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The vines have turned the color of the season —
as red as the wine their grapes will spill.
I peer back up the hillside into the circling sun,
an infinite swath of yellow. Below it surges
Homer’s wine-dark sea, repeatedly, endlessly, effortlessly
spreading. Except the sea is never red in Greece or Italy,
or even in France, where I stand amid a sea of wine-red leaves,
in silence, under the sun, holding back the flood of invaders below.

From the crumbling wall of the vineyard,
I survey the village of Riquewihr in all its medieval splendor,
gorged with tourists like an unfortunate goose
gagging on grain forced down its gullet:
foie gras for the shopkeepers, who crowd the cobbled courtyard
in all its chaos and cacophony.
“Sample a macaroon for free under the ramparts.”
“Buy a reproduction of a one-of-a-kind watercolor of the bell tower,
built in 1291. (Only 400 Euros for the original),” the artist says.
“Reserve it now for Christmas.”

His stocking cap needs cleaning, I think.
I eye the village fountain, the half-timbered shops, the claustrophobic
stone houses, brightly painted, squeezed into walls like tiny fortresses.
The artist tells me how hard it is to make a living —
the global economy his impenetrable wall, which holds back a flood
of buyers from Germany, China, New York.

I decline his offer to buy and climb the steep hill out of town,
the wine-dark hill of the vineyard.
This is what it means to inherit the world:
to stand apart, high, distant, above the sea
of other tourists, just like yourself, who yearn to stand apart,
just like yourself, laden with bulky guidebooks,
just like yourself, looking for the perfect souvenir, just like yourself,
the one that will sit perfectly on their mantle. Just like yourself,
they seek a memento that will remember for them — remember
all they could have had if only they had had the village to themselves.
If only you had had the village to yourself, to make it your own.

On this sunny afternoon, the village is my own — for a moment,
from a distance, awash in gray-blue shadow. Only the vineyard beams:
isolated, fecund, teeming with dreams; ever gaining on the harvest;
angling closer to the giant wine press that will spew the scarlet juice
at my feet, the earth turned the color of blood.

I resist the urge to pluck a baby cluster of grapes, nestled safely
beneath a leafy wave of this wine-dark sea, these purple berries
springing from the ground: so many earthy bubbles, born to burst.
Le terroir in French: The dirt makes all the difference.

A handful of soil would prove the perfect souvenir, nest-ce pas?
sitting pretty on my mantle. The dust and debris would blow away
day by day, like ashes spilled from a funerary urn,
the sacred remains of my travels.

Let me be buried, then, in memory of the fertile furrows of Alsace.
Let me push up this hillside, along its ample paths of abundance;
its ripening rows of fruit; its wine-red passageways through leaves
and vines, steep and luminous; the sea of blood yet to be pressed
from the soon-to-be-crimson grapes.

“Does this vast vineyard hold any secret worth journeying halfway
around the world to find?” That is the question I scribble in the dirt.
“Does this village? Does this vision? Does this ancient, failing wall?”
Even if the answer is “No, no, no,” I shall reply, “Yes, yes, yes.”

Yes, let me be buried in Alsatian soil as a lasting souvenir.
Yes, let me lie here, as I stand: free and upright,
lighted by the autumn sun, unchanging, set apart
to revel in the marvel of red blood seeping into the soil
.
Yes, let me make this stained patch of dirt my own.

The vines have turned the color of the season —
wine-red, wine-dark, blood-red.
And I have turned the color of the vines,
in silence, under the sun, holding back the flood.
drtutu watutu Nov 2018
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Ophelia  Jan 2014
Gin and Juice
Ophelia Jan 2014
The gin and juice on my lips
What could be better than this?
Going around the cities like a homeless
Meeting some strangers, smokers, players
(Do you have a cigarette?
Yeah, of course, you naughty girl)

It's so easy to be wrong and bad
If I'm wrong I don't wanna be right
Could you make me high and dope?
I'm too drunk to walk
So let's have a ride in nightly cities

And the gin I had wasn't that bad, so I had one more
He gave me 50 euros, so we gotta get drunk
What a badass
It's time to leave my daddies
And forgot my shameless past
Maybe it's time to get drunk
What about gin and juice?

It's so easy to be wrong and bad
If I'm wrong I don't wanna be right
Could you make me high and dope?
I'm too drunk to walk
So let's have a ride in nightly cities

Don't wake me up
I don't want to cry myself to sleep
I just want to say goodbye to Flora's era

It's so easy to be wrong and bad
If I'm wrong I don't wanna be right
Could you make me high and dope?
I'm too drunk to walk
So let's have a ride in nightly cities
Bardo  Apr 2023
Dark Chocolate
Bardo Apr 2023
She came up to me one day in the office seeking help
She'd heard me talking about my nightmares
She was a lovely looking thing, she was big into dieting and health food and healthy eating
Some of the other girls used to consult her about such matters
Thinking her to be quite an authority on the subject
I think she might have had a sideline too selling some Health products
She was a...a gorgeous looking creature, she had lovely blonde hair which framed her beautiful oval face like a heavenly aura,
Maintaining always a resolutely bright and cheerful disposition
She radiated positivity and optimism wherever she went
(I suspected secretly that when she got home she probably kicked her cat around)
I'd be all agog just looking at her
I suppose yes! I probably had a little crush on her
Unfortunately I was a good deal older than she
So I could only see myself as a secret admirer, a dark lover from afar...

She'd been acting a little peculiarly of late since returning from her Easter holidays
I wasn't the only one to remark about it
Gone was her usual self assured poise and grace
Gone too her lovely bright positive glow
It was like some sudden terrible tragedy had befallen her
Like some big dark ominous cloud had suddenly appeared on her horizon
Now she seemed rushed and frazzled, strangely distracted, unsure of herself, hesitant
Clumsy, apologetic, not at all like her usual confident self.

So she came up to me when I was alone one day and asked "You know something about nightmares, don't you"
She proceeded to tell me this story
She used to drive to work but because of the unusually mild and clement sunny Spring weather coming up to Easter
She had decided to leave her car at home and walk to work
Probably thinking it to be healthier I suppose
The route she took meant she had to pass by a certain newsagents *** confectionery /sweet shop
Now coming up to Easter as it was
The owner of the shop had strategically placed in the front window of his shop a big Easter egg
Wrapped in pretty ribbons and bows and encased in a very colourful, most alluring box
Every day she had to pass this shop with its lovely chocolate egg prominently displayed
You probably know where this is going,
Yea! A secret longing began to grow in her
Passing that shop every day and seeing that big chocolate egg started to rekindle in her memories of the days when as a child she used visit her local Sweet shop
When the only ambition she had was to get enough money so she could buy the newest chocolate or sweet
She began to remember fondly thoughts of all the old chocolate bars and sweets she used to eat
Anyway this longing, this desire of hers... each day it grew stronger and stronger until finally, like a river bursting a dam
Yea, like a huge monster, it finally overwhelmed her
Yes! She... she SUCCUMBED!

One evening she drove her car to the shop and parked on the opposite side of the street
There she waited till the street was deserted, with no one around
When the coast was clear, she got out of the car carrying a big shopping bag
Wearing a big hat and dark sunglasses just like a movie star
She went into the shop and told the shop girl she wanted the big Easter egg in the front window
She lied telling her it was for her little nephew
She hastily paid for the Egg, then quickly bundled it into her shopping bag carefully covering it up with other items so no one would see
Then hurriedly she left the shop, crossed the street with her head bowed, got into her car and quickly sped off
Over the next two days, in an **** of orgiastic chocolate eating, she secretly gorged upon, devoured all by herself the entire Easter egg
When she had finished, she sat there, a sullen lump among the ruins of her feast
Bits of ribbons and bows and torn box strewn all around her
Almost immediately she began to suffer pangs of guilt, berating herself repeatedly and bitterly for her lack of will power and mental strength, for her perceived weakness of character
This went on for the next few days, she just couldn't bring herself to forgive her behaviour
And she couldn't fathom how she had let this desire overcome her
...Then curiously, she began to experience a strange recurring dream at night,
She'd dream that she went one evening to another part of town where she wasn't known again to buy her Easter egg
There was no one around at that hour
She'd buy her Easter egg, tell her little lie about her nephew, then bundle the Egg into her bag and cover it just like before,
Then she'd leave the shop and head down some backstreets not wanting to be seen by anyone she knew
At that time of evening the shadows had begun to lengthen, the backstreets were very quiet and deserted, had a very lonesome forlorn air
As she walked along, she suddenly began to hear what she thought were the sound of footsteps behind her, the tread of feet behind her...Big feet, Bom-bom-bom!
She'd turn around but couldn't see anything, not a soul and not a sound only silence
She'd continue walking and the sound of the Big feet would start up again
Naturally this began to unnerve her, she turned and called back at the shadows
"Is there anybody there?"
But no answer was forthcoming
She'd walk on and again the sound of the Big feet would come Bom-bom-bom!
By this time she had become so unnerved, so completely flummoxed that in a state of utter panic
She suddenly took off at a frantic girly gallop down the narrow backstreets
Behind her she could hear the sound of the Big feet quickening, coming after her
In a quick change of plan she decided to climb some steps that would take her back to the Main Street again
She hoped there'd be other people there who might be able to protect her
She was very disappointed then when she found not a soul upon the whole street
Well she ran and she ran, she tore down her own street and with key in hand she quickly opened her front door, then slammed it shut fastening all the locks and bolts as she did
With this done she heaved a huge sigh of relief, a huge 'Phew!" and wiped the beads of sweat from her brow
She backed slowly away from the door almost as if she was expecting at any moment, there'd be a mad pounding on it, as if some strange belligerent entity would be trying to gain entry.
She kept backing up, the suspense almost too hard to bear
Suddenly she bumped into something behind her, something big and soft... and furry
Soft and furry ???
She turned and well, her mouth, it dropped wide open in utter shock and disbelief
Her eyes, they nearly popped out of her head
For there standing before her was... THE CREATURE
"It was hideous !" she said tearfully
"What was hideous?" I replied quite intrigued at this stage
"It was a Big Rabbit !"
"A big...a Big Bunny 🐰 ?" I said
She went on explaining, standing before her was a giant seven foot Easter Bunny
"A seven footer eh!" I said as if I was knowledgeable about these things, which I wasn't
She continued with her story, the rabbit he had big floppy ears, big buck teeth, a twitchy nose and whiskers 🐰
And on his face he wore this pretty gormless vacant expression🤡
He was wearing a waistcoat which had all these Easter egg 🥚🥚 designs on it
And on his front paws were these two big red boxing gloves 🥊🥊
She looked around desperately for some means of escape but Alas!
For her THERE WAS NO ESCAPE, she swallowed hard
Suddenly the giant Rabbit's teeth began to
natter
As if he was considering some imminent action
Then totally without warning one of his boxing gloves
It suddenly shot out and punched her right on the nose knocking her clean out on the floor
As she sprawled there dazed and utterly confused, the Big Bunny, he looked down at her with his big eyes 👀
And then, with a sudden leap which surprised even her
He jumped right up onto her chest where he proceeded to bounce up and down on top of her
Of course, here she'd awaken from the dream drenched in sweat and screaming for the Giant Bunny 🐰 to get off her.
When she had finished her story she buried her head in her hands and sobbed quietly for a few moments before regaining her composure
She seemed very relieved to have gotten it all off her chest, the story that is not the Bunny
Well I suppose she was glad to get him off as well
She went on to say how stressed she felt during the day, how she found it hard to focus on anything as she was too busy thinking about the night to come and the arrival of her unwelcome guest
She looked at me pleadingly "He'll be there again, I know it, with those big eyes of his" she blubbed half in tears
It seemed obvious to me what'd happened, mentally she'd been beating herself up
And now her Subconscious was merely reciprocating by creating this giant Bunny to chastise her
It was just a manifestation of the guilt she felt for eating the Easter egg
For a moment I felt like I was Sigmund Freud.
I told her what I thought and said she shouldn't beat herself up, I told her we all had our temptations and that at times, few of us were strong enough to withstand their advances
I told her of the importance of forgiving herself
But nothing seemed to placate her
She still seemed overly concerned about the coming night and the prospect of the giant Bunny's re-appearance
She catastrophized and saw only dark things ahead
I knew I had to say something authoritive
Suddenly I had an idea, I put my arm around her shoulders as if to console her
"Look my child", I said really beginning to warm to my Father Confessor role
"The Beast! Do you really want rid of this Beast ?"
"Yes! I do! I do!", she replied emphatically
"Really! You really want to get rid of him!" I said as if to question her resolve
"Yes! Yes! I'd do anything" she replied
I felt we had to send a strong message to her Subconscious mind -
I told her "This is what you must do. After work go down to the same Sweet shop and there buy the most expensive ornate Box of Chocolates you can find 🎁
But this time instead of bringing them home with you, bring them instead to my house...
To the above advice I added a few more instructions
"And that's all I have to do" she said sounding surprised and hopeful once again
"That's all you have to do", I assured her, "you'll have no more trouble from IT ever again".

So in the evening she arrives at my house with a big box of fancy chocolates
I open the door and abruptly ****** the chocolates from off her
I say loudly "These Chocolates are all mine and you can't have any of them
Lovely Chocolates... and their all mine, all mine!!!
And you're not getting any!"
And I let out this evil cackle of a laugh
Then I said rather theatrically to her "**** off!, Get lost! Shoo! Begone! Begone!
And then I slammed the door right in her face
After a few moments I opened the door again
And began to chase her down the path shouting "Begone! Begone! The Chocolates are mine! All mine!"
I even picked up a stick and shook it at her.

The next morning she runs up to me at work with a big smile
"He's gone ! He didn't come last night"
She looked renewed, she positively glowed again
She assured me I'd be her friend for life and that she loved me to bits
For a moment I was beginning to fancy my chances with her
I had visions of the two of us together in some romantic scene
That was until she went on and said that I reminded her of her lovely Uncle Joe
"Her Uncle Joe", I thought, "****!... feckin' Uncle Tom"
Then I thought I should have charged her, yea! charged her just like a hospital consultant
$250 Euros upfront and come back in two weeks for another $250, sorry for a check up I mean.

Well that's it then... that's my Easter story, I've got to go off now and take my afternoon nap
Y'know I've been getting some funny dreams of my own of late,
Yea! I've made a new friend
He's been teaching me how to box.
A bit of fun for Easter. Used to tell girls this story at Easter time to try and scare them into giving me their Easter eggs LoL.
Edna Sweetlove Aug 2015
This is the very first of my "Barry Hodges' Memories" poems.*

People think that Amsterdam is an exciting city,
Full of life, full of fun, full of cheap beer and drugs
And easy to buy thrilling ******* **** films galore.
But there is another side to this Dutch metropolis
Believe me, I know, I have been there, squire,
And I have seen it in all its drug-filled horror.

I was there one balmy eve, just off the Leidseplein,
With my older brother, a kind and gentle man
(although physically not very pretty),
When a gang of Surinamese youths,
Sky-high on crack *******, or whatever filth,
Attacked us, mugged us, use what words you wish,
It doesn't matter, the result was the same.

And they left him lying there in the gutter,
His skull cracked and seriously brain-damaged,
And for what, I hear a myriad voices query,
Well only a few hundred lousy over-valued Euros.
He dragged out a miserable half-alive existence,
For a few Hellish months in the city hospital;
Dear God, I shall not be going to Amsterdam again
(with or without a Dutch cap, may I add tentatively).
As a result of intense praise from many people, I have been encouraged to write a whole series of poems about my memories of various cities. You will be interested to learn that I posted this poem on another poetry website and received some most sympathetic comments. I reproduce the comments below so you may see how some good and simple people have been moved by my words:

"American papers are filled with such gruesome events, as well. It is a violent world we live in. Blessed are we to have a safe haven to meet with like minded people and share our words in such a positive way. I am sorry for the terrible loss of your brother." (from an American reader, 28/11/2007)  

"A terrible tale indeed Barry, and I extend my sympathies to you on the fate of your brother. However, I do not think this sort of thing is confined to Amsterdam - you have only to read the English papers to see similar events occuring daily in this country." (from an English reader, 28/11/2007)

"Painful and emotive memories Barry, and still some argue for legalising drugs, I think not." (from a pompous old ****, 28/11/2007)
ghost queen Oct 2020
Night was falling, a full bright silver moon was rising, and Seraphine’s hunger had become unbearable. She needed to feed, had to have young fresh female blood, to stay alive and young.

Science had caught up with the reason vampires needed to feed on the youngest, preferably baby’s blood. In 1866 a Frenchman named Paul Bert had conjoined rat’s circulatory systems in a process called parabiosis, and thus the Prize of Experimental Physiology from the French Academy of Science.

In 2012, Cambridge University’s Julia Ruckh found old mice cojoined to young mice physically and mentally rejuvenated, becoming younger, smarter, and more energetic. Subsequent research discovered proteins in the plasma caused the rejuvenation. News outlets had proclaimed, “fountain of youth discovered in ordinary plasma.”

Seraphine needed the youngest, which has the highest concentration of rejuvenation proteins and hormones;  the purest, which is virus-free, and female, which has the highest levels of estrogen and progesterone.

Ideally, a baby girl’s blood would be best, but in today’s modern society, killed babies drew attention. The next best and the pragmatic thing was a 15-year-old runaway girl. L’ Association Assistance et Recherche de Personnes Disparues (ARPD), estimates 1000s of Parisienne girls, ages 10 to 18, runaway each year due to ****** and or physical abuse, ending up on the street, and having survival *** in 48 hours or less for food and or protection. And few if anybody cared. They disappeared, never to be found, presumed dead from a ****** overdose, or stabbed in a fight for food, money, or drugs.

Since runaways had high levels of disease due to survival ***, ****, and ****** addiction, Seraphine focused her attention on young troubled Arab girls living in the Habitation à Loyer Modéré (HLM) or projects of the 93rd, the department number of Seine-Saint-Denis, the poorest, predominantly Maghreb Islamic Arab banlieues of Paris.

Seraphine would undo her ponytail, letting her raven black hair cascade down around her shoulders, so she could fly around and into the projects at night landing on rooftops, listening for arguments, yelling, or shouting of eahira (*****), waqha (****), or haram (forbidden). When she heard those words, she knew a father was forcing old-world customs and religion on his born and raised in France daughter. The daughter, going to secular French public school, knew neither Arabic nor Islam, rebelled, wanting to live a secular, feminist rather than a submissive religious life.

Seraphine had found this month’s mark. She focused her superhuman hearing and sight on a tenth-floor open balcony window of the building across the street.

She could see an older man dressed in the traditional white dishdasha tunic, and taqiyah skull cap worn to evening prayers, yelling and throwing his hands in the air. Further in the flat, Seraphine could see a girl, crying. The man yelled waqha, waqha, then slapped her, and she fell to the floor. An old woman pulled the man back, as the girl got up and ran out the door.

Seraphine knew how this would play out and where the girl was headed. Four blocks away was the Lycée Général et Technologique, which housed a 24-hour crisis center for teens facing physical and or ****** abuse, pregnancy, homosexuality, ****** addiction, or homelessness.

As foreseen, the girl burst out the front doors of the HLM, running, crying down the street. Seraphine leaped from the 13-floor building into the air, silently following the girl like a bird of prey. The girl walked down Rue Bonnevide to Rue Guy Moquet, taking a shortcut through a wooded park.

Seraphine flew down to the ground, landing without a sound, and followed the girl from a distance. She could smell her youth, see her round hips and long shiny hair. When the girl had walked deep into the dark and silent park, Seraphine sprang forward like a puma, tackling the girl to the ground, and slitting her throat before she could scream.

Seraphine savored the ****, drinking the squirting blood from the carotid artery, relishing the warm fresh blood. The girl, in shock, blinked rapidly, trying to process what had just happened to her. She tried to speak but gurgled only blood, tears of fear started streaming down her cheeks. She knew she was dying, was afraid of dying, and wished her father was here to protect her, and make it all go away.

The blood slowed to a trickle. The girl had bled out and her body died. Seraphine continued to drink, ******* harder to get the remaining blood. The girl’s body convulsed then stilled as her brained slowly and finally died.

Seraphine had fed and would be satiated till another full moon.  She got up and licked her lips of residual blood. Her clothes were drenched in sweat and blood. She looked at the girl’s dead body, admiring her clear complexion, and big brown doe eyes, but felt no remorse for the ****.

She picked up the girl’s body in her arms, jumped into the night sky, and flew 65 kilometers northeast of Paris to La Foret De Compiegne in la department d’Oise, a secluded and rural part of northern France. Dead center in the forest lies Saint-Jean-aux-Bois, a small, and forgotten farming village of septuagenarian and octogenarian.

Seraphine flew to a farm a kilometer outside of the village. As she neared the farm, she could smell the putrid stench of pig ****. She started her descent, dropping the girl’s body, which hit the ground with a thud, in the barnyard, as she gently touched down.

The farm was dark, the only light was that of the full moon. She heard a rustling coming from the farmhouse. She saw an old man walking her way, holding a dim flamed oil lamp. He did not look at her, only at the ground, afraid of what would happen if he looked her in the eyes.

Seraphine grabbed the girl’s body by the hair and dragged it to the main pigpen, and threw the body over the fence and into the pit of sleeping pigs. The body hit a pig, startling it out of its sleep, squealing, waking up the other pigs, and realizing they had been fed fresh meat. The pigs sheared the flesh off the bones, then chewed and ground the bones. Within a couple of hours, there would be no trace of the young girl’s body. She was just another disappeared runaway.

Seraphine turned her attention back to the farmer, pulled out a brick of Euros from her coat, and threw it at his feet. He didn’t dare pick it up. He was too afraid of her. He knew what she was. And she knew, he knew what she was.

He’d seen the countless girl’s bodies come through like chicken carcasses at a processing plant over the decades. He knew he would die of old age soon, and only hoped God would forgive him for helping a monster.

Seraphine turned around, jumping into the sky, and disappeared. He was trembling and relieved that she was gone. He won’t see her for another full moon. He painfully bent over and picked up the brick of Euros. His hands were shaking.

******

Seraphine got out of the shower and wrapped her hair in a towel. She looked in the mirror and admired herself, the flawless white skin, the blood red lips, the pear shaped figure, but most of all her firm perky *******. She was brushing her teeth, when the doorbell rang. She rinsed out her mouth and wrapped a towel around her, walked to the door and opened it. It was Damien. She mischievously and alluringly smiled. He grinned back, knowing why she’d called. “I was so glad you were still up when I called,” she said poutingly.

She took his hand and led him to her bedroom. It was softly lit, a low yellowish light, not unlike that of a candle’s. The walls were decorated in red damask wallpaper with gold crown, base, and chair moulding. It was very elegant, very French. The bed was a large four posted red ruffled canopy, covered with a red duvet and pillows.

She got to the foot of the bed, turned around, unwrapped herself, sat on the bed, and shuffled herself to the headboard. She looked at him and spread her legs, showing, offering herself to him. Damien took off his clothes and crawled to her, over her, and leaned down to kiss her. She rose up to meet his kiss, wrapping her arm around his neck, then dragging him down in her.

She kissed him hard, ******* his tongue into her mouth, biting his lower lip. She stopped. He looked at her, a questioning look on his face. Then she pushed him down towards her *****. She had a trimmed and sculpted bush, just enough not to hide her full lips.

He started kissing around her bush, her tummy, and inner thighs. He could feel her squirming, as he circled around, edging closer to her *******. He kissed her lips, sliding his tongue up and down, then penetrating her.

She was wet, and tasted fresh, like sweet spring water. How amazing he thought to himself. I’ve never tasted a woman like this before. He went deeper with his tongue, pulling back the lips with his hands. She pushed his head hard into her. He licked her splayed ******, as she moaned in pleasure and approval. He moved his tongue up till he got to her ****, and lightly rubbed it then stopped, kissing her tummy. She relaxed and sighed.

He kissed his way down to her ****, kissing it softly then circling it with his tongue. She arched her back as he vigorously rubbed her **** with the tipe of his tongue. She moaned, then yelled stop, stop, in breathy gasps, then fell back into the pills. She took his head in her hands, and pulled him up to her mouth, and gave him deep, passionate baiser amoureux.

She took his hard **** in her hand and guided him towards her *****. She slid his **** up and down her *****, lubing up the head of the **** with her wetness. Then she let go, and he penetrated her slowly, as she gasped then moaned. He felt her wetness and heat as he slid deeper into her.

He started to pump rhythmically back and forth, slowlying picking up speed, as she moaned and groaned as he bottomed out his **** into her. He was going to *** and started to moan, when she yelled, “choke me, choke me.”

Taken back, he slowed. She looked up at him quizzically. “Choke me,” she said sternly. “You're a big boy. Choke me,” she repeated with a bit of irritation in her voice. He placed his hands around her neck and lightly pressed and started pumping. He got back into the rhythm and was back on track, getting close to *******. “Harder,” she said, “hard like you mean it.” It turned him on, and he clamped down harder as he pumped harder, animalistically.

He knew she was getting close to orgasming as she moaned and writhed under him. “Oui, oui, oui,” she screamed, and in a blink of an eye, she’d flip him on his back. Her hands on his chest, holding him down, as she rode him hard. She screamed, “ah, ah, ah,” then collapsed on his chest. His ****, still hard, inside her. She slowly rolled over, taking him with her, till he was on top, then rocked her hips, wanting him to continue, to finish.

He started to moan. She hooked her wrist around his neck and pulled him to her mouth, kissing him hard and deep as he came. He convulsed collapsing  on top of her. His **** still inside her, as she wrapped her arms around and rocked him back and forth, kissing the top of his head as if comforting a child.

He rolled over, crashing into the bed with exhausting and fatigue. He looked over at her. She was staring up at the ceiling. He saw the reddish purple strangulation marks he’d left on her neck, and slipped into a deep sleep.
Paul d'Aubin Jul 2014
Samedi  12  juillet 2014
"FULGURANCE DES ETRES,  DES LIEUX ET DES MOTS" (RECEUIL DE PAUL ARRIGHI)
J’ai bonheur  de vous faire connaître  l’édition,  ce  mois de juin 2014,    du livret de mes  poésies intitulé : «Fulgurance des êtres, des Lieux et des Mots».
Ce livret édité à compte d’auteur par   "Paul Daubin éditeur" et imprimé par la COREP. Il  comprend 104 pages avec 21 pages d’  illustrations, provenant pour la plupart de mes photographies en couleur.
La belle préface, aussi perspicace qu’emphatique est l’œuvre de mon ami,  l’authentique Poète Toulousain Christian Saint-Paul.  
   Ce Livret traite  sous les cinq chapitres  suivants:
- 1°) « Souvenirs d’Enfance »; ce sont mes  souvenirs les plus lointains de mon enfance en  Kabylie (Bougie et Akbou)  et à Luchon dans les Pyrénées.
-  2° )  Dans « Sur  les Chemins de Toulouse »,  je dépeins le Toulouse des quartiers de ma jeunesse, le faubourg Bonnefoy, Croix-Daurade, le  Lycée Raymond Naves des "années ardentes et tumultueuses" (1965-1972) ,  puis les autres  quartiers  pittoresques de Toulouse où j’ai résidé,   après mon retour en 1992 dans cette belle ville,  sans bien entendu oublier la Bibliothèque de recherche "Périgord" qui est pour beaucoup  mon lieu havre de Paix intérieure et mon  "refuge spirituel".
-  3°) «La Corse, L’ile enchanteresse»,  correspond à des poèmes en Français sur La Corse surtout la région de Vicu et le canton des "Deux Sorru", sur les  lieux et les arbres souvent emblématiques de cette île qui aimante et capte ses amoureux et ses fidèles et leur rend leur attachement au centuple.
- 4°) Les «Poésies de Révolte et de Feu » décrivent mes passions parfois mes indignations. Aujourd’hui que j’ai  atteint soixante ans, l’âge de la sagesse, j’ai encore  gardé vivant cette faculté de m’indigner et parfois  de me révolter. Les poèmes nous parlent  du grand poète Italien Giacomo Leopardi,  de la « Retirada » blessure faite à l’Esprit jamais refermée pour les enfants et les amis de  "Toulouse l'Espagnole",  de Mikis Theodorakis, de l'assassinat de John Lennon et de l'action et de la dérision de  Coluche, etc  
- 5 °) Le  « Renouveau des saisons et petits bonheurs »  traite  des saisons tout particulièrement des somptuosités de l'automne,  des lieux que j’ai aimés,   de la création et de la boisson du  vin et ce n'est pas le moindre de mes reconnaissances,   de nos compagnons les Chiens.
Le prix de vente proposé de dix euros est au strict prix de revient.   Pour l'acquérir  il vous  suffit de m’envoyer un chèque d’un montant de dix euros et une enveloppe timbrée au tarif normal   mentionnant  votre adresse postale  pour que je sois en mesure d'effectuer  l' envoi postal.    
                            
    Paul Arrighi
  
  
Adresse : Paul Arrighi -  20 Bd de Bonrepos- Résidence "La Comtale" - Bat C - Bal 7 - 31000 – Toulouse (Francia)  
  
Courriels : paul54.arrighi@numericable.fr
31 | 31 Poems for August 2017

There’s something exquisite about your smile, your brown eyes have got me hypnotised, and your heart is a gold mine.
I’m addicted to everything you say and do, so be my poet and I’ll be your muse.
We’ll figure out everything else once we’ve found something to do between our sporadic bursts of laughter.
Let me comfort you with soulful conversations accompanied by several bottles of red wine.
We could vibe out and listen to James Blake, and you could tell me about the days when you couldn’t see the colour in anything.
I’m no stranger to the waves of the ocean, so I eventually want to get lost in the depths of you.
You are a picturesque South African city worth exploring even when tourists no longer come to visit.
Their dollars, euros, pounds, nairas and rupees may run dry but my love for you will keep overflowing.
I could write poetry and love letters on your skin but my handwriting is not as beautiful as my words are.
I’ll be your poet in a world that’s still acquainting itself with all the writers of exquisite African literature.
In the Supreme Court of your love, people have told you untruths while under oath – I think the law calls it perjury.
We could vibe out and listen to James Blake, and you could teach me how you see the colour in everything.
I want to get lost in an endless field of sunflowers while basking in the warmth of your presence.
H  Oct 2013
Found Poems
H Oct 2013
Ok so the new mac software has a dictation program. I let it run during an animal physiology lecture, it was so funny I sort of turned it into poetry with a few modifications. (I took out words that it actually got right and were super science-y like T cells and also words like LRP that aren’t things and I only then changed punctuation and physical layout)

Let me know if you can find some meaning or humour in these found poems.

Steve bring it by

the new proteins bars

euros



without some for you

and your music

and also had pasta



see you

so he hears that

you first

use a euro or so

and phone

by a little while

see what is CCR



Heintz hearts tires

in this to the signal

Mickey’s

was so many years over many years.



He uses Stevens now

she is seeing proteins

and we don’t mayor

this is something for me and Olivia



So honestly it was something going on inside

and so is he is always something

when you see

here is the Winterlochen



7 mm,

one of the major cities,

you




search process

which look, it recognizes us

and what is the function ?



start by punching

in short call with the show

in law class this is a law



bread, espressos

:any

isolated



using my own postulations

to hear that fossil

fossil tires, the possibilities…

and here is a hot spot

deep blue sea

response was you

can see you later

mostly out you are

shouldn’t

parsing parties

and seems that all times

so we burgesses to see

whether these fees

so we are you

so busy

with the police officer



so this is the name

off for you Lisa

so is this needed ?

to serve on, since it’s always interesting

and if there is no proof

what is the man ?



Dennis, is the report from 17%?

raise my house and Sivula .

the left sense is the other

10% to leave myself

seven you get his sister.



Or from prefrontal cortex

you were able to listen

else and if we

so this show

on specific salsa

and effective T cell receptor activation





to decrease the settings

so sure so you transfected

as we buy one

a little simple

were able to game

is at seven

and we have two songs

this nonsense

if we were in Gennessee



tires times

who are noticed

that it is the same as control

were able to rescue the response

so by cars seem to be

a long *** tease you





Silverset

remember to Silversun

So we don’t

House and it’s just something so this shows



That Hughes

that Tersini

seems to be downstream

cheated is this

please rewrite Oterson



times we’ve started

for further brothers

specifically incontinence

ball, doesn’t you know the rest ?



of all conferences

and finish eyes gazing

into Cancun East



it’s consecutively

it doesn’t Vermarle



any if you have time

is there any messages

sorry

I was in response

to slight chance



you can also

it’s seven

and consider

you get a little more pronounced

decrease in Austin

so we see here

just curious

to be through soon

does it sound ?

and whether holiday,

actually awesome?

this medicine!

maybe you

got our road shows

to snooze constantly

is your sisters control as low ?

son



linguistically

“ hi you can see some more”

intense

bad

there’s greater

when an awesome

when you
David  Jul 2015
Untitled
David Jul 2015
'be kind, for everyone you meet is fighting a harsh battle'

David Wakeman, 20, thin, pale and dark haired. He has no particular style and doesn't look like he could really fit in with any group of people in particular, but at the same time, wouldn't look too suspicious with among a group. A constant look of desperation plagues his eyes. He looks as though his face would appear in the news in a few months for shooting up a school or blowing up a public building.

david is shown driving down a stretch of road, snow covered everywhere, crazy eyed

Some people are meant to be alone in this life, and I am one of those people. I no longer wish to pretend otherwise. I now know what has to be done.

The sounds of ******* haunt the hallways outside of the tacky, run down hostel where they both lay. She is lying on the edge of the bed.
The sheets are creased. There are cracks on the wall.
But for 3 euros a night, you can't complain.
She lies there, still; staring blankly at the ceiling. Her short robotic breaths are the only life seen.
He eagerly moves close to her, but for the life of him, cannot touch her. His unsure attempts at moving his arm over her are prevented by a sudden urge to break into tears.
Finally, his hand places itself over hers.
She is cold.
"Did anything change?" he says, afraid of the answer.
There is a pause. It might've been a few seconds or half an hour.
"No." Speaking so quietly, barely audible to him.
He is about to say something, but he catches the micro-expression that followed her reply.
A sigh.
He becomes impatient,
"Then kiss me." he blurts out, clumsily.
It sounded better in his head.
A deep exhale and an almost exaggerated look of contempt washes over her tired face. She puts her hand to her face, failing to cover up her outburst of honesty, pretending to clean out something from her spotless, green eyes.
She quickly moves her face closer to his, with her eyes closed, and she puckers her lips in such a way that suggests she'd rather be dead.
His eyes are open, and now he is the one who is lifeless.
"What?" She says, breaking the awkward seconds of silence.

Silent seconds are followed by silent minutes, and now they are sitting up on the head of the bed, watching the old, fat TV that hangs from the filthy wall. Something is  playing but he can't understand the language.
'Pedifilios' is the only word that seems familiar.
She is smoking another cigarette.
The faint sounds of her mouth blowing out the smoke, are telling him all he needs to know.
She loves her ******* cigarettes, he thinks to himself.
She grabs the worn out ashtray that sits on the side of the bed, and goes to put it out.
"Here, let me get that" he says, gentlemenly, and snatches her  it out of her hand, then puts it out into the back of his other hand.
The pain doesn't make him feel any more alive.
" There you go," the cigarrettes crumbles into ashes over his hand and he pushes the ashes into the ash tray, then looks at her.
Her expression is a weird mix of diisgust and fear.

Minutes turn back into seconds and the sound of her footsteps are the last thing he hears from her, just before the slamming of the door.

Chapter 2:

Two bloodshot eyes scan the aisles and shelves, looking for the gluten free bread. It wasn't in the bread aisle.
Who the hell buys gluten free bread?
He contemplates appraoching one of his coworkers and asking her if she knows, but she is far too pretty for him to talk to.
Besides, he's been here 4 weeks now and wants to make it seem like he actually has a clue about what he's doing.
Afterall, he had already convinced his then potential manager,Chris,  that being a 'personal shopper' was in fact his dream job, and that this very supermarket was his dream place to work.
He always was a good liar.
He's so good because for a little while he manages to convince himself.
'Working hard David?"
****.
with Chris you could never tell if he was ******* or beingplayful.
"Always!" David shouts back, then picking a random item off the shelf and placing it into the basket, then nodding at Chris with a look of false sincerity.

(David is shown sitting in the living room, the light emenating from the TV appears to hurt his eyes, and he is slumped back on the coach, clearly worn out. he is flicking through late night informercials, on the coffee table in front of him there are numerous energy drinks seen empty.)
Davids thoughts: The living room is where I come to when I cant sleep. It's more of a dying room, really.

(David continues to flick through channels before stopping for a second on a ****** phone-in show (like babestation). He flicks back through the channels again)

(The scene cuts to a few hours later, with daylight seeping through the curtains and David sat in essentially the same position except he has fallen asleep, with remote still in hand. It's time for work)

watch alarm rings.....

'You coming out with the lads on friday dave?
He always wondered why people tried to talk to him in the middle of the set.
He places the barbel down onto the rack.
'With who?'' He asks,
"Me, sam, jack, carl and"
"and?"
"and Bill. Yeah. bill"
David's face changes as if suddenly remembering something
"Oh, did you say friday? I cant make it. I'm doing a thing with..."
With?
"with the family"
His friend looks as if he was expecting this anwer,
"no worries lad."

"qeue sad music"
David sits in his room, and is looking for something.
Upon rummaging through his things he pulls out a drawing, it's of a girl, he looks at it and a short shot of the girl from the beginning of the movie is shown, then it cuts back to him, stressed looking, and he shove the drawing into a red travel case that sits under the bed, as though he can't stand to see it but at the same time doesn't want to get rid of it. The case still has its travel ticket on.
He pulls a notebook from under some wires in his drawer, and begins to write.

'poem read accompanied by scenes of davids life'
'poem is interrupted by a knock on the door.

-dave is approached by someone in the gym telling him he has a great body, and that people would pay to see it. looks into 'gay4pay' and ends up actually going on a site and doing a cam show before aborting the whole thing-

scene with mum sat with the missionairies 'mum we need to talk' mum seems uncaring and cold, later on they talk
'Whats the probem dave? do you need money'
'No mum, it's just that'
'if youre struggling for cash just tell me, you can always take out a loan and-'
'No. mum. its not about money'
'then what is it?'
As David began to speak, his vocal chords failed him. He was walking into a 20 year old wall that he just couldnt get over.
'It's just that..'
'Yes?'
'I'm not happy. Mum.'
'Oh, well we all feel that way sometimes son' brushing it off in her famous way.
'No, this is different. I'm really depressed. Well, it's'
Depression wasn't the right word, he thought. Depression was an overused and futile term, it had become synonymous with sadness, and this wasn't just sadness; he had felt sadness many times, and this certainly wasnt that.
'it's?' she says, interrupting his inner verbiage.
He looks at her, knowing full well that this entire conversation has meant nothing.
'Look Dave,' she starts again with her 'mother' act, 'if you think that youre responsible for the divorce, just know that it was always going to happen anyway. It was just a matter of oppurtunity.'
What the **** is she talking about?
'Your dad and I never really had a-'
'No,' he says, cutting her off before she has a chance to justify the divorce again.
He was sick of the endless reasons and justifications.
'It's not about that.'
'well, what else could it be about?'
Because the whole world revolves around her and her divorce.
'Nevermind, it's nothing, really.'
She smiles, happy she doesn't have to act like she cares anymore.
'We all feel like that sometimes, like you say.'

He was starting to think that maybe he needed to see a therapist. Until this point he had always been confident in his own abilkity to reflect, introspect, and deal with his own issues himself, and he had alwas been skeptical of people who st in chairs and tried to prescribe you things; but this was beginning to be too much for him to handle. He felt he needed to be eevalutated, that he was losing his grip of his own life.
scene with therapist, coldly looking at her papers, davids desperate face searches for answers in her countenance.
'Right, Mr. wakeman.'
Hope. There is hope.
'I have you down for a prescription of 50mg of lithium, 250mg of benzedrin every week. I'll see you back here on thursday and we'll discuess your', she stops to see his face totally destroyed
'to discuss your.. issues'
David walks home like the scene of travis walking to see betsy at the theatre, something in his face just says that he knows that this story isnt going to end well. and that terrible things are on the way.

'Drugs, drugs, drugs,' david writes, 'theres a drug for everything in this world. drugs to make you numb, drugs to make you dumb, and ones which make you love everyone and see leprochauns and jellyfish driving cars, though those are the illegal ones.'

'Dave ya sisters here!' says his mum.

Scene where dave meets his sister and has coversation, on her way out,
she pulls out a red napkin and holds it like they do in bull fights, david looks slightly confused and smiles, she says 'dont be the bull!'

scene cuts to dave watching a bull fight on tv, where the bull kills the humans. david laughs to himself as the bull chaes people away. he is eating peanut butter on its own. Daves mum walks in abruptly and he switches it off.

(divorce is mentioned and the fact that dave caused it is mentioned)

dave trries to approach a girl in his work but it i awkward aand he gets rejected the same way he he rejected going out with his friends 'im doing something witht he family'.

dave comes home and there are arguments or something, so he punches a collage of family photos.

scene cuts t dave in hospital being told the cast  will come off in  4 weeks.
scene where david is trying to do everyday things with one hand, accompanied by happy music, contrasting the despair of the scene.

(An exact copy of the earlier scene is shown where david is up late flicking through late night tv channels, except now he is using only one hand with the remote. David finds himself at the eroitc call in show again, but this time instead of changing the station, he notices the number written in big, pink letters, and the woman manning the phone is obviously not in a call. Davids vision darts from the tv to his mobile phone that sits on the coffee table, he doesnt hestitate too grab the phone. The look on his face shows he is somewhat bracing himself. David dials the number unusually fast, without having to look back at the screen. The phone is being connected)

pre recorded phone message: Hey there naughty boys, you've reached TEASEYTALK phone love station, the sauciest ******* line in thebusiness. Press 1 if you'd li-

(David presses a number without hearing the rest of the message, suggesting he has heard the options before. Davids eyes are fixated on the bored-looking woman on the screen, until she picks up the phone that shes been using as a mock-***** till now, and answers)

Woman on TV: Urite babe? How can I  be of service?

(She speaks in a strong mancunian accent, and provocatively looks into the camera and moves sensually. All the while David looks back, with an expression of almost disgust.)

Woman: Dont be shy love!

David: Sorry. I'm not really a people person

Woman: haha thats alright darling, feel free to just watch me if ya like

(she turns to her side, showing the front of her body to the camera, she rubs her hand over the thin lingerie covering her *****)

David: Do you not feel a bit weird knowing guys are waatching you like this.

Woman: it just turns me on more babycakes

(she maintains her playful act but appears just slightly agitated)

David: I think you're lying.

(again, she starts to rub her hand over her **** and tries to look playful, but is now clearly agitated)

David: I don't think you like this at all.I don't think you wanted this for yourself.

(she snaps quickly and becomes more aggressive in her act, trying to hide her obvious agitation)

woman: I ****** love it babe. If you could feel how wet i was right now I could prove it to ya

Men: do you have a boyfriend?

(she pauses for a second, shocked and unable to hide her uncomfortable feeling. She stalls and grabs a purple heart shaped pillow and changes position. She assumes another playful position but looks bothered in her eyes)

David: how does he feel about this?

(her movements now hault and she looks at the camera with a sad glare(

David: does he even know?

(she bows her head for a moment, before running her hand through her hair, and looking back at the camera with that playful smile again)

woman: do you have a girlfriend?

(she says smugly, making it appear as if she has said some provacative)

camera pans into davids face, his look of slight disgust has eased into one of sad reflection. for a split second, a scene of the girl from the beginning of the movie appears, the scene is light, contrasting the darkness of the room, then the shot of david continues

(davids long silence has create an awkward look from the woman on the TV, she has stopped the provacative movements and briefly gestures to someone off camera. the scene cuts back to david with the phone put down, then it cuts to a shot from the same angle, except its obviously daytime as the light is seeping trhough the curtains and davids watch alarm is ringing again, however unlike before he is wide awake)

Scene where david takes off shirt in the bathroom, revealing his arms, chest, etc, covered in cut marks like tiny cat scratches.

dave gets skinner throughout the movie, the gay4pay scene stops him from working out. contrast scene with self harm marks with the earlier scene he is more athletic and healthier  looking. pants fall off

this s were dave develops the bad thoughts about killing people and ridding the world of bad people. ' i always wanted to make the world a better place'

throughout the movie dave asks his mum if any package has come for him, and that he expects a package.

the underlying theme is waiting for things to come and being patient, and that you dont know whats around the corner. that you know life will  be better but you grow impatient, and its only when you forget about wanting things to change, that it does.

in the movie he either does **** people or he has fantasies about doing it but something stops him (a girl?)

before doing whhatever he feels he needs to, he has a ritualistic session of burning the contents of the travel case, including the travel ticket, a postcard from porto, some drawings, and a carboard cutout of a leopard.) he gives the travel case to a charity shop, a long with all the clothes he has worn in the story up to this final scene, where he is weaing guirella warfare type attire. he puts facepaint on(?) and dumps all his anti depressants

at the end of the movie, when he has forgotten about the package, i arrives, and he opens it, not showing its contents, the camera zooms into the words 'handle with care'
OR
he has done his deed and killed whoever (*******) and now his package has come and it says 'handle with care'. it either sits at the front door or is thrown into some postal van, the irony being i tis not handled with care.

— The End —