Submit your work, meet writers and drop the ads. Become a member
1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris
LDuler Dec 2012
You tell me that I am young
That life has merely licked me, not stung
That I do not understand, that I have not yet lived
Enough to grasp the substance

I have known disease
Slow tears, muted pleas
Pain that nothing could appease
I have known the smell of hospitals for summers
The beeping and slurping of machine in massive numbers

I have spoken to voiceless loved ones,
Loved ones with teethless mouths and twisted tongues
Distorted jaws and wheezing lungs.
We have spoken with little green charts
And broken hearts
From the inability to connect the mouth to the thoughts in the head
And I left without understanding,
What they had said
Because I eventually had to let it go
(I still don't know)

I have spent countless summer nights
In nature’s garb, floating silently in a river
So warm that my limbs, skimming the surface, didn't shiver
Under a clear sky, the stars like paradisiac lights
Without anyone ever finding out
About these wild and primal escapades

I've drank, I've smoked
I have burned my throat
With coarse lemon gin
Until I could no longer feel my skin.

I have been frightened
Yes I have felt fear, like a noose around my throat being tightened
Like a gruesome black crow, perched on my shoulder
I have often awoken affright at night,
Longing, praying, for the morning light
I have felt fear, wild, fierce and turbulent fear
More than anyone will everyone will ever know
By men, by life, by myself
Desolate under the sheets, like a forsaken toy
All by myself

I have seen Paris in the rain
Traveled the French countryside by train
I've woken up to New York window views
And seen New Orleans afternoons, filled with heat and blues.
I've swam the Mexican Baja waters, turquoise and clear
With snakes as sharp as spears

I have known humiliation
Causing my cheeks to turn carnation
A spoon, emptying my insides out
Like a gourd

I have loved
I have known the aching pain of a swelled heart
And the way it can tear you apart
I have gushed torrents upon my pillows and sleeves
Tears running down my chin like guilty thieves
From a lit-up house

I have known death, and grief
The meaning of "never"
Whimpering in the school bathroom
And cold, lonely nights

I have seen the works of Van Gogh, Mondrian, and Miro,
Modigliani, Cezanne, and Frida Kahlo
Of Monet, Gauguin, Matisse, Magritte, and Picasso
I have wandered through hallways of masterpieces
Holding tight to my grandmother's hand
And I have wept shamelessly for joy
Before Degas's La classe de danse

I have been diagnosed
I have undergone computer programs designed to shift my brain, to better it
To get me to be normal, to submit
I have had brain-altering medicine shoved down my throat,
Like stuffing a goose,
To make my brain run a little less loose
And I have submitted and gotten use to my brain being altered.

I have had kisses that were mere trifles
Frivolous, yet fierce and acute like shots from a rifle
Lips of mere flesh, not sweet godly nectar
And gazes that meant everything
That seemed to connect with an invisible yet indestructible string
Iris like distant galaxies and pupils twinkling like black jewels
Eyes that seemed enkindled by some ethereal fuel
Speaking of emotions far too secluded, cryptic and cluttered
To be worded and uttered

I know the way in which violence resides
Not in commotion, brusqueness, nor physical harm
But in silence
In the time that covers pain and secrets
In the slow impossibility of trust
In the way that some secrets become inconceivable to tell, time has so covered them in rust
In that dull, dismal ache
In all that is doomed to remain forever opaque.

I have read, for pleasure,
The works of Balzac, Fitzgerald, Steinbeck, and Voltaire
Of Bobin, Gaude, and Baudelaire
Of Flaubert, Hemingway
and good old Bradbury, Ray
Émile Zola,  Primo Levi
Moliere, Rousseau, and Bukowski
I have read, and loved, and understood

I have known insomnia
The way a beach knows the tides
Sleepless nights of convulsive, feverish panic, of clutching my sides,
Of silent hysteria and salty terror.
I know what happens at night, when sweet slumber seems so far away
The worries and woes seem to multiply and swell in hopeless disarray
My lips grow pale, my eye grow sunken
As a time ticks by, tomorrow darkens




I have witnessed horror
In the form of a blue body bag
Being rolled out with a squeaking drag
By two yellow-vested men
With apologetic eyes
That seemed to say "Oh god
We're so sorry you had to see that
Please, please
Go home
And try to forget
"

But you are right
I am still just a child
Naive, innocent, and pure
I have known nothing dark or obscure
I have not yet lived.
Build in a very humble way
Its architecture redolent of Europe,
Plain and honest in structure,
The vestibule at the entrance
Replete with old hardbound books
Dust covering the jackets
In their agony of human oblivion,
Every section has shelves under lock
Only to be open on permitted access.

Located in the desert like an oases,
But the desert of readers not waters,
But like any other oasis, it is useful,
At most to the genuine users.

There are books and books all over,
Windows only open after adjustment,
You start at the door step with classics,
Indian, European, American and global classics,
I pumped into Leo Tolstoy at the first glance,
Finely juxtaposed; Anne Karenina after War and peace.

I opened war and peace and I chanced on Napoleon
Then thrill of intellect and bliss of art
Began flowing into my guts like a river
I kept on wandering why Leo Tolstoy
Never became a Christian sub religion,
To be added to the two testaments,
For it to begat the post-modern holy Bible.

My physical peregrination of the hand
Led me to a vase of rosy wine
Its intellectual whiff surpassing all,
The psalms of David and songs of songs
This was nothing but precious discovery;
A thousand Rubiyats of Omar Khayyam
The shoulder of wisdom and love of God
The hero of Sufism and demystifier of heaven,
When in fact I came unto his 69th Rubiyat;
I have heard people say
that those who love wine are ******.
That can't be true, that clearly is a lie.
For if lovers of wine and love are bound for hell,
heaven would be quite empty!

I chewed and chewed fortune out of Rubiyats,
I went through all the thousand Rubiyats,
Only hot Sun and desert sand storms of Lodwar
Are my witnesses among the myriads of bystanders
As life of a reader is similar to the life a writer,
They both derive energy from solitude’s power.

I moved on again to Alfred Jarren
The son of France, the father of mystery;
Pataphysics the science of fantasy
It has the realm beyond metaphysics,
His survey of pataphorical world
Has remained witchcraft
Beyond my simple soul’s grasp.

Paradox is one other worldwide wonder
As I look at an illiterate Turkana Man,
Guarding the library, club in his hand,
His ever week from stubborn hunger,
His sires never go to school, perhaps culture
I looked at him often in my pause for muse,
Why guard knowledge that you can’t use?

I again came upon the Quran
I read it voraciously over and again,
In expectation of great knowledge
Always making Muslims to be noisy,
I have found nothing great in the Quran,
Only regular subversions of Biblical grammar,
Let Muslims sober up to respect Jesus Christ,
His sermon on the Mountain is perfectly enough
as an impeachment to crazed pataphoricals
That Muslims often dare the world with.

I read the Bible again in repetition
Of what I had did ten years ago,
I read psalms, Job and Isaiah,
Gospels and epistles are more nice,
Chronicles and Habakkuk are so dull,
Lamentations are somber poems,
Revelations are esoteric lies,
Kings and Samuel full of chauvinism,
Proverbs and Ecclesiastes are mere clichés
My idea is; mankind can fear God
Minus Jewish intervention.

Now I chanced upon The synagogue of Satan,
A book written by one other crazy American,
His name is Andrew Hitchcock Crichton,
The book is long and spellbinding,
Having historical facts from early centuries,
Chronicling mysterious growth of Jewish empire,
Arranging facts one after another
Dismissing Bush’s anger against Arabs,
Over the bombing of the twin towers
When they are the Jews who Bombed America
As a decoy to induce American wrath,
Thus twin towers bombing was Jewish war ploy
To put Arabs into a rat’s corner.

I came across one funny book
Written by a Indian sage
Its title was Secrets of ***
From male perspective,
I don’t liked the book
For its prurient content,
But to my sad chagrin it was the most read
Its leaves were dog eared and use worn
I spied into the rumour about its tearing,
T it was a hot cake among nuns and priests
Presently living at Lodwar cathedral.

You could also wonder my dear brother
Why a Christian library has works of Marx?
This was my muse as I read Karl Marx,
I mean everything written by Karl Marx,
From Das Kapita to Germany Philosophy,
Selected works to Poverty of philosophy,
18th Brumaire to Integral calculus,
The Manifesto to the letters,
I read Karl Marx as if I was in Russia,
I wondered why Catholics are Liberal
They fear not those who contradict them.

The Holy Grail is visibly placed
In fact at right hand corner,
At the far end on your entrance
I chose to read it
Because of its voluminousity,
The book is about ****** life
Of Jesus Christ and Mary Magdalene,
This book shares out that;
One time Jesus was found hiding,
Kissing Mary Magdalene, the Grail
In the most affectionate manner ever.

The catholic Library at Lodwar is bad news
It swallowed me like waters of Indian Ocean,
It is located at place called Lokiriama,
It was established by Bishop Mahoni
One other man deserving my respect
He was humble and catholically wise,
Very intelligent and consciously bookish,
His mission was to make the Turkana people
A modern community, but he failed,
He was so disappointed to his hilt
He transferred to the Archdioceses of New-York
Where he began facing problems of the law
On allegations of him being a *******,
I curse the devil for such temptations.

I did meet Yan Martel in this dome of books
His famous book; Life of Mr. Pi
It was my eye opener?
It transformed me from a village bumpkin
To a modern reader of global literature,
I read this book amid my fear of Tigre
But I was thrilled, to my bone marrow
When the main character drunk the blood,
Warm salty blood of the sea turtle.

I got another book with folded pages,
At its mid was the red book marker
Baring the name of the respected priest,
The book was entitled; How to excel as
A ****-******, chapter one focused on gays
Chapter two  focused on lesbians,
But the rest of the book was all homosexuality,
In nothing else, but rosiest terms.

On such encounters I once again went back,
To re-read 89th Rubiyat of Omar Khayyam
It has the following quatrain to echo;
Looking for peace on earth? Foolishness.
Believing in eternal calm? Foolishness.
Once dead your sleep will be short. You may
be reborn as a clump of weeds that will be
trodden underfoot, or as a flower that
will wither in the sun's heat.

African writers were stuffed on one shelve
Labeled African books of English expressions,
But on my request to the project manager,
His name was Peter Kebo, he was Flamboyant
And physically indifferent to Turkana poverty,
We agreed with him to rename the shelves
As; African literature in English Language,
Nobel Laureates are in this section;
Soyinka, Lessing, Coatze and Gordimer
Not forgetting the Egyptian literary tiger
In the name of Mahfouz or Maguiz
I clearly don’t know,
Sembene Ousmane is also here
I read him again for the fourth time,
It’s when I found out the simple truth,
That God’s bits of wood, translates as;
The wretched of the earth,
I read Lessing’s Grass is singing,
She likes ***,
I read Gordimer’s July’s people,
She likes menstrual blood,
I read everything here
As published by James Currey
In his Africa writes back,
I also read the White African Nobelite
Joshua Maxwell Coetzee
He is a wizard of Narrative literature,
I read his life of Mr. K.
I found amusing plots and amusing themes,
I also read Ngugi’s Wizard of the Crow
It is nice; Ngugi is still fighting dictatorship,
Not physically but in a metaphysical manner.

I was again lucky enough
To chance on Caribbean literature,
Is when I read Vitian S Naipaul
The humourist Marxist of Marxists,
I read his Mr. Biswas’s house,
With avidness of an aphrodisiac cur,
His characters like taking a long time
In the toilets, Naipaul is good,
I again chanced on George Flamming
In the Castle of my skin
Caribbean literature stinks of slavery
And counter-slavery.

My landing to the shelve of Latin America,
Was a total blessing; Gabriel Garcia Marquez
Stood out like tor of literature among others,
I began with his Big Maria’s Funeral,
Then I moved on to Love in Times of Cholera,
And then You Can’t Write to the Colonel,
As I spiced my intellect with Melancholic *****,
Then finally I revisited his Stories from Africa
And the Hundred Years of Solitude,
The following morning when I came back,
I read in the newspaper that;
Gabriel Garcia Marquez is dead!
It was sad and poor of me, I mourned him
With long essays and somber poetry,
Then I fell in love with the literatures
of Spanish origin in language sense,
I read Octavio Paz and Pablo Neruda
From Octavio I enjoyed coda,
Between Coming and Going and so on,
Neruda thrilled me with his sense of Marx
Especially his poem; on burying the dog.

European classics section arrested me
I never easily moved out of there,
I chanced on ****** and annals of Goebbels,
Reading Russians like Tolstoy,Chenkov,
Gorky, Gogol and Shelynetsyn was lively,
Chewing Shakespeare from cover to cover
Not spearing Pushkin nor Homer,
Victor Hugo was a relish. Emile Zola
And Maugham, I too enjoyed…

Then my holiday in Lodwar was finally over,
But I am soon going back for my Xmas,
I will directly go back to the European section,
I also remember having come by;
The Satanic Verses of Salman Rushdie,
I will have to  re-read it with passion,
It is my prayer that this time comes
For I to resume my holy duty
In the Catholic Library at Lokiriama
In Lodwar Dioceses of Turkana County
In the Savannah desert in North West
Regions of my country Kenya.
the down keeps me up
needing to crash but thoughts beckon
i know i must pay tomorrow
full moon tonight
what’s your excuse?
if you’re a woman don’t misconstrue
i’m not a  misogynist
true misogyny neccitates great admiration
full moon tonight
what’s your excuse?
i don’t care tonight
gonna stay awake till collapse
i dreamed Apple traded
$99.00 monday morning and i bought it
i’m not your type
not your type not your type
i read Flaubert, Zola, Nabokov
i know it’s hard to see
i imagine angels
what do you like in your cup of tea?
while taking care of neighbor’s cat Oskar
decided to replace porch standard white with green light bulb
i hope they like it
they’re burners
they’ll be gone for two weeks
vy Dec 2013
i. "Why did the number of parking tickets spike
when Persephone was carried off to the underworld?
Demeter wasn't working."
She liked greek mythology puns.
It was a good thing I was creative.

ii. Truth or Dare, I asked her what
was the best decision she's ever made.
she answered with, "In 7th grade I named my puppy Achilles,
so when I saw him I could say, 'Achilles, heel!'"

iii. It took me two weeks to realise that
when we held hands, I wasn't really
holding her hand, but a chainsaw,
ready to slash through anything that stood in our way like
Hercules chopping off the Hydra's head.
I was immortal.

iv. August eleventh; 9 PM
we watched for the meteor shower.
I connected the freckles splayed upon her knee,
told her they looked like the constellation of Cassiopeia.
"Be Sirius" she jested.

v. She had a bad habit
of smoking at the beach and I
Wondered if she knew that with
every single flick of ash into the water,
Poseidon was cursing her to the River Styx.

vi. Headaches visited her often, I joked that
maybe she was getting ready to birth
a Goddess from her cranium. She
did not find it clever.

vii. You could say we became like Aphrodite and
Hephaestus. I, longing for her. She,
lusting after another. A synonym for her
headaches would be me.

viii. Apparently if you hack off a Hydra head, two
would grow to replace it. Knowing this sooner
probably would have saved me from numerous
amounts of Kleenex and chocolate.

ix. She left me a note on the dresser,
"Fun fact: Medusa's favourite cheese was
Gorgon-zola. PS - you remind me
of Medusa, please remember to brush your hair."
She reminds of Medusa as well, I do not doubt that if we
meet again, her eyes would still turn me into
stone.
where do old people go to find ***? their sagging wrinkling barnacled skin easily torn or bruised thinning wispy hair dry tongues raspy voices gray teeth wobbly legs malformed brittle spines rickety stance shaky hands misshapen arthritic fingers foul stale odors itchy scratchy orifices ***** stained underwear where do old people go to find ***? their vanishing generation locked away in reclusive lonely dusty rooms creaky dim apartments when i was young i thought old people were unburdened of lust no longer bound by libido urges somehow grown free of base desires needs this constant horniness i suffer where do old people go to find *** is it wrong to politely ask or beg a younger person indecent to plead for a little charity where do old people go to find ***?

there is a wooded area outside Paris where some couples drive and park man behind the wheel woman in passenger seat her window down clothed anonymous men approach with exposed penises in hand staring at woman’s fingers massaging between her thighs spread as she watches the men stroke themselves sometimes she kisses licks even ***** these strangers' erections the driver sits composed empowered sharing his companion amused aroused admiring her lasciviousness oh the French they are so ****** with their stinky cheeses pate de foie gras rich sauces refined wines briny scented ***** tresses seductive lingerie licentious literature DeSade Zola Rimbaud Foucault Derrida Deleuze Deneuve Belmondo Goddard Truffaut Depardieu

the oppression of money in every gulp of air we breathe all the secret arrangements sick crooked associations complicated deceitful ***** deals the great divide between gated community and ghetto slum how can we feel proud knowing our insatiable self-absorbed hunger greed oil carried in ocean channels spreading evaporating into atmosphere air rain groundwater rivers lakes vegetation animals us poisoning killing off everything the oppression of money i hang my head

the oppression of time memory longing for that which we once knew felt i remember running into a very **** pretty girl whom i had not seen in a year carrying bag of groceries in her arms on street asking why didn’t i call her back she repeated why didn’t you call me back wide smile tempting eyes ***** blond hair dark roots enticing bush exquisite floppy lips lanky cowgirl physique narrow hips i did not know what to say said nothing simply stood there looking with sad eyes at her i remember several different girls hinting to take them more seriously i thought to reveal i am too weird tainted ****** up do not want to ruin your life each one of you with my wounded heart troubled thoughts twisted feelings searching stumbling soul my uncertainty do not know what to say said nothing just stood there looking in stupid silence the oppression of time memory longing for that which we once knew felt where do old people go to find ***?

dance with me lift your spirit listen to your heartbeat rhythm of your breath lift arms roll shoulders flutter fingers loosen hips wag **** bend knees tap toes make animal sounds pretend we are young with time to waste whirl around until you feel dizzy forget gravity imagine bliss dance with me
Nat Lipstadt May 2019
I slept with her, my rapacious pen, took me in quiet vengeance in
full on conjugation

raken and taken, me,
her overlording me now, her authorship, so long held
in my maledom abeyance,
a kept imprisonment, unleashing at last, a tongue lashing~leashing,
de-spite my un-desirous craven lying supplications,
excuses of innocence and accident, coincidence and conflation,
ashes, ashes, denials incinerated, all fall down

she wrote/stabbed upon my heartless chest,
in the cheap crudités colors of a prisoner’s inking,
“user of words mine, all mine”

gathered up my innards of loose words,
speculative notes & titles yet to be,
born and kept hid in password protected silent back labor files,
now hers, leaving me sputtering, unable to create,
a homeless mute citizen, possession-less,
helplessly hoping her hovering harlequin might relent,
without any shelter, even a glimmering, a single aleph or bet

she celebratory cackled and clawed,
professed her reclamation ownership of all my poems predecessors,
zola j’accusing that I, ripped from her forcibly,
with no granted permission, her womanly touché of my scribing,
warning of no more global warming for my unprivileged hands,
daren’t try for pretenses of stolen legal guardianship,
warning of a new, forced caining inscription,
a tattooing of  “thief” upon my 5 knuckled right ******,
“plagiarist” boldly inked in back & blue upon my left palm

I, predator,
she, victim,
of my now self-professed, admitted confess,
she, my single victim,
of a decade long serializing criminal coverup

her parting poem a threatening,
herein issued in this very verse,
damning all who would falsely credit themselves,
to suffer shame and an unimaginable curse,
this, the newborn eleventh of ten commandments

parting, she kissing my lips, even my emptied apertures,
with warning bitings,
she knew all my
my numerous noms de guerre,
no dead scrolls caves to hid in, and to be discovered some future day,
and if ever marked as copyrighted,
’twas no tunneling escape,
the exposed truth to be over-stamped
upon all, upon each, in every language,

copied right from the tongue of a woman!


and she would be wright...
complementary to
https://hellopoetry.com/poem/3155692/excerpt-my-muddled-woman-mind/
a tribute to all the women that have inspired so many of my poems

19/23/05
Damaré M Jul 2013
Dear Arjana,
Isis told me that you left your paradise for love in disguise 
Camouflage love 
Erroneous love 
Inaccurate love 
Artificial love 
Mimic love 
Man-made love 
...
Substitute love
...
I can't trust the "fact" that you wanna desert me only to hydrate a man who's life is so sparse with affection 
Can't you tell by how devoid his life is of women? 
He can't storm into your life and bring forth lush 
He can't be your sunshine and make you feel tropic 
He can't have you sprung and spring you out of your glacial phase 
...Smh 
Bottom line Arjana babe 
Is that he cannot draw the line between your north and south poles where it's typically warm when I'm around and rock your equator wild as a 200 miles per hour cyclone Lol!!!
...
He just can't 
And I could 
So why do you even give G-Gwa-Gwala a chance? 
However you say his name! 
You need to come back home to your paradise 
Before you end up a dystopian 
Please reply =-|
Sincerely Masika "Zola" Oluchi
Name meanings:
Arjana- Paradise
Isis- goddess
Gwala- coward
Masika "Zola" Oluchi- one who was born during a monsoon "to love" work of god
Terry Collett Apr 2015
Sonya lay on the bed in the Parisian hotel room. It was a small room with an adjoining bathroom, a bidet and toilet, with French windows that opened out so one could see and hear the busy streets of Paris below. The windows were open and sounds came into the room with a summery warm air. She lay there in a blue skirt and  white blouse; her feet bare, her legs curled up in a fetal position; she wore nothing underneath, she seldom did; it gave her a sense of daring, of a hidden freedom. Benedict had gone out for cigarettes and a breath of fresh air as he called it. She had a book in her hands. Kierkegaard's Either /Or. Her favourite philosopher. He kept her mind fresh; gave her life a direction. She looked down at another book by her side: Benedict's Dostoevsky novel: Crime and Punishment. It had a page marker about half way through. She could have gone out with him, but she wanted time alone, time to reflect on her life at that moment. She lay her book beside her. She thought of her husband on business in New York and her two sons in boarding school and not due home until the present term ended. Her husband Erik knew she was going to Paris, but he thought she was going alone to research on her proposed book on Zola. Benedict was in Paris on vacation and having met Sonya in a wine bar near her home when Erik was away for the weekend and the sons at school, and after a deep conversation and feeling low, she and Benedict made love in her bed at home, and arranged the trip to Paris between them. Erik was a lousy lover who had become increasingly lousier, and they seldom had *** as he was always busy, and she not in the mood. But Benedict was different; he made *** exciting again, made the whole process something alive and daring, and not just a set out process of mild urges. She lay on her back with her legs out straight reaching for the end of the bed...Benedict bought cigarettes at a small shop in a side street and spoke in English as his French was almost non-existent. The woman who served him understood him well enough and they talked of London where she had stayed for six months few years before. He loved Paris. The whole city seemed alive and full of history and art and literature. No one knew him here; there was almost no chance of him meeting anyone he knew here or who knew Sonya. A sense of freedom invaded him. He and Sonya had had *** that morning and he needed to get out to buy cigarettes and breath in the Parisian air. She was an exciting lover; willing to explore different angles and approaches to ***. The night before had been one long episode of ****** games and experiences and moment of just laying there catching their breath and reading to each other from their own books, then *** again and again. And there was the factor that she wore no underclothes, so that when they went out to a restaurant, they both were aware of this factor, and he got a kind of kick knowing, and she got a thrill knowing that she was free, and walking out on a limb of acceptable behaviour and dress code...Sonya wished that Benedict would come back again soon. She wanted him, wanted to make the most of their time together, their days of freedom to be together, and eat and drink and have *** as often as they wished, and for as long as they wished, without fear her husband would be home at a certain time or that neighbours would see them together and tell Erik. She pulled up her skirt and lay there as if waiting the return of her lover, letting herself feel the freedom of laying so, of not having to worry about her husband walking in on her as he nearly did one late afternoon when she lay on their bed bringing herself to a poor organism...Benedict sat on a seat in a small cafe smoking and sipping from a coffee. He would return to the room after his coffee and smoke. Later they would go out for a meal, and see the city, and feel the history of the place about them. He knew it would come to an end in a few days, and she would be back with her husband and her boring life, and he back to his job, and in his own place sharing with others. Make the most of. Take to the limits. Explore and live and enjoy...Sonya wondered where Benedict was. She missed him being there if only for a short duration. Once their days together were over, and she back with Erik, it would seem like a dream, and her own regular life be one big bore. She ran her hands down her thighs. Sensed her fingers. Soft, smooth. Erik never explored her. He was a five minute and over and done with type. More like a mechanic than a lover. Benedict had taken her to places she had not been before, explored her and brought her to the point of bubbling over and out, leaving her feeling that she was empty and vacant, and yet so alive, and buzzing like a beehive...Benedict made his way back to the hotel room. The coffee had refreshed him; the Parisian air made him feel like a new man, a man of freedom, a man on the edge of a huge abyss, with his very life tingling with new excitement of the big dare. Sonya would be waiting for him, brimming like a *** on a  hot stove. He had released her of her hang ups and held in senses; had unbutton a new area of excitement, and sexuality and sensuality. And she in turn had opened up for him that arena of experience which he had only dreamed about in his tossing and turning nights at home... Sonya heard the door open. Benedict saw her laying there like Venus on a beach of blue and white and bare, a radio playing a Delius piece, filling the air, and he, Benedict, so alive, ready and waiting, and going there.
A COUPLE IN PARIS IN 1973 AND A ****** TRIP.
Mateuš Conrad Oct 2016
only today i learned ø denotes
        an encoding of diameter,
and it's Scandinavian,
                     or how the globe is
past the equator,
         and the lob-sided earth,
winters in Australia in the Summer months
in Europe.

    high philosophy begins with Beijing
dialectical highs,
    but take the route of lower philosophy
and encounter diacritics rather than dialectics,
because that matters, too,
        θought, a moral ought,
   and φilosoφy - and missing ought -
          and the two being irreversibly twins
in said... or θought an immoral ought,
                 sure, tubes, mistook ø74 for something
akin to φ...
    high philosophy never acquires a diacritical
dilemma...
                  or why local don't do anything
but actuate automatic application
   and those immigrant, or bilingual troops question...
    ø = diameter, not to be confused with the θ;
             higher philosophy begins with dialectical
beginnings,
               "lower" philosophy also begins with
dialectics, but it ends with diacritical application,
rather than utopian: nowhere from nothing.

what am i going to say next? *machado de assis's

philosopher or dog? introduction.

          ........................................­..................................
..............................­......................................................
..........­.................................................................­.........
.......................................................­.............................
...................................­.................................................
...............­.................................................................­....
............................................................­...........
(or a paragraph on the pleasure of drinking,
    or how to save you an optometrist appointment,
or how to take an interlude,
   to do the opposite of the Andy Warhol stipend
for making enough buggers hearing your
opinion, unchallenged,
                    but never having a diacritic concern).
hence the pending, or what everyone seems to
desire these days, circa 100 years later,
     how to provoke an interlude, how to hunger
for interludes rather than fame,
           i also drew a sketch before starting,
       shat -
                  and hey presto!
           ****!
                   yuck in orange in florescent.
yellow (florescent), F, pretty pretty pretty,
          in pink the bit about diameters and phi,
           again in yuck orange: swigs and the wiggle...
a paged concern for graffiti.
                  again, pending, yet to be hottie
and poster boy of a poem,
        again the impromptu break worth of fame that
actually isn't fame, but a chance to compare
                   how much whiskey makes up for the
Niagara continuum.
        again, (pending):
............................................... (how the hell do you
write pending ~15 minutes later?!)

the concept of Monday is greatly undermined
by Darwinism,
    as is Tuesday through to Sunday,
generally the function-able week desists the idea
of an Iron Age, as does the pantomime
of all that's worth celebrating -
generally speaking Darwinism is anti-history,
theology has nothing to ask of Darwinism
to argue against,
                             theology isn't a history,
but Darwinism is the purest variation
of history, variance of how we define logic
and its applicability, whether it's
i + think            /             1 + 1
    and have the moral attraction toward a 2
         or variate a moral action into a 3:
cos Radiohead simply sang 2 + 2 = 5 in a song:
cheat! matchstick principle regarding counting!
machado de assis? Darwinism is peppered with
overt imagery than salted with:
you get to sneeze a lot...
             a writer's voice: irony, mockery,
         consolidating the lessened counter-productiveness...
Flaubert, Dickens, Zola, Balzac, etc.,
                    homie, rap that **** out, condense it,
i thought Brazil was half the way America should have
endeared you? i had problems with Prussia
Austria and Russia... guess i was wrong how thuggish
i had to be with the Orpheus *******...
       cos the lyre was dumbo blunt deaf and therefore
cacka...
     higher philosophy begins with dialectics,
"lower" philosophy begins with diacritics -
     a return to the source, a debate with Ivory scales
concerning the Rosetta - a neo-formatting of
what's quiete
                           right: Sophia: hence anew: Rosetta.
and all for the pear that's woman and whether Satan
chose the fruit prudently according to Milton.
or the progress of a drunk:
centipedes and Fitzgeralds, Hemingways,
lust and last said...
                           the cf. of every apparent transitory
made to provoke the quasi and quack,
              ducking the Donald and the *****,
in agreement,
                     a happiness toward the tiresome
encrusting of what's worth being stated,
and then the deviatory,
                              as marketed a deviation
from a Louis Napoleon -
                                    because no Belarus was
to be chequered by an impeding force...
                      hence the cha cha cha...
                                    and hence the stanzas of
Argentinian tango...
              juicy and later the cruelty choking
of what some might make of Macbeath's habitual thinking
                                       worthy of a classroom
                audience; and that too is
exposable in return for being disposable.
higher philosophy is regarded as such with
dialectics,
                        but "lower" philosophy is
yet to be regarded as such with diacritics -
     not a case of what's to be said, and thus bedded,
but a case of how's something said,
                                and thus given a freedom
of: bedded, wedded, pimped, or whimpered into
                                     surviving writing a poem about;
also achieved by Humphrey and that chuckle of
revising Casablanca for an unnecessary quote dynamic /
diatribe when Hiroshima said
                 much more than the above certified:
boom! 1 million ******* dead.
       that's an overt-quote that gropes the many
amens among the citations of Marilyn, and still gets away
with                     a memory of J.F.K.,
           because that ****-honing masterpiece
was needing my memory rather
                                   than a b. b. q.    scewing.
          i find people rather forgetting:
jeopardy battered boundless gym orientational
                     thoughtless two shots of tequilas
            and three paraphrases of sours in biting a lemon
to upkeep a trough of a suntan with the H-He:
boom boom, higher tier laughter,
             ingesting that inflation of prop
                    boom boom, v bomber,
                     squeeze...
                    lob-side lo & behold,
                                       'n'        - squiggly extra thus born.
Alexander K  Opicho
(Eldoret,Kenya;aopicho@yahoo.com)


Sembene  Ouasmane the son of a fisherman
the son of wolof tribesmen the owners of Atlantic
you are a bad liar, my kinsman and foreman
why didn't you wait for me to grow  up
you only belied to me for your to die earlier
i begged for your pipe for i also to **** it with passion
you told me to hold on until i grow up
only for you to accede to July death in 2007
i am tortured in this life  without  without you
agonized by daily chores without a glance at the fume of smokes
being blown from the magnificent ceramic pipe on your mouth,
i wanted you teach me what Maxim Gorky and Emile Zola taught you
i wanted to learn from you what you learned at the Moscow cinema school
was it cinematographic Marxism or filmographic socialism that you learned?
i wanted to get you alive so that we can sing together the songs of Cedo and Xala,
why were your gods collecting the pieces of wood; was it humility and humanism?
I wanted to see the powerful words of human side of governance
coming from you sober gentle mouth onto African plateau
that is replete with commonaplace selfish power struggles,
i will build a monument in respect of your service to African literature
and your service to protection of humanity;both Arabic and African
your service to humanity as you forgave a French woman who stole your book
only to publish it under her name in a dint of ****** wham pam pams.
Left Foot Poet Sep 2017
"my day will be different today"

she declares, when she sees herself hidden in
in a passing spending and breaking broken
drive-by scribbled-pretend, urgent poem,
stumbled upon by a heavenly calculated accident

gladdened, saddened. now dressed to the nines,
that piece of me, wherever it be, the parade ground,
where the words and letters assemble,
where the firemen train,
adding logs, love, accursed ego,
to the hearth,
steady on burning, to practice putting out the
ohms and uh-uh's
of electrical resistance that
your response, a shiny knife of a self-reflecting observation
has...** ** **
sparkling stabbing mirror

this one, a simple script, a written pyramid,
built by an Israelite, who by command, perforce
mustn't but does write prophecies
that may or may not come to being,
poem pyramids,
surely none will not survive Darius's desert sandstorms
ravaging kisses of time's forgetting

but your simple complementation
fits inside quite nicely, for its simplicity,
because it is a
provocation stabbing piercing  a self-questioning, of
why to write I need pen paper and ink,
and don't forget those stupid teardrops in the clear vial

the Zola j'accuse
of every poet, even the gone-ones,
looking down
at highest bar in poetry!

did I really do that?

even for a brief moment,
a nanosecond,
me words
modify the entire continental shelf
that another writer occupies,
change its axis, the rate of spin,
the angle of another's
solitary human's day

nah  

all i did was read (all) her poetry, imaging imaginng
a life so foreign, putting me inside of thee, and
let my stubs, the remains of worn fingers do the rest

so I guess it could be true
what you wrote,

but about me

"my day will be different today"

and why I practice this
wonderfully ridiculous
craft,
cause the pay is so
**** good

10:36am
I came across your poem by chance. Could it be you have read my poems too? Honored to be in this exchange. My day will be different today.
I have in me a bit of Tuscan sun
The wildness of mistral
The calmness of a Cezanne village
I often walk around the countryside of Pissaro
And see the colors, still abundant, undefeated
I stroll around the lilies and the harbor of France where Manet painted being thrown out of his house, not able to pay the rent
I dance with the beautiful girls in high society Parisian parties of whom from Zola to Maugham spoke about
I learn art in silence, in the bright orange color of the day drawing the French young girl
Whose face is like Madonna
Her innocence, her laughter, her flawless body
Excite me, breaks me, creates me
I walk with clean head and red wine in the streets of Montmartre
Searching the gone and dusted studio of Renoir, Picasso, Monet
I stand exactly there where there is nothing old except the moon
And the Sacre Couer
In the morning I take the first train to Auvers Sur Oise
And walk into the cemetery
Where lie in the gorgeous French sun
Vincent and Theo Van Gogh
I utter to them, "Can dream ever be false?"
It is when I heard the footsteps
I turned
The girl in the yellow dress stands at the gate of the cemetery
Whom I draw every day but never captured her beauty
The French girl
We both stand there as it is
As if 
framed
paused 
Frozen
We, the Impressionists!
Left Foot Poet Apr 2019
this is a depth bomb cutting,
a midnight message for me,
a Zola accusatory,
“You make me think about death and doorways and sleep”

no mere paper cut incision,
bandaid and triple bacterial,
a forehead kiss
and an-on-your-way

nope serious business

death and doorways and sleep
and all that is in between,
nightly rehanging the me-moon,
on that curved tip

the onerous tasks of child raising,
you, the perp, the perpetual kid,
the holy version victim trinitized
too?

hanging your self right on that shining orbital,
leads to unquestionable answer processions
ahead of the unanswerable, they ask,
what’s behind the screen door of

death and doorways and sleep


life is hard,
but without questions,
it is unquestionably
harder

find the doorways.

this explains so little
and so more much.

reminder: make doorways - open them

11:10pm 4-10-19 ~ 10:31am 4-16-19

~for AH~
A little bit of Emile Zola.
“They dared not peer down into their own natures, down into the feverish confusion that filled their minds with a kind of dense, acrid mist.”

They thought he was pithed that man with the lithp but
he fooled them all.

He bathed in the midnight of madness and dried on the reason of hope,he sang with a voice forced with gladness and feasted on cakes made from soap.

A name that he knew he once carried was the same as the woman he married but he mumbled in metaphor and I wondered,
what the hell for
as he crumbled away into
the end of each day.
Michael John Aug 2017
when i´m good
i´m too good
and when i´m bad
i´m not so bad..

when i´m quiet
i am too quiet
but when i´m here
i might be elsewhere..

when i am a feared
there is nothing to be afraid
have i done wrong
it does nt matter..

when i am a square
i could be a line
i could have been anything
yes sir

and no sir..
o you have a pair
well they are dealing
before you stick  

your head above the
parapet..
from their pack..
consider..

i am mad
or melancholic
i should be happier
i am a ******..

every syllable
is gone over
and who cares..
who do you think

you are..i mean
me..
i don´t know
who i am..

it is taboo
to know-
i experience
my behavior

through you..
i am too nice
i am vicious
it is a facade..

i am a child
i am old too
i can not write verse
to save my life..

i am a genius
i am an idiot
indifferent...
a sagittarius...

who likes music
open people
not too open
and minding

his business..
presents
the present
sweet girls..

thunder clouds
the spirit of the wind
cavatina by stanley myers
and what i can find-

serendipity is it!
i like emile zola
i would like to drive
an e-type jaguar..

i would like to find
something more beautiful
than
your eyes..

i like spagettii
being witty
small *******
long legs..

i am hungry
all my life
that is at least
true to say..
Qualyxian Quest Apr 2020
Bob Dylan on Cornel West:
Livin' out loud

Emile Zola
Accusing the Dreyfus crowd

Italian father
Probably quite proud

Coffin ready
Mystery shrouds
Isaace May 26
When Émile Zola died, Cézanne howled to the moon;
But Cézanne, he knew the truth:
He saw, in his eyes, that life could not die;
In his early work he displayed this truth.
But he was corrupted by Camille Pissaro,
And his palette was lightened to boot.
Yet there still remained, on his most turbulent days,
Everlasting darkness that strained,
Winding its blackening roots.

— The End —