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Tom McCone  Mar 2014
the catlins
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
A part of them remains in me still.
Which is I guess why it's true that I'll always be her friend,
Because we traded a part of us we can never give back.
When I'm friends with someone I mean it,
And so her indent will always remain.
Kagami Nov 2013
Senses explode, WWII,
Nuclear warfare on this expanse of bare
Skin supposed to be closed at my age separates,
I let the saltwater seep into this,
Slick. Time passes, hardly passing,
But, oh, how well we move.  Dance
Around our icy fire, escape from the pain
Constantly eating, feeding.
We are a buffet of things to harm
Come for another plate, fate.
Do us more harm? No. We will not stand, we can't
When we are in this state of mind. We have no state of mind,
Lust driven creatures, but we can speak. Command, tell me what
You want. You want a simple thing, but so complex.
And I want it, too, but simpler for me. A simple thing, unless thought of.
Believed in, felt deeply in ways not physical.
Arching and deepening, we will not be broken down by a measly
War outside of our windows.
Fire scorching the wooden figures, but we are sheltered by stone.
We have escaped and we are left with a heavy air and the smell
Only we can concoct. Nonexistent fabric leaving traces on my skin and yours, indent.
And your eyes are all I see, even in the dark. I know their color by heart, greenbluegrey-everchanging. But I can figure it out.
Your pupils dilate you know. You look at me and I see them. You seem drugged, dear.
Let me feed your addiction. There are many nuclear weapons left, buried
Throughout the world. We can travel and love,
Never ending.
Waiting4TheStop May 2022
Skin. Teeth.
Pressure. Exerted.
Tense. Held.
Push. Downward. Sunken. Underneath.
Retracted. Released. Resurfaced. Regained
(C) 2022
Trigger warning: non-suicidal self injury.
PLEASE DO NOT READ IF YOU ARE NOT IN A SAFE HEADSPACE. THIS PIECE DOES NOT PROMOTE SELF INJURY. IT'S AN EXPRESSION OF HOW IT FEELS. I AM NOT BY ANY MEANS PERSUADING ANY READERS OF ANY DEMOGRAPHIC TO ENGAGE IN THIS BEHAVIOUR.
Ruthie  Aug 2014
Beautiful
Ruthie Aug 2014
She felt his words enter her soul
As he traced every inch of her skin.
'beautiful' he whispered delicately.
She drifted in and out of realities and daydreams,
Consciousness and unconsciousness.
He stayed gazing at her pure beauty.
Her body was made for his eyes.
Her lips were made for his lips.
A perfect fit.
They lay there for the day.
Talking.
Laughing.
Crying.
They learned each others secrets.
They opened up their pasts.
They planned a future together.
And after all this they fell asleep.

She woke in the morning with a sickening feeling in her gut.
He was gone.
She was too terrified to roll over.
To see the indent of him on those sheets.
She feared that she'd suffocate on the oxygen he'd used up the night before.

She reached one arm cautiously over to the other side of the bed.
Felt his wonderful skin
Laying next to her.
She let out a sigh of relief.
He meant it.
He did.
He meant every word.

He woke with a sleepy gaze.
'beautiful'
He whispered as he kissed her forehead.
Inhaled her scent.
And for the first time in a long time.
This broken hearted train wreck really did feel....
Beautiful.
Sometimes people stay
Sami Flo S  Nov 2012
I Miss You
Sami Flo S Nov 2012
I want to hug you
If only for one last time.
I miss your ribs pressed against mine
In an embrace I can lean into
With you always catching me.

I miss your deep brown eyes
Whether surrounded in perfect eyeliner
Or bags painted on
From worried nights.
I miss looking into those eyes
Trying to figure out
How I can calm them.

I miss your long thin legs
Sharing a seat with me when no one else will
When there are no longer seats for me to take,
They’re there for me.
I miss how every girl was jealous of them,
I miss being jealous too.

I miss your fantasy lips,
Pointing out but softly.
With a deep valley separating it
From your nose.

The nose,
I miss that too.
I miss the way it slopes,
The tiny nostrils,
The little indent at the top.
The one that makes you slightly imperfect.

I miss your feet.
Not the feet hidden in high heels
Masking your shortness.
But the feet that wore those red sneakers
On a Halloween.
You were a ladybug.

I miss you comforting me,
If only I’m afraid of a ladybug.
I miss being able to crawl into your lap.
I miss having someone who will let me
Cry until I’m done.

I miss your curling hair.
Its confidence,
Unlike mine that is burnt everyday.
I miss its cuteness,
The way it bounces,
How for every hundred brown hairs,
There’s a blonde one.

I miss the way we can be so similar,
And the way we can be so different.
I miss your appearance of evilness,
But more,
I miss your hidden kindness.
The way when we were younger you’d grab my hand,
As soon as a teacher mentioned partners.
I miss that.
I miss you.
I have a poetry/writing blog at girlswriterschance.blogspot.com if you want to check it out!
Nigel Morgan Oct 2012
It was a summer afternoon in Wester Ross. Two moments: one near, on tide-swept sands, with glorious and gloriously blue amalgams of sky and water; the other far, on a distant shore, a vista of sweeping rain and a gang of clouds marauding the hills. Near abouts: a meeting of warm land and cool sea over a deserted beach. There were midges of course, but on that day a lithe breeze kept them at bay. As she was discovering the chaotic delights of the disused Fishing Station, I was Charles Darwin standing on a deserted shore looking across to Tierra del Fuego. Not a sign of a dwelling, a boat, or even a person on the coastal footpath. A vast panorama spread beyond the edges of my unturning vision. Out on the grey blue water, I became Captain Vancouver sailing up the Inner Channel exploring and mapping every indent, nook and cranny of the double coast. Suddenly, five indians in their log canoe appeared paddling around the point, navigating by the feel of depth and the thrum of the current inches under their bare feet and bottoms.
 
This place, the larger vicinity, the region driven through, on and onwards, into and out towards landscapes vaster than anything I’d previously known in this small island; it had already staked its claim on my consciousness. I was transfixed. On my own, decent progress during a walk was almost impossible. I would stop every few moments aware that something new and different was going on. To miss anything seemed an affront to the sublime. I would walk early in the morning whilst she lay peacefully in bed, her arms stretched out on the blue-striped cover, her hands and fingers gently curved, at rest. This morning time was alive with a colourscape of silences, different shades of low-level noise. There is no camera able to catch the play of real all-surrounding images with those extensions of fantasy the imagination blends and stirs. No microphone can be sensitive enough to the surround sound in air and landscape, the faint breath of the sea, and the incessant conversation and playback of her tender evening voice in my thoughts. Here the past was invading the present, speculating on the future, our future.
 
I ventured inside the hut at the Fishing Station. Curious to see what she was up to. She was arranging, like children do, her found objects. Along the few shelves fixed to the corrugated iron walls her quiet hands placed and replaced, shifted and turned; then, the click of the camera, again click, adjust the focus, click. Ropes lay at her feet snake-like, hemp and nylon, that urgent orange, that too smooth blue, mounds of old fishing gear mostly unidentifiable, not an idea where the floor might be found, so completely covered. If there had been a door it was no more; just a gap in the wall, seaward.
 
These objects she arranged: screws, bolts, nails, strange keys, boltless nuts and nutless bolts, small bottles, a can or two. Everything hand-size, tarnished, rusted, some oiled, stained oil-black. I felt an intruder witnessing her preparations for a secret game, a ceremony of recording and removal. A kindly ‘do not disturb’ sign hung about her face; a blankness, a dream-like visage of the initiated, as though she held some premonition of this material’s importance, a treasure found in a shack of a shed, a ‘find’ she would collectively decode. Already this visit took on the character of a preliminary investigation. She began wrapping and tying some of the more unusual items in cloth, making mummies that in a few days she would return to and unwrap to find their imprint and press marked on the cloth.
 
We lost time in this place. Only the incoming tide was a clue to how the afternoon had advanced. The beach, at whose far end the station had been built, held a gentle new moon’s curve. The water’s encroachment of the beach became mesmeric; it was difficult to leave the looking until its tide journey had been completed. But we did, and wandering through the dune meadows, between the diffident cattle, past the remote farm at the end of the track, gate after gate, then the proper road, the twice a day post box, two houses set well back from the road, a woman leading a boy on a horse, up a rise, a lay-by with a camper van, walking backwards to keep the view to the red sand beach in our sights as the afternoon light began to turn from gold into auburn, then with fingers threaded into fingers down to the wooden cottage. And there, later, after love’s welcome and its celebration, stillness.
High school life makes me quite weary, history can be quite dreary,
More than once the class has given me a cause to snore,
While I sat there, fingers drumming, some modern tune I started humming,
I didn’t see the teacher coming, coming in the classroom door.
Normally, she was quite cheerful, humming from the classroom door,
But today she gave a roar.

All the class sat still and silent, knowing that she could turn violent,
And all fearing lasting indent that she could leave upon their head.
All that time I watched with worry; - wishing I had thought to scurry
Out the door in fit and flurry - flurry from the pending dread -
From the sure and ceaseless source of impending dread -
I hid ‘neath my desk instead.

And the roaring, raving, ranting teacher started in on chanting;
Save me - brave me couldn't handle this kind of class;
Now I sat there, my mind wandering, all my thoughts were set on squandering
All she spoke, my brain was pondering, my attention couldn’t last -
As she spoke my brain was pondering and my attention couldn’t last -
I could never hope to pass.

All around me kids were shaking, but no move toward freedom making,
I began to wonder if they had a clue what was in store;
Maybe they had heard her coming, while I had been busy humming,
Fingers on the desk were drumming, drumming so I wouldn’t snore
Maybe they had had a warning - of whatever was in store; -
I hoped that she wouldn’t roar.

Sitting there in constant terror, worried I would make some error,
And thus bring about her wrath upon my mortal head;
But she made no move to strike me, showed no sign she planned to spite me
I doubted that she’d think to bite me, maybe growl at me instead?
This thought made me shiver slightly, i’d rather her roar instead -
At least I could keep my head.

She began to motion towards me, I knew it wasn’t to award me,
Perhaps she had noticed that i wasn’t wide awake?
Either way, She’d given order, so i began my journey toward her
Maybe some day I’d adore her?  How many classes would it take?
How much of her pitiless lecturing would it take?
My own life was now at stake.

Now that I had done her bidding, she was at her desk, just sitting,
Watching me with those eyes and her never blinking stare;
Never once her gaze shifted, the corners of her mouth weren’t lifted
It was as if a sense of humor had never been formed there -
As if her face had never shown the signs of laughter there -
I pretended to not care.

All the while, my thoughts racing, I was at her mercy, pacing,
The room of classmates I was facing, but they had begun to snore;
i thought she was a fluke in staffing, until i heard her laughing
Now her sullen, cold, and serious mood I had no reason to deplore -
Those heartless hoards of homework were no reason to deplore -
I  was scared of her no more!
The second i snap out of my dream and back into the realism of it all, im hoping second by second that your actually here beside me and that i wasn't just dreaming out loud. My body and mind, coming back to the surface of it all, my breathing pick's up and my sense of feel and smell has resurfaced. I smell the sweet and light smell of your hair but im not sure if it's just the after math of my dream. starring at this wall, im afraid to roll over, because if i roll over and your not there i don't know how well i'm going to do or if ill even continue with my day. If I can continue this dream of you, i'll sleep forever, i'll never open my eyes again. I brace myself, cause it's time for me to roll over. Tightening my muscles, stretching my skin, tired bone's cracking, hair moving in all direction's, clothes moving out of place and indenting the bed. I squeeze my eye's tight, causing my pupil's to shrink, hoping that when i open these door's and let my pupil's increase to normal size, there your perfectly shaped body will be. I imagine it before i dare to reveal the truth. The blanket's fall into place where your curves indent, your hair in a wave like the pattern flowing wave's in the ocean, your arm being tucked just under your chin where it meet's your other arm and after a few seconds i can't bare the taunt my imagination is dangling in my face, so i open my eyes and there you are. Exactly how  I imagined it. I take a moment for all this to register, as if i had just won the lottery. In that moment i find myself wrapping my arm's around you and your finger's sliding up my arm and into my hand to lock with mine. This is truely the meaning of "Goodmorning", so goodmorning, babe.
The first morning I spent with you.
©SeanaseaWallen 2010
Ink  Apr 2014
She is a Painting
Ink Apr 2014
Artist
The only description of her
The way her eyelashes glitter
In the shining sunlight
The way her pale face
Is angled to imperfection
In a captivating way
Where you have to feel every curve
Every indent on her cheeks

The way her wrists are stained
With the color of her hair
A raw red
Exploding into the world
Exposing her
From all the rest

It's just a shame
That art is only admired
After it's lifespan is gone
Jenna Lucht May 2017
Blue pleather bomber jacket,
You are smooth against my skin.
Your surface is cool and inviting
As it wraps around my torso-
Like a protective blanket
You are my security,
Blue pleather bomber jacket.

I pick at your skin and it falls apart.
The zipper, like your bottom teeth,
Are crooked and misaligned.
You shrug over my shoulders,
But leave my chest defenseless.
Blue pleather bomber jacket,
I bet you cost a fortune.
Almost as much as your nonprescription glasses,
Though you break just the same
Like the promises you keep making.

Blue pleather bomber jacket,
You never kept me warm
Just less affected by the
cutting winds of your back lash.
But when I fall asleep at night
I sleep beside the indent of your absence.
Blue pleather bomber jacket,
You are just now brand new,
Though your skin is already worn through
And your lining thinning by the second.

I trusted you,
Blue pleather bomber jacket,
To protect me from the cold.
Though you slump lazily
Over others' shoulders,
Not really caring I've been waiting
With my shoulders bare and frigid.
Blue pleather bomber jacket,
I thought you were one of kind.
But I see your manufactured gaze
Walking down the street,
Sitting across from me on the bus.

Go on, blue pleather bomber jacket,
Temporarily dangling over person after person.
Soon I will see you dangling
On the rotting hanger in a thrift shop,
Years from now looking preserved in your waning beauty.
Blue pleather bomber jacket,
Your trend is dying and your color fading.
I have been snagged by your imperfections for the last time.
Awesome Annie  Apr 2015
Whore
Awesome Annie Apr 2015
I reach
       arms stretched
welcoming them into my bed.

Lips on skin
        I taste and touch
eagerly spreading long legs.

Our body's collide
    Show me my worth
what do I know of my value?

I need so much...
    emotional pushed away
only physical as they enter me.

Rough and wanted
skin set fire
     I like it when it hurts.

Release granted
they always stare the same
    wide eyes on my face.

Hush your pretty mouth
they always say before they go
      kissing swollen lips.

Just another indent
another man to call me beautiful
    another mark on a once pure soul.

— The End —