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chris iannotti Jan 2013
ACT I

MR. REYNOLDS: university linguistics professor in his 30's.

MS. LENDER: 1st-year graduate student in the university linguistics program.

SARAH: university undergraduate.

Scene 1

MR. REYNOLDS' office. The walls are covered with prestigious accolades and degrees. MR. REYNOLDS and MS. LENDER are sitting together, both with good posture, on one side of the table. SARAH is sitting comfortably in a chair on the other side.

MR. REYNOLDS

Okay, first of all, Sarah, I want to thank you for taking the time out of your day to work with Ms. Lender and I.

SARAH

Oh, like no problem at all. When I saw the bulletin saying that you guys needed like research subjects, I thought to myself that I would like love to talk and help.

MS. LENDER

(Staring). Do you work in the Student Union? And do you know--

MR. REYNOLDS

Ms. Lender, those questions are irrelevant. Let's get right to the task.

turns to make direct eye contact with SARAH

Are you ready, Sarah?

SARAH

Yes!

MR. REYNOLDS

Great! We are delighted with how excited you are. First question, Sarah. Would a sentence like this be something close to what you might ordinarily hear amongst your peers: 'I think I like like John?'

SARAH

Yeah, totally. Except, if you want to get like technical, I need to ask you like a follow-up question.


MR. REYNOLDS

Oh, there's no need to, Sarah. We're not testing for content. Only grammaticality. There's no need to get--

MS. LENDER

No, please do. Do get technical.

SARAH

I'm just confused with the way the sentence was like worded. Does this person like, like-like John, or does he or she only like John like a friend?

MS. LENDER

I'm sorry, come again? All I heard was a series of 'likes' and what may have been English if we really--

MR. REYNOLDS

Ms. Lender! Excuse me, Sarah. One moment.

SARAH

Oh, no problem.

MR. REYNOLDS turns his chair around to face MS. LENDER. He motions her to do the same.

MR. REYNOLDS

(Whispering). What are you doing? Why are you being so hostile towards our subject?

MS. LENDER

I'm sorry, Mr. Reynolds. It won't happen again. It's just that one of my biggest pet peeves is like-insertion.

MR. REYNOLDS

I understand that, Kathryn, but you are damaging your professional integrity by getting mad at a test subject. Remember, we're only here to record the descriptive rules of English language as it is spoken on campus, not prescribe suggestions or ridicule.Do you understand?

MS. LENDER

Yes, completely.

MR. REYNOLDS

Splendid! Now, let us continue. (Turning). Sarah, may we proceed?

SARAH

Of course, just I have to like leave soon. I'm sorry about that. It was totally like unanticipated that my ride would be here so fast.

MR. REYNOLDS

Oh not a problem at all, we can continue this another time if we have to, but we'll try to speed things up for you.


Okay. So, the second question runs with the same conditions. Would a sentence like this be something close to what you might say personally or hear on campus, amongst your peers: 'John and I partied all weekend. Oh well, YOLO!'?

MS. LENDER

Yes, please think really hard to yourself about this one. Are there any John's that you may have partied all weekend with, or for several weekends in a row with, and decided to say at the end of a good run, 'You know what? YOLO! You Only Live Once, so why shouldn't I be an ******* and steal someone's boyfriend?!'

MR. REYNOLDS

That's enough, Ms. Lender! Out of my office, right now.

MS. LENDER grabs her belongings and exits stageleft. She sits outside the closed office door.

SARAH and MR. REYNOLDS make their exit. SARAH is halfway out the door with an apologetic MR. REYNOLDS following on her heel.

MR. REYNOLDS

I'm very sorry for the unexpected turn of events. You will receive due credit if we decide to publish any work containing your responses. Please take care, and once again, I am so sorry.

Sarah walks offstage


Kathryn, we need to talk. I am incredibly disappointed in you. What was that whole fiasco about? You are aware that she was an integral part of the research for your end-of-the-semester project, aren't you?

MS. LENDER

Mr. Reynolds, please forgive me. It's just, of all the kids on campus, it had to be her...I mean, I'm positive it was her. It's just my luck that it had to be Sarah Ross.

MR. REYNOLDS

Pardon? Where did you get Ross from? I'm afraid I don't understand, Kathryn. Her full name was Sarah Blackstone.
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Cyril Blythe Nov 2012
I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin
Mike Essig Apr 2015
Little boxes on the hillside,
Little boxes made of ticky tacky,
Little boxes on the hillside,
Little boxes all the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same.

And the people in the houses
All went to the university,
Where they were put in boxes
And they came out all the same,
And there's doctors and lawyers,
And business executives,
And they're all made out of ticky tacky
And they all look just the same.

And they all play on the golf course
And drink their martinis dry,
And they all have pretty children
And the children go to school,
And the children go to summer camp
And then to the university,
Where they are put in boxes
And they come out all the same.

And the boys go into business
And marry and raise a family
In boxes made of ticky tacky
And they all look just the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same.
Sad.
MARK RIORDAN Sep 2018
BURT REYNOLDS SENSE OF HUMOUR
WAS DEFINITELY ONE OF A KIND
HE HAD A QUICK WIT
AND AN OUTSTANDING INTELLIGENT MIND



HE HAD A HEART OF GOLD
HIS MOVIES WERE REALLY JUST GREAT
THE BEST MOVIE  OF ALL
WAS THE CANNON BALL RUN
IN THIS THERE IS NO DEBATE



HE WILL REMAIN A SCREEN LEGEND
AND A GREAT ACTOR OF HIS TIME
WHAT AN INCREDIBLE SCREEN PRESENSE
HIS LEGACY WILL ALWAYS SHINE

REST IN PEACE BURT REYNOLDS
ONE OF THE GREATS HAS PASSED AWAY TIME GETS AWAY FROM US AND WE FORGET JUST HOW OLD THESE LEGENDS ARE GETTING KIRK DOUGLAS IS STILL WITH US AT 102 WOW
Edward Coles May 2015
They say James Heron has a daughter now.
He has done for a couple of years. Last time I saw him
we were drunk in the day, and the time before that,
we were eleven.
I spent that last fragment of innocence
sleeping in a thin duvet case,
hoping it would pass as a sleeping bag: it didn't.
Since then I have slept rough in softer places,
and he has been on harder stuff
than I could ever sustain.

They say Faye owns a green grocer's now.
She put green in her hair and became a vegan.
They say she's never bought a McDonald's
and avoids Palm Oil like crowded places.
When she was twelve,
she'd punch me on the arm just to prove
that she could make a mark.
Now, she treads so gently across the ground,
the sprawl of the supermarkets;
imminent in swallowing her whole,
and still she'll go quietly, quietly,
so as not to cause a fuss.

They say Rhys Campbell has a missing father
who left town and changed his gender;
now a mother of two refugee children
and in love for the first time in her life.
Rhys Campbell couldn't get past his tough-man image,
and so his mother lost a son
when regaining her life.
Now ol' Rhys lives in a high-rise
and descends to the pub,
gives into the drug, and batters his wife.
Thought I saw him once
but my eyes were a blur:
I was drinking through my unemployment,
whilst he had given up on work.

They say Amy Thompson lost her wedding ring
and by the time she found it, she had left him.
She fell in love with the idea of the sea,
how it nurtures her
through the breath of a baby.
Now she lives alone and dines out for one,
treating herself after years of divorce
from who she was,
who she had to be,
and the remnants of her teenage self,
hanging limp from a cemetery tree.

They say Jessica Reynolds stays inside,
determined to one day, move things with her mind.
She collects crystals and panflutes,
Tibetan bowls and scented candles;
braiding wallets for the hipster crowds
just to pay her way through art school.
She communes with the dead
as she talked to the flowers, aged eight;
always fairing better in silent conversation,
and those long vigils in the shower,
reciting words she would instantly forget
when shown a human face.

They say Jessica Reynolds is crazy.
They say Jessica Reynolds believes in fairies.
They say Jessica Reynolds is a closet lesbian.

Now I don't know much about anyone,
amongst the faders and my inattention;
my lack of memory for names and accents.
All I can do now is to keep track of the tracks
that I have parted from.
Our common unity;
our communal drum.
C
kim bye Jan 2014
a while back, i grew a mustache.
i thought maybe,
just maybe it would make me a better person.
like Burt Reynolds.
the power of the mustache,
the responsibilities
were not known to me.
one look in the mirror, and i knew...
money would no longer be an issue.
ladies? no problem.
i went out and bought a $1200 camera,
on a whim.
that was all my money,
and like a child with a new toy
i was distracted for a short while.
guess it was worth it.
as it turns out, i could not handle the power.
now my money is gone,
and the ladies did not dig it.
so i sit here,
with a razor burn
and a thousand pictures
of empty beer-bottles.

what a fiasco.
Luke sat in the dead center of the couch eating a bowl of cereal while Spongebob’s loud, obnoxious voice played loudly over the T.V. His abandoned Thomas the Train play set pieces lay scattered on the floor and I was rushing around the house trying to find all the ***** laundry from the past week.

“Luke, where did you put your black t-shirt?”

He sat unmoving, his eyes glued to Spongebob. He reminded me of one of those green zombies from his favorite ******-Doo movie that I’d seen too many times.

“Luke.” I said, and he looked at me. “Where did you put your black shirt?”

“What black shirt, daddy?” he asked in his small, seemingly innocent voice.

“The ‘army’ one that Mommy got you when she came home last time,” I explained. “If you want me to wash it, I have to know where it is.”

He looked around the living room, “I don’t know, Daddy.”

Letting out a sigh, I went walking about the house, grabbing mismatched socks, and other clothes that he’d thrown while getting ready for bed the last few nights. Tossing the clothes in the hamper sitting on the table, waiting to be taken downstairs to the washer, I went to look down the hallway.

The black t-shirt in question was one of Luke’s absolute favorites. He tended to throw a sort of tantrum when he wanted to wear it and couldn’t find it. At the moment it seemed to be hiding. Looking around the cluttered house, I noticed something balled up in a corner of the hallway. Thrown against the wall, laying on the floor, was the missing t-shirt. I bent over and picked it up. The doorbell rang.

“Daddy!” Luke yelled from the other room, “the door.”

“Don’t answer it,” I said, coming back into the living room, still carrying the black keepsake. “I found your shirt by the way.”

His face lit up with a smile that seemed to say he’d known all along where it had been. I smiled and opened the door. My face quickly fell when I saw the two officers standing in their dress blue uniforms, presenting a soldierly appearance outside on the front step. I dropped Luke’s shirt.

“May we come in Mr. Reynolds?” one asked.

I swallowed hard, and shook my head.

“Luke, can you go play in your room for a little bit?”

I watched him scoot off the couch, taking a couple trains from his play set and head down the hallway. The stoic look set across the soldier’s faces said everything that needed to be said. It only took ten minutes of awkward mumbling and they left, closing the door behind them. I sat on the couch and buried my head in my hands. Luke came into the living room.

“Daddy?” Luke asked. “Is Mommy coming home?”

I wiped some tears from my eyes, took him in my arms and hugged him tight.

“It’s okay, Daddy. Mommy’s a hero. Right?” he asked.

“Right.”
O that a week could be an age, and we
Felt parting and warm meeting every week,
Then one poor year a thousand years would be,
The flush of welcome ever on the cheek:
So could we live long life in little space,
So time itself would be annihilate,
So a day's journey in oblivious haze
To serve ourjoys would lengthen and dilate.
O to arrive each Monday morn from Ind!
To land each Tuesday from the rich Levant!
In little time a host of joys to bind,
And keep our souls in one eternal pant!
This morn, my friend, and yester-evening taught
Me how to harbour such a happy thought.
jack of spades Feb 2016
you know how the song goes:
a stitch away from making it
and a scar away from falling apart.
holding on gets hard when
the light at the end of the tunnel
goes dark.

my friend told me he doesn’t purposely
befriend actively suicidal people anymore.
so when a 14-year old friend
was hospitalized for an attempt,
he was shocked.
I’m not fourteen
and i don’t go to the hospital for anything,
but when i was fifteen i
asked my mom to start taking me to therapy.
she told me,
sweetie,
you can just talk to me about anything.
so i started writing poetry instead.
but poems can’t diagnose me,
poems can’t prescribe me meds to
fix the chemical catastrophe in my head
poems can’t cure me.
but neither can people.

there was a boy that i used to call sunshine,
but he told me that he would
rather be the moon.

i deleted your number from my contacts
once you stopped using mine.
you don’t keep me up at night.
i’ve stopped losing sleep over you.

i haven’t broken the habit of checking
people’s wrists when they move
because of all the girls i knew in grade school.
i have a friend with the first letter of help
permanently scarred on his stomach.
we’ve never talked about it.
i don’t know if either of us know how to,
or if either of us really want to,
or if either of us really need to.

when my brother was 18, he was convinced
that he wanted to go into psychiatry.
i think the closest we’ve ever been
was when i had a mental break over
orange juice at one thirty in the morning,
watching him play GTA on his Xbox 360.
when my brother was 17, he was convinced
that his future was in professional photography.
i’m 17 and i don’t have a ******* clue.
I’m 17 and i don’t think I’ve ever felt so much
like I’m just constantly drowning.

they say a captain goes down with his ship
and I’ve set myself up for losing all my friends.

she’s got year-round summer skin
and winter has never been my friend.

i sleep seven hours a night
and i wake up exhausted.

my cat has all his claws
and when he crashes through my bedroom
when i’m on the brink of extinction
it leaves me haunted, hearing
breathing and footsteps that aren’t really there.
so i’ll put studs in all my jackets
and wrap myself in blankets.

i wish you were here,
i wish i was there.

the first rated R movie
that i saw when i turned 17
was that one that brought back ryan reynolds,
starring a moody teen with
the best superhero name ever,
a CGI man who acted as her mentor,
a pretty girl like a damsel in distress,
and the bad guy called himself ajax
but his real name was francis.
i cried
a lot.
i’m not sure why, really, but when the credits
started rolling and it was everything that i’d
been waiting for in a movie for the anti-hero
that I’ve been in love with since i was 13,
i sat in those velvet seats and started sobbing.

when i was six, my dad took my
9 year old brother and i
to see ‘revenge of the sith’ when it came out
in 2005.
the scene on mustafar, the volcanic planet,
the downfall of anakin skywalker
stuck with me until i was 12 and rewatched
all six of those old movies,
stuck with me until i was 16 and rewatched
all six of those old movies.
when i was a kid those scenes were scary,
now i see a mimic of Shakespearean tragedy.

i pick things apart until i know that they’ll scar,
but scars have always faded for me.
the first mark that ever lasted for
more than a month was when i
burned myself getting a cake out of the oven.
i remember my brother telling me
that he wouldn’t care about the burn
if i ******* up the cake.
we laughed about it because it was a joke.
i still think about it.

i still check to see if you
watch my Snapchat story.

i rip the hems out of all of my clothing
compulsively. I’m sorry.
i’ll pick up all the balled-up threads from
the carpet eventually.

i keep ticket stubs and scraps of notes
hazardously strewn across my bedroom,
because i’m too sentimental for my own good
but organization has never come naturally.

solar systems are borne from my fingertips.
supernovas power my lungs.
stardust glitters in my veins
(i tell myself these things in order to
keep thinking straight)

hey, look at the moon.
see how she reflects the sun for you?
it’s because she’s got nothing
of her own to give away willingly.
i gave you everything willingly
i spent too many nights
shredding notebook paper into pieces
of white birthday party confetti.

i swallowed six painkillers today.
I’m passive like aggressive,
letting my liver slip into uselessness.

it’s really hard to write poetry about bruises.
i am a constant state of decay
Cat! who hast pass’d thy grand climacteric,
How many mice and rats hast in thy days
Destroy’d? How many *** bits stolen? Gaze
With those bright languid segments green, and *****
Those velvet ears - but pr’ythee do not stick
Thy latent talons in me - and upraise
Thy gentle mew - and tell me all thy frays,
Of fish and mice, and rats and tender chick.
Nay, look not down, nor lick thy dainty wrists -
For all thy wheezy asthma - and for all
Thy tail’s tip is nick’d off - and though the fists
Of many a maid have given thee many a maul,
Still is that fur as soft, as when the lists
In youth thou enter’dest on glass bottled wall.
It is sad, so very sad
To die so close together
They were famous and they both lost their lives
Ever ever so sad
Carrie fisher may the force be with you and Debbie Reynolds
The world will miss you
May your funerals show us all
The kind of kind people you were
And may your next life
Be full of bliss
Explaining how much the world will miss you
Debbie made everybody happy
In everything she did
And Carrie was a wandering spirit yeah she made us happy
Carrie was a mystery woman
And it's sad to see them go
From a world of heartache and turmoil to the beautiful after life she plans
Her next life might be a YouTube baby but that will take a while
May the force be with you Carrie fisher as well Debbie Reynolds rest in peace
Dr Peter Lim Dec 2018
Motionless

Can't move can't feel can't hear can't speak
Can't cry can't scream can't drink can't eat
Can't laugh, can't smile, can't frown, can't wink
Can't touch, can't smell, can't taste, can't blink
Can't love, can't hate, can't dance, can't sing
Motionless, emotionless, can't do anything
Elizabeth P Reynolds
Written by
Elizabeth P Reynolds  F

               my coda:
can't work
can't concentrate
can't sleep
stay up hours too late

are you holding someone tonight
illicit love shamelessly celebrate?
Lewis Bosworth Dec 2016
—Flash Forward—

A day of reckoning.
A small boat crosses
the Hudson River,
no warning horn.
Destination New Jersey,
of all places.
A. Burr isn’t warned
that Hamilton will not
fire his pistol.
Destiny predetermined.

“Death doesn’t discriminate
Between the sinners and the saints,
It takes and it takes and it takes.
History obliterates.”

*—Flashback—


General.
     Colonel.
           Aide-de-camp.    
                 Immigrant.

“Don’t engage, strike by night.
Remain relentless ‘til their troops take flight.”
“We escort their men out of Yorktown.
They stagger home single file.
Tens of thousands of people flood the streets.”
“Took up a collection just to send him to the
mainland.
‘Get your education. Don’t forget from whence
you came.’”

—Stepfather of the Union—

Treasury secretary, author of the Federalist Papers,
lawyer, speechwriter, confidante, opponent of slavery,
member of the Constitutional Convention.

“History has its eyes on you.”
“I’ve seen injustice in the world and I’ve
        corrected it.”
“The Federalist:  Addressed to the People
         of the State of New York.”
“Goes and proposes his own form
         of government.”

—Family and Marriage—

The Schuyler Sisters – Eliza.
     Maria and James Reynolds – adultery and bribery.
          Philip Hamilton – successor son and victim.
                Philip Schuyler – father-in-law.

“And if this child
Shares a fraction of your smile
Or a fragment of your mind, look out, world!”
“I know you’re a man of honor,
I’m so sorry to bother you at home.”
“I’m only nineteen but my mind is older,
Gonna be my own man, like my father
     but bolder.”
“Grampa just lost his seat in the Senate.”


—Why, How, How long?—

Why not?, biography,
genius, rapid-fire rap,
hip-hop, historical vertigo,
Lin-Manuel Miranda at the White House,
a cast talented beyond measure,
the Great White Way,
2017-18 and forever….
“…13 percent of the population is foreign
born, which is near an all-time high;
that one day soon there will no longer
be majority and minority races, only a
vibrant mix of colors.”  
     ‒Jeremy McCarter, from Chapter I of
       Hamilton:  The Revolution

© Lewis Bosworth, 12/2016
    With credit to the book:

     Hamilton: The Revolution
TOD HOWARD HAWKS Mar 2021
Life is not measured by seconds or minutes, but by memories. An old, white lady in a white uniform trying to teach me how to tie my shoes, a red wagon, lying in that space above the back seat of the Hudson coming back from Grandma's watching the tree limbs go by above as we drove home, snow--lots of it--sliding down the big hill on our sleds, saying hello to Darrell, the bully, in 3rd grade as other classmates literally ran away from him because they were afraid of him, my friend, Bruce, who would not trade me Mickey Mantle for my Allie Reynolds, Ms. Perrin, my 4th-grade teacher, one of the best I ever had, who died of cancer two years later, Virginia Bright, my first girlfriend, who took me to her church Sunday nights to learn how to square dance, my dog, Cinder, my best friend growing up, my red bike that took me everywhere, embarrassed at the Y because my right ******* was not fully descended, Maggie, my Black mother, who fed me breakfast--two poached eggs, buttered wholewheat toast, and grits--every morning, washed my ***** clothes, spanked me when I needed a spanking, hugged me when I needed a hug, loved me when my mother couldn't because she was so depressed, always making straight-A's, my dad taking me to Kansas City to take a test (he never told me it was an IQ test), asking Patty to dance the first two dances--we danced alone at the center of the basketball court  as the music began to play at the SnowBall Dance when none of her other classmates would ever get near her--being elected co-captain of the football team and the city-championship basketball team, elected president of the Student Council at Roosevelt Junior High, elected president of the Sophomore Class at Topeka High by my over-800 classmates, pushed by my dad to Andover (arguably the best prep school in the world) my junior year, chose Columbia over Yale (the Core Curriculum and New York City), was a member of Blue Key, Nacoms, and, most meaningfully, elected by my over-700 classmates one of only 15 to lead the Commencement procession, couldn't sleep in law school, dropped out, couldn't sleep for four more months, spent a year-and-a-half at Menningers (saved my life), started writing poetry when, through therapy, I realized I had my own feelings that coalesced with my intellect in my unconscious, slowly emerging through my subconscious into my conscious mind, when I had to write what was coming out of me, otherwise I would lose it forever, seven months at Topeka State Hospital after dad disowned me, founded and edited TALL WINDOWS, The National Public Magazine, moved to Phoenix in 1977, had an involuntary Kundalini arising (took me six years to revover from it, and did, but only because of the exceptional use of unguided imagery practiced by the most loving person I ever got to know, Dr. Patricia Norris) when my girlfriend, who had wanted to marry me badly, lied to me and ****** her new next-door neighbor to make me jealous (I found this out because I saw her bruised ***** that I knew I had not bruised), still unconsciously traumatized during my childhood by mom and dad's miserably unhappy marriage, selected one of 25 alumni out of over 40,000 to serve three two-year terms on the Board of Directors of the Columbia College Alumni Association (1990-1996), traveled the country as a human-rights activist meeting, talking to, eating with, getting to know the hungry, the homeless, the hopeless that populate our yet unrealized democracy, Jorge Luis Borges writing that the most important task we all have in our lifetimes is to learn how to transmute our pain into compassion. That's what I hope my life has been about.

TOD HOWARD HAWKS
judy smith Apr 2015
After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses
Alyssa Underwood Feb 2016
writing
and fighting
with teary haze
remembering days
on reynolds and baird
that trim little white lair
a world bigger on inside
love and order multiplied
children's favorite retreat
family's sanctuary sweet
built by grandpa's hand
and grandma filled it in
with nurturing so wide
always on your side
wish i could restore
a hole in my core
missing them so
wish i could go
back and see
west liberty
as it was
because
i miss
this
Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe....


But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips....


God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Grac'd with a sword, and worthier of a fan,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.
Harry J Baxter Jan 2014
It's rare you'll find me in my home town
straw in mouth
**** on shoes
i'm a country boy loving this acid washed city life of "Ima get what's mine"
but don't call me bumpkin
while I'm sitting out on a back porch
jameson and RJ Reynolds
I have a tendency to spout off words like an unattended hydrant on a ghetto summer day
not all of them make sense
not all of them are in good taste
or right
but whether it be suburban Midlothian
farming village Drax
or downtown Richmond
I find my home on page
beneath the low chattering of keys
scratching of pens
Each word you never had the heart to say
is my place of residence
...

Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside
His lab'ring team, that swerv'd not from the track,
The sturdy swain diminish'd to a boy!
Here Ouse, slow winding through a level plain
Of spacious meads with cattle sprinkled o'er,
Conducts the eye along its sinuous course
Delighted. There, fast rooted in his bank,
Stand, never overlook'd, our fav'rite elms,
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedge-row beauties numberless, square tow'r,
Tall spire, from which the sound of cheerful bells
Just undulates upon the list'ning ear,
Groves, heaths and smoking villages remote.
Scenes must be beautiful, which, daily view'd,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe.

...

But though true worth and virtue, in the mild
And genial soil of cultivated life,
Thrive most, and may perhaps thrive only there,
Yet not in cities oft: in proud and gay
And gain-devoted cities. Thither flow,
As to a common and most noisome sewer,
The dregs and feculence of every land.
In cities foul example on most minds
Begets its likeness. Rank abundance breeds
In gross and pamper'd cities sloth and lust,
And wantonness and gluttonous excess.
In cities vice is hidden with most ease,
Or seen with least reproach; and virtue, taught
By frequent lapse, can hope no triumph there
Beyond th' achievement of successful flight.
I do confess them nurseries of the arts,
In which they flourish most; where, in the beams
Of warm encouragement, and in the eye
Of public note, they reach their perfect size.
Such London is, by taste and wealth proclaim'd
The fairest capital of all the world,
By riot and incontinence the worst.
There, touch'd by Reynolds, a dull blank becomes
A lucid mirror, in which Nature sees
All her reflected features. Bacon there
Gives more than female beauty to a stone,
And Chatham's eloquence to marble lips.

...

God made the country, and man made the town.
What wonder then that health and virtue, gifts
That can alone make sweet the bitter draught
That life holds out to all, should most abound
And least be threaten'd in the fields and groves?
Possess ye therefore, ye who, borne about
In chariots and sedans, know no fatigue
But that of idleness, and taste no scenes
But such as art contrives, possess ye still
Your element; there only ye can shine,
There only minds like yours can do no harm.
Our groves were planted to console at noon
The pensive wand'rer in their shades. At eve
The moonbeam, sliding softly in between
The sleeping leaves, is all the light they wish,
Birds warbling all the music. We can spare
The splendour of your lamps, they but eclipse
Our softer satellite. Your songs confound
Our more harmonious notes: the thrush departs
Scared, and th' offended nightingale is mute.
There is a public mischief in your mirth;
It plagues your country. Folly such as yours,
Has made, which enemies could ne'er have done,
Our arch of empire, steadfast but for you,
A mutilated structure, soon to fall.
Harry J Baxter Feb 2014
There was a long road
from the church to the farm house
and ten acres of land was never enough to disappear
but we tried our very best
the fields spanned out in wooden fence borders
until they met with dirt side roads
sheep, cows, and horses
and mud tracked jeans
we built dens in the woods
out of whatever we could scavenge
with wheat hanging limp from lips
we graduated to the days of the pretender
and started memorizing names like
RJ Reynolds and Phillip Morris
our fingers grew as yellow as our teeth
Tobacco Road Hobos
sticking up a thumb
with a Kamel Red pinched between index and middle
that's the gun metal blue smoke screen
rattling lungs in the morning
scorched throats at night
and a pair of mud tracked jeans
Kings of Tobacco Road
Jake Backlund Aug 2013
Julie steps off the bus Friday night before 10 pm.  She has had a long week at the store and wants to get home to relax.  Julie manages a franchise jewelry story and needs some down time in order to maintain her fragile sanity.

Friday is casual day at the mall, so Julie is relaxed in her designer blue  jeans and black sweater jacket over her blouse.  She is also wearing her signature black and gold baseball cap that she likes to wear when it’s cool outside.

Julie lives in a busy and congested neighborhood and isn’t crazy about the two block walk to her house from the bus stop. She doesn’t think its necessary to own a car as she likes the exercise of walking, and of being outdoors often.  However, as the bus drives away an eerie feeling creeps into her mind.

Her eyes begin to dart from the shadows of the trees as they rake in the cool night.  The tall timber sway back and forth in the breeze. A creaking sound crawls throughout her mind as the acute awareness of her surroundings increases. Julie stiffens as she continues her steady pace. Her shoulders raise from the tension, she shakes her head and attempts to steady her breathing into a calm pattern.

Stop! You're fine, just like every other night, she tells herself. This city isn't known for violent crime.  Julie shakes her head as she tries to focus on just walking home without incident. Things seem to be getting quieter in the night.   Perhaps too quiet?  Until a rustle from behind her unearths her terror once again.

Julie turns around suddenly at the new sound.  Her heart is beating so fast that she can now hear it.  She stares at what is only apparently a bush in the dark, but she notices that the bush seems to be moving!

Her mouth gapes open in realization. Something,  something is wrong. A dark figure seems to be within the bush. Paralyzed by her fear, she can't move and stands perfectly still.  Only the light breeze lifts her hair as the only sign of life in her body.

Julie stares at the shadowy figure intently for several agonizing seconds before she begins to see what the figure actually is.  A large branch with its leaves still on it has fallen onto the sidewalk from a large nearby white pine tree.    Oh my God!  What a relief!  Julie gasps and puts both hands on her face as she starts to feel the sweat pour down her neck from the terror.

At that exact moment in time,

A man from directly behind her lumbers toward her.  One quick step at a time. Julie freezes in terror as his shadow from the dim street light behind her reaches her feet. The man reaches her just as she is able to partially turn around at his sound.

Julie blacks out as her head is brutally forced into a collision with the concrete.  Warm, red, blood paints the sidewalk as life leaves her permanently.

An hour later Detective Olson calmly tells his partner Detective Reynolds, “I can only surmise that this young lady fell to her death from a freak accident.  There doesn’t appear to have been any struggle or foul play.  I will try and get ahold of her mother in Binghamton, but this seriously looks to be an accidental death.”
Jeremy Duff Jun 2013
"It's Toasted"*

Something about that red circle calls to me.
Something about R.J. Reynolds appeals to me more than Phillip Morris
and Santa Fe Tobacco Company.

Maybe all it is is the classic red circle.
Or maybe it's the nostalgia.
Maybe it's knowing that 4 out of 5 of my dead ancestors smoked Lucky Strikes.

But oh boy, to get one burning and in my lungs is bliss.
Whether it's in the morning, accompanied  by a cup of coffee
or during school after sneaking out of class.

The smoke that fills my head clears the smoke that filled my brain.
And shadowed my eyesight.
And made me shake.

Any cigarette will do it
save for maybe those God awful Fortunas.

How about this weather we've been having.
And how about them Yankees.
But boy, oh boy, how about those Strikes.

— The End —