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Janette Sep 2012
Hush, my heart, for something is done...




Watch for the night
to lay our vows
over the wild parable of gardens
and over the wet lessons of the moon,
that give us prophecy in whispers
of dream, elope, and leave,
the absence of still rooms,
soothing, the svelte lips
descending upon my neck
in the seance of evening,
you soak calla lilies
of our red earth oils
and ***,
and with them
draw me a nuptial bath,

unbind the taupe soles
I have kept with the grace
of a concubine, sold
into the dark alcoves,
beyond the value of reticence,
you find me in rainstorms,
and wrap me in the flesh

and fabric of your hands,
behind silk walls,
with the ardour of Rapunzel's deliverance,
let down over the clavicles,
as fists unclench
in their exhaustion,

baby roses quiver this night, I keep
in pecan skin and votive eyes,
dip the Fahrenheit of your glance,
as it strays over my lips, your tongue
whips of mustard weeds,
seed your voice, sinks
into the garden's cleavage

as its lit pink tapers
spill their desperate midnights
and abandoned mornings,

ache under the arthritic, thick cedar
addictions to the milkflower
of a presence painted in clay glyphs,
stay the sinew and ******
of my body, a madrigal
upon our Indian Summer bed,

bled in a chorus of cicadas....

let the hymn be heard
over all these broken vows
and shattered pledges, speak
from the ruined marriage of flesh,
as I kneel in our earth,
in the sere, and seek in myself
that measure of peace, I know
is not there, without you,

to writhe in the throes
of exquisite anguish,

I give

my mouth in dream,
between your thighs
where the river runs fierce,
under the lithe sapling root
of my tongue, as it runs
the swift currents
and golden eddies
of inebriate skin, puckers
over the Inulin of the ****
and begins its swelling,
down the trellis of bones,
and the ******* of limbs
beneath the black monsoon
of the soul, as it perishes

in the engorged maw
of the split body, blades
of shoulders, soaked in the myrrh
of our rapture, fading
lifelines engraved on the back
of the hand you hold soft,
against me,

as my throat buries its moan
swallowed by your own, for solely
in you is it silenced, quelled
by the swells of song
you reign in the jugular
and soothe, a balm
for all my body, burning

its defiance, taken
to the limits of this,
our savage garden,
in the pilgrimage
to such lavish boundaries,
held abeyant, the cadence
of candles and solemn vows
sound the rhythm of our slow deaths,
writ in the lush psalm of the handsome earth,

our love, engulfed
in the wells of a sole desire,
I give you this,
my body's silkwhite harvest of faith,
driven fast with nails

into the exquisite wrists of the Christflesh,
shivering under the furtive delirium
of these, our fevers,
severed from body to body: twain,
that is now one ardent sorrow of flesh,
this is my body,
this is my blood,

I have given,
vows to bind our words, my love,
to the vigilance of night, that lives
and dies with the fall and rise of you breath,
one muslin depth,
relinquished to the white earth,
over an eternity of deliverance...
John Sep 2012
Person Number One
Looks at
Person Number Two

Person Number Two smiles and
Moves a little bit
Closer

Person Number One returns the
Smile
And inches
Even
Closer

Person Number Two closes their eyes and
Puckers their lips
Leans in
And

Person Number One closes their eyes
Just the same
And, wouldn't you know it
Puckers and leans

Person Number Two's lips touch
Person Number One's
And they share
That first
Kiss

Smiles all 'round
Both of their faces alight
Thoughts of happy futures and
Secure days
Ahead

Fast forward
A year or so

Person Number One slams their car door shut
Gets out
Walks through a
Large parking lot
No one around
Except Person Number Two

Person Number Two rushes
Politely
Toward Person Number One
Her heels make little
clickclickclicks
As she moves closer and
Closer in

They are five feet apart now
Person Number One smiles
Person Number Two's heels clickclickclick
And as sure as they do
Person Number One and Person Number Two
Stride, slide and click
Right
Past eachother
Without even a
Second
Glance
Christine May 2010
******* does not appeal to me.
According to the masses
It is a delicious experience
With only bliss and comfort involved.
To me
It is awkward
Uncomfortable
And fruitless.

When your face descends
My mouth puckers up
My eyes close
And I just try to not offend you.
William A Poppen Jun 2014
His mouth puckers to the side,
his brow furrows when aware
an assumption crawls around
in the wormwood of his mind.
  
Every  misconception,
unrecognized at first
swells within, until
his error bolts forth
like lighting on the prairie
breaks the swelter of
a summer day.

Meditations sooth his disquiet ,
perplexed by her perfection
he searches for scars in blossoms,
and defects in tree leaves.  His mouth
grows dry as he mumbles
"there is no perfection."
If he finds a flaw
upon her cheek,
or a birthmark
on her shoulder
will his love fade?

Eyes staring ahead,
his mind in a trance,
he ruminates phrases
" stay open," "remain tolerant"  
wait for flowers to bloom,
rains to come and
her to remain
incomprehensible.
Electra-girl gyrates desperately.
Daddy is away on business.
The house practically empty,
Desolate winds rattle windows,
Stomach twists with craving.

Electra-girl squeals,
“**** Mommy! Get her out of the picture.”
Little Miss teacup wants everything just right,
When daddy gets home.
Electra-girl vomits hairball,

shaves thighs belly armpits,
Plucks neck chin nostrils,
Applies lipstick moderately,
Puckers (finger pushes hemorrhoid in).
She denies everything.

Imagines he is showering,
She enters **** giggling big grin,
Gaze scampering between his face and genitals,
Her approaching young body edging nearer.
He hesitates standing under waterspout,

Waiting to see what she will do,
Fearing his own desire,
Knowing it is wrong so wrong.
After what seems a long time,
Mom steps in,

Eyes firing rage and sanction.
She asks her daughter, “You think you’ll win?”
Electra-girl answers without hesitation,
“Why wouldn’t I.”
No question.

Your **** stains on carpet,
Your *** stains on everything,
Your breath smells,
Odor of rotting flowers.
Smile for the camera.

Electra-girl raises arms and taunts,
“I win! I win!
Who’s going to be my next daddy?”
A deep heavy silence follows.
She holds herself in mirrors of her past.
Joseph Valle Aug 2012
A man poses at a dimly lit table,
a light hangs directly overhead
with a cobweb ribbon-wrapped around
the steel wire escaping the ceiling.
An inverted roulette table,
a man betting against the house:
It is always this way.
Light flickers, flipped on,
and off, and on,
without a switch
with which to assert control.
He is alone in the squeaking chair,
sipping tea and dipping his crumb-covered
hands into the napkin-covered basket
of water crackers and salted peanuts.

Sitting, he poses for practice, but for now,
he practices for no one.
The house is empty.
In the back of his mind, there is no worry
of what one will find upon entering
the kitchen: A scarecrow at a table,
full of straw and teeth dulled down
from night grinding,
sitting in, what could be mistaken
as, a pensive position.

The scavenger hand makes him look wanting.
It's partner is propped on chin,
accompanied by his half-sculpted smile
and the dark-light contrast of his hair and eyes
with yellow shining off of his two front teeth.
The color is not the fault of stumbling home
too late to care for the mouth, but of the old
incandescent staring him down
and the obsessively clean, marble surface
at which he puckers his face.

A tapping in the hall stirs his bones
and his body darts up.
A crow, it seems, with small grey beak
has wandered in from the overgrown fields,
the fields that haven't been tended to
since this boy began taking himself too seriously.
The both of them with stilts for legs
and no breeze of running feet
from scream to sway the pair of pairs.
Their eyes connect and neither moves.
Who should place the first bet,
black or red,
and who will set the ball in motion?

The light goes off.
Denoument is a bad time
for a bulb to die.
As calm as a hand
with razorblade against skin,
the scarecrow sits down once again
and poses.
The bird observes his motion,
calls, and waits,
but the man moves no more,
overjoyed with an invisible audience,
a full stomach.
A lonely bead of sweat rolls
from his widows-peak and tumbles
down the center of his forehead.
It comes to an abrupt stop,
resting on the tip of his nose.

He doesn’t even notice - he’s too
distracted futzing with his chair.  
The bead clenched on with
all of its might and then finally
succumbing to gravity, it hits
the floor. SPLAT!  

His lips become tangled in a web
of frustration.  Gooey, white,
cotton substance evolves in the
corners of his dry mouth.  His
tongue slithers out and scoops
up the milky residue.

Purple, worm-like shapes
protrude around his
temples and forehead.
His face begins to glisten, and his
white dress shirt looks like a
wet napkin.  He’s unmercifully at
war with his chair.

Finally the chair surrenders...

He sits down, tilts his head, and
uses his right forearm as a towel
to soak up the now-noticeable beads that
are slowly working their way towards
his thick, bushy brows.

His attention turns to the stylish, black
case that lies by his side.  The audience
members shield their eyes as the
beams of the stage lights are captured by
the curves of this beautiful tomb.

Eagerness pumps through
my veins as he reaches down
and unbuckles the case, gently
removing his instrument from its vault.

Heavily antiqued with a moderate
amount of crazing, the wood grain is
perfectly marred with its perpendicular
grooves. The colors are warm with a
golden brown tint just like his skin.

He rests the violin on his
lap and leans the bow against
his right thigh.  He takes a few, deep
breaths to perfect his posture.

His belly begins to recede.

His chest puffs out.

His shoulders slightly roll back.

His spine becomes *****.

He places the violin under his chin.
With his left hand he holds the neck,
gently pressing his fingers into the
strings.  His right arm soon follows,
bringing the bow to a quick and
delicate stop a short distance below
where his fingers lie.

Suddenly everything becomes silent.

He stares over the heads of those in
the audience, not making a single
move.  He’s in a trance-like state,
like a crocodile at a river bank
patiently waiting to lunge at a
wild boar.

Then, without warning, he strikes the first note!

His body jerks forward, backward,
left-to-right, moving around in all directions,
like a crazed man trying to undue his
straightjacket. He clenches his eyes with all
his might and puckers his lips, trying to hold
in the emotions that are imprisoned, but he can’t.  
A single, victorious tear escapes from the madness.

As the music further consumes him, he plays
faster and faster. Each note takes him higher
towards the heavens. The bow pierces the hearts
of the angels and the gods, bringing them together.
Tightly gripping one another’s hands, they begin
to waltz.
  
They dance on a thick stage built from the prayers and
dreams of mankind’s wickedness.  Even the beast
from below is dancing.  An arm reaches down into
the depths and pulls him up to join the gathering.  
She grabs his hand and waist, spinning him around
until he becomes dizzy and falls backwards.  
They both laugh and begin to dance again
for all eternity.  





I lean forward and turn the ****
counterclockwise, eliminating the commercial
that follows the song he just played.  I look
over at him and tell him he’s one a hell of a
performer.  He humbly replies, “Thank you.”  
We continue to drive and listen to the radio.  
I couldn’t wait for his next performance.
My co-worker, Benny, is the inspiration for this piece; he plays the air fiddle to the entirety of The Waterboys’ “The Fisherman’s Blues.”  It’s a great tune if you aren’t familiar with it.  Benny plays the fiddle, upright bass, squeeze box, guitar… you name it, he plays it.  I greatly admire his courage and his sense of freedom to completely be himself and to not care what others think.  He’s truly an inspirational guy with a heart of gold, and I’m happy to call him my friend.
Bailey B  Dec 2009
Jump.
Bailey B Dec 2009
I step towards the pool.
You look at me like each step is the end of my life.
I swing my leg on the side.
You flinch.

I laugh at your expression.
You didn't find it quite so funny.
I guess it's really not that funny to you,
how your mouth puckers into a straight line when you hear me laugh,
like the picket fence outside the house you were born in,
only the stark white boards of that fence don't curve downwards at the ends.

There's a fine line of difference between us,
the difference being "don't", "won't", "can't"
and other four letter words, such as "fear", "play", and "lame".

I stifle my laughter and try again to coax you to the edge, the edge of the earth.
You frown, and back away, mumbling like that one Muppet.
Beaker, right?
"Come down!" Beaker cries. "You're being crazy!"
Meepmeep.
The thought of this causes me to laugh again.
You. A Muppet.
You would die if you knew.

I take another step, another, another, further away from you,
up the metal rungs to the top of the world.
The ground slaps beneath me, resilient and springy like summer grass.
I remember your face, panicked, frantic.

I dove.
You claimed you couldn't.

From the bottom of the pool, the world is crisp and clear,
like a vat of liquid nitrogen biting at my skin.
When I resurface it becomes blatantly evident.

I dry off and walk away through the counter.
Don't try to follow me.
I tried.
You didn't.
Maybe I AM crazy.

The bottom line is
even though I'm afraid of heights,
I still climbed that ladder.
lavande Jan 2017
Thinking in sparked lighters that
sting your thumb and cut your
lungs
Glints in your eyes and burns in
that 0.2 of a second
Scarlet grapefruit that puckers your inner cheeks
Breakfast you've only seen on
Latenight  Television, behind the couch, in secret
it's been years since they've
promised your order so where is it
you scream
You scratch, scathing, panting
promising to yourself
of sweetness
bitter sugar
rsc  May 2015
martian chronicled
rsc May 2015
Pressure puckers &
a migraine blooms
parachute leaves looming
from my mind,
moonscapes of bare rock.
I've been waking up in a tomb again,
mouth mummified &
crusted over with drool as
my body jolts up at 6
6:45
finally 7:
I rise from the dead once more.
Yeats spoke to the Beats & he speaks to me,
feet creaking old floorboards
in a house with no internet.
"Pensive they paced along the faded leaves,
While slowly he whose hand held hers replied:
'Passion has often worn our wandering hearts.'"
I ate artichokes for lunch on pizza &
lost a piece of my soul down
the toilet of the coffee shop bathroom.
I came out of the womb once & I think that was enough.
I cough up brown mucus
& I'm glad I quit smoking.
One of my ribs pokes out
& picks my lunch for me,
pointing rudely,
leaving blood on the gleaming glass.
People around me discuss
the value of places they've never lived
& a homeless man sleeps with his mouth open.
I drink an infinite iced tea
that refills itself whenever I get thirsty &
a prehistoric potted plant
belches dinosaurs back into existence.
I clean my teeth to become
the princess of the salad greens,
eating olives with the tips of my fingers
the way monsters eat eyeballs
in the nightmares of children.
Everyone shakes,
terrified to look at each other
mouths bleeding confetti & glitter.
A remedy to bitterness: simple syrup.
I want to write love letters
to the boy who broke my heart &
still has all the shards.
I found out yesterday
that I'm a woman of hard angles,
that my moon might always be fighting
to whole its halves.
My calves are sore
& I'm glad I quit smoking.
I'm afraid of empty bird cages &
waking up without a tongue.
My lungs do a dance under my rib cage
& shake my skeleton out of my body.
Hot toddy & we drink on Tuesdays.
Any available body will do.
Picasso's blue period never seemed more lifelike
than when I try to jump
head first into the nightlife.
Nothing can be proven true
but I think my respiratory system
is at least not false.
If I believe hard enough,
I can feel my pulse.
Ava Bean  Feb 2016
Tired Blue Boy
Ava Bean Feb 2016
He takes photos.
His books are filled
With spilled coffee.
Wavy sun ray hair
Lime green citrus eyes
Sturdy safe shoulders
Rich, melted dark chocolate voice
Pouty peony puckers
Stolen lenses
Quirky movies
Oversized sweaters to cover his quivering hands when he cautiously holds hers.
He reminds me of a child's desk
That was personalized by doodles dinged and carved into it over the years
The desk that his parents probably adore.
He is a collage of all the things he photographs.
He takes pictures of anything and everything
To make himself whole.
about a very beautiful person
Bijan Nowain Mar 2015
That girl has got moves
blaring music that grooves
Shaking, swirling curvy hips
Closes eyes, puckers her lips
Flowing, moving in a trance
Back away so she can dance
Pull out cash, buy her a drink
She's really hot, don't you think?
Don't be a fool, go dance with her
Or the moment will pass in a blur
Get her digits if you can
Treat her right, be her man.
When the pale Luna, goddess of the night,
Her silver blanket did upon the pond cast,
While gliding along the inky sky,
Near to the milky stretch-mark of stars
(Sign that the Universe is our mother)...
The air was thick with the violin symphony of crickets.

Beneath the knotted hair of a willow tree 
A campfire, asked to dance by the breeze,
With sheer joy crackled and sparkled 
At the sight of the petal-faced imps. 

In a foolish manner, one prodded the other:
"Go you and kiss a frog on the nodding!"
Wanting to impress his comrade,
He sprung up like a grasshopper off the ground,
And like a fox pup disguised himself in the reeds.

There, his torch revealed two sinister gleams,
A low CROAK and RIBBIT RIBBIT came with them.
The boy jumped and caught the wet ball of slime,
It protested in his cherub hands and wriggled in vain.

He moved his puckers closer to the little being,
Nature is the one who likes a good teasing,
He kissed it on head,
Then froze with dread,
The frog was a toad and the taste was displeasing.
I submitted this poem to my college competition and it got me the first prize of £20. :)

— The End —