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John Milton  Jul 2009
Comus
A Masque Presented At Ludlow Castle, 1634, Before

The Earl Of Bridgewater, Then President Of Wales.

The Persons

        The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


Before the starry threshold of Jove’s court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
         But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, ‘twixt high and nether Jove,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadorned ***** of the deep;
Which he, to grace his tributary gods,
By course commits to several government,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation, proud in arms:
Where his fair offspring, nursed in princely lore,
Are coming to attend their father’s state,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,
But that, by quick command from sovran Jove,
I was despatched for their defence and guard:
And listen why; for I will tell you now
What never yet was heard in tale or song,
From old or modern bard, in hall or bower.
         Bacchus, that first from out the purple grape
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
On Circe’s island fell. (Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
With ivy berries wreathed, and his blithe youth,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe and frolic of his full-grown age,
Roving the Celtic and Iberian fields,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art;
Offering to every weary traveller
His orient liquor in a crystal glass,
To quench the drouth of Phoebus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count’nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,
Or ounce or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky-robes, spun out of Iris’ woof,
And take the weeds and likeness of a swain
That to the service of this house belongs,
Who, with his soft pipe and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith
And in this office of his mountain watch
Likeliest, and nearest to the present aid
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.


COMUS enters, with a charming-rod in one hand, his glass in the
other: with him a rout of monsters, headed like sundry sorts of
wild
beasts, but otherwise like men and women, their apparel
glistering.
They come in making a riotous and unruly noise, with torches in
their hands.


         COMUS. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream;
And the ***** sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
‘T is only daylight that makes sin,
Which these dun shades will ne’er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,
That ne’er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat’, and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

                              The Measure.

         Break off, break off! I feel the different pace
Of some chaste footing near about this ground.
Run to your shrouds within these brakes and trees;
Our number may affright. Some ****** sure
(For so I can distinguish by mine art)
Benighted in these woods! Now to my charms,
And to my wily trains: I shall ere long
Be well stocked with as fair a herd as grazed
About my mother Circe. Thus I hurl
My dazzling spells into the spongy air,
Of power to cheat the eye with blear illusion,
And give it false presentments, lest the place
And my quaint habits breed astonishment,
And put the damsel to suspicious flight;
Which must not be, for that’s against my course.
I, under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,
Wind me into the easy-hearted man,
And hug him into snares. When once her eye
Hath met the virtue of this magic dust,
I shall appear some harmless villager
Whom thrift keeps up about his country gear.
But here she comes; I fairly step aside,
And hearken, if I may her business hear.

The LADY enters.

         LADY. This way the noise was, if mine ear be true,
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
When, for their teeming flocks and granges full,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the grey-hooded Even,
Like a sad votarist in palmer’s ****,
Rose from the hindmost wheels of Phoebus’ wain.
But where they are, and why they came not back,
Is now the labour of my thoughts. TTis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
To the misled and lonely traveller?
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be ? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.
These thoughts may startle well, but not astound
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I’ll venture; for my new-enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen
                 Within thy airy shell
         By slow Meander’s margent green,
And in the violet-embroidered vale
         Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
         That likest thy Narcissus are?
                  O, if thou have
         Hid them in some flowery cave,
                  Tell me but where,
         Sweet Queen of Parley, Daughter of the Sphere!
         So may’st thou be translated to the skies,
And give resounding grace to all Heaven’s harmonies!


         COMUS. Can any mortal mixture of earthUs mould
Breathe such divine enchanting ravishment?
Sure something holy lodges in that breast,
And with these raptures moves the vocal air
To testify his hidden residence.
How sweetly did they float upon the wings
Of silence, through the empty-vaulted night,
At every fall smoothing the raven down
Of darkness till it smiled! I have oft heard
My mother Circe with the Sirens three,
Amidst the flowery-kirtled Naiades,
Culling their potent herbs and baleful drugs,
Who, as they sung, would take the prisoned soul,
And lap it in Elysium: Scylla wept,
And chid her barking waves into attention,
And fell Charybdis murmured soft applause.
Yet they in pleasing slumber lulled the sense,
And in sweet madness robbed it of itself;
But such a sacred and home-felt delight,
Such sober certainty of waking bliss,
I never heard till now. I’ll speak to her,
And she shall be my queen.QHail, foreign wonder!
Whom certain these rough shades did never breed,
Unless the goddess that in rural shrine
Dwell’st here with Pan or Sylvan, by blest song
Forbidding every bleak unkindly fog
To touch the prosperous growth of this tall wood.
         LADY. Nay, gentle shepherd, ill is lost that praise
That is addressed to unattending ears.
Not any boast of skill, but extreme shift
How to regain my severed company,
Compelled me to awake the courteous Echo
To give me answer from her mossy couch.
         COMUS: What chance, good lady, hath bereft you thus?
         LADY. Dim darkness and this leafy labyrinth.
         COMUS. Could that divide you from near-ushering guides?
         LADY. They left me weary on a grassy turf.
         COMUS. By falsehood, or discourtesy, or why?
         LADY. To seek i’ the valley some cool friendly spring.
         COMUS. And left your fair side all unguarded, Lady?
         LADY. They were but twain, and purposed quick return.
         COMUS. Perhaps forestalling night prevented them.
         LADY. How easy my misfortune is to hit!
         COMUS. Imports their loss, beside the present need?
         LADY. No less than if I should my brothers lose.
         COMUS. Were they of manly prime, or youthful bloom?
         LADY. As smooth as ****’s their unrazored lips.
         COMUS. Two such I saw, what time the laboured ox
In his loose traces from the furrow came,
And the swinked hedger at his supper sat.
I saw them under a green mantling vine,
That crawls along the side of yon small hill,
Plucking ripe clusters from the tender shoots;
Their port was more than human, as they stood.
I took it for a faery vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play i’ the plighted clouds. I was awe-strook,
And, as I passed, I worshiped. If those you seek,
It were a journey like the path to Heaven
To help you find them.
         LADY.                          Gentle villager,
What readiest way would bring me to that place?
         COMUS. Due west it rises from this shrubby point.
         LADY. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot’s art,
Without the sure guess of well-practised feet.
        COMUS. I know each lane, and every alley green,
******, or bushy dell, of this wild wood,
And every bosky bourn from side to side,
My daily walks and ancient neighbourhood;
And, if your stray attendance be yet lodged,
Or shroud within these limits, I shall know
Ere morrow wake, or the low-roosted lark
From her thatched pallet rouse. If otherwise,
I can c
Anthony Williams Oct 2014
You strayed independent across my unlaid path
impressing me with a hideaway around the thistles
where inlay thigh flints spark like butterfly wings
fused to outstretched but still flimsy present glinting
loose eyes a smoky incense close to gleam igniting
potent tinder sax on a beneficent Burns' night portent
whispering wick lit slivers of be live next to me glen scent
fluttering and roaming through saliva kissed gloaming
a light shaved window opening a misty eyed gap
opportune as a mysterious space between maps

crossed with aye formations and melted highlands
I slide into a bonnie loch when you return my glance
smooth as a swan stroking shallow into deep meeters
the swirl of bagpipes barely rippling the surface meters

a proud union betwixt us found expression
unflagging love notes ** streamed passion
red into sky blue twitchy nerves lend fingers
fondling unfurled clouds into catchy dance rings
retracing steps into tempestuous hearts I rose
so dryads can black watch temptation intertwine
painted inside as I woad your Pictish tartan

only now the pedestal wobbles a little
but you don't fall to my arms
brave destiny's turn is fickle
and straight on without being toppled
you hesitate but give no nod to lead
no quick look behind you as I hoped
shying awry to continue walking
the hot moment runs past cold
safe as before inhibitions land
like icicles on my fanciful back

upstanding Meissen men often talk
of perfection showing no cracks
and chuckled as they left their mark
in crossed swords kilned with clay ores
giving a porcelain lion soft pause
for thought about a heart out clause
and about lifting any kilt or unstuck thought
to keep established ruling embarrassment
but is that parley risking nought?
the mane's trimmed short
too correct to tip the hat
to a potential welcome
down falls harassment
south of the borderline
sad that no one can put
that man lass
yes
moment together again
but ever slow drifting apart
the dream mist
goes on
by Anthony Williams
Maggie Emmett Mar 2016
In the seventies
we brought back silks and saris
hot with colours
that shocked the nights
Punjabi embroidery
on cheesecloth kaftans
mirror glittered skirts
that were spun with light
Kashmiri shawls
and Afghani dancing dresses
arms full of bracelets
silver and brass
enameled and etched
and singing with ***
rings of Ivory, sapphire and jet
necklaces of jade and threaded apple seeds
rain forest timber bowls
white marble boxes from Agra
with precious inlay stones
our little Taj Mahals
we wandered the globe
like a magical village
of lovers and
and came back
with backpacks of dreaming
and hope.


© M.L.Emmett
Philip Larkin  Oct 2010
At Grass
The eye can hardly pick them out
From the cold shade they shelter in,
Till wind distresses tail and main;
Then one crops grass, and moves about
- The other seeming to look on -
And stands anonymous again

Yet fifteen years ago, perhaps
Two dozen distances surficed
To fable them : faint afternoons
Of Cups and Stakes and Handicaps,
Whereby their names were artificed
To inlay faded, classic Junes -

Silks at the start : against the sky
Numbers and parasols : outside,
Squadrons of empty cars, and heat,
And littered grass : then the long cry
Hanging unhushed till it subside
To stop-press columns on the street.

Do memories plague their ears like flies?
They shake their heads. Dusk brims the shadows.
Summer by summer all stole away,
The starting-gates, the crowd and cries -
All but the unmolesting meadows.
Almanacked, their names live; they

Have slipped their names, and stand at ease,
Or gallop for what must be joy,
And not a fieldglass sees them home,
Or curious stop-watch prophesies :
Only the grooms, and the grooms boy,
With bridles in the evening come.
E  Sep 2015
Gemini
E Sep 2015
Gemini, oh Gemini,
Build your bridge of trust,
Inlay the stones carefully
And I'll tear it down in lust

Gemini, sweet Gemini,
Set your fence up straight,
Smile at your progress,
While I burn it down irate

Gemini, dear Gemini,
Paint your dreams with bliss,
Beg me for asylum,
Scratch out of my abyss

Gemini, my Gemini,
Let's not skid too far,
Paradoxical dependence,
I still am who you are
judy smith Jul 2016
Veteran fashion designer Tarun Tahiliani believes that the Indian fashion industry has become more organised and a little more professional.

Best known for his ability to infuse Indian craftsmanship and textile heritage with European tailored silhouette, Tahiliani believes that the Indian fashion industry has become more strategised and cemented over the last 20 years.

"India's propensity to consume is gaining an international audience and this is changing the competitive landscape," Tahiliani told IANS in an email interview.

"It has certainly become more organised and a little more professional, and obviously the market has exploded, but I think that we still have a long way to go in terms of being more business oriented and there's still room to get more organised and professional," the designer added.

Eulogizing the new and younger crop of designers, Tahiliani, who has over two decades of experience in the industry, believes that they are doing well in terms of the handloom and textile industry.

"What's really heartening to see is that there are so many younger designers who are going places and are doing so well in terms of the handloom and textile industry... it has become more organised. I think handloom was very localised in terms of weavers with a certain look from a certain area sold through certain channels," said the Co-Founder of Ensemble -- a multi-designer boutique.

"There has been a lot more creative freedom and other regions are experimenting with textile alien to their region, especially if they are more lucrative. As long as people appreciate traditional craftsmanship and embroideries, machine work will never replace the richness of hand embroidery," he added.

Asked if the plus-size models are yet to move into the mainstream industry in India?

"Well, they should have moved into the mainstream long back. But are not normally associated with very expensive high fashion and couture," Tahiliani said.

Having draped most of the leading ladies of Bollywood like Priyanka Chopra, Aishwarya Rai Bachchan and Madhuri Dixit-Nene in his creations, Tahiliani says that fashion is his muse, not a Bollywood star.

"Art, architecture, interiors, history, travel and maharajas... My inspiration comes from many things. Sometimes it's from beautiful inlay work that I've seen in a fabulous monument; other times my inspiration can be something as simple as a beautiful kanjeevaram weave," he said.

"Ultimately, however, my inspiration comes from India's rich traditions of craftsmanship, particularly when it comes to things like embroideries that we have in India. Nothing is more amazing than beautifully executed, intricate and fine technique. I don't design clothes keeping a Bollywood star in mind, but rather for the new age contemporary woman," he added.

Tahiliani is all geared up to showcase his collection The Last Dance of the Courtesan at the FDCI India Couture Week 2016 on Thursday here. He has artistically blended fabrics like cotton jacquards, cotton silks, crepes and cutwork jamdanis with Swarovski crystals for the range.

That's not all. He will next participate in the Vogue Wedding Show and then the prestigious Lakme Fashion Week, to be held in Mumbai in August.

"I will present my Ready to Wear Autumn Winter 16-17 collection at Lakme Fashion Week. It has been inspired by the works of Mrinalini Mukherjee (late sculptor) and the journey only gets bigger and better from here," he said.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/pink-formal-dresses
(alternate title – A bona
er fide dog day afternoon delight).

A mere half dozen vowels
constitute the English language
    Ta-ra-ra Boom-de-ay
Consonants comprise majority
  
(sans remaining twenty)
     Ta Deum, whereby both
     in tandem allow, enable and provide
     avast combination

    donning brooks at bay
ample lettered permutations
offer opportunities, where methinks
mother tongue avails

     allows, enables and provides thyself
tubby spell as sigh arrange
     passions linkedin to create, evoke
and generate plenti

     of romantic expressions to convey
an amorous, bedazzling conception
describing ******, graphic,
     and iconic ****** propensities
  
this cobbler, dabbler,
     and fiddler (no,
     not on the roof) doth display
his penchant, lament bent infatuation

     with these twenty-six symbols
     that **** hen ewe to evolve,
     and breed vernacular words
     to reflect from an eBay

definitions apropos
     to the present, which
Uber state farm quixotic oeuvre,
and matchless kindling

     ******* serves as foreplay
for this heterosexual ma reed male
     caressing, finessing, and integrating
expressions of speech

     oft times spurs
     (what might seem as noun sense),
I ponder the peccadilloes
     being sixty nine shades of gray

yet quickly reroute
     ****** predilections
     albeit rolling in the hay
whence this dis straw t fellow
  
conjures affinity,
     comity and excitability
latent within the consanguinity
of bossy verbs assaying boisterously
  
an interjection tubby
     top dog capstone amidst kennel
of barking canines couching
     with another similar subject
  
each with their body electric
nestled upon a davenport faux pas inlay
in conjunction with another
     furry four legged friend,

     the direct object
particularly eye ying a ***** in heat,
     who **** okay
to buffer end an un

     pro noun sub bull underdog species,
     who feels passé
with ****** faw paw play
though averse to insult

     shaggy scoobie doo,
whose bark a role overture
     willingly doth goad her to doggy paddle
while she woofs down remnants

     of a picnic tourists left littered
while Lady and the *****
     head toward the quay
Pier ring for private sloop

     to **** per ****,
     then prematurely ******* hoo ray
afore slyly cagily approaching
     bag of cheap tricks see
     ****** exploits today.
barnoahMike Dec 2010
Glad to see you,  the ORANGE hatted man said to the YELLOW shirted Person seated in the FULL Reclining Chair,  WHICH By the *way,  was *ONLY in the Half Back Position.   Being in the Half-Back Position allowed the YELLOW  shirted Person to respond in Just a Slightly UPLIFTED EYE ANGLE !!    And,  the ORANGE Hatted man, Peering Down,  with Head *****,  Gave EACH of them an EQUAL Opposition Eye Angle of 22 Degrees EXACT ! !    Now,  to Verify the fact of Equal Opposition, the PROTRACTOR MAN arrived promptly on the scene to Evaluate the Situation..    He (protractor-man) Had , for the Very FIRST-TIME,  been especially Called for this HISTORIC Moment .   YES,,YES,,  For the very "FIRST-TIME"  Equal Opposition between an ORANGE hatted man and a YELLOW  shirted person,  USING the Measurement of "ALL-MEANING",  THAT IS::   "The Protractor of Life"...  This Historic moment would forever be Relished by Another Member of THE SOCIETY ,  BUT it was up to the Assigned Protractor Man to Assure all Interested Parties,  That the ANGLE of Exactness was * C O R R E C T ! !    OR....it wouldn't COUNT !   OH DEAR GOD,,"THOUGHT"  the assigned Protractor man,  Let my Measurements be CORRECT ! !   The ORANGE  Hatted man continued to Patiently Peer at the YELLOW shirted person seated in the :HALF-BACK  * Position in the Full Reclining Chair..  A Trumpet Blast form a BRONZE  Bassoon,, announced the arrival of  a  SPECIAL LADY ;Fully Gowned in STARTLING PINK  AND Glimmering WHITE PEARLS , adorning Her Neck and SUN-KISSED" DIAMONDS flashed from her Fingers.    In her Right hand  she firmly grasped an envelope.  She Careful in her opening  ,as if  it were a SEVEN-SEALED SCROLL *  Pulled out the  PURPLE with GOLD INLAY INSCRIPTION  ,"CERTIFICATE  OF APPROVAL "  FOR THE   Magnificent  level of ACHIEVEMENT  by the  ORANGE hatted  and YELLOW shirted man ,VERIFIED   BY AN  "UN-COLORED " PROTRACTOR-MAN"   "HEAVENLY" PRAISES AND ACCOLADES  FILLED THE AIR**          AND A "BOOMING-THUNDERING VOICED"  "NOT-EVERYTHING WILL BE IN......."B L A C K & W H I T E " ! !
copyright 2010    barnoahMike           Mike Ham
Erin Suurkoivu Oct 2016
War paint I always found unnecessary:
Gloss for manicured lipstick commercial princesses
Not of my kind.

And though I walk with shield, I am without armour:
Ramparts mere cheekbones,
Bare skin impressionable as snow.

Boot-print,
The mark I hated. My characters:
Frail tree rings, exposed to the chill night air.

Gold inlay frozen solid.
The fairly bound dream factory
Lies purple with melancholy.



It’s the world’s bruise. It colours sudden,
Shadowing the other side of the room
Where it paused, rare moth

Lighted upon my dark reflection,
A Mona Lisa dressed in black
And reminiscent of bobby sox.

Beauty without fanfare.
Stuff of woods: we do not glitter.
We don’t call out.

Our tongues are both dumbstruck bells.
Shy rabbits, we fold within ourselves
And sequester our secret pulp.
Dumbstruck is a poem featured in my first collection of poetry, "Blood for Honey", available at Lulu.com and Amazon.
C S Cizek Nov 2014
I suckled my mother's Bluetooth breast
while my father built me a bassinet
of series circuits with high, motherboard
bars.
I've got that artificial baby glow.
But Mom put my ****** on Facebook
at four weeks and I still haven't re-friended
(forgiven) her. My upgrade's in nine months,
but I want my downgrade now
'cause all I get are social invite excuses
from Facebook fuckfaces. We pack
our lives into little boxes that we're
not even allowed to open.
We drink to technology, keep our lazy
eyes on our news feeds, and recycle
ideas like their owners would even
want to see what we've done to them.
We misquote Confucius and credit ourselves
with mangled Robert Frost stanzas.

"Two roads diverged in a yellow wood, and I think
it's awesome that Pepsi used to be blue."

Reblog, revine,
retweet, FaceTime.
Folding chair fold-out on someone's lawn.
White-out Yeats, Keats, Byron, and Auden,
and write John ******* or Tom Whatever.
We're caught in the chicken wire of an LCD
fruit basket so neat, orderly, and brushed
aluminum. How can people write in Starbucks?
S
   B  
       U  
            X
B  
     S
The cooler's too ******, music's too shy,
and the sugar, no, not just the sugar.
THE PEOPLE are too artificial.
The carpet-suit inlay I'm standing
on has pencil lead, sock lint,
and receipt shred lapel pins.
Even corporations play dress-up.

But what happens when Y2K kicks
in tomorrow?
Lives will be lost even before
the missiles **** us.
And the planes that drop
from the sky won't even come close
to when the bough breaks your little
girl's heart, baby, because your phone
can't raise her anymore, so you have to.

And based on your search history,
tweets, and recorded dreams,
she's better off in the warm
embrace of a hard drive.
The poem for my Color & Design final.
Michael Anderson Sep 2011
Some see Life is a puzzle put together piece by piece. Each eventually fits together.
like snowflakes, many slot beside one another quickly, but some seem like they take forever.
With each new journey and new day, you add another piece to the puzzle.
By the end of each month or at the turn of the year you turn back to see the picture,
The painting on that canvas that we call life. With our back turned to the rest of the world
we work tirelessly to make sure the puzzle is completed in an effort to impress those impressionable.
We miss out on the leaves falling from the trees in the crisp air of the fall,
The fresh cut grass as the spring spawns from the dark dreary winter
Some fight tirelessly, to inlay the pieces as if they were creating a road by which to travel.
Relax. Step Aside. Let the pieces fall together as you simply tag along for the ride
Regardless of the moves you make, the pieces you choose, the path you take.
All of the pieces are already in the box, 500 or 1000 pieces of a pre-determined fate.
Sara Teasdale  Aug 2009
Lights
When we come home at night and close the door,
Standing together in the shadowy room,
Safe in our own love and the gentle gloom,
Glad of familiar wall and chair and floor,

Glad to leave far below the clanging city;
Looking far downward to the glaring street
Gaudy with light, yet tired with many feet,
In both of us wells up a wordless pity;

Men have tried hard to put away the dark;
A million lighted windows brilliantly
    Inlay with squares of gold the winter night,
But to us standing here there comes the stark
    Sense of the lives behind each yellow light,
And not one wholly joyous, proud, or free.

— The End —