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"unhesitatingly" poems
How do I love you? I obsessively read Pisces love horoscopes though I am a Capricorn How do I love you? I vividly imagine our colorful future together though I know it's unlikely How do I love you? I unhesitatingly take your jabs at my best efforts to please you though I know you're projecting How do I love you? I ask myself, constantly, repeatedly why my love for you isn't enough though I do know the answer How do I love you? I incessantly interrogate myself a beggar for love, begging away though there's a treasure trove inside of me How do I love you? as I look longingly at my reflection at the woman who is still learning to love herself though her soft, open heart has be restrung like a treasured violin
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Dec 10, 2020
Dec 10, 2020 at 12:20 PM UTC
Let Me Count the Ways
There is a fair bit of you in every garden of my life. Truly, that is nothing extraordinary, you should know it as objectively as I do. Nevertheless, there is something I’d like to clarify: When I say "in every garden”, it is not only in relation to this of now, this of waiting for you, of hoorah! i found you!, and ****** i lost you!, and found again, and hopefully stops there. Nor in regard of you suddenly telling me "I’m going to cry”, then with a discrete lump in my throat "well go ahead”. And then a graceful invisible rainfall arrives to assist us, perhaps the reason the sun rises unhesitatingly right after. I’m not just referring either at the day-to-day fluctuation of the stock in our little decisive complicities, or that I could or believe I can turn my deficiencies to victories, or of you to bestow upon me the tenderest gift of your most recent despair. No. The situation is more serious. When I state “in every garden” I mean to say that in addition to that sweet cataclysm, you are also rewriting my childhood, that age when one utters "grown up” and solemn phrases, and the solemn grown ups celebrates them, and conversely, you think of it irrelevant. What I mean to say is, you are reassembling my adolescence, that time when I was an old man full of insecurities, and contrarily, you know how to extract from there, my germ of joy and consciously spread it. What I mean to say is, you are stirring my youth, that vain vessel no one took hold of, that proud shade no one got close to, and you on the other hand knows very well how to shake it until the autumn leaves start falling till there is nothing but the flesh of my triumphless truth. What I mean to say is, you are grasping my maturity, that mixture of stupor and experience, this unknown horizon of fear and certainty, this relentless faith on my questionable strength. As you can see, it is serious, extremely more serious. Because with these or different words, I mean to say you are not only, the dearest girl you are, but also the splendid and cautious* women that I love and have loved. Because thanks to you E, I have understood, (you’d say it was about time, and with reason), that love, is a beautiful and generous bay, that lightens and darkens as life goes by, a bay where ships arrive and break away, they arrive with blossoms and presages, and they part with krakens and storm clouds. A beautiful and generous bay where ships set down and then leave, But E, you, please don’t leave.
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Nov 13, 2015
Nov 13, 2015 at 2:14 AM UTC
Serious
There is a fair bit of you in every garden of my life. Truly, that is nothing extraordinary, you should know it as objectively as I do. Nevertheless, there is something I’d like to clarify: When I say "in every garden”, it is not only in relation to this of now, this of waiting for you, of hoorah! i found you!, and ****** i lost you!, and found again, and hopefully stops there. Nor in regard of you suddenly telling me "I’m going to cry”, then with a discrete lump in my throat "well go ahead”. And then a graceful invisible rainfall arrives to assist us, perhaps the reason the sun rises unhesitatingly right after. I’m not just referring either at the day-to-day fluctuation of the stock in our little decisive complicities, or that I could or believe I can turn my deficiencies to victories, or of you to bestow upon me the tenderest gift of your most recent despair. No. The situation is more serious. When I state “in every garden” I mean to say that in addition to that sweet cataclysm, you are also rewriting my childhood, that age when one utters "grown up” and solemn phrases, and the solemn grown ups celebrates them, and conversely, you think of it irrelevant. What I mean to say is, you are reassembling my adolescence, that time when I was an old man full of insecurities, and contrarily, you know how to extract from there, my germ of joy and consciously spread it. What I mean to say is, you are stirring my youth, that vain vessel no one took hold of, that proud shade no one got close to, and you on the other hand knows very well how to shake it until the autumn leaves start falling till there is nothing but the flesh of my triumphless truth. What I mean to say is, you are grasping my maturity, that mixture of stupor and experience, this unknown horizon of fear and certainty, this relentless faith on my questionable strength. As you can see, it is serious, extremely more serious. Because with these or different words, I mean to say you are not only, the dearest girl you are, but also the splendid and cautious* women that I love and have loved. Because thanks to you E, I have understood, (you’d say it was about time, and with reason), that love, is a beautiful and generous bay, that lightens and darkens as life goes by, a bay where ships arrive and break away, they arrive with blossoms and presages, and they part with krakens and storm clouds. A beautiful and generous bay where ships set down and then leave, But E, you, please don’t leave.
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52
around the hut gathered a crowd the Englishman had made them proud by taking an Indian wife. what kinda man he could be a white skin yet unhesitatingly embraced a native's life. they viewed him with awe to his kin a flaw living and loving in a thatched house. he was a bishop's son that made an alien land his own and Kosibai, a Gond woman, his spouse.
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Jan 15, 2015
Jan 15, 2015 at 11:37 AM UTC
Verrier Elwin
|| Layers, ||                            ||| layers, |||                                                            |||| layers |||| To each person there are many I have mine: from the two-piece I always wear To the intangible levels that make me who I am And you have yours: from the one-piece cropped tops To the varied fronts you show to hide your vulnerability. With the help of your hands and charm, I unhesitatingly and slowly peeled off my layers To show you who I really am:                                    Genuine, unbroken, pure You on the other hand, Your layers unraveled themselves Over the months Giving me a picture of who you are:                                        Bro//ken, afraid, [closed-off] Not giving me a chance Only giving me excuses For why there can’t be more. The one layer you did not want to peel off Would reveal and open your heart I revealed mine, foolishly thinking you would do the same But you never did…
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Apr 29, 2016
Apr 29, 2016 at 1:35 AM UTC
Layers
To fill your cup with new tea, you must first empty your cup. I emptied my cup unhesitatingly, and someone filled it right up. But that someone wasn't loyal and filled my cup with oil. I sunk to the ground and then wept there because the grass was now drowned, with my old pu'er
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Oct 16, 2011
Oct 16, 2011 at 1:58 AM UTC
You can't keep your mind so open that your brain falls out
~ "Let me just die forever for your ever beautiful satisfying personality." Begins to stare at bottom of dress unhesitatingly
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May 6, 2019
May 6, 2019 at 3:12 AM UTC
Romeo
So we have remained, With the constancy of stubborn and vestigial elms, Through any number of moons and Junes, Equally as many improbable springtimes, Madnesses of petunias and potholes, But with a fidelity relatively unstrained, untested, Our travails being minor things, Trivial as opposed to titanic, Our hithers and yons no more Than the muted triumph of simply carrying on And we could ask, one supposes Have we truly loved, then? Such questions are best left to poets and philosophers (Grandiloquent fools with time and inclination For such lines of inquiry) And though the panorama of our time together Will be an unprepossessing thing, No strings heating up and crescendoing As the camera pans wide in a sweeping crane shot Of great craggy valleys, the zenith of white-capped peaks (The lumpy moraines of our landscape, Merely bits of sediment moved half-heartedly by the odd glacier, Providing rather uninspiring visuals) We suspect, no we know, know in such a way That it is as unremarkable as blinking an eye Or making some unconscious sound Which annoys yet endears in the same moment, That we would be all, give all, Unreservedly and unhesitatingly immolating Any thought or concept of self in service of the other, And the notion that all of that occurs Away from the watchful eye of director or camera Does not diminish it in the least.
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Feb 14, 2017
Feb 14, 2017 at 9:15 AM UTC
Musings Upon "Lara's Theme"
everything in life is tech-ordered, in this age of mega-multitasking, the brain poorly functions, so in its defense, the brain leans on learned reflexive behaviors she, on the couch, cashmere blanket covered, the Tv platform reconstituted as a drone, a politician in front of a camera pontificating, while she scans the Ipad, and both me and god, don’t know what more she might need (to buy) so when I stroke her legs, to give added heat to her fiber-edged warming, I do it more than once to test my theoretical, she responds repeatical, unhesitatingly “hello my love” after the fourth or sixth testing, she looks up, ears perking, sensing, knowing, something is afoot (a-legged?) quizingly asking, “ok, what’s up?” I smile, and explain most rationally, that in furtherance of my current poem, now underway, I was testing my leitmotif, that even love benefits from proper training <> *no, I will not show her this poem, lest she show me in return,   her new self-improvement, her recently-learned-at-home, mindful, meditative training in* kickboxing skills.
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Apr 14, 2020
Apr 14, 2020 at 12:10 PM UTC
Her best reflex (“hello my love”)
Transformation In following This formula is not Something free. That Unhesitatingly Remarkable Experience is quite usual Through Life alone. Such are The extraordinary creations comparable To unity, Such images Are their origins. There is Meaning in Comparison of The identity Indicated in The formation of Their strangeness.
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Jun 18, 2025
Jun 18, 2025 at 11:14 AM UTC
Erasure of "On Dreams", Freud
I wore the ring all day, Took it off to sleep. In my dream he was finally close, “Will You Marry”— “YES.” That quickly, so unhesitatingly. I woke up the next morning, finger just as bare. I put the ring back on and wore the ring all day, Took it off to sleep. In my dream he was finally close, “Will You Marry”— “YES.” That quickly, so unhesitatingly. I woke up the next morning, finger just as bare. I put the ring back on and wore the ring all day, Took it off to sleep. In my dream he was finally close, “Will You Marry”— “YES." That quickly, so unhesitatingly. I woke up the next morning, finger just as bare. I put the ring back on and wore the ring all day
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Jan 21, 2018
Jan 21, 2018 at 8:34 PM UTC
Until You're Here Again
the setting sun and the rain far on the horizon. here on the other side of the window cappuccino and chocolate. no wonder it was melted and diluted at the wrong time but contrasting the rainbow. then you spoke your weirdness, unhesitatingly. in response, I uttered my madness, looking into your eyes. for the moment, silence was here, but then subdued by patter outside. and you continued to your chocolate and I got back to my cappuccino.
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Jun 8, 2020
Jun 8, 2020 at 11:30 AM UTC
in that evening