These kids don't care anymore,
we're out of the time of cursive writing,
when there would be an apple on my desk,
kids would only groan when asked to clean the erasers.

These kids are going to live,
in parent's basements, awaiting dinner and laundry,
rather than actively seeking adulthood.
What happened between my time and theirs,
causing them to become so electronic?

These kids don't make eye contact,
staring blankly into pixels,
unable to draw away from their techno-seduction.
These kids can not learn,
for they're only taught memorization,
then forget all of the rest.

These people expect me to teach,
but how can I do so when they're already powered down,
disconnected and wandering lost,
needing their fix of a shocking brightness,
they call a new and better world.

This has been on my mind for some time... To share this comment to a poem I posted on the ALZ site. I don't know her name. It has made a deep impact on my heart.

The poem is:
http://hellopoetry.com/poem/41121/remember-for-me/

Dec 17, 1013

w/e wrote:
Your words are beyond words. Thank you. We've had a rough week. Stage 6 is beginning with all its fury: incontinence, hallucinations, delusions, and, of course, mood changes from happy - to sad  - to angry in the flick of a nano second.  BUT, in spite of the dark clouds of his mind, we still have beautiful moments of tenderness & love. He was eating tonight and I could see on his face the darkness creeping into his brain. He left the table and began to pace. He went to the bedroom and would not let me touch him, comfort him.  When he finally calmed down an hour later, the darkness of his mind began to dissipate. He came to the kitchen and  he said to me: "I am afraid, I am scared." "What is scaring you?" I asked. He replied, " I wont remember who you are." My husband has lost a tremendous amount of his ability to speak so my heart began to dance  with joy when I heard him say those beautiful words of LOVE. I hugged him, I kissed him, I held his hand. I was in awe of his love for me.  I said, "My dear husband, I will help you touch me, I will help you caress me , I will help you feel your love for me. I will help you remember me." We embraced and we cried together... feeling a lifetime of love for each other... Peace & calm  restored, he is sleeping now.
-------------------
I had brought the poem to the top and she commented again. Such beautiful words of love.
-------------------
Jan 8, 2016

IdahoStevens, my reply to you was written on December 2013... My immortal beloved took his last breath on January 2014... Immortal beloved. Noble. Strong. Sensual. Pure. My Sunrise Ruby. Bright crystal structure of endless love. Perfect and Imperfect.

O  fateful morning!  I was preparing breakfast. He was walking between the bedroom and the bathroom... Desperately searching...  Searching for me... He knew intuitively his life was ending... I ran to him...We looked into each others eyes... I cradled him in the deep of my arms... I said, "My love, I am here. I will never leave you." ... He smiled ... He stopped breathing. I called 911... My heart encircled in his love. My mind enriched by cherished memories. My soul transformed... His scent inside of me. My body burning with desire... To love. To be loved... My body flying with his. From this earth to the center of the universe. Glowing.

O earth's reality! It bites...

I am adjusting... Adjusting to the deafening silence of the day. And of the night.

I am adapting... Adapting to the absence of his kisses. And his embrace.

I am accepting... I am trying, with every breath I take, to accept.  To accept his empty place in my nest. And on this earth.

To adjust. To adapt. To accept.

To transcend... Life and Death ... We enter this world. We leave this world ... When I understand that. When I totally accept that. I shall find peace.

No sluggish hearts will ever be found in our midst, eh?... We have lots of heart muscle in Alzconnected. Muscle memories... Of tenderness. Of love. And of care.

Good to see you, IdahoStevens.

M/E

Another comment left
--------------------

IdahoStevens,

If it's possible to cry and smile at the same time, that's what I did while reading your poem.  I read with my mom and dad in mind and it captures so perfectly their life together.  They did indeed go for ice cream all the time, a favorite treat for both.  Particularly poignant were the lines surrounding the holidays, my parents did their tree together, they even had their own tree when my husband, youngest son, I and my parents both sold our homes and bought a larger home to all live together, because we enjoyed being together so much.  Every Christmas Eve my dad put some of the presents together - bikes, chalkboards, etc and my mom wrapped them, then they put them under tree together.  The holidays were truly a special time of year for my parents.  Your lines brought all that back in vivid color and I read with tears in my eyes and a smile while remembering.

My mom and I talked on the phone almost every day, we went shopping, to lunch, sat and watched tv together almost every night.  We all sat down and talked all the time, it truly was a wonderful time when we were all together.

My beloved father passed away three years ago, and the last thing I whispered in his ear moments before he left us was that we would take of mom and to not worry, we would be fine.  Now I struggle with the fact that we had to place my mom in an ALF because we were just not able to keep her safe at home.

And now, I walk through our home, and see both my parents in every room.  I can even hear my dad calling me to help him with a computer issue, I can hear my mom call out to me that she can't figure out the remote.  In my mind, my dad sits at the kitchen table every evening and drinks his coffee.

Your poem brought back many beautiful memories thank you for that.

Terry

----------
Here is the poem.
John Stevens
Jun 27, 2010
Remember for Me

When the curtain draws closed on my mind
And leaves my body alone.
Think of the times we were together,
The times we talked on the phone.
———————————
Remember the times we would walk on the beach.
Hand in hand always in reach.
The moments we shared - together each day.
The love we shared in every way.

Though the hours get long that make up a day.
While you are sitting with me in your caring way.
Remember the times we would take a long walk.
We would get an ice cream, just sit and talk.
Remember. Remember for me.
——————————–
Remember the seasons of flowers in bloom.
We’d walk through the meadow, nature’s room.
We’d hunt down asparagus along a fence row.
Bring home a bunch and fix it just so.

Remember at Christmas the lights on the tree.
The gifts for the children from you and me.
The smells of the season that filled the air.
The laughter and joy of people who care.
Remember. Remember for me.
———————————–
Remember the moments our thoughts would blend.
No spoken word between us would send.
The thoughts of love and things to be.
Would cross the distance ‘tween you and me.

Tell me over and over again,
Of the things we use to do and when,
Times of laughter and times of fun
We had together, under the sun.
Remember. Remember for me.
—————————–
When the curtain draws closed on my mind.
And leaves my body alone.
Think of the times we were together,
The times we talked on the phone.

As yesterday’s memories caress your soul.
Close your eyes, imagine us whole.
Where some day we will be together again
Where memories won’t fade, we will again begin.
Remember. Remember for me.



Please see a friend of mine's web page honoring his wife who died of ALZ
http://junebergalzheimers.com/june-and-alzheimers/a-day-in-the-life-late-stage-alzheimer-s

© (4-20-03) John L. Stevens

http://hellopoetry.com/poem/1752987/remember-for-me-comment/

Like two peas in a pod,
one of them me and the other
is me, but how odd,
I don't think like him,
I try to trim off the fat,
he doesn't like that and
he's critical, politically correct,
direct and outspoken.

But I have woken from nightmares like this,
many times I have broken the backs of
a problem,
how many peas in a pod if one of them's odd?
odd that it's me that I see
when I look,
the two of us took the pledge,
odder indeed that he jumped and I stayed
on the edge,
but the edge is a portal for this
mere mortal to shine through,
two
peas in a pod
how odd.

Lecture twenty-three of first period of the last semester:
Today’s topic – “What went wrong with Wall Street”

The professor’s trying to connect with the class. He’s trying to have us look past
Sagan-like hair, black pants poorly paired with brown shoes, sleeves stained with chalk, an undeniable excitement in his voice when he says the word “canonical”.

He’s trying to get us to see a forty-four year old father who watches The Daily Show before bed, someone that’s hip with the times. He says something about Twitter and that singer in the meat dress. He references Charlie Sheen.

He draws a graph on the board with three lines
red: Normal
blue: Poisson
green: Cauchy-Lorentz

And we’re all thinking it- What the **** is that green line.

He begins.

Cauchy-Lorentz:
fully defined by two parameters;
x-nought and
gamma
mean;
undefined
variance;
undefined
meaning
­graphs drawn in green have fat tails
meaning
a summation of green graphs with fat tails- a summation of par bonds will default with some non-zero probability
meaning
Lehman Brothers should have taken statistical physics

That is his joke for the day. Only students paying attention and students who bother with current events and students with a sense of humor laugh. It’s a small subset.

The kids in the sixth row aren’t listening, the ones in the Greek lettered shirts with their pledge names on the back and their laptops open. Sixth row is just close enough to look like they give a **** but far enough in the back so the TA’s can’t tell they’re checking their fantasy football teams. The TA’s sit in rows one through four.

The joke is for the kids in the sixth row. Anyone in the first through fourth, the ones considering graduate school in higher dimensional theory or quantum chromodynamics, doesn’t know what Lehman Brothers is, least of all a par bond. A joke about spherical cows? Laughter from rows one through four would interfere constructively off the chalkboards, but that is not who Sagan-wannabe is talking to, and the kids in row six aren’t listening.

They are watching Sunday night highlights, ignoring green lines and fat tails because, let’s be honest, they’re only here to get the answer to the question on the homework that they couldn’t find online.

The sixth row has taken what they learned in the lectures before this, the semesters before this one, the first days of classical mechanics, where they learned the universe is governed by predictable and definable laws, and given a set of initial conditions one can determine an outcome.

Salary|physics degree:
fully defined by one parameter;
sophomore-year internship
time;
ten years
mean;
one million

The sixth row Facebook’ed their way through the undeterminableness of quantum, the green lines on the board now. Their laptop screens hide the fat tails describing the bundles of par bonds they will be selling upon the completion of this semester.

The 20th century a new philosophy was introduced: Existentialism.

Existentialism is pertaining to human existence, and finding our ideal self, along with the meaning of life through free will. This German philosophy must have been confusing, because not long after the beginning of the next century, free will showed us that eradication and apathy can be achieved by "following orders" and not questioning the ideals of your country's ideology.

The idea of this philosophy is that humans are searching for who they are and what they will become by the choices they make based on their experiences without the complications of laws, traditions, or ethnic rules. Now, the ivory and ebony pieces that lay atop the granite chess board are one of a handful of acceptable, yet objective black and white cohabitations that can't function one without the other.

Strategically sound is the sycophant. Then in reference to people, how easy is it to spot a Parasite when trying your hardest not to be stereotypical? That is why it's easier to hate a person because the color of their skin rather than their theology and ancestry.

This idea of free will is sometimes misconstrued as a hindering factor in reference to the education system. Our foundation is put in place at an early age; this is our fundamental axis, and this reasoning is acceptable because
of our commitment and trust in conditioning ourselves.

And when you need to teach youth about hate and pass it off as love, you must regulate the educational systems, and propaganda needs to be subtle yet exposed in mass media and entertainment, along with chalkboards and textbooks.

Considering the learning differential, people who use a different side of their brain than a peer have a chance of excelling in their studies of specific subjects; however, this does not apply in all cases. See science and language as objective, and abhorrence as once subjective with an edit and an asterisk.

One factor is assumptions made regarding social structure. And this is what happens when something is driven by an economic imperative. But statistics are heavily confusing and easily manipulated when some groups of people are thrown figuratively and literally into ghettos.

This has made people a taxable commodity, but not one for a universal vantage. The reason for that has to do with the socioeconomic status of certain communities. Then again, when a country is at war with itself, being drafted will provide an individual with the necessary rations, and when you're wearing a uniform, bank statements do not matter.

From this point on we can put people into two classes: academic and non-academic.

None of which matters when you're staring at the barrel of a gun: automatic or semi-automatic.

Sand paper bags scratch empty city streets, like nails on chalkboards.  It’s amazing how silence can be scary.  I gaze upon empty playground grass, the rampant, rapacious children are no longer able to climb jungle gyms to be king of the world.  Why?  I believe someone invited the Devil to dinner. He scorched earth and burnt tears in barren city streets, I alone see the beauty in the destruction.  Amongst anguish and anger, lies pure serenity.  An ending is just as beautiful as a beginning, like light to files, I’m addicted to pain.  If you’ll allow me, I’d like to show you how demise is perfect.  It’s starts with a smile, broken.  Too many demons spiting languages of hot lava that sounds similar to the solar maximum, It’s my mind that breaks from reality.  Unstable and unappreciated, pain is the only way I can rid the stress, So I have believed.  Starting like a headache, addicting like ****** or cough syrup, The rush of blood spiraling round my upper thigh is something I used to look forward to,
It was the only thing I could say I did for myself.  
Moments spilled into months, months pouring into one self-inflicting year, If only I could show the buckets I filled with the sadness I was afraid to share with the world.  I finally put the blades away when I made a mother watch her baby boy dig scissors into his wrists.  Rosy-red cheeks and rain-drop tears slipping down her face was enough to know I could I do better. I needed to do better.  So, I washed the blood away, erasing every past memory I thought I should regret.  I know life is no ethcy-sketch, the marks I once was proud of bare the same weight of shame.  I consider my addiction to be my savior.  If I never landed on rock bottom, I would never know the power it takes to stand back up.  Now I wake among empty city streets, Sand paper bags sit silently, It’s amazing how silence can be comforting.  I alone see the beauty behind the monster that tore apart my freckled canvas. I look at the Devil in the mirror.
Dinner is finished.

Specialism, electro mechanical circuits,

moving parts yet move, you see, but when we read we bring our senses
inside
privacy can become a public mind, if one is connected, in a giving way,
taking thought,
as the original medium we found message in,
thought takes form
in words,
words take form in things. Right. Check.

Blake feared the objective world was being walled in,
and all the people screamed, amen.
Again

Build the wall, from icons demoted to mites of no more
weight than a tinker's think,
phe-nomenal noment-ation, if we may

Hot and cool both bubbled up as burps, perhaps from the babes
booming through the lies told before the great war.

No future? You allow that thought in your culture?
And shame and blame?
No wonder you choose to lie.

Bear with me a while, share my load, it's light.
There is a hopeful object,
we can go easy into that good night,
the world is round.

Free from Ra and Isis and all, in one fell sweep of the besom.
Broom, besom, means broom, but the effect of an e,

e-lectrix

you give us the fire we'll give em hell  a game ad in the middle of the massage
Call of duty, black ops.
they
You use you eyes to see, it's a with-spiracy,

a hair of the dog that bit you. Eh?
live in bonanza land, 1965.

and so it goes, Dresden, every minute of every day

the walls of your home are coming down,

unless you were born with a cell phone in your father's pocket.

Privacy is calling for walls from the fenced in time after Bonanza.

Ah, too late, ours is an all new world of all at onceness, a global village, happening simultaneous.
extreme with everybody else's business, huge in
volvement in every body's business

we know too much to be strangers
walls fall down, not go up,
the wallbuilding never workded, did it Grandpa?

Nineteenth century student could believe
the factory system
would use the knowledge, hard-won
from books and chalkboards,
to keep him outa the mine.

Now, the information age,

are we the leisure class? Ever learning,
never knowing everything,

but knowing walls and wars do not perform as advertised.

The safety car, that was one with seat belts, 1965.
Our body percept, it changes,
this image of which you are un
aware.

The disconnected minded man, alienated
artist living edgewise to
cattywompus.

My life is my art, eh, not the other way.
Global village information age McLuhan named these things
from Canada.
More expert than my teacher,
Pop art is not a pun, it was a bubble,
that's a fact. The-joke-with-no-story-line-conundrums,
elephant jokes, blonde jokes

Those tests, Turing would approve,
any old A.I. can play chess,
just remember every response to every move ever made in any game in the system,
like the amygdala, your lizard thought-speed brain,
at the top of your spine.

But humans can make funny seem.

Humor comes from a world of un happiness and gripes,
Jose Jimenez was the example they made. Racist, right?
The guy was a jew.
William Szathmary, Googled it.

From <https://en.wikipedia.org/wiki/Bill_Dana>

Communicating with the logo-label-designer you wear,
messaging the world what? Exactly,
any un thought thought goes unsaid,

but T-shirts and body art, henna's the best,
those send a message with no thought whatsoever.
Same as Redcoats in bearskin hats, what's being said,
same as the judge with a wig?

What is the role?
Why the ongoing act?
It must have changed into that wigged judge from something.

Theater of everywhere, accept allatonce, or die asking y not.

Inward directed seeking
deep meaning
a role that changes

some outside
the future of the future started, a while back. not too far.

No inevitability.
An act of high poetry

envisioning,
the future was friendly

metaphysical value, brilliant, incomprehensible
a man, a thinker,
storytellers the experts say,
need some mud behind 'em. and some snow.

a mother never satisfied with her life,
brittley self confident,

the whole approach to knowing is old.
Diogenes's search for a good poem, with
shifting levels of imagery,
never shall you know,

they work
the way a word works,
the effect.
effect. fect from Latin facere,
sistere mechanically deus
The oracle of the information age
Ah,whatvoiceisheardaroundtheworld,
oh,mine.2018 Mr. McLuhan,
you'd likely lighten up a little.
Toejammspredder was mcluhan I heard on the grapevine.

Hey, mom, I'm on TV.
Up to doctrine, then destination syndrome a hopebubble

He had brain surgery and returned to Catholicism, a safe place.
But he left his vision to television's offspring.
That's about all I know of his work.

The hue of streets; cousins of chalkboards;
the distinct voice of transition; of forbidden love
sipped through straws of anticipation;
swallowing decadent tribulations
to nourish picturesque gardens
and English dreams; the line between
appreciation and alienation
Happens to be the blemish
of today's death; headline hopscotch
founding father of premeditation
Sound prints in the sand

Chalkboards and easels, pencils and toys
Desks lined up in aisles of little girls and boys.
A classroom, learning the A B C’s, two plus two equals four
But this day, all that learning didn’t matter anymore.

A girl with a bow, a boy with a grin
Children with freckles scattered on their skin.
A daughter, a brother, a grandkid, a friend
A lot of moms never thinking these titles would end.

Lego’s and the alphabet, Mrs. Soto taught them how to write a name
And then a mad-man stormed in, with destruction he came.
He shot down a daughter, a son, a wife
He shot down a child, a baby, a life.
Lessons in elementary consist of building Lego’s, catching butterflies in the sky
Lessons as a 6-year-old should never be what your friend looks like as they die.

Moms stuff a lunchbox with treats; Dads stuff a ball in a glove
Parents raise children; stuff a heart full of love.
They teach how to ride a bike, put a band-aid on a scratched up knee
What they should never have to do though, is bury their babies beneath a tree.

But there is evil in this world, a darkness that engulfs the light
There is an evil that reigns that humanity can’t fight.
The safest places are not safe, the most guarded unsecure
In the world we live of ignoring God and provoking massacre.

We denounce Him out of government, our country, and our schools
We ask that He move aside so that we can make the rules.
And then we blame Him when there’s death; but we don’t thank Him when there’s life
We don’t bless Him when there’s goodness; we just curse Him when there’s strife.


Moms are always good at preparing children for the day
With some things that don't matter, clinging to a love that will never go away.
Mothers, kiss your babies. Fathers, hold their hand.
Devastation comes unannounced, we will never understand.

At home in Newtown, a dog sits waiting at the door
He stares out the window, his tail wagging no more.
He sits by the window, lots of time he’ll spend
Waiting to welcome his very best friend
Jump up on her lap, smell her scent, steal her sock
But his owner won’t be coming home; no more leash, no more walk.

I think Jesus sat by his window this very same way
Waiting to welcome His children that awful Friday
He greeted them from His throne that December afternoon
And as they entered through the Pearly Gates, He healed all their wounds.

A classroom filled with giggles, children’s voices - the sweet sound
This same classroom turned from liveliness to a too-young burial ground.
But we hold on to the giggles, and we hold on to their love
And the promise of a Father taking care of them, above.

I

Crested by the infamous gown
during a tribute                            to all digestible,
                                                     ­  sentient,
                                           grown strips of light
            playing splatter off the sockets
                                                         ­      of fishermen birds,
                                     who can no longer ignore all
                                     the puppy dogs and kitty cats canned
                                                          ­               in squeeze tubes.

Now every corner of this landscape--a puzzle-piece room
                                           designed to think in shades
                                           and seasonal plume dances.

The usual beautiful* late evening
has become clotted with hip hop Down's Syndrome
mixed with jazz Dual-Personality Disorder.

                                                   Vampire Hades' skull evacuated of ****** power,
                                                          ­      a scene of literal watercolor
                                                    wh­ere moods collage with paper rings

                   on their stubby tongues. An unfixed saturation,
                                                     ­         clean oils
                                                            ­   split
                                                           ­    like the parting of hair

                        Alice's pirate boy, her beauty is parched of tomorrow,
                                                       ­ a wolf for a blood-red moon
                 that works like a farmer
                          to      
                                                              th­e                       water.

                            Let us all that are wild
              quote the stormy truth that                          shifts the particles in space
                                             "It is all in the direction a flower grows,
                     educating a sea of doubtful faces--to the cruelty of nature
                                      Close the brutal mind,
                                                           ­       unless your eyes are flame-proof, Alice."

--It is yours to consume
but it is relatively us that belongs to the consequences--

                                                 ­  Churning coffee water,
                                            reenacting romantic bloodshed
                                    to addicts in attics
                                                          ­  --jostling war heroes
                                               back to this side of the looking glass.
--coming back to their tempest
                          of cremated breaths--a den with no one
                                                             ­   to sing with.
        Sad Alice,
   always sad Alice--mud on her face from             the Dead Sea's end
      of immortality           because Death is albino.


II

  
The top of the day,
                                                            ­              negative space
  has a dying voice        as it lies under the boot
                                       of the night sky  
                                                           ­      watching stars.
                                              "Simply tomorrow is right there
                                                above the mortals," Sweet Alice
                                                speaks, "To the many heavens
                                                      its­ overpopulating the fields."

       The earth needs its cotton blankets.
   Fresh air accents symptoms --dancing on slick gravel
  at 10:18 at night with a pale, pompous view of someone else's Paris.

Crocodile roads spit up by patterned archipelago drags,
updating the scream, "think more about going off the edge of hair and the last number
after twenty shots                         of anesthesia." The culture of Spanish sun denial devolves
         the fig tree
     novel delights.
99% of the fear that saturates the throats of people is a blonde tumor.
1% of the love is too passionate to contain the fires of field cotton.


III

         end of immortality
accepts her                 trying to escape her pirate boy
              but tones of nostalgia prevents the revival--a war with God, herself,

                                                       ­                 trying to escape looping Paradiso,
factory vents malfunctioning forth
                   the guts of Inferno.                     Purgartorio  plots on
                                                              ­          erased continents
                                                      ­   rolled down lamp shades/ everything is useful,
             waste nothing.

Republics spawned in damp pits stamp bargains on trust
     ringing each solo anthem as one: I saved you,
                                                            ­  feeble beast.
                                                          ­    I saved you,
                                                            ­  dear lonely and you didn't care.
                                                           ­    I reserved us both
                                                            ­  and you cast me back
                                                            ­  into Dante's imagination.
                                                    ­          I saved you,
                                                            ­  you feeble child
                                                           ­   and you burned
                                                              me­ with your
                                                              wo­rld.

     Weaving Alice, calm Alice lies in a dingy on the river Styx,
                                  cobwebs fit to her feet like rank shoes
           she gave her children when they were born malnourished
                                        ---starved of insurance money, mouths agape
for the silk heart of their father--an image of a moth in the shape of a human pelvis
                                                      with­ alligator mouths on the wing tips. They shared
                                      --Alice and him--those wings like scribbles tied together on chalkboards
                                                     ­                                 
                               ­                                       --places to venture--

Your Wonderlandia, she spells, a wasp's nest
                                  of combs
                                          in a hive locked
                              in with the others--concave atlas skies.

            Alice smiles with inebriated
   country boys
                          tossing comrades in the natural flow.
             Richly blonde Alice, admires the impression
                        of the night
                  once charred dreams,
                                               now volcanic forests.
              She glides on a dingy
              across the luscious joy
                             --lubricated veins in atheist's beliefs
                                 don't get lost here, just new places to venture.

Beneath malicious eternity, on the River Styx
                                                            ­        
               the boy she adores
                                    all of a sudden, she steals his hat,
looks into his double-barrel eyes,
                                       sees how sad
             she makes herself                  --like a mother tired of brushing
                                                                ­ her daughter's hair, looming tears
                                                           ­                                         extend beyond widows
                                                          ­                                          to the water.

                      The pirate boy says
            his friend isn't far up the river--she cries through her hand.

                               Hopeful Alice prays, smiling, hoping everyone goes to Wonderlandia.
                                             The pirate boy never finds his friend
                                              but keeps his promise
             and takes her away from Euphoria
                                                        ­       --the cranium loss still fresh.

Mid October takes its end of season's leap
into the solitude of post-tourism autumn.
The landscape shows its truer face to celebrate
the reassembly of local solidarity.

Tat and trim tucked into hibernation,
chalkboards erased,
scant takings totaled,
inflatables deflated.
Unsold crafts packed between pages of yesterday's
'Correio de Manha'
Shocked freezers stand open-mouthed
their diet of ice dwindled to a thin trickle.
Sunshades collapse in deep south style,
redundant loungers relax supine.

Kids ***** back to school -
a mule-train of shoe-scrapers packed to the hilt
dawdles through warming scents of
post-salad indulgence,
sweet with the street-aroma of 'feijoada',
garlic, and  aromatic oregano
***-grown in a back plot, littered with
discarded placards and tired bikes.

Past men leaning doors, unsure of new routines,
idle hands and minds with new time to fill
mostly in cold bars for warm camaraderie.
Women pick fitfully at quiet-season's crochet
squatting to gossip under a white wash
slung and pegged, stick-sure
against thin bleached facades.

Under Planes, old comrades congregate
shuffling at a make-shift table,
tired eyes set on cards,
playing for cents under a limited sky
once defined by Salazar.

Car parks thin.
Beneath the russet canopies street-sweepers
scorn a reckless wind, where still sun-crisp leaves
gather in gutters, thirstily anticipating
the first deluge under autumn's gathering clouds.




copyright © Caroline Grace 2011