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chitragupta Feb 2019
I miss the Norwesters
I miss the heavy rains
I miss hurrying to catch a bus
Completely drenched

Oh Kolkata!
Without you I am
Like a fish out of water

I miss the olden buildings
I miss the bustling streets
I miss riding the tramway
With a song playing on repeat

Oh Kolkata!
Without you I am
But a fish out of water

I miss the winter sunsets
I miss evenings by the lake
I miss Maharaja's kachoris
And jalebis on a steel plate

Oh Kolkata!
Without you I am
Just a fish out of water

I miss the yellow taxis
I miss the hawkers' stalls
I miss the political graffiti
Adorning the walls

Oh Kolkata!
Without you I am
Still a fish out of water

Now I'm so far
But yet so near
My heart can't shelter
These hopes and fears
Rejection, reduction
I feel choked once again
Within your walls of nostalgia
Maybe I'll be safe

Oh Kolkata!
Show me a way
To return to the water
Homesick. That's all folks.
Ashmita May 2013
The last few passengers hopped on catching their breaths with a huff and a puff and taking the remaining seats where they could, while handling their bags in one hand and their mufflers and hats with the other. It was just an ordinary day for them. A day when work and reaching their office on time was the only thing they could think about. A day when half their time on the launch was spent worrying if the Tiffin box packed so lovingly by their wives toppled over to create a mess. A day when they couldn't stop and stare. A day when materialism came before appreciating nature’s beauty.
Kolkata woke up one fine chilly morning to a sky set ablaze. There was always something about Kolkata and its lights that intrigued me. The perfection with which every corner was lit just as much as it should be, the hidden eye candy which could only be seen if you look into your soul to appreciate. Worshipers from all over flocked to the ghats to offer their prayers. And with the mindless honking of the city behind them and the open river in front, they dipped themselves in continuously to be forgiven of their sins. As they lifted their folded hands above their heads to pray and dipped themselves, they made the water all around them make huge ripples which were lost in the vastness of the mighty river. And with that, they were forgiven of their wrong doings, or at least that’s what they believed.
The engines roared to life as one of the crew, miserably opened the ropes and threw them on board after ringing a bell. I stood in one corner of the launch eyeing Kolkata, taking every bit of it in - its morning awakening, its old red bricked buildings, or at least the ones which still stood straight, its ghats green with moss and over crowded with devotees, its icy cold winter morning, and the current of the river beneath the launch floor. Kolkata had woken up to one of the coldest days in recent history. 9 degrees and the wind was up. On the Ganga it felt as if I had come away to some faraway land, away from the hustle and bustle of the city, to find peace.  Silence surrounded me and the only sound faintly audible was the low whistle of the breeze brushing past my cheeks kissing them which felt like tiny needles poking me all at once.
The water looked like liquid glass, floating away to infinity and beyond, as far as my eyes took my vision. As the launch turned to face its destination the Howrah Bridge came into view. Standing tall with its two gigantic pillars the sun peeped from between the cables to shine on the water creating a river of gold while the sun’s reflection seemed a ball of fire just within our reach.  The bridge cast huge shadows causing a sudden darkness to arise in the water which otherwise seemed ablaze.  

Across the river the world waiting for me felt distant. Was civilization actually that beautiful? Or did nature just wrap its covers around to hide the flaws of mankind, his ruthlessness, his ignorance towards other beings and its lack of humanity? The dashes of green popped out of the corners of towering buildings, as sun cast its golden rays on them creating shadows on the opposite side.
The small boats sailed on as the launch took me from bank to bank. The rowers sat at the back on the edge with their rows half immersed in the water. And as the currents made them flow by, the ripples came and hit our launch and travelled back into the vastness and disappeared. They sailed through the disturbed water, and its shadows sailed alongside. The rivers serenity was contrasted with the blobs of **** floating by, entangled with driftwood and mixed with shiny cloths, probably the leftovers of the previous durga puja celebrations.
The sky was a game of colors by now. The sun, still a ball of fire, was slowly creeping upwards, the light grey clouds just behind it shot rays of gold down through the gaps they found on the world below, the sky otherwise was a play of grey, blue, red and orange set in order from the ground upwards without a definite point of distinction. A group of three birds, crows most probably, flew overhead enjoying the sun’s late arrival to the cold morning.
My hands reached for the railing. I gripped the rods tightly looking for security. I looked around me to spot the different lives sailing with me. Some on their phones, some sat with their eyes glued to the cold blank floor, as if they didn’t deserve to be uplifted by nature’s display of her beauty, some staring down at their watches to scrutinize each second to realize how late there were while others stood with a blank expression staring out onto the river, probably going over what they did wrong, playing the images on repeat, making themselves miserable. Me? I stood leaning on the railing looking out also. But I wasn’t in my misery. My misery was behind me. I looked forward to life. And for now I looked forward to my destination. And amongst the crowd I was alone. This was my moment and mine alone. No one could have robbed me of this moment, and no one can make me forget.  
The river gave me peace of mind. Its tranquility and its continuity made an energy of constancy flow within me. A belief that this too shall pass, that every moment shall pass. Never ending was its path. A path which life had chosen. Who are we to disrupt it? Who are we to stop? Life flowed on. And times were not always smooth sailing. There will be waves rocking you, making you lose your balance, there will be rocks at the bottom, sometimes holding you together while other times damaging your base. With time and distance the river will get polluted, but it all depends on what you want to show and what you choose to see. It will be used, to its maximum capacity, with only a handful of souls to stop and think about it and do something about it to the best of their abilities. Things varying in all sizes will cross it, sail by without paying any heed to the water beneath it making them sail smoothly, never appreciating it, and soon it becomes a part of them which they pay no attention to it. It will always be there though. Its existence will always prevail over it being ignored. And when you stop to think, it’ll be there pushing you along the way, to your destination, where you will have to say goodbye to the picture perfect moments, the soul touching feelings and the voice within you which screams in its silence to set yourself free.
A prose once in a while is acceptable i guess. Comments? :)
Gourab Banerjee Sep 2015
Nature is your mother

Love is your flavour

You're the city of joy

You're the only

Whom I love

My beloved Kolkata -Written on 03.09.2012,Monday
Àŧùl Oct 2014
I'll tell you Minaz's story.

1. I know a girl from Kolkata,
But lo! She is a stock for laughing.
She is such a big klutz,
She messes up everything.

2. Once she wants to be a singer,
But lo! She can't actually sing.
She tries her best to be melodic,
But is far away from melody.

3. Again she hopes to be a painter,
But lo! She can't actually paint.
She tries her best to be artistic,
But what she draws is far from art.

4. She now takes up cookery classes,
But lo! She can't actually cook.
She tries her best to bake a cake,
But blows apart the oven for the bake.

5. Then she hopes to be a dancer,
But lo! She can't actually dance.
She tries her best to be elegant,
But what she does is more of a prance.

6. Fed up, she tries to be a gardener,
But lo! She can't actually tend to any.
She tries her best to sculpt the hedge,
But what becomes of hedge is only shorter.

7. She goes to a monk in Darjeeling,
Seeking some advice & tells him all.
The monk is a smart one and says,
"Get married to a martial artist and tend to your child."

Now Minaz is happy and is no longer 'The Ultimate Klutz From Kolkata'.
The martial artist husband helped her attain control over herself.
Coming of a child into her world was life transforming for her.
Just a bit of love can work wonders for the life of anyone & everybody.
I had read a poem called The Muddlehead From Petushkee by Ogden Nash in school. That poem is the inspiration for this particular.

My HP Poem #680
©Atul Kaushal
judy smith Aug 2016
'Kabali' and 'Badlapur' actor Radhika Apte will be the show-stopper in the upcoming Lakme Fashion Week in the ‘Gulzar’ collections of a prominent Kolkata-based fashion designer.

“We have been working with Radhika since 'Majhi the Mountain Man' days (2015) and she will be flaunting our fabrics as show-stopper in India’s premier fashion show which is keenly followed by Bollywood," the well-known city-based woman fashion designer told media after a fashion show in a city hotel last Friday night.

The Lakme Fashion Week is a bi-annual fashion event with the summer-resort show taking place in April while the winter-festive show is held in August.

This year the winter-festive show will be held from August 24 to 28.

Radhika will be wearing bright-colored lehenga since the show will be focused on beautiful India, it’s colours and contours, choreographed with the poetry of nature by Amir Khusro, the designer said.

“It can also be termed our tribute to a great name like Gulzar saab who has brought our lyrics and poems to a new level,” the designer Saroj Jalan said.

The signature style of the designer, whose works adorn Bollywood actors like Radhika beside well known models Lisa Sharma and former Miss Universe India winner Ushoshi Sengupta, is delicate floral patterns along with the use of Zardozi and array of hand-woven tusser silk and velvet enhancing the experience of the garments and “we will project the same in the Lakme week where the accent is on ethnicity,” designer Saroj Jalan said.

Supermodel Ushoshi, having recently debuted in the Bengali film 'Egoler Chokh', said “Lakme show reflects the different tastes of all leading Indian fashion designers who are still rooted to Indian heritage.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
RedRiot Jun 2022
Iodine. Or rather, iodine tincture. As a young child, I didn't really understand what iodine tincture was. All I knew was that it was a funny reddish color, it was cold, and my grandfather always had it with him. Whenever I was injured, with little scrapes and bruises on my elbows and knees, a small vial of iodine tincture suddenly materialized in my grandfather's hand. I remember quiet moments in the summer, when I sat propped up on the bed, watching in fascination as my grandfather placed two small drops of the liquid on to my knee, rubbing it in with a cotton ball. As soon as the iodine touched my knee, all my pain went away. Looking back, I'm not sure how effective that tiny bottle actually was, but to five year old me, the iodine tincture was a magical potion, and my grandfather was the wizard who wielded it.

Pomegranate seeds. I'm sure most of us are familiar with the white little seeds encased by the beautifully red and juicy pomegranate 'arils' (don't worry, I had to look that word up too). Peeling the pomegranate skin off to reach the edible fruit itself is already such a hassle -- who has the time to take out the seeds? They are a minor inconvenience, and so we pop the whole jewel into our mouths. But when I think of pomegranate seeds, I think of Dadun, my dearest grandfather. I remember sitting in a very unstable plastic chair that I would intentionally rock back and forth, testing the limits of gravity. I remember a cool breeze that would shake the leaves of trees , providing some reprieve from the hot summers in Kolkata, India. Dadun and I would sit in the shade of the monoon tree, which cast shadows in a small corner of our balcony. I would prop my small feet onto his knees, excitedly chattering away as he quietly listened. In his hands he held two bowls. One bowl had half a pomegranate, and the other held the small arils. One by one, he somehow extracted each white seed and tossed it back into the first bowl. Within a half hour, I had in front of me a clean bowl of seedless pomegranate arils, carefully prepared by my grandfather. I would of course completely wolf down the entire bowl of sweet fruit in far less time than it took to extract the fruit. Dadun would always have a satisfied smile on his face afterwards, knowing that he had made my day.

Jackfruit. It's a weird thing. In some American stores, I've only ever seen canned jackfruit, which looks, smells, and tastes weird. In some Asian stores, I've seen the actual fruit, but it's always either got a weird starchy flavor, or the fruit itself is far too small. In Kolkata, that's where it's just right. Jackfruit in Kolkata can weigh almost 100 pounds. Beyond the spiky exterior lies a very unique gem of a fruit. It is sticky like a mango, smells far sweeter than a durian, and tastes like nothing else you've ever experienced. It is bright yellow, and a common staple in households. I remember every time we visited Kolkata, one random morning I would wake and sit at the dining table, and everyone would be making a funny face. My grandfather would be seated in a shirt and khakis, an indication that he had been outside, as it was different from the simple blue lungi he generally wore. He'd look away to the opposite direction, almost as if he were guilty about something. My grandmother would be in the kitchen angrily cleaning, yelling about how my grandfather had no considerations for her, no logic, etc. etc. My mother would be silently laughing into her palm. And in the next moment, out of nowhere Dadun would pull out a GIANT jackfruit and place it right on to the table. My face would immediately light up and I would gleefully laugh. Dadun didn't mind getting yelled at by my grandmother for going out early in the morning just to lug this ridiculously large fruit into the house. It was worth it when he saw me laughing, and he would join in with his deep bellowing HA HA HA. Together we'd laugh at the sheer ridiculousness that was the jackfruit, and the sheer ridiculousness that was inevitably going to be us eating the entire thing, piece by piece.

Load-shedding. When I was young, people would say the word so fast, as in "Are, load-sheddding hoyeche", I hadn't even realized it was an english phrase. The official definition is the distribution of power to lessen the load on a source, but I equated it to a power outage, which is incredibly common across all of India. The outages were not necessarily predictable, and although they were often disruptive, they were simply a part of life. People were accustomed to them, and everyone just worked around them. At night, the power outages were far more noticeable. Any lights in the house would shut off, shrouding everything in complete darkness. The loud fans, which were often the only source of cooling air, would stop spinning, and the sudden silence that crept into the room was difficult to ignore. With the absence of the fan, the sweltering, muggy heat of the night also became more pronounced. On nights like these, I would be abruptly shaken awake by my mother, who would hand me a small flashlight and instruct me to go into my grandparents room, where the open balcony allowed for more ventilation. There, I would find Dadun, already awake and sitting in a plastic chair, with a pakha in hand. I would sleepily join him on the balcony, as he fanned my face with the pakha, narrating small stories until I fell back asleep. I don't remember the discomfort of those nights, only that without fail, Dadun was always there.

I don't know what my grandfather was like in his younger years. I've been told he was a righteous man, very disciplined and stern. When he was angered, the earth would quake. I've heard from some that he was proud, sometimes too much. I know that he had come from nothing, and that he had overcome numerous obstacles to make something of himself. He had been rich in many ways, and sometimes that had made him both friends and enemies.

I know what my grandfather was like in his last moments, and I choose to ignore it. I choose to forget that although I stood right by him days before he passed, he could not truly see me, and he had no idea his beloved granddaughter was right there. I choose to forget that he could not get out of bed, or speak clearly, or feed and bathe himself. I choose to forget that he had no recollection of when and where he was.

What I know, and choose to remember, about Dadun is that when I was younger he regaled me with tales of science and Hindu religion, somehow connecting what I had perceived as two very different identities. He taught me to be proud of my heritage. No matter how stern he had been in his youth, all I remember is the vigor and openness with which he laughed with me. I remember his bone crushing hugs in which he towered over me and held me close, almost as though he was trying to absorb me into his very being. I remember how he quietly observed me and my little sister at all hours of the day, as though he feared he would never see us again. And I remember that he called me Diya. In a soft and gentle voice, he would ask, "Diya, kamon achish?" "Diya, choroi bethe". "Diya, ki korchish?" Diya, Diya, Diya. No one will ever call me by that name again, but how lucky am I to have been called that at all? Iodine, pomegranate seeds, jackfruit, and load-shedding. Funny little reminders that Dadun loved me with his entire heart and soul. How fortunate am I to have experienced that kind of precious love?

Dadun, amader porer jibone abar dakha hobe.
Rushali Shome Mar 2016
My city spews poetry like smoke,
In vicious columns of abstracts,
Of unspilled blood, untold hurts,
Unsung love and unrestrained joy.
Neck of an old refill snapped
absent-mindedly,
Sploshes a tiny blob of red ink,
On the table cloth,
And so flows musings and rants.
Smell of twilight rain mingles with
Incense fragrance of evening prayers
Triggering a burst of longing and love.
Electric bulbs and rainbows coexist
And emit more than just light.
My city breeds more poets than
The Lakes ever did.
Gourab Banerjee Sep 2016
Nature is your mother
Love is your flavour
You're the city of joy
You're the only
Whom I love
My beloved Kolkata-Written on 03.09.2012,Monday
Àŧùl Jul 2013
Whenever I get on the NH1 Grand Trunk Road,
I feel the pride of it being the oldest highway,
Built even before the documentation period.

King Ashoka got it built in the 3rd century B.C.,
Emperor Sher Shah got it repaired in the 17'th,
The British Company utilized it in 1857 1st war.

It was then gotten repaired only a bit by them,
Repairing such a long highway isn't easy at all,
It runs from Kabul up to Kolkata and to Dhaka.
This Highway has a long-long-long history and is among the topmost contenders for the title of the longest highway in the world spanning along most number of nations along other highways of the world.

My HP Poem #357
©Atul Kaushal
The last time I saw you sipping time on his rooftop, your wounds were smaller and my heart bigger than it ever would be. I had learnt to love you despite the smell of wild daffodils on your breath, and the look of expensive pride in your eyes - things you were willing to give up when you first hugged me with the surprising confidence of an old world pilgrim hugging the shores of new America and bringing with it the hopes and bitterness of the transatlantic blues.

The last time I saw you sipping time on his rooftop, the neighbours said that if I had arrived a bit earlier, I would have heard the sound of his sandy boots crashing against your rotten hardwood flooring, drowning your cries for constant help. His clenched fists might have broken your apartment window, But you begged me to give him the benefit of the doubt - maybe unlike me, he had never fallen for a wild daffodil before.

The last time I saw you sipping time on his rooftop, I remember confessing how you weren't truly my first love - that honour instead belonged to a monsoon paperboat that hado shown up at my flooded doorstep when I hadnt yet crossed the ripe old age of five.
Looking back - you told me, those were probably my golden years of romantic maturity.

The last time I saw you sipping time on his rooftop, you failed to realize why men kept falling over their swords to win the curled up furball crying in my arms, wearing an unasked crown of broken hearts. I wish you had remembered what i had said.

People loved you not because your face shone the brightest or you looked more beautiful than every damsel dancing in the ghostly courts of a dying town. Instead people kept coming back to you because you were Kolkata, you were literally this city.

The last time I saw you, we were sitting on the edges of a different city i had chosen to call my own. But I wish you had realized what I meant.
In  tropical, moody Kolkata,
Autumn doesn't arrive
In a flurry of red leaves
Strewn to the winds
It arrives silently,
With hushed whispers
of wind into our ears
Slowly, the fallen leaves
Turn yellow
The warm, balmy breeze
Develops a bite to it
Secretly, some trees shed
Their clothes completely
In preparation for the chilled
Caresses of Winter
Mittens and monkey caps
Appear amongst the morning
Walkers and newspaper boys
The sun becomes lazy, reminiscent
in it's behavior, rising later and later
Each day, until 6 o'clock is a stretch
of Imagination
Autumn comes with muted footsteps
Hardly any time to appreciate it
Before it's gone and Winter sets in
Standing at the crossroad of life
sad and lonely
storm clouds gather around you

at the crossroad of life......
raining now, dreams vanished
feet are so tired, brain is so wired

clouds weeping

death is not the end, at the crossroad
stranger called I......



(C) asoke kumar mitra,March 16, 2015,:23.00,India,Kolkata
so sad and lonely

— The End —