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Matthew Jun 2014
I fell in love at a McDonald’s. I expected it to happen in an overpriced cafe or a fancy Italian restaurant, but it happened at a McDonald’s and it was love all the same.

We were on our way back from the beach. We went whale watching but the ocean could have been empty for all the fish we saw. We paid good money for a caricature of the two of us. The graphite image of a happy couple with our faces sat in the back seat of your car. It would be framed and put up. We went into the sea as deeply as we dared and laughed and screamed as the waves came and came and came.

We were driving home with bits of mountains and boulders stuck between our sandaled toes and that’s when you pulled into a McDonald’s.

You ordered a sandwich, 100% real beef, never frozen, and asked me what I wanted. I said I would have the same. 100% real beef. Never frozen. I hate spending time and money on that which can only be consumed. We sat down with our food underneath the fluorescent lights next to a Happy Meal kiosk and I decided that I was in love with you and it was love all the same.
Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the ***** ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day. . .
in ordering our lives, we will discard them,
scrub clean the floorboards of this our home
lest refuse from the lives we did not lead
become, in some strange, frightening way, our own.
And we have plans that will not tolerate
our fears-- a year laid out like rooms
in a new house--the dusty wine glasses
rinsed off, the vases filled, and bookshelves
sagging with heavy winter books.
Seeing the room always as it will be,
we are content to dust and wait.
We will return here from the dark and silent
streets, arms full of books and food,
anxious as we always are in winter,
and looking for the Good Life we have made.

I see myself then: tense, solemn,
in high-heeled shoes that pinch,
not basking in the light of goals fulfilled,
but looking back to now and seeing
a lazy, sunburned, sandaled girl
in a bare room, full of promise
and feeling envious.

Now we plan, postponing, pushing our lives forward
into the future--as if, when the room
contains us and all our treasured junk
we will have filled whatever gap it is
that makes us wander, discontented
from ourselves.

The room will not change:
a rug, or armchair, or new coat of paint
won't make much difference;
our eyes are fickle
but we remain the same beneath our suntans,
pale, frightened,
dreaming ourselves backward and forward in time,
dreaming our dreaming selves.

I look forward and see myself looking back.
Joy
I am wild, I will sing to the trees,
I will sing to the stars in the sky,
I love, I am loved, he is mine,
Now at last I can die!

I am sandaled with wind and with flame,
I have heart-fire and singing to give,
I can tread on the grass or the stars,
Now at last I can live!
Mike Essig Apr 2015
Sandaled feet
fleeing into darkness
beneath the breached
and burning
walls of Troy.

That is what I fear
when you walk away
from me.
Ramonez Ramirez May 2011
Sharon was picking at the scab over the mole on the back of her neck
where the hairdresser had shaved too close to the skin:
Water under the bridge, she thought, and licked at her salty fingertips.

By focusing on the sound of her new high heels over the metal steps,
she blocked out twisted traffic audio below;
the wind whistled a tune through the rust over her painted toenails.

She liked the way some of the pedestrians down there looked up at her.
Sharon felt so elegant when the wind lifted her skirt,
just like Marilyn Monroe in that picture, except that Sharon didn’t smile;

her skirt had been lifted up more times than she could (or wanted to) remember.
He always looked down at her. There. Below.
Sharon flicked her new purse into the wind, and ripped off the matching blouse.

The Samurai sword, tight between her *******, felt hot and cold at the same time,
like the red of her peach blossom skirt glistening white against midday sun;
memories of her only child freeze-burned the empty love caverns in her heart.

A river of emotions rippled through her body but she didn’t utter a sound;
that was reserved for the impact with the oncoming bus,
and the tip of the sword that ripped through the driver’s leather-sandaled heart.
Terry Collett Dec 2012
Along the lane
towards Diddling
you stopped

and looked
at the church
on the horizon

between
the hedgerows
beneath

the blue
and white
clouded sky

Jane
stood next to you
her hand

holding yours
the softness
of her skin

against yours
her dark hair
tied

by a green ribbon
one of my favourite sights
she said

the church
becoming
more visible

the closer you get
her voice disturbed
birdsong

from the hedgerows
a blue ***
took flight

the flutter
of small wings
we never had hedgerows

in London
you said
no blue *** birds

no wide fields
or Downs
just streets

and houses
and pavement
and grass

around our flats
where pigeons
or sparrows

settled
for thrown out
bread

from windows above
Jane gazed at you
her dark eyes

focusing
I’d hate that
she said

I love my countryside
and fields
and birds

and open sky
she sniffed
the air

and you walked on
along the lane
she pointed out

wildflowers
and hedgerow plants
and talked

of the farmhand
who died
when his tractor

turned over
in a field
and the first time

she remembered
visiting
the small church

and her father
holding her high
above his head

so she could see
the expanse
of the Downs

and you listened
to her words
the language

holding you
and drawing you in
her lips opening

and closing
her summer dress
moving

as she walked
her sandaled feet
treading the lane

you wanted
to captured it all
to recall it

years later
all over
again.
Christos Rigakos Apr 2014
She strolled along the narrow pathway through
the park.  Her soft skirt flitting  in the breeze,
her long legs smooth and pampered, sandaled feet
took mellow steps under the Springtime sun.

She caught the eye of Fred, who from his book
rose up bespectacled and drank the scene
of one young beauty carried by the breeze,
and thanked the Lord for all His wondrous things.

She noticed that he noticed and she sneered,
disdainfully and crushed him with the lids
of scornful eyes that closed upon his face,
and cursed the womb that birthed this pervert live.

She caught the eye of Tom, whose magazine
dropped to the bench from fingers preening hair,
his lion's gaze devouring this gazelle,
and she took notice of his notice there.

She threw back hair and turned to meet his gaze
with sideways glance, a wink, and half pursed lips,
amazed a stroll from bench to bench could find
a pervert and a stud so side by side.

Both men came to the park to sit and read,
and read indeed, then both, like men, did do
what men so do, and neither differed there,
yet one was deemed a pervert, one a stud.

(C)2014, Christos Rigakos
Blank verse
Marshal Gebbie Jul 2014
The sanguine shades of India
Flow in mantras through my mind
In hashish tones sienna brown
To ochre greens, I find.
The soaring slopes of massif peak
And roaring waterfall
Lead to tranquil rhododendron glades
Capped in scarlet, I recall.

The clamour of the market place
The grimy squalor found
In the gutters on the roadway
With a constant wall of sound,
In the bartering for spices, red
In wicker baskets wide
With the stench of open sewer
Causing queasiness inside.

Dustiness of sandaled feet
Robes of saffron gold
And the gleaming glow of polished bronze
To purchase, should  you hold.
Patterned carpets lay displayed
In jute and woollen blend
Whilst ancient hands on simple loom
Weave more for you to spend.

Ullulation in the air
As turbaned dancers spin
To shrilling ethnic instrument
With drumbeat adding din.
Wild eyed watchers flashing teeth
As rhythms beat the air
Encircled by a chanting crowd
With temperament at flair.

Thronging people fill the lanes
Churning on their way
Interspersed with sacred cow
Meandering to hay.
Children flock with outstretched palm
Surging as they do
Insistently to foreign purse
In urgency that grew.

The sea of dark skinned faces
Mid flashing whites of eyes
An intensity of gaze that takes
You jarringly by surprise
And everywhere the pungency
Of the continent in the air
With the spicey taste of curry
And a chutneyed rice as fare.

But in speaking to the people
I found their manner warm
And their love for caste and custom
And their cricket team was worn
Like a flag around the shoulders,
Like a talisman, so proud,
And their love for home and family
Reiterated, long and loud.

Overhead, the baking heat
Occasionally relieved
By a downpour of monsoonal rain
Must be seen to be believed.
And the total inundation
Of believers on the stair
Of the teeming seeking holiness
In the river Ganges there.

And then as quickly as I came here
It became the time to leave
And the wonders of diversity
Were beyond what I believed.
What was once a frank abhorrence
Grew surreptitiously on me
The splendours of this mystic place
Well deserve their sanctity.

Now far across the oceans
In my safe and sterile land
I am drawn to stare to seaward
To recall my thoughts at hand,
Out across the sprawling delta
Gazing far to sunset sea,
That special taste of India
Flows irrevocably, back to me.

Marshalg
13 July 2014
Sam Temple Sep 2014
stolen verses blanket the floor space
encircled by the inspiration of others
tastelessly faceless
pests controls fail
as the numbers overwhelm
everyone thinks there are special
and the selfies are there to prove it
zit faced miscreants misrepresent mankind
in asexual fodder and anthropomorphic
suburban camo
turban wearing wash-outs
hold court over newbies
attempting to sew again
hippy seeds
their stench, deafening –
sandaled dirt clods
scamper
seeking selfishly surrogates
someone to birth their ideas
raise and tend the dreams
fund the movement
all the while recognizing the futility  
feverishly fapping the frail phallus
frequently finding foolish ****-tards
flipped in their folly –
******* the finale
freakish frogs filibuster
night creeps in as the soft sound of mating toads
fill the air
stars dot the moonless night
complete in its absence of clouds
only the wash of the milky way
holds hearts –
pandering to the philanthropist
looking longingly in giving eyes
for a scrap of dignity
and bread –
Alys Jun 2010
In sandaled feet we stroll beside the hedgerow
And Satan’s nettle bites with wicked teeth;
But doctor leaf is growing in abundance:
Open all hours to provide relief.

For God created all things bright and wondrous
And took his rest upon the seventh day;
Then evil set to work with Mother Nature
And led the birds and beasts and bugs astray.

The owl and hawk prey upon helpless creatures:
Vole, shrew and rabbit are their daily bread;
While fox sneaks up and steals the farmer’s poultry
And banquets when the farmer’s in his bed.

Way up above our heads in lofty tree tops
A greater crime’s committed than the rest:
The infant cuckoo murders all his siblings,
By pushing eggs and fledglings from the nest.

Survival of the fittest is important
In order for a species to survive;
If only dodos had been more aggressive-
Then those peculiar birds might be alive.
Geno Cattouse Jun 2014
A single blade of grass pushes out of craggy block of stone next to my sandaled right foot one seed of defiance from a dusty crag....suckled on midnight mist. Blood in the ragged stone from dying warriors holding. Holding ground from the battlements girds the will of the solitary sprig...by my sandaled foot sprung from the ragged stone.
Suckled on the erie somber midnight fog bolstered by dying blood the warriors blood runs down the ragged walls of the battlements high.
High on the walls, I scan north to south from aloft from the fateful walls of the Keep.
Dying.
Is
The
Order of the day....the single sprig will witness all from the craggy wall  and men will fall by the score from grace. From breath and senses. From the cursed battlements to perdition.

Souls submissions to bloodlust and material gain.
Will soak the stolid stone and wash to earth to mingle spirit and blood with mother earth. And the grass will grow  unfettered from ground. As the killing season
Moves on.
Terry Collett Jul 2012
Hers was a life of compliance.
Fulfilment of another’s wishes,
observance of another’s needs,
conformity to the rules set down
in stone. She was the rubber of
beads through fingers, touched
by thumbs; the beads of the rosary
would be sealed by prayers.

She was the self denier, who put
herself last, one who sacrificed
pleasures for a promised salvation,
whose menstruations were reminders
of babies that would never be,
children which would never be hers,
dugs that would never be ******.  

She carried the cross through cloisters,
sandaled feet trod the paved paths,
heard birdsong, saw butterflies in flight,
moths at night in the candle’s flame,
she hidden away, unknown, no fame
with a saint’s name. And each morning
rising with the bell, kissed by the early
dawn, touched by the chill of early frost,
she lived and moved, all for love of Christ.
Jabin Aug 2018
Painted a masterpiece
In my dreams:
A Chilean villa.
Cactus streams.
A flower composed,
Wilted with time
With muted colors,
Tequila with lime.
Fields of desert
With tuxtla soaring.
Winding paths of
Wood and brick flooring.
A cool wind blows
Through the heat
Over sweaty brows
And sandaled feet.
A moment trapped
That’s never been.
A life of others
Never seen.
Put away my brushes,
Stood back to admire
The deep ocean sky,
The burnt orange fire.
It lay on the table,
Alive on the canvas
When waking did cause
My hard work to vanish.
In memory only
And never shown
Forever discarded
Once beautifully known.
My studio of mind
So often produces
A wonderful concept
With no practical uses.
I’d like to live there
And run those streets,
Take shade under awnings
Sampling savory meats.
But I’ll never go there,
Never see that place.
Never plant in soil
That’s been erased.
That marvelous day
Conceived at night
Keeps the dreaming
Forever alight.
Brandon Sep 2011
Standing on the Santa Monica Pier
Ocean swells like a fiery dragon
Beneath rotting wood and sandaled feet
Crab walks and beach *** sunrise
Caught the devil in the blink of an eye
Grown tangled in poison ivy lies
The sun sets in the horizon
And we talked pretty words of misery
Ellis Reyes Oct 2015
Gethsemane
Butterflies, fawns, the quiet trickle of a nearby stream.
Apostles argue.
Again
Some want pizza
Others teriyaki
A few want pastrami from Moshe's Deli in Nazareth

"Brothers. Time is short," said Jesus quietly,
"Let us not argue. I have brought a potato. Let us share."

The Apostles look at each other in dismay.
A potato?
What is this another f*cking parable?
They were hungry and impatient.

"Look JC," said Simon
"You're the Messiah and all, but we were hoping for something a little
more substantial."

"I bid you peace, Brother," said Jesus, covering the potato with a plain cloth.

He began the customary blessing for this type of food.
The Apostles bowed their heads respectfully.
One by one they closed their eyes in prayer
Sanctifying the simple meal that was before them.

Minutes passed
Stomachs growled
Apostles began to fidget.

Without warning Jesus shouted,
"Chabada Kedavra,"
and lifted the cloth, revealing a whole roasted chicken beneath.

The Apostles clapped their hands in delight at Jesus' latest miracle.
"Faith feeds us in many ways," said Jesus.
"Amen," said the Apostles in unison....

Completely missing
The KFC bag

That Jesus was sliding
under the table
with his sandaled foot.
Terry Collett Aug 2013
Nima splashed water from one
of the fountains in Trafalgar Square
over Baruch. Laughing she did
it again, but he side-stepped, like

one out of rain, hands wide as if
to bless. He'd met her a few moments
before; by Nelson's Column, she’d
written from her hospital bed, drug

taking recovering (so said), cold
turkey or whatever she'd scribed.
Finishing the ablutions, she walked
on, he followed, stepping beside

her, catching her in profile, taking
in her cropped hair, brown, washed
and washed. She talked of the nursing
staff, who talked of her behind her

back, some at least, she added, chat
of the *** cupboard we used, that
time you came, she said, laughing,
walking out of the Square, along by

the gallery, her voice too loud, he
thought, but sounded out by the
traffic passing. She was clothed in
a blue dress, too short, he thought,

seeing her thighs, sans stockings or
tights, sandaled feet. They went into
Leicester Square, she talking of one
of the quacks she'd seen, head case,

foreign, fancies himself, she added.
Baruch, spied the billboards, new
films, merchandise, drinks, cigarettes,
lowering his eyes, watching her sway

her hips and ****, hands swinging,
gesturing.  She stopped by a bench
and sat down, he did likewise, ears
catching her words, holding them in

his mind, something about them being
jealous of my sexuality she added,
giving Baruch the eye, maybe thinking
me a *****, a druggie slapper, she

said laughing, her hand rubbing against
the top of his, he sensing skin on skin,
remembering, the quickie in the side
room, cupboard size, just off the ward.

He talked of his boring job, the mind
numbing labours, the Coltrane jazz LP,
played on and on, he said, eyes closed.
She lay her head on his shoulder, he felt,

smelt the combination of expensive scent
and hospital smell (soaps or disinfectants),
felt her fingers rubbing his. She took out
a cigarette, offered him one, he took and

she lit up with red plastic lighter. Inhaled,
exhaled, inhaled, silence, her hand wrestled
with his, watching smoke rise, upwards,
twirling, in the hot summer spread skies.
Josh Jul 2014
Hold me in place
from the ocean
nothing but
a face with legs,
small sandaled feet
I am heavy
with hopes and
water and bones
serpentinium Jul 2018
i. there’s a girl. narrow-*****, wild hair like a lion’s mane, sprawled underneath the shade of a looming fig tree. her teeth are all that’s sharp about her. soft curves, soft lips, a soft paradox in the Garden. in this lost land, there she is, subtle and tinged with the same stardust you once believed could save us all.

angelic, you’d call her, if she looked more grotesque. more like the cherubim of ol’, dressed in flames, impaled on swords, screeching the name “hosanna, hosanna” without mouths. but there are no wings, no heavenly trumpets, just the afterimage of divinity– something laced with hope, but already rotting. she spits out seven seeds and you don’t know if this is a land of God or gods anymore.

ii. she smiles and it feels like death.

you are unable to solve the riddle sprung from the lion’s ribcage– but the roof of your mouth tastes like honey and blood and you don’t mind. there’s no linearity, no familiar whine of a donkey, nor the sound of sand against gravel or sandaled feet marred by sunburns and blisters.

there is simply you and her and an eternity of possibilities that whisper in a forked tongue, “adam, oh adam,” and your heart drops. is this the end? but it tastes so sweet and you are alright to die like this, cradled between what was once in your womb and a creature of scales.

you do not expect the guilt that drips down your chin with each rivulet of juice.

iii. they call it love.
you call it divine absolution.
she calls it the beginning of humanity.
idk sometimes i think about eve like a lot
DomtheCurlyful Sep 2012
Una
Wrapped in your wool
with that will in your eye
She's firm but she's gentle
she loves you it hurts
breakfast eight sharp
then lunch at half-twelve
you come down for your tea
and the Angelus bells

We ran in bare feet over stones
and the thorns
that was cross-country running in
County Clare
I look at them now
sandaled and layered
your walking-frame
smiling in the glare

I can't understand your
need for the news
news is at eight, nine, ten
and eleven
lunchtime news
and more at seven
News at nine before you sleep
a paper a day and the radio beep

I know,
we grow
and you can't remember
if it's me or I'm her
or we're seventeen
You know that's it's raining and
there's war over there
so you hold on to that
but how much do you care?

It's not your fault.
your papery hands clasped
in your little lap
It's too fast
and it spins and it spins
and we are spinning away
I'm trying to hold on
to hold you
I help you up
I sit you down
I can't help with this
I'm sorry gran.
J T Gaut Nov 2013
Blanket troupe called finally finalizing finances
beseeched of asian seas and deformities
begone of witch's seeds
creeds,
and further formalities.

Controlled and sold away,
disney ears and candied shmears of salmon serendipity and forlorn serenity

collapse, perhaps?

can't strap the wrap of boot soles and cannoned poles
of butts and handles throwing sandaled barbarians in their foolish faith
For Empire!
the dire need of those to take and feed and be the god-men to tickle and bleed friends and foe alike,
to nettle the fangs of the good hounds blindly following;
scent dividing love and steeds to carry armies and lone conquerers to their final destinations, permutations of how so many flowers whittle at the broken touch of thunderous life;
of hidden strifes that attack these patient sentinels
their yelps yet signals of defeat so unburly pardoned
Cecilia Kwong Feb 2013
Walking on stone pavement, rainy, swift
some parts smooth, some parts eroded
pebbles at the feet of sandaled soles
umbrellas swipe the view, fogging you

Cars, bikes, children, zooming against
time, and the rush of voices, tones heard
and I lose myself in this wave of
foreign yet such familiar interference

And I find, curled like newborn babes
But wizened, people, like in prayer
head down, on red, white, blue bags
with hands dangling in peace, towards earth

Their hands, aged like leaves in a distant land
cracks down the back, underneath rough cotton
and skin touches skin as I pry yours open
only to find a single coin, crumpled with pressure

My feet falls behind yours, slackened
Your face is filled of golden sand, ready to
burst, and I know that your veins know
no mercy, as they course hopes through labor

At the ground, pitter patter, are the
sounds of your breath and gaze
And I know we are alike, only
difference, decision, the coordinates

Pitter Patter
Raindrops calling out your feelings, louder
than the commotion around us, drenching
the ground, drizzling the man-made
louder
and
*Louder
A moment during a visit to my ethnic hometown. Musings on a rainy day in a city of people and things. There are those who have everything to work and fight for. Also, a self-reflection on how we are technically the same people, but our fates are very different.
Terry Collett Jul 2013
The sun was out strong
and there were ducks
and swans on the water
in the park

and Julie
was there with you
clothed
in her hippy dress

and her hair let loose
and unbrushed
in sandaled feet
beside you

on the park bench
she had her legs
out straight
in front of her

as if she were making sure
they were still there
need a fix
she said

need it
like hell
you took in her eyes
lightless as if someone

had switched off
the bulbs in the rooms
of her head
can’t they give you stuff

back at the hospital?
you asked
they’ve no idea
they’re stuff shirts

and narrow heads
she said
that ward sister
doesn’t no ****

you sat
and looked away
some kid
was feeding ducks

at the fence
enjoying the excitement
of the feeding process
lost on the less innocent

it’s all if you do this
such and such will result
and if you take
such and such

this may go away
she said bitterly
how about an ice cream
up there on the rise

of the hill?
you said
she pushed her hands
between her legs

as if to push back
the fix hunger
as if that will solve
the fix ****

she said
didn’t say it would
but it sure tastes good
you said gently

seeing the kid
clap her hands
for more bread
Julie got up

and walked away
and you followed
watching her hips sway
unsteadily

like a ship buffeted
by rough seas
she spoke over
her shoulder

said words about
her parents
the rich
middle class

suckers
about the do-gooders
who came
to the ward

with their bright eyes
and second hand faith
you just listened
walking beside her

her hands going up
and down by her sides
as if out of control
how about that ice cream?

you said
watching her eyes
staring ahead
I know what you’re after

she bellowed
either my soul
to save
or a quickie in bed

an old woman
on a park bench
gazed at her passing by
with that

o dear me look
in her ancient eye
you asked about
maybe take

in the art gallery
look at the Moderns
you had neared
the ice cream van

and she stood there
looking with her eyes
on the menu
on the side

hands motionless
and still
what are you having?
you asked

a fix if I could
but that ice cream
with chocolate flakes
and sauce

will do for now
she said
and so you bought two
from the Italian looking guy

and gave her one
and kept one yourself
and walked on back
by the water

and bridge
she quiet
slow walking
you eating and *******

no thought of ***
or her fix
or side room
*******.
Daniel August Jul 2014
Your words held all the weight,
but not the wetness,
of a mid-day sunshower.  

My sandaled feet not spared
the puddle, nor my greasy hair
the extra embarrassment.

And outside the pavement babbles with
impromptu brooks: Words rambled on,
unaware of that mossy sewer

At the heart of the city.
Kate Feb 2015
It's coming.
we can all feel it,
that trembling somewhere in the backdrop,
in your toes
and the pit of your stomach.
you hardly notice unless you stop to realize
this is it
It hits us all differently, i think.
Some embrace it, run to it.
they cannot wait a second longer
Others shrug it off, going through the motions
it's part of life, right?
not to me, not to the rest.
it's the equivalent of realizing
that there are only so many more times that i can see your smile again
that there is a limit to the amount of moments i can laugh so hard it aches
with those that make me feel as if i can climb up the mountains
that i will only be surrounded by for so much longer
and there will be no more driving down the road at 7:32 am
and admiring the way that the sun paints the clouds
and the mountains on the other side pink
and sometimes i can't help but remember the time he and i
shared a love of sunsets
and i dont know if i'll see him again but i hope so (i think)

i know i'll miss it.
the scent of leaves and the music and the sandaled spring days
and best friends and accidental friends
the people i have not known as long as i want,
no; need to know them
you can tell me it's going to be better; that this is just the start of it all
(that there are new people and new laughs and new feelings)
but right now it feels like the ending
the whole world ending
because really that's all it's ever been.
between the stressful tears and the days you thought would never end,
are speckles of laughter
and holding on to each other tight
arms on shoulders belting out a song
about the mountain peaks meeting the starry skies.
maybe it's talking about us,
because sometimes the night sky can be terrifying.
i don't think i can go on
without you all by my side.
Terry Collett Apr 2012
These lanes are very narrow
you said
walking with Jane

from the parsonage
where she lived
to where the farm road began

Are they?
she replied
I’ve never thought about it

just that the hedges are high
and the birds chock full
in them and their songs

Yes
you said
They are

and in London
there are no hedges
or narrow lanes

and the only birds
are sparrows
and pigeons

and you wanted
to take hold
of her hand

and squeeze gently
the flesh
and sense her pulse

but you didn’t
you put your hands
in your jean pockets

and gazed sideways on
at her and her dark hair
and her profile

and the scent of her
like lavender
as if she’d dived

into a wide field of it
and embraced
the flowers and stalks

What bird song is that?
she asked
No idea

you replied
moving closer to her
the scent getting stronger

the desire to be closer
taking hold but still at bay
It’s a blackbird

she said
You’ll learn them all
the birdsongs

and where and how
they nest and in what months
and you nodded

and saw how
the summery dress
moved and swayed

as she walked
the flowered pattern
like a field moved

by a soft breeze
and her sandaled feet
touching the gravelled lane

and you thinking
how it would be
for them to be held

and kissed by you
if she were beside you
lying in a field

or in one
of those tall woods
and you pursed your lips

and she looked up at the sky
her eyes gathering
the blueness

and whiteness of clouds
and she said
Monet would have captured that so well

and You
you muttered
He would capture you well

each aspect
of your face
and hair and eyes

and she smiled
and looked at you and said
I’d want to be captured by Renoir

have his arthritic fingers
clutching brush
and capture me

and maybe secretly
lust after me
and she blushed

and turned away
and you thought  
Oh yes yes yes

but said nothing
just gazed
and breathed in

her being
her beauty
all there

for you to view
the eyes
the hair

the profile
the way her lips smiled
and sway of walk

and the tall hedges
seemed to explode
with the wild bird’s talk.
Nigel Morgan Oct 2016
VII

This is my end
surely this is
the end of it all
all I know is here
and though I am
young this is the end
of life as I know it
now and soon I will
see my home no more
for this is my end
here where I shelter
from all I cannot
think beyond this ending
surely the end of all
I know is here
and will be gone

(after a cine still from 1930 of a St Kllda woman)

XVIIIa

house above the hut
of shadows holds itself
against the relentless wind
on so open a shore
islands and inlets beyond
reasonable number stand
before its policies
its promontory land
Up on the third floor
light fills every corner
expelling its shadows
to the hut held
within its sight

XVIIIb

slowly the darkness
reveals less than
a shadow thrown
against a plastered wall
inside silenced from the wind
an image grows as the eyes
succumb to less than light
used to looking Suggestion
and the memory of outside
supply the rest

(two poems connected by Chris Drury’s Hut of Shadows on North Uist)


XIX

following footsteps
crisp in the sand
hour-fresh from tide-fall
now the shadows form
in the weight of press
the imprint mark
different with every
fall of limb and claw
the 3-pronged bird-foot
the sandaled human
step singular one
before another after
another until perspective
conceals and merges
into distant sand

**

silence suddenly
the ringed plovers
hold their breath
then chorus
a chirping as they wade
together in their own
reflections
the water like glass
at their feet
mirroring
movement that light
hop for a few steps onto
a slight but sturdy island

tweet then terweet
inflected upwards
a questioning call
terweet?

XX1

the taste of salt sea
in the mouth
the touch of water
thick sea-water
on the legs between toes
the sharp cold plunge
immersion envelopment

sunlight throws a cascade
of bright steps across the sea
gradually merging into a band of light
ablaze on the horizon
at the base of distant Monarchs
a silhouette of massed rock
rises from the sea crowned
by static clouds decorating the sky
gentle white ermine-soft
These poems are part of a collection of forty-five written during July and August 2016. Thirty-six of these poems were written in the Outer Hebrides on the islands of North and South Uist,  and on Eriskay. They are site-specific, written on-the-fly en plain air. They sit alongside drawings made in a pocket-size notebook; a response to what I’ve seen rather than what I’ve thought about or reflected upon. Some tell miniature stories that stretch things seen a little further - with imagination’s miracle. They take a line of looking for a walk in words.
Tyler C Nelson Nov 2019
as if one summer night would
   stop to kiss the cheek of winter
        winter
   my sandaled feet chill,
       awash in starlight
   the waves, like a slivered memory
       pure and silver,
       carry the faint heartbeat
      of many things come and gone
summered waters blow through
   their courses of hair
   in soft syllables to the ear
   they touch stones of fire
   alive in the eyes of the mind
how many hearts or ripples
   of moonlight have walked here?
   here, where new clouds breach
       ancient skies and stones
       of rivers of many things
           come and gone
   smooth and silver are the drops
       of time, which wash
       slivered memories
           of summer
   by the light of a cool moon
Dionne Charlet Nov 2016
The soles of my sandaled feet
maneuver lumps of brick as if by rote
and I am compelled to face the square.

Almost noon on Sunday,
I seek the impromptu mall
of Tarot readers and caricaturists
where palmists merchant to St. Peter,
each an homilist to the choir of steel drums
tinkling near the alley.
Alternate drummers motion bills and coins
into the walled cache of a tattered suitcase.

Tall arched doors spill into
the welcoming flicker and scent of melting wax
as an older woman enters,
the heft of her rosary bending her
near genuflection.

Familiar passages resonate;
memories lead to Sacraments.
Questions filter through me like confessions,
and I note what lingers of my faith.

Still.

I feel too guilty for Communion.

Bless me Father, for I have sinned.
Even as I turn to You,
my right toe numbs
and my ear begins to itch.
My ******* constrict
and my throat presses into the wet.
Inject me, Father, with Noah's syringe –
the one that jazzed him
to build that floating zoo –
that I may track my path before the Rise.
Or, let me don Your priestly robes,
and turn some wine to Corpuscles
divined to see beyond my own plank
or preach the Beatitudes to yawning zealots.

Is there a mirror on that altar?

As the cathedral entrance closes,
I am who I am
—and I am not worthy—
standing my shadow's length
from the shallow steps.

Azaleas blooming at my back,
I remember when religion grew within my mind
fed weekly by carvings on a chalice
in a chapel on Esplanade left to nature post Katrina.

Spanish moss greys the white beard of God
where the dome of the fresco fractures.

Phalangeal hues of sun
eclipse the floating dust
from breaks in stained glass stations.

Masses of blackberry and kudzu
drape a pregnant mass
over the sculpted marble of the cross.

The chiseled palms of Christ extend as
ropes of growth unravel from His Torso

like a figment of my reconciliation.

Vines fall to form a brambled crown
atop a broken stone
between the great doors
where the Bible swells open.

A version of this poem has been previously published in the anthology Louisiana Inklings: A Literary Sampler (29 October 2013).

*"Sanctuary" was featured as Poem of the Day and  added to the Poetry Club on Scriggler.com
An exploration of faith abandoned when subjected to the nature of religion.
Marshal Gebbie Dec 2014
Tho thou walk through life aloof
And look askance at all who dwell,
All who wear the covernance
Of simple shroud in common Hell.
Tho thou speak to condescend
To those who bend convention's way,
Thy lofty tones are lost to they
Who undermine the things thee say.
Oh that thee, should taste the fruit
Bite the fig and sip the wine
Be aware of surrepticion's
Sleight of hand with concubine.
Tho thy sandaled feet be gold
Tho thy robes be lined with silk
Thee must best avoid the vice
That over compliments thy ilk.
Penance paid is rich deserved
By he who struts by fortune's way,
For should the winds blow well this night
Tomorrow's gale may make thee pay.*

M.
Pukehana Paradise
13 December 2014
I walked into our chapel
shoulders back,
head high,
dignified.

No Catholic shame
forced my eyes
to the mosaic aisle

Trodden Over
by my Sandaled feet,

It was a feast day,
praising God
with our laughter
and shared
beneficence.

We joined
in joyful prayer,
receiving each other's
sacrament
with the reverence
of saints

but just as I sang
the psalms the loudest
there came
an unholy silence,

Believing I was being
tempted,
I fell to my knees,
contemplated
your wonder

waiting for your return
to your
prodigal lover;

squandering our
sacred time,
not counting the blessings of
our moments of grace.

I hung upon
my silent cross,
weeping into my
wine-soaked rag

Eli, Eli, lama sabachthani  

Descending into
Despair,

Waiting for
an Easter
that I swore
had been prophesized,

Even upon your
high holy
return,

you seemed resurrected,
and yet I not saved.

I felt like Moses
on his day of death
beholding
the promised land
covenanted by
souls

and yet
remaining in
this desert
thirsty for
the wellspring
that seemed to be sitting
behind your eyes,
the water that would
quench
my forever thirst.

Despite the ache
in my dried mouth,
I'd find
the will
to stand upon my feet,
tired of relying on
a charitable heart's
sympathies
as my means of
living.

But I found
that I was
praying for
too much
from you

and I fell upon
my knees again,

wondering if
humility is meant
to leave you feeling
this broken.

And so begins the litany
of sacrifices

wondering

if you are my
love made flesh
why it is I who is

scourged,
stripped of dignity,
nailed to a cross
that I had brought here
myself

Mumbling words out
to a silent heart
that I know
hears me.

Thinking that surely
our death
will meet me soon.

But by
the clever grace of
the devil

I continue,
finding life
that should have
diminished
at two o' clock.

Is Hannukah
not
supposed to be
a celebration?

Because while burning
in this modest
Menorah lifestyle,

sacred
and
devout.

I find faith
in you

and have been shepherded
to no redemption,

but only the
salty pillars
of one who trusts
in gods
created by another God.

And upon this realization,
I rush to confession,
knowing my worship
of false idols
is not over.

As I remember
our love
as beautiful
and mighty,

I'm forced
also to remember
that
Lucifer, too,
fell when things were at
perfection.

Try as I might,
I must turn my face away,

with the hope
that something
greater

truly does await
for one
who loved paradise,
body and soul,

with the finality
of resurrection.
Sharon Talbot Apr 2019
Scream, Memory

Accidents don't happen on holiday,
do they?
Standing in the shower, I stare out of
a tiny window at the setting sunlight.
In a row, children on a rustic bench
chatter through their colored ices
and kick their sandaled feet.
Soon, a tall, bland man appears
with smiles for all--this is his family
and he is happy.
His ambiance is like a drug so I leave
my caravan, barely dry,
Wanting to speak to him and not knowing why.
His good fortune draws one to him,
Yet I find another reason.
He directs me without words
to a desolate room and a gown.
And I remember...that I have not remembered
lately. And my collection of names is dwindling,
memory leaking like a wire basket.
Even before I don the ugly robe and lie down
on a cold, plastic bench,
I know what the diagnosis will be.
The cylindrical tunnel looms and his nurse or wife
motions to it as he still smiles.
The machine roars like time passing
And I emerge carefully, not wanting to know.
Seeing my expression, he turns on me:
"It is bad news, but also sad."
He tilts his head like a bird, self-satisfied.
His vacuous delight belies the words.
What the hell is the difference, I think.
And like a falling tree, reality splits the dream
And knocks down my life.
I weep, uncontrolled.
It does not help to swear
nor to hit the wall with my fist.
But would it help to slap the doctor?
People crowd around and tell me to stop
but, as I had to when my father died,
I continue to rave.
For, what is simple to them
I will not make so to me.
I will mourn and censure Fate!
And if I still must,
I will not go gently
But scream all that I remember
Into the fading light.

April 19, 2019
This is the rough remembrance of a nightmare about Alzheimer's, which I had after doing some research on memory. I wonder why I was in a caravan, since I hate those! Does it symbolize our temporary status in this world? The doctor LOOKED nice and kind, like a 1950's hero, but was merciless and cold.
Terry Collett Jun 2013
Chanan studied Shlomit
from afar. She sat
with a man and a child,

talking, smiling at least
on the man’s part.
The child played games

on her mother’s iPod.
Chanan noted unease
in Shlomit’s features,

eyes behind spectacles
looked at the man,
more at the child,

whose tiny nimble fingers
played on.  The man laughed,
teased the child, Shlomit

eased out uncertain smiles,
hand on her coffee cup,
other hand in her lap.

Chanan took in
her sandaled feet,
the red painted toenails,

the hair pulled
into a bun.  
He watched as she

raised the cup
to her lips,
sipped,

gazed at the man,
talked.
The man, legs crossed,

hands holding
a mug of tea,
his head to one side,

seemingly to enquire,
spoke in turn.
Chanan over

his Earl Grey
watched the child
at play,

the fingers intent
on her game,
her mother beside her,

eyed her,
losing interest
in the man’s chatter,

touched
her daughter’s hand.  
Chanan sipped his tea,

looked away,
carried his images
in mind, set

a different scene,
of a different kind.
The man and child

not there,
just Shlomit
and he

setting sail
in a small ship
on a vast wild sea.
Terry Collett May 2015
A French monk wipes
the shell of an egg
on the serge of black.

He walks slowly
in sandaled feet
across the cloister,
his shadow following
close behind.

I pick apples
from the apple trees
in the abbey orchard,
my fingers twisting
as I'd be shown

-she mouthed
my fingers
one by one,
******* them
to a strawberry ripeness-

Dom Leo takes
the breviary
from the shelf
beside his hip,
opens to the right page,
eyes scanning
the script

- I watched her
as she slowly stripped.
A NOVICE AND MONKS IN AN ABBEY IN 1971
John Lock Feb 2018
Take my hand
We will walk the forgotten lanes
Made for iron shod hooves
In the footsteps where sandaled feet
Of the lost legions followed the eagle standard
~
But I see you grow weary of beauty
Of the counterpane fields of green and gold
Miss Marple villages, soft in the twilight
Then come, down to the Romney Marsh
Where time is in tune with your deepest fears
~
We’ll take the old road to the Burmarsh Chimes
By the ruined church of St Augustine, silvered by moonlight
Where communion wine and the Free Traders Brandy barrels
Once rested side by side united under the Lords protection
Where the tolling bell called the dead to evensong
~
There, by the east wall of the Lady Chapel
Tear washed sentinels lean against the west wind
Underneath the wild thyme and harebells
Lay the sad bones of the forgotten children
Come, this is not the place to linger
~
Safe home under the oak beams of the White Heart
Amid farming folk with the smell of the land on them
Setting the stage for beery nostalgia
Sit here by the warmth of the fireside
While I tell you tales of the Night Riders.
Sky Feb 2020
the rain makes the asphalt look sad and pregnant.

i turn my head for one moment and a lonely 7 train skitters by, barely grazing my left ear. i close my eyes. i close my eyes because if you look, you get sad and that's how you lose. so i look down at my feet at the soft, shimmering asphalt instead

and i watch the train through the asphalt. it torpedoes by, one silver frame at a time, like a silent film still bobbing around in its chemical bath. i continue to watch, from a safe distance.

(its like looking out the window at the cars zooming by. its all fun and safe until you reach your hand out a bit too far and the next thing you know, some ******* car up and runs away with it.
its like marriage.)

except im in college and the wheels of the train never quite touch the ground, but hover, hover over like some kind of homeless intoxicated guardian angel stranded in a sprawling urban desert.

(he lies on top a one of those BigBellys, lies on his stomach, sandaled feet dangling just inches from the ground. blink blink, goes the BigBelly. Gabriel groans,
incomprehensible muttering)

and the train throws bleachy yellow squares of light throw themselves onto upon the pregnant asphalt in fits of just destructive laughter and when they hit the ground by that time they're already hugging themselves, hugging and shaking all over like fuuuuuuck, it's sooo cold in here (in my body!) each one of em murmuring in a foreign tongue about how someone keepzon etching street names into the bathroom walls

Thayer and Broadway at 3AM on a Wednesday morning is someone's oasis, mine for as long as i stand here, my mind stumbling back n forth from one airpod to the other as i feel like im sinking down, down into the soft squishy asphalt wit the weight of my backpack making my shoulders touch the floor wit my bleachy yellow head dangling from my neck as i blink needily / cravingly / searchingly at a sidewalk that stares back at me with the most deadest honest (to godest) blankest expression i ever seen on a no-body

and when i look into its eyes i can see myself but im standing in the  middle of Times Square and -- hey -- everythings looking up! but it cant be me because im here at Thayer and Broadway dangling my head and angling it AWAY from the passing train because if you look, you get sad, you think of home, and when you think of home, thats when you really know you've lost, not sure what but you've lost and you probably cant even actually go home after youve lost because, well, mother**** it you've lost and life just likes to call you a cuck and hit you in the throat like that

but i wouldn't know, i haven't gotten that far yet
here i am standing at the intersection of Thayer and Waterman. the rain glistens on the deserted streets and it's beautiful, but really, all i want to do is go home.

— The End —