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Karijinbba Apr 2020
Not a poem,;

A Repost:
Stay healthy beloved readers. I send you all my healing love:
~~~~~~~~~~~~~
Use apple cider vinegar or any vinagar asap even if you feel no tickle add sea salt gargle gargle gargle every hour if possible before and after eating! Or blend garlic and add vinagar gargle it!
men please do it! Go bathroom kitchen sink and look up at the ceilling open mouth wide gargle deep it shall burn a bit spit it out  do it sgain many times until it hurts no more.
Acid gets virus hiding in throat to come out and avoid getting the bicho nano bug into your lungs!?

A healthy immune system begins in the gut with a healthy balance of beneficial bacteria.

For far too many Americans, Candida overgrowth compromises the immune system, as it is constantly fighting the battle to keep Candida in control
If you do become ill, DO NOT feed the virus or the Candida with sugar. Yes, you need to drink a lot of fluids, but don’t drink sodas and sugary juices at this time. Cranberry unsweetened read lable cocktail has sugar get unsweetened one or grandberries fresh into blender or lemonade with stevia is a good choice. Try it warm or cold.

Gargle. Gargle. Gargle. Gargling lowers the viral load, leaving your throat body with fewer invaders to replicate.

So sip on this Mother Earth Organic Root Cider warm. Cold’s and flu often start in the throat or the nasal cavities.
At the first sign of a sore throat or sinus infection, sip on the root cider! If you don’t have it, use apple cider vinegar
Also flush your nose deep each side lean over sink to right and left sides flush nose for God's sakes alternate sea salt baking soda or use vinagar to nose too!? Rubb garlic on your nails eye bows.

Also, remember that a fever is one of nature’s means to fight infection.
Of course, you don’t want it to get too high (higher than 102) and drink plenty of fluids to prevent dehydration.
Filtered apple juice has boron brings down fever fast 4 to 6 onz every hour or if too sweet delute it half water half juice!
Vitamin A, vitamin D, vitamin E, and vitamin C are all vital nutrients for the immune system.
If you have any lip mouth sores you need to ballance minerals too much vitamin requires minerals fulvic humic

If you take high doses of vitamin C to fight a virus, remember that you should not abruptly stop taking vitamin C.
You should titrate down.
Vitamin C is needed by the immune system to make interferon, which the immune system produces to protect healthy cells from viral invasion.!!!

Zinc has been proven to be effective against the common cold and to be effective as a topical treatment for ****** sores.
ZINC It is believed to be effective due to preventing replication of the virus.
The immune system needs selenium to work properly and to build up the white blood cell count.
Berberine is an alkaloid compound found in several different plants, including European barberry, goldenseal, goldthread, Oregon grape, Phellodendron, and Coptis chinensis.

It has antibacterial, anti-inflammatory, antiviral, anti-parasitic, and immune-enhancing properties.
It’s been proven effective against a vast array of bacteria, protozoa, and fungi.
It can be used topically on cuts and other wounds, and it’s perhaps most commonly used to treat gastrointestinal issues.
Probiotics are always helpful in maintaining gut health, especially when the body is under a viral attack that involves the digestive system.
Probiotic foods and drinks without added sugar can help maintain a healthy balance of bacteria.

Garlic is anti-viral, anti-fungal, and antibacterial.
You can take garlic in a tonic or if you can handle it, chew raw garlic.
It not only will help fight the virus, it will help **** any secondary infections trying to take root.

Echinacea not only supports the immune system, it also has been proven to reduce the severity and duration of viral infections.

Colloidal silver is believed to interfere with the enzymes that allow viruses (bacteria and fungi as well) to utilize oxygen
A double-blind trail showed elderberry extract’s ability to reduce symptoms of influenza and speed recovery.

It also showed elderberry’s ability to enhance immune response with higher levels of antibodies in the blood.
It is believed to inhibit a virus’s ability to penetrate healthy cells and protect cells with powerful antioxidant S. Elderberry has also been shown to inhibit replication in four strains of ****** viruses and reduce infectivity of *** strains.

The flavonoids in green tea are believed to fight viral infections by preventing the virus from entering host cells and by inhibiting replication.

Though double-blind clinical trials are needed, olive leaf extract has been shown to inhibit replication of viruses. In one study, 115 of 119 patients had a full and rapid recovery from respiratory tract infections while 120 of 172 had a full and rapid recovery from viral skin infections such as ******.

Pau d’arco has been used in indigenous medicine for generations. One of its compounds, lapachol, has proven effective against various viruses, including influenza, ****** simplex types I and II and poliovirus. It is believed to inhibit replication.

Studies have shown that glycyrrhizin, a compound found in licorice root was more effective in fighting samples of coronavirus from SARS patients than four antiviral drugs. It reduces viral replication, cell absorption, and the virus’s ability to penetrate cells. It is also being used to treat ***.

St. John’s Wort has been proven effective against influenza, ****** simplex, and ***.

If you’re prone to viral infections or are dealing with a chronic infection like ***, as mentioned above, the first step is to get your gut in shape. This is absolutely imperative. The best article to do that with is Best Supplements To **** Candida and Everything Else You Ever Wanted To Know About Fungal Infections & Gut Health. Everyone who is chronically ill has an abundance of Candida. Yes, everyone.

Provided your gut is healthy, or if you just feel the need to skip that part, here are the supplements to take in order to make sure your immune system is able to fight off viruses:

While there are most supplements listed above, the combination of these listed here is more than enough to balance out the body and ward off viral infection.
~~~~~~~
A Repost By Karijinbba.
love kindnes helping one another
call neighbors help or ask for help...ask.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Robin Carretti Jul 2018
F- For being faithful like a forbidden fruit truthful
R- Ruler of fruit so passionately about his love bite
U- Understatement how she layered her
salad love ingredients
Google it
Utmost website take a bite
I- Included in everything We know it the poets
Ring coming like diamond my fruit of the crop
T- Timing, Fruit for thought rhyming tremendous
but tedious fruit-salad love

I- Truly   

S- Strawberries lips of cherries falling from the tree.
Feeling free Robin bob bobbin along loves strawberry pie
A- For such ambiance, Miss Ambrosia
such allure "Pink lady" apple smiles so
animated graphic artist so cool and waves shore
L- For Living eating in good health breathing
the fresh air Earth Baby Bella green lettuce.
Lacy Length of her wedding bodice spiritual rice
he promised her hand in fruit bountiful marriage
A- For a party of love fruit masquerade party
Connoisseur of fruit smarty oranges
vibrant animation fruit forever apples,
I tune's of apples
D- Divine dressed up with layers
of fruit salad
Devilish eggs toppings designs of
dandelions daisies, fusion
with fruit crazies

D-  Digging exploring forbidden fruit
Cranking up the Cranberries
I am dreaming the Blueberries
No Sir, not your Monday blues
Dow Jones way up I Apple phones?
R- Rev it up Robin Recharge, rambling
lucky reds fruits
Italian the lovers of red wine and a salad
avocado smashing up her Money green
Eldorado entering her fruit palace

                      She rules

E- Energy vitamin E for exceptional inviting
fruit salad with everything piling
Elderberry Evergreens Huckleberry
S- Symmetry art salad Palm of hearts
Fruit season
love storm style sophisticated a poem with
the style you're sure to smile
S- Autumn leaves falling on the
sleeves crabapples
Silver smooth skin Kiwifruit sour cherry on the
          " SILKY"
Dogwood in the Sierra Juniper
E- Enlightening some enchanting evening
how his love fruit fell from the tree
His fruit for the soul so enthusiastic you loved
to entertain this is love fusion nothing simple
I am not one to complain

D- Dressed to the fruit nines perfect 10 salad
Mad Alice in Wonderland hair so much hair
obsessions love of fruit blueberries and
she's a bit sour cream
with daisies and dandelion teas all,
please and what else is another
fruit of a pain
To remain in silence but that burst of flavor
is like science fusion of soulful rain

F- food for thought furry but fireplace hot
love frenzy comfort foods A la carte frosting
"Buttercream" food pleasant dream
The freshly brewed coffee I never heard of
fruit your in luck
Blueberry coffee homemade Moms
I  girl scout you brownies and
Saltwater sea fruity buns of a breeze

U- Unique how you utilize passion-fruit
prize music
fruity Pop blend fires out up-tempo
your feeling unbaked
Not the right ingredients of love fruit cake

S- Serendipity New York City the
fruit never sleeps fruit stands love for
keeps or Dorothy surrender spices
of Sage Superfood salads

I- Yes we have bananas wearing paisley
bandanas fruit is ripe to improve a love
how it's written
Inkwell an index of fruit swell

O- Out worked outlived on time for only
fruit about the abundance of love
So soothing the fruit tunes of his music
Overjoyed Silk Organza

N- Gift of fruit not like any other day
Neighborly of kindness just dress
Organza Gown of fruit
So naturally spoken love so near Fruit salad he left a notorious love tear.
This is a fruit all numbered to our soul now we must be focused on only fruit I have ways to make you into a salad
David Beresford Apr 2010
Many are the word and phrases
Other minds can oft times frame
Laughs and tears our efforts gain us
Eternity is not our friend

More there is that we can utter
Open minds may let us see
Lovers foemen heroes vile-ones
Even these we must defend

Maybe we can live in concord
Only time drags at our heels
Lives we have and we must live them
Exist Believe become be real
So we are and we descend.
Robert Ronnow Aug 2015
Sun and traffic - day economy.
Six a.m. drive to plywood mill. Too tired
to be angry. Each day a step
toward death. What is being accomplished? The
small satisfactions
within each day. Book consciously read.
And frustrations. Package dropped, honey jar broke.

One of 175 soil types. With the fifty
tree species
comprising the canopy under which Eric and Lisa clean
      their baby's face.

Sun in winter, old apples.

Inside the school
a brilliant but rebellious history teacher
is suspended by the school board.
200 students
wearing armbands and painted teardrops
protest. Another 400
are silent.

Within each structure
human dramas and routines.
Nancy will not love
any man who cannot do as many push-ups as she.

Trees grow,
porcupine **** in snow.

No job,
no niche,
no existence.
How you earn money is who you are. You are
what you do to get food to eat
and shelter from the winter, summer heat.

Each morning I seek God
by holding still
waiting for the smoke to be black or white
coins heads or tails
wind dark or bright.

Flock of evening grosbeaks
nipping maple buds:
the sign I need.

                   --------------------------------------

Less need =
more wealth.
2/23/89. So much equipment just to sleep.
More than a bare floor.
Plumbing vs.
wash at stream, find a log in woods.
Implements of human existence
unlike the deer or bear who
nip buds, forage berries.
I cannot eat the gum out of balsam fir
or bark from a popple.

I am not Wendell Berry
with a wife, a farm, philosophy.
I like the accuracy
of counting pear thrips in maple buds.
8/bud = complete defoliation.
This insect has four wings fringed with hairs
and is minute, 2.5 millimeters.
Two species within the genus:
one with tubular abdominal segment,
the other with conical abdominal segment.
Sugar maple their preferred food.

All I need
are names.
Names and habitats.
Elements, products, decay fungi, egg masses.
Marriage, copulation, regeneration, education.
Machinery, accounting, hand tools, laboratory.
I need your names
and histories.
****** histories, books read, imaginings, unrequited loves,
      significant landscapes, broken bones, periods of boredom,
      favorite shows.

                   --------------------------------------

Immediately means
without mediation, intermediate moments
time in the middle.

Time in the middle
time in the middle.
I'm bummed I never saw a dinosaur, an ice age, a cave man,
      even missed the last world war.
Thanks to paleontology, geology, archaeology, history
mind equipped to take
time out of the middle.
It's in our DNA!

Why should she love me, her tenant?
Because I pay the rent on time.

                   --------------------------------------

Excellent. The white sun rose
and lit the frost.
Early February, late March, or in between.
Birds begin
discussing family. Sap starts to flow.
Where the borer spirals in, it comes out wet.
Birch or maple.

I watched from the window. Beautiful
but no desire to go out and touch
swelling buds of elderberry.
Is this shrub crazy? It knows what it knows
with elderberry knowledge.

Come Spring, so much to identify and name.
Insects, diseases and new flowers.
Lepidoptera, root rot, the pinks.
I think I might get married too
and watch the moons pass through the mists.

                   --------------------------------------

March rain.

Some snow remains
roads dangerous
but truck deliveries must be made.
                                                           ­ The light
pushing back the dark.
Bark
getting softer, slippery
at the cambium. Sap
simmering. Summer
and spring are here and there
although only winter birds are in the air.
Some buds
break swell
want
to turn inside out
but wait
knowing better.

I too will not break or run
early
hold hope bound by ropes of discipline, experience
time the magic moments to come
take the last sleet and pain
slap in the face
glad for predictable seasons.
                                                 We anticipate however
drought, maple defoliation, increased gypsy moth infestations
which some attribute to our existence.
That may be true.
Or it may be that the universe
has reversed its decision on us
and there's nothing we can do.
But we will do
what we can
and some things we shouldn't
because that is human.

Continuing
into the space inside me
unconnected to the light switch, plumbing
fairly independent of materials beyond
food and sound.
Where I pray
like an oak
that the light will enter me
unbroken, forever
and I will live the meanings in the wind.
                                                           ­          Basic
necessities, wood
wine
and friends. And
the names
of everything
by which we know our way.
www.ronnowpoetry.com
As if he had been poured
in tar, he lies
on a pillow of turf
and seems to weep

the black river of himself.
The grain of his wrists
is like bog oak,
the ball of his heel

like a basalt egg.
His instep has shrunk
cold as a swan’s foot
or a wet swamp root.

His hips are the ridge
and purse of a mussel,
his spine an eel arrested
under a glisten of mud.

The head lifts,
the chin is a visor
raised above the vent
of his slashed throat

that has tanned and toughened.
The cured wound
opens inwards to a dark
elderberry place.

Who will say ‘corpse’
to his vivid cast?
Who will say ‘body’
to his opaque repose?

And his rusted hair,
a mat unlikely
as a foetus’s.
I first saw his twisted face

in a photograph,
a head and shoulder
out of the peat,
bruised like a forceps baby,

but now he lies
perfected in my memory,
down to the red horn
of his nails,

hung in the scales
with beauty and atrocity:
with the Dying Gaul
too strictly compassed

on his shield,
with the actual weight
of each hooded victim,
slashed and dumped.
Nabs Apr 2016
this frail body is black and blue
soft hands turned callouses
no longer rosy nor inexperienced

i no longer have them,
the thing you seek
a barren waste land with out fruit to grow
your seeds cannot grow here anymore

they said icarus loved the sun too much
that death was bound to give him a kiss
on his peeling back, the one where
flesh and waxes intertwined

i do not understand why
everything still trembles when you knock
but i have learned how to handle earthquakes
and you aren't as encompassing as you thought you were

there's a little girl that drowned, some years ago
fighting tooth and nail until she grew too tired
so she sunk and everything filled her
and she disappear between the lines

i do not resent you
we are not meant to be in a way
this were destined to just be

but i do not have what you seek for
and the walls have been carved
with exorcism rites, by the little
girl with chipped nails and bloated fingers

bitterness is a taste i am customed with
ever since that moonless night
but to let it poison such things as a smile
is a blashpemy to life it self

i have learned honesty,
behind words and the masks
the you left behind in those old suitcases
from your family

this frail body is tired and weary
in need of an over long due sleep
so sing me a lullaby,
about the kindness of cruelty
Leah Rae Nov 2012
I Guess She Must Have Been Starving.**
Wasn't Well Fed Enough To Keep Her Skin And Bones, Her Silk And Gold, More Than Just Skin And Bones.

Momma Said She Was Hungry For Heart Ache.
It Was The Echo Of Her Own Voice, The Empty Callouses On Her Palms And The Way She Had Written Hell Bent Across Her Knuckles, Loved By So Many She Was Worn Out, Worn Down, Like On Old Pair Of Shoes.

She Cleaned Her Plate Every Night, Her Mouth Full Of More Teeth Than Her Jaw Could Hold.
She Told Me, After Supper, She'd Find Palm Prints That Match Her Own, But She Was Always Too Tired To Go Out Looking

There Were Street Corners, And Fish Nets, She Told Me That Were Meant For Catching Men, She Always Wore Her Skin Too Tightly, Like It Didn't Fit Her Right, Like It Had Been Handed Down To Her, From An Older Sister With Broader Shoulders, And A Thousand Watt Smile, That Her Teeth Could Never Generate.


She Told Me She Had Tasted So Many Flavors.

Said That Her Tongue Could Contort, To The Taste Of Memory. The Lavender Eyelashes Who Kept Saying Sorry, The Butterscotch Fingertips That Wouldn't Look Her In The Eyes, The Honeycomb Heart Break Whose Lips Felt Like Regret, The Cherry **** Knuckles Who Painted Her Flesh Purple Under His Palms, The Cotton Candy Wrists Who Wouldn't Stop Swearing, The Elderberry Shoulder Blades That Were Always Shaking.

I Think They Called Her Man Eater.

Capable Of Unhinging Her Jaw Like A Python, Swallowing Her Subjects Whole, It Wasn't That She Was So Hungry, It Was That She Had To.

I Think Someone Printed Prey Across Her Hip Bones, Made Her Feel Like Where Ever She Was Going, She Had To Run To, Eyes Too Big, Too Bright, Too Empty For The Planes Of Her Face, She Was Use To Being Hollow, Her Stomach, Wound Tight Around What Was Left Of Her Insides.

She Had Regurgitated Every Ounce Of Herself Back Up To Them, Stripped Down, Every Layer Of Her Skin, Until She Was Naked. Bare Like The Back She Had Carried Me On.

Her Bedroom Didn't Have A Lock On The Door. I Could Find Her Bent Over Porcelain Coffins, Emptying Out The Fill She Had Eaten That Night.

Said It Never Tasted As Good The Second Time Around.

I'd Hold Her Hair, With Small Hands That We're Always Grabbing Things They Shouldn’t, And Listen To Her Body Betray Her.

She Was Cellophane And Cheap Lip Gloss, Born Screaming, Ravenous For Rejected Remembrance, I Was Always Trying To Be Enough For Her, Shoving Home Cooked Meals Under The Bathroom Door, Said Soul Food Could Save Her, Said Sunlight Could Unshackle Her, But The Lines Of Her Body, The Road Maps Behind Her Eyelids, Said She Needed More Then Empty Calories, More Than The Taste Of Her Own Sweat.

Love Wasn't A Flavor Anyone Had Ever Fed Her.

All She Knew Was An Appetizer Of Angry Words, A Dessert Of Bad Goodbyes.

In The Morning, She'd Hold The Small Hands That Were Always Grabbing Things They Shouldn't, And Tell Me “Baby Doll.”

“A Girl Has To Eat.”
fika Mar 2022

Elderberry drinks

Soft footsteps
Emerald green rug
Ornate.

Roasted garlic caramelized
Subtle and buttery
Once pungent and sharp

Flowers as centerpieces
Tulips emblematic of spring
Rebirth

Yet. I’m stuck sipping
On this drink
Thinking of you

And the joints of the floorboards
Rubbing together

i am a phonographic record
and you are the ears that hear me
i cant compare my music
to malignant mammographies
and the phantasmagoria of cash
or to hash-browns and flapjacks
or to a purple field drowning in wisteria
yes, i am hysterical too
like elderberry syrup and cough drops
popping like its hot
so we japa till we drop, it all
yes, everything
so give it a chance
see your face in the reflection
of a pool of moonlight
a **** bather
a fool at the equator
equates to nothing
so i undress my unctuousness
a congruent confluence
like blood on an apartment building wall
a pox in your cereal boxes
flu shots and mandatory vaccinations
without informed consent
we are experiencing a loss of the immaterial
if we pamper ourselves with distraction
we attract the repulsive side of thy will
Denel Kessler Jul 2016
from the void
the mountain speaks
the beat goes on
in these desolate peaks

moss covered stacks
of sea floor and mantle
embrace and fold
in metamorphic tangle

stunted fir clings
graying roots exposed
a rocky, barren life
is all this sapling knows

snowcapped elderberry
scale the crevice
where bear and wind
make raucous passage

avalanche chutes
gracefully recline
in verdant shades
to the waterline

lie in the meadow
to calm the chatter
make still the noise
to blunt the clatter

upon the coming
of soft night
undress this silence
angel mine



*I came to a point where I needed solitude and just stop the machine of 'thinking' and 'enjoying' what they call 'living,' I just wanted to lie in the grass and look at the clouds.

-Jack Kerouac
Just got back from our annual fishing trip in the North Cascades of Washington state.  From a remote campground on the lake, one can hike steep Desolation Peak to the fire lookout where Jack Kerouac spent 63 days as a fire spotter in 1956.   His experiences there were inspiration for the classic "Desolation Angels".  My reference to "the void" arises from Kerouac's comment about the mountain looming largest in his view from the lookout - Mt. Hozomeen - which he described as "the void".   Little has changed since 1956, still remote, still amazingly beautiful.  I've yet to hike to the lookout (too busy catching rainbows, trout that is!) but it's on my "must do" list.
Louise May 2013
Off to 'The Orchard' for afternoon tea
Beautiful and quaint, filled with history

Rupert Brooke, the poet, started the trend
Taking tea in the garden 'til the days end

Virginia Woolf, a writer, with a troubled mind
Enjoyed the bonds of friendship with a group so kind

It goes as far back as the year 1897
Cambridge students found a pocket of heaven

Blossoming fruit trees arranged in rows
Scattered seating, cushions and colourful throws

Crumbling moist Scones with jam and cream
Carrot Cake and Cordial an Elderberry dream

Horses in the distance and cows by your side
Cool Emerald grass where the insects hide

A wander by the river hand in hand
The most peaceful day that ever was planned






I visited The Orchard yesterday, a most gorgeous place.  I hope this poem gives you a picture of this idyllic little corner of England x
Marshal Gebbie Feb 2013
Downy moss doth grow in shadow
Emerald and darkly damp,
Ancient as the runes of legend
Lost to time's priescent ramp.
Damp and downy, roundly soft
Pubescently profound,
Nestled in the vale of love
Where tarantula abound.
Nestled in the vale between
Stark pillars tall and white,
Nestled where tomorrows day
May flourish into night.
Flourish with the elderberry
Mingled with the sage,
Seeping drops of acid wine
Into the maw of age.

Marshalg
23 February 2013
The Shed

Waiting for afternoon
when I visit, tea in one hand
crossword in the other.

Rows of last year’s seeds parade on the shelf
by the window, cobwebs high and tight.
Mulchy  tobacco odours mingle in mooted sunbeams.
Garden tools hung neatly on nails, the workbench clear
save for the jars of nuts and screws and old mug rings.

Exiled carpet, stiff with fatigue,
plant pots are the only pattern left,
the wooden stool  moulded with old-age-grooves
and joints that grumble,
stands next to bottled rhubarb and elderberry
dusty and vibrant,  drinking in summers past.
Unpolished Ink Aug 2023
Blackberry sweet
elderberry shine
we cannot ignore
the approaching signs
growing along the highway
to Autumn
Caitlin Fisher Oct 2015
Confessions of a Poisoner

I
Sweet spirit, have you come to haunt me as I tell stories of deposed kings?
Come, let us sit upon the ground so I can tell you how I have no interests in the trapping of guns or daggers
No, there's nothing fascinating about deaths wrought from metal.
You see, every knight sees it coming, the sword ****** through him or the arrow between his eyes.
It’s never such a surprise.
And it’s far more satisfying to see the king, my uncle, swallow wine, forced down his throat by me, of course, fall choking and writhing and paying for his crimes.
Oh, you look frightened.
Why, sweet spirit, is that so?
I’ll pretend I don’t know,
There is a certain social stigma surrounding poison, you see.
The coward’s weapon
Only used by servants, jealous wives, pitiful begrieved lovers, to name a few
How embarrassing must it be for the powerful and mighty king to be laid low by his housekeeper.
Yet, it is the only weapon that we, the servants, wives, and lovers have to protect ourselves.

II
Imagine this:
You’re twelve years old and your master is calling out to you
“Come along, little one,” and he puts a grimy hand on your shoulder and wraps the other one around your tender wrist.
You were supposed  to-what?
Run, hide, and cry for mommy?
No, not I
And twelve years later hemlock but falls into my hands
Twenty four years of age and revenge well wrought
My ironclad wrists were caught
By prison keepers, no
By justice that flowed with my blood
Why should I live in fear?
My silver tipped tongue was clever enough to save me from even a hangman's noose

III
I know-knew- a man who flogged his sons
Such a sight they were
Dripping in their crimson blood
One night I served his wine
mixed with nightshade, of course
Never mind the other guests
I'm sure they beat their daughters too
The best thing was: they never knew
Justice burned and brightly bloomed

IV
There was a boy who did adore me in my form
But, oh look here, he was such a bore
On and on and on he droned
Fog and mist must fill his bones
Wolfsbane was the only cure
and to see him writhing on the floor
it was the most marvelous of sport
to see his eyes roll and blood mixed with foam at his mouth
I wasn’t bored of him anymore

V
The King, my uncle
What a monster he is
He let my mother and brother be tried in his court
He thought they were guilty
Maybe they were- I don’t know
But bonds of blood he did burn so
Belladonna in Elderberry wine
There was never such a pretty sight
His lips stained purple with such a sweet drought
I was there with and his cries set music in my veins
I stood there with eyes transfixed
Such a symphony I had wrought from his feeble throat
I wish the world could hear my song
And throw roses at my feet as it sung all night long.

VI
Why do you look pale
And tremble at my voice?
I think you hardly have heard such a thing as grand as mine
You don't speak
How so?
You must admit
I am a liberator and an avenger
And wound for red wound I will right these wrongs
But perhaps you are tired
And are wanting of rest
Such things I always think
So tell me, sweet spirit, would you care for a drink?
written during Regional Orchestra Auditions
maybe I was a bit stressed... who can say
c rogan Jun 2020
It was nearing the end of the rainy season. Steady downpours muted all other sounds of the village, the time when everyone slept soundly through the night. The rain had not stopped for weeks, until today. Khadisa woke up before sunrise again, to the smell of cool fresh air, no humid chaleur. She remembered the dream, a girl standing behind a waterfall. She said she could hear her voice, but not make out the words. And the water turned into doves, their flapping wings like beating drums. She started dancing to their music, and blood trickled down her arms and legs in the moonlight.
She uncocooned herself from the medley of blankets, warm tangled sheets still playing hushed reruns of her dreams like seashells reciting ocean lullabies long after the tide. She untucked the mosquito net from under her mattress and silently pulled on her sandals and coat as to not wake her roommate. Mariama was still asleep. Khadisa looked over her shoulder to see her friend nestled into the warm pool of the missing body under covers from where she laid, burrowing unconsciously into her ghost. The amber light of the hallway spilled into the dark room like cream rendering black coffee lucid as the sunrise still hours away. She preferred nights like these, when her husband was away.

“Come back and sleep?” inquired a small voice from a pillowy soft, dream-like haze.
“I’ll be back. En bimbi, Mariama.”

Mariama’s birthmark was just visible from under the covers on her petite frame, an angel on her shoulder flying towards the heavens, to her curly bronze sun-kissed hair and constellation freckles. A memento mori of Icarus before the fall. She was not her blood, but she treated Mariama as a sister, a missing half of herself that had been long forgotten.

XXXXX

I wake as if underwater, neon light and sound blurry like I’m underneath a murky lake. My head throbs. Long tendrils of seaweed bodies sway in foggy currents of flashing, turning, strident beams of light. I’m ascending, body buoyant without weight, as I try to move my numb limbs. What did I take? I look at my hands, the smears of fluorescent orange paint and powder. I just wanted to be free, to fly. Feel the wind, soaring down the mountain path on the back of Mariama’s moto. I stretch my arms out, close my eyes and become the air itself: drifting, unattached.
XXXXX

Guided by light of the full moon and Venus rising, Khadi eased the door shut behind her into the latch with a gentle gratifying “click”. I’m never in the same or different places, but I am good company regardless. I depart as air, a constellation rising. She paused and listened to the morning. Epiphanic night colors divulged to her the secrets of sleep-singing crickets, dream-dancing of cassava leaves, crystal-painting of morning grass. She recited the symphonic canticle with her footfalls on the uneven gravel path to the well, the delicate sway of cotton as she walked in the occasional whistling paths of mosquitos. Soaked in tepid moonlight overflowing from the frame of the mountain Chien Qui Fume, she turned off the path into a grove of trees towards the river, and felt like she was disappearing back into the dark.

xxxxx

“another nuit blanche, huh… or should I say matin? The two must be the same at this point for you now. Just a perpetual, non-stop existence.” Mariam added skeptically, eying Khadi over a steaming cup of ginger tea. The wood from the fire crackled, as if in agreement.

“At least you have hot water for breakfast. Anyway, I am used to waking before sunup to prepare food for the family before the hospital shift.” Khadisah added, “I’ll be fine, habibti. No worries.”

“I know your dreams are getting bad again. Hunde kala e saa’i mun. Everything in its own time. Take care of yourself first, for once.”

She struck a match without reply, lit the candles, and poured herself a second cup of tea. Mango flowers unfolded outside the kitchen window, drinking in the early morning warmth with dusty yellow hands opening to heaven. She held the matchstick and watched the flame approach her fingers, remembering the countless needles she has sterilized to perform surgeries even the male doctors were too uneasy to attempt.

“So, what grand prophecies did I miss in the stars this morning?” Mariama put on her glasses and slid them up over the bridge of her nose with her index finger.

“The usual 3am omens, no bad spirits.”

Mari hummed a little hymn to herself and half-smiled as her green eyes flicked downward to her open book and wordlessly melted away any tension as if she were the effortless break of dawn dissipating a mere cloud of morning fog.

Xxxxx

A songbird starts singing a clear soaring cadence. And I am falling back below inundated shallows. I feel her soft blonde hair on my face, her colors warm and sunny. My name over and over and over. She’s shaking me, but I can’t speak. Her voice is perfect, it is all I hear anymore. Mariama with ivory skin, pastel hair. A ghost? No, a child. No more muted ringing in my ears. I melt into her as everything goes black.
My father was kind, unlike most from where we’re from. The kind do not live long enough. Walking in tall grass before a storm, the wind would whip at us in riotous orchestral gusts; I spread my wings and let the weight of air lift me away into the music. I closed my eyes, face upturned to the swelling rainclouds with pregnant bellies. “My Khadisah’s a little bird! Keep spreading your wings, and you’ll fly across the sea to America one day,” he said in French, the language for educated men.
xxxxx

Prep is the hardest stage for projects. Mariama starts in the cold shop, mapping out the light and colors, the size and shape she’ll be sculpting with. When it comes to the glory holes, something else takes over. She was a fote, of mixed blood. From a family who supported her education, her liberty. She thought of Khadisah’s upbringing, pushed the thought from her head as she focused on the heat of the furnace, the twist on the yoke, and the heavy grounding of the pipe. The sound of the port outside the open studio window grounded her, Conakry’s canoes readying their nets, bobbing in the sunrise stained glassy waters. Khadisah is sea glass, she thought. She heals others as she cannot heal herself, a polished stone ever-changing, and strong to the core. Shaped by something bigger, without choice. Although, the fact that there is no true place for us is shattering. But we’ve learned to live with jagged edges, smoothed them in buckets of the rains we’ve carried for miles on miles. Words can be shrapnel, written of the body, in perpetual ancient gestures. Looking down at the glass on her worktable, thin frames of women curved in dance like limbs of a tree in a whirlwind. ****** hieroglyphics speak of the writhing societal inconsistencies, the murky waters from which we fill our cups. The scars in their hearts built by the privileged, defiling bodies and souls without consent.

They are the ones who do the slaughtering.

xxxxx

“I have always loved mythology,” remarked Mari after perusing a chapter or two of her novel. It was a miracle alone that she knew how to read. “Shame that we lost so many of our stories, women.” Khadi had lost track of time, meditating on her morning rituals. She glanced at the positioning of the rising sun on the burning horizon through gaps of light through red kaleidoscopic trees.
“Next time bring me with you,” Mariama suggested, tapping her temple and pointing to me. “To your walking dreams, I mean. Wherever the night spirits guide you when all other men are sleeping, and the world is entirely ours for the taking.”

Khadisah’s gaze fixed fiercely on her friend’s once more, and the whole room erupted with the veracity of fracturing, interconnected, rampant red color. I try to keep my visions to myself, thinking about what used to become of them.

Glass is an extension; it exists in a constant state of change when molten. People change every second, in a constant half-light of who they are and who they will become. Like the lake between dreaming and reality, or a painting in constant interpretation. A word without formal translation, a feeling. Making stained glass, revelations of shape-cut fragments are painted with glass powder and fired in Mariama’s homemade kiln, fusing mirages of paint to the surface. Soldering joints with lead for stability, there is something meditative of puzzling together their memories. When glassblowing, she breathes life into her art, a revitalized self of otherwise secluded rights. Unveiling colored lenses of filtered light, she distills her life, betrays time. Creating is second to nothing, as concrete as petrified lightning in sand, and the fern-shaped kisses of lightning flowers on skin of raging energy.

xxxxx

It was dead winter, dead night. No shoes, no coat. I stopped answering Mariama’s calls. Too many glass cuts and bruises, empty nights. Walking up the snow-covered sidewalk to the chapel, Khadisah felt like she was buried in the new seamless blankets of fallen snow, fallen angels. Sometimes she forgot who she was. Because she cannot save everyone. A wandering ghost, an oracle without omens. Streetlight glowed through polychromatic windows, complex renderings of tall white figures preaching of salvation. Vivid crowns of gold, marbled robes, and flecked wings outstretching and draped by flickering light on the walls. It all reflected on her skin, histories of stories in light. Candles softened the hallway with the smell of incense and old books. Khadisah sighed and exited, reentered the snowy dreamscape outside, and looked up at the universe. The absence of light was beautiful, empty, and full at the same time. The window from a miniscule existence, what oddly calms and keeps us up at night. It was quiet, no wind, no moon. She laid down, a kite without a string. She started making snow angles and let herself cry about them. All of them. The pain when her husband visited, her daughter’s inevitable path like hers. The imprint of her body congealed to glass by the time the sun rose again, and she spoke colors to the stars. The seasons changed; the stars realigned. And more snow fell into her ghost.

“so, who’s gonna take you home, huh?”

I wake underneath Japanese maple, red leaves outlined in dark umber flaming against the clear blue sky. After a deep breath and regaining my surroundings, I evaluate where I am. The underdeveloped path from the reservation meanders back to site. I don’t remember what time or day it is, but I stand and jump across a trickling iron-red stream, I land on the other side a bit older, a bit wiser. Outlined in sweet grass and sage, I gather the herbs. Mint, sumac, elderberry, and yarrow. Sunlight guides me, and I thank the earth. Wah-doh, I say to the four Winds. Peace.
The mint leaves burn, and their ashes float towards heaven.
-----

Like tuning into the radio station from deep in the forest, she heard fuzzy, fragmented sounds. She felt light against her closed eyelids, but only saw a shoreline. She knew it was a dream. The trees aren’t right – the leaves were replaced by flowers, lending their neon petals to the dense sunset air. Standing in tall sweet grass, but there’s no gravity. She looked up, and saw the Japanese maple, the embers of leaves. And saw a reflection laying in the sun looking down—or up?—at herself. She wanted to fight the setting sun, become pristine like them. But she couldn’t hold her breath under the waters for too long. Spilling from the vase of an inviolate soul, sewing the stars like her scars. When the day is burned, we vanish in moonlight.

_

Working in the hospital, the color red. Panic attacks disassociate Khadisah from reality. She can still see, but can’t move, and only watches the violence as she crumbles under the skin. There were more angel marks, more places, less friendly. Stitches from infancy to womanhood, pedophilic ****** rights. A mother at 13, she cried for days and... feels the words rush back like water flooding all around her, rising around her body. This isn’t flying, this is drowning. So this is permanence, imprisonment from identity. A body collaged up and down, cut and fragmented on city and rural streets like vines salvaging mutilated walls and shattered windows. Being so stuck she was free. She saw a lost childhood in Mariama’s glass, and she was light as a feather in her father’s arms again.

The men say the seizures are from the Diable, but it was worse than that.

Even glaciers sculpt land and cut mountains over time with oceans of frozen glass. But earth was flooding once again.

And there was no blood on her hands.
wordvango Mar 2015
and all the baby crickets chirp
I got the daisies planted and then appeared
numerous
red black bugs
swarming the daises the elderberry bushes
the crickets just watched all the festivity
like who are they they are not me
that is cricket talk  
especially when young
and the boxelder bugs in
swarms respond
in red black harmony of numbers
it is we the red black bugs of sap suckering
I chuckled
the crickets responded
by rubbing their back legs together
almost like
applause
Mike Hauser Nov 2014
She's as long and leggy
as the tallest Georgia pine
Goes right away straight to your head
like Elderberry wine

That sweet Georgia peach
Filling every Southern need

With a draw as smooth
as the cool Smokey Mountain dew
Lighting up the night sky
like Lightning bugs in June

Knows how to treat her man so well
That sweet Southern Belle

Like the waves of Saint Simons Island
Kissing the Georgia the shore
Keeps you coming back for more of that
Hard for any man to ignore

Settle for nothing less
Than a girl that's G.R.I.T.S.
(Girl Raised In The South)
Shin Sep 2020
Thoughts of elderberry rest on his lips.
The poison dripping softly down the chin.
A gasp for air, one final love's eclipse.
Abruptly, the devils rise from within.

Clenching at the mottled Juniper Tree.
Their eyes glint of gold, their teeth gnash the bones.
His violet stained brow grows wild and free.
Frenzy takes hold and they throw the first stones.

A jam forms of berries, blood, and bruises.
Their echoed cackles buried in the sand.
Tear-stained ink blots, his soul he abuses.
Only then shall he find his helping hand.

A beginning's end as abrupt as rain.
A tale we shall tell again and again.
I do not like Soyinka!
Except because I love him.
I do not like Soyinka!
That in obvious allure octogenarian man.
With whitish locks.
And this is my jocose to him.
That old jolly-jocund who's in a gay.

I do not wish to be garrulous,
Or loquacious.
So I will say
For I am an enfant terrible.
And I will enfeeble him with my euphoric words.
That elderberry with no egregious egotic lines.
I loathe him, yet loathing him.
Bend to him.
That fair dinkum laureate.
I hope this is not a lese majesty?
For I have penned this accord to his standard.

I do not like Soyinka!
Unless because I love him.
My sworn, utter coruscating model.
Is that I do not like him, I love him.
Al Sep 2018
Outside I notice
elderberry blue,
inside of a name.
Dylan Nov 2014
The empty office hums
as air-conditioned drums
rattle through the ventilation
and I sit idly with time for contemplation.
The day rolls forward unopposed.
As I've read: "So it goes."
With a sigh, I make my tea --
an infusion with elderberry --
but that alone doesn't warm a mind
limping out of tempo with the time.
My soul's too slow to keep this rhythm
of skewed self-perception and idiot-ism.

Know that I'm afraid to express my love sincerely,
because every person I've known I hold equally dearly.
Nothing special exists inside my love,
where no one is treated as below or above.
Now if you pass me on the street,
you'll know me when our eyes both meet.
I'll smile from my core for you
and I hope that you reflect it, too.
I am dancing through the worlds
entangled by your curls
technology, commerce and religion
labor, agriculture and entertainment
what a way to grow and learn
our hearts are bigger than our homes
sweet waters and violet thrones
our shadows taller than our souls
have you heard the echoes
of owls in the forests
the queen of the jungle
her eyelids are painted black
swollen in their act
of becoming images
forever bitten by candy striped gardenias
soldering irons are hotter than the sun
your darkness is something to outrun
keep chasing images and you’ll go blind
the time is now to rest and unwind
green trees bring traveling companions
to their knees
i believe in my soul
wholeheartedly
i follow my impulse
a tragedy of enlightenment
shadows of retirement
infinite abyss
harboring the mystic
out of time and space
i run from mind and place
look behind you
are you aware of reality
the tiny details
the cracks in the pavement
bearing fruit
can you see the way
the earth was constructed by language
bringer of humanity's knowledge
your presence caresses me like a feather
i am tingling all over
your presence caresses me like a feather
i desire to come closer to your body
take me inside you like the fire
i smile when i think of you
the way you lay beside me
and curl your body like a tiger
and purr with your whole being
i am a slave to thy nectar
the theater of life is chasing us
respectfully keeping pace with our elders
asparagus racemosus also known as shatavari
combined with ashwagandha
this good medicine is elderberry
sweet and pungent for your blood
moist and unctuous to the touch
i will hold on to your hair
pour butter through you bare toes
strain your heart with melodies
eternally naked
i swear by your shadow
letting go of mind and body
out of this dichotomy a world of flowers blooming
forever is in the choosing
to see the water’s beauty from inside our hidden towers
thousands of broken flowers
threatening to reveal the truth that we are returning
to the burning days spent singing in old cathedrals
streaking naked in the woods
dreaming upright streams of cottonwood
treetop dancers stand upon the crashing boughs
deepen their stance and make flashing elbows
your feathers are wet as yesterday’s snow is melting
how many years till the pelting of the sun with arrows and stones
commences to cover up our coats
of fur, tooth, breath and bone with armor
your faith is cheap so you repeat the weakness of the elderberry
your syrup stealthily dripping, stripping, ripping
a wealthy dreamer hungry for the sun-dried lobotomies of love
the watershed depends on nothing yet it remains
ugly and unsteady and ready to drop you without warning
love is deeper than still water
it is all about alabaster and descending melodies
the viola serves his daughter’s laughter
in symphony’s ancient slumber
projecting this imperfect world as a boy masters his box of toys
stepping out into the abyss like gargoyles on the corners of rooftops
i stop and wonder how we plundered so much of the universe
despite the treasures that were never uncovered
did we misplace our souls in the bargain
in stolen mansions deep within the forest
stallions cast shadows on straw covered blankets
asleep in thyme’s meditation
i deliver the delicate feathers of the mother
to swarms of stormy eyed children drifting in meadows
forests of wildflowers matching our emotional temperament
again we separate the wheat and the chaff  
the oat and the staff of ancient Syria
stood tall and bowed before
all the youthful interpreters
foregoing is ambitions cursed gesture
Both sides of the Arbela militia remained frosty, failing to tear the wrath of the throne from the depths of the charter and from the expropriation of the votive temple, in view of the strength of leaders who were reinserted and rewritten from the plaster of Parnassus, where the beatifices Mortals are seen competing without having references or additions in the washer that predominated by chance referring to athletes and gladiators who were not, but today they could be spiked in the crushing Syntagamatarchos table, captaining two units all with their abdomen semi open, re liquidating again the entrails by the Ghosts of Shiraz, who came from Roknabad (also known as Aub-e Rokní), from an underground channel that carried water from the spring to the city from a mountain located ten kilometers northeast of Profitis Ilias, from where until then they were commanded, with dispatches of their designs before a voluntary prodigy that emancipates a perplexed Meltem i that he was haphazardly swirling in the funerary fields, but descriptive of returning to the fields their souls, which abstained after ephemeris towards a knowledge resigned to abide by it, and to get rid of transcendental limitations commanded by his blowing, and not his body that was clouded before the conspicuous epistemological reason flashed and relaxed when comforting them for having to calibrate their bones when they returned to Mosul. The Colosso pedestals were breaking when it intimidated everyone to flee to their homes, in this way it calmed them down from the quicksilver of the world that was no longer their typical dwelling, from a dwelling of transit to a story that deals with the flys that are they hover, pretending to be the same, banishing themselves from the pain that rises up the cervical spine and that dismisses the ridiculous voices of Aeschylus with their acting choruses that they seemed dilapidated in cries impossible to personify. The ******* brave pieces of deployment began to drain from the secondary positions of the penultimate physicalities of suffering that one felt without being affected, rather it manifested itself in the contents of an essential muscular container, of the subsistence of the cosmos installed in what does not think nor decide on its retraction. Vernarth and Alexander the Great knelt in front of the larnax of the torments of mercy, like ***** language that lashes out rhetoric in rebellions of thousands of hoplites who expiated themselves from their hands, empty spiked race contained in the perjury of Zeus, enrolled in apocryphal images in tombs of those who were going to be faced with pseudo refractory that was recluses of the fleshless breath, but anarchic when trying to return to their places of origin of warlike Tikun.

The traits of annihilation were shed from buried reanimates that became slime in the reverie of a mythological God who never accompanied them and invited them from a cohabiting sun, which was only the fantasy of irresistible permutations. It should be noted that the subplot was in intangible interfaces that would never be stitched together as an annexed story, but the words of parapsychology were captained by themselves more than the sub plotline that transcended the apostrophe of death, and the Pronoia of the Peri Kousmos. The doors of Patmia were finally released and speculative vines re-flowered were Lotos and Astragalus, as courtesies of Operandi and impairment that replaced the ****** elderberry, with chalks that made the winter raging when Persephone rampaged what was merely monthly erratic of those who exiled her. The senses of Patmos were the property of his Institution, which was what it is and is not, for a holistic consequence of fast ideology but of minimal intuition, which lay in multiple reasons for tissues that were filled with crop fields, animals in Magna prairies that agreed to serve the man who loved him, in which the causes were two meters before the limen that sent her off the cliff in other causes of confusion, in a real creation of zoological Hellenic neuroscience, where all forms of mythology were made of submithology, always at the side of man but this time redeemed from the origin and cause, they only persevere to offend a certain space of ignorance where the like all prevaricated by large amounts subordinate to their lineage, in the kingdom of paradises from which only animals protect the doors that only Cerberos and Cherubim open, scrutinizing food for them and making use of them.

Patmos was remade of all the waterfalls that completed the rigors of the precept, and not the chaos that subordinates cognition to make night day or day night, pouring specimens that were and will be ignored but extremely useful for the preservation of the body of the unsupported objective and sumptuous, but of a systemic nature that does and sustains it. The Souls of Helenikká and Trouvere graced all the inhabitants towards a comprehensive evolution of the ***** of dreams, giving it the fruits of conservation where the lords of the future will have to bow to the laborious principle of the Mashiach, conciliating the arrest of the stars and not of what is reactive of an invasive action. Thus ended this subplot rhetoric of intuitive formality and metaphysical channeling character, leading them through plumbing that led from what was coming out from the Raedus Codex, from the wind tunnel, and what was coming in from here identical to its elevation towards the direct apotheosis of the Megaron that was splendid in four composition buttresses with more than two drops of laudanum, which will be insignificant ***** to save the cosmos from falls of vitality in the conclusion of Vernarth.

Saint John the Evangelist after several sleeping episodes of his spiritual experience, reappears in the sucker of modality and intentions that the drops of laudanum manifested to fill the pain of Vernarth's tragedy, and those that are manifested to him that they became resurrected entelechies of component solutions speculative, that were reborn from certain internal devastations, and that returned vague automata to the Achaemenids that emerged from the depths of this professorial subplot, to bring them with the simplicity of lexicons that were loving realities that would lie behind the veils of illusion, transgressing properties of a totalizing daphnomancy. Due to his parliament, Áullos Kósmos eliminated himself braided from the road when he expresses fatigue and regret, calming the reasons in the flight from himself. He starts from demoralization and hidden impotence of the Hoplite that would not come out of himself, because it is a frenzy of consternation that makes him start from the unshakable grief of his compassion, without reaching the surface of the ethical plane.
Battle of Patmia Part VI
Venarth says: “After alternating with the Erythrai, I climbed the top of the ship, and began to experience changes in my philosopher's dermis, from a permanent continuous present independent of the post-period, leaving the dogma of the numbers that would cause me an existence capable of only obsessed with supporting him, with the weight of a drunken Lepidoptera who spoke to me close to the invariance of the incorruptible dense layer that covered the sea on the cornice of heaven, making them a continual delay of time. The facets of invariability would begin the notorious oceanic areas that fractured when the Eurydice divided the hemispheres, causing them to doze in the time of her crystal ball, up on the crown which would make her base the extra personalities of the sunset on me. The present allows me to eternalize my memories or memorare, of my existential eclipses, making of its faculty to speak of a super conscious overwhelming and constrained to the hermeneutics that invited me to drink Ouzo among the few beings that accompanied me in the height of the ship, increasing its gradation every time a sip multiplied with the puffs of the Hesperides that passed me by, inviting me to bag their naked spring figures wintering, given the temporary stagnation that entered through the hole in my pectoral of the sinister right scapula, where some probes of the Mythical elderberry paused my outraged finite human, who got stuck in my chest when he couldn't apprehend the amount of my second lieutenants who sifted through the Bereshit voices of the Torah, who lamented pre-late and tonal that they never finished, that they became prey condensed from each sip I drank into his Ouzo harvest timeline, tracking the tiny sips that That I would not be able to count, before drinking them, after never having drunk them harshly, thus not understanding the mats blown by the reefs of the infinite twilight sapphire, carrying away the burps, that the naiad Arhanis saw coming out between my central incisors and from my mouth numbed by the heat of Zeus's anger, and from the dawning of potential between fallen, hanging from the sky of Arhanis, holding between the hands of the one who supports him. The clouds and geometric masses in vapors fell on distinctive chromatic ropes and cords of volumes supporting the infinite, which today eliminated itself blinded, falling into the void of an ex-vaporous corporation.

This succession in status of perenniality, made me hold vigorously from the top, as I began to fall into an unknown void where I would meet Elpenor in hypersomnia, but rather, from a song of the Odyssey that invited me to a straw next to him and the liquid chemo of the Ouzo, asking him to give him the worthy food of his oblations and the liquor broth, to make me advise him in the last sip, before the sirens sing, where I would affirm my golden hoplite elbow so that the status of eternity, dispense with the ford runs of the taps that exude their Cretan Ouzo, through the navel that swallows the entire boats and my "Pectoral that puts the stopper of time so that it does not pass supra into infra existentialist"

Elpenor, already burning before him, continued with a glass in his hands, pressing the heads of the Taurus who prolonged substitute immaterial lapses, which turned into ouzo vapor vomited by both, running through the sequence of the masts of the crowns, which it would begin to weaken somewhat  from so much distillation of the vineyard test tube, as it cooled down after a succession of events that began with the severed head of the beginning of the emotional initial moment, in which I am still wounded between crossbows and moments that undermine all origin, under a toast of heavy eyelids that pretended a Bing Bang, before taking the float towards a mound that would allow me to fall into the unsustainable gravitant, in which the acceleration causes me, and that weatherizes everything, even though I am not the one that transports myself. Before Elpeneor, I witnessed three uncorrupted deaths, one with the scythe on his shoulders cutting the fences of the impiety of raising micro-times in the Odyssey, another as a prey of biological dowels that debate science that fall incapable before the granule of the involved brain similarly to the multisectoral questioning of conscious conflicts; and final hunger within my contradiction and inconveniences of the loss of the sense of taste, cloistering myself as I live in its metempsychosis, losing the sensitivity of my hands and trying to leverage my swords and spears, not defending my defenseless body from immortal carcinogenic fears , of a lost sacred soul and in sequence of losing reason of seven times plus another seven that remain for my way to paradise, evacuating primary psychic elements and codes of life that rest in formalin, before those who do not fear revive me when drowning  in Ouzo, for all my phalanx soldiers who live in me still dying in my arms.  Constituting the triple of the human being, which affirms the transfer of certain psychic elements of my body to another after my death that does not allow me to walk in the threads of the dust of my bones that wish to be taken back from the corners, from the old and sticks of the termites that eat my crow. I am still in creationism, dressed in yellow, so that the poet who only ***** and breathes me with his great senses, is closer to Christmas than millions of years I have lived, before the Christmas carol woke me up as a divine child, being only a large hoplite cop entangled in an igloo of Panentheism, deifying me or perhaps semi-deifying me, to house the stars that would walk out of my intellectual herd, creating my own low hills of consciousness, that look through the balustrades of the flint of Saint Peter in their Altozano, self-creating vital, but immanent. Transfigured, I decant my teeth in the crottals, on the carpet before the scarcity of their dilapidated embryos, before the Biblical Revelation that tells me that, among all creatures, I will be the only man capable of daring to apprehend the concept of eternity, in between of the serpents. As in one of the theological versions of Ecclesiastes imploring God: “He has made everything beautiful in my time. He has placed my eternity in the hearts of men”.

When I hail Heidegger after a sense after lingual ..., with the amphora ***** in his philosopher pipe, and with Wittgenstein I ***** half – half brain tobacco. Averaging Newtonian ignorance’s, before an absolutism that are revealed in the universal psychic drama, while God awaits me early in his catechesis, ordered, gummed and omniscient of myself, I am agreeing with the precious perfidious date still in my Eurydice's crown, that it looks eloquent of my new date of birth without a month that fits in any calendar that is known, to then go after the capitol in Athens itself, running aground with my ship after my hurricane, possessing its great reliquary itself Parthenon, with my ship over all this stiff structure that is reborn together with my eternalist suicide "Perpetua et incorruptibilis, in æternum vive"

"... Vernarth, breathes unfathomably and comes down from the Euridience crown, as if nothing had happened, when he sets foot on the deck full of liquors and ambrosias, he joins the others and dances Zorba without stopping next to them
Perpetua  et incorruptibilis, in  æternum lives
Madeleine B Apr 2017
Descended stars nestle in the trees outside the stadium
supplemental moonlight whitewashes the locusts
pearly lines linger on the tar black sea
crickets creak on the screen door of summer.
Round white stars swirl in elderberry blackness.
Stare. Long enough to see them meet head on
Collide. Spinning in slow motion
celestial pinballs sliding across exploding endless night
shattering sparks that rise gold
Embers into purple shaded trees
falling in silver
plating the grass to face the amaranthine dawn
Let us relate our police beatings with recollections recounted hazily
while even at 70 Barbi Benton's 32 teeth will fit in her mouth lazily
like 2 cottage-cheese thighs that in her dotage she exposes brazenly
in the company of Hugh Hefner who expends **** broads cravenly
which ain't too much unlike hairy tramps cravin' a clean-shaven me
or needs enumerated by gay coal miners in a coal-mine-cave-in plea
Because not every black lesbian is a connoisseur of elderberry wine
there is chardonnay, Merlot & Syrah for Y.W.C.A. diners who mine

— The End —