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Universal Thrum Sep 2013
Oh, But what does it all mean Hidalgo?
Are we to fly in the face of the North Wind forever?

My mind has gone blank at the question.
Stranger still, the story perceived in prescient anticipation of the exact mentioned query once expounded upon spanning millions of miles of eloquent esoteric linguini, wit and charm with a dash of philosophic consequence, to fool you (the eager) into belief.

What is belief Hidalgo, but the suspension of reality, for an adept deeper world of unseen truth?

Do we see reality at all my friend? It is already shaped by our perceptions, responds to our expectations, nay we have not a clue, perhaps the arcane texts written by the hobo scholars of old hold the answer, so yet we settle on the material and fixate it as the lone clear star in an otherwise dark and cloudy sky. Mysteries abound behind the cosmos. Even when we look, do we really see, or are we as an insect upon the written page, crawling over the plain meaning? Is our capacity to hear underwhelmed by our propensity to listen? All these senses must count for something, for God is in a blade of grass, is he not, felt by the trodden hoof of the foot.

You’re a clever mad man Hidalgo.

Ay, the penultimate creator, singing in a sea of song, shining in a wave of light, lost in a dance of fractals, we are all the same rascal, blind though we are to the portrait of man, always creating, same as my neighbor, weaving dreams into Technicolor realities to beam into a future unknown. Our descendants watching us as reality television, mocking our fallibility, or perhaps empathizing and learning through telescopes strong enough to win a foot race with the sun; flying around the bend of space time and back.

The birds of the island are calm today; think they favor a slumbering respite from the noonday heat?

Mayhaps we’ll take a stroll across the columnous muddy bed, risking grey clay mummified suffocation; I dreamt as such. Yesterday’s storms make the journey perilous. My own thoughts leak from the grandiose ether and compel me to genius, the condition of the interminably insane or divine.

My bare feet tread the good earth, the 3rd density, in a daily attempt to stay grounded, however my mind is always floating, receiving transmitted whispers. Sanctified secret musings of the muse. Scribbled poetry of another dimension, meaningless to the materially minded, yet wholesome for the moment. Like a thunderstorm whose power is plain, yet unheard and unseen as the forest falling with a tree. Where do the tree and the forest begin? Are they the same root? Like my thoughts from a universal mind, the zeitgeist of an all-encompassing mood, a social memory complex.

The sophists will claim you are dodging responsibility. These tangents serve only to feed your egoic mind, but put no food in your belly nor rent in another’s hand.

Ay, but its creation all the same.
A tirade of compulsions. The ringing of the hill grows, the natural chorus of bugly unison screaming its existence into the manifold, manifesting itself to the initiate.

For what are they asking, could it be peace?

Ha Ha! Those shrill like cries wound the ears of the prideful dog, but are contained in the silences of the infinite potential all the same.

A man may change one hundred lives in a day, and earn no material currency for his unasked effort. Therefore, who is trivial? I change the wind by simply being, its current flows over me and the endless blades alike.

Vibratory love, what is that feeling, the realest phenomena of all?

Bliss in its own awareness, reveling in self-revelation, actualization, the knowingness of the child who still sees the spirit existing in each of the physical realm’s shadows. The taste of the foul and pure passing without judgment to the innocent tongue. A simple being secure with the wisdom of the wise. Does the power come from you or the hill, inspiring motions, accounting on the page symbolically. Break it down further. Dissolve. ******* into nothingness.

What is cheating Hidalgo?

Is the ant called to my arm by its own volition, how did it find me here on this patch of earth formed into mound by ancestors buried below.

Opening up all channels now.

Death locks the door with life’s key.

Should I let him crawl over me repeatedly?

Ten words to speak before the coming of the night.

Creative Destruction
Awake from the trance
Guns and Bullets
Shoot from our hands
Teller of Tales
Faint whisperer
Of sordid man’s
Hallucinatory waking
Follow the Beam
Follow the beam
The world before this world
Secrets unseen
My best thoughts come
As I lie suspended awake in sleep
Before sleep
No troubles
The curse runs blood deep
He closes the book but still speaks in rhyme
The riddle draws madness
The tongue laps up the fire
Drawn from self same wells
Will and Desire
Pruning and Preening
Political Beasts are we
Lost in our notions
I find, I keep
Braggadocioc Players
Upon the Worldly stage
Every person has the story
Only what is real?
What is fate?
So I lift my hat
To another year born true
A quarter century passed
Play the tune


Am I awaken by words from another man’s sleep?
What is the source of the tetradactyl nature?
My hexagonal heap
Of flesh and bones
Earth and dust
Brought together again by unending sound vibrating ceaselessly
I sleep but am not rested
Eat but am never full
The piper plays among the sand
Whirling in the heart of the caged word
If I keep my eyes fixated on a point, in actuality my vision expands and visualizes all

Reputationally speaking,
I am an ant, with male pattern baldness
We forget to chuckle at life’s absurdities, just as we pass by flowers without engaging the fragrance.


Rest your head with the hillside now
Restless wanderer of fantastical dreams

Treading water silently until our legs melt
Just as the weary albatross cries its last song over the harbor or the butterfly ***** its freckled wings, so too will we see the setting of the sun and a coming of the new dawn. If the chalk works carved in the abandoned sidewalk are to be believed, so must we girdle ourselves for the coming tides and lift our spirits once more for the ebb and flow of circumstance. The bike rides in the gutter all the same, and the forgotten cemetery stone stands as testament to the age gone by.
Austin Heath Apr 2014
Of all the super heroes who exist
like legends, or monuments in entertainment,
or essential cultural commodities,
and
my favorite is Moon Knight.
Never met a good reception.
Never had a particularly well done story.
I like Moon Knight in theory;
a superhero with mental issues,
with friends who face the moral challenge
of playing into his insanity,
versus helping him stop serious crimes.
It seemed like a social commentary to me;
why do we hate dictators, but love superheroes?
How is it we understand absolute power corrupts
absolutely,
yet also think having an alien demigod semi-rule the planet
is really in the best interest of our species?
The design for Moon Knight has always been immaculate
to me; directly representing the fallibility of the hero,
diving into the night with a decadent radiance,
he wears all white, and declares he enjoys it-
for his enemies to know he's coming.
Does it make sense? No.
Much like the Punisher, Moon Knight doesn't struggle with
being morally black and white, but does struggle with
keeping that identity intact. His eyes glowing,
no face shown... just darkness.
All the emotion in the world broadcast through
two glowing orbs. sometimes red, sometimes green,
often white.
A visual hint to clouded mind of Moon Knight;
Marvel's true Batman gone awry. Gone insane.
A failed son who won't die.
Here's to it.
Matilda.
The light of my life.
The poem of my tongue.
The fire of my chest.
The wind of my *****.
The hate I loathe.
The beauty I view.
My lady.
My dream.
My hesitant rainbow.
My fearless tears.
My coverlet and starlet;
my blanket and dainty amulet.
My distant promise and cautiousness;
but in all my darling; looking ever so stately-
yet not like yon faraway, morning dew.

Matilda.
The hands I adore;
the fingers I want to kiss.
The solitude I live in;
the fate I was born in.
A pair of eyes ever to me too divine,
A charm that loyally strikes, and glows and shines.
A lock of hair that petulantly sways and sweats.
A midday tale of love; as how it is mine,
a beauty that this world ensures,
but cannot adore.

Matilda.
Even the brisk turquoise sea
is ever less glossy than thy eyes,
for their calmness is still less harmful,
unlike unbending, thus insolent tides, at noon.
Ah, Matilda, thou art yet too graceful,
but tricky and indolent, as the puzzling moon!
Thy purity is like unseen smoke,
tearing the skies' linings like a fast rocket,
making me ever thirsty, turning my heart wet,
but still this attentive heart thou canst not provoke;
thou art a region too far from mine;
but still luck is in heart whose fate's in thine.
And as thou singeth a tone I liketh to sing
I cannot help but more admiring thee;
And as thou singeth it genuinely more,
thou capture all my breath and give it all a thrill;
for I realise then, that thou canst be stiff, as sandless shores;
but thy beauty canst so finely startle,
and whose startledness
canst ****.

Matilda.
But deadness, and ever desolation
are vividly clamouring in thy eyes;
Thou art but distinct, distinct indeed-from serenity;
for thou warble thyself, but gladly-away, from thy sullen reality.
Ah, Matilda, how canst a soul so comely
be hateful to fame, and dishonest just from its frame?
Matilda, to those merciless hearts indeed thou beareth no name;
Thou art a shame to their pride, and a stain to their bitterly fevered, sanity.
Yet still, thou art to innocent to understand which,
and in love naively, as thou just art, now-
with that feeble shadow of a pampered young fellow,
Whose stories are also mine,
for his father's money is donned,
and coined every day-by my servant's frail hands;
The sweat of my palms obey me in doing so-
I am my master's son's poor sailor,
and he his sole heir-and soon is to inherit
an indecent boat; full of roaming paths, doors, and locks
And at nights, costly drapery and jewels shall be planted in their hair-
yes, those beastly riches' necks, and skin fair,
And thou be their eternal seamstress,
weaving all those bare threads with thy hands-
ah, thy robust ****** hands,
whilst thy heart so dutifully levitating
about his false painting, and bent even more heartily, onto him.
Ah, 'tis indeed unfair, unfair, unfair-and so unfair!
For such a liar he was, and still is-
Once he was betrothed to a bitter, and uncivil Magdalene;
Uncivil so is she, prattling and bickering and prattling and bickering-
To our low-creature ears, as she once remarked,
She who basked in her own vague hilarity, and sedate glory
And so went on harshly unmolested by her vanity, and fallibility;
But sadly indeed, occupied with a great-not intellect,
As not sensible a person as she was;
At least until the winds knocked her haughty voices out-
and so then hovering stormy gales beneath,
took her out and gaily flung her deep into the raging sea.

Still he wiggled not, and seems still-in a seance every night,
whenst he but cries childishly and calls out to her name in fright.
Her but all dead, dead name;
'Till his father tears him swiftly out of his solitude
And with altogether the same worried face
but drags his disconcerted son back into his flamboyant chamber.
Ah, and I caught thee again, Matilda,
Bowed over the picture of yon young sailor;
'Twixt those sweet-patterned handkerchiefs
On thy lil' wooden table, yesterday
And curved over yon picture, I was certain;
I caught some fatigued tears in thy eyes-
for from thy love thou wert desperate,
but still unsure even, of the frayed tyings of cruel fate.
Ah, Matilda, your hair is still as black as the night
The guilty night, though nothing it may knoweth, of thy love,
and perhaps just as unknowing it seemingly is;
as th' tangled moon, and its dubious arrows
of unseen lilies, above
Shall singeth in uncertainty; and cordless dignity
And which song shall forever be left unreasoned
Until the end of our days arrive, and bereft us all
of this charismatic world-and all its dearest surge of false,
and oftentimes unholy, fakeness.
Oh Matilda, but such truest clarity was in thy eyes,
And frightened was I-upon seeing t'is;
As though never shrouded in barren lies
Like a love that this heart defines;
but never clear, as never is to be gained.
Ah, Matilda, and such frank clarity dismays me;
It threatens and stiffens and chortles me,
for I am certain I shan't be with thee-
and shall ever be without thee,
for thou detest and loathe me,
and be of no willingness at all-
to befriend, to hold, or to hear-
much less reward me with thy love,
as how I shall reward thee with mine.

Matilda, this love is too strong-but so is, too poor
And neither is my heart plainly bruised;
For it is untouched still, but feeling like it has been flawed
Ah, why does this love have to be raw-and far indeed, too raw!
I, who is thy resilient friend, and fellow-sadly never am in thy flavour;
for in his soul only-thy love is rooted;
And this love is forever never winning-and it is sour,
Like a torn, mute flower; or like a better not, laughter.
And my heart is once more filled with dead leaves-
Ah, dead, dead leaves of undelight, and unjoy;
Whose cries kick and bend and strangle themselves-
all to no avail, and cause only all its devouring to fail,
For his doorless claws are to strong,
Stealing thy eyes from me for all day,
and duly all night long.
How discourteous! Virtual, but too far, still-
corrupting me; ah, unjust, unjust, and discourteous!
Tormentingly-ah, but tormentingly, torturously, insincere!
Ah, Matilda! But soon as thou prayeth,
every single grace and loveliness thou shall delicately saith;
Thy voice is as delightful as nailed, or perhaps, cunningly deluded vice-
Which I hath always feigned to be refuting tomorrow,
but is only to bring me cleverer and cleverer sorrow
'Till hath I no power to defy its testy soul,
that for no reason is too shiny and bold,
but so dull, and bland as a hard-hearted summer glacier,
and too unyielding as hurtful, talloned wines.
Oh, but no appetite I hath, for any war
against him-for he is fair, and I am not,
He is worthier of thee, than my every word;
He who to thee is like a graceful poem,
he who is the only one to smirk at
and hush away thy daylight doom.
Matilda! For evermore thy heart is mine;
and mine only-though I canst love thee
only secretly, and admire thee from afar,
Still cannot I stand bashful, and motionless-too far,
For I wish to hath been born, for thy every sake
Though it shall put my sinless tongue at stake
And even my love is even gentler then blue snowflakes;
and more cordial than yon rapturous green lake.
Ah! Look! Upon the moors the grass is swirling,
so please go back now; and be greedy in thy running.
Still when no music is playing,
all is but too painful for thee,
which I liketh to neither witness, nor see,
for upon thee the moon of love might not be singing,
as it is upon all others a song,
But somehow to nature it not be wrong,
for he cannot still be thy charm, nor darling.
O-but I hate thinking of which affectionately,
when thou crieth and which sight, to my heart, is paining.
Ah, Matilda! For even to God thy love is but too pure;
for it is faultless as morns, and poisonless-
like those ever unborn thorns;
Of yon belated autumn melody,
But is, somehow, fraught and dejected
With sorrow, for it is him, that yesterday and now
Thou loveth softly and securely,
Two hours later and perhaps, in every minute of tomorrow.

Matilda! But still tell me, how can thou securely love a danger?
For I am sure he is but a danger to thee, indeed;
Once I witnessed how his face
grotesquely thrusted into furtive anger
As he burst into a dearth of strong holds,
of his burning temper-under the blooming red birch tree;
And as every eye canst see,
He is only soft, and perhaps meek-as a butterfly,
Whenever the world he eats and sleeps and feeds on in-
Tellest him not the least bit of a lie;
Ah, Matilda, canst I imagine thee being his not,
ah, for I shall be drowned in deflating worry, indeed-I shall be, I shall be!
I dread saying t'is to thee-but he, the heir of a ruthless kingdom,
and kingdom of our God not-within their lands and reigns of scrutiny,
His words are but a tragedy, and a pain thou ought not to bear;
O, Matilda, thou art but too holy and far too fair!
Thy soul is, so that thou knoweth, my very own violin-
To which I am keenly addicted;
I am besotted with thy red cheeks-;
As whose tunes-my violin's, are thy notes
as haunting and sunnily beautiful,
And cloudless like thy naivety,
Which stuns my whole nature,
and even the one of our very own Lord Almighty.
Ah, Matilda, even the heavens might just turn out
far too menial for thee;
and their decorum and sweet tantrums idle and unworthy;
Thou art far, far above those ladies in dense gowns,
With such terseness they shall storm away and leave him down.
But why-why still, he refuses to look at thee!
Ah, unthinking and unfeeling,
foolish and coquettish,
unwitted and full of deceit-is himself,
for loving should I be-if thy smile were what I wished,
and thy blisses and kisses were what I dreamed;
I wouldst be but warmer than him,
I wouldst be but indeed so sweet,
I wouldst be loftier than he may seem;
and but madden thee every sole day, with my gracious-
though sometimes ferocious-ah, by thy love, ever tender wit.

I hath so long crept on a broken wing,
And thro' endless cells of madness, haunts, and fear,
Just like thou hath-and as relentlessly, and lyrically, as we both hath.
But not until the shining daffodils die, and the silvery
rivers turn into gold-shall I twist my love,
and mold it into roughness-
undying, but enslaved roughness;
that thou dread, and neither I adore;
For for thee I shall remain,
and again and again stay to find
what meaningful love is-
Whilst I fight against the tremor
and menace this living love canst bring about-
To threaten my mask, and crush my deep ardor.
Ah, my mask that hath loved thee too long,
With a love so weak but at times so strong;
and witnessed thee I hath, hurt and pained
and faded and thawed by his nobility
But one of worldliness; and not godliness
For heavens yonder shall be ours, and forever
Shall bestow us our triumphs, though only far-in the hereafter;
Still I honour thee, for holding on with sincerity-
and loyalty, to such contempt too strong
For thou art as starry as forgiveness itself,
and thus is far from yon contempt-and its overbearing soul;
And perhaps friendly, too unkind not-
like its trepid blare of constant rejection, and mockery
And as I do, shall I always want thee to be with me;
For thou art the mere residue, and cordial waning age of the life that I hath left;
For thou art the only light I hath, and the innate mercy I shall ever desire to seek;
and perhaps have sought shall, within the blessed soul of my 'ture wife.
Oh, Matilda, thou art the dream t'at I, still, ought not to dream,
thou art the sweetness I ought' only charm, and keep;
As thou art the song, that I may not be right'd to sing;
but the lullaby; which in whose absence, I canst shall never sleep.
where once stood the symbols
of a country of might

two towers
were bought down
by dark forces in flight

obliterating the emblems
of strength
one by one

burning flames
raced from top to bottom
whence the structures
fell to the ground

9/11
shattered the illusion
of impregnability
terrorists
flew into
might's
fallibility
Once one acknowledges
that it is fallible,
it becomes much easier for it to understand
that everyone else is as well.

True compassion is to truly forgive fallibility.
Humans are fallible in many ways
   One way human weakness is shown
      Is by inevitably debasing a money supply
         NO human has been able to resist the short
            Term gain for those in power, but only pain
               And suffering for the majority of the people
                  Therefore
               Since we can’t make infallible human beings
            We must move the money supply out of the
         Control of humans completely.  We do this
      Through cryptography and mathematics
   Bitcoin is the rules based decentralized
Solution for this human fallibility issue
You can see this poem on a background here - https://www.bitcoinpoems.pro/delivery071Fallibility.html
Mouth Piece Dec 2013
The unseen is so intangible to humanity that it screams Hersey in defense of limited carnal senses. Even if the womb could inhabit scientists in pre-birth form they could merely predict that the umbilical cord was the result of the big bang which was brought on by flatulence before the great earthquake of indigestion. The true miracle of birth is the unseen…how in the darkness of gestation a blind love is reflected through a heartbeat that is perceived only physiologically. They could never fathom the deeper water of love that a man has with a women! Conversely we are not immune to this fallibility within the new embryonic process called mother earth and its new limited senses that perceive love as tangible. Love is not a feeling like an umbilical cord or is it a marriage that brings beauty and personal happiness on earth. Love is bigger than the thick and thin of this imperfect dieing world! Marriage is the umbilical cord to a true love that is again unseen and reflected in the heartbeat of the Cross which eclipses all Physiological and cognitive impulses. Love never fades………………….
Daniel Ospina Mar 2016
Fountain of youth runs in his veins,
The man who lives in Sycamore Keep.
His circadian clock had come to a halt,
Rather than rejoice, he sullenly weeps.
You would think that immortality is
The pinnacle of human existence,
All the time in the world and not a
Single malady to be of any resistance.
Yet there he sulks, the ageless man,
Cauterized by the turn of each century,
As loved ones breathe their last and
Become a parcel of his fractured memory.
But that is just the shell of his woes,
For even with all knowledge amassed,
He’s utterly aghast with the state of the
World unwilling to learn from the past.
Every crook and cranny explored,
Every experience well savored,
Now monotony for millennia to come,
His longing to live has ebbed and wavered.  
I was told by the man of Sycamore Keep
That immortality is a curse so alluring.
Indeed, a hundred cultivated years is
Much better than hollow eons securing.
But sir, think of all the riches you’ve accrued
And mastery of all science and philosophies.
Who wouldn’t want to have the time to mark
The world and purge it from all its atrocities.
Say no more, interrupted the ageless man,
I applaud your idealism and optimistic delusion,
But you’re missing one essential element --
Even as immortals, we’d still be only human.
And to be human, is to be fallible. Let’s just say
That immortal fallibility will engender no good.
It'd be best to truncate our lifespan for the
Sake of our survival, yes truncate we should.  
And that’s all I heard from the man of Sycamore Keep,
Who went on his way to his millennial weep.
Scarlet McCall Aug 2016
“I am a jealous God,” said the Hebrews’ deity.
Ain’t got patience for a jealous God, for I’m a spirit free.
I have many idols, on this terrestrial sphere.
And if I didn’t worship them, I’d surely not be here.
For they are Icons, real, of what I have struggled to attain,
my ideals and aspirations, or of persistence through the pain.
I worship them with love, despite their fallibility.
They guide me and inspire me,
with their strength and creativity.
For example-- modern martyrs, who’ve sacrificed for others;
I'm sure that Jesus would think of them as sisters and as brothers.
And rock and roll; it’s my religion; I know the Promised Land
cannot be much like heaven, without my favorite band.
What I seek but never find is Plato’s ideal vision--
the unseen perfect version of our seen world. My submission
is to something that we know by feeling, and I think it must be said
that the traveling to find it cannot start by being dead.
Surely Poetry and Art are to be followed, as a creed;
they can be read and seen, and then, perhaps, believed.
Music is transcendent, call it the Flesh made Word--
not reserved for us in heaven, but here, on earth, is heard.
Nature is a Goddess; her work is the creation;
we strive to understand it, through rational “divination,”
using math and science, objective experimentation.
I have so many idols; I can’t limit adoration
to just one jealous God and his righteous indignation.
The Bible is a document that’s full of truth, I know;
but it was written a long, long time ago.
I’m keeping all my idols, for they soothe me and inspire me.
I’ll continue in my “lifestyle” of spiritual polyamory.
You may say I’m going to “Hell” for my sinful apostasy,
but I’m not afraid of the future grave,
for I’ll have lived with ecstasy.
Thought I'd re-post one of my faves here.
I am an escaped prisoner from barred disillusion,
A personable recluse fighting the illusion
Of an introspective extrovert who finds solace in confusion.

I wonder how it is that I find optimism alone,
When collective pessimistic thoughts condone
The woeful tales that howl and moan.

I hear voices of people that aren’t there,
Yet find myself in calmness aware
Despite their tormented accusational affair.

I see ideals living and thriving out there
Even when apathy or indifference ensnare
Battered hearts and worn out minds in despair

I want nothing more than to ‘want’ so desperately
I hold onto desire so restlessly,
That I’ve tired the being of my entity,

I am an anomalous paradox captive to the sea
Where waters churn in active disharmony,
Yet comfort as it may my tranquility.

I pretend that I’ve already staked my global legacy
As if my words, thoughts, and feelings,
Have changed the world entirely.

I feel everything as I believe it should be,
Riding the waves of intensity
In emotionally humble serendipity,

I touch the stars in remote prose,
Wandering the vast expanses without close,
Wherever my mind goes, it goes.

I worry about the future of humanity,
As if I was merely here to watch observantly
From some unknown eternity.

I cry for those in silent pain
With fake smiles of disdain
Who dare not speak for thought in vain.

I am a quiet observer of the human condition
Checking and balancing sedition
Though never granting my submission.

I understand the fallibility of the mind,
Gathering as many perspectives I can find,
Theorizing everything to which I’m inclined.

I say it’s all relative but it’s all relevant
Prone to be dominated by the prevalent
Missing the subtleties that are heaven sent.

I dream when I’m awake through my ideals,
Even when they’re still just spinning wheels,
Hoping they gain traction as time reveals.

I try to be better than the day before,
As that’s the best way to keep score,
When the world has us compared to others so much more.

I hope my legacy is genuine,
I regret nothing even when I sin,
As time wears down my wrinkled grin.

I am only human, to live and to die,
That’s about all we can be or rely,
And honestly this notion breaths me a sigh.
An I Am poem with a little twist
They opened up my heart to see
the self and fallibility
and
in the time of waking,I saw
continents for taking,saw the minerals
that broke the souls,
the souls that slaved for yellow gold, and
holding on to minds, were free men breaking
open liberty or was that in a dream I had when
morphine took the best of me,the green light of
my destiny marched off and set the dogs to bark and
I would be a danger if I had the sense to know it
but when danger shows its face to me,
the self and fallibility comes in
and laughs out loud.
I see the ending of an era and  fear a sharp reminder that
the Devil sits in memory of dreams that he once sold to me,
upon the bed I tremble as the angels all assemble
and they're shaking out their wings while in the background
I hear Elvis sing and
Graceland is my home.
Danielle Shorr Mar 2015
I hope I don’t **** this one up
If I make a mistake it isn’t my fault
My credibility can be diminished by the way present things
I, the way I present things
I am afraid of publishing something someday and
******* up the end result
Someone will read it and laugh because I missed word
A word, I missed a word
****
If I am to ever mess up a final draft then
I will laugh because nothing is final except for maybe death
Maybe
Books scare me because when they are printed the work becomes permanent
And I’m not sure I want anything I create to last forever
I don’t know if anything I say will ever be kept for that long but if it is I want my mistakes to be as clear as what I am attempting to say
I am attempting to say I cannot be held accountable for everything I do wrong
People will look back and doubt that I can be trusted because I didn’t use the write form of right
Even so, I hope my errors are good enough to be remembered
I hope I can incite a cringe or two with my fallibility
I was not made to be perfectly correct in all that I do, my words can attest to that
So if I **** this up, if I make a typo,
Let’s just pretend it was on porpoise.
I can never compensate for the poems I have misplaced,
Yet I proceed to shed sincere ink upon an empty canvas,
and revert towards elusive answers.
I once again resort to the preferred instrument,
And stumble into a liberating trance.

However, genuine introspection often
Unearths wretched recurring recollections,
That have served as the creative source
For previous poetry collections,
Some of which cannot be read
Without a deep sense of dread,
Hence I flinch from acknowledgment instead.

How disoriented am I?
As disoriented as 20 year old Kimberly
Her derelict of a son is an embodiment
Of her youth blues memories.

How aimless it must be to venture
Amidst the sanctum of stagnation.
It was not long before even the architect
Began to disdain his own laborious creation.

Why wouldn't he?

He was a fool to build
A foundation out of complacency.
The structure is able to endure
Since it thrives off of a perpetual tragedy
Of self-defeating beliefs, lascivious senses,
And misguided aspirations.

Unfortunately, whoever it houses
Collapses out of utter exasperation.
An inevitable predicament I predict
Will confront me as soon as I deteriorate mentally.

The sanctum itself testifies to an aphorism
I recount hearing during a melancholic plight:
Truthfully, throughout the ages,
Fallibility has always been
Among humanity's playwrights.

6/18/13

(c) 2013 Brandon Antonio Smith

— The End —