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Korich Fischer Feb 2013
Mediums,
I need mediums!
Incomplete mind, bisected by blurs
******* my sight, halting my stare
Corrective action taken?
Turn off heart,
Maneuver hips,
Eyes ajar

Moves made to past
We need to go back
Nakedness without regret
Willing to be the only one that likes me
She screams electronically
It's a constant battle.
I'm finding shells on my floor,
and a flood of defeat.
They got me again.
They tore up my flag;
and flattened my heart that scoped out nonsense.
I'm getting into fist fights with the mirror.
This world doesn't matter to me.
My bleeding nose and horrid mind are too naive for you to think that I am free;
breaching a shadow too small to cover me.
Mediums hover me,
and you call to connect with me.
Against my brain;
and induced will.
Against reality to assist a thrill-
All feedback is welcome and appreciated!
Mateuš Conrad Sep 2016
and would i ever get embroil myself in a morning of: coffee,
croissant and a newspaper? i find it strange how newspapers
are printed for workers - sold in the morning,
and read in the hazy hours before the mind
catches up with the body at noon
lead to nothing but village sentimentalism -
and dupe sensationalism -
they really know when to baptise them:
a few weeks into their lives (most never
object to confirmation, i, for one, started inquiring
about the Gnostic cults, and said: nah, you'll
alright without me) -
baptism is a bit like newspapers:
i really didn't ask for it... sorry, i was in diapers,
i knew that i'd be wearing diapers
if i went to my confirmation by the Bishop
of Chelmsford - imagine what a cardinal
could do to me... but that's what newspapers
are, they are written in reasonable comfort,
i don't mean the sort of journalism
akin to all the president's men -
that's valiant... i mean the opinions sections,
i read a newspaper and think of only one thing:
****! i threw away something i actually
need in the recycling pile of garbage...
so you go back to the bag and sift through it...
which is what it's all about:
newspapers pulverise the half-awake readers
on the tube... making newspapers free is also
a tactic... i read newspapers, about this time,
nearing midnight... i've spent the entire day
occupying myself with colours, squares and clouds,
i leave my desire to see phonetic encoding a - z
till last, when i can relax, and actually recycle
all the opinions of the day...
shamefully, others pick up a newspaper,
early in the morning, and just nod, agree, nod, agree,
pigeon on parade... makes it easier to earn
a few more disciples when half of them (if not all)
are still trying to remember a dream at 7 a.m.,
all the opinions sections are fabulous!
mental health matters... like **** it does:
you're saying a box inside that storage room that's
your brain aches like broken arm...
you go to a doctor, and he replies: it's all in your head...
well, d'uh, metaphysical health was always clumsy
with what became spaghetti entanglement
for philosophers - the one never translates into
another as honing in on, and synonymous -
but that's life... but the two were never supposed to
be at odd, or, quiet simply: parallel -
after all, thinking, if a limb or an *****,
is more than what the automation of the brain is:
receptor to nervous stimuli - if there's an *****
such as a mind, and it's verb optimum is sick...
it's like seeing the desperation of someone doing
cartwheels on a tightrope, while deciding a next
chess move playing someone down below,
and smoking a pipe - thought, in the end,
is a dilemma where to many verbs are associated with it:
it's so spatial in that it tries to encompass a near
exponential number of ? / hmm hiccups -
                              as it does encompassing a near exponential
number of ! / eureka hiccups -
the German Chancellor and the fourth cottage -
and the opinion: nacktarschuzdeckenwunsch
(the desire to cover their own naked backsides) -
ah, newspapers and the morning,
whoever reads a newspaper in the morning is a sheep...
who doesn't even thinks that comics didn't slowly evolve
to be comics? they are pristine Geminis -
i wouldn't read a newspaper in the morning,
because i know most of these articles are written in
the afternoon, notably the opinion sections,
by people donning kimonos, drinking wine
and smoking Magritte's phrasing of: not a pipe.
i can't treat them as trash either... i call them
midnight literature... after i've spent the day not
looking at phonetic encoding symbols,
i finally zoom in, revise my eyes and ease into a crescendo
of appreciating newspapers, for whatever they're worth,
which, according to the Thursday's edition of the times:
£1.40 - but reading newspapers in the morning
is horrid - too much world, too much care,
too much moral acting - too much conversation...
the world is too big, and i'm too small...
so i do what the writers of these articles read:
although i have a stronger solvent to read their preaching
parody of Mt. Sinai - but what i found, apart from that,
well... couldn't poetry steal something from
the journalistic medium? in the way art is appreciated
without critics? shouldn't poetry be the only medium
of art where other art mediums are appreciated?
for example, i find that when i'm hearing the clicking
of the keyboard, and there's a record in the background
i have a full meal in front of me,
i forgot how good tubeway army's album replicas
is... as a second course meal... nothing of the top 30
canape charts of nibbles of artistic output...
poetry can congratulate over mediums of art,
it can steal from what journalism encompasses -
namely the critical pieces of the journalistic anatomy -
art, doesn't necessarily have to be a matthew arnold
moment of as soon as i returned home, i pulled off
my coat, flung myself on the sofa, and wept the
bitterest, sweetest tears
: after coming back from
a Liszt concert... really?
i think that ballet is supreme sadism and Bach
had wax in his ears... fame and the adoration of women?
too lazy... like drinking too much, and listening
to what i like: without adverts selling me car insurance
and German shampoo.
yes, i am bothered, i'm seeing something in England
that's worrying, something akin to a Marx & Engels'
study of Victorian England - only this time it's
existentially tinged - not economically -
and yes, reading a newspaper at any "sensible" hour
of the day is rather pointless...
you can get very impressionable in the morning,
at around midnight, with a whiskey and a cigarette...
while everyone is already nodding off in Luna's
embrace - never understood reading newspapers
in the morning... or in the early afternoon -
it's better to digest the **** of the individual by the world
while everyone is asleep... less democratic constipation
of everyone having a go... or as Auden said:
all the ****** of the world write at night...
well, during the night: everything is apparently black
& white... the vacuum of the space, and the punctuation
of Zodiac are what this sort of writing best describes,
given that, we are the mediators of two opposing
chasms... to be honest... poets hate colour,
the whole spectrum of colour, from
red (λ nanometres 760 etc. and Herr Hertz, whatever)
to violet (λ nanometres 424 - 380) -
    so tiny, this puncture... equatable with
the size of the universe and that spec that's called earth -
to me? all of this is a massive accident -
as the gambling king said (god): oops... dunno.
but from what i can see... poets have colour -
hence the white page where all colours are entombed,
and better than scattering the white into the visible
spectrum, beginning as Newton with a needle hole
and a prism... no... we're probing it with something else,
intent on it being given to us in total,
a sum of all parts... or as they say: shying away from
the people in grey suits... virtually taking risks on meeting
the people in white coats - and how to slur and
window-lick our way into confined spaces
perfecting our skills in Paper Mâchés and Matisse-like
cut-outs.
Entheogens, such as:
Tetrahydrocannabinol, Lysergic Acid, Dimethyltryptamine, Mescaline and Psilocybin,
(of Cannabis, LSD, DMT, Peyote and Mushrooms, respectively)
(None of which Firefox thinks are spelled correctly, including 'Entheogen'..)
have many unfounded and illogical taboos about them
for the seemingly sole reasons that those who;
do not know themselves well enough,
and/or
do not realize the magnitude of what they are getting themselves into,
make themselves seem crazy or otherwise endangered or dangerous while having Revelations.

Heed not the Fear-Mongers:
(they generally fear for their own sake)

An Entheogen is a psychoactive substance that brings forth the Divine within one's self;
it is a temporary death of Ego
a temporary glimpse of Heaven
a brief window of Enlightenment.

An Entheogen is the basis for each major Religion on this planet.
Many established Religions have in turn proceeded to attempt to stamp them out
as if to eliminate healthy competition for their precious power hungry Dogmas
(similar to Wal-Mart, but in terms of Religion as opposed to Business, which is eerily similar)

Vines with DMT in them inspired early philosophers in Southeast Asia and South and Middle America.
Mushrooms crammed with Psilocybin were the basis of the monotheisms of the Middle East.
LSD has been a major pivotal factor in many mediums of art since it's 'accidental' synthesis in the 1930s.
Peyote has been a staple for North American shamen and mystics for thousands of years.
Cannabis, as well, has many mystical applications and medicinal properties used worldwide.

And yet,
all of these things are a massive no-no in commonplace Law worldwide
which is a detrimentally terrible turn
for the Spirituality, interconnectivity and thus Enlightenment
of Humanity.

The lack of unbiased, scientific, accurate and up-to-date information about Entheogens
is a tragedy paralleled only by the unnecessary loss of Rights, Freedom and Life,
not to mention the forgone personal lessons one can gain from Entheogens,
as a result of the censorship of sensible, reliable, consistent, fact-based Information.


Entheogens are only an inherently bad idea
if an individual is so ignorant of themselves as well as the nature of their Reality
that they wouldn't be able to handle the aspects of either
brought forth so abruptly by the Entheogens.


Entheogen: To make manifest the Inner Divine
Psychedelic: To make manifest the Mind


These two things are one in the same; yet one is far more stigmatized:

Entheogens/Psychedelics are vital
if we are ever to learn about the parts of ourselves and our Reality
which are too obscure to recognize in everyday life.

Entheogens make apparent the interconnectedness of the Universe;
They break down the superficial and illusory barriers 'twixt Self and Godself:

They are Death of Ego,
which is frightening to Egoslaves;
They are disillusionment,
temporary Enlightenment;
Mystic Teachers.
Shamen in Botanical form.

Entheogens are Divine gifts:
Terrestrial Shepherds for the Soul, Prisms of Divinity;
Ignored, excommunicated, exiled and squandered by Societies
in the supposed name of 'safety';

Safety for those wrongfully in Power, perhaps

We have truly crucified the Prophets.
It didn't just happen in Mythological history;
it has never stopped happening,
it's still happening right here and now.


What personal freedoms are we willing forgo in the name of totalitarianism?
None, I would hope.

To further illustrate the blinding absurdity:

Should we trade in our legs just so we wouldn't need to worry about stepping on pinecones?
I sure wouldn't.
Should we trade in our eyes to preclude seeing things we find uncomfortable?
I sure wouldn't
Should we trade in our voices in fear that we won't be heard?
I sure wouldn't
Should we lay down and accept Authoritarianism?
I sure won't

Would you, were it law?
though I would sure hope not,
many have
;

Law of this sort is an appeal to both Fear and Authority,
all of which are arbitrary
yet all of which mutually and relatively define each other.


Thus I implore of thee to heed these words:

*Civil Disobedience is a Virtue.
Reflections of cultural Biases are everywhere.
Culture like this tends to suffocate Humanity.
Culture is a Cult that 'ure' (you're) in.
http://hellopoetry.com/poem/psychedelia-1/
John F McCullagh Oct 2013
The Fox sisters of Rochester
lived in a haunted house.
A spirit there was stirring
That was probably not a mouse.
Spirits rapped upon the walls
and on the window panes.
The sisters Fox would rap right back
according to their claims.

The Foxes were sensations,
The Belles of Halloween
Their Séances well attended
By the credulous, T’would seem.
Spirit fever gripped the land
With rapping on a table
(Maggie Fox was double jointed
And the whole thing was a fable.)

It’s hard to sell your real estate
when it’s a haunted home.
But when spooks rap, rap right back
You’ll never be alone.
The Fox sisters of Rochester, NY were the sensations of the spiritualism movement in the 1870's
Mateuš Conrad Aug 2018
.reiteration... em.. you're not internet providers... are you?! the best you'll ever be, is, software *******... you're about as invested in hardware, as the mafia is invigorated by mainstream politics...******* wankers... you what?! huh?! censorship?! who's supplying you with the copper wires?! you?! ha ha ha ha! how about getting leg ***** by a mongrel tongue... and considering your type of companies, as, serious, "mediators"... no hardware... just a software monopoly... ******* **** wasps! you almost want to cannibalize their presence! like... ever taste bone marrow? these "companies"... are teasing a taste of bone marrow! i want to eat something... these, companies, forgot, that, they're, not, service, providers! d'uh! and they're making the dicta?! inch copper **** making all the rules... what rules?! they don't make the rules... they're not hardware enforcers! they block my presence, i subsequently return to over-exemplifying using the scissors, counter the computer! yeah?!

em...
but you're not BT...
British Telecommunications?
the hell is up with these
software nuggets?!
how can google,
facebook,
youtube, ban, someone...
when they pay...
for their hardware provider?
did, said companies,
pay, for the copper wires?!
i'm pretty sure the answer is
no...
    unless you've not been banned
by authentic internet providers,
but, rather,
banned by content creation
mediums?!
       **** 'em!
           **** 'em silly!
         they do not actually
own access to internet
provision, i.e. ACCESS...
they do not own
the armory
of copper wiring....
that connects the dots...
*******!
BT or SKY or ******
pulls the plug,
you're all out!
             you get the
differential "bias" against
the format of software
contra hardware?
no?
            there are,
internet, providers...
there is the hardware of
occupational hardware user basis...
these companies...
censoring...
have a software stature,
without a hardware status...
   want to rephrase the thesaurus
to concern yourself
with legislative phraseology?
      really?
     me? can't be bothered...
do it yourself,
VEGAN dietary requirements
and... whatever.
but you can't deny someone
content provision...
when they're paying for
an internet access...
these software companies
do not have to answer
to governments...
they have to answer
to hardware providers...
   internet access deposits /
access points...
            not governments...
hardware instigators...
    oh, really?
    software censorship?
   if there's no one using
the hardware?!
              good luck...
and a goof ball speeding!

these companies, who are exercising
"depth",
of the parameters of conscription
of legit consent?
   they have this amnesia...
this amnesia...
of...
   not being hardware utilities...
i.e.?
   a comic book...
without the printing press...
   savvy?
             now i'm mowing down
eyed
    claustrophobic eyed -
   horses running,
with shutters on their eyes
for the added advantage
of tunnel vision...
   that Bane scene equivalent...
    with the quote -
  crashing this plane...

"who" are these companies
to dictate,
"correct" internet usage?
they're not internet providers...
to begin with...
   if... a company like SKY...
or BT... or ******...
obstructed internet access
of a person?
  i'd be nodding...
    in a coherent access of
agreement...
    but...
      these websites are not
hardware, they're software...
see the difference?
they're not internet providers...
they're pixel blank bulk anticipating
canvases...

unless there's something
wrong with the original idea,
of an un- investigated
genesis of a pixel blank?!
     can i make this an issue
with your, internet provider?
i don't like you excluding
the content of the content
that is a blank pixel anticipatory
excavation wait...
   sorry...
  
   i don't like you miscarrying my
payment of internet access...
having censored interactive outlet
canvases...
   i pay for one... i pay for all...
   can you please pay
the proper amount of
compensation to the hardware
companies that provide
universal internet access to
the full spectrum of internet users?!

namely?
BT... SKY... ******?
yes?!
Silence is a hard thing to understand. It has a wide vocabulary, and sometimes rings out so loudly, as if a choir of confusion, that it is nearly impossible to translate. Sometimes it is so void of life that one cannot even hear one’s own heart beating. Silence is never the same twice, for it comes with different emotions and circumstances each time, even if seemingly the same, and it always has something new to unravel, whether it is what we need to hear, what we refuse to hear, or what we’ve been waiting to show, or trying not to show, ourselves or another, all along. Silence can be an ever changing friend, or an unrelenting enemy. No matter the form or fashion, silence is, and will forever remain, the most welcome and unwanted part of our lives.

It is an often overlooked truth that silence can be anything but. The voices echoing within the vastness between one ear and the next are still far more audible than anything exhaled amidst a mixture of lips, teeth, and tongue, so that even when we are not speaking our mind, the mind is speaking, even if only to the soul attached to it, speaking volumes silently as they translate into emotion and action, or the lack thereof, creating a vocabulary of gesture and expression, but also of stillness and blankness, woven together in both intricacy and complication, losing nothing in translation of language, but sometimes losing much in the heart’s translation of emotion to and from a soul other than its own.

Emotions are each a different language in themselves, for each has their own gestures, expressions, and blank stillness. The mind learns new languages by hearing and reading and teaches the mouth and fingers to translate from thought to spoken or written word, and it depends upon the exposure and the depth of study and experience in any given language as to which we become more or less fluent in, both in speaking and in understanding. It is much the same with the heart. It learns each new language of emotion by the experience of feeling, and depending on the depth and experience with each, the heart becomes more fluent in some over others, and sometimes one over any other. But, it is the relationship between the mind and the heart that truly allows us to understand these feelings, in others as well as in ourselves.

We say that it is the heart that guides us. We say to follow our heart. We say that our heart has been broken, or that it has been made whole. We say that our heart hurts, our heart leaps, skips a beat, races, that is swells and that it grows cold, or one of any other descriptive analogies. It is often what we feel inside our chest that dictates what we decide upon in our minds in any given thing of emotional importance. Poetry, literature, art, everyday speak, and even actions and expressions project and profess what it is that we feel in our hearts at any given instance or in any given circumstance. But, this is merely the hearts reaction to what our minds perceive in any given emotion of circumstance.

It is the depth of the understanding of any given thought or idea, fact or fiction, that ties into the emotional in any way or on any level for each of us individually. Depending upon what we think and believe about any given thing, it will have a different reaction in each of us depending on how important or unimportant it may be to each of us based on our individual way of thinking. The differences between what each of us considers important or unimportant has an influence on how each of us feels about any given thing or circumstance. It is our feelings about what and how we think and what we understand (or sometimes believe we understand) that are the basis, the origins, and the essence of our emotions.

The mind could not function if not for the heart performing its own function. In turn, the heart could not function if not for the mind. They are dependent upon one another. They are slave to one another. As long as the two continue to function together in any conscious state of awareness (or in some unconscious states), the mind literally controls the heart and the heart literally sustains and obeys the mind. The mind may decipher and understand what the heart feels in reaction to its thoughts, but it is the heart that feels it. This is why we speak of the heart and not the mind in almost every instance of emotion. This, however, does not mean that everyone’s mind understands the heart's obedience to the emotions created by the thoughts it produces, just as most do not realize it is the heart’s physical reaction in emotion that the mind relates its thoughts and feelings to unknowingly and descriptively. This lack of understanding applies more to the emotions emanating from others, be they audible or silent, than they do to the emotions we feel ourselves the greater percentage of the time.

How can this be so? How is it that the majority of the time, we misread, ignore, or completely overlook the emotions emanating from others when we feel those same emotions ourselves, and often express them in the same ways, whether more or less often, and whether we show our emotions deliberately, or they show despite our failed attempts at masking or hiding them? How is it that we fail to understand, or understand more fully, the torment or elation anyone other than ourselves can be going through at any given moment when we, ourselves, have been through the same or similar circumstances? Even when we have not been through the same circumstances bringing about such emotions in others, how is it that we have such a hard time understanding that the same emotions we experience can be brought about in others by completely different circumstances?

Maybe it is the amount of people who fake emotions to gain for themselves something from another in ill begotten ways so often that it becomes hard to believe what so many try to show or hide from us emotionally. Maybe it is that we are so often trying to understand those things in and for ourselves that we fail to see how those emotions affect others in their interactions with us and in their own lives. Maybe it is where some of the circumstances that bring about the same emotions for others are not quite the same circumstances that bring them about for us at times. Maybe it is where we are in a different state of emotion at times than the person or people we are interacting with, and our absorption in our own emotions takes our sight and understanding away from theirs at any given moment. It could be any one or more of these reasons, or even that we have had our own emotions misread and disregarded so many times that our own emotions have become so deep and ominous at times that we cannot see through the shadows that surround us or the elation we feel for ourselves in those moments. There are so many reasons that could be factors.

Even if we don’t feel the same emotions at the same exact time as someone else, or for the same exact reasons, we still feel the same emotions as everyone else, for despite each emotion being a different language, what we feel is universal. Despite the false witnesses of emotion who seek to deceive for whatever gain or manipulation they so choose, there are still so many good people trying to understand themselves, as well as others. In emotion, regardless of race or nationality or origin, we all speak the same emotional languages, even if some of us are more fluent in some emotions over others due to our personal experiences. If more of us would try, and some of us would try harder, to understand the emotions of others, not only from the circumstances bringing them to life, but in the effect each emotion has on each person in their moments of emotion, just as we so try to understand our own, then maybe, just maybe, there would not be so much confusion, misunderstanding, and in some cases, judgment, at the differences in what others feel and experience in any moment, whether similar or the same to our own, and hearts would heal more so than being broken, and we would see similarities over differences.

Despite how we live, where we come from, and who each of us are personally, we are all the same in what we feel in our hearts and through our minds, and even in our differences, we are still one in the same. Our minds control our hearts, and our hearts control our minds. We all feel, and we all feel the same, even if at different times than one another. Even when there are no words to say, and even when our words won’t bleed upon page or screen, or our emotions will not translate to whatever medium of expression we choose, our silence still speaks just as loudly as our words, for our every thought and action is based upon the language of emotion, and in that, we all speak the same language, even in silence.

Where it is so often that silence from another, or reflected upon another, determines our own understanding and emotion in interaction with the emotions of others, we should listen and try to understand more than just cursory what those silences reflect emotionally.  Sometimes, our silences speak just as much, if not more, than words or other mediums can allow, if we would but listen as closely in others as we do in ourselves in the languages of emotion, with our hearts and minds in equal measure, instead of letting our own emotions in our own circumstances at any given time impede or disrupt how we see or hear these emotions effecting others in their own circumstances, similar or differing, for they are something we should try to relate to, not self-sidedly compare to our own in trying to self-deceptively prove that no one understands how we feel.
It is one thing to write about such things in poetry or other forms, for we are describing our own personal experiences. It is quite another thing to allow ourselves to misunderstand, misinterpret, or ignore the emotions of others for any reason, especially because we have convinced ourselves that no one can hurt like we do or suffer as we have or are suffering, and it is often the silences that have the most impact on how we understand or misunderstand others. This is a thought that rambled on in the best of my understanding.
Mateuš Conrad Jan 2017
i can't stop feeling this pounce of melancholy,
and i mean: it's like a lynx pouncing on my chest,
i can't even claim a clinical dimension to it,
it's a sadness that comes on two fronts...
   it's a sadness that i left Poland when i was 8,
and the greater part of my life was spent
using the English language...
         and i find the Anglophone world so devoid
of consistency... all this post-truth
          labelling...
       this throwing of the cartesian maxim the other
way around, the "i am" really does
   predated the "i think" scenario on the hopes
of asking for a genesis, a (0, 0) / (ο, ω) coordinate
beginning... yes, i know more of a dougnut
   and less the orbit of a planet in the latter case...
     i can't believe i'm getting this technical -
but it sometimes happens, you know?
i don't really like it... i'd love to write about less
claustrophobic matters, less constrictive intellectual
matters... and before you shoot me down
by denouncing the crass lack of motivation -
                i am frail in undertaking another "poem",
and i mean that as a way of saying:
              terse narration and no claim to technique,
or at least that's what i know is modern...
           i watch the following list of videos
as a sort of freak-natured lullaby while drinking
Obey the Walrus         I FEEL FANTASTIC
Agamemnon Counterpart       Username 666
Cursed Kleenex Commercial      There is nothing
Performance Olivier de Sagazan 2008  
     The Wyoming Incident        My Dead Great
Grandma’s Coffin in My Own backyard!
K-Fee Car Commercial       Pretty Woman
Fatal Diving Accident        Girl Goes ****** During
Makeup Tutorial       Paris Catacombs Lost Footage
Shaye Saint John – Hand Thing (yes, copy & paste
given the uppercase lettering, i can be lazy
once in a while) -
                          so i do see a lot of potential in
these clips... if you can't dazzle them: might as well
scare them...
                      but i watch them and then write
a native-language poem while listening to
    music accompanying a zbigniew herbert poem
by tadeusz woźniak - and i get all nitty gritty
when using a language i should have forgotten
aged 8... and i type one out and i am brought
to tears with it... and then it vanishes from the html
blank...
             and then a deeper horror sets in,
which Ezra Pound would have liked
and it merely means: ten quotes by Horace,
a video, with only 230 views on youtube...
                    no one would dare say carpe diem
like a cliche after seeing this video...
             but still the sadness persists...
and i can't make it systematic, not systematic in
the sense that it might appeal to the zeitgeist of:
the January blues, or... i need the pharmacological
rainbow...
        i have a miniature vineyard... enough for
35 litres of wine... and i make the wine myself...
i pick the grapes...
i crush them, i buy the yeast, i melt the sugar until
i get runny sugar-thick water,
   and you know? out of the 5 litre holders for it...
i get about 10 pristine bottles of wine,
roughly in the range of 15% a pop...
                   from 35 litres i get about 10 pristine bottles
of wine... quality-wise: the stuff you'd expect to
buy in a shopping market...
       and that's the sad part...
it bothers me that i've waited for long for the wine,
i might have mentioned it a few months back that
i do actually make my own wine... but given the addiction
it's a product that could only last for something
worth celebrating...
                     these days people speak of a marathon's
worth of abstinance from the stuff for a month...
    which is a bit sad, given that if people ventured
into producing their own alcohol, they'd have
a Dionysian month of binging on it... and then having
11 months being sober... until the natural cycle comes
back, like the rare event of a comet...
    i'm sad i lost a few poems on the way...
but i'm also sad that the drinking should begin by spring
and that i'm ****** already...
                  that i'm still buying whiskey,
and when i do actually drink that one bottle of clouded
wine today, i'll feel a sense of the most minute accomplishment...
   i can't stop facing this industrialisation of
everything... whether it's alcohol, or art...
   or intellectual debate...
   sure, i'll listen to Breitbart for a bit...
then i'll listen in on how we've began mutilating
language... then i'll think of god, and recount
kant's concept: imagine the pangs of despair i felt
reading through the second volume of the critique -
if you do: you'd be surprised by what's involved
in transcendental methodology...
    what could possibly obstruct you in the existence
of: said word... not enlarged in religious practices?
   i am comforted by the fact that kant deals with
god on a non-religious basis...
    religious i mean: worthy of a reciting only one
book a thousand ******* times and building churches...
if god is merely lodged in your mind and allows
for a narrative, who is sane enough to take that
narrative initiative from you, considering the fact
that you're not bound to kneel and read only one
book a thousand times as if that one book held
the sole capacity for your vocab exfoliation and learning
of the alphabet?
     how can you ever be bound to a cognitive detestation
of god? that really must be painful...
considering that thought is so ****** whimsical, frail,
   picky, panicky... give it all you want...
you can't establish a cognitive detestation of god
  on the simple ground that thought is being bombarded
by a 5:1 ratio of the senses versus 1 non-sense -
    which god evidently is: given the numbers of
the good-church going folks... kneeling lunatics i call them...
but the simple fact that you want to do a lobotomy on
yourself with atheism, is a bit like saying
you'll censor the mathematical statement 1 + 1 = 2...
      at least the concept of god is: language exists...
and can i add to that? if a being as such exists:
he wouldn't consist of games... the verbal colliseum
of anagrams and crosswords... language you seize
to be entertaining... it would spell out a clear
format: a x, y, z      vector precision:
    starting from point (0, 0) moving to (1, 1),
  (2, 2)        to ( 5, 5) etc. you'd get a y = x graph...
   not a ******* parabola of nuance and political
chess... or nuanced ***...
                    and is that a.i.?
           well: the french question about man inventing
god because it would be useful is much better said
these days since we we have the capacity to create ourselves...
and given how it looks: i'm going to be a caveman
trapped in a two-dimensional world of the collective
consciousness by the time the true avant-garde in this
medium starts... creating a god became boring...
so many had to recreate himself in the robotic form...
    man is currently needing this exploration...
forget the space project... it's a case of definition...
but i'm still melancholic about the wine...
     i've been waiting to sniff it and feel the sharpness
of the alcohol for a good 3 months...
       and i really wish i could write in my native tongue
so easily as i do in my acquired tongue...
     i'm sad because i'm drinking the whiskey
prior, rather than getting completely sloshed on
what alcoholism looked prior:
    it's that curse of town insomnia and how we don't
celebrate enough of what comes with natural
cycles...
              which means that ontology is dead...
given we've managed to tame the seasons...
  means that any ontological question, based on
the cycle of wine-making, brings us to a more dreary
position than with nietzsche's god is dead...
look here: at least you have something tangible...
   you can't erase god from thinking...
it's the primost a priori essence of every, single man,
it's not an a posteriori fact,
god is there, in that a priori medium like space
and time...
                              and why do people never claim
that god can contain a dualism, primarily because
the herd is encapsulated by a monotheism?
              if god could ever be an a posteriori you'd
be forced to experience some sort of revelation,
and later encounter the evil contained within the concept's
dualism, so in actual sense: be considered mad:
for not making certain choices in life and wishing to
reach for the pulpit... mind you: i had such an experience...
and my life didn't become better for it...
     evidently i should have pressed harder for
the ontological argument of: marrying the girl...
but then the same ontological argument came back
to me when i started making wine...
                      meaning i could produce alcohol
on an industrial level... and forget any ritualism involved
in consuming it prior... since i would only be
left with an addictive socio-pathological use of the
once celebrated, collective engagement by waiting for
autumn to ferment and keep me warm through
the winter... which i suppose is when all the Greeks
were kept together... drinking and ******* rather
than bother to exploit natural resources like gas and oil...
but hey! that's just me...
         but there's a sadness behind this...
start making your own wine and you'll see it...
which is to say: i don't know whether i'd have lived
a happy life with my russian fiance...
             i have only a quantum idealism to mind
expressed by fanciying myself counter to the history
i'm writing right now...
    so why is god as a priori bound as time and space?
well... why would you otherwise get so many eager
atheist gobs to reach for an argument?
                  i find that the most authentic atheists are
murderers... why? they have transcended
    the cognitive debility of an atheistic argument...
      i'll prove god does not exist by "thinking" about it...
my my: what a lovely congregation you have there!
      i'm not even trying to be clever here...
  well... there's an antidote to this scenario...
               so he's permanently lodged in our a priori
  "consciousness" (might as well do away with psychiatry
******* about with its three-layer cake of
con- subcon- and uncon-) -
                   and he's not lodged in our a posteriori
"consciousness" - i hate becoming the fiddler on the roof -
because what then? experiencing the omniniscence
and the omnipotency and whatever other trait that ******
thing does, would translate as what?
     at best a monotheism... or a place where people concentrate
in numbers... not necessarily worths of being beyond
the estimates concerning their congregation...
            it's dangerous to claim a god in the a posteriori
realm...
                that's why the safest place to keep him is in
the a priori realm... where all the big things happen,
or don't happen, depending whether you're from New York
or Hiroshima...
                    and following from kant's distinction
in transcendental methodology concerning time and space...
and god...
                 it dawned on me that he did see a distinction
between mathematical language and the lingua of
  doodling and anagrams and all those poetic jives that
give no precision...
    if time... then space...
                    if god...            then nothing...
and how are dual in the a priori realm...
       only that with regards to time and space
i'm more likely to throw a 1, or a 2 into conceptualising
these things, than i am to throw an a, or a b into it...
    algebra is secondary in talking about these two mediums...
why? because i'll get a definite rationalisation of
time and space... if i tell you the fastest man on earth
can run 100m in under 10secs...
                       if i throw in x y z into this: i might as well
end this whole narrative with: oi! Zeno! give us
that Achilles joke!
                when i mean god i mean: medium of
communication... that's not necessarily a democratic
omni-versed plateau of sponging everything every human
has to say...
       but i primarily throw 1, 2, 3... 4, 5... 8, 9 and 0
into the a priori conceptualisation of time and space...
  but if i do the same when i throw in the other symbols
into the a priori conceptualisation of god and nothing -
sure, mathematical symbols can be phonetic encoding,
as one, two, three, four... five, six...
          but apply them as one two three four to time and space
and there's no way to rationalise time and space,
because time and space is met with a nonsense
in dealing with a phonetic encoding of 1 (as one) -
due to the vacuum of space... and the timelessness of
    time as a ref. point fixated upon... let's just leave
it with the vacuum of space... 2 overpowers two (because
of to and too), 3 overpowers three (because of free)...
4 overpowers four (because of for)... not only that:
but they're more about photographic memory
and visual conceptualisation ease - no one really bothers
   a - z to be anything more than: what they actually
are as phonetically: awaiting pronunciation.
sure... letter can become mystical in a sense of:
   y looks like a tree (other than pine),
           H is a rugby goal...
                               w is a cosine graph...
                    y is a serpent's tongue...
              but that's mysticism and that's also: fair enough!
what bugs me is the opposite of the a priori
magnetism... as opposed to space and time...
god and nothing...
     well... if i throw 1 and 0 into a priori thinking
about working time and space...
  i'll get, say: 365 days in a calendar year...
               or that the acceleration of earth if 9.8 metres
per seconds squared... (cubic gravity evidently
becomes a bit pointless -
                                        imagine it:
   9.8m/s(superscript)3...   or 9.8m(superscript)2/s...
or whatever variation...
no wonder the chemists got the ****-end of the stick
when they were told they weren't allowed into
the heaven of superscript... but sent to the subscript hell
of writing dwom oxygen... ah shame: Faust! i'm coming!)...
yes... but throw 1 - 0 into the a priori
"conceptualisation" opposite of time and space,
i.e. god and nothing... the best answer you can get
is matthew chapter 1 verse 8... or SIX SIX SIX!  boogie man!
well... not... you throw in the symbols α - ω
into the a priori "conceptualisation" of god & nothing
and you get, e.g.: δατυμ -
which basically means: it can't be meaningless -
       otherwise we'd be stuck with animalistic intuition
and intelligence, overloaded with sensual intelligence
and not marred by the murk of thought...
  how this devolution happened is beyond me...
  no amount of wit makes up for the sensual sharpness of
a monkey shouting at a congregation: spy! snake!
and all with the bare minumum of phonetic distinction...
    thus α - ω are slightly meaningless when it comes
to time and space, i know these symbols to enter
this a priori venture, but we're still primarily talking
about using 1 - 0 symbols to get at the knitting-work...
just like in verse, i say of a crossword
    sound of Valhalla (4),
                 and you say: 1 across... horn!
                              and then we get the pretty picture.
3a.m.
       and the wine ritual is about to begin...
      
Icarus M Feb 2013
There's a tree over there
that waits for its dreamer.

I have survived many.
And lost much
but to tell all would encumber several human spans
because
I have lived and longed.
I have learned and yearned.
I have waited.
At the train station, where existence can only be fulfilled
via a spiritual connection.
Bounded by roots that twist and secure
Soon to be bonded with thoughts
Floating through the sky, riding the air waves, see-through till caught
in a spider's web, or something like it.
And imaginary gets real.
Take in the matter
Scrub the void with scrounged emotions and colors
Pour in materials of lint and string.
Mediums with no particular conductance,
but taught it tight
and strum till the vibrations reverberate
and bring your idea to life in my wings
Because you are my dreamer.
And I am your catcher.
Hung on a wooden peg,
in your study.
Waiting for the day you
pick me up
and all your dreams tumble out and
materialize
and you realize
**who you are.
Initial idea was to describe a surreal explanation of what a tree waits for in its life. Instead I ended up with this. Tips on improvement to this would be appreciated.
© copy right protected
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
Ben Brinkburn Feb 2013
He walked briskly down the street matriculating prisms of light in the rhythm of the half-life gauging the calibration of the saints deluding angels with his card tricks keeping mediums amused with stories of Jewish cowboys in the old west towns like Tucson and Fort Smith El Paso and Los Alamos irradiated deserts and timber towers of purpose harbouring test wrappings and the allure of relativity the tease of light speed the promise of a new universe bore of a split nucleus of electrons freed and neutrons cowed sliding into a chaos of religious quest and the argument of philosophies both lost and found and true dichotomies and myths that excite but lie and serve sweet political purpose of mushroom clouds below home skies before they puncture the foreign and innocence lost on wide blue seas of dreams spiked with insidious isotopes walking the street wondering if he should forget should he discard and will we ever reach the stars
jonchius Sep 2015
resuming vogon poetry
altering website logos
pretending everyone cares
playing "east hastings"
asphyxiating well-nigh denouement
depicting twitter status
obfuscating coincident deletions

translating from Sḵwx̱wú7mesh
assuring Sḵwx̱wú7mesh exists
painting skwiḵw's mother?
decrying micropolitical maelstrom
imbibing fireball fountain
inundating lexical foofaraw

crafting poetic wonders
desiring other mediums
remaining practically invisible
ending internet-only depression

drafting noetic blunders
requesting astute clique
blazing perilous trail
aging ominous grisaille

depicting kmart realism
seeking darker groups
increasing pre-weekend laughter
appropriating communist symbols

making lone chuckle
offending worldwide communists
colonizing hello poetry
colonizing parallel universe

relaxing e-migration policies
пить чистую водку
photographing abduction scene
¿losing consistent format?

increasing bluebird insignia
avoiding frivolous legalities
striking astraphobic comments
assuming near-universal automation

lowering latent inhibition
traversing oneiric plane
laxwadding afebrile loodies
wallscaping pitchsourced chthonicities
closing one-star conveniences
sharing alien-looking alphabet
writing system downtimes
first week of September 2015
Bob B Nov 2018
For what would be a change of pace,
Check out this unusual place:
Persecuted groups came to create
A place where they could discriminate.
1840s gold rush dreams
Preceded years of get-rich schemes.
Nutty religious cults explore
End-time prophecies galore.
Believe whatever if that's your conviction,
Even if your "facts" are fiction.
You can construct your own reality;
"Whatever goes" is gaining vitality.
Anti-intellectualism
Accompanies attacks on secularism.
Fewer people think it's not odd
For leaders to wait for messages from God.
Satan's causing natural disasters,
For he's out to get us, according to some pastors.
Hustlers hustle the hustled, you see:
Religious theatricality.
Snake oil is sold for a quick fix;
Someone always has a bag of tricks.
Charismatic visionaries
Hope their income never varies.
Though P.T. Barnum is gone, we can say
That humbuggery is here to stay.
Homeopathic cures are widespread.
Devious mediums talk to the dead.
Scare tactics of foreign "invasions"
Keep popping up on numerous occasions.
Some have rewritten the history of the South.
Fake news spread by cyber "word of mouth."
Commingling entertainment and news--
Called "infotainment"--can spread one's views.
Acting out your fantasy makes you feel
That fantasy--NOT reality--is real.
People are duped by made-up scares.
The "National Enquirer" peddles its wares.
Cosmetic surgery transforms features.
People are abducted by strange space creatures.
The fantasy industry proliferates:
Fox News infects all fifty states.
Prosperity-gospel preachers are abounding,
Hoping their spiritual interest is compounding.
The war on the devil is not metaphorical,
For scripture, some say, can't be allegorical.
There are always the paranoid ones
Who fear the confiscation of guns.
Groups attempt to change the rules
So creationism can be taught in the schools.
Anti-establishment's becoming the norm;
Mistrust of experts is taking greater form.
Lies don't matter as long as you
FEEL that what someone says is true.
Some fear "invaders" crossing the border;
Others fear a scary New World Order.
Distrust places the media on trial
And fosters climate change denial.
Some say vaccines do great harm
And GMO foods are cause for alarm.
They say gun laws will only provide
Guns to "bad guys" with something to hide;
That regulations on any level
Of finances are the work of the devil.
A con-man leader will always keep spinning
The fantasy that with him we'll be winning.
That fake news is harmful and only distracts
People entitled to making up facts.
Voter fraud's still the talk of the Right;
Conspiracy theories keep coming to light.
Con artists boldly state:
Conversion therapy makes you straight.
If an alternate universe is in demand,
Then WELCOME, ALL, TO FANTASYLAND!

-by Bob B (11-12-18)

°Inspired by Kurt Andersen's "Fantasyland: How America
Went Haywire"
Patrick N Dec 2014
She loved to dance,
the music didn't matter much
It was the feeling,
freedom, surrendering,

I think it was a way of communicating for her
A switch of the hips,
tap of the foot or snap of the wrist 
Illustrated her innermost feelings

I could never read dance
So for me it was only ever an obscure but intimate moment shared

Spoken words are my tools and I amplified my pointed but spinning feelings often and in person,

With no music playing, no time to reflect or poetry to serve as a conduit,
She would freeze and struggle in the immediacy of my spoken words,

These tools constructed small wonders leaving her still
For all the wrong reasons

Dissonance grew beneath the roof of these wonders
Breaching the walls,  
always at nightfall,

We were slaves to our mediums
Our mediums enslaved us
 
She never knew the steps I was shuffling in were mimicking hers,
I didn't know the routine and her music muffled my words leaving them weak, 

Hindsight, reason and honesty our last chance to dance and speak.
Mateuš Conrad Jan 2016
the proust edition of la recherche i had, which i gave away to a charity shop; if you could stitch or strap the edition to my hands clenched into a fist (it was, after all a cheap 2 vol. edition), i could have knocked you out. no, i didn't read it, which is why many people never bother to use the dictionary, because it's always a one volume edition.

it became so haunting to have sang with david
with the lyre the lyrics:

             i'm happy, hope you're happy too...
             ashes to ashes, funk to funky
             we know major tom's a *****
             strung out in heaven's high
             hitting an all time low

it was so eerie i felt goose bump hoofs on my
cheeks adding for extra five o'clock shadow
that i never knew i had.

that's the thing about having european editors,
the ****** day, the whole theatrical approach,
it's just a ****** book of poetry,
it's not exactly an atom bomb,
but they sent the draft which i'm hoping to add
to with my *hoc erat in votis
to armenia,
Armenia, yes, once an incorporation of
the soviet rather than tsar's empire:
so jui-seph shtalin involved himself with the russians
from georgia, and my first idea sparklers will
come from armenia - good place to ask napoleon
to escape elba, i say, ol' chap.

and after the teenage girl hype period of an artist,
ziggy, you know what i'm talking about,
you get a process where an artist matures,
becomes prone to criticism, has no hype factor,
has no real monetary appeal to the less
hyped-up juice-of-genitalia army,
has to become a sensible economist -
there! catch him! that's where an artist
translates to other mediums his actual worth,
i feel privileged to have lived at a time
when david bowie released his heathen album,
one critic pointed that it was his best album
since the 1980 release of scary monsters,
so then i bought scary monsters...
i worked backwards...
i didn't feed the ziggy & space spiders from mars
gimmick / egoism, or even the rebel, rebel choir
of cult followers, and you know what?

              i'm happy, hope you're happy too...

it worked, now i can listen to the music like a distraction
tool, refrigerator buzz, ambiance, the freelance
artistry of it all, less care for kids, more care for
the insolent kids that aged and donned their employment
qualifications as 'art critics.'

but what i listen to isn't exactly what i write with,
it would plagiarise the thought process
so much that it would destroy it - the moment's gone,
the ingrained concept of time has allowed
for the same space of the origin of the narrative
to look different, even though nothing was moved.

so with this anglo renaissance circa 1950s -
1990s (nietzsche was critical of the reformation
when martin luther attacked the renaissance creativity,
no great composer in the counter-reformation,
just ignatius layola and the jesuits),
with the beat generation poets (preceding them,
the spirit of influence that was ezra pound
and no other i dare to admit, a seal-off point,
built a hydroelectric dam in nevada f. d. r. did)
you then had the explosion, and i mean it,
the EXPLOSION! 1960s psychedelia,
1970s ******* infused black sabbath etc.,
depressive 1980s with depeche mode iconoclasm
and the cure's slit your lips if not wrists,
the great digging of ***** duran duran,
scandinavian love hopes of a-ha, etc.,
then the shift back to the geographic place of origin,
seattle, grunge, rekindling of thinking man's
rock amiss the ******* fuel of the decade
with prog rock bands, i.e. tool;
and then of course the brit pop decade
(oasis, blur, the stone roses, the la's among many,
bands that still invoked a sing-along even
in such odd places like taizé in burgundy
for the wonderwall chorus)
and then... the death of it all...
artists getting rich, flamboyant, eccentric,
and the people seeing how they were "duped"
deciding enough was enough...
came napster, came pirate - ye har me mateys! -
and the death of the anglo renaissance
with kareoke culture - indeed if
the germans never conquered england,
and that book man in the high castle
by philip k. **** isn't true...
why did we allow the japanese to conquer
our culture? huh?!

p.s. when you realise all those 5.5K reads,
all those so called morale boosters... on websites
such as these, don't have a £ / $ in front of them;
and as i learned, after being reported to a website
similar to this accused of being a troll
for simply asking the long-ago standard
a.s.l. (age, ***, location) but only sticking to location,
losing some of the haul i'd liked to keep,
i realised i can lose that, no problem,
i rather lose that than lose what i have inside of me.
Hurricane Mathew

I ask a third or fourth time,

When is it supposed to hit?

I ask

one second time later

But it's the

New day

Not a one

And not a

crucial
piercing

blue day




A simple tiny little
                    You
Day


Reformat

My mind from memories


Thinking then

Then the thought

making steps
a bit more pleasant

Healing the try and burning the gauze

For a brighter

(And th3n)

purified future

The outcome father,

Has me quoting melodies
Closing my eyes

So that now I am seeing

My childhood's house burn


I chew the candy now


Pink...

... moving lobes


Moving...


the boys scratching your newly
(Insert ****** possibly insectuous) painted siding

And that wasn't remembering



That was
   (Or is it now)

Over and over
And it's over

Oh so oh oh


I mix my mediums

You've made a mistake



I mixed my mediums


Betrayed by blood magic



A sequence of sounds

The pen

A barn

And my
((And mine alone))

Crystallization

.

I wondered once
And surfed

I lied once
And shivered

I woke up
And spoke once

A pool of blood
((Nurses telling you))

It's a lot of blood

And the drummers shake

My death

My . .


I wish to say
My pen leaks


Wish and pray because of Saturday

So today I stay
  


   A madman

Oh...

so

mad
Man


Breathe wind breathe .

Breathing.

Win.

Win but breathe.


The shorter term breeze


And you'd say (I hope)


There he goes again.


Argh she blows.

Again.


And I continue this


A death without

A death  tasting oh but so foul


Picture me as I stay asleep


A microphone's pop

Ad

And the sweetest feeling of kissing me

Not knowing

I cramp too soon

And I hide
bug poison
In my thinning hair


But what is that?


Virulity is

And power....


And all of this....


It is abracadabra

It is alakazam.


Life is a few minced words..
Tragedy
Was it luck as I was awe-struck?
It is said that these gleaming falling stars are UFOs
It is also said that at times when UFOs land they then become IFOs... They come to fetch a king as the king dies
Sending him home to distant skies

OR was it merely a sign that the Pleiadians have landed?
Or other races beyond, from Lyra to Procyon
not to mention the bellicose Orions
we wouldn't see this of course
as all that would be would be what isn't and what isn't would be what it truly is
Living in Alice and her wonderland
We see politics and earthly government
but the point is to hide exo-politics, Councils and Houses

We would be asleep when the unseen god is an emperor of just one constellation
We would be asleep as the centre of the Universe serenades Gaia
We wouldn't see as Nihahua engages Sol
We wouldn't see as Tiamat rises to the fourth dimension for we would think we are asleep

We would think of raptures holy as they are protocol to transport souls to other planets
Yes advanced some are as they are 4D others even 5D
and a means of exchange not being money
so that makes our planet a child you see
These things you wouldn't know as they are cleared by the MIB's
These things you wouldn't know when mediums or channelers form religions
These things you wouldn't as hybrids and starseeds form religions
These things would seem ridiculous for you are programmed
You wouldn't know what to believe for restricted are tools to examine
You wouldn't know what to concoct when access to information is limited
It said some serve the upliftment of humanity
I'm talking about the Andromeda Council and Christos Council

From Babylon to Rome
Or was it from Atlantis to Mu then Ur? Before the Annunaki went to Sumer
From Rome to the whole world
Was it Nibiru which heaven was?
Are we really living in Star Wars?
Are we ruled by Star Lords?

Are we humans trying not to be aliens?
Or are we aliens trying to be human?
The strongest angel ever created, the weakest
a sad day in heaven
the angel of light then brought darkness
Not a mystery why light is sought after and its essence

I saw a falling star
Some are abducted, sexually indulged and barred
They are ridiculed in society as they are told that's how insanity starts
There are people who go missing in caverns, not knowing that they would be genetically manipulated and brainwashed
There are communicators of divine knowledge
They are called lunatics who feed ludicrous knowledge
We wouldn't know the difference for we are trapped in matter
We wouldn't care for the physical is all that would matter
From the Els to the Yahweh consciousness
From the Serpent gods to Sorcerer kings and Priest kings
Do we know where it all started?

Religion would be coded astronomy
The movement of stars, astrology
if we knew the galactic anthropology
We wouldn't think we are alone
Science fiction would present technology
Linear time would be no more
Wormholes the doors
The Ark of The Covenant a device used as a good weapon
We would know all and more of this if we saw more falling stars
We would know more of this if we weren't kept busy by the masters
We would know more of this if we stopped thinking we are free
Then we'd know who we are and where we are going
to that place of all knowing.
Listen to Niribu by TaMarah #np on #SoundCloud
https://soundcloud.com/tamarah-taesee/niribu
r Nov 2018
Woody   Poems  

22s
Ergo wherever I go: HP Nazis
19m
You've got to be ******* me? This is now "Under Review".
2h
Ergo the thumb

I truly believe that Eliot
is working on his Ph.D
in Psychology, and we at HP
many fine poets and good peeps
along with a handful of miscreants
(Probably Trumpian Nazis if you ask me)
are simply a part of a hypothesis he
(That being Eliot, the aspiring Psychologist)
is testing to see how good and bad humans
interact in societal mediums (so sad)
though seems such an obvious outcome
does he (Eliot, I mean) really need
that silly down-turned ******* thumb
to become a man of lettered degree?
Seriously, seems kind of dumb, me thinks.


*This was in the notes:

Please, you fine scholars sitting on his dissertation committee, just give him his letters, or not, and tell him to move on with the silly thumb thingy. It's become such a bore, like those attention ****** who like to employee it.
Grow a sense of humor and get rid of the freakin' down-thumb, HP Police.
Woody
Written by
Woody  In the dark woods.
            
18        Jean Fisher and r

r Mission accomplished for now. Go ahead and put both of us in the woodshed.

r interesting how quickly you made those -7 to - 9 hearts disappear on Smell of lonesome.

r  While you’re at it, HP POLICE, take a look at all of the negative thumbs on my poem The smell of lonesome. When are you going to do something about this kind of harassment? It’s not me I give a **** about. Other poets can’t even comment without getting thumbed-down. That creates censorship out of fear of even commenting on someoneelse’s poem. Do something about that and I’ll take your “under review” ******* serious.

0


1m
r

r  You go, Woody. Time for HP Nazis to pay attention to the harassment and those doing the harassing rather than censorship of poets pointing out the flaw in the **** thumbs-down *******.

0


11m
Nuestras vidas son los ríos
que van a dar a la muerte
que es la vida
Tu muerte más bien divertida Merton
                            (¿o absurda como un koan?)
tu muerte marca General Electric
y el cadáver a USA en un avión del Army
          con el
humor tan tuyo te habrás reído
vos Merton ya sin cadáver muerto de risa
también yo
Los iniciados de Dionisos ponían hiedra...
            (yo no la conocía)
Hoy tecleo con alegría esta palabra muerte
Morir no es como el choque de un auto o
                                    como un cortocircuito
                      nos hemos ido muriendo toda la vida
Contenida en nuestra vida
              ¿como el gusano en la manzana? no
como el gusano sino
la madurez!
O como mangos en este verano de Solentiname
amarillando, esperando las
oropéndolas...
                  los hors d'oeuvres
nunca fueron en los restaurantes
como anunciados en las revistas
Ni el verso fue tan bueno como quisimos
o el beso.
Hemos deseado siempre más allá de lo deseado
Somos Somozas deseando más y más haciendas
              More More More
y no sólo más, también algo «diferente»
              Las bodas del deseo
el coito de la volición perfecta es el acto
de la muerte.
                    Andamos entre las cosas con el aire
de haber perdido un cartapacio
muy importante.

Subimos los ascensores y bajamos
Entramos a los supermercados, a las tiendas
como toda la gente, buscando un producto
trascendente.
                  Vivimos como en espera de una cita
Infinita. O
                que nos llame al teléfono
lo Inefable.
Y estamos solos
trigos inmortales que no mueren, estamos solos.
Soñamos en perezosas sobre cubierta
                  contemplando el mar color de daikirí
esperando que alguien pase y nos sonría
y diga Hello

No un sueño sino la lucidez.
          Vamos en medio del tráfico como sonámbulos
                          pasamos los semáforos
con los ojos abiertos y dormidos
paladeamos un manhattan como dormidos.
No el sueño
la lucidez es imagen de la muerte
                      de la iluminación, el resplandor
enceguecedor de la muerte.
Y no es el reino del Olvido. La memoria
              es secretaria del olvido.
                    Maneja en archivadoras el pasado.
Pero cuando no hay más futuro sino un presente fijo
todo lo vivido, revive, ya no como recuerdos
y se revela la realidad toda entera
en un flash.

La poesía era también un partir
como la muerte. Tenía
la tristeza de los trenes y los aviones que se van
                              Estacioncita de Brenes
                              en Cordobita la Llana
                                de noche pasan los trenes
el cante jondo al fondo de Granada
En toda belleza, una tristeza
y añoranza como en un país extraño
                        MAKE IT NEW
                                (un nuevo cielo y una nueva tierra)
pero después de esa lucidez
volvés otra vez a los clichés, los
slogans.
Sólo en los momentos en que no somos prácticos
concentrados en lo Inútil,                         Idos
se nos abre el mundo.
 La muerte es el acto de la distracción total
 también: Contemplación.

 El amor, el amor sobre todo, un anticipo
 de la muerte
          Había en los besos un sabor a muerte
                    ser
                          es ser
                                    en otro ser
          sólo somos al amar
Pero en esta vida sólo amamos unos ratos
 y débilmente
Sólo amamos o somos al dejar de ser
al morir
        desnudez de todo el ser para hacer el amor
                          make love not war
                que van a dar al amor
                que es la vida

la ciudad bajada del cielo que no es Atlantic City
      Y el Más Allá no es un American Way of Life
                    Jubilación en Flórida
o como un Week-end sin fin.
La muerte es una puerta abierta
al universo
              No hay letrero NO EXIT
y a nosotros mismos
                                  (viajar
        a nosotros mismos
                  no a Tokio, Bangkok
                                            es el appeal
                        stwardess en kimono, la cuisine
Continental
es el appeal de esos anuncios de Japan Air Lines)
Una Noche Nupcial, decía Novalis
No es una película de horror de Boris Karloff
Y natural, como la caída de las manzanas
por la ley que atrae a los astros y a los amantes
-No hay accidentes
        una más caída
del gran Árbol
sos una manza más
      Tom
                        Dejamos el cuerpo como se deja
                                        el cuarto de un hotel
pero no sos el Hombre Invisible de Wells
              O como fantasmas de chalet abandonado
                              No necesitamos mediums
Y los niños muy bien saben que NO existe
que somos inmortales.
¿Pues puede el ****** matar la vida?
                                        ¿De la cámara de gas a la nada?
                    ¿O son los evangelios ciencia-ficción?
Jesús entró en el cuarto y sacó las plañideras
              Por eso cantan los cisnes dijo Sócrates poco antes de morir
                            Ven, Caddo, todos vamos arriba
                                    a la gran Aldea (bis)
-Hacia donde van todos los buses y los aviones
Y no como a un fin
      sino al Infinito
      volamos a la vida con la velocidad de la luz
Y como el feto rompe la bolsa amniótica...
O como cosmonautas...
                      -la salida
                                          de la crisálida.
Y es un happening.
el ******
de la vida
                                          dies natalis
                      esta vida pre-natal...
Dejada la matriz de la materia
                                        Un absurdo no:
                                        sino un misterio
puerta abierta al universo
y no al vacío
                      (como la de un ascensor que no estaba)
Y ya definitivos.
                      ...igual que el despertar una mañana
                      a la voz de una enfermera en un hospital
Y ya nada tenemos sino sólo somos
            sino
que sólo somos y somos sólo ser
                                                              La voz del amado que habla
                                                      amada mía quítate este bra
La puerta abierta
que nadie podrá cerrar ya
                          -«Dios que nos mandó vivir»
aunque anhelamos el retorno a
                asociaciones atómicas, a
                        la inconsciencia.
                  Y las bombas cada vez más grandes.
Necrofilia: el flirteo con la muerte. La pasión por lo muerto
                                (cadáveres, máquinas, diner, heces)
y si sueñan con una mujer es la imagen
de un automóvil
          La irresistible fascinación de lo inorgánico
                        ****** fue visto en la I Guerra
                        arrobado ante un cadáver
                        sin quererse mover
(militares o máquinas, monedas, mierda)
cámaras de gas en el día y Wagner por la noche
«5 millones» dijo Eichmann (aunque tal vez 6)
O bien queremos maquillar la muerte
Los Seres Queridos (no diga muertos)
  maquillados, manicurados y sonrientes
 en el Jardín de Reposo de los Prados Susurrantes
                            cf. THE AMERICAN WAY OF DEATH
                1 martini o 2 para olvidar su rostro
relax & ver tv
                  el placer de manejar un Porsche
                  (any line you choose)
tal vez esperar la resurrección congelados
en nitrógeno líquido a 497°
(almacenados como el grano que no muere)
hasta el día en que la inmortalidad sea barata
después del café, Benedictine
un traje sport para ser jóvenes, para alejar la muerte
mientras nos inventan el suero de la juventud
                    el antídoto
para no morir.
Como el cow-boy bueno de las películas, que no muere.
Buscando en Miami la Fuente Florida.
Tras los placeres anunciados en las islas Vírgenes.
O en el yate de Onassis por el Leteo...

No quisiste ser de los hombres con un Nombre
y un rostro que todos reconocen en las fotos
de los tabloides
su desierto que floreció como el lirio no fue el
de Paradise Valley Hotel
                    con cocteles en la piscina
bajo las palmeras
ni fueron tus soledades las de Lost Island
los cocos curvados sobre el mar
LOVE? It's in the movies
                    las irrupciones de la eternidad
                                fueron breves
-los que no hemos creído los Advertisements de este mundo
          cena para 2, «je t'adore»
                          How to say love in Italian?
Me dijiste: el
      evangelio no menciona contemplación.
Sin LSD
sino el horror de Dios (o
            traducimos mejor por terror?)
Su amor como la radiación que mata sin
                                                              tocarnos
y un vacío mayor que el Macrocosmos!
En tu meditación no veías más visión
que el avión comercial de Miami a Chicago
        y el avión de la SAC con la Bomba dentro
                los días en que me escribías:
My life is one of deepening contradiction and
                                                  frequent darkness
Tu Trip? tan poco interesante
el viaje a vastas soledades y extensiones de nada
todo como de yeso
                      blanco y *****, with no color
y mirar la bola luminosa y rosa como ágata
con Navidad en Broadway y cópulas y canciones
rielando en las olas del polvoriento Mar de la Tranquilidad
o el Mar de la Crisis muerto hasta el horizonte. Y
como la bolita rutilante de un Christmas-tree...

              El Tiempo? is money
es Time, es pendejada, es nada
    es Time y una celebridad en la portada
Y aquel anuncio de leche Borden's bajo la lluvia
hace años en Columbia, encendiéndose
y apagándose, tan fugaces encendidas
            y los besos en el cine
Las películas y las estrellas de cine
tan fugaces

                GONE WITH THE WIND
aunque reían todavía bellas luminosas en la pantalla
las estrellas difuntas
el carro falla, la refrigeradora
va a ser reparada
                          Ella de amarillo mantequilla
                          anaranjado mermelada y rojo fresa
como en un anuncio del New Yorker en el recuerdo
y el lipstick ya borrado de unos besos
adioses a ventanillas de aviones que volaron
                                                        al olvido
shampoos de muchachas más lejanas que la Luna o que Venus
                      Unos ojos más valiosos que el Stock Exchange
El día de la Inauguración de Nixon ya pasó
  se disolvió la última imagen en la televisión
y barrieron Washington
El Tiempo Alfonso el Tiempo? Is Money, mierda, ****
el tiempo es New York Times y Time
-Y hallé todas las cosas como Coca-Colas...

                                          Proteínas y ácidos nucleicos
                                          «los hermosos mimeros de sus formas»
proteínas y ácidos nucleicos
                            los cuerpos son al tacto como gas
la belleza, como gas amargo
lacrimógeno
Porque pasa la película de este mundo...
                                               
Como coca-colas
                    o cópulas for
                    that matter
Las células son efímeras como flores
                                               
mas no la vida
              protoplasmas cromosomas mas
no la vida
Viviremos otra vez cantaban los comanches
                    nuestras vidas son los ríos
                    que van a dar a la vida
ahora sólo vemos como en tv
después veremos cara a cara
                  Toda percepción ensayo de la muerte
                                      amada es el tiempo de la poda
    Serán dados todos los besos que no pudiste dar
                    están en flor los granados
todo amor reharsal de la muerte
                          So we fear beauty
Cuando Li Chi fue raptada por el duque de Chin
lloró hasta empapar sus ropas
pero en el palacio se arrepintió
de haber llorado.
          Van doblando la ***** de San Juan de la +
                        pasan
                        unos patos
                                                      «las ínsulas extrañas»
o gana decía San Juan de la Cruz
infinita gana-
      rompe la tela de este dulce encuentro
y los tracios lloraban sus nacimientos cuenta Herodoto
y cantaban sus muertes
-Fue en Adviento cuando en Gethsemani los manzanos
junto al invernadero, están en esqueleto
con florescencia de hielos blancos como los
  de las congeladoras.
Yo no lo creo me dijo Alfonso en el Manicomio
cuando le conté que Pallais había muerto
Yo creo que es cuestión política o
Cosa así.
¿Entierran todavía con ellos un camello para el viaje?
•¿Y en las Fiji
las armas de dientes de ballena?
La risa de los hombres ante un chiste es prueba de que creenen
la resurrección
             
o cuando un niño llora en la noche extraña
y la mamá lo calma
La Evolución es hacia más vida
        y es irreversible
e incompatible con la hipótesis
de la nada
Yvy Mara ey
fueron en migraciones buscándola hasta el interior del Brasil
(«la tierra donde no se moría»)
Como mangos en este verano de Solentiname
madurando
mientras está allá encapuchado de nieve el noviciado
                  Pasan las oropéndolas
                  a la isla La Venada donde duermen
me decías
It is easy for us to approach Him
Estamos extraños en el cosmos como turistas
                    no tenemos casa aquí sólo hoteles.
Como turistas gringos
                                            everywhere
aprisa con su cámara apenas conociendo
                                    Y como se deja el cuarto de un motel
                                        YANKI GO HOME
Muere una tarde más sobre Solentiname
Tom
                                          resplandecen estas aguas sagradas
y poco a poco se apagan
es hora de encender la Coleman
                todo gozo es unión
                dolor estar sin los otros:
                                                                            Western Union
El cablegrama del Abad de Gethsemani era amarillo
                WE REGRET TO INFORM YOU etc
yo sólo dije
o. k.
                            Donde los muertos se unen y
                                              son con el cosmos
                                                                      uno
porque es «mucho mejor» (Fil. 1, 23)
Y como la luna muere y renace de nuevo...
            la muerte es unión y
                      Ya se es uno mismo
                                se une uno con el mundo
la muerte es mucho mejor
los malinches en flor esta noche, esparciendo su vida
          (su renuncia es flor roja)
la muerte es unión
                      1/2 luna sobre Solentiname
                      con 3 hombres
uno no muere solo
(Su Gran Choza de Reunión) los ojibwas
y el mundo es mucho más profundo
Donde los algonquinos espíritus con mocasines
espíritus
cazan castores espíritus sobre una nieve espíritu
creímos que la luna estaba lejos
morir no es salir del mundo es
    hundirse en él
estás en la clandestinidad del universo
                                        el underground
fuera del Establishment de este mundo, del espacio tiempo
sin Johnson ni Nixon
        allí no hay tigres
                              dicen los malayos
    (una Isla del oeste)
                                                    que van a dar a la mar
                                                    que es la vida
Donde los muertos se juntan oh Netzhualcoyotl
o 'Corazón del Mundo'
            Hemingway, Raissa, Barth, Alfonso Cortés
el mundo es mucho más profundo
                  Hades, donde Xto bajó
                                                  seno, vientre (Mt. 12, 40)
                                                        SIGN OF JONAS
las profundidades de la belleza visible
donde nada la gran ballena cósmica
llena de profetas
                      Todos los besos que no pudisteis dar
                                                                  serán dados
Se transforma
....«como uno estuvo enterrado en el seno de su madre...»

                          a Keeler un cacique cuna
La vida no termina se transforma
                          otro estado intra-uterino dicen los koguis
por eso los entierran en hamacas
en posición fetal
                   
una antigua doctrina, d
Ethan Titus Nov 2014
Oh, how the mighty art fallen
Lucifer, son of the morning star
Behooved by manner of thy own devices
How pompous thou hadst become to refuse to bend thy knee to man
It was pride that filled thee to burst
Had it not been but a few millenia later
Even your knee would have bent to the King of Glory
Whenst He did stoop down to the level of man
Even you wouldst have cried out "Lord, Lord wouldst thou not take upon thyself my raiment of glory? Clothe yourself as a king, not as a commoner."
Were it so much that us being made of dirt and you of fire that your proudness could render thee blind to our beauty as endowed by our shared Creator?
Though our mediums be different, were the Crafter's hands not the same?
Wouldst thou haft only humbled thyself, a different world we could have
I pity and thank thee, oh fallen one
For showing me how not to be
Byron Sep 2012
I will continue to write in remembrance of his inspiration. For I am not committed to any form or force of expression rather I choose to indulge in the ***** mediums made with slow slurring and rhythmic outbursts. But they are devices to be pitied, dull and decrepit from years of tantalizing abuse by many rulers and scribes. Why did you leave Austin? You had so much yet to let me learn of an enduring and angst-riddled soul. The hours spend sitting, trying to decipher each other’s language and tone. I paced myself for the sparks we would strike on walks by the canal, regrouping each night, too wild and crazed to of known empty figures from friends. Sitting that night on the roof of who-knows-who’s home, looking out at the street lights of Magnolia, deliberating the finer points of it's message and meaning far beyond any hope of achieving any answer; just truly sitting silent inside, too moved by what we had seen. These rare eyes given to you and I finally found courage in those ceaseless evenings which only put humanity in question more and more, night by night caught furiously in the ebb n’ flow of monstrous possibility, of gentle breezes and the tyranny of thoughtless men. After you left  I stuck around for a while. It was dried up past my ability to stomach any more. I don't really know what was so undesirable about  friends we use to run flags with that pushed me away but they where a crowd I felt had nothing left to tell or offer me. In all honesty they began to sicken me thinking about how they sickened you. I didn't even want to wake up; to sleep through the Fridays and Saturdays where no one could find me. Resting in frightened dreams, windows open to the foxtrot-cotton air dancing on my face with a gentle appeal of conscious being that I may be fearless yet wrapped in all bliss and achievement. Still for you my friend, I carry those words; regardless of how many moments I run into that say otherwise. I can still hear your faith in me, resonating back off the wall again and again. Even on that night hearing moans from the room up stairs, your words carried me home and into bed; betrayal had no grips on my eyes. I saw past it. Beautiful-she: the depravity of all men, once and now to us, do we deserve more than colorful intentions that leave dust on our window seals. We deserve better than harlots running down the streets. We deserve better than those less than beautiful, with perfect faces covered in perfect carbon paint. No my friend I want the battered and scared who's lines glow ever more dissonant in the moonlight. I sat in the sunlight today by the water reading the Great Gatsby watching mallard ducks couple up and down, embroidered males chasing after brown stripped females, as boats passing by rippled the water with their wakes, crashing into the wall I was sitting by, pushing away. Two years are gone and I still can't forgive myself. What you have to understand is I still hold on to the depth of her hurt and from that I have learned too much already. The joys of fearing love and never admitting that I care for the hallow banter and easily forgotten confessions. Those half-planned collisions of flesh that never get the resolution they deserve, but rather twist in every moment they are deprived of such satisfaction; this is what animates me to write and stirs every voice inside me.
judy smith Nov 2015
NEW DELHI, INDIA: Rifling through sweaters in India’s first Gap store in a glitzy New Delhi mall, 21-year-old Ridhi Goel says her grandmother doesn’t mind how she dresses, as long as it’s not too revealing.

“She’s fine with me wearing Western clothes like a shirt but not jeans and a crop top,” said the journalism student, her grey leggings contrasting sharply with her mother’s colourful kurta.

Taking a stand for big brands

“All my family wears Indian clothes, but I find them too uncomfortable. I think maybe there is a generational divide.”

Most women in India still wear traditional dress such as saris or shalwar kameez — but the picture is changing, and on city streets, dazzling silks mingle with logoed T-shirts and jeans.

Young people’s appetite for Western clothes has led a fresh flurry of foreign brands to open up in India in the past few months, including US chain Gap and Sweden’s H&M.;

Others are expanding fast, including popular Spanish retailer Zara and British high-street staple Marks & Spencer, which in October opened its 50th shop in India, its biggest market outside the UK.

Fashion design outlets sealed for non-payment of taxes

Urbanisation, a growing middle class, rising disposable incomes and one of the youngest populations in the world make India hard to ignore.

“The time has come for Western wear to have exponential growth,” J. Suresh, the managing director of textile group Arvind Lifestyle Brands, Gap’s partner in India, told AFP.

“If you look at any girl born after 1990 she will be wearing Western wear. That is the generation coming into college, getting their first job,” he said. ”They will be completely clad in Western wear.”

While globally women are the biggest shoppers, in India men’s clothing dominates with 42 percent of the $38 billion market in 2014, according to consultancy Technopak.

Lucrative trade: Designers approach PRA in wake of fashion crackdown

Shoppers are also younger — the average customer targeted by Gap in its US stores is 35, but their Indian counterpart is five to 10 years younger, Suresh said.

Gap had a head start in India thanks to Bollywood megastar Shah Rukh Khan, whose ubiquitous orange hoodie in 1990s hit Kuch Kuch Hota Hai handed the brand a ready-made following.

But it is young Indian women, increasingly affluent and joining the workforce in expanding numbers, who are driving change, with data showing sales of womenswear growing faster than men’s.

And while Western clothes currently make up only about a quarter of Indian womenswear, their sales are outpacing traditional dress sales.

Experimental exhibition: Emerging artists explore unique mediums

A Marks & Spencer spokesperson cited its Indigo denim range and lingerie as two of its best-performing lines in India, with more than 300,000 bras sold in 2014-15.

“As an increasing number of women move into white collar and blue-collar roles, they are also adopting Western attire,” Devangshu Dutta, chief executive of Third Eyesight, a retail consultancy in Delhi, told AFP.

read more:www.marieaustralia.com/black-formal-dresses

www.marieaustralia.com/white-formal-dresses
Always there, Justin Tyme.  He's a good friend of mine.

This morning I went into the kitchen and yelled "you're toast!" and then I ate it.

A lovely response to a question:  "Does a bear **** in the woods?"
I reply, "What about polar bears???"

When people say, "Jesus is holy." Do you think he cringes?

My girlfriend told me that I had scruples. I suddenly became scared and made a doctor’s appointment for an STD check.

What did Ernie say when Bert asked to get ice cream? “Sure Bert.”


I find it interesting when people say,
"It's the quiet ones you have to "worry'' about.
I believe it's the ones who blend in you have to worry about.

"Awkward Silence" ??
What is so awkward about silence???
I believe people are awkward, not silence.
...................................................

I need some bliss so,  I'm going to be ignorant.


Along with his three Peeps, Hershey Kisses the Tootsie Roll Midgets.


To display their different mediums of art, the sky is the Gods exhibit and we are the critics.


For the Nondreamers:
You may look down on me as If I appear to have my head in the clouds.
Note to self: When you look up at the sky, I'm looking down on you.

Some say I'm cheesy...may be that I'm just Krafty.

I saw a sign on the freeway that said 'Exercise daily and walk with Jesus.' So I did. Jesus and I walked together laughing and smiling all the way to the lake front, but he kept walking...Then it dawned on me,  I forgot my aqua shoes.

"I tend to add a hint of lemon while preparing my sought after traditional Christmas goose."   Here's a hint, don't ruin the hint.

Ask a person with a lisp to say thimble and symbol...it sounds the same.

We are all artists who never put ourselves out for display.

Empty thoughts filled with absence.

What's on my mind is nothing, but what's inside is pure bliss.

I'm existing in the nonexistent.

God needs glasses and hearing aids.

Last night she nailed me harder than Jesus! (too soon)??

"I would be more than happy to give you an external hard drive."

"Ah, give or take.'' I'm confused...what do I do??

Good Friday??? Good God! That's terrible.  Put me on a cross and I'll tell you how "good" my day is...maybe we should consider revising the name of this holiday?

I'm a conductor who's lost his train of thought.
Maura Oct 2020
They come to claim the carcasses
whispering sweetly underground
tentacles returning energy back to the earth
******* and spitting
pumping their wisdom into the dirt

Swaying slowly craning their heads towards the sun
These humble creatures in clusters dot the wooded bog
their work mostly undetected to human eyes
speaking in ancient languages and casting spells
carefully tending the land,
keeping the peace

mushroom mediums
between the living and the dead
pulsing with fungal renewal
holding the power
of natures neural network  
a vast information of knowledge  
unknown
If only I could know what the mushrooms know
Stored up enough,
but the energy now takes on its
own purpose.
If only I could draw;
I'd create picture books
on exactly what the ending looks like.
Rough sketches left collecting
for many months,
before I ever once thought of putting
color to them.

The why, would be as mind trancing
as tracing catch phrases into the many
levels of dust accumulated.
I'd write something so cliché, like,
"With this oily finger I remove the collection of time."
or, "With this flesh ensconced utensil, I cut
through time."
I'll think myself so clever, that I'd forget
where I left off, and distract myself
again with writing.

A small recluse emotion of mine
objects viciously, but my attention to every
words incentive laced meaning would
leave the visual to again rest unchanged,
not colored.

So's the plight of one who likes to think
himself an artist. There's that scandalous
narcissist again just waiting to ****** you up,
reminding you just how beautiful your words
are, and how small in intellect those who
don't get it are.
Upon that shelf your pictures sit.
I can only write as a narrator,
because our "philosopher,"
"philanthropist of word volley, our
genius of word play,"
is once again too caught up in the
descriptors to finish the real
picture.

Not that this idea will stand the
test of time, but I do believe more
writers will commit suicide, selfishly
of course.
Oh, the tragedy, the malady of writing
so enigmatically that no one gets
your "deep soul."

While upon that shelf,
within a fiber of your overrun
writer's ego, there's a drawing begging
to be finished, colored, maybe even
shared.

But just where does it reside?
Did the alternate you place it
in plain sight, simply so it wouldn't be found?
If it's too early it just can't be worth it,
can it?

He'll have to learn to put down the pen,
rid himself of the whiteout, the erasers,
set up an easel, squeeze out some paint,
and realize there are other mediums
where there aren't mistakes, misinterpretations.
Only perfect imagery through wispy wrist,
sweeping arm, no words, images
are now your letter blocks to construct with.

Brushes, and all manners of paint your pen.
Stop being so foolish "Writer man,"
if your ego clings too sharply to words,
simply remind it,
"This could be another pen name."
"...I love that idea, what would it be?"
"Narcissist Ugly."

"So caught up, I forget I'm tethered to nothing, but doubt."
Darkin Nov 2013
temples of time
coloring my hands
my apparatus for creation
of things seen in the mind's eye
catch what falls from the sky inside
juxtapose yourself for once
make yourself symmetrical

we are a continuity of memories
we are a one of many chains of events

my protons
my codons

copies
self similar
life creating life
an ever sprouting flower
and waiting on the next turn
is one more glimpse
at the great mystery

think large
you are spiraling towards
an event horizon
every end result of every action
will be held on the surface of a point of no return

what do you do?
with your
drop of a
drop of a
drop of a
drop of a
drop of a
drop of
time in an ocean?

well for starters learn to swim
then remember you're water

go towards the shadow of true beauty
an arrow of eros to guide your shine

light in the sky
catching an eye

eros in the wind
ethos in the mind
body aligned
i'm not confined
except the lack of ethos in my mind
and the lack of eros in my heart
and the lack of courage in my will

find it in everything around you.

As the mediums
between ideas and sensations
we have a responsibility
for that which the gods can only be objects of.

And we carry it like wishes on the wind
towards the point of no return
never forgotten,
never gone to begin with.
http://en.wikipedia.org/wiki/Field_%28physics%29
http://web.physics.ucsb.edu/~gary/BH,Entropy,Info.pdf
http://en.wikipedia.org/wiki/Noosphere
http://en.wikipedia.org/wiki/Holon_%28philosophy%29
http://en.wikipedia.org/wiki/Eros
http://en.wikipedia.org/wiki/Ethos
All it takes
to be a Mystic
is to be willing
to take mental risks
for a chance at greater understanding;

All it takes
to be a Mystic
is to delve into the Void,
come back with some new thing
and share that thing with the World;

All it takes
to be a Mystic
is to be sensitive
to one's own Path
reminding others of theirs;

All it takes
to be a Mystic
is to not be afraid
to defy your Time, peers and Culture
to bring forth the Divinity inherent in everything;

All it takes
to be a Mystic
is not not be deterred
by what you are told, but instead
to be guided by what you feel truest in yourself;

All it takes
to be a Mystic
is to be able to interpret
and take things symbolically,
Mythos and Logos, synesthetically creating a new mutual Reality;

All it takes
to be a Mystic
is to be willing and able
to be a Prism for the Divine;
to purify the Mirror of your being;

All it takes
to be a Mystic
is to be Artistic; Creative and Imaginative,
not that the Mystic must be an Artist, or that any Artist is a Mystic,
but that the Mystic is most naturally expressed through the various Artistic mediums;

To be an example for the masses
of just how the many are One
as One is truly the many
and thus All is Divine:

How the Universe itself
and all it's inhabitants
are the expressions
reflections and
manifestations
of the Godself;
An illusion,
A Dream:
Godself
and self
is One.

--
All is a Chapel of Sacred Mirrors
divided by Mind
into Self and Other,
but all is truly Godself:
Collective Unconscious and Personal Conscious,
Brahman and Ātman,
Godself and Self;
One in the same.

Tat tvam asi.

All it takes
to be a Mystic
is to be willing and able
to look inward and learn:

Godself and Self;
One in the Same.
Mateuš Conrad May 2016
and oddly enough, H is the only letter in the alphabet that can accommodate vowels the easiest, and subsequently laughter. well m can too, but it's more of a jolly hmm in between sudden outbursts of h and co.*

and on Sunday i get to read
about a prince moaning
quote: 'at home on my ****'...
oi oi ***** Harry, where the magnum?
call on Clint Klein and head into the eastern woods!
'there be a bowl of spaghetti there waiting for ya'
the leprechaun said.
ah a job, ah a family, ah George the usurper
of attention seeking girlies...
10 years in the army, and then bust,
using a Ouija board to stop being
employed by McDonald's;
but hey! it's Sunday... can't a price have
his day?
              god, this humour is so cheap
                       it's almost gagging
                                  for canned laughter,
             but it ain't getting any, shame,
   and double shame for Fawlty Towers using it,
whatnot and what care for all that "famous"
                  intelligent humour of the British ballot box,
    supposedly... if that **** is intelligent & funny why use
                  such horrid precautions (psst... laziness)?
slapstick does it for me, means i can be intelligent in
other mediums.
Designs and Equations

Was it the ****** Void filling
or Pandora's box opening?
Was it Victoria's secret
or was it the intellect of victors?
Was it the prowess of Hector/Hercules was it?
Was it the influence of Arthur or Har-Thor was it?
What shapes this world?
Ancient Egypt, Pyramids and the Sphinx?
Stonhenge and oblelisks?
Mystery Schools and occultism scrolls?
Crystal technology shifting poles?

Perhaps the hips and curves of a voluptuous African Queen
Perhaps the fall of Atlantis
or the secrets of the Bermuda Triangle
Perhaps the enthralling dynamics of the Photon Belt
Perhaps the mystery of Shamballa
or maybe underground bases where vortex points are
Perhaps the missing Eyepods
Maybe ancient and present advanced civilizations
Maybe it was the fall of Mars or the destruction of Maldek
Maybe the hope of Terra par DOMA
Or a design from distant super universes
or the amphibian watchers of myths
Maybe you, maybe me, maybe we
The I I I I I's of this world
however our eyes blind for we ruin this world
If we looked long enough at the light would we burn out?
If we truly listened could we hear the music of the verses unison - universes created by the Divine Creator?
would we join it/him/ness? Would  we hear then Sophia being played as a harp and worlds conceived

Would we see a billion pictures as the cosmos are breathed?
and Karma come to be...
Would we learn of all life forms? Would we learn that there is more structural design than form? Would we learn that there are other mediums of activity apart from life?
Would we learn that structure is part of a larger paradigm of concentrated design?
Would we learn that universes are gardens and that there are worlds beyond the multiverse based on a hill and mountain orientation not dependant on planes?

Who shapes the world?

Our Souls from the ocean of love reincarnating?
The keepers of sacred knowledge at the temples of Golden Wisdom?
Walk-ins and starseeds? Cryptids and hybrids?
Wars or the Sun? The Peoples of the Moon or the base in Venus? The underground bases of Mars or The Order of The Phoenix?
Maybe royal and mob families?
Maybe government with all its true lies
Maybe the networks sustained by the simple minds of you and I
Whoever or whatever is responsible, either through sonic beams and energy manipulation, it is not so much the power of the Empire but rather the power we surrender.
Mateuš Conrad Apr 2020
.and very much so:
the royal albert hall... is not where you'd go
to watch ballet...
      unless you were going to watch...
an enlarged centipede pretend to stampede
on a treadmill...


high-brow my ***...
         because iron maiden's phantom
of the opera... did... does... predate...
andrew webber's stab...
                 hard rock 'ammer...
       as in... a paul di'anno bitchboy
                 scant-gimpwhore fan... etc.
the castrato operatics... later...
n'ah...               but that's oh so much
an origins story...
                    and hardly the evolution...

- that the phantom of the opera stands on
a skeleton of three songs...
revised...                morphing...

perhaps not, not that they are songs...
i'd have to sharpen my scalpel for
attempting the smithy deeds on words...

a skeleton of three themes...
       thus noted:

               "angel of music"
            "phantom of the opera"
    and... last but not least:
                     "masquerade"...

what a day... or what wasn't expected...
no one ever told me that:
a musical per se... differs so much from
a musical: for the stage...

by musical...
                 i'd be shaking to conjure up...
the screen musicals of a west side story...
etc. -

            and one can easily so tire of
this trap...

  and what of the internal jokes?
jokes at the expense of the opera...
              - poor fool, he makes me laugh
       - hannibal...
quite the jokes...
   having to draw the blood from
the mundane talk elevated to an operatic
context of song...

that a musical is... somehow...
when opera can be reduced to talk...
and can be thus reduced to:
the joker in a hand of poker...
   a whimsical little card...

the 25th anniversery of the phantom
at the royal opera house...
one can somehow forgive the electronic
attaches of the overture...
whether the electric guitar of the drum
machine...

   like one can forgive:
                 nirvana's unplugged...
at the end though...
   even andrew webber looks perplexed /
nervous... how did we get away with this?
i don't know:
the only style of genre that...
actually requires a stage and props...
and ample volume of space!
a theatre: since otherwise...
opera: pure technique...
                and prop minimalism...

and...

because can a musical: not require a stage?
does it indeed feed too many images
that need to be attired with quacks...
with feathers... with leather boots and chandeliers?!

now i'll toast! i'll toast to a new reason
to go down the alleys of ah bit tipsy:
itsy bitsy sniffing a bottle neck...
bloated from a champagne cork pop!

truly... if only the stage...
   that allowance to perform a performance
a need to perfect: always never:
the editor in charge...
   all those out-takes left to what life is
left behind the curtain...

     the musical of the movies of h'america...
whatever they might be...
to name but a few would be best...
           and if i didn't first see the phatom
on a television screen...
but in its natural environment:
with the volume of required air...
     i wouldn't have been able to choke
my tears...

and i have seen the theatre
and i have seen the opera
and the ballet...
                            i sometimes...
"sometimes": wearisome...
try to forget the maggot pit of phelgm,
sweat and ***** of a rock concert...
        of all the mediums...
         this jumbled up swedish table platter...
what a cocktail of a rollercoaster!

i could forever take off my garments
of jealousy: of which there's that pitiable
affair of a beard-envy...
                well...
                           well well...

how pristine: they even had a music-box!
in that crude relief of finding
"revisions" and alt. interpretations
of... perhaps it's only a matter of
two themes and that overture?

             and if it's song and dance...
       it's not a candy-smiles and tap-dancing buffet...
it's opera and ballet...
because... it's opera:
                 ha! empty these cupboards!
no one needs to attend an opera
like a foreign language movie:
with subtitles running on a FTSE100
reel above the stage...

                      the musical: is the reinvention
of the opera... a musical is an opera...
with mild added animation of theatre...
and there's a pinch of ballet!

          this will most certainly not translate
into me liking cats... or les misérables...
       this will do...
                   sing-along / sing-through?
and everyone is, suddenly... equipped with
a deciphering ear to translate the over-infuated
vowels of an operatic breath?!

- and very much so:
the royal albert hall... is not where you'd go
to watch ballet...
      unless you were going to watch...
an enlarged centipede pretend to stampede
on a treadmill...

- but if someone would tell you...
a musical... west side story? yes?
     i'm pretty sure it would be all about:
singin' in the rain... fair enough...
             but all for that popcorn entertainment...
and the tap-dancing...
and chewing-gum advert smiles...
and all that technicolour dabbling...
and all those heavily bothersome editing
processes... like... the plumbers
most associated with veins and arteries?
sorry: the romanians are picking the fruit
and veg for the next: x-factor star...
the next youtube vlogger breakthrough chart
topper...

blunt and ******* obvious...
      and how has english changed since Dickens?
i made a note of...
because i will not make notes
of what's already passed...
a direct etymological association with a loan,
word...
  not from dutch, german or french...

       SA-LU-BRI-OUS
            (healthy...)

                   PER-EM-PTO-RILY...
         (not being permitted a denial)

that 19th century victorian english that...
just had to loan words directly from
latin... this much of reading Dickens remains
in me... after having just experienced
a blitzkrieg of a musical: proper...

there are still the same old nooks 'n' crannies
for me to find shadows and moths
in...

    because: i am most certainly the one
about to cite: they took away my circuses!
and m'ah bread!
there's no football! well... no football?
goodness me! what are, what are...
the alternatives?!

         opera you can... disregard...
theatre if... movies are your...
ahem... sartre's curiosity with the keyhole...
voyeurism: to exist is to be seen...
but only through a keyhole...
                     which movies aren't, of course!
the editor comes in...
even in the golden age of cinema...
the panoramic view... resembled a stage...
and in the old movies you could
time... the editor taking charge...
and how long it would take for
the actors to forget their lines...

            not that that matters... given...
there's no stage... but the red carpet
of postures and toothpaste adverts...
and paparazzi *** epilepsy from the strobe
glitter ball of the leeches congregating!
not even vultures make such a spectacle!
i saw the same...
then the concrete was layered with enough
frost at night...
the crevices would become impregnated
with diamonds of ice...
every twist of the head would
agitate these sparkles toward imitation
of a flash!

there's a "musical": in the advent of the h'american
sense... and there's: a musical...

- and if you happen to hear a subtle joke
by evelyn waugh in the meantime:
at the better for you...
              what is an encyclopedic "ogling"
within the confines of scrutiny:
that man may forever be attired...
and the genitals just dangling like
champagne flutes without any,
any sort of, scrutiny of...
not having to play the Oedipus!

               here's a fork... here's a donkey...
here's a spoon... here's the Schleswig-Holstein
and its siege of Westerplatte!
here!
   the Schleswig-Holstein tenor of
                           the opera: Westerplatte...
oh joy: a "my" in a "history"...
and none of it an affair that might...
disturb the peaceful lives
of those lived: under the splendour
of a charles II and a handel firework's music
to have to somehow: "put out"!

clearly: i'll be dying from the ******
of all the collective forces of the universe
and gambling and... oopsies...
i am here... and it's not that sort of grey...
pistons assured!
- had i the face of beauty...
beside starring as a tadpole of potential...
a voice with a stage to make outlet with...

- what could ever become of this...
jigsaw puzzling overdue do...
                         the narrative in the classical sense:
hardly what, and what not:
this vector and the in-between
from some mythical (a) toward a journalism,
and weekend opinion pieces...
and all that insomnia riddled "journalism"
of the current year of crux denoted with
a (b)...

               all true: from darwin and the "big bang"...
and of course... time shrinking...
in between... beside carbon dating...
and let us not hear of things speak
for themselves: but ourselves!
untrue! hercules!
untrue! prometheus!
untrue untrue untrue!
but darwin and the ape: nod! gentlemen!
we have proof!
myth or no myth: but a journalistic integrity!
that's enough proof! for today and tomorrow!
and... what's not the fiction that's already
memory?

and what is... this imagination that's...
not a single street witnessed of Paris
in the circa of the year that was... 2004...
or 2006 or 2007...
                      
for the art... and this detail of science that
once upon a time shocked...
now... only comes... burdensome...
a ballet on ice... a shaking of hands with
a shadow... something beside this:
base revision of culture and civilization:
this bogus lopsided quest for:
re-inventing... nothing more... than a zoo!

so little must have happened in the case
of english history...
this hannibal and the mountains...
but what curtain: the great wall of china:
built among the mountains...
ingenious: doubling-up?
  xerxes whipping the waves of the aegean...
the great wall of *****-chewing-wall'ah...
i dare become the new albino...
i dare... and i the next japanese porcelain
frailty...
               many thanks: for the <caugh caugh>...
hooray!

              oh my mother:
the cindarella of nations of europe...
         i seriously can't do much worse than
that cocktail and carboot sale of tchaikovsky's
1812 overture...
   it's an overture!
              
really? the phantom of the opera is because...
of the overture?
last time i heard... prokofiev's lieutenant kijé
(kij - stick... kije... sticks)...
romance... was all a rave! "rave"...
              a nibbling at a crescendo...
    but hardly: then again: a nomad chorus...
a reminiscence... a memory lost: yet foretold...

and if... the anonymous provider...
of the full extent of the carmina burana...
      what if?
        i play... this cliche... this... my most
democratic oath: for the bettering of the voice
that could allow the congregation of
the many! my democratic oath: my quasi:
civic duty... me joining the club of the most
sober bottom's-up! pick'ld-week!

                 such are the affairs... hardly a worthiness
of a frenchman of pander...
or of being so blessed by an island...
when being neighbour of europe...
and easily bound to be found because:
france never too interest in the robot antics
of the scandinavians or what
was ever to be assured by iceland!

thus came the crude: skeleton waiting
to be refined... a peter schteele interlude of:
fancying a giant to a tumble...
i will not satisfy myself with a biography
outside of the realm of immediacy...
how do people write a biography without
the peacock of whim and of what's readily
available? a biography with a past...
automated: futurism... n'est ce pas?

         - i escape for the transcendental relief in
beauty... my own lack...
therefore better neglected: rather than denied...
it's my own that Belzeebub should
****** with maggots and acne synonyms onto
my face...

          i escape for beauty... not... sorry...
pardon my fwench: a ******* conversation
of the paupering sociopathic sort of
a job trotter sordid kin'!
                  if only crocodiles could cry...
they'd be warm-blooded...
and i would be year after year
an oscar nominee for a toast
of best actor at the oscars!

          pity... pity and the subsequent
dumbdrum!
                no! i do not want to guillotine this
affair with the autobiographic as long
as i am drinking and not any champagne
in sight... or... schnapps...
              
i best be off... this is enough frivolity
of the heart for a day's worth!
Smiles Dec 2014
Your mind is on the moon and your heart is the sun
The guilt of yesterday beating down in waves that leave me floating helplessly in your atmosphere
Without a helmet i am hopeless
No guidance as my thoughts wander through time and space through no mediums of significance
If only i could see your face. Embrace for impact
The lust for landing
Closure
Solid ground                            
To feel safe and sound
This world we create for ourselves
This interstellar wonderland
Lets lose our way
And save it for a rainy day
Find each other again in the midst of a storm
And our love is reborn
Taylor Nov 2014
I listen to different music
I read different books
I dress in different clothes
But I still love you

I have different friends
I write different poems
I date different people
But I still love you

I wear different cologne
I draw with different mediums
I play different instruments
But I still love you

I’ve tried everything I could
Everything to change who I am

But

I’m still

falling

for you

I’m still yours
And it’s not fair
Kay-Ann Apr 2021
I may not be as
horrible as hunger burning
like salt in a wound
or as
cruel as centuries of colonizers
but I can be almost
as unbearable.

When the weight and wrath
of reality seeps in,
I spew it out.
I take others along for
a weeping woeful ride,
knowing all too well that
my universe of pain is so intense
that they would live in it too.

I saw no problem with this
until the wrath was no
longer mine but the world’s.

Now I try to
sit with the feeling
instead of becoming it.
I never want to be
the one who does not
get to collect
a new harvest of mangoes
worrying about the rain.
Sean Critchfield Jun 2013
Even now, as we lie here, heartbeats like a metronome for the coming storm, I write songs in my head for you. And though my voice will never sing them, they are the soundtrack of your kiss. Each record scratch on my heart like a pressed vinyl love letter. Shaping my sinking chest into drum skins that my pulse beats against.

If I were covered in magic dust, you would be my happy thought. And all my childish notions of what it means to be romantic would be written down the sides of Chianti bottles in melted wax, like an oak. And in that bottle we would keep our hungry mouths.

And still I find my heart adrift. Ripped sails and ropes leading skyward like veins. Split and tattered and stitched haphazardly together, waiting for the lightning to strike twice and bring it to life. My throat a bricked flue, leading to an open mouth, spitting smoke from the torches my heart fears but always seems to carry.

And I stretch my spine skyward. Trying to wedge my head back into the clouds but manage only to cast the shadow of an orchid that has begun to lose its color and wilt at the edges of its wingspan. Coming to terms with the idea that it may never be picked. Not even its petals, even numbered like a deck stacked against it that it might lose in a game of being loved and loved not.

We want for a little more time. Arm wrestling clock hands into submission with god like fury. Ticking tongues to dampen the prophecy of false mediums. We practice fighting so we may fight for each other. Fight for the greener grass on the other side of the pavement walls we draw our chalk hearts on.

The clock tower is a lighthouse. The lighthouse is a windmill. The windmill is a giant. The stories never end.

Even now as we lie here, heartbeats like a metronome for the coming storm, I write bed time stories in my head for you.
John Ropoulos Sep 2014
A story about a captivating woman I know and care for:

      The city was dark and desolate, filled with vermin, decayed. She walked down the different lanes of alternative artistic mediums, listening for a place where her soul would find itself.  Empty dilapidated homes, homes that people seemed to have lived in though there was no sign of them; there were no misplaced lawn gnomes.  There were empty clay pots.

      Down a dark alley she found a concave mirror, she stepped into it.  The heavens rumbled and the stars condensed and exploded into black holes and gas giants, the Milky Way sped up its rotation, the sun became brighter, and the Earth was scorched.  Just the order of the day.  Then she stepped out, covered in a sunburst gown, her hair had gone from midnight dark to sunrise bright, she looked back in and smiled.  Just a smirk.  She walked up the dark alley as every step breathed new life into the cold concrete.  The sound of music played.  Flowers and trees sprang up from the cracks, more were created.

   She laughed loudly and from her lips beams of light showered forth onto the cold earth.  She flung her hair back and water shot forth from its motion, the streets flooded.  Two men in a boat, one wearing green the other a light lavender came rowing to her.  He asked her, “Which one do you think is asking? Which one do you think believes?”.  She smiled.  Then she awoke, to find herself on her knees, hands together pointed towards heaven.  All she had to do was ask, what music was playing?

- Life
Charlie Chirico Aug 2012
Too many mediums.
The simplicity of conversation,
died today.
Died after the eighties,
because,
the neon lights,
and lines of coke,
wouldn't last forever.

You can't buy a cup of coffee.
Take your drink from the counter.
Move out of line.
There isn't a payphone inside.
You couldn't order a large.
It's a Starbucks.
Ask the homeless man in the bathroom,
shooting his dreams,
into his arm,
if you can borrow his iPhone,
to make a call.

And **** it all to hell,
if he asks you for change.
You only have a card.
Your piece of mind,
comes with a receipt.
But give him credit,
because he'll take an I.O.U.

Light your cigarette with the same hand,
holding the coffee.
Pass by people that do,
and people that do not.
Exhaling smoke,
some to which is blown,
up an *** or two.

Today is Tuesday,
or Friday,
and you have work,
or you don't,
but right now,
you are where you are.
At this moment,
there aren't any expectations,
but your own.

And when payphones,
become fewer,
and fewer,
You can take solace in knowing,
that calls will come,
less frequently.

*But a business card is mandatory.
Ken Pepiton Oct 2018
This one day I was awalkin' down the road,
to Chicago, winter o'seventy, worst in thirty years,
'saw this young fella in a army jacket, shiverin',
his feet was cold.

I walked up and said hello, you don't know me,
but I saw your feet was cold.

I got some dry socks and bread bags that'll
keep'm dry, you can have 'em if you will.

He said thank you, sir, real polite, but
cold feet is what I'm gettin' past,
gettin' over it wit m'mind. A guru taught me.

Ain't working is it?
I saw your feet was cold.

Nah, it ain't, now yah mention it, and I'm hungry.

So he bought me a burrito, and I told him about angels,
and how some say cold feet are symbolic,
one told me once,
many's the wish gone awanting
for lack of a reason to try.

I had cold feet, back then.
walkin' to Chicago, tryin' to. Again,
wit my mind. And bread bags, this time.

Angels, I believe in, they all are helpful as can be,
within parameters, y'understand, but evil angels,
ain't no such a thing.

Not no more any how. Jesus fixed it, came and saw,
damright, conquered war by loving and forgiving,

All while the Iron-legged montrosity from Italy,
was squishin' Jews and Christians in mud

that stuck like clay to the Iron-legged beast.
Ironic, ain't it?

You don't know? Whoa. These are the last days,
all the sealed up stuff that lion's den guy
got from the angels, messages from YodHeyVodHey,
Jesus's our father, from the prayer,

on earth as in heaven? There ain't no evil angels
in any heaven you ever imagined somebody imagined.

Loki, don't count. There's jokers in heaven.
Probably.

Mark Twain imagined a hellish heaven,
but saw no evil angels there.

They're mythic materially, literal wills o'the wisp.
The idea of evil hybrids,
that was then.
This now, now angels are all they ever were,
messages in the medium.

Mediums are something past medium now, hot or cold,
media-evil memes can manifest from a mob in the medium,
but they are bubbles,
right? Professional testers of the patience of the saints,
protesting the end of time,
so what?
I keep hearing words that are fun to write, so I write them. And I like the idea Sam Harris has about what Jesus bomb might be imagined to do, if all things are possible under these circumstances

— The End —