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The world is fast and reckless
like a stampede of beasts and
teenage ***.

It constantly reminds me
of my once mobile life,
before atrophy set like plaster
in my bones.

Everyone used to walk
to where they needed to be,
not because the roads were congested,
but because it was so.
It seems that excuse is just not good enough
anymore.

At times I think:
neither am I.

I still walk the streets
and browse the shop-fronts.
It takes me a little longer these days
to read the signs and labels,
the easy mating calls of the merchants
standing under bigger names
and brighter lights.

Nobody courts anymore.
Hands are held far too easily
and intimacy seems to have become
yet another commodity.

I remember my sweetheart
and the years we lived in absences,
sleeping with a lie
in a life of compromise.
Our eyes stared past the darkness of the room,
beyond to something, somewhere,
far from where we found our lives to be.

I remember her well
amongst the ruins of my years.
How desperate were the days
before we met,
exchanging platitudes for company
in our first loveless marriages.

How bitter I was,
bound within ever decreasing circles
of routine and passionless chains.
I exquisitely recall the day
I finally broke from them.

You and I
met over letters,
our eyes scanning and reciting
each other's loneliness
and fear of never finding a place.
The saliva of the stamp
brought us to a closeness
unbounded by geography.

These days,
nobody understands the thrill of a postbox
and the welcome mat
has become nothing more
than a place to wipe the **** from your shoes,
as the day nurse comes to visit,
kicking pizza leaflets
to the edges of the hallway.

There was excitement in the morning,
sleep thinned to prepare
for that slap of paper
and rattle of metal.

Presently my life feels little more
than an emptied school
in the endless weeks of summer;
a sugar paper lantern
left to bleach in the sun.

I lie in wait,
for the times you appear - a phantasm
in my day. A moment reserved
with the assumption you will be sitting there,
ageing with irrefutable brilliance,
in the chair you stubbornly frequented
ever since our retirement.

I’ll take the hit that comes with it.
I’ll accept the come-down
when I enter the room
and you are not there,
if it permits me a moment of belonging.

The air is cancerous
with the noises of the streets.
We used to stop and listen
to the busker by the bridge,
always pleading upon bended knee
for someone to validate his melody
and make his callouses worthwhile.

Now, I live on in near-silence.
It has been weeks since I spoke to someone
who did not rush me through my sentences.
I am trying to learn the patterns of today,
a way to bow my sad head
and pay up for my goods
in the blink of an eye,
in a way to defy that I am old and slow.

I avoid home mostly
and instead, I walk through
the same route each day,
hoping for a friend
or else never to be noticed.
Hunger will eventually deliver me,
confused at our door.

I turn the television on quickly
to **** the silence that forms
in the spaces you would have spoken in.

On the rare occasions
that I talk to someone,
my eyes blur with inexplicable tears,
a kind of tension grips me,
as if I have missed the last step on the stairs.

I swallow panic
like all of those pills that never work,
instead fogging my mind,
distorting all anchors
to a meaningful life.

The television shouts at me
across the room, patronising like
the cold-callers and politicians.
Everything seems to be an advert
and the news is getting uglier.
Sometimes I turn on the radio,
to give my eyes a rest,
but music isn’t music anymore.

We  never wasted our moments on kids,
but I have grown soft in old age,
and perhaps I would like
to have the comfort of your features
blurred with mine, bestowed upon
our trial-and-error attempt at a legacy.

The money will dry up.
I have started smoking again.
Though I still smoke on the doorstep,
because I know you never liked the smell.
These are just the thoughts of an old man,
some doctored flicker show
Where I can cut out all of the ugliness,
and leave just us.
This is a revised edition of an earlier piece:
http://hellopoetry.com/poem/402353/the-thoughts-of-an-old-man/

The words are mostly the same, but I cut out some of the waffle and tidied it up a little bit. Or made it worse. I guess you never know!

c
I spent my time tying pink ribbons to my words hoping somebody would untether them.
Hoping someone would listen to my cherry flavored cough syrup poems.
I wandered around thinking up the type of person who might love me;
gentle, caring, soft and quiet.

Then you came along.

And you could undo any knot imaginable if you were given enough time.
You hated cherry flavored cough syrup and you didn’t understand poetry.
You spoke so fast sometimes I wondered if you even knew what you meant.
But you always listened to my rambles as if I were telling you the cure for cancer.

I went about my days wondering how I could have overlooked someone such as yourself.
It only took me twenty minutes to decide I only wanted you to listen to me talk.
I could taste vanilla on your lips and I wasn’t even kissing you.
I laid on my bedroom floor for hours on end wondering how it might feel to love someone like you.

I fell in love with you on March 10, 2013 when you laced my left skate.
You had a laugh like an early morning songbird; a benevolent smile as if it were always spring.
You kept talking nervously about your hands until I held them and you went silent.
This was the first day I ever thought about kissing you. From then on, I haven’t stopped.

You haven’t stopped knocking the wind out of me since.

You touched my thigh underneath the table and I think I knew then that I was done for.
We kissed on the ferris wheel and you tasted like vanilla wafers.
I think your name is stuck on the roof of my mouth because I haven’t shut up about you since.
(I hope it always stays there.)

You’re like the first warm days of spring after a harsh winter.
You’re so alive and it’s refreshing for me; who forgot what air tasted like.
I want to plant a garden in your heart and watch it grow peacefully.
I want to tangle myself within your vines; wrap myself within your liveliness.

But no matter how ardently I loved you, it was never enough.
There was always a misapprehension with us, a broken line, a word that threw off the entire poem.
I am not afraid of many things, but losing you frightened me to the point of madness.
I didn’t mean to shut the door in your face, I really wanted you to stay. I truly did.

You hated when I said maybe so I started saying it to every yes or no question you asked.
It was the little things that changed; you said my name like it was rotting in your mouth.
Our last kiss tasted like rubbing alcohol and I wanted to kiss you again just to remove the flavor.
I wonder what went was going through your head while I was breaking. (Where’s the glue?)

How little you notice when someone is here; how much you notice when their absence approaches.
The freckle on your right wrist, the quiet way you read a book, how you talk to yourself when you’re nervous.
You touched my hair like my mother did, but you left a deeper scar than my father ever could.
No slamming doors, just a quiet magic trick that left me wondering if you were ever here.

I didn’t want to show up on your doorstep years later in tears because I forgot to tell you... you’re breathtaking.
I forgot to tell you, the stars detonate because they’re trying to imitate your eyes when you laugh.
I forgot to tell you, your touch could heal an open wound in under thirteen seconds.
But it’s been a year and I still haven’t explained how afraid I am to love you.

We met again and your voice was deeper and your eyes were colder.
You still laughed at my jokes but it was quiet and aloof.
Is that the way she likes you best? Vague and jejune?
I never wanted to treat you like a poem; never wanted red ink to touch your stanzas.

Given the chance, I would love you all over again- and right this time.
I would catch your hair glistening in the sunlight and tell you, “you’re wondrous.”
I have spent a good portion of forever writing you into poetry.
I cannot apologize for not letting go, you’ve always been home.

Love me or not, you’ll always have arms to hold you, ears to listen to you babble, lips to kiss you foolishly.
Carry on, carry on, you’ve never been any less than extraordinary to me.
I can feel how alive you are, you’re more human than I will ever be.
(I love you only always.)
 Oct 2014 jennifer wayland
Akemi
I can taste your bones in my mouth
decadent, exhausted

you peeled my skin back
and watched me burn brighter than the skyline on fire
pierced reds pulsing pitch

I left the morning with my head on your pavement
staring into nothing
2:32am, October 29th 2014

Meandering endless in half-conscious existence.
You may not have been birthed in the soil,
and granted,
you will not blossom
when spring melts winters wake
but inside of you
grows a thousand gardens
full of exploding stars.
You are of the earth
and your ashes
have been constructed with stardust,
and set free with the wind.
So you may not have a pretty face,
and your body may hold stories
of too many moonless nights alone.
But if you reach inside,
you will find a forest
for a ribcage
and a restless ocean heart.
So don't ever let anyone tell you
you are nothing.
You are a galaxy
holding a million different planets,
and my dear,
that is not nothing.
the smell of old alcohol lingers on my sheets, less potent that of your cologne but it still brings back memories of 2. your face is all i can see in this swirling whirling darkness. 3. i swear i can still feel your hands wrapped around my waist holding me together but they are not there. the only thing you have a grip on now is my 4. heart, beating louder than a runaway train because of cloudy memories of your 5. taste overcoming me. you were so sweet, all that was left in your absence was the melancholy taste of loneliness
i never knew love could be so ironic
far
~~~


do not go
far

past pale
mountains
where
shadows lurk

for you
have further
to go
you have more
time
you have more
work

all
have bones
with
cracks and
poison
shards

dying is
easy
grief work
is
HARD

we
press
our faces
to the
rotting
glass

and
only hope
and
wonder if
this too
shall pass

is the
boulder's press
on the
shoulder blade

better
than clotted
earth
from
spades
~?~

but tho
the world
be a
gloss
and
painted black

the
colors
still
GLOW

benieth
shellac

take
the knife
you'd use
in vain
to

faint

scratch
the surface
PEEL
the
PAINT

there's
a
RAINBOW
beneath
dark rust

you can find it
in
lunar
dust

finally
through
all the
shifting sands
of years

you'll find
it was
reflecting

through

your

TEARS




soulsurvivor


~~~­
For all those who grieve.

Though life seems to have
Lost its colors
It is the very waters of grief
That become

PRISMS
you should’ve never unpacked your bags,
because it gave me this expectation that you were in this for the long run. i’m still running. i have swallowed so much blood that tastes like your regret from biting down my tongue to cage it behind my teeth from screaming about you to a world that wants my blood for ink.
i am more than a number, but 24 makes me feel better than 26, so i sit in jeans that leave red marks on my hips and make it hard to breathe, but see it’s two inches and
i am more than a number, but i know every test score i ever got and still remember fourth grade and question three and crying because suddenly my mistakes had weight and i couldn’t fix things by saying sorry and
i am more than a number, but i was always the middle child, always the not-quite one, not the best friend to anyone, just a girl with kind eyes and jeans that are a little bit too tight and
i am more than a number but to you i am seventeen, ten and three. and lets be clear; it’s the three that haunts me, because *** doesn’t matter and ‘girlfriend’ is just a label, but i wish i was the first girl you truly loved, and sometimes i still wish i was the last, but with you i fear i’ll forever be just another number.
i drove over 17 bridges the other day and next week i'll do it again and i think nobody gets what that means except maybe you.
i just tell them i love the scenery, that somebody must've made these trees blush just for me.
you know how i love to change the subject?
i bet they'd love the view. i bet you would too.
and all these metaphors for other things are beside the point.
this is a metaphor for why i don't wear my seatbelt, a metaphor for why whiskey knows me better than you could ever try to.
all the buildings seemed to sag yesterday and all the stars are doing that cliche thing where they talk quiet jet noise and some lumbering giant made everything shake.
not those hand metaphors, not another one of those & keep the sea to yourself,
i think it was a train, it's sound hugged the embankment for a moment and then trailed off into nowhere,
and that's kind of like me
how there's a town called 'rescue' close to my home and it's no coincidence that i've never been there.
i’m just flatlining now and hoping that you can look at the next girl the way i looked at you.
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