He doesn't burn photographs
He doesn't join therapy sessions
He doesn't smoke too many cigarettes
Nor he drown himself into alcohol
He scratches his wounds daily
And never let them heal
He doesn't try to get rid of the pain
Instead he let it grow on him
He waters the seed of sorrow with his tears
He feeds it with the manure of old memories
He takes it to sleep with him
And nurtures it in himself
Till the moment when every single drop of his blood gets replaced by this pain
Until his fragile heart can bear no more
And his soul starts overflowing with emotions
That's when he dip his pen into this pain
And empty his heart on a piece of paper
He bares his soul for us to feel
He creates poetry that the world would cherish for centuries to come

Her.
reeking of cheap perfume and daddy issues
polyester black cloth elegant, purposeful in its placing
“everything is free if you run fast enough”

something was going to **** her anyway
why not let it be something of her own design?

taking a drag of her pernicious cigarette
forcing careful and cultivated opinions
if only to silence the sadist inside

she had already walked in loneliness
full of satin bows and amusement
so it might as have happened now
because everyone always loves you better when you’re dead

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

Once I spoke the language of the flowers,
Once I understood each word the caterpillar said,
Once I smiled in secret at the gossip of the starlings,
And shared a conversation with the housefly
in my bed.
Once I heard and answered all the questions
of the crickets,
And joined the crying of each falling dying
flake of snow,
Once I spoke the language of the flowers. . . .
How did it go?
How did it go?

I am writing these poems
From inside a lion,
And it's rather dark in here.
So please excuse the handwriting
Which may not be too clear.
But this afternoon by the lion's cage
I'm afraid I got too near.
And I'm writing these lines
From inside a lion,
And it's rather dark in here.