1-hour photo lab: an aged prop:
prompt

One hundred years of solitude: glass city:
yellow be their faithful death:
mikado

She prefers another color
for the bedroom wall:
sarcoline

She's in the spotlight
staged like a warm peach:
Non-Euclidean

'Almost a spy--
looking forward to a bright and wonderful future'
--eternally and everlasting:
amaranth

What do you give the person
who thinks they have it all?
Doubt:
that dull brown stocking to wear on his feet

Long
Has the song
Been in the trees branches
Over hills
Swept sweet in streams
Cascaded upon meadows
Fell to the ears
From heaven
Resounded angelic
Familiar cries in the woods
Depths of all seas
Valleys echoed
No mountain has missed
No lion has roared
Not a man, be he human,
ever ignored,
Perfectly the voices
Signing breezes
Of things
And all that
Can be

read his stuff
https://hellopoetry.com/r-2/

n.b. nowadays I write here only in praise of others,
as the rewards are far greater than any of the meager
stuff I got  laying around.

a poem for his summer soul-stice
<>


self-confessed to the priest, we us, both, meeting
in the confess-******, wee needy for a solid projectile
purging, me, cause, I’m a plagiarist of inspiration

**** it every time a ce r tain poet writes,
its a sock to my multi faceted square sided~head,
discoloring my eye shadow, my maskara crazy running,
frustration, admiration, mortar and pestle pounded

into a white powder of unadulterated adultery with a
frothy topping of a jealousy muse laughing face, at me,
cappuccino made from bitter herbs and pink sea salt.

in eight lines the man accomplishes
what would take me eight, eight full
poems, even then, not coming close

still failing to retake his brevity skills,
his summer solstice way of seeing,
by keeping the dark away,
by inviting the dark in,
making it under duress,
spill the beans of his life’s
ironies, some hellish,
some not, all well kept,
in Georgia granite stoney face.

the softest steeling of words that irritates
me into a fine frenzy... what’s the use,
point made, in how he undresses
the eyes
into just outright gasping,

and that is the only
permissible comment emoji.


______

r

Her verse
I need to taste the salt
of her soliloquy
be drunk on the sobriety
of her verse
those words she writes
behind my eyelids
makes me want
to crawl inside her skin
and listen to her heartbeat.

long after you’ve logged off,
the screen, now, just room temperature,
no longer warming plate hot, a good feeling lingers,
the glowing, slowing remains of our days first visitation,
reducing to a single dot, fading gunshot message, but unstated:

”I was here, but moved on,
I am your first, yet you, are not mine...”

the Dylanesque mystique, mystifying, mind-burring,
in the air hanging, those words sticky stuck in your craw,
ear worm ya, until, you utter rush, desperate to return,
shoot, what was that poem, its title, the author, ****,
on what-was-that-poetry-site’s-name?

Hello Poetry! and now it’s too late, you’re not entranced,
no darling, you’re entrapped, fly glued to my sticky heart,
you, served raw, with the hook, line and sinker still attached,
you, my friend, are now my poet ******, my belonging, for
fourscore and evermore there is no cure, no cutoff, no resisting.
fresh meat for the poets beat, and you still have not even tasted
the salt water words, the rhymes that will tie up, and prolapse
your heart ******* in the love poems, ha, so when they ask what’s
the name of your new friend, the one that you are keeping so secret, tell them, shyly, bravely, whispering outstandingly, upright, shouting forthrightly: it’s me, Brandy Channing, and your soul is now mine to keep...for as long as deemed necessary to extract my ****** poems essence, so be my parasite and I will be you mistress, the mutual infection meaning but one thing! we, you and I, will live always apart, always together, yes darling, be distressed, you’re oh so blessed now, and
f o r e v e r....but tattoo these words upon your bicep lest one forget,


I am your first, you, are not mine

them creaky noises:

many
years ago wrote of meandering this old house,
in the creaky hours of-should-be-sleeping,
listening to the varietals of noises old houses speaking,
how the floorboards talk among themselves when
no human about to trod them, to elicit their groaning,
solicit their tales of who, when and memorizing the ending,
where.

nowadays
I wander same as before, same house, same wee hours,
no direction home, as I am technically “at home,” but still
directionless, still crazy after all these years, but that’s not
the only still, still left unheard, now new creaks demand a
hearing.

the house
still talks to me in its language peculiar, but now,
my body, of its own free will, in its poetry of groans in bones,
creaking, two dialects of getting old, always being cold,
sleeping with your socks on, your twisty back named Jack,
who hijacked your invincible good health and getting up is a
hysterical funny musical of snap, crackle and pop, coming from
places inside your body, that supposedly don’t posses the skill of
speech.

nowadays,
kept awake by a united nations assembly of them creaky noises,
whirring motors turning me and things on and off all night, what
a racket, only early dawn calls them to order, to quiet down please,
everybody shush, the old house and it’s content, an old poet, needing
some winks cause soon enough the sun and the fog will arrive to
commandeer his overnight recollections, write them up, & write them
down, still crazy.



like the one about them creaky-sounds, coming-from god-knows
where?