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1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i
McArthur Hunt Jr Dec 2013
Lookie Loos
Hold both hands in the hole of my sweater.
It’s just life.
Choking on my mother’s intimidating words,
if I close my eyes maybe they won’t notice me.

I looked great in the photos.  
High diving into broken glass,
This is going to sting,
giving the lookie loos something to chat about.

Wild birds need air.
Roll out the papers
No stems, no seeds.
Just a pencil thin line that separate tragedy from clarity.
Paul Hansford Jan 2016
Very early in the morning we were woken from our sleep,
We were going on safari, being driven in a jeep,
We went out before our breakfast, we went out before sunrise,
We went out before the sleep had fully vanished from our eyes.
We had to dress quite quickly, and we went out in a rush,
And after we'd been driving through miles and miles of bush
For an hour or two, I have to say - forgive the way I speak,
But the roads were very bumpy - I was dying for a leak.

The driver stopped the jeep and kindly offered us a drink,
But it might have been more kind if he had only paused to think;
We had seen a herd of elephants, some vultures in the sky,
Several wildebeest and zebra, a hyena passing by,
Giraffes, a pair of ostriches, a buffalo or two,
And we'd taken lots of photographs (well, that's what tourists do);
We had even seen some lions lazing underneath a tree,
But ... we hadn't seen a toilet ... and I really had to ***.

Beside a water-hole at last we found a pair of loos,
And I hurried to the gents', 'cos that's the one I have to use.
Yes, I went up to the gentlemen's, and pushed the door ajar,
But I didn't push it hard, and it didn't open far.
There was something in the way, you see. I did a double-take,
For it looked just like a tail, the last six inches of a snake.
I decided not to panic - I'm not that sort of bloke,
And it could have been a rubber one, left there for a joke -
So I pushed the door wide open, to be sure of no mistake,
And what should I clap eyes on but two yards of living snake!

I closed the door, quite firmly, and went to tell the guide,
"I was going to the loo, but then I found a snake inside."
He didn't quite believe me, but he went across to check.
- Not just a snake, a cobra! - "Gosh," I thought, and "Flipping Heck."
For the snake looked very supple, and the snake looked very strong,
And if it would uncurl itself, the snake looked very long,
And a cobra's bite is savage, and a cobra's bite is quick,
And if that snake had bitten me, I'd be feeling rather sick.
"It might even be a spitter, judging by the size,
"So don't you go too close, and please be careful of your eyes."
But I had to take a photograph, for that's what tourists do,
And, warily, I took a snap of the cobra in the loo.

The driver wrote a notice "Danger, Big Big Snake Inside",
And the lady with the first-aid box took out of it with pride
A strip of sticking plaster to stick it to the door,
To tell anyone who came, there was a cobra on the floor.
By now the snake was moving, it was climbing up the wall;
It hid behind the cistern, and could not be seen at all;
It came down again, and wrapped itself around the waste-pipe neatly,
Then slithered right inside the pan and disappeared completely.

Now I was on a mission to tell others what I'd seen,
But I was very conscious of the fact I'd Still Not Been!
So in that situation, though most times I wouldn't dare,
When I found the ladies' empty, I quickly popped in there.
I'd had a narrow squeak, but now (in every sense) relieved,
I had to write my story, which I hope will be believed,
For every word is gospel truth, I fully guarantee,
And it's even got a moral, which is very plain to see.

    (Moral)
If you ever see a man who's coming from the ladies' loos,
Please don't jump to conclusions, he might have a good excuse,
- "I went to spend a penny, for my need was quite intense,
"And I had to use the ladies' - there's a cobra in the gents'!"
The record of a true encounter, in Zimbabwe a few years ago, when things were less difficult.
O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt
Clem  May 2016
Obesity
Clem May 2016
my subject, mrs. ((brown?))
for this speech is
going to be: obesity. ish.

you see I remember
the article you handed out to us,
loos-leafed,
fresh-pressed,
a dry white piece that told,
in simplest terms,
the most inarguable & bland facts
about !healthy eating & !weight loss!

but mrs ((whatever)), I want
to tell n and the entire
******* crisp class,
that obesity is a load
of steaming ****
from someone who’s really fucki
ng sick (you know how much
better it stinks then)

that obesity
was made to be glorified,
I don’t tell you this—
I ****** jiggle it to you,
grab my santa clause puch and
shove it at you--

tick tock
we wait for the clock
to tell us what
s to come,
except it makes us guess

--see this:
a mid-age woman, mother,
fat & previously fat,
goes in for stabbing pain in the chest, or
chronic diarrhea,
seeing stars & no energy left.
((this happens))
the doctor says,

well let’s weigh you n see
if you’ve lost
the weight I told you to lose before
remember Sharol

now Sharol..,,,, sweety…..
you weigh 55.62 lbs over the
state-set “healthy limit”k,
so we’re just gonna give u these
diet pills & I promise they work,.
all nach-yer-awl u see, none of that
waterweight ******* [! excuse my language]

and in about 3 months you’ll lose
half that overweight,
and I promise the starsll go away and you’ll
feel right tip top okay now that’ll be
$60 & come bac k in a month to tell me
how much you’ve lost okay

haha but that’s alrightright?
she was unhealthy
&
doctors make you healthy

only her brain cancer maybe, or like, colon
cancer or literally anything other obesity

kills her in about 3 months
bc the **** doctor would only
pretend that she cared
what
was
wrong with Sharol, sweety…,,,

im sharol and so are you and
so is your uncle & so is
your mother, probably
because most of us are “obese”

& the only cure for obesity
is the cure for the term
“obesity” you see
listen i wrote this angry i know it's not good
As when a pigeon, loos'd in realms remote,
Takes instant wing, and seeks his native cote,
So speed my blessings from a barb'rous clime
To thee and Providence at Christmas time!
Coop Lee Nov 2015
even teddy said i got the sickest tricks brah.
like my abilities source from some kinda legendary liquid
                                                                ­                      / praise the lord /
monster energy should sponsor me.
a kickflip over the king’s *** hole
& a halfcab for the looky-loos.
i feel so tall when i climb that heap of asphalt trimmings
& see clear from the water tower to the bluffs.
gimme a good day, any day at the bluffs,
bottlerockets & girly birds.

her body brings a swarm of worms.
decomp,
said the f.b.i. men one by one with tweezers.
not quite the homecoming queen, still
wrapped in plastic.

look up.
see that great mess of wires, nest of powerlines and owl bones?
it crackles and croons its electro-spectral purr
all night and day.

new neck tat &
cody spends his paycheck on a crossbow.
we target practice on a bull skull.
wet cigarettes and turpentine-soaked socks for a good huff
in the dry of the roofline as it dumps.

there’s that little boy in a ghost mask again, tap-dancing
in puddles below the streetlamp,
& oversized shoes.
his grandmoms always be watchin’ from the window.
[whispers] she’s teaching him magic.

lucky unit 19: where our young dead damsel once dolled
herself up, you see
men and headlights would roll thru thrice nightly,
maybe more.
& i remember her punch red lips &
big whicker hat; while she weeded and watered her garden of begonias.

the sheriff’s deputy, hart? hicks? hogan? well he loved her a bunch.
stole her clothes in the middle of the night,
& sat beside the river sobbing into clumped fists
of bra and blouse.
i bought ******* from that guy once or twice.
harold? howard?

guess who showed his face today?
josiah, from unit 08.
since the incident with molly’s beagle, he’s been rarely seen.
took a bee line straight for the mailbox.
a package. a prize. a decoder ring/secret map sweepstakes
to be seen and deciphered.
Carlo C Gomez Aug 2022
"Memory is more indelible than ink."
—Anita Loos

~
Europe, after the rain,
the sun lending warmth and comfort.
fringes come into focus.
shadow journal,
fiscal dreams,
becoming ****** lines on a page;
procession bells
for young brides,
veiled in lace.
a touch from her
outstretched hands,
this honeymoon phase
running up the thigh,
the holding quite still until
she smiles for pendulum.
at first light, breakfast in bed,
granting pastel wishes on
boxing night,
then a letting go of the kite string.

new fingers in the medicine bottle,
tiny geometries
inside a house of reciprocal numbers.
paradise in mnemonic children:
cartwheels and handstands,
coloring books of
neglected spaces,
future ruins.
one hundred violins
play to isles of ignorance,
stray embers settle
along the solemn Chemin De Fer (railway).
a catalogue of afternoons
on the bike path
thru propeller seeds and dragonflies.

arriving in the haloed flesh:
skin dive,
the place of couloir descent;
**** beach,
the place of odd glances;
gun chamber,
the room of secondary light;
all horizon variations.
an algebra of darkness,
this dense Roman twilight,
their exiles unreflected
in blind lanterns.
our brightness will become
refracting silhouettes,
a broken yolk in the incendiary sky.

~
In futurity
I prophesy see.
That the earth from sleep.
(Grave the sentence deep)

Shall arise and seek
For her maker meek:
And the desart wild
Become a garden mild.

In the southern clime,
Where the summers prime
Never fades away;
Lovely Lyca lay.

Seven summers old
Lovely Lyca told,
She had wandered long.
Hearing wild birds song.

Sweet sleep come to me
Underneath this tree;
Do father, mother weep.—
“Where can Lyca sleep”.

Lost in desert wild
Is your little child.
How can Lyca sleep.
If her mother weep.

If her heart does ake.
Then let Lyca wake;
If my mother sleep,
Lyca shall not weep.

Frowning, frowning night,
O’er this desert bright.
Let thy moon arise.
While I close my eyes.

Sleeping Lyca lay:
While the beasts of prey,
Come from caverns deep,
View’d the maid asleep

The kingly lion stood
And the ****** view’d:
Then he gambolled round
O’er the hallowed ground:

Leopards, tygers play,
Round her as she lay;
While the lion old,
Bow’d his mane of gold,

And her ***** lick,
And upon her neck,
From his eyes of flame,
Ruby tears there came;

While the lioness
Loos’d her slender dress,
And naked they convey’d
To caves the sleeping maid.
Adam Childs  Sep 2015
SHAME ON US
Adam Childs Sep 2015
Godless men wearing back
sit within blistering sun.
As they carrying their sacred book
soaked in an evil not from any GOD.  
And they some how get
**** **** ****
**** for God.
As they ironically tell the
world that it is
blaspheming.

Come and join us
or be buried alive.
Yes come and join us
Let us brutalize and castrate
your daughter your child.
And give your son a gun while
we go cut of some heads.
As we rip out your heart
with blood and violence.
And ask you to spit on all
love and humanity.
As you stand within your shaking bodies
you look into the eyes of your
wife and only see terror in
her heart.
You know that you must
RUN

Thousands of you are swept
like the dirt into the sea.
Mothers and Fathers crying as
children are lost and drowning.
Someones baby washed up like
drift wood or a log.
Cut all with razor wire
climbing caged out fences.
As a heart cry's I only want a
new family home I will polish
your shoes wash all your loos.
Please they scream we are only
human
Sorry I don't think anyone
is listening.  

Westerners wake up lounging
on their sofa belly's spilling
over their trouser.
Stomachs extended inflated
from just a little to much
extra seconds.
Looking on disconnected
at those who traveled risked
their lives even walked
a thousand miles.
And some how spill out with
their lager down their cheek
thieves  ****** and
lazy freeloaders.

And those who succeed to
find a new home some how
elegantly find a dignity
in being unwanted.
And those who failed their
perilous path trust in God
has left them homeless
As they find the west
also Godless.
As we with a cool glare tell
them go back to your guns
bombs your not welcome
here.
Stone face matter of fact
immigration explained
take your children back.
As we try to through them
back like babies into a dog
or snake pit.
SHAME ON US
for this frosty reception
and cloudy perception
I hold out hope for a
better conclusion.
One a time upon an egg,
it was the wall that fell,
and jack had fallen up the hill,
and empty was the well.

The frog had kissed the princess,
and a wart had blossomed there,
And the old lady had no children,
in a house she lived quite fair.

And while Mary's lamb stayed in the field,
Ms. Muffet ate porridge instead,
And the mice could really see quite well,
and the stout little tea *** was made out of lead.

This is the land I live in,
Of backward tales you see,
For while I am quite young and fair,
There is no Prince to rescue me.

And here the hare really won the race,
because he was so fast.
And Daisy then said yes to marriage,
without even being asked.

And the Bears invited Goldiehair-
(She didn't have the curls).
And here the wolves both big and bad,
Didn't eat little pigs or red-hooded girls.

The kittens never lost their mittens,
And King Cole let the black birds fly,
And Mary just grew pickles,
And the littlest piggy didn't cry.

This is the land I live in,
Of backward tales you see,
For while I am quite young and fair,
There is no Prince to rescue me.

And while one Jack demanded gold
from the man who offered beans,
Another landed on a candle stick
And burned right through his jeans.

And while Grandma now lives by route 62,
the river and woods cleared away.
London Bridge never fell,
But they'll tear it down too someday.

Old McDonald had no pets
and Ms. Mary Mack dressed in blue.
And this Old Man just walked home,
And oh! One, two, we tied our shoes!

This is the land I live in,
Of backward tales you see,
For while I am quite young and fair,
There is no Prince to rescue me.

And while Jack Horner sat at the table
to say “What a bad boy am I!”
All the children laughed and played
While the witch enjoyed her pie.

And little boy blue and brother john
always wake up on time.
And the little girl bought the ginger bread man,
from the baker, for just a dime.

And while Mrs. Betty Botter ordered pizza,
and the goose laid a silver egg,
the cradle was safe in the new tree house,
and we walked to our loos on two legs.

And we all know the Muffin Man,
who sells coffee now.
And the moon up there, he really wished,
He could jump over the cow.

And the wheels on the bus don't go round anymore,
we all take the train,
and the farmer finally moved out of the dell,
the busy house was a pain.

And all the stars here twinkle,
and we don't fall around the rosie,
the weasel is to nice to pop any more,
and bed made of peas, the princess is cozy.

This is the land I live in,
Oh who is that at the door?
Oh, go away young, fair Prince,
There is no one here to rescue, anymore.
Ian Beckett Jan 2012
Flashes of lightening in darkness freeze the moment
A freight train of thunder rumbles across the night sky
I love to sleep with the girl whose love spans the miles

Your sleepy voice hello makes my heart beat faster
Distant Vienna ballet memories and Loos bar champagne
I love to wake with the girl whose cuddles chase the cold  

Lost alone in this big bed your comforting arms are absent
Together in dreams but our bodies chill with the distance
I love to be loved by the girl with the beautiful smile

— The End —