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 Jul 2014 Haruka
Lunar
beware when you fall in love
with an artist
be it a painter, a singer, or poet

for the artist will
paint you
with strokes and hues
in shapes of every kind

sing about you
with heartbreak lyrics
and feelings which rhyme

write about you
with the simplest words
and a secret message she wants to say

beware of the artist,
and her love
one wrong move
and you're an artwork in her display
 Jul 2014 Haruka
circus clown
some days i'm depressed because i don't understand myself.
i don't get why i wake up angry most mornings, or why the world around me feels so loud when i don't even get out of bed.
some days i wonder why your absence makes me want to *****, when i'm not sure i even miss you.
i'm trying to find the connection between the two.

there's this moment, every morning at about 8:30 when i'm smoking my first cigarette of the day, when i feel every cell in my body collapse and rearrange in strange ways i don't understand just at the sight of a patio chair that you could be sitting in.
there's this single sigh of desperation when i almost wish you were out of jail so you'd call me over to make love with such incredible intimacy and passion, then forget to follow through again.
you haven't done that in a while, i think you meant it the last time you said you didn't want me and you never have.
i still think you'd like me better if i were still in your bed.
i think i'd like me better, too.
 Jul 2014 Haruka
Tom Leveille
so i get this idea sometimes
that you enjoy being coy
when it comes to me
to conjure momentary spectacle
& make me wonder
if you paint catharsis
on the doors of a home
you've never lived in
as a memory of our first night together
because i do, i remember you
beaming white on blue
speaking softer than any storm
i ever knew, i often think that maybe
you live that night in your mind
when your pillow is cold
& you can't sleep, it makes me wonder
if you do as i do, and rewrite three years fictionally beginning with a kiss somewhere
maybe a balcony or a quiet car
on the sand or in a sunlit grove close to your home but always a familiar scar on the maps we know we know by heart
i wonder if sometimes
the idea of me loving you is too real
and if it teems under your tongue
to stay observant but distantly intrigued
if by this distance you think it safe
to get a dog and pass time
on the couch with a journal & some wine
what i really wanna know is if your fingernails ever wish to have my skin under them
or if they would boast
about winning a war with my headboard
i wonder if you can imagine me
meeting your parents in your apartment & shaking your fathers hand
as a first of many calloused palm readings
and if you know that i trembled before them
how insignificant i had felt
to not know their daughter
in the way i had envisioned
how i picture such poignant moments
so tangibly sharp that sometimes
i replace  my memories with little stories
i tell myself that i can't count on two hands
the number of times i've seen you
& that i don't feel like a crater
when i recollect our collisions
i want to know if you still find madness
in the words that have always been about you
i wanna know if your imagination of me
looks more like an anniversary or an obituary
 Jul 2014 Haruka
circus clown
when i feel i'm lost,
i look for you
instead of
myself.

maybe that's my problem.
 Jul 2014 Haruka
Liam
Dust in Dreams
 Jul 2014 Haruka
Liam
a sincere wish that, as each morning breaks, we mend
...a ten word bedtime story...
 Jul 2014 Haruka
Amy Perry
How do we divide up
The Christmas ornaments?
When they are all
Celebrating our marriage?
When they are all
"The start of our yearly
Ornament collection,"
We thought would fill
An entire tree one year,
Years from now,
When our love would only grow.
How do we divide up
The Christmas ornaments?
When they are all
Symbols of unity?
When they are all
Carefully chosen,
Unlike our love,
Which was blind
And taken with no other consideration.
How do we divide up
The Christmas ornaments?
Who is supposed to hold onto
These memories?
Who is supposed to dispose of them
When their memories are irrelevant?
And when the small collection
Becomes too cumbersome to hold onto?
How do we divide up
The Christmas ornaments?
 Jul 2014 Haruka
tc
cold
 Jul 2014 Haruka
tc
blue is the coldest colour;
wrap me up in a room of white
and colour me in blue

paint me
&
smear me
all over the walls
until no more white can seep through
 Jul 2014 Haruka
Sylvia Plath
Tulips
 Jul 2014 Haruka
Sylvia Plath
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
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