If life were a fairy tale you'd be my prince charming and I'd be your damsel in distress.
If life were a fairy tale you'd rescue me and we'd fall madly in love.
If life were a fairy tale there would be birds singing and animals cleaning.
If life were a fairy tale our wedding would accustom a whole village.
If life were a fairy tale my heart would never be broken.
If life were a fairy tale our love would never die.
If life were a fairy tale we'd have a happily ever after.
But...your not prince charming,you have not fallen madly in love with me birds do not sing and animals do not clean,we won't have a wedding or invite the village,my heart will be broken,our love can't die because it never began and we won't have a happily ever after.....

A tale of adventure, A tale of strife. 
A tale of wisdom, a tale of life. 
In the streets of afghan, a quick learner
Enchanted by the kite runner. 

A tale of loss, a tale of gain.
A tale of horror, a tale of pain. 
With strife and hurt, all bestowed. 
And, the mountains echoed. 

As sorrow seeps,
Mariam weeps
A tale of hurt, 
Out to blurt. 
With arrows, bombs, axe and guns
Burnt with a thousand splendid suns.

by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

       COR. AGRIPPA, Occult Philosophy, Book I. chap. v.

“Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.”

                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865

Before long the summer sun will rise in London
Like the half of the Ge meets the other half.
Like a magic by the Lamp of Aladdin
The love flame hidden in the chest lights up!

Like a blooming rose in a glowing beam of light,
Like a smiling face speaks a gentle word,
Like a beautiful sunrise colour in the first light!

The summer in London will pop and sizzle
We will see a threshold in our land.
The rose for a while is tucked away
Off the winter and is given to the sun
Winter is not forever spring is on the corner
Come back in the sun with the early bird
Before Cinderella takes on the primrose path.

Keeping an eye on a thriller is in the winter’s field
Oozy ozone misty land gets a gingerly seasoning
What on earth will it strike, will it dish out?
Ah, the sun will pop out like a river breeze.

Like a southern song singing on a dream scene.
a smooth fairy dance facing the Moon
a thrill of exposing Stonehenge once and for all
a melodious raindrop in the serene pond
a butterfly dance on the rose
a turned on tall tale of the blue peacock
Like a pure belief in heaven without a pinch of salt!

Lovers entered a forbidden forest bower,
And as they stalked that range, with eyes glazed,
She offered up her hind. Now, with doe eyes,
Deep as his, deep in arousal's sleep, heels fell, 
As he knocked and pulled her dark honey hair 
And whispered, surrender, into wanting ears, 
Softly he drove his hunting command, homing 
To his huntress.

Her body braced, yet bade, with heat and vibrance.
Ruthlessly, he ****** his arrow deeper and then 
Once more and then again.  She bucked fiercely 
And defiant, goading his prodding lance ever more
Ever longer, and parting the pink lines of her white
Rose, he was, and once again, Prince to the dark
Dominion of her quarters.

In the middle of this carnal match they paused.
And looking into the forest beyond they saw
A yearling fawn, a feral Goddess, grazing still, 
Bathing in a vale, virginal, wholly unmoved 
By their act of venery, lustfully playing, in the innocent 
Leaves.  It was as if they were among her kin, a gentle 
Doe and a noble stag. From that moment on 
The human hunters did not speak.

Falling, again, rolling eyes were deep in arousal's sleep.
Her back was a crescent moon pocked and wet with dew.
He could feel her heart beating in time with his piercing 
Prong, her arching back glistened in the suns spittle
As it broke through the dark and vernal ceiling wood.

In the final shot her quivering buck lowered and broke
And a sound not heard, made a scene, a sweet murmuring
Shuddered and sank onto the floor of the forest leaves 
With her tale, taken and told, her breathless breath, 
Her nostrils cold and her heated and lanced openings 
Dripping, draining; here was a New World’s beginning.

Sated, solemn and softly quaking, his woman sweetly laid,
And now, doomed with her doe eyes, two lovers, fated, made;
She glowed, divine, like the rolling brook that mellowed
Slow, in the vine-dark and golden forest stable,
In Artemis’s wood.

THE PROLOGUE. 1

Experience, though none authority                  authoritative texts
Were in this world, is right enough for me
To speak of woe that is in marriage:
For, lordings, since I twelve year was of age,
(Thanked be God that is etern on live),              lives eternally
Husbands at the church door have I had five,2
For I so often have y-wedded be,
And all were worthy men in their degree.
But me was told, not longe time gone is
That sithen* Christe went never but ones                          since
To wedding, in the Cane of Galilee,                               Cana
That by that ilk example taught he me,                            same
That I not wedded shoulde be but once.
Lo, hearken eke a sharp word for the *****,                   occasion
Beside a welle Jesus, God and man,
Spake in reproof of the Samaritan:
"Thou hast y-had five husbandes," said he;
"And thilke man, that now hath wedded thee,                       that
Is not thine husband:" 3 thus said he certain;
What that he meant thereby, I cannot sayn.
But that I aske, why the fifthe man
Was not husband to the Samaritan?
How many might she have in marriage?
Yet heard I never tellen *in mine age                      in my life
Upon this number definitioun.
Men may divine, and glosen* up and down;                        comment
But well I wot, express without a lie,
God bade us for to wax and multiply;
That gentle text can I well understand.
Eke well I wot, he said, that mine husband
Should leave father and mother, and take to me;
But of no number mention made he,
Of bigamy or of octogamy;
Why then should men speak of it villainy?     as if it were a disgrace

Lo here, the wise king Dan Solomon,                           Lord 4
I trow that he had wives more than one;
As would to God it lawful were to me
To be refreshed half so oft as he!
What gift of God had he for all his wives?     special favour, licence
No man hath such, that in this world alive is.
God wot, this noble king, *as to my wit,              as I understand
The first night had many a merry fit
With each of them, so well was him on live.         so well he lived
Blessed be God that I have wedded five!
Welcome the sixth whenever that he shall.
For since I will not keep me chaste in all,
When mine husband is from the world y-gone,
Some Christian man shall wedde me anon.
For then th' apostle saith that I am free
To wed, a' God's half, where it liketh me.             on God's part
He saith, that to be wedded is no sin;
Better is to be wedded than to brin.                              burn
What recketh* me though folk say villainy                 care *evil
Of shrewed* Lamech, and his bigamy?                     impious, wicked
I wot well Abraham was a holy man,
And Jacob eke, as far as ev'r I can.                              know
And each of them had wives more than two;
And many another holy man also.
Where can ye see, *in any manner age,                   in any period
That highe God defended* marriage                           forbade 5
By word express? I pray you tell it me;
Or where commanded he virginity?
I wot as well as you, it is no dread,                            doubt
Th' apostle, when he spake of maidenhead,
He said, that precept thereof had he none:
Men may counsel a woman to be one,                              a maid
But counseling is no commandement;
He put it in our owen judgement.
For, hadde God commanded maidenhead,
Then had he ****** wedding out of dread;           condemned *doubt
And certes, if there were no seed y-sow,                          sown
Virginity then whereof should it grow?
Paul durste not commanden, at the least,
A thing of which his Master gave no hest.                      command
The dart* is set up for virginity;                             goal 6
Catch whoso may, who runneth best let see.
But this word is not ta'en of every wight,
But there as* God will give it of his might.             except where
I wot well that th' apostle was a maid,
But natheless, although he wrote and said,
He would that every wight were such as he,
All is but counsel to virginity.
And, since to be a wife he gave me leave
Of indulgence, so is it no repreve                   *scandal, reproach
To wedde me, if that my make should die,                 mate, husband
Without exception of bigamy;                          charge, reproach
All were it* good no woman for to touch            though it might be
(He meant as in his bed or in his couch),
For peril is both fire and tow t'assemble
Ye know what this example may resemble.
This is all and some, he held virginity
More profit than wedding in frailty:
(Frailty clepe I, but if that he and she           frailty I call it,
Would lead their lives all in chastity),                         unless
I grant it well, I have of none envy
Who maidenhead prefer to bigamy;
It liketh them t' be clean in body and ghost;                     *soul
Of mine estate I will not make a boast.                      condition

For, well ye know, a lord in his household
Hath not every vessel all of gold; 7
Some are of tree, and do their lord service.
God calleth folk to him in sundry wise,
And each one hath of God a proper gift,
Some this, some that, as liketh him to shift.      appoint, distribute
Virginity is great perfection,
And continence eke with devotion:
But Christ, that of perfection is the well,                   fountain
Bade not every wight he should go sell
All that he had, and give it to the poor,
And in such wise follow him and his lore:                     doctrine
He spake to them that would live perfectly, --
And, lordings, by your leave, that am not I;
I will bestow the flower of mine age
In th' acts and in the fruits of marriage.
Tell me also, to what conclusion                          end, purpose
Were members made of generation,
And of so perfect wise a wight y-wrought?                        being
Trust me right well, they were not made for nought.
Glose whoso will, and say both up and down,
That they were made for the purgatioun
Of *****, and of other thinges smale,
And eke to know a female from a male:
And for none other cause? say ye no?
Experience wot well it is not so.
So that the clerkes be not with me wroth,                     scholars
I say this, that they were made for both,
That is to say, *for office, and for ease                 for duty and
Of engendrure, there we God not displease.                 for pleasure
Why should men elles in their bookes set,
That man shall yield unto his wife her debt?
Now wherewith should he make his payement,
If he us'd not his silly instrument?
Then were they made upon a creature
To purge *****, and eke for engendrure.
But I say not that every wight is hold,                        obliged
That hath such harness* as I to you told,                     equipment
To go and use them in engendrure;
Then should men take of chastity no cure.                         care
Christ was a maid, and shapen as a man,                      fashioned
And many a saint, since that this world began,
Yet ever liv'd in perfect chastity.
I will not vie with no virginity.                              contend
Let them with bread of pured wheat be fed,                    purified
And let us wives eat our barley bread.
And yet with barley bread, Mark tell us can,8
Our Lord Jesus refreshed many a man.
In such estate as God hath *cleped us,                    called us to
I'll persevere, I am not precious,                         over-dainty
In wifehood I will use mine instrument
As freely as my Maker hath it sent.
If I be dangerous God give me sorrow;            sparing of my favours
Mine husband shall it have, both eve and morrow,
When that him list come forth and pay his debt.
A husband will I have, I *will no let,         will bear no hindrance
Which shall be both my debtor and my thrall,                     *slave
And have his tribulation withal
Upon his flesh, while that I am his wife.
I have the power during all my life
Upon his proper body, and not he;
Right thus th' apostle told it unto me,
And bade our husbands for to love us well;
All this sentence me liketh every deal.                           whit

Up start the Pardoner, and that anon;
"Now, Dame," quoth he, "by God and by Saint John,
Ye are a noble preacher in this case.
I was about to wed a wife, alas!
What? should I bie it on my flesh so dear?                  suffer for
Yet had I lever wed no wife this year."                         rather
"Abide," quoth she; "my tale is not begun             wait in patience
Nay, thou shalt drinken of another tun
Ere that I go, shall savour worse than ale.
And when that I have told thee forth my tale
Of tribulation in marriage,
Of which I am expert in all mine age,
(This is to say, myself hath been the whip),
Then mayest thou choose whether thou wilt sip
Of *thilke tunne, that I now shall broach.                   that tun
Beware of it, ere thou too nigh approach,
For I shall tell examples more than ten:
Whoso will not beware by other men,
By him shall other men corrected be:
These same wordes writeth Ptolemy;
Read in his Almagest, and take it there."
"Dame, I would pray you, if your will it were,"
Saide this Pardoner, "as ye began,
Tell forth your tale, and spare for no man,
And teach us younge men of your practique."
"Gladly," quoth she, "since that it may you like.
But that I pray to all this company,
If that I speak after my fantasy,
To take nought agrief* what I may say;                         to heart
For mine intent is only for to play.

Now, Sirs, then will I tell you forth my tale.
As ever may I drinke wine or ale
I shall say sooth; the husbands that I had
Three of them were good, and two were bad
The three were goode men, and rich, and old
Unnethes mighte they the statute hold      they could with difficulty
In which that they were bounden unto me.                   obey the law
Yet wot well what I mean of this, pardie.                       *by God
As God me help, I laugh when tha

The Fairy Tale of the Warrior Prince

Once upon a time, long, long ago, far, far away there lived a Warrior Prince at the edge of the Magic Forest. The Warrior Prince once rescued the fair maiden Shelby and the fair lady Di, Shelby’s grams, from the Evil Mystical Wizard who lived on the far side of the magic forest. After settling the fair maiden and the fair lady into his castle where they would remain safe until his return, he set out to do his one and only job; guard and protect the magic forest.
He liked guarding the forest during the day because it was quiet and peaceful. But in the dark night, the great magic came to life and even his trusty horse became on edge. The bushes and trees took on eerie shapes that seemed to move. The night noises were loud and frightening. It was not like the beautiful forest noises of the day. At night the trees became witches and the bushes became trolls and animals. They would claw and scratch at his legs as he rode his horse through the forest.
It was at night when the largest magical creature appeared. It wanted to take over the magic forest. That creature’s whole purpose was to steal all the magic from the Magic Forest. The creature had been made that way by the Evil Mystical Wizard who wanted all the magic in the land for himself. That is why he kidnapped the fair maiden Shelby and the fair lady Di in the first place. He knew of their magical powers. The fair lady Di had the magic of touch. She could feel if she knew a person from another time and if they were good or evil by the touch of their hand or by looking into their eyes. She could see if love had ever found a home in their heart. The fair maiden Shelby had the greatest magic of all; the magic of sight. She could see into a person, see their life and what was to come. These magical powers coupled with the powers of the forest would make the Evil Mystical Wizard unstoppable.
The warrior prince had no magical powers of his own but was highly respected by the magical world because of his willingness and ability to protect them. He thought of them as family and would fight to the death for them. The love in his heart was a pure light of goodness. He knew if the Evil Mystical Wizard took over all the good magic in the world, everyone he loved would suffer greatly to the end of days. He pledged to fight for them to the end because of his love for them. It was his greatest power.
One night as he rode his beautiful horse through the magical forest, he heard the fair lady Di cry out in grief. Riding toward the sounds of her cries, his heart sank with the visions that flooded his mind. The fair lady Di had been restless and not able to sleep so, as many nights like this before, she went for a walk in the magic forest. The forest had always been a place of calm for her. It was a place where the hurts of the world would quiet and fade away. She could feel the love of the magical world around her. She could still the fears in her heart.
On this night as she walked along the forest floor she came upon a beautiful unicorn. It was waiting to bless her with his own magic of love. As they stood and stared at each other, she could feel the magic of his love flow into her heart and settle deep into her soul. She knew he was giving her his magic of love but didn’t understand why. When the transfer ended, she stood in awe as he bowed his head and told her, “You are the keeper of love. You always have been and always will be. My time is ending and my magic needs to live on. It will live in you and you will do great things with it.” Fair lady Di started to ask, “Why me?”… when the wind started to blow.
The clouds moved across the moon and lightning struck a tree somewhere deep in the forest. Just as the moon peaked around a cloud the thunder crashed and the creature was standing in front of them. The fair maiden Shelby was in her bed and could only sit up in fear as she watched the sight play out before her eyes. She saw the creature inch closer to her grams saying the words “Love must die.”
The fair maiden Shelby could only do one thing. She sent her sight to the magic of the forest hoping the forest would see that if love died, the world died too. As she watched, she saw two small magical creatures of the forest pull her grams back and away from the fight that played out before her. The creature moved forward and the fair lady Di thought her night would end. She closed her eyes and felt the wind blow through her. She let go ready to float away to a world without pain. As the crashing noises grew louder and the wind blew harder, she felt unknown hands pull her to safety.
The fair lady Di opened her eyes and watched as the unicorn fought with everything he had to save her from the terrible creature of magic who only sought to end love, to end her. The fight was long and hard but in the end, the beautiful unicorn stood no chance against the powers and strength of the terrible creature of magic. As the unicorn fell to the ground and his breathing slowed, the fair lady Di ran to him. All the creatures of the forest tried to stop her but she pushed them away. She had so much love for him and needed him to only feel love as he floated away to that world where there was no pain.
As she reached him she laid her body across his and poured out every ounce of love. Through her grief and pain, she gave love as his last breath left him. She cried. The wind blew, lightning flashed across the sky and the thunder crashed high in the heavens. Just then, the Warrior Prince came through the forest walls into the small opening of the forest center. He pulled his horse to a sudden stop at the sight in front of him. His blood began to boil. There was the Magic Dragon with a cruel evil grin on his face. He stood over the fair lady Di with her face buried in the mane of the lifeless unicorn. She was crying and pouring all the love she could into him.
The fair maiden Shelby watched with her inner sight and knew what she must do to save them all. She emptied her sight to the whole magical world and focused it into the center of the Warrior Prince. She showed him all the good he had ever done for the ones he called family and those he loved so dearly. Through the magical world he touched in so many ways, she showed him their respect for him, their gratitude for all that he had done for them and their unconditional love for him. Through her sight, he found the strength to fight the greatest fight of his life: The fight against the Magic Dragon who was there to destroy them all.
The Warrior Prince wasted no time as he pulled out his sword of courage and truth. He fought long and hard but, even close to death himself, he would not give up. With each swing of his sword the evil he so feared died a little more. Swing after swing until he pierced the heart of the great beast. Upon the death of the beast, the magic of the world returned the magic of the fair maiden Shelby to her. The magical world knew only one willing to give up her powers to save those she loved could be trusted with such power.
Very battered and bleeding, The Warrior Prince walked over to the fair lady Di, held her close and let her pour her grief and pain into his heart and soul. When she calmed, he lifted her onto his horse and brought her back to the castle where the fair maiden Shelby waited for their return.
When the Warrior Prince slayed the Magic Dragon and ended the magic that had been instilled within him, it also weakened the Evil Mystical Wizard. For the wizard had given all his power into the dragon and was confident the dragon would succeed in taking over all magic in the world. By the Warrior Prince destroying the dragon, it also ended all and any magic the Evil Mystical Wizard had or ever would have again. The Magic Forest, The Magic of The World, The Magic of The Fair Maiden Shelby and The Magic of The Fair Lady Di was finally safe. The Warrior Prince, he also learned he had a little magic of his own and had only needed to look inside himself to find it.

Writing Copyright © All Rights Reserved
2017 Brianna Love/SA/DBMA

It took me seven years
to realise
the words in my mind
were too deep for
my mouth to dig up
I thought it was easier
to open my skin
and let the truth
pour down my arms

It took me seven years
to realise
nobody should be allowed
to touch parts
of your home
or hold pieces  
of your heart
that you don't yet understand

It took me seven years
to realise
I will wear these scars
forever
I'll carry them
through every smile
every kiss
every concerned gaze
I'll carry them
to my grave

It took me seven years
to realise
the pain carved
into the walls
of my castle
etchings of
attempting to disappear
are not a story of weakness
but a tale of
how I survived

By: Cedric McClester

When she bought the house
His mother was smiling
She could finally leave Queens
For the burbs of Long Island
She wanted to leave Queens
Because in Queens the kids were wildin’
But little did she know
So were her little darlins’
The fast paced life
She thought she left behind
Gave her a comfort level
But only in her mind
Call it accidental
Or simply by design
To the realities of life
She was partially blind

This is a cautionary tale
From which there’s no escape
Like the finish of a close race
It’s a tale of the tape

Lampin’ in the burbs
Things seemed to be fine
He smoked a little herb
Because he was inclined
According to most people
You couldn’t find
A nicer fella anywhere
Most of the time
There was another side to him
Ya need to know
Rumor has it
That he moved a lot of blow
But where he sold it at
Nobody seemed to know
It was in the kinds of places
His people didn’t go

This is a cautionary tale
From which there’s no escape
Like the finish of a close race
It’s a tale of the tape

Life’s a mystery
Because ya never know
How long you’re gonna be here
Or when you’re gonna go
So how come most of us
Act like that isn’t so
Living recklessly
Most of the time but - yo
There were those who thought they knew him
But they really didn’t
So many aspects of his personality
He kept well hidden
He did lots of things
That people thought he didn’t
And if they confronted him
He simply wouldn’t admit it

This is a cautionary tale
From which there’s no escape
Like the finish of a race
It’s a tale of the tape

Swing low sweet chariot
The Lord took him home
Only twenty-one
But sadly now he’s gone
Made a left turn
But that turn was wrong
Now he’s a memory
Talked about in song

The bigger they are
They say the harder they fall
It’s an understatement to relate
That he was tall
A giant of a man
About six-five in all
Tall enough to make
Everyone else look small
While in front of his mother’s house
Minding his own business
A gunman snuck behind him
According to the witness
Pumped two in his head
With certainty and quickness
Knocked him to the ground
Where he was still and listless

This is a cautionary tale
From which there’s no escape
Like the finish of a close race
It’s a tale of the tape

Swing low sweet chariot
The Lord took him home
Only twenty-one
But sadly now he’s gone
Made a left turn
But that turn was wrong
Now he’s a memory
Talked about in song

(c) Copyright 2015, Cedric McClester.  All rights reserved.

THE PROLOGUE.

WHEN folk had laughed all at this nice case
Of Absolon and Hendy Nicholas,
Diverse folk diversely they said,
But for the more part they laugh'd and play'd;           *were diverted
And at this tale I saw no man him grieve,
But it were only Osewold the Reeve.
Because he was of carpenteres craft,
A little ire is in his hearte laft;                               left
He gan to grudge and blamed it a lite.              murmur *little.
"So the* I,"  quoth he, "full well could I him quite   thrive match
With blearing of a proude miller's eye,                    dimming
If that me list to speak of ribaldry.
But I am old; me list not play for age;
Grass time is done, my fodder is now forage.
This white top writeth mine olde years;                           head
Mine heart is also moulded as mine hairs;                 grown mouldy
And I do fare as doth an open-erse;                         medlar
That ilke fruit is ever longer werse,                             same
Till it be rotten *in mullok or in stre.    on the ground or in straw
We olde men, I dread, so fare we;
Till we be rotten, can we not be ripe;
We hop* away, while that the world will pipe;                     dance
For in our will there sticketh aye a nail,
To have an hoary head and a green tail,
As hath a leek; for though our might be gone,
Our will desireth folly ever-in-one:                       continually
For when we may not do, then will we speak,
Yet in our ashes cold does fire reek.                         smoke
Four gledes have we, which I shall devise,         coals * describe
Vaunting, and lying, anger, covetise.                     *covetousness
These foure sparks belongen unto eld.
Our olde limbes well may be unweld,                           unwieldy
But will shall never fail us, that is sooth.
And yet have I alway a coltes tooth,
As many a year as it is passed and gone
Since that my tap of life began to run;
For sickerly, when I was born, anon                          certainly
Death drew the tap of life, and let it gon:
And ever since hath so the tap y-run,
Till that almost all empty is the tun.
The stream of life now droppeth on the chimb.
The silly tongue well may ring and chime
Of wretchedness, that passed is full yore:                        long
With olde folk, save dotage, is no more.

When that our Host had heard this sermoning,
He gan to speak as lordly as a king,
And said; "To what amounteth all this wit?
What? shall we speak all day of holy writ?
The devil made a Reeve for to preach,
As of a souter a shipman, or a leach.                    cobbler
Say forth thy tale, and tarry not the time:                surgeon
Lo here is Deptford, and 'tis half past prime:
Lo Greenwich, where many a shrew is in.
It were high time thy tale to begin."

"Now, sirs," quoth then this Osewold the Reeve,
I pray you all that none of you do grieve,
Though I answer, and somewhat set his hove,                  hood
For lawful is *force off with force to shove.           to repel force
This drunken miller hath y-told us here                        by force
How that beguiled was a carpentere,
Paraventure* in scorn, for I am one:                            perhaps
And, by your leave, I shall him quite anon.
Right in his churlish termes will I speak,
I pray to God his necke might to-break.
He can well in mine eye see a stalk,
But in his own he cannot see a balk."

Notes to the Prologue to the Reeves Tale.

1. "With blearing of a proude miller's eye": dimming his eye;
playing off a joke on him.

2. "Me list not play for age": age takes away my zest for
drollery.

3. The medlar, the fruit of the mespilus tree, is only edible when
rotten.

4. Yet in our ashes cold does fire reek: "ev'n in our ashes live
their wonted fires."

5. A colt's tooth; a wanton humour, a relish for pleasure.

6. Chimb: The rim of a barrel where the staves project beyond
the head.

7. With olde folk, save dotage, is no more: Dotage is all that is
left them; that is, they can only dwell fondly, dote, on the past.

8. Souter: cobbler; Scottice, "sutor;"' from Latin, "suere," to
sew.

9. "Ex sutore medicus"  (a surgeon from a cobbler) and "ex
sutore nauclerus" (a  ****** or pilot from a cobbler) were both
proverbial expressions in the Middle Ages.

10. Half past prime: half-way between prime and tierce; about
half-past seven in the morning.

11. Set his hove; like "set their caps;" as in the description of
the Manciple in the Prologue, who "set their aller cap".  "Hove"
or "houfe," means "hood;" and the phrase signifies to be even
with, outwit.

12. The illustration of the mote and the beam, from Matthew.

THE TALE.

At Trompington, not far from Cantebrig,                      Cambridge
There goes a brook, and over that a brig,
Upon the whiche brook there stands a mill:
And this is *very sooth that I you tell.               complete truth
A miller was there dwelling many a day,
As any peacock he was proud and gay:
Pipen he could, and fish, and nettes bete,                     *prepare
And turne cups, and wrestle well, and shete.                     shoot
Aye by his belt he bare a long pavade,                         poniard
And of his sword full trenchant was the blade.
A jolly popper bare he in his pouch;                            dagger
There was no man for peril durst him touch.
A Sheffield whittle bare he in his hose.                   small knife
Round was his face, and camuse was his nose.                  flat
As pilled as an ape's was his skull.                     peeled, bald.
He was a market-beter at the full.                             brawler
There durste no wight hand upon him legge,                         lay
That he ne swore anon he should abegge.             suffer the penalty

A thief he was, for sooth, of corn and meal,
And that a sly, and used well to steal.
His name was *hoten deinous Simekin        called "Disdainful Simkin"
A wife he hadde, come of noble kin:
The parson of the town her father was.
With her he gave full many a pan of brass,
For that Simkin should in his blood ally.
She was y-foster'd in a nunnery:
For Simkin woulde no wife, as he said,
But she were well y-nourish'd, and a maid,
To saven his estate and yeomanry:
And she was proud, and pert as is a pie.                        magpie
A full fair sight it was to see them two;
On holy days before her would he go
With his tippet* y-bound about his head;                           hood
And she came after in a gite of red,                          gown
And Simkin hadde hosen of the same.
There durste no wight call her aught but Dame:
None was so hardy, walking by that way,
That with her either durste *rage or play,                use freedom
But if he would be slain by Simekin                            unless
With pavade, or with knife, or bodekin.
For jealous folk be per'lous evermo':
Algate they would their wives wende so.           unless *so behave
And eke for she was somewhat smutterlich,                        *****
She was as dign* as water in a ditch,                             nasty
And all so full of hoker, and bismare*.   *ill-nature *abusive speech
Her thoughte that a lady should her spare,        not judge her hardly
What for her kindred, and her nortelrie           *nurturing, education
That she had learned in the nunnery.

One daughter hadde they betwixt them two
Of twenty year, withouten any mo,
Saving a child that was of half year age,
In cradle it lay, and was a proper page.                           boy
This wenche thick and well y-growen was,
With camuse nose, and eyen gray as glass;                         flat
With buttocks broad, and breastes round and high;
But right fair was her hair, I will not lie.
The parson of the town, for she was fair,
In purpose was to make of her his heir
Both of his chattels and his messuage,
And *strange he made it of her marriage.           he made it a matter
His purpose was for to bestow her high                    of difficulty
Into some worthy blood of ancestry.
For holy Church's good may be dispended                          spent
On holy Church's blood that is descended.
Therefore he would his holy blood honour
Though that he holy Churche should devour.

Great soken* hath this miller, out of doubt,    toll taken for grinding
With wheat and malt, of all the land about;
And namely there was a great college                        especially
Men call the Soler Hall at Cantebrege,
There was their wheat and eke their malt y-ground.
And on a day it happed in a stound,                           suddenly
Sick lay the manciple of a malady,                         steward
Men *weened wisly that he shoulde die.              thought certainly
For which this miller stole both meal and corn
An hundred times more than beforn.
For theretofore he stole but courteously,
But now he was a thief outrageously.
For which the warden chid and made fare,                          fuss
But thereof set the miller not a tare;           he cared not a rush
He crack'd his boast, and swore it was not so.            talked big

Then were there younge poore scholars two,
That dwelled in the hall of which I say;
Testif* they were, and ***** for to play;                headstrong
And only for their mirth and revelry
Upon the warden busily they cry,
To give them leave for but a *little stound,               short time
To go to mill, and see their corn y-ground:
And hardily* they durste lay their neck,                         boldly
The miller should not steal them half a peck
Of corn by sleight, nor them by force bereave                *take away
And at the last the warden give them leave:
John hight the one, and Alein hight the other,
Of one town were they born, that highte Strother,
Far in the North, I cannot tell you where.
This Alein he made ready all his gear,
And on a horse the sack he cast anon:
Forth went Alein the clerk, and also John,
With good sword and with buckler by their side.
John knew the way, him needed not no guide,
And at the mill the sack adown he lay'th.

Alein spake f

Hearken here, my children dear.
I'll tell you true a tale.

A tale of dragons and of kings,
of castles high and serpent's wings

Hearken here, hearken hear.
I'll tell you true a tale.

A tale of madmen and of bandits,
a tale of wolves and a tale rabbits

Hearken here, my children dear.
I'll tell you true a tale.

One tale of romance and one of magic,
a tale of love, a tale that's tragic.

Hearken here.
Oh, the true tale I tell, who will hear?

She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.