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Julian Delia Sep 2018
PART II: A GLASS CEILING DRIPPING WITH BLOOD

Mohanad Younis, of Gaza City;
Where the sand is stained with blood
As the world feigns pity.
Broken families, unspoken tragedies –
The order of everyday life.
He was born amidst chaos and strife,
To a divorcing husband and wife.

If life were lived in peace,
This dissolution would’ve been a release.
Not much more, not much less –
A family’s lore, a decision to digress.
In war-ravaged land, however,
One needs every helping hand,
Especially a soul that was so clever.

Such a curious, voracious mind needed to understand;
A furious, rapacious search,
Unexplained conundrums to unravel and unwind.
Why do we exist?
Why do we fight and resist?
Is it worth living with all these scars on my wrists?
Does anybody outside Palestine care?
Will they keep on watching?
Or will they be unable to bear?

Of this and much more Mohanad must’ve thought,
As he sat at the Marna House Hotel,
Smoking cigarettes, freshly bought.
A student at al-Azhar, a mild-mannered pharmacist,
A prudent man who would have gotten far.
An admirer of Bassel al-Araj, another victim of oppression –
An inspirer, a brother who alleviated his depression.
Hunted down and killed by the IDF,
Another pacifist murdered for being an activist.

One figure of many who died;
One of those who did not want to hide.
Mohanad wasn’t a resistance fighter –
He felt that such persistence did not make their burdens lighter.
Instead, he wished to make his mind brighter,
And perhaps have family of his own.

He was in love, and wanted to get married,
But life was rough, and warranted a future far more harried.
The final twist of horror?
Having the intellect to apply for University,
And deserving the respect needed to obtain a reply,
Yet not being allowed to leave the city.
That is the news Mohanad had received,
Hopes and dreams suddenly deceived.
Denied a right to education
Because he was born on the wrong end of a cruel fabrication.
The glass ceiling, dripping with blood,
Swallowed his hopes whole like a flood.
Self-explanatory, at this point. Refer to Part I if you're confused...
Brent Kincaid Apr 2015
Waiting my turn to pay
For the items we need today;
The beans and the chili
And some picklelilli
And costly imported pate.

A headline that says glaringly
What some starlet does daringly.
What I see before my eyes
A big edition full of lies
They put here to tempt me daringly.

Where childbirth oddities
Are viewed as commodities
To put onto the front page
Soon, to become all the rage.
And two headed goats
Get the kind of public note
That should be reserved
For something more deserved.

We all know these stories
Are anecdotal glories
Made up by the magazines;
The tawdriest ever seen
And they don’t mind getting gory.
It’s yellow journalism
A sort of print format ****
Intended for the kind of fool
Who never finished school
And falls for jingoism.

Where childbirth oddities
Are views as commodities
To put onto the front page
Soon, to become all the rage.
And two headed goats
Get the kind of public note
That should be reserved
For something more deserved.

Brent Kincaid
4/18/2015
YA FREAK YA FREAK


WHAT IS A FREAK, IS IT SOMEONE WHO IS DIFFERENT CAUSE THE WORLD IS SO WRONG

IS IT A PERSON WHO LOVES LIFE, BUT DOESN’T TELL ANYONE

I AM NO FREAK, I AM A COOL PERSON, I SIT AND DO MY TAPESTRY

LIKE THE ARTIST YOU CAN SEE IN ME

MY VERSION OF A FREAK IS SOMEONE WHO HATES HEAVY METAL, CAUSE HEAVY METAL IS RADICAL, DUDE

I LIKE AC/DC, AND MOTLEY CRUE AND I ESPECIALLY LOVE MOTORHEAD

THAT IS WHY I LIKED MY FRIEND PATRICK, CAUSE HE LIUKED OR APPEARED TO LIKE HEAVY METAL MUSIC, I AM NO FREAK

AND IF YA CALL ME A FREAK, I WILL BE UPSET, CAUSE, DUDES

I LOVE JUDAS PRIEST, I LOVE JIMMY BARNES, AND THE ONLY REASON WHY I LIKE COMPUTERS

IS SO I CAN KEEP IN CONTACT WITH THE WORLD, WHAT IS WRONG WITH THAT, DOESN’T MAKE ME A FREAK THOUGH

IT MAKES ME A COOL PERSON WHO LOVES HEAVY METAL MUSIC

I WANT TO TAKE THE GEEK OUT OF COMPUTERS, CAUSE GEEKS CALL PEOPLE LIKE ME A FREAK

I LIKE TO PARTY IN CLUBS, AND I LIKE TO GO TO THE FOOTY, AND MUCK WITH THE FOOTY FANS

I HATE BEING TREATED LIKE A FREAK, BUT WHAT IS A FREAK

I TELL YA WHAT IS A FREAK, I AM NO FREAK, I LOVE THE COOL PEOPLE WHO GO TO HEAVY METAL CONCERTS

SURE I AM NICE TO MY MUM, BUT THAT DOESN’T MAKE ME A FREAK THOUGH

I JUST AM A VERY NICE PERSON, PEOPLE WHO CALL ME A FREAK ARE THE ONLY FREAKS

COMPUTERS ARE FUN, NONE OF THIS DOS ****, THAT IS FOR THE FREAKS

I LIKE COMPUTERS TO SHARE MY WRITING AND MY ART, AND TO ENTERTAIN

I DON’T WANT TO BE THOSE QUEER PEOPLE WHO ARE TOTALLY GENTLE, I DON’T DO GENTLE

I DO COOL, AND I AM COOL, I’M COOL MAN, COOL YOU, YEAH COOL ME, I AM A BOY ANYWAY

I KNOW YOUR A BOY BRIAN MMMMMMMMMMM YOUR A BOY MMMMMMMM I AM A COMPUTER **** KID, I AM NO GEEK OR NERD MY MATE

GEEKS OR FREAKS ARE PEOPLE WHO HATE COMPUTERS, CAUSE THEY CAN’T GET PAST THE ADULT

I AM NO FREAK, I AM NO GEEK I LIKE COMPUTERS FOR CREATIVITY YA SEE

I WANT THE HEAVY METAL FANS TO LIKE ME, CAUSE YOUTUBE IS THE PLACE YOU CAN WATCH HEAVY METAL FOR FREE

ANY BAND IS COOL, HEAVY METAL MUSIC IS THE BEST MUSIC OF ALL, TO GET YA SOX OFF AND REALL PARTY HARDY WON’T STARTY

I AM NOT A FREAK, I AM A YOUTUBE ******, AN INTERNET ******, I HATE PEOPLE TREATING ME L;ILE A FREAK CAUSE THEY ARE JEALOUS

I DON’T WANT TO GET KILLED OR KIDNAPPED, OR ANYTHING, BUT I AM NOT SHY TO L.OVE COMPUTERS

I WISH THE WORLD WOULD STOP TREATING ME LIKE A FREAK, MY COMPUTER LIKES ARE

HEAVY METAL CONCERTS

LEARNING ABOUT THE WORLD

PUTTING MY ART ONLINE THROUGH ART COLONY

FINDING THE PERFECT PARTY SO I CAN SHARE IT WITH THE WORLD THROUGH YOUTUBE

TO FIND WRITING GROUPS LIKE FOCUS ON FICTION

OLD TV SHOWS I USED TO LOVE LIKE BECKER AND CHARLES IN CHARGE, ETC ETC

I WATCH A LOT OF TED DANSON’S BECKER, YA COULD SAY, I AM A BECKER MANIAC

THERE ARE MANY MORE, I ALSO HAVE SHOWS SHOWING THAT I CAN STICK AT DOING TAPESTRIES, BY INSPIRING PEOP,LE TO BE CREATIVITY

I HATE PEOPLE SAYING I AM TOO WOOSEY TO, TO GOOD ART, BUT OPEOPLE WHO SAY THAT, ARE THE BIGGEST FREAKS AROUND

IF PAT HATES HEAVY METAL,HE IS A FREAK, CAUSE HE HAD A FUNNY WAY OF SHOWING IT, WHEN HE MUCKED AROUND WITH ME

HE GOT ME INTO LOVING HEAVY METAL, AND STOP WORRYING WHAT PEOPLE THINK, I DON’T CARE WHAT PEOPLE THINK

I AM AN ARTIST, I AIN’T NO FREAK, I AM A WRITER I AIN’T NO FREAK I AM A YOUTUBE ENTERTAINER AND INSPIRER I AIN’T NO FREAK

I DO MY TAPESTRY ON YOUTUBE TO SHOW MY STAYING POWER, AND I HAVE STAYING POWER, REAL STAYING POWER

I THOUGHT DAD WAS TREATING ME LIKE A WRITER WHEN HE SAID I WAS LIKE OS, SO TO SPEAK

I AM NOT A FREAK, I AM STILL A LITTLE YOUNG DUDE, WHO IS FINE WITH HIS VIRGINITY

I DON’T CALL ME A FREAK, CAUSE I HAVEN’T HAD ***, I CXALL FREAKS, PEOPLE WHO SAY THEY ARE YOUNG WITH NO SOCIAL MEDIA

I AM ON FACE BOOK AND YOUTUBE, AND I HAVE A STRONG QUOTA ON THE INTERNET, I ASM NO FREAK, I AM NO GEEK

I AM THE COOLEST DUDE IN CANBERRA, AND THERE IS NO DOUBT ABOUT IT

I THINK MY OLD MATES ARE LIVING IN THE PAST WITH ME, EVERYBODY MAKES MISTAKES, EVERYONE HAS THOSEC DAYS

COME ON DUDES, GIVE ME A BREAK, I AM A LITTLE YOUNG DUDE WHO LOVES TO PARTY WITH HEAVY METAL MUSIC LIKE ACCCA DACCA

AND MOTLEY CRUE, AND I WATCH THE CONCERT ON YOUTUBE, DUDES, ALL THE BLASTED DAY LONG

DON’T CALL ME A FREAK, YOUR A FREAK, ESPECIALLY IF YA THINK I HATE PARTYING, I LOVE PARTYING, IT’S COOL FOR ME
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
oh my stars May 2015
You are not a teacher.
You are a:
wisdom-imparter
confidence-booster,
esteem-increaser,
fun-creator,
book-reader,
­essay-writer,
dedication-inspirer,
love-definer,
joy-inducer,
ent­husiasm-evoker,
wonder-explorer,
beauty-demonstrator,
knowledge-s­harer,
thrill-designer,
truth-teller,
excitement-architect,
stude­nt-encourager,
A friend.
You are not a teacher.
I don't think people realise how much of an impact a teacher can have on the life of a self-conscious, self-loathing teenager with excruciatingly low self-esteem. This poem is dedicated to my wonderful GCSE English teacher who has helped me immensely over the last two years. I wouldn't be me without her. Thanks Miss :)
I. TO DIONYSUS (21 lines) (1)

((LACUNA))

(ll. 1-9) For some say, at Dracanum; and some, on windy Icarus;
and some, in Naxos, O Heaven-born, Insewn (2); and others by the
deep-eddying river Alpheus that pregnant Semele bare you to Zeus
the thunder-lover.  And others yet, lord, say you were born in
Thebes; but all these lie.  The Father of men and gods gave you
birth remote from men and secretly from white-armed Hera.  There
is a certain Nysa, a mountain most high and richly grown with
woods, far off in Phoenice, near the streams of Aegyptus.

((LACUNA))

(ll. 10-12) '...and men will lay up for her (3) many offerings in
her shrines.  And as these things are three (4), so shall mortals
ever sacrifice perfect hecatombs to you at your feasts each three
years.'

(ll. 13-16) The Son of Cronos spoke and nodded with his dark
brows.  And the divine locks of the king flowed forward from his
immortal head, and he made great Olympus reel.  So spake wise
Zeus and ordained it with a nod.

(ll. 17-21) Be favourable, O Insewn, Inspirer of frenzied women!
we singers sing of you as we begin and as we end a strain, and
none forgetting you may call holy song to mind.  And so,
farewell, Dionysus, Insewn, with your mother Semele whom men call
Thyone.

__
The Homeric Hymns in the Hello Poetry collection are provided by:
Online Medieval and Classical Library.
Source site: http://omacl.org/Hesiod/hymns.html
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
Ksjpari Aug 2017
Rakesh Rai is as sweet as sugar;
Whenever you are in deep anger
Go to Rakesh, Anti-hatemonger;
He never his duties did Malinger
He has been as sweet as sugar;
Sooths one down and is eager
To help whom problems appear.
I never found him an Ogre;
With him I always felt stronger
He can easily fight wildest tiger.
He is a tiger in education stronger
Who advised to stay Sanket eager;
But as I had Monorhyme dearer
I left such a strong man ever.
Regret though Sanket have, Sugar
Will leave me and my poem never.
Problems does not persist longer
With him let it be old or younger.
With him tensions, no doubt, linger
A lot of worry and threats augur,
What use is Salad without vinegar;
Hard but useful is Rakesh like timber.
Rakesh sir is as sweet as sugar.
I am developing a new style of writing poetry where ending words of a line rhyme with one another, at least in last sound. I named it Pari Style. Hope readers will like it. Thanks to those invisible hands and fingers which supported and inspired me to continue my efforts in my new, creative, artistic and innovative “Pari” style.
Graff1980  Jul 2015
The Inspirer
Graff1980 Jul 2015
Says to She causes she is me
The sun she seeks
Is the truth she speaks
Light like radiant beams
That breaks the dark
To soften each broken heart
And bring the warmer affections
To those who have been neglected
To calm furies that should not exist
And stoke the flames of rage
Where anger needs to persist
To help people resist
The chains that try and tie us down
To give every artist the wings
Of the Angelic hosts who in rebelling sing
Of freedom from an eternal being
Let her be the better part of humanity
So when this oval earth egg
Loses her loving presence
There will still be a bit of her essence
Left to linger and inspire
This human race to be les bitter
And much, much better
« Vraiment, ma chère, vous me fatiguez sans mesure et sans pitié ; on dirait, à vous entendre soupirer, que vous souffrez plus que les glaneuses sexagénaires et que les vieilles mendiantes qui ramassent des croûtes de pain à la porte des cabarets.

« Si au moins vos soupirs exprimaient le remords, ils vous feraient quelque honneur ; mais ils ne traduisent que la satiété du bien-être et l'accablement du repos. Et puis, vous ne cessez de vous répandre en paroles inutiles : « Aimez-moi bien ! j'en ai tant besoin ! Consolez-moi par-ci, caressez-moi par-là ! » Tenez, je veux essayer de vous guérir ; nous en trouverons peut-être le moyen, pour deux sols, au milieu d'une fête, et sans aller bien ****.

« Considérons bien, je vous prie, cette solide cage de fer derrière laquelle s'agite, hurlant comme un damné, secouant les barreaux comme un orang-outang exaspéré par l'exil, imitant, dans la perfection, tantôt les bonds circulaires du tigre, tantôt les dandinements stupides de l'ours blanc, ce monstre poilu dont la forme imite assez vaguement la vôtre.

« Ce monstre est un de ces animaux qu'on appelle généralement « mon ange ! » c'est-à-dire une femme. L'autre monstre, celui qui crie à tue-tête, un bâton à la main, est un mari. Il a enchaîné sa femme légitime comme une bête, et il la montre dans les faubourgs, les jours de foire, avec permission des magistrats, cela va sans dire.

« Faites bien attention ! Voyez avec quelle voracité (non simulée peut-être !) elle déchire des lapins vivants et des volailles pialliantes que lui jette son cornac. « Allons, dit-il, il ne faut pas manger tout son bien en un jour, » et, sur cette sage parole, il lui arrache cruellement la proie, dont les boyaux dévidés restent un instant accrochés aux dents de la bête féroce, de la femme, veux-je dire.

« Allons ! un bon coup de bâton pour la calmer ! car elle darde des yeux terribles de convoitise sur la nourriture enlevée. Grand Dieu ! le bâton n'est pas un bâton de comédie, avez-vous entendu résonner la chair, malgré le poil postiche ? Aussi les yeux lui sortent maintenant de la tête, elle hurle plus naturellement. Dans sa rage, elle étincelle tout entière, comme le fer qu'on bat.

« Telles sont les mœurs conjugales de ces deux descendants d'Ève et d'Adam, ces œuvres de vos mains, ô mon Dieu ! Cette femme est incontestablement malheureuse, quoique après tout, peut-être, les jouissances titillantes de la gloire ne lui soient pas inconnues. Il y a des malheurs plus irrémédiables, et sans compensation. Mais dans le monde où elle a été jetée, elle n'a jamais pu croire que la femme méritât une autre destinée.

« Maintenant, à nous deux, chère précieuse ! À voir les enfers dont le monde est peuplé, que voulez-vous que je pense de votre joli enfer, vous qui ne reposez que sur des étoffes aussi douces que votre peau, qui ne mangez que de la viande cuite, et pour qui un domestique habile prend soin de découper les morceaux ?

« Et que peuvent signifier pour moi tous ces petits soupirs qui gonflent votre poitrine parfumée, robuste coquette ? Et toutes ces affectations apprises dans les livres, et cette infatigable mélancolie, faite pour inspirer au spectateur un tout autre sentiment que la pitié ? En vérité, il me prend quelquefois envie de vous apprendre ce que c'est que le vrai malheur.

« À vous voir ainsi, ma belle délicate, les pieds dans la fange et les yeux tournés vaporeusement vers le ciel, comme pour lui demander un roi, on dirait vraisemblablement une jeune grenouille qui invoquerait l'idéal. Si vous méprisez le soliveau (ce que je suis maintenant, comme vous savez bien), gare la grue qui vous croquera, vous gobera et vous tuera à son plaisir !

« Tant poète que je sois, je ne suis pas aussi dupe que vous voudriez le croire, et si vous me fatiguez trop souvent de vos precieuses pleurnicheries, je vous traiterai en femme sauvage, ou le vous jetterai par la fenêtre, comme une bouteille vide. »

— The End —