sorry, didn't you know?"
"No."
"Suicide. She was buried yesterday."
"Buried?" I asked. It seemed as though she would walk through the doorway at
any moment. How could she be gone?
"Her sisters buried her."
"A suicide? Mind telling me how?"
"She cut her throat."
"I see. Give me another drink."
I drank until closing time. Cass was the most beautiful of 5 sisters, the most
beautiful in town. I managed to drive to my place and I kept thinking, I should have
insisted she stay with me instead of accepting that "no." Everything about her
had indicated that she had cared. I simply had been too offhand about it, lazy, too
unconcerned. I deserved my death and hers. I was a dog. No, why blame the dogs? I got up
and found a bottle of wine and drank from it heavily. Cass the most beautiful girl in town
was dead at 20. Outside somebody honked their automobile horn. They were very loud and
persistent. I sat the bottle down and screamed out: "******* YOU, YOU *******
,SHUT UP!" The night kept coming and there was nothing I could do.
Dorothy A Jun 2012
With great recollection, there were a few things in life that Ivy Jankauskas would always remember—always.

She would never forget where she was when 9/11 happened; she was in her algebra class, doodling a picture on a piece of notebook paper of her dog, Zoey—bored out of her mind by Mr. Zabbo’s lecture—when she first heard the shocking news. Certainly, she could remember when she first properly fell in love; she was fresh into college when she knew that she loved Trevor Littlefield—the day after they agreed to get back together, right after the day they decided to split up—after she finally realized that she really loved him, much more than she ever, really, consciously thought. She would forever remember when her parents first took her to Disneyland; she was seven and got her picture taken with Snow White and Mickey Mouse, and she instantly decided that she wanted to become a professional Tinkerbelle when she grew up.

And, like it or not, she could remember her very first kiss. She had just turned five, and it was at her birthday party. How could she ever forget those silly paper hats, and all her little playmates wearing them? They were a good sized group of children, mostly from the neighborhood and her kindergarten class, which watched her open present after present. Ivy remembered her cherry cake, with white frosting, and the stain she had when she dropped a piece on her pretty, new dress that her mother had bought her just for the occasion.  

It was later that day, behind her garage, that Gordon Zachary Durand, the Third, a boy her same age, planted one on her. It was a strange sensation, she recalled—icky, wet and sloppy, and Gordon nearly missed her mouth. Not expecting it, Ivy made a face, puckering up her lips—but not for another kiss—as if she had just ****** on a spoiled lemon. Ever since then, it was the beginning of the dislike she had for Gordon Zachary Durand, the Third. She didn’t exactly know why—there was just something about him that bugged her from then on.

There grew to be several reasons why Ivy knew that Gordon was a ****, something she first sensed at her birthday party behind the garage. Since about third grade, children picked on Ivy’s name, teasing her by calling her “Poison Ivy”.  And the one who seemed to be the loudest and most obnoxious of the name callers, chiming in with the other bullies, was Gordon Zachary Durand, the Third.  Ivy was proud of her name up until then, but the taunts made her self conscious. Her mother told her to be proud of her name, for it was unique and different, as she was unique and an individual. Still, Ivy felt uncomfortable with her name for quite a while. Only in adulthood, did she feel somewhat better about it.

A bit of a tomboy back then in school, she would have loved to punch Gordon right in the nose. If only she could get away with it! What a joke! Who would name their child Gordon anyway? She had thought it was far worse than hers.

So to counter his verbal assaults to her name, Ivy called Gordon, “Flash Gordon”, after the science fiction hero from TV and the comics. But Gordon was no hero to her. He was more of a villain, creepy, vile, and just plain mean!

Soon, new name of him caught on, and other kids were joining her. She had a smug sense of satisfaction that Gordon grew furious of the title, for it stuck to him like glue.

Gordon’s family lived right around the block, just minutes away from where Ivy lived. Ivy’s mom, Gail, and Gordon’s mom, Lucy, both went to the same Lithuanian club, and both encouraged their children to take up Lithuanian folk dancing. Ivy remembered she was eight-years-old when she began dancing. It was three years of Hell, she had thought, wearing those costumes, with long, flowery skirts, frilly blouses, aprons, caps and laced vests, and performing for all the parents and families in attendance. Worst of all, she often had to dance with Gordon, and he was one of only three boys that was dragged into taking up folk dancing by their mothers. Probably all of those boys went into it kicking and screaming, so Ivy had thought.

Many years have came and gone since those days. Ivy was now a lovely, young woman, tall and dark blonde, and with a Master’s degree in sociology, working as a social worker in the prison system. Ivy’s parents would never have imagined that she would work in a field, in such places, but she found it quite rewarding, helping those who often wished for or were in need of redemption.    

When Ivy came over to visit her mom one day, her mother had told her some news. “Gordon Durand’s mother passed away”, Gail announced. It was quite disturbing.

“What? When?” Ivy replied, her face full of shock.

“Well, it must have been a few days ago. I saw the obituary in the paper, and a couple of people from the Lithuanian club called me to tell me. The funeral will be Friday. Why, I didn’t even know she was sick! She must have hid from just about everyone. If only I knew, I would have gone to see her and make sure she know I cared”.

It had been a long time since Ivy saw Gordon, ever since high school. Now, they were both twenty-six-years-old. It never occurred to her to ever think of Gordon, to have him fixed in her mind like a fond memory from the past.

“Could of, would of, should of—don’t beat yourself up, Mom” Ivy told her "I guess I should go pay my respects”. But Ivy was not sure if she really should do it, or really if she wanted to do it. “Mrs. Durand was a nice lady. Sometimes, it is the nice ones that die young. What did she die of anyway?”

Ivy’s mom was pouring herself and her daughter a cup of coffee. “I believe it was leukemia. In the obituary, it asks for donations to be made to the Leukemia Society of America”.

Ivy shook her head in disbelief.  As she was sitting down with her mother at the kitchen table, drinking her coffee, her mom shocked her even more. Gail said, “Only twenty-six, same as you, and now Gordon has no mother or father! How tragic to lose your parents at such a young age! It breaks my heart to think of him without his parents, even though he is a grown up man now!”

“What?!” Ivy shouted in disbelief. “When did Gordon’s dad die?!”

Gail sipped on her coffee mug. “Oh, a few years ago, I believe. Time sure flies, so maybe it was longer than I think”. Gail had a far away look on her face like she was earnestly calculating the time in her mind.

“He died? You never told me that! How come you never told me?”

Under normal circumstances, the thought of Gordon Zachary Durand, the Third, would almost want to make Ivy cringe. But now Ivy was feeling very sad for him.  

“I did!” Gail defended herself. “You just don’t remember, or you weren’t listening. I am sure I told you!”

Gail was a round faced woman, with light, crystal blue eyes that always seemed warm in spite of their icy color. Ivy was quite close to her mother, her parents’ only child. She was grateful that her dad, Max, was still around, too, unlike the thought of Gordon’s dad dying. She felt that she could not have asked for better parents. They loved her and built her up to be who she was, and she felt that they could be proud of how she turned out, not the stereotypically spoiled, only child, not entitled to have everything, but one who was willing to do her share in life.  

“I would have remembered, Mom!” Ivy insisted. “I would remember a thing like that! What happened to him? Did you go to the funeral home?”

“I think he had a heart attack”, Gail replied, tapping her finger on her temple to indicate that she remembered. “I did go…oh, wait a minute. You were in Europe with your friends. It was the year after you graduated from high school, I believe. You couldn’t possibly have gone to the funeral home at that time”.

Since Gail did not want to go to Daytona Beach, in Florida, for her senior trip, her parents saved up the money for her to go to Germany and Italy. Ivy wasn’t into being a bikini clad sun goddess, nor was she thrilled by the rowdy behavior of crowds of *** craved teens—a choice that her parents were quite grateful that she chose, level headed as she was.

Since she was a little girl, Ivy dreamed of going to Europe. Her parents, both grandchildren of Lithuanian immigrants, would have loved for her to go to Lithuania, but Ivy and two of her friends had found a safe, escorted trip to go elsewhere,  on to where Ivy always dreamed of going—to see the Sistine Chapel and to visit her pen pal of eleven years, Ursula Friedrich, in Munich.  

Now, Ivy was available to visit the funeral home for Gordon’s mother, and she had decided to go with her mother. Not seeing Gordon in years, Ivy had her misgivings, not knowing what to expect when encountering him. Perhaps, he would be different now, but maybe he would prove to be quite the ****.

As she came, she noticed Gordon’s sister, Deirdre, and she gave her a hug. “I’m so sorry to hear about your mom. She was so nice”, Ivy told Deirdre. She felt uncomfortable talking to Deirdre, for she did not know what to say other than the usual, I am sorry for your loss. It was “sympathy card” talk, and Ivy felt like she was quoting something contrived from a Hallmark store.    

Deirdre was two years older than Gordon. She slightly smiled at Ivy and sighed. She must have said just about the same thing all day long, “It is good of you to come. Thank you for your kind support. Mom would appreciate it”.

Ivy looked around the room. There were many flowers, in vases and baskets, and people surrounding the casket. Ivy could not see Mrs. Durand in the coffin, for people were in the way, her mother included. She was glad she couldn’t see the body from her view.

Funeral homes gave her the creeps, ever since she was thirteen years old and her grandmother died, her father’s mother, and she had to stay at the funeral home all day long. Even a whiff of some, certain flowers was not pleasant to smell. They reminded her of being at a place like this, certainly not evoking thoughts of joy.          

Ivy looked around the room. “Where is Gordon?” she asked Deirdre.

Deirdre sighed again. “Gordon cannot handle death very well”, she admitted. “Go outside and look. He has been hanging around the building outside, getting some fresh air and insisting he needs a big break from all this.”

Ivy shook her head and smirked. “That sounds like Gordon, I must say”  

“Yeah”, Deirdre agreed, as she looked like Gordon’s help to her was a lost cause. “And he’s leaving me to do all the important work—talking to people who come in while he goes away and escapes from reality”.

Ivy went outside to search for Gordon. Sure enough, she found him by the side of the building, under a broad, shady tree. He was having a cigarette, standing all by himself, when he saw her approach.

Gordon looked the same—wavy brown hair and freckles, but much more grown up and sophisticated, his suit jacked off and his tie loosened up. Ivy knew that he always hated wearing ties. She knew that when both her mom and his mom convinced them to go out with each other—a huge twist of their arms—to the Fall Fest Dance in ninth grade and in junior high school. Gordon’s mom bribed him to go with her by promising to double his allowance for the month, and Ivy actually had a silly crush on Gordon’s cousin, Ben, hoping that she might get to talk to him if she went with Gordon to the dance.

Ivy glanced at Gordon’s cigarette, and he noticed. “Been trying to quit”, Gordon told her as she approached. He dropped it on the sidewalk and stepped on it to put it out. His face was somber as he added without any emotion, as if parroting his own voice, “Ivy Jankauskas—how the hell have you been?” It sounded like he had just seen her in a matter of months instead of years.

Well, at least he had no problem identifying her or remembering her name. She must not have changed that drastically—and hopefully for the better.

Ivy stood there before him, as he looked her down from head to toe. Same old Gordon! She thought he was probably giving her “the inspection”. She thought he almost looked handsome in his brown suit vest and pants—almost—with a sharp look of sophistication that Gordon probably wasn’t accustomed to. Surely, Ivy had no real respect for him.

“I’m well”, she responded. “But the question is more like…how are you doing?” Ivy studied Gordon’s blank expression. “No—really. I’d like to know how you are coping”.

Gordon stood there looking at the ground, his hands in his pants pockets, like he never heard her. “Come on. Let’s go for a walk”

“Here? Now?”

“Just a short work, around the block”, he told her. He already started walking, and Ivy contemplated what to do before she decided to follow up with him to join him.

They walked together in silence for a while. From anyone passing by, they surely would have looked like a couple, a well-paired couple that truly enjoyed each other’s company. Ivy could not believe she was actually walking with him. Gordon Zachary Durand, the Third? Of all people!

“You haven’t answered my question”, Ivy said. “How are you coping? You know I really liked your mom a lot. She always was pleasant to me”.

She wanted to add, “Unlike you”, but it certainly was not the right time or the right place. She felt a twinge of guilt for thinking such a thing. Under more pleasant circumstances, she would have jabbed him a little. That was just how they always communicated, not necessarily in a mean-spirited way, but in a brotherly and sisterly way that involved plenty of teasing.

Gordon thought a moment before he answered. “Yeah, it’s hard. But what can I do? I lost my dad. I lost my mom. Period. End of discussion. I’m too old to be an orphan…but I kind of feel like one anyhow. That’s my answer, in a nutshell”.

“And I wish I knew about your dad”, Ivy said, with a great tone of remorse. “I was in Europe at the time, and I couldn’t have possibly gone to the funeral”.

“Europe? Wow! Aren’t you the jet setter? Who else gets to do that kind of stuff but you, Ivy?”

Now that was the Gordon she always knew! It did not take long for the true Gordon to come forth and show himself.

“No! I don’t have all kinds of money!” she quickly defended herself. “I actually helped pay for some of that trip by working all summer after we graduated from high school. Plus, it was the trip of a lifetime. I may never get the chance to go again on a trip like that again”.  

Ivy was a bit perturbed that Gordon seemed to imply that she was pampered by her parents. He accused her of that before, just because she was an only child.

Autumn was approaching, but summer was still in the air. It was Ivy’s favorite time of year, with the late summer and early autumn, all at the same time.  The trees were just starting to turn colors, but the sun felt nice and warm upon her as Ivy walked along. It was surely an Indian summer day, one that wouldn’t last forever. She wore a light sweater over her sleeveless, cotton dress, and took it off to experience more of the sun.

“It has been ages since I’ve seen you”, Gordon admitted. “Since high school. So what became of you? Did you ever go to college?”

“I did and I work as a social worker…I work in various prisons”

Gordon laughed out loud, and Ivy gave him a stern look. “What’s so funny?” she demanded.

“I just can’t picture you going in the slammer, even if you aren’t wearing an orange suit”, he said in between laughing. He looked at Ivy, and she had quite a frown on her face. He changed his tune. “I was only joking, Ivy. I think you’d probably do good work at your job”.  

“And where do you work?” she asked, a devilish expression on her face. “At the circus?”

Ivy caught herself becoming snarky to Gordon. It did not take long. She opened her mouth to apologize, but Gordon, sensing her need to be sorry, stopped her.

Laughing even more, he said, “Good one! You are sharp and fast on your feet! You always have been! I work for an insurance agency. I work for Triple A”.

“Oh, really? Do you like your job?” Ivy asked. Her interest was genuine.

“It pays the bills. But, hey! I am going back to college in January. I just have an Associate’s degree right now. I am not sure what I want to take up, but I want to go back and at least get a Bachelor’s”.

“That’s great!” Ivy exclaimed. “I think you should keep on learning and keep on moving forward. That is a great goa
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body.  i like what it does,
i like its hows.  i like to feel the spine
of your body and its bones,and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the,shocking fuzz
of your electric furr,and what-is-it comes
over parting flesh….And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new
Grahame Jun 2014
A  MOONLIT  KNIGHT.

Fern rises and looks out of her window.
Silver shards of moonlight lick the lawn.
She who once felt gay and oh so joyous,
Now feels oh so desolate and lorn.

Will she ever find true love again?
She before has never felt so low.
Should she, for love, continue searching?
Or give up by ending it here and now?

Outside, all is monochrome and still,
Inside, Fern is still and very sad.
Will she feel happiness again?
Who knows how long she’ll feel this bad?

At the stroke of midnight, there’s a change,
There seems to be a disturbance in the air.
Gradually something seems to materialise
On the lawn, a shape, come from where?

It is a knight, armoured cap-à-pie,
On a horse, for war caparisoned.
From his saddle hangs a jousting shield,
A silver moon on it is designed.

A white plume is mounted on his helmet,
On his lance a white pennon is tied.
The knight looks at her, at her window,
Silently he sits and does bide.

He raises a gauntleted hand and beckons,
Should she stay in, or venture out?
In her white nightdress she goes downstairs,
Deciding to see what it’s all about.

Cautiously she opens up the door,
And putting her head out, looks outside.
The knight still sits, patiently waiting.
Fern wonders what might now betide.

Slipping on an old pair of shoes,
She slowly walks over to the knight.
In her wake she leaves a dewy trail,
And as she nears, the knight fades from sight.

Fern wonders what this all might mean,
Is she dreaming or is she awake?
Is, what she has seen, been real?
Or has she made a big mistake?

Then, whilst standing there in wonder,
She happens to look down at the ground.
Where the knight was, the grass is trampled,
As though a horse has curvetted around.

Then she hears a sound from behind her,
And startled, Fern quickly turns round.
Her house no longer seems to be there,
In its stead, a keep there is stound.

The sound she hears is a woman calling,
“My Lady, please come back here inside.
You shouldn’t be alone out in the dark,
Please come back and in your chamber bide.”

The woman, from a window, looks at Fern.
“Excuse me, are you addressing me?”
Fern directs the question at the woman,
Who replies to her, “Of course, my Lady.”

“’Tis not safe out at this time of night,
And you are in your night attire dight,
So if someone, of you, catches sight,
You’ll not be seen in a good light.”

Before Fern can think of what to say,
She hears the sound of a galloping horse.
It is getting nearer in the dark.
She hopes that things will now not get worse.

“My Lady, quickly, please get you inside,
Do not just stand there as if dazed.
Hurry now, before it it too late.”
Fern, though, does stand there amazed.

Approaching through the night is a horse,
The one she’d seen before on her lawn,
The same knight is seated on its back,
Though now the pennant on his lance is torn.

The horse stops right next to Fern,
And caracoles to bring them face-to-face.
The knight lowers his lance to show his pennant,
Which Fern sees is a torn fragment of white lace.

The knight again does sit in stilly silence,
He waits, and does not make any demand.
Then lowers his lance to touch her nightdress’s hem,
When suddenly, Fern does understand.

The hem of her nightdress is lace trimmed,
So Fern bends, and seizes it in hand.
Then with a sharp tug she tears it off,
Removing it in a single strand.

The knight raises up his lance higher,
The old lace, from the lance, Fern does remove.
Then ties the furbelow on very tightly,
Saying, “Please take this favour with my love.”

The knight dips his lance in salute,
Then turns his horse, back down the road to face.
His spurs lightly touch the horse’s flanks,
Which straight away gallops off at pace.

Fern walks across to the keep.
The woman opens the main door wide.
Fern steps across the threshold,
And now, in her own house is inside.

She turns to look back across the lawn,
Which is still lit by the silver moon’s light.
The lawn is now smooth and unblemished,
With no marks caused by the steed of the knight.

Fern goes upstairs to her bedroom.
Has this all been a dream ere now?
Then, as she gets back into bed,
She sees her nightdress lacks its furbelow.

Fern remembers her nightdress has a pocket,
And into it, her hand she does place,
Then, to her utter amazement,
She pulls out a fragment of torn lace.

Fern wonders at what’s just happened,
Was it real, or only in her mind?
If it was just her imagination,
Why has she been able, the fragment to find?

Eventually Fern drifts off to sleep,
Waking with the chorus of the dawn.
Although she doesn’t think she has changed,
She no longer feels quite so forlorn.

“Why does the knight appear to me?
Why has he only come at night?
Is he trying to find out if he’s wanted?
Is he trying to make something right?”

Later on that day Fern walks to town,
And heads for the library to find,
If there are any references to knights
That might help to ease her troubled mind.

Fern does find a story of a knight,
Who had a moon device on his shield.
He was very brave in the fight,
And to a foe would never yield.

He had been commissioned to take a message,
To a lord, by order of the king.
It was to be delivered urgently,
And he was not to stop for anything.

He was nearly there when something happened.
By the side of the highway lay a maid.
Being a chivalrous knight, he should have stopped,
Instead, he carried on, not giving aid.

He delivered the message to the lord,
And later was seated, drinking in the hall,
When there entered in some serving men,
Carrying on their shoulders a shrouded pall.

They lay down their burden on the floor,
And without having said a word,
Reverently uncovered the face of a body.
It was the lady of the lord.

Then entered in another knight,
Who stepped up to the lord, and said,
“On our way here, we found your lady.
She was wounded, and now, alas, she’s dead.”

The other knight continued with his story,
“Seemingly, she had been robbed and *****.
There was no sign of the perpetrators,
We think they’d been disturbed, and then escaped.”

“Perhaps if we had managed to come sooner,
We might have been there to prevent this crime.
However, it seems the Fates conspired against us,
So we were not there to help in time.”

The Knight of the Moon sat there horror-struck,
He knew if he’d not been so keen to arrive,
Though helped, as his conscience had dictated,
The lady might yet even be alive.

Instead of speaking up, he stayed silent,
And never about this matter spoke a word.
Then he rose, and gave his condolence,
And went out from the presence of the lord.

The lady was removed to lie in state,
The Knight of the Moon went, to look at her face.
He knelt there in silent prayer awhile,
Then, from her dress, removed a length of lace.

He accoutred himself in his full armour,
Then rode from the keep that very night.
He left a note, stating his omission,
And of him, no-one ever saw a sight.

Fern is very sad to read this story.
What had then been in the knight’s mind?
Had he ridden off to end his disgrace,
Or the perpetrators, gone to find?

Fern now makes her thoughtful way home,
Hoping he’d found surcease from his torment,
Wondering what to him had befallen,
And if, for his lapse, he’d made atonement.

Fern reaches home rather tired,
So lies down on her bed, then falls asleep.
She dreams of knights in armour and fair damsels,
And jousting in the grounds of the keep.

Eventually, Fern wakens from her slumber.
She lies for a moment in her bed.
Yet again she thinks about her dream.
Was it real, or made up in her head.

“Perhaps,” she thinks, “I’m just on the rebound,
Because I’m still in mourning for my love.
And being of a romantic nature,
Dreaming of knights this does this prove.”

“Knights should have been chivalrous and kind,
Treating damsels in distress with care.
Except, when a knight I truly needed,
As it happened, there was not one there.”

“On that night, if we’d had some help,
My husband might still be alive.
Now, he has been taken from me,
And I feel that alone I cannot thrive.”

“However, life must go on as usual,
I should carry on, if just for him,
And so, perhaps, I should cease this moping,
And try to get on with my life again.”

So Fern gets up, refreshed from her nap,
Then decides, after eating, to go out.
That she must now get herself together,
Fern is not left in any doubt.

“Perhaps a short drive into the country,
And to stretch my legs, a gentle walk.
However, I will get on much quicker,
If I do not, to myself, talk.”

Fern puts on her coat and gets her bag,
Then goes out and walks to her car.
This is the first time that she’s driven
Since losing him, so she’ll not go too far.

Fern unlocks her car, and sits inside,
Then she is overcome with fear.
“Suppose, now, I am too scared to drive.
Perhaps I’d feel better if help was near.”

“Come on Fern, pull yourself together!
Feel the fear and do it anyway!
If you don’t do it now, then when?
Start the car, and let’s be on our way.”

So having given herself a little lecture,
Fern belts up, and pulls out of her drive.
Then, not really knowing where she’s headed,
Off she goes to see where she’ll arrive.

Fern motors out into the country,
And following a lane, drives up a hill.
At the top she parks and gets out.
Everything seems peaceful and so still.

She aimlessly ambles round the hill top,
And reads a notice saying it was a fort.
Then, Fern drifts off into a daydream,
And views the panorama without thought.

In her mind’s eye she sees a castle,
Decorated with many banners bright.
A tournament seems to be in progress,
And the winner is, of course, her moonlit knight.

Eventually, Fern becomes aware,
That she has gone some distance from her car.
So she slowly makes her way back to it.
She hadn’t meant to walk quite so far.

The shades of night are now falling fast,
And everything is starting to look grey.
So Fern unlocks her car and gets inside,
Ready to be getting on her way.

Slowly, she starts off down the hill,
The lane is very narrow with high hedges,
The moon is hidden behind some lowering clouds,
The track’s overgrown with grass and sedges.

Somehow, she’s gone a different way.
In the dark, everything seems wrong.
Fern is now starting to get worried,
And wonders why the track seems so long.

Eventually, she debouches onto a road,
Though she is not sure exactly where.
Fern is by now really anxious,
Then suddenly, gets an awful scare.

It looks just like the road they had been travelling,
When her husband lost control of the car.
It had skidded, spun and then rolled over,
The door had opened, and Fern had been flung far.

Her husband had still been trapped inside,
When it suddenly erupted into flame.
Fern could only stand and helplessly watch,
All the while loudly screaming his name.

No-one was around at that moment,
Perhaps someone might have pulled him out.
Then, as other motorists arrived,
They phoned for help, while listening to Fern shout.

Quite soon, a fire-engine came,
Closely followed by an ambulance.
The fire was eventually put out,
And Fern driven off still in a trance.

That had been several weeks ago,
And Fern has not since passed that place.
Now, it looks as if she is there,
And will, her darkest moment, have to face.

Then, to her horror, she sees a shape,
Dimly lit by her headlamps’ light.
It is a fallen motorcycle,
And the rider’s lying by it, just in sight.

Fern stops her car, and runs up to him.
Perhaps she can be of some aid.
As she approaches, the man gets up,
While a voice behind her says, “Don’t be afraid.”

“You just do exactly as we tell you.
We only want your money, and some fun.
Then, you can be on your way.
Do not even think of trying to run.”

The first man picks up the bike,
And pushes it to the road’s side.
The other man comes up close to Fern,
Who wonders again what might betide.

The wind blows the clouds across the sky,
Bringing the bright moon into sight.
The road that ’til then was hidden in darkness,
Is now lit with shards of silver light.

Fern then hears the sound of a horse,
Approaching through the wild and windy night.
The jingling of trappings can be heard,
And Fern thinks that now all will be right.

The courser slowly comes into view,
With the same knight seated on its back.
His lance is not couched, it’s held *****,
And the reins are loosely held, and quite slack.

Casually the steed comes to a stop,
And lowers his head to nibble at some grass.
The men, uncertain, both watch the knight,
While each wonders what might now pass.

One of them goes up to the bike,
And opens up the box on the back,
Then takes from it two crash helmets,
And a length of chain, which dangles slack.

He throws a helmet to his crony,
And they each fasten one upon their head.
Then they both turn to face the knight,
Who has not a word utteréd.

The one with the chain lifts it up,
And menacingly starts to whirl it around,
Then slowly walks towards the knight,
Who casually sits, not giving ground.

The other man reaches into his pocket,
Pulling out a wicked flick-knife,
And then, letting the blade spring open,
Prepares to join in with the strife.

He circles round the knight to the rear,
As the other man comes in from the side,
When the knight drops his lance into rest,
And suddenly, off he does ride.

He charges away from the men,
And gallops right past Fern at full speed.
Then, his lance aimed at the motorcycle,
He urges on his racing steed.

The lance pierces into the fuel tank,
And knocks the bike over in the road.
Petrol gushes out in a torrent,
And soon over the tarmac it has flowed.

The lance is broken in twain, the knight drops it,
And very quickly turns his horse about,
Then as he gallops back past the bike,
Both of the men start to shout.

Sparks from the horse’s hoofs come flying,
Igniting the petrol on the road.
Fern gives a shrill scream in panic,
Thinking that the bike might now explode.

The man with the chain wildly flails it,
Desperately trying to hit the horse’s head.
The knight strikes the man with a morning-star,
Who drops down, just like one who’s dead.

The knight then dismounts, drawing his sword,
And silently strides towards the other man,
Who flings away his knife, and starts running,
Fleeing just as fast as ever he can.

Fern sees the fallen man get up,
Rising groggily to stagger to his feet.
He looks at them, and then he turns away,
Slowly stumbling off, not yet too fleet.

Suddenly, the night becomes quite dark.
Clouds again, do the moon obscure.
Fern turns to try to thank the knight.
He’s gone, though she now feels secure.

Confidently she walks towards the bike,
And sees the lance by the fire’s light.
Fern bends and unties the lace from the lance,
And slowly walks back with it through the night.

She reaches her car, and gets inside,
Then starts driving off to get back home.
Belatedly thinking of her husband,
And wondering what next to her will come.

Safely arriving home, Fern parks the car,
And getting out, she sees on the lawn,
A pavilion has there been erected,
Turned rosaceous by the coming dawn.

The horse is also there, grazing tackless,
And by the entrance hangs a well-known targe.
Fern carefully goes and looks inside.
The pavilion’s quite small, not very large.

She sees the knight, kneeling on the ground,
His head bowed, as like one in prayer.
He holds his sword in front, just like a cross,
Of her, he seems not to be aware.

Quietly, Fern withdraws from the pavilion,
Then thinks, of the horse, to get a sight.
It’s nowhere to be seen, she turns around,
The pavilion’s now bathed in golden light.

As Fern stares at it in wonder,
See thinks that she can hear an ætherial sound,
Like a choir of heavenly angels singing,
And the pavilion vanishes from the ground.

Fern sees only a sword, stuck in the lawn,
And hanging from a nearby tree, the shield.
Then reliving what occurred in the night,
To tears of relief, Fern does yield.

She wonders if the knight has been translated,
Having now atoned for his mistake,
And Fern hopes that he’s managed to find peace,
For risking his life for her sake.

Fern hangs the sword above her bed,
And fastens the shield over her door.
She feels much more confidant now,
And is able to do so much more.

Sometimes though, when the moon is full,
Fern goes outside at midnight,
Carrying in her hand a strip of lace,
And seems just to vanish from sight.

At that time, if anyone was around,
They might then hear an unusual sound,
As though a fully accoutred
I'm on a train.

One of those red ones with black trimmed windows you can imagine rolling through the suburbs on the way to NYC. Not a subway car but a classier vintage with proper rows of cushioned seats and a lever to pull if there is an emergency. There are sparse shrubberies on one side of the tracks and the ocean on the other. Young trees and bushes stroll by.  A little wind is pushing off the ocean, massaging the car ever so gently back and forth as we move along. A gentle click-clack is on the tips of our ears.

We got on together. I hadn't known you for very long but the connection was stronger than anything I had ever felt or have since. You practically sat on top of me for the first few miles. Couldn't keep your hands off me,  staring in my eyes like you were searching for something lost but you couldn't remember what. The edges of your lips turned upwards permanently as if you were always at the verge of a laugh. You interlaced my fingers with yours and held on like you would be ripped away if your grip loosened for even a second. Slender fingers holding so tightly that they were becoming red.

You were excited to to be riding with me, about where we were going and all the things we would do when we got there. I would see you peer out of the corner of your eye, then lean over to brush your soft cheek against my budding stubble. Kissing and gently biting my lips insatiably. The suns rays coming in at an angle and lighting up your perfect smile and dimple.

I had to remind you we were in public.

I was lost in your blonde curls and the incense of your neck. I had fallen incredibly hard and so fast that my face hurt from smiling and my heart beat with vibrations I had never known. Not even a whiff of anxiety or neurosis. Some of the best memories of my life, as fleeting as they turned out to be.

I yawned and you put your finger in my mouth. I bent over to tie my shoe and you would poke my **** and laugh with your own reflection in the window, like this was the first and best joke of all time. Maybe it was and maybe it is.

The waiter came and informed us that a thing called "the bar car" existed. We both jumped at the idea. I didn't exactly notice at the time, during our excitement, but that's when the train started going faster and everything out the windows began to blur.

The bar car was a wild ride and we took advantage of our lo'cal. All kinds of fine wine, liquors and illicit substances were available. We tried them all. You were beautiful, your laugh infecting everyone around you, I was charming and held a captive audience.   It was a dark, loud and glorious blur. We were the life of the party and it chugged on till dawn.

We woke up in our seats, disheveled and discombobulated. It was dark out already. Did we sleep through the entire day? The train was slowing down, maybe approaching a station. The party was amazing but we were certainly paying the price for the black out. You moved over to the seat across from me to have some more space and lay down. I saw myself in the reflection. My hat, charm and smile from the night before had vanished. I must have left them in the bar car the night before.
      You had changed, beauty uninterrupted but different somehow. I couldn't put my finger on it. Irritated maybe? I invited you to cuddle and battle the hangover together but you ignored me. Like you couldn't hear me or didn't want to. I decided to let you be.

I got up to use the bathroom and thought I would go look for my scattered belongings. Maybe I could find a scrap of leftover dignity while you rested. I inquired to the conductor who directed me to the bartender in the bar car. He hadn't changed a bit, somehow untouched and unaffected by last nights antics that had effected me so dramatically.  Same black suspenders and white pressed shirt with impeccably slicked hair. I asked him what happened and if I had an open tab. While slowly polishing a rocks glass he looked up and made eye contact for a split second before looking away.
He said:  "Oh the bar car takes its toll. In the end we all end up paying one way or another". I still don't know what he meant by that or if he knew.
      I asked him if he found my hat and he said he would check the camera. We walked in to a small back room, while he was reviewing the tape, over his shoulder I noticed a tragedy.

We were drunk. I was going on to a group of new friends on one side of the bar, they were hanging on my words and I was eagerly explaining whatever nonsense they were drooling over. You were in the corner wearing that red dress I love, with your hair up in a tight bun. A few curls had escaped and brushed your high cheekbones, a thin line of pearls dancing delicately across your perfectly symmetrical collar. You were stunning and inebriated, swaying with each bump and motion of the train. A man wearing my hat put his hand on your side to keep you from swaying over and then he left it there.
I took a sharp breath.

It looked like you put your hand on his hand to move it but then it stayed and you both swayed together. As the air left my lungs and the blood drained out of my face I watched your lips touch the strangers. A small piece of my soul slipped away forever. I couldn't watch any further. When I asked the bartender how long it went on he fidgeted for a moment and uncomfortably muttered "quite some time". I never found my hat or the other part of me that left that day.  

The train slowed. I walked to the back, as far away from you as I could get, in utter disbelief. How could you? I thought to myself.
I mourned the loss of the you as I knew you yesterday, quietly and to myself. A tear  escaped my eye and rolled down my now fully formed stubble as I fell in to a random seat in mild shock. There were a few passengers back there so I had to pull together relatively quickly. After gaining some composure I knew it was time to get off. I knew we could never get back to yesterday morning though I would have said or done anything to do so.

The train had stopped. I went back to my seat and you were sleeping. I took my coat and gathered my things. The conductor looked at me confused as to why I would leave something so magnificent, I assume he had no idea what had transpired.   

I walked to the rear of the car and slid the door open slower than required. I stepped to the stairs and put one foot down on the step and the other on the ground. I stopped, rooted with my hand on the railing, lingering between two very different paths.
     I knew that it was time to get off, I knew this was the sensible thing to do, that I couldn't get past this offense regardless of how I had felt earlier the day before. The whistle screamed from the locomotive. The conductor looked at me and shook his head, I'm not sure if he was trying to tell me to stay or go but a decision had to be made.

The train lurched forward and I watched as the station slip away slowly. I sat in between the cars for a while and watched the ocean and birds. With a heavy heart and shoes I walked back to my seat. You were waiting. Crying. You knew. The bartender had told you. You didn't mean do do it, didn't realize what you were doing and thought it was me. He was wearing my hat and the whole world was blurry and dark.

I believed you. Self anguish mixed with alcohol was dripping from your pores. I knew you didn't mean it and were drunk, but could I ever forgive you or trust you again?

I loved you still.

I caught a glimpse of my reflection, a weaker version of myself looked back. As if an invisible chip in my teeth had developed and my shoulders lowered. The charming, confident man from the bar car the day before had been replaced. Something was off but not enough for anyone else to notice, just enough to know a change has happened.
       The train started to pick up speed again as we distanced ourselves from the station.  I second guessed my decision to stay but I didn't look back.

I found the man with my hat and punished him with a few blows in the dark. He knew he ****** up, apologized and took the beating like a man. I never got the hat back.

The engineer announced that we would be going through a tunnel soon and to turn on our lights and keep our hands in the windows.

It would be dark.  

We stayed away from the bar car for a while but the draw was irresistible. After a few hours we were there again but you never left my side.  Then you did. I was looking for you but you would disappear and not answer me when I called you name. The tunnel went deeper and darker and I didn't know where you were and I suspected you liked it that way. The train began to slow down again as we exited the tunnel.

I finally found you back at our seat, you had moved one row away from me. I asked you to come back, tried to hold your hands but you pulled away with vehemence. When I came back from the bathroom you had moved another row farther.
I knew I was losing you.
I begged you to return but you told me calmly that it was time for you to get off. At some point in the tunnel you had decided that you didn't want to go anymore . Your mind was made. You were going to catch another train at the next station.

When the train stopped I thought for sure you would reconsider but you didn't. Didn't even give it a thought. You just grabbed your coat and hat with one big bag under your arm. You kissed me on the cheek like a french stranger and were off. Going somewhere else on a different train. Just like that.

I rode the rails for quite some time by myself , many people getting on and getting off, passing me by. Every once in a while I would think I saw you at a station or in a **** though the window of another train. I often thought I could smell you but when I breathed deeper it was always gone. A ghost dancing on the edge of my senses.

A young girl in a headband got on the train. She was listening to headphones and dancing to herself as she bobbed along. She sat down in the seat next to me flashing a smile. She had a wedding ring on and I dismissed her immediately.  She didn't move from the seat or stop glancing my way. Eventually she confessed that she wanted to talk. I told her I wasn't interested but she persisted.  I hadn't talked to anyone on the train for quite some time and after some more mild persistence, I gave in.

We had a lot in common. We were both riding alone, desperately wanted attention and were thrilled to receive some.  After a few laughs she slid her hand in to mine and interlaced her fingers. I left it there. It was warm, comforting and wrong. She was married but I had been riding alone so long it felt good to have some company. She stayed and we talked. She was broken and I had a knack for fixing things. After a few hours of dramatic conversation I fell asleep with her head on my shoulder.

When I woke up  the train was flying up the track on the side of a mountain. Trees and rocks were a blur of green and grey. The engineer must be trying to make up for lost time I thought to myself.

The girl was asleep with her head on my lap. I looked down at her hand and the rings were gone. I woke her briefly to ask where they went. She said she didn't need them anymore and had thrown  them out the window.  She could of sold them, I said, but she said she just wanted them gone so she could be mine and fell back to sleep.  All of a sudden I couldn't breath. This train was roaring down the tracks, the once gentle click clack had become a loud hum. Suddenly too loud. This girl in my lap who had just gotten on the train wanted to stay. I considered her for a while as she looked up at me with big blue eyes, shining and wet, like a puppy in the shelter, terrified of rejection and desperate to be adopted.

At the peak of the mountain, just when the train began to even out, you waltzed back in to the car with a champagne flute in one hand and your bag in the other.

I don't know when or where you got back on, must have been a few stations ago when I stopped looking for you. Maybe you were wearing a disguise, who knows what you had been up to while you were gone. I'm not sure how long you were away but it was quite some time. That you had been through something was obvious, a new wrinkle had formed on your brow and you're once confident stride had changed to a cautious stroll. What actually happened out there I don't know.  I never asked and I don't want answers.

You looked at me and smiled. It was good to see that smile, like sun on my face on a brisk day.  You took a step toward me and then I looked down in my lap at the girl at the same time you did. I looked up. You and your smile were gone.

Everything I had begun to feel for this broken, head banded girl in my lap dried up like a puddle in  the dessert.  I quietly and gently nudged her awake and told her I had to use the bathroom. She put her head down on my coat and fell back into what ever trance she had been in, eyelids gently fluttering, eyes searching beneath them for what I would never give her.

I dashed up the isle and threw open the door, almost shattering the glass. The conductor glared at me and rolled his eyes as I barged past to the space between the cars.

There you were. Standing on the stairs with your head out the opening. The wind was blowing your perfectly formed curls around your head like a blonde explosion of familiarity. I yelled your name and you dove in to me. My senses erupted, my mind went numb as the train was nearing another station and I inhaled your essence greedily.

We moved to another car. I abandoned my coat with the married girl and never looked back. I hope she found what she was looking for. I  never could have been the answer she was so desperately seeking but I know I  helped steer her towards it.

You told me you had encountered some other people out there on the rails and they had reminded you of what we had when we first left the station. I never forgot.  

The train started to rock and get going again. We were back in the bar car and starting to brown out. We had to get off of this train right ******* now. In a desperate moment we looked at each other and put our hands, together, on the emergency brake cord. I looked in your eyes with your hand on top of mine. You kissed me while yanking down on the cord. Time slowed, the breaks squealed and everything exploded throwing luggage, people and the entire contents of the bar car in to a nondiscriminatory chaos . We got up off the ground, ran to the end of the car, dove off the side in to a soft patch of grass and rolled down a small incline. We watched as the conductor sifted through  the mess and interrogated the passengers, trying to ferret out the party responsible for pulling the brake. He spotted us off the side of the tracks and shook his fist while shouting every conceivable obscenity combination.

We laughed, held each other in the grass and kissed deeply.

We watched the train pick up speed and disappear in to the hills as relief spread over me.

You interlaced your fingers in to mine and we both looked out to where the tracks disappeared into the horizon, wondering how far of a walk it was to the next station.

— The End —