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I'm trying to get drunk, burned down
   and struck out. Jukebox and bennies
   keep me up and at 'em. We old barfly's
   look for a sniff of the good old days.
   Lightning never strikes twice I'm afraid.
   I shuffle home at close and try tomorrow.
There's a giant coke spoon
in my cereal bowl today
we eat in silence and don't
know who started the fracas
last night. We slept separate.
Our 4 year old fell 53 floors
and left a broken heart in
a paper sack 8 miles high.
I heard the trains as I fell asleep.
I grew up and found them and
hopped on a freight to take
me to my destiny. I'm here.
You could desperate hear me start weeping
Ruckus started to crying to crack tangerine
holds one still upright auburn
as an immortal's loneliness fogged or condemned
stays a Sahara burnt hot tambourine
a hangover led Arabian
a broken record
some shattered the bathroom bar.


I wonder for my brother's dowry
on beds too kempt to be called beds
and doorframes and lamps set never high enough to hit again,
to stand to kneel to lock to lash to hold to my brother's body
now felt to me like the female sold fragile to the greater cities with
a vote,
he clearly left his Argentina behind no matter
how she paled, ended struck.


No longer a child or sister to pass as
to take guests in alone
to stand our married couple's cries an unmuteable radio
can't go back to playrooms for imparallel dignities' sake
that made all the noise at night worth it to deal with
I, don't want to play the rook
if no horse of yours' beside.


Now once the scarcity of your voice,
if even morbid,
is to be greeted by me alone,
Adam and Eve we have unable to see,
just for the empty halls of your decision just for me to hit,
your turned leaf hidden agenda of relief,
I recognise my faiths of the old of your endless
mornings supposedly killed by snoring and your
vividness to my thoughts a foreign concept,
to note you resurrected out of mind and out of sight
the congruence picks me out and slaps me that
our cocoon and safe designed for you
was nothing short of a coma web in your eyes
to begin with instead.

...

I look out to my brother's dowry
to hold stubborn, fainted in my nook the head of my brother's body
to sit on his old air this house keeps like a sari gem
he will never long for
again.
A correlation of steamed mirrors, Arabian calls in yearning and melodious drabbling that overlap it endlessly, a skin in an onus shed aside to a corner once you can't feign yourself into a child's play, and the sibling you've often taken for granted till they go even if they do return at times for not so long. And suddenly you're the only one to think they might have been never truly free or themselves in the place you called home for them.
Acknowledgement, recognition, apology and broken renewal.
Dedication to the protagonist of this poem.
...
We're all terribly broken
but will never ask for help
until we swerve outside lanes
wake up to our ****** pains.
Jump into 12 step meetings
'til we can't stand pity again.
We are bones in a mirror with
our ghost a haunting savior.
These strange fellows
Still record on videotape
Abroad an outdated
Insufficient spacecraft
The shape of
An interstellar bowling alley

By night they hunt for
New age wine
Radio waves
And a slew of hitchhikers

Some they greet
Some they cheat
Some they mistreat
Some they eat

Convenient store gangbusters
Crop circling has seen its better day
Soundtrack enthusiasts
They've a score to settle
With John Williams

They came from a fruitless world
In search of pomegranate skies
And the Big Apple
Even from the far flung
Reaches of space
Everyone's an actor

Some they unseat
Some they beat
Some they reheat
Some they eat

We're odd to them
Because they're gods to us
In a technologically challenged
Unidentified flying object

It's not war they want
Nor invasion
Just dinner theatre
And a reliable map
Inspired by the poem "If This Beauty Shall Be My Final Curtain, Let It Be Dropped Slowly," by fellow HP writer Mark S.

https://hellopoetry.com/poem/3705158/if-this-beauty-shall-be-my-final-curtain-let-it-be-dropped-slowly/
I don't know who she is
but she turns me on.
I love this siren calling me
from rocky shores to
this brave Ulysses
dancing more naked
than my eyes can stand.
She rises from the sea
upon a giant shell. I swim
to her light and my grave.
Blue-eyed delusion;
living in the past.
I guess sanity doesn't
last forever.
Maybe she never
had it at all
I need a woman that
treats me right,
and knows how to love,
not a monster that rages
in the night.
The railroad tracks
know the truth;
so do those harsh Iowa winters.
And talking about a god
doesn't change it.
Sikorki tchnienie w locie musnęło ziemię,
Kresy, wrzosy, suche liście też na wietrze.
Na sykomorze dalekiej Arabii ustała,
skulonego u jej korzeni tego, co sonety
o Aleppo układał, wysłuchała,
i przeto myślami po raz pierwszy
swe osmolone smogiem skrzydełka przetarła:

"Ku czemu się wykluwałam? Ku czemu latałam?
Swym trelem, uwagi skinieniem, czego mam być wyrażeniem?"
Nagle poczuła w każdej małej kości:
"Odpowiedź jest jedna: Miłości"

Że ma ona twarz wszystkiego, niczego, spojrzenia naszego:
Dwóch samców złączonych łabędzia czarnego,
Smutku dla szczęścia innego znoszonego,
Sekretu czule z łzami deszczowi wyznanego
I drzewa z grzyba korzeniem splątanego.

Że ku temu radość innym daje, że tego jest formą,
Wszystkich uczuć, chwil i wrażeń zmową.

"Dziękuję", na tą myśl światu odpowiedziała,
z wdzięczności dla poety z dołu
korę drzewa pocałowała,
i z nową tęsknotą, ku niebu Syrii,
odleciała.
A poem for the children at heart (and not only) of a little *** that learnt on a faraway sycamore through a refuge’s sonnets that Love is all and nothing, with all facades, as revelations or any physical/****** manifestation.
Will translate into English if requested (haven’t yet due to many rhymes and figures of expression)
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