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 Nov 2015 E Townsend
Marlo
I know it, I’m a new kind of evil.
21st century devil.
Manipulative and romantic.
Fall in love with me, I’m irresistible.
You can’t help it, darling, trust me.
Try to hurt me, I’ll come back harder.
Baby, I’m invincible.
I’m every fear in your imagination,
Coming out to play.
I’m not scared of anything,
I’ll win the game…
You’ll find yourself glued to me,
Despite the rage-filled horror I lay upon your
Fragile little life.
I know it, I’m THE 21st century devil.
You’re aware I’m evil,
But you can’t stay away.
. *** .
 Nov 2015 E Townsend
Aya Domingo
I used to be delighted around fire.
Blowing out candy-colored candles,
On carefully crafted cakes,
And I watched as year by year they increased.

I used to be fascinated by fire.
Eyes as bright as the flames I glared at,
Sat in my parents’ bathroom, with my parents’ lighter.
Burning pieces of tissue until the paper was nearly consumed.

I used to be afraid of fire.
Sparks danced and leapt beside our home,
Turning grass into ash, flowers into embers.
3 in the morning could’ve ended up in mourning

I used to be on fire.
Passionate and determined for all the wrong reasons,
And the world doused me in its cold, unforgiving water,
Too damp to light, too late to recover.

I was drawn to temptation like a moth to the flame,
But the fire only singed my wings,
And though the flames made me feel pain,
At least I was feeling something.

I was a charred and hopeless pile of nothing,
Smoke slowly rising from the blaze I could’ve been,
Ashes as dark and blackened as my heart,
Abandoned and pitiful like a used campfire in the woods.

Then I heard the scratch of a match,
The rubbing of rocks,
The scraping of sticks,
And then the crackle of a new and growing fire.

Someone had set me ablaze once again.
Fanning my flames even though He was scorching his fingers,
Made sure I was flourishing, made sure I never went out,
Until I grew bigger and brighter than I had ever been.

I am on fire once again, but only for the One who lit my flames,
Glowing and burning for His glory.
Hoping that one day my embers would spread far and wide enough.
To be able enough to ignite for Him, someone else’s ashes.
My piece for our Projects and Presentations class. I had to make a spoken word poem on the story of my life.
 Nov 2015 E Townsend
Sam Ciel
Two brown stars alight with fire fill my heart
with wanderlust. I'm aching to explore
the cosmos she creates within her art,
Galaxies expanding evermore.

Autumnal tones reside upon her pate
And winter's temperance somewhere in her gaze
With summer's passion lurking in her gait,
Spring's abundance in her creative ways.

The seasons below join the stars above:
A marriage of both mortal and divine.
Exploring and chronicling new love
Amidst these cartographic words of mine.

And if, by grace, my journey isn't  bare
The borders of my heart shan't keep her there.
The expression head over heels doesn't quite do it. Odds are she won't find this and if she does, well, she already knows I'm a romantic.
Sapphire drops of moonlight bounced off her umbrella and a cool, smoky mist escaped her crimson lips every once and so often.There she stood alone, on a loud, bright and miserable winters’ night. Pensively gazing over the glistening city streets before her.

Echoes of light gleamed from the windows of bars and cafes. Reflections of lover’s kisses melted in a cold November rain. Live music, laughter, conversation! O what a cheerful sight is the city at night, for all but one this evening.

Such striking acts of delight and love did nothing but depress her.

This loner longs to stand with the pack and live her life, instead of merely existing. She is the Steppenwolf of her time. Unwanted and alone. And much like the original Steppenwolf, she gives and cares for others very much like family. Alas, despite her best efforts, she could never fit in.

And perhaps, never will.
The one who follows the crowd, will usually get no further than the crowd. The one who walks alone, is likely to find himself in places no one has ever been.

-Albert Einstein
 Nov 2015 E Townsend
Sydney Queen
I miss you in the mornings
when you teach the foxes to dance,
barefoot and all a trick of the light.
You are peculiar,
though all the best things are.
We may not break the bone,
but we do drink the marrow.
Yes, you say.
Wait for me, if nothing else.
Yes,
though I see how it pains you to admit it,
to spit it, to rip it out,
in spite of it being true.
You, whose only weapon is a shield.
You, who are free.
It is easy to forget
that Dionysus was the god of chaos,
too,
and that theres a bit of him in all of us.
We don't have to move the mountain.
We can live in the caves
and learn to be less real than we are.
We say new things in an old language.
The enemy ships land,
and we join them on the beach,
spinning round their fires,
singing war songs to each other's reaching hands.
How strange to be a part of something
and still be your own.
do i ever not reference greek mythology.
 Nov 2015 E Townsend
Conrad Aiken
I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain **** and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:
This is the moonlit night that will never die.
Through the grey streets our memories retain
Let us go back again.

II.

Mist goes up from the river to dim the stars,
The river is black and cold; so let us dance
To flare of horns, and clang of cymbals and drums;
And strew the glimmering floor with roses,
And remember, while the rich music yawns and closes,
With a luxury of pain, how silence comes.
Yes, we loved each other, long ago;
We moved like wind to a music's ebb and flow.
At a phrase from violins you closed your eyes,
And smiled, and let me lead you how young we were!
Your hair, upon that music, seemed to stir.
Let us return there, let us return, you and I;
Through changeless streets our memories retain
Let us go back again.

III.

Mist goes up from the rain steeped earth, and clings
Ghostly with lamplight among drenched maple trees.
We walk in silence and see how the lamplight flings
Fans of shadow upon it the music's mournful pleas
Die out behind us, the door is closed at last,
A net of silver silence is softly cast
Over our thought slowly we walk,
Quietly with delicious pause, we talk,
Of foolish trivial things; of life and death,
Time, and forgetfulness, and dust and truth;
Lilacs and youth.
You laugh, I hear the after taken breath,
You darken your eyes and turn away your head
At something I have said
Some intuition that flew too deep,
And struck a plageant chord.
Tonight, tonight you will remember it as you fall asleep,
Your dream will suddenly blossom with sharp delight,
Goodnight! You say.
The leaves of the lilac dip and sway;
The purple spikes of bloom
Nod their sweetness upon us, lift again,
Your white face turns, I am cought with pain
And silence descends, and dripping of dew from eaves,
And jeweled points of leaves.  

IV.

I walk in a pleasure of sorrow along the street
And try to remember you; slow drops patter;
Water upon the lilacs has made them sweet;
I brush them with my sleeve, the cool drops scatter;
And suddenly I laugh and stand and listen
As if another had laughed a gust
Rustles the leaves, the wet spikes glisten;
And it seems as though it were you who had shaken the bough,
And spilled the fragrance I pursue your face again,
It grows more vague and lovely, it eludes me now.
I remember that you are gone, and drown in pain.
Something there was I said to you I recall,
Something just as the music seemed to fall
That made you laugh, and burns me still with pleasure.
What were those words the words like dripping fire?
I remember them now, and in sweet leisure
Rehearse the scene, more exquisite than before,
And you more beautiful, and I more wise.
Lilacs and spring, and night, and your clear eyes,
And you, in white, by the darkness of a door:
These things, like voices weaving to richest music,
Flow and fall in the cool night of my mind,
I pursue your ghost among green leaves that are ghostly,
I pursue you, but cannot find.
And suddenly, with a pang that is sweetest of all,
I become aware that I cannot remember you;
The ghost I knew
Has silently plunged in shadows, shadows that stream and fall.

V.

Let us go in and dance once more
On the dream's glimmering floor,
Beneath the balcony festooned with roses.
Let us go in and dance once more.
The door behind us closes
Against an evening purple with stars and mist.
Let us go in and keep our tryst
With music and white roses, and spin around
In swirls of sound.
Do you forsee me, married and grown old?
And you, who smile about you at this room,
Is it foretold
That you must step from tumult into gloom,
Forget me, love another?
No, you are Cleopatra, fiercely young,
Laughing upon the topmost stair of night;
Roses upon the desert must be flung;
Above us, light by light,
Weaves the delirious darkness, petal fall,
And music breaks in waves on the pillared wall;
And you are Cleopatra, and do not care.
And so, in memory, you will always be
Young and foolish, a thing of dream and mist;
And so, perhaps when all is disillusioned,
And eternal spring returns once more,
Bringing a ghost of lovelier springs remembered,
You will remember me.  

VI.  

Yet when we meet we seem in silence to say,
Pretending serene forgetfulness of our youth,
"Do you remember but then why should you remember!
Do you remember a certain day,
Or evening rather, spring evening long ago,
We talked of death, and love, and time, and truth,
And said such wise things, things that amused us so
How foolish we were, who thought ourselves so wise!"
And then we laugh, with shadows in our eyes.
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