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eli Aug 2014
ever since i was young,
my gaze was drawn skyward.
i could tell you the story of orion,
and how to brush bernice's hair,
before i could tell you that two plus two equals four.
i know more about our vast universe,
than i know about many of my friends.

if you are not well acquainted with a pisces,
let me give you a bit of an introduction:
we are compassionate, imaginative,
we adapt to whatever is thrown at us,
and my personal favourite,
we are unfalteringly loyal.

however...
we are full of self-hate,
prone to laziness,
we are escapists
and horrendously easy to manipulate.

i believe my horoscope today is complete *******.
i do not feel utterly lovely,
i know i will not score a date
because no one feels for me romantically.
i've nothing to flaunt.
the horoscopes are saccharine lies,
but, those traits? those are me.

my soul is ancient,
i feel the pain of struggles i have not faced,
or rather, have not YET faced;
i will split my soul in two
i will break my bones
i will give every drop of my blood
i will breathe my last breath
for those that i love.

i spent two years of my life giving my heart and soul to a sagittarius.
philosophical, adventurous.
i admired him so.
but his negatives--
inconsistent. overconfident.
careless.
he was a burning house.

my mother, also a pisces, when all was said and done,
told me to stay away from those sagittarius boys.
they're dangerous for wary, fretful fish like us,
who ask 'from what bridge?' when we are told to jump.
i am the textbook example of a pisces.
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
Ghazal Jun 2012
Flavored hukkas are passed around,
Alcohol and paan bring the mehfil alive,
The Ustad ji sits down and flexes his fingers,
He knows he’ll be working all night.

Dha dhin dhin dha, dha dhin dhin dha
Na tin tin ta
Ta dhin dhin dha,
Move the Ustad ji’s fingers on the tabla.

While with a veil on her face,
And feet dipped in and henna-colored,
Lips in cheap red lipstick covered,
She unfalteringly, gracefully enters.

Her steps are matched by the chhan chhan
of the ghungroos tied around her ankles so slender.
Eyes set on her, feast on her youth,
Just right for the taste of all her customers.

Bejeweled hands placed on waist,
She stands at the centre of attention,
She lifts a foot, readies to dance,
And begins the nightly convention.

Skillfully, perfectly, sensuously move
Feet well-trained since childhood days,
Harmonizing with the timbre
That the Ustad ji creates.

Tin tin na dhin na dhin na
On the tabla, experienced fingers beat.
Chhan chhan chhan chhan,
She dances, repeating the rhythm with her feet.

Metal bells strike against one another
And chhan chhan chhan-a chhan she goes,
Making breaths prance and jump,
As she strikes on the ground her heels and toes.

Then suddenly she stops and gasps,
Over disgruntled, impatient groans she tries
to hear the sound that flows in, only to her ears.
Several rooms away, a baby cries.

Naach! A voice booms,
Arey naach! More join in.
A glass of wine is shattered by an irritated one.
But she stands still, clutching her chest, frozen.

One sways up to where she stands,
For the veil covering her face, his hands dive.
He uncovers her, but is blinded by the sight of her beauty
And her tears that fill her kajal-smeared eyes.

She’s shaken back to reality as she looks all around.
Her sparkling pall is off her face.
She sees all those drunk men who’ve paid to watch her dance.
She knows she has to make the sound of the cries fade away.

So she stomps her feet on the ground till it hurts.
Hair flying out of braid, bangles clanging,
Anguish replaces her innocent loveliness,
The music in the air is now shrill,  jarring.

Her steps match with the tabla’s rhythm no more.
But she dances, planting her feet so hard they weep.
She silences every sound with the noise of her ghungroos,
Praying that the night will lull her wailing son to sleep.
hukka- hubble bubble
paan- a food made from a betel leaf folded round pieces of betel nut and spices, that you chew like candy
mehfil- a gathering of people
ustad- a title of respect for someone who is very skillful, especially a musician
ji- used to show respect for someone
tabla- an Indian percussion instrument
henna- flowering plant used to dye the skin
ghungroo- a musical anklet tied to the feet of Indian classical dancers
naach- dance
kajal- kohl
louis rams Feb 2013
Why Do Women Cry


I had gotten this from a friend, and the author is unknown
But it is so beautiful I decided to post it for others to read.
There was no title so I added my own title.



Why do women cry

Why are you crying? A young boy asked his mom.
Because I am a woman, she told him.
I don’t understand, he said.
His mom just hugged him and said:
And you never will, but that’s okay.

Later the little boy asked his father,
Why does mom seem to cry for no reason?
All women cry for no reason.
Was all his dad could say.

The little boy grew up and became a man,
Still wondering why women cry.
Finally, he went on his knees and asked god:
GOD* why do women cry so easily?
And god answered…

When I made women, I decided she had to be special.
I made her shoulders strong enough to carry
The weight of the world,
Yet her arms gentle enough to give comfort!
I gave her the inner strength to endure childbirth
And the rejection that many times will come
even from her own children!

I gave her a hardness that allows her to keep going
And take care of her family and friends,
Even when everyone else gives up, through
Sickness and fatigue, without complaint!

I gave her sensitivity to love her children
Under any and all circumstances, even when
her child has hurt her badly!
She has the very special power to make a Childs
Boo-boo feel better and to quell a teenagers
Anxieties and fears.

I gave her the strength to care for her husband,
Despite faults, and I fashioned her from his rib
To protect her heart!
I gave her the wisdom to know that a good husband
Never hurts his wife but sometimes tests
her strengths and her resolve to stand beside him unfalteringly!

Son, for all of this hard work…
I also gave her a tear to shed.
It is hers to use whenever needed and
Is her only weakness!

When you see her cry,
Tell her how much you love her
And all she does for everyone.
And even though she may still cry,
You will have made her heart feel good.

She is special! ! !

louis rams :
Aseh Oct 2015
Thank you for being nocturnal with me;
for kissing me on the cheek
with your grizzly jaw,
for letting the silence between us speak
for itself.

Thank you for dreaming
of Greece
and music festivals
and road trips,
and for carrying my friends across the busy streets
and for laughing about it;
for holding me in that perfect way
that makes me feel safe
and loved.

Thank you for letting me bounce around enlivened with energy
and never asking me to slow down;
for never complaining when I wander away;
for staying;
for treading softly and living free.

Thank you for astronautical mornings, sweltering afternoons spread out in rainbow grass,
and for smoky nights;
thank you for being the last one on the dance floor with me.

Thank you for horses grazing on the beach,
and for log cabin jacuzzi hazes,
and for unfalteringly
hoping;
for huddling in a tent in soft white sand;
for believing in me.

Dear friend, you feel like home to me,
so let's keep chasing
dogs through the streets and trekking through sewage tunnels and
watching hours fly away from us like a swarm of gulls on a Mediterranean beach.

You know me:
a fickle girl, afraid
to commit or admit or abstain,
yet all the same,
thank you
for being my
friend.
A little boy asked his mother, " Why are you crying?" " Because I'm a woman, " she told him. "I don't understand," he said. His mum just hugged him and said " And you will never will". . Later the little boy asked his father, "Why does mum seem to cry for no reason?" "All women cry for no reason," was all his dad could say. . The little boy grew up and became a man, still wondering why women cry. . Finally he put in a call to God. When God got to the phone, he asked, "God, why do women cry so easily?" God said, "When I made the woman she had to be special. . I made her shoulders strong enough to carry the weight of the world, yet gentle enough to give comfort. . I give her inner strength to endure childbirth and the rejection that many times come from her children. . I gave her a hardness that allows her to keep going when everyone else gives up, and take care of her family through sickness and fatigue without complaining. . . I gave her the sensitivity to love her children under any circumstances, even when her child has hurt her very badly. I gave her strength to carry her husband through his faults and fashioned her from his rib to protect his heart. . I gave her wisdom to know that a good husband never hurts his wife, but sometimes tests her strengths and her resolve to stand beside him unfalteringly. . And finally, I gave her tears to shed. . This is hers exclusively to use whenever it is needed. "You see my son," said God, "The beauty of a woman is not in the clothes she wears, the figure that she carries, or he way she combs her hair. The beauty of a woman must be seen in her eyes, because that is the doorway to her heart - the place where love resides. . RESPECT WOMEN.
When the magistry has ended, /
The echoes of repose begin to resound; /
Although there is, there has been a great wanderer in me, /
The beckoning has not ceased, /
Nor has my heart been claimed in abeyance. /

A story, one with risings & fallings, /
One with an unfalteringly great divide, /
Has bestowed a parcel from on high; /
The Winds, The Earth, The Ocean, The Sun, The Moon, /
They are the pulse of this Grand Tapestry. /

When we are enraptured, /
By ensorcelled irides /
We become; /
Sometimes being enamored /
Means our journey is re-willed; /
Moreover, we see the world with Brand New Eyes. /

Allowing every experience, to re-modulate my thoughts & feelings /
I realized uncertainty was not a barrier, /
Rather, it was my nexus to transcendence. /
Having a time & space in which to reflect, retrospect, & introspect was an aegis, /
Now real & authentic happiness is no longer distant /
And faith is near. /
-------------------------------------

Written

by,

Sanders Maurice Foulke III, AAS

----------------------------------------

#BeLove
#BeFaith
#BeDream
#ExcelsiorForevermore
zhouli Aug 2013
A little boy asked his mother:"Why are you crying?"
"Because I am a woman."She told him.
"I don't understand"he said.
His mum just hugged him and said:"And you never will."
Later the little boy asked his father:"Why does mother seem to cry for no reason?"
"All woman cry for no reason."Was all his dad could say.
The little boy grow up and became a man, still wondering why women cry.
Finally he put in a call to God, when God got on the phone, he asked,"God, why do women cry so easily?"
God said:"When I made the women, she had to be special. I made her shoulders strong enough to carry the weight of the world; yet, gentle enough to give comfort.
I gave her inner strength to endure childbirth, and the rejections many times comes from her children.
I gave her hardness that allows her to keep going when everyone else gives up, and take care of her family through sickness and fatigue without complains.
"I gave her the sensitivity to love her children under any and all circumstances, even her children has hurt her very badly.
"I gave her strength to carry her husband through his faults and fashioned her from his rib to protect his heart."
"I gave her the wisdom to know that a good husband never hurts his wife, but sometimes tests her strength and resolve to stand beside him unfalteringly."
"And finally, I gave her a tear to shed. That is her exclusively to use whenever it is needed."
"You see the beauty of a women is not the clothes she wears, the figure she carries, or the way she combs her hair."
"The beauty of a women must be seen in her eyes, because that is the doorway to her heart, the place where the love resides."
I am spatial, /
I understand, /
I fathom, /
Through distance, space, & time, /
I see clearly, pristinely through you & I. /

'Do not forsake me, /
I am everywhere,' /
He says to me, /
And I unfalteringly, /
Unwaveringly, I believe /

In Him, are treasures: /
The opulence, /
The affluence, the direction, /
Of one-million /
Guiding stars. /

You are a sign, /
A beacon of hope to the lightbearers; furthermore, /
A portent, /
Ominous, pernicious, /
To the Cimmerian shadow. /

I know you /
You, /
I love /
You, /
For that I am grateful. /

What is love? /
An existential vagary? /
Perhaps not. /
It is real, it is tangible, /
When He is in my arms. /

Mi amour, /
Mi amour, /
Mi amour, /
Mi amour, /
Me encanta, mi amour. /
Ojaswee Das Jan 2022
belle's rose, wilting one petal at a time
the creation of adam, gods hand yet to touch yours
you're 0.8 seconds away
from descrying the back of their head disappear into the distance
one last time; one heartbeat away
the inception of an everlasting process; the decay.

languished simply, because of the life left within
shoulders slouched, so as to crease what's in between
you let out a sigh
struggling to pick broken shards off the austere snow;
blotching blood stains so diluted by what your eyes let go
you realize what's so undoubtedly you; an overflow.

an overflow of musing so raw, each drop a crystallized sapphire kernel
burgeoning beanstalk in the hearts of every passerby
all led to the glasshouses you once vowed to unfalteringly stand by the refracting light dilating naked memories; an open invitation to pry
you lack distrust that things could ever go awry; they do.

stubborn; you never learn;
you live in denial, waiting for their return
your presence incomplete; the twinkle in your eyes masking your defeat
your glasshouses broken and beat; slow deplete
repeat repeat repeat

you fight shy of taking up space
last row corner seat, you almost always leave without a trace
your voice too mild to return an echo, your soul leaking too gentle to show
you long for warmth, yet you leave behind nothing to embrace. you know.

a paradox on your own; you're a daunting dilemma
you can love into thin air, hushed or acapella
your burning eternal, yet you soothe all fire
hollowing for your world, but there's nothing you desire

your heart's been plucked from the souls you've warmed
only to be left astray in the cold
yet you pick the pieces less frozen and hand it over for them to hold

obscure; oblivious, and obedient
to everyone but your own
you're fighting battles; for everywhere but home

withering and drifting
brittle dust in the breeze

worn out to the extreme
bittersweet; free

potpourri

p o t p o u r r i
Diya Misri Dec 2024
Every night she laid
In bruising arms,
Choking – their hold,
Twisting, pushing prodding,
In the company
Of sharp whispers
Tinged with honey,
Breaking skin
To unleash
The quiet drips
Of ruby red.
Rocking sleep,
In their firmness,
A poison untouched,
Unprompted,
She drank,
Lulled unfalteringly,
Into Eternity

— The End —