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"transparence" poems
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
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Asides on the Oboe
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
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Dear native brook! wild streamlet of the West! How many various-fated years have passed, What happy and what mournful hours, since last I skimmed the smooth thin stone along thy breast, Numbering its light leaps! Yet so deep impressed Sink the sweet scenes of childhood, that mine eyes I never shut amid the sunny ray, But straight with all their tints thy waters rise, Thy crossing plank, thy marge with willows grey, And bedded sand that, veined with various dyes, Gleamed through thy bright transparence! On my way, Visions of childhood! oft have ye beguiled Lone manhood’s cares, yet waking fondest sighs: Ah! that once more I were a careless child!
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To The River Otter
i’m fighting with gravity to the death- until my head rests, empty as my belly on this false-porcelain floor- skin waxy as laminate over these heavy hollow bones waiting for freedom- liberation from this sullen casing. i shake, manic- blood pressure in the basement, nauseous from diet pills and anxiety. jittery, stare at the ceiling- a spider, stick-limbed, teases me, but here’s the silver lining: no curds or whey coating my shining insides. i am stronger and brighter than ever as black swims in my vision- light-headed from malnutrition, i wrap fingers around my wrists to make sure i haven’t escaped my limits. the mirror doesn’t lie, but it won’t snitch. we’ll keep this surreptitious. spilling my bloodred guts, my blood, won’t make me wither, and confessing won't save me either. this red ribbon stays tied around my wrist. secrets kept keep me stable clinging to my only success, self-confidence cellophane-wrapped in my absence, my transparence. the whispers don’t mean a thing. i am frantic on a wire frame, white noise on parade. the ground can only hold me for so long. i'll sprout wings from my ribcage and float away.
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Jun 21, 2013
Jun 21, 2013 at 7:53 PM UTC
hydroxycut
White skin Molded in black light Crystal tears Faded in dark wine - Innocent fears Crypted in a muddy dawn, White, white veils Of the black, black soul. Soothing tired rays... The ashes of canescent shadows In black blankets Of white memories, thoughtless days Melodies, phantasms of whispers - Too late, too soon...dispair. They all appear in strange ways, Mixed feelings in a maze Drowned in a deep silence - Deaf screams in a corner. Transparence... A black mind, the disorder. A life between agony and death, A death betweem sunrise and health, Vision between a mirror and a trigger Freedom between bars and linger Dreams between blindfolds and handcuffs Thirst hiding beneath a sea of cups Hunger lieing in corners with bread bits Perfect love dieing where it fits. Black and white, Silence and screams Numbness, too many feelings... Eyes wide open, but locked inside. I've lost the key To a true reality Beyond these mesmerizing dawns They're not true, they're not false... There's no sun, there's no moon Too late, then too soon Trying to fake and not to see There's no sunrise in the whole of me.
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Aug 13, 2011
Aug 13, 2011 at 1:01 PM UTC
Antithesis
I have been at war with my brain for as long as I can remember. A perpetual massacre, crimson annihilation, whatever sounds best bleeding from your tongue. No matter how many casualties you can find staining my fingers, there is no tragedy here. Words are what the carnage always leaves behind. I have always had words, too many of them-- always left hiding behind my overbite in fear of crowding the world. It is a torturous thing, to be a writer in a world where people are not made of paper, where transparence is sacrificed for conversation. I think in different shades of contradiction. I want to talk to you but my brain keeps telling me to pretend my phone is ringing so I don’t have to talk to you anymore. There always seems to be an escape plan I cannot help but map out. I want to speak my mind, to watch my opinions soar into morning skies, but my brain gathers all of my words into paper boats drifting into shark-infested waters. I am full of synonyms and definitions, of pretty cursive words inked on skin. Perhaps it is hard to see this. I am, in fact, too busy picking my eyelashes out to realize that you are speaking to me. My heartbeats have cold feet when they try to serenade my thoughts. Forgive me, for the paradox of my friendship. I am listening. It is just that sometimes, I am a telephone line with both ends in my hands.
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Feb 1, 2017
Feb 1, 2017 at 8:58 PM UTC
Panic
Transcendence. A word to pay attention to. To find that transcendence in you, that feeling within, that's the genius behind poetry. Transport. A word to pay attention to. To find that transport in you, that vehicle within, that's the transport self to find the genius in poetry. Transparence. A word to pay attention to. To find that transparence in you, that light within, that's the genius in poetry. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I have written these lines first in DUTCH (my mother tongue) then in English: Transcendence. Een woord om aandacht te besteden aan. Om dat transcendentie in u te vinden, dat gevoel van binnen, dat is het genie achter poëzie. Transporteren. Een woord om aandacht te besteden aan. Om dat transport in je, dat voertuig binnenin, dat is het vervoer zelf om het genie in de poëzie te vinden. Transparantie. Een woord om aandacht te besteden aan. Om dat transparantie in u, dat licht binnenin te vinden, dat is het genie in poëzie. © Sylvia Frances Chan~~ Thursday 13th March 2014 17.17 hrs p.m. W.E.Time
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Mar 15, 2014
Mar 15, 2014 at 12:18 PM UTC
Expressing Myself In Poetry
[for Joe Cole's prompt] ~~~ Grain of sand? I have no remembrance of me being a grain of sand. All I can tell you about is this me you can see: this glassy transparence, a melted me, metamorphosed by fire. Seemless frontier, I can't but to split daring to reach the other side. Grief, from this sandy longing? Yes, you may say that's me.
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Sep 12, 2014
Sep 12, 2014 at 8:36 PM UTC
SiO2
The sun rose pink over Lancaster; Its frozen rains came quick in tow— Here, we sense the passive and the active: To take the drag or pull: He is dragged by the way of the automatic hand-to-mouth; The Other, is my command— But that, even, impelled snowfully toward A closed fist, a locked grasp, an unwilling departure. I suggest a dislocation somewhere in parallax: Take paper dimensions and fold them 104 times And everything flattens out— The ocular inversion becomes like-real; I’ll swim in that! Puddles are dragged by the wind, whilst the pull thinks in spite Of I, its strange corpus of author, and opus Drags to the creature of appetite deign to call to order. But a power powerless to its name given it: Destined desiring of sunnier metaphors— The alcoves of the thread, brought to just us Caesuras of what satisfies, in food, in just us The depth of image holds true: one cannot live on bread alone. Thus, I muse and mull back to locks of hair and bellybuttons Waiting, in time—the deepening of time’s cloth Where my hand caresses her thigh— One can feel the gravity pressing on the heart, All the love that self-reflects, combs out the wrinkles, And has faith in the good inertia. By this secular host consubstantiate And Other (surely a pleasing affair) is but moments away. And she and I look so pretty together, Our is of whom and what and the third conditional. That which presses upon itself, the one dimension, Cannot disentangle from name or alliance, nor faith, Greedily picking at the oily ruptures, effulging in transparence, Contradictions care not for astrology, And whether you are poetry Is not important here.
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Mar 10, 2015
Mar 10, 2015 at 9:01 AM UTC
To be Philosopher is Inhuman
The sun rose pink over Lancaster; Its frozen rains came quick in tow— Here, we sense the passive and the active: To take the drag or pull: He is dragged by the way of the automatic hand-to-mouth; The Other, is my command— But that, even, impelled snowfully toward A closed fist, a locked grasp, an unwilling departure. I suggest a dislocation somewhere in parallax: Take paper dimensions and fold them 104 times And everything flattens out— The ocular inversion becomes like-real; I’ll swim in that! Puddles are dragged by the wind, whilst the pull thinks in spite Of I, its strange corpus of author, and opus Drags to the creature of appetite deign to call to order. But a power powerless to its name given it: Destined desiring of sunnier metaphors— The alcoves of the thread, brought to just us Caesuras of what satisfies, in food, in just us The depth of image holds true: one cannot live on bread alone. Thus, I muse and mull back to locks of hair and bellybuttons Waiting, in time—the deepening of time’s cloth Where my hand caresses her thigh— One can feel the gravity pressing on the heart, All the love that self-reflects, combs out the wrinkles, And has faith in the good inertia. By this secular host consubstantiate And Other (surely a pleasing affair) is but moments away. And she and I look so pretty together, Our is of whom and what and the third conditional. That which presses upon itself, the one dimension, Cannot disentangle from name or alliance, nor faith, Greedily picking at the oily ruptures, effulging in transparence, Contradictions care not for astrology, And whether you are poetry Is not important here.
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In the big and blue Are people swimming With watershoes Transparence is the colour hue Of this ocean It has waves of many sizes Rock and sand as well Shoals of fish that swim Together in vast numbers so swell! There is a cycle That cannot forfeit To be broken Or destroyed yet There's yet so much to discover But our stubborness overpowers Many tropicals Many corals So much to see In the big and blue What lies at the depths of it Is still a mystery Even if we search and search We won't find what we're looking for But what are we looking for? Why are we looking for this? The sky is like a person And the sea like a mirror To discover the skys true beauty It uses the sea's reflection Making this water Either blue or green The sky beautifies The magnificent sea There are fantasies Oh so wonderful dreams They make us believe That's it's not what it seems They hypnotize, cover up But the beauties Are amongst us In the big and blue Are animals of many kinds There are waves That will break On the sand There are rocks That and homes Fish and plant In the big and blue You'll find colours so true It's like a rainbow Underwater now!
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Jul 21, 2013
Jul 21, 2013 at 8:39 AM UTC
in the BIG and BLUE
Roule l’Automne Roule, roule; l'automne roux sur les bruyères de Corse et les bouleaux du lac Baïkal. Sur le dôme de Notre Dame et le clocher de Saint-Sernin. Roule, roule; l'automne roux sur la queue rousse de « Goupil » et le flamboiement du soleil qui cligne comme un phare éperdu enluminant notre horizon. Roule, roule; dans les cheveux d'or des belles Femmes rousses et de cet été indien qui flamboie, de nos promesses d’amours de la transparence de nos yeux. Roule, roule; l'automne roux dont les feuilles volètent au vent des feuilles bariolées qui deviennent tapis de velours, ravivant la joie des amant(e)s Qui y trouvent des lits d’amour. Roule, roule; dans les vignes et les sous-bois quand Bacchus s'en donne à cœur joie, Les vignerons pressent les pampres font couler les nectars vermeils avec cette fraîcheur sans pareil Qui illumine nos Esprits. Roule, roule ; bel automne dans tes atours de séducteur, tournant la tête des amoureuses. Car la nostalgie de l'hiver, Et sa compagne la froidure ne sont pas encore avancées. Paul Arrighi
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Sep 30, 2016
Sep 30, 2016 at 11:50 AM UTC
Roule l’Automne ( Roll up Autumn)
This maze and cluster is a gift and a curse to be privileged to work and walk amongst. Forget being alone. Everyone knows and everyone see’s the transparence within the eyes blinking and pace of a walk. I walk alone fast and furious to avoid speaking to anyone who has the mind of a Queen. I find a spot sit and rest in fetal position. I get walked by and noticed every time. No place is mine here in this maze called school. So just leave me alone. You don’t need to know right away what I have. I will go home and I’m going to stay here. I will reach the end of the Maze someday. The finish line may get broken before I cross but I’ll be one to complete this challenge. Learn from the ones who laugh at the behavior and strike the ones who don’t accept. Maybe they are lost in the maze too. I have a life, so I walk this maze, and say hi as I go. I never hide, I show as much as I want to. The maze is not mine, but my pace is. Even if I walk with a gift and a curse deep inside, I think well of the people who see no curse and walk with me in the maze. We finish, together. This is why I don’t hide.
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Jan 28, 2016
Jan 28, 2016 at 9:46 PM UTC
Never Hide
Shadows in the moonlight I watch the silver frames of the lingering shapes caught within the omnipresence of the midnight moon , shadows cast into the night unable to be seen by the naked eye , but experienced through an open soul , for it is said that shadows can not exist In the darkness , but it is in the darkness that they are formed , just as my affection surrounds her too , like shadows in the moonlight , the glowing gaze of adoration , enveloping her like the moonlight , casting a shadow into the dark , I feel her presence , as she can feel mine , recognized only by the glowing smile amidst my loving gaze , but blending into the transparence of the deep blue background of the darkness .....it is to her that I belong , as we are nothing but mere shadows.....shadows in the moonlight ....,
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Oct 16, 2014
Oct 16, 2014 at 11:28 AM UTC
Shadows in the moonlight
She waited and waited with her fingers on the window pane and face of anxiety meeting its match. There was nothing there to have fear nor was there drama powerful enough for all to come to her and let her rule. She was all too different she had the face of a model and the body of an addict. That is what the magazine article said. She would sprint to catch her people, she wrestled her schedule to find time for them. Begging for others to stay and could never be strong to let go. This is who she had, this is what they wanted, she had no choice but to keep them, she had to pretend all along. She stared out the window pane she got frustrated as she stormed to the table with coffee pouring and tea from the kettle. She poured herself a cup, and as the drink burned her mouth, she remembered the pain that felt too relevant as nobody was there. They were not who she had, she lied for so long that she was no fool. The fire in her throat was the transparence of voicemails asking when they could come back. She put all her time and effort into those who did not care for her, and never took time to nod at the ones who actually did. Years passed, many were renamed and overlooked, no wrists were grabbed, no one was getting on their knees. She let them do their thing and never took space for granted. The tea was gone from the mug, her throat felt better. Nobody came, was the perfect time to smash the mug in order to see where her days of being credulous were to end in pieces. She had tea alone and as she picked up the pieces on the floor, every shattered glass thrown away was like letting go of anyone who abused, assaulted, or lied. She just couldn’t be credulous anymore. It was time to tell herself the truth and believe something other than fantasy. Though no one was at the party, it was worth telling the truth in the end. Something finally felt right.
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Apr 6, 2016
Apr 6, 2016 at 1:09 AM UTC
Removal of Credulous
She waited and waited with her fingers on the window pane and face of anxiety meeting its match. There was nothing there to have fear nor was there drama powerful enough for all to come to her and let her rule. She was all too different she had the face of a model and the body of an addict. That is what the magazine article said. She would sprint to catch her people, she wrestled her schedule to find time for them. Begging for others to stay and could never be strong to let go. This is who she had, this is what they wanted, she had no choice but to keep them, she had to pretend all along. She stared out the window pane she got frustrated as she stormed to the table with coffee pouring and tea from the kettle. She poured herself a cup, and as the drink burned her mouth, she remembered the pain that felt too relevant as nobody was there. They were not who she had, she lied for so long that she was no fool. The fire in her throat was the transparence of voicemails asking when they could come back. She put all her time and effort into those who did not care for her, and never took time to nod at the ones who actually did. Years passed, many were renamed and overlooked, no wrists were grabbed, no one was getting on their knees. She let them do their thing and never took space for granted. The tea was gone from the mug, her throat felt better. Nobody came, was the perfect time to smash the mug in order to see where her days of being credulous were to end in pieces. She had tea alone and as she picked up the pieces on the floor, every shattered glass thrown away was like letting go of anyone who abused, assaulted, or lied. She just couldn’t be credulous anymore. It was time to tell herself the truth and believe something other than fantasy. Though no one was at the party, it was worth telling the truth in the end. Something finally felt right.
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A lake of tears lies beneath many with perfect transparence, so they face a shorter sentence-for visible symptoms makes for simpler repairs-leaving one wondering at the lack of animation in my condition, no vestiges are there in it's undetectable track, a pool deeper and unyielding that is gaining height but no undulating ripples that betray the true aspect. There is too much misery in this place, and so the layman could not survey this without the piercing gaze of a most penetrating eye; remembrances concealed and unfit to agitate or attempt to heal by and by. Well inward lies the infection, so overwhelming crowds do not belong in on my confession.
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Nov 18, 2014
Nov 18, 2014 at 6:54 PM UTC
Opening Up Is Hard
Une femme mystérieuse, Dont la beauté trouble mes sens, Se tient debout, silencieuse, Au bord des flots retentissants. Ses yeux, où le ciel se reflète, Mêlent à leur azur amer, Qu'étoile une humide paillette, Les teintes glauques de la mer. Dans les langueurs de leurs prunelles, Une grâce triste sourit ; Les pleurs mouillent les étincelles Et la lumière s'attendrit ; Et leurs cils comme des mouettes Qui rasent le flot aplani, Palpitent, ailes inquiètes, Sur leur azur indéfini. Comme dans l'eau bleue et profonde, Où dort plus d'un trésor coulé, On y découvre à travers l'onde La coupe du roi de Thulé. Sous leur transparence verdâtre, Brille parmi le goémon, L'autre perle de Cléopâtre Prés de l'anneau de Salomon. La couronne au gouffre lancée Dans la ballade de Schiller, Sans qu'un plongeur l'ait ramassée, Y jette encor son reflet clair. Un pouvoir magique m'entraîne Vers l'abîme de ce regard, Comme au sein des eaux la sirène Attirait Harald Harfagar. Mon âme, avec la violence D'un irrésistible désir, Au milieu du gouffre s'élance Vers l'ombre impossible à saisir. Montrant son sein, cachant sa queue, La sirène amoureusement Fait ondoyer sa blancheur bleue Sous l'émail vert du flot dormant. L'eau s'enfle comme une poitrine Aux soupirs de la passion ; Le vent, dans sa conque marine, Murmure une incantation. " Oh ! viens dans ma couche de nacre, Mes bras d'onde t'enlaceront ; Les flots, perdant leur saveur âcre, Sur ta bouche, en miel couleront. " Laissant bruire sur nos têtes, La mer qui ne peut s'apaiser, Nous boirons l'oubli des tempêtes Dans la coupe de mon baiser. " Ainsi parle la voix humide De ce regard céruléen, Et mon coeur, sous l'onde perfide, Se noie et consomme l'hymen.
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Caerulei oculi
Une femme mystérieuse, Dont la beauté trouble mes sens, Se tient debout, silencieuse, Au bord des flots retentissants. Ses yeux, où le ciel se reflète, Mêlent à leur azur amer, Qu'étoile une humide paillette, Les teintes glauques de la mer. Dans les langueurs de leurs prunelles, Une grâce triste sourit ; Les pleurs mouillent les étincelles Et la lumière s'attendrit ; Et leurs cils comme des mouettes Qui rasent le flot aplani, Palpitent, ailes inquiètes, Sur leur azur indéfini. Comme dans l'eau bleue et profonde, Où dort plus d'un trésor coulé, On y découvre à travers l'onde La coupe du roi de Thulé. Sous leur transparence verdâtre, Brille parmi le goémon, L'autre perle de Cléopâtre Prés de l'anneau de Salomon. La couronne au gouffre lancée Dans la ballade de Schiller, Sans qu'un plongeur l'ait ramassée, Y jette encor son reflet clair. Un pouvoir magique m'entraîne Vers l'abîme de ce regard, Comme au sein des eaux la sirène Attirait Harald Harfagar. Mon âme, avec la violence D'un irrésistible désir, Au milieu du gouffre s'élance Vers l'ombre impossible à saisir. Montrant son sein, cachant sa queue, La sirène amoureusement Fait ondoyer sa blancheur bleue Sous l'émail vert du flot dormant. L'eau s'enfle comme une poitrine Aux soupirs de la passion ; Le vent, dans sa conque marine, Murmure une incantation. " Oh ! viens dans ma couche de nacre, Mes bras d'onde t'enlaceront ; Les flots, perdant leur saveur âcre, Sur ta bouche, en miel couleront. " Laissant bruire sur nos têtes, La mer qui ne peut s'apaiser, Nous boirons l'oubli des tempêtes Dans la coupe de mon baiser. " Ainsi parle la voix humide De ce regard céruléen, Et mon coeur, sous l'onde perfide, Se noie et consomme l'hymen.
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