butterflies and jitters
stutters and whispers

shaking and sweating
hesitating and forgetting

euphoric paranoia
               accompanies your touch
as you finger your way
               under my skin
shadows on the curve
               of your neck
jitters of reality
               involuntary fantasy
caverns in my body
               unrecognizable reflections
disintegrating away
               maybe its your love
                            maybe its ****

Take one a day and mind the gap,
the rich and the poor, the beer on tap,
stand in line, date and sign,
the Red Bull jitters, the box of wine,
give way to the left, give way to the right,
the artificial winter, the bringer of night.

Radness

The Philosopher’s Stone is not just a spiritual metaphor but an actual substance that can transmute lead or mercury into gold. The Stone is a product of Alchemy. Unlike chemistry, which only deals with physical matter and energy, Alchemy makes use of etheric and astral energies to reconfigure matter at the quantum level. Alchemy is to chemistry what a cube is to the square; it is a superset of chemistry and is capable of so much more.

How Etheric Energy Overrides Physical Laws

Alchemical achievements require successfully gathering, concentrating, and multiplying etheric energy. When this energy reaches a critical threshold, it overpowers the normal laws of physics and allows seemingly miraculous processes to take place. I believe it does this by biasing probability. By amplifying the probability of minor quantum effects, which are normally limited to the subatomic scale, they manifest on the larger atomic scale. In this way, one element spontaneously transforms into another.

The world around us is made of subatomic particles that regularly undergo unpredictable jumps, teleportation, bilocation, superposition, and other strange quantum behaviors. Why don’t everyday solid objects do likewise? Because the random quantum jittering of their subatomic particles collectively average out to zero. Think of a large crowd of people; seen from the air, the crowd as a whole is stationary, even though individuals within the crowd move in seemingly random directions. It’s because their movements are random and uncoordinated that they average to zero net movement on the whole.

The world we see around us is merely a crowd of subatomic particles whose individual quantum jumps aren’t apparent because they average to collective stillness. Physical laws that govern our everyday world, known as the deterministic laws of classical physics, are merely the laws of the crowd. These laws are what’s left of quantum physics after the unpredictability is removed through statistical averaging. They are not absolute laws; they are just the most probable manner in which matter and energy behave.

Physical laws can be bent. While the probability is incredibly low that enough coordination and coherence develops among the quantum jitters to manifest on a collective scale, that is exactly what etheric energy does. It alters probability and thereby skews the laws of thermodynamics, gravity, electromagnetism, and chemistry.

Alchemy does not violate the laws of physics, nor does it always follow them, rather it bends them as needed. It operates upon the quantum foundation from which these laws arise in the first place, via etheric energy affecting the probability of quantum events.

There in the hole of a witness tree
He sits with teeth jackhammering
Chewing his regurgitated worries
Back down to swallowable size
His mind juggling coordinates
Of hickory, walnut, and acorn
Wearing one too many hats
To blend in with the autumn circus
Bushy tail pendulum
Synchronizing his thoughts:
Twenty paces south of the mailbox
Winter
All along the curb on elm street
Winter
Catty-corner to the sandbox
I didn’t bury enough
My mother was right about me
Will there be nuts in heaven?
Am I fit to enter
Winter?
No one understands the freeze
Or the way it syphons your dreams
No one really knows for certain
If they can trust the promise of Spring
These jitters become seizures
Of collateral faith
He is pressing his bones
To hold back the winter
Shaking like a reed in October’s gust
Fretting in the hollow of a tree

We come to a complete stop.
At a red light.
We wear our arms like seat-belts-
crossed for protecting our pilot lights.˚
I can't help but wonder how many airbags might deploy
if a meteor crashed headfirst and heavyset into the planet
and pancaked us eternally into this moment-
and how our fossils would look confused;
funeral flowers on a wedding cake.

None of this matters, we're both thinking it,
God is a foster child playing with his erector set.

You grin with as much conviction as a dented automobile,
breaking the months of silence to say,
"I miss you."

We can never fold these road maps back the way they came.

Somewhere existentially above this moment, there is an asterisk
that confirms
you- are here.

There was a younger version of me that you never got to meet,
he was here once,
stupid as a slinky.
Shaken like an Etch-A-Sketch.
Crooked as the question mark that punctuated his voice.
I looked good in hydroplane,
my eyes- bigger than my belly,
so I drank my weight in promises- I knew would be hard to keep within arms reach.
I also knew an encyclopedia's worth of how it felt to lie to myself.
I did it for twenty-three years
until I finally let go of stupid and held on to reason.

At some age I wrote letters to my favorite musicians,
using the sloppiest side of my penmanship, I'd ask for answers
and my mother, like a paperclip, used to tell me - she'd say,
"Kiddo, just because they don't respond
doesn't mean they didn't get the message."

She kept her chest of hope upstairs, away from the living room.
She only opened it on the hallow end of October;
that's where she kept the blankets.

Shy, I kept my hope chest covered in a T-shirt-
at the very least.
I never opened up.
I emptied my toy box of all its fiction, filled it with voices.
Deployed an army of rubber wrestlers, martial arts amphibians
and those inanimate toy soldiers with plastic parachutes attached
in search of the confidence I knew was supposed to belly-flop inside of me.

It hid, unfound for decades.
Until you entered.

Hawaiian domino effect, circus of chain reactions, avalanche of affirmation, chest-plate yielding gravity mouth speaking brightest anything forever night light, all apex and eyelash and cheekbone.
You -from big island- broke me.
I opened like the dry side of an umbrella, kept my back turned for shielding you.
I showed up for love on time, like a subway train in echelon city
wanting these arms to feel less like turnstiles.

All my sign languages were in waves.
All my ceilings turned to skies.
All my jitters packed into my hunger stomach.
Typing hyper with caffeinated hands
a swarm of nervous words bee-hiving in my butterfly chest.
Something like a hummingbird
when I finally drop your name like an alarm clock whisper
my lungs empty like cathedrals on the day after Christmas.

I brought the sermon to your Sundays,
you brought the choir to my masses.
We built a church around these esophagus bell towers.
Held ourselves up to the stained glass and showed off our light;

I swear I don't believe in a lot of things, God knows,
but there's always a but,
so much as I believe in the eternal depth of everything,
so much as I believe that we'd have plenty of water if it weren't for salt,
so much as I believe in eight marbles rolling around a gas lamp,
I believed we'd find a way.

'Cause in all the ways my sky could never hold you- and I mean this-
I believed in you- same way some people believe in Jesus.

Because you never judged my albatross mouth when I said things like,
"Self deprecation is the new love."
You kissed me-
less like doorstop,
more like lighthouse illuminating windmill.

You were a merry-go-round pivot decorated in Kona coffee beans, Christmas lights, cough syrup, paper mache pineapples, plastic dinosaur bones, a collection of worn-out Asics, board shorts and a dubstep remix broadcast through the static of a blown-out rotary phone.

You were everything I could get my hands on-

A full-tilt action-packed kaleidoscope jungle
with blender tongue and volcano heart.
I looked good in your sad panda coat tails,
teaspoon swallowing my doubts
while you Tarzaned my ability to breathe,
gave me ocean view and weak knees.
Is that sea breeze in your aftermath or are there already tears in my happiness?

You came camouflage out of my blind spot dressed in magnet armor,
diving board and drum set.
We passionbent cymbals into cannonballs.

I found comfort between your breastplate and your shoulder blades,
where you held me like a promise
when all my wishing was for want
and all your wanting was for wishes

Granted,

I know that there were days when you couldn't help but wake up like gorilla speaking Pidgin
and I couldn't help but waking up like an abandoned highway with a chip on my shoulder-
some maps don't show this much detail, Google Earth-

Which is why I always came through for you like a well-lit citrus truck stop
pressed against the dusk in your moonlight life crisis.
We only saw stars.
From our moon base.
In bewilderment, in our hunger, we learned
that if you hold me to my vending machines you'll get what you pay for.

So here it is, the truth, as I have always known it,
delivered to you on the outskirts of an echo,
my voice, supporting my existence like a monolith.

I'm standing in the middle of a you-shaped hole.
It's as wide as a promise crater-
we built it together.
It's not my favorite place to stand
but the exit strategies are made in the shape of a me that I haven't constructed yet.
I had a lot of things planned.
I referred to things as "ours",
when I really meant "please".

Bury me in your time lapse.
When your emotional excavators discover me in your sediment
they'll find me all pterodactyl-
wings spread wide as potential, sky-diving toward forgiveness,
forever.

Truth is, I'm wingless.

We met at a stop sign.
Our paths crossed.

There's a lot of accidents at some intersections.
Maybe it's because that's not where those two roads were supposed to meet.

We can't time machine argue with the way things landed.

We weren't an avoidable accident.
We were just two cars that really wanted to dance.

I don't know what I'm trying to say but I know when I mean it.

There's a tyrannosaurus rex cradled head-to-tail just behind my curator heart-
all fossil spine, monster teeth, jaw head and piano hands.
His presence says a lot about the past.
There's an asterisk on the surface,
above this moment,
that confirms with absolute certainty,

˚something wicked awesome happened here.

An upcoming fashion show, and I don’t mean to be unkind here, is lacking in both. It’s just the way it is. These models are beautifully ordinary people, your neighbours, and their designs are self-crafted, each suiting the model’s personal interpretation of high fashion. It’s the social event of the season. Everyone in the “know” will be there.

Eight models and an emcee will take to the Capitol Theatre stage in Oxford Thursday at 7 p.m. for the third annual Foolish Fashion Show. Foolish is the operative word here. It’s an evening of fun, with each model parading across the stage in four outfits during the show. The fashions are indescribable literally. You have to see them to appreciate them.

The show is the annual fundraiser for the Oxford/Pugwash Unit of the Canadian Cancer Society. To date the show has raised about $5,000 for the society’s Lodge That Gives in Halifax.

The show was the idea of the local unit’s Bev Clark.

“At the time there were no people to canvas door-to-door,” she said. “People were getting older or had less time. There were also other fundraising campaigns going on at the time.”

After seeing a foolish fashion show elsewhere, she decided a similar one would work for the local cancer unit. The first show was a sellout and the models of the evening agreed to take to the stage the next year.

Each designer/model is responsible for their haute couture. With the final result left to their wild, some might say perverse, imaginations the creations are a sight to behold.

Unit secretary and past president Bob Hunsley in his best 007 voice introduces himself as “Bob, SpongeBob.”

“Every good fashion show should include good costumes,” he begins. “Here, our unit president Edna McCormick is wearing her all-weather coat. In this coat she is well prepared for sunshine, rain, fog and snow and all the wind that blows (the coat is adorned with representations of each weather condition). Notice her “son” hat (which is a tribute to her son).”

Jane Smith is new to the Foolish Fashion Show runway.

“I came to the show last year and really enjoyed it. It looked like fun,” she said.

First time jitters?

“Doesn’t bother me a bit.”

This show is one in which you can’t do anything wrong. You show off your creation however you deem fit. It’s all fun.

Tom Kay, is making his modelling debut also. And what will Councillor Kay be strutting his stuff in? Not to give too much away but a muscle shirt like you’ve never seen and shorts will be worn.

Nine-year-old Emma McCormick is also a featured model.

It’s a show not to be missed.Read more here:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

I think I have control by now; I know
you want me to instruct you how to love.
I lack the tools for idleness; I go
crazy when you weigh yourself above

me. I know you’re in the rink – I know you are!
It’s just my paranoia’s acting out,
and then I call you twice and go too far,
that’s just a macho, jealous, loving bout.

But still you love my fighting tender thoughts,
and look in our shared corner when you’re scared.
But then the jitters, stomach ties in knots.
No gloves came out each time an old love stared.

I do not care for who you used to love,
keep razor blades tucked in my boxing gloves.

when you are three you will bring home your first tracks of mud from the garden when you sneak out of the door to play. i will wash the grass stains off your socks and tell you to wait for mummy to come out next time too.

when you are four you will bring home your first macaroni necklace from nursery school and try to eat it raw. i will put it around your neck and we will make pasta together, minus the glue.

when you are five you will bring home tears and your first bleeding knee after falling off your tricycle. i will clean up the wound with antiseptic, put on a smiley face band aid and tell you it is okay to cry.

when you are six you will bring home your first finger painting from kindergarten and a white tee shirt that is streaked with a myriad of colour. i will place it on the laundry pile and we will stain canvas with paint coated fingers for the rest of the afternoon.

when you are seven you will bring home your first report card and babble excitedly about the A you got in art class. i will tell you i knew your teacher would love the tiger you drew that had too many teeth.

when you are eight you will bring home your first best friend and you will ask if you can have a sleepover. i will bake you cookies and put up a tent in the backyard so you can fall asleep under the blanket of stars.

when you are nine you will bring home your first 100 on a test and ask me if perfect is a good score. i will hug you and say that no score can be more perfect than you are.

when you are ten you will bring home your first girl guide badge and tell me you need it sewn on your uniform. i will teach you how to use a needle and thread and see your pride at accomplishing the task on your own.  

when you are eleven you will bring home your first medal from a junior fencing competition and tell me you love the foil but you are scared of the older ones who use epees and sabres (even though one day you will be one of them, too). i will hang the medal on your bedpost and show you my rusting sabre in the storeroom and tell you my stories.

when you are twelve you will bring home your first case of chickenpox from the girl who sits next to you in class. i will make you chicken soup and we will make bad puns about poultry for the next two weeks of quarantine.

when you are thirteen you will bring home your first failure on a test paper. i will sit with you in your room and go through your mistakes and we will learn together, because you are more than a number and i never want you to forget that

when you are fourteen you will bring home your first questions about why the girls in school giggle about boys when the name you doodle in your jotter book is the one of your hauntingly beautiful social studies teacher. i will tell you that love is whatever you believe it to be and who you love is less important than why you love them.

when you are fifteen you will bring home your first can of beer in an effort of rebellion and try to hide it in your room. i will get out the wine and we will share it and i will teach you all there is to know about alcohol and being careful around it, and regale you with stories about the fact that i am a happy drunk.

when you are sixteen you will bring home your first attempts at a resumé and tell me you want to find an internship. i will watch you with pride as you make your own way as part of the working crowd for the very first time and learn more than i could ever teach you on my own.

when you are seventeen you will bring home your first girlfriend and introduce her to me, blushing and stammering. i will smile and ask her if she wants any orange juice from the fridge, and watch you give me a grateful grin.

when you are eighteen you will bring home your first college application and all the relevant documents. we will sit down over the kitchen table and discuss the pros and cons of local and international schools.

when you are nineteen you will bring home a suitcase and some assignments when you come back home during break. i will watch you tuck in to local fare ravenously and listen to you dreamily talk about the girl you share your dormitory with.

when you are twenty you will bring home your first paycheck from a part-time job you’re holding while studying for your degree. i will joke with you on what blue chip stocks to invest it in and we will go out for dinner at a swanky restaurant together.

when you are twenty one you will bring home an engagement ring and ask me if it is too young to ask your dormmate turned lover forever. i will remind you that love has no age and preconceptions have no place in devotion.

when you are twenty two you will bring home everything you need to propose to the love of your life. i will watch her stare at you in shock and fall into your arms and cry, and i will smile at the way your breath leaves your lungs, and you cry along with her.

when you are twenty three you will bring home your first pre-wedding jitters and be fretting about tomorrow’s ceremony. i will reassure you that everything will be perfect- even if it isn’t.

when you are twenty four you will bring home your first spare key to your new place and entrust it to me. i will bring over the dishes you and your wife love every sunday and we will have dinner together, talking, teasing, and laughing till we cry.

when you are twenty five you will bring home your first daughter you have adopted from the orphanage.

and daughter, i hope you will tell her the things i have told you.

Nervousness is the feeling in you're chest,
The light tap tap of the heart,
With a tingling feeling,
Like a butterfly wants to rip out of you're chest,
But stays trapted in a cage,
with a one track mind,
That won't leave you for days,
As you loose sleep and wait,
As worrie and you're face changes,
Pale,
Butterfly, Butterfly,
Please go away...

I lay here picturing how this school year will be,
Even though I know it will never be what I imagine,
There will be drama, and hurt feelings,
Tears, and laughter, love, and love loss,
Laying here I'm anxious to find out, but also scared,
I'm not a really shy person, but my insecurities always seem to drag me away from my true potential,
Maybe this year will be full of good memories,
Maybe it will be my worst year,
But it does no good to lay here,
Torturing myself with the "maybes"  Or "what ifs' "
I have to live and endure it to truly find out