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I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
a (the) woman’s body (pretty pleasing)

is my reciprocal

her waist is my happy place

her neck is my doorway

the rest is
best when she is mirror accessorizing,
preening, **** upon first rising,
tallying the gains and the losses

unaware of my watching,
never satisfied she, tho she is 98% unadmitting contented,
as she shifts her weight,
from knee to knee extended alternating
with slow delicacy

for the pleasure is trebled
for her imagine image reverberates
throughout the house

for ever(y) mirror is pre-positioned,
accidentally angled just so, lol,
her image transported from living room to dining alcove
all the way to the kitchen’s bleacher seats

she doesn’t know and asks why I’m grinning,
answer is
no confessionary, no telling I’m swelling and
sinning

eyes scheming-dreaming of her reciprocity

she smiles and says  
“good morning bad boy”

maybe she does know
but you won’t tell her,
we, you and me,
are pretty pleasing

she is 1/me
she is won over me
Terry O'Leary Aug 2014
The darkness, now descending, floods the city as it dies
while shadows lurk in legions 'neath the looming Evil Eye.
Its frozen stare envelops all, it penetrates and pries,
denouncing loathed dissenters to the keepers in the sky.

One’s inner thoughts are well descried before they’ve passed one’s lips
and cruelly crushed with grim contempt twixt despots’ fingertips;
but if no taboo-idea’s found, with which to come to grips,
the stymied Eye dispenses pus as fabrication drips.

The Eye peers down upon us now, to conquer and control,
and mark our every movement, whether hiding in a hole
or preening like a purple parrot perched upon a pole.
Our welfare and our happiness? No, certainly not the goal.

While phantoms fade, then reappear within the urban sprawl,
the gloom (adorned with Evil Eyes which pierce the livid pall)
pervades the ache and agony that poets sometimes scrawl
of plenitude to penury, how life endures the fall.

And should the herd dare whisper words of freedom's fragrant bloom
or murmur sighs of worriment at earth's impending doom,
the Evil Eye will squint a bit at those who so presume,
condemning nascent unchained thoughts to wither in the womb.

The Evil Eye bores everywhere, a tattletale to Kings,
who scrutinize their puppet people, strumming on their strings,
extracting secrets of their souls like spiders plucking wings
that flutter with the hangman’s knot as the corpse of freedom swings.

Yes, Princes rule with tungsten fists wherever they may roam
and sip from golden goblets, nectar, sweet as honeycomb
while peons (stripped of mind and soul) stray never far from home,
with faces 'neath the iron boot, ****** deep below the loam.

And peasants pass, parading by to fill the golden urn
with pennies for the afterlife wherefore the faithful yearn,
though screams of babes with empty eyes are never of concern
to those who covet silver coins, eyes cold and taciturn.

To hide the pains of purgatory, far-flung distant shores
(on islands of containment) cache the dingy dungeon doors
and inquisition water-boards that buoy their holy wars,
while sandmen drape our eyes with dust, with rainbow metaphors.

We’ll know the party's over when there's little left to eat
and all the learned scholars, lean, stay silent when they meet -
the Eye, withal, will spawn distrust on matters indiscreet.
The signs are all around us - even sheep no longer bleat.

                        Epilogue
One sightless seer scans the skies and mourns the heretofore.
Nine limbless men descend the stairs to find there is no floor.
Eight tongueless women babble, telling tales of nevermore.
Four earless children drown within the ocean's muted roar.

When hope becomes defiance, ask: Will bedlam soon arrive?
Will doves appear above us all? Or drones to guard the hive
while fed with milk and honey by the Queen and kept alive
to gut the gale below them? Will we let the Eye survive?
Ahmad Cox May 2012
Some people parade around
Like they are preening themselves
Flossing their jewelry
And pruning their feathers
Parading around
Like they are better
Then other people
Closing themselves off
From people they feel
Are somehow beneath them
Universal Thrum Sep 2013
Oh, But what does it all mean Hidalgo?
Are we to fly in the face of the North Wind forever?

My mind has gone blank at the question.
Stranger still, the story perceived in prescient anticipation of the exact mentioned query once expounded upon spanning millions of miles of eloquent esoteric linguini, wit and charm with a dash of philosophic consequence, to fool you (the eager) into belief.

What is belief Hidalgo, but the suspension of reality, for an adept deeper world of unseen truth?

Do we see reality at all my friend? It is already shaped by our perceptions, responds to our expectations, nay we have not a clue, perhaps the arcane texts written by the hobo scholars of old hold the answer, so yet we settle on the material and fixate it as the lone clear star in an otherwise dark and cloudy sky. Mysteries abound behind the cosmos. Even when we look, do we really see, or are we as an insect upon the written page, crawling over the plain meaning? Is our capacity to hear underwhelmed by our propensity to listen? All these senses must count for something, for God is in a blade of grass, is he not, felt by the trodden hoof of the foot.

You’re a clever mad man Hidalgo.

Ay, the penultimate creator, singing in a sea of song, shining in a wave of light, lost in a dance of fractals, we are all the same rascal, blind though we are to the portrait of man, always creating, same as my neighbor, weaving dreams into Technicolor realities to beam into a future unknown. Our descendants watching us as reality television, mocking our fallibility, or perhaps empathizing and learning through telescopes strong enough to win a foot race with the sun; flying around the bend of space time and back.

The birds of the island are calm today; think they favor a slumbering respite from the noonday heat?

Mayhaps we’ll take a stroll across the columnous muddy bed, risking grey clay mummified suffocation; I dreamt as such. Yesterday’s storms make the journey perilous. My own thoughts leak from the grandiose ether and compel me to genius, the condition of the interminably insane or divine.

My bare feet tread the good earth, the 3rd density, in a daily attempt to stay grounded, however my mind is always floating, receiving transmitted whispers. Sanctified secret musings of the muse. Scribbled poetry of another dimension, meaningless to the materially minded, yet wholesome for the moment. Like a thunderstorm whose power is plain, yet unheard and unseen as the forest falling with a tree. Where do the tree and the forest begin? Are they the same root? Like my thoughts from a universal mind, the zeitgeist of an all-encompassing mood, a social memory complex.

The sophists will claim you are dodging responsibility. These tangents serve only to feed your egoic mind, but put no food in your belly nor rent in another’s hand.

Ay, but its creation all the same.
A tirade of compulsions. The ringing of the hill grows, the natural chorus of bugly unison screaming its existence into the manifold, manifesting itself to the initiate.

For what are they asking, could it be peace?

Ha Ha! Those shrill like cries wound the ears of the prideful dog, but are contained in the silences of the infinite potential all the same.

A man may change one hundred lives in a day, and earn no material currency for his unasked effort. Therefore, who is trivial? I change the wind by simply being, its current flows over me and the endless blades alike.

Vibratory love, what is that feeling, the realest phenomena of all?

Bliss in its own awareness, reveling in self-revelation, actualization, the knowingness of the child who still sees the spirit existing in each of the physical realm’s shadows. The taste of the foul and pure passing without judgment to the innocent tongue. A simple being secure with the wisdom of the wise. Does the power come from you or the hill, inspiring motions, accounting on the page symbolically. Break it down further. Dissolve. ******* into nothingness.

What is cheating Hidalgo?

Is the ant called to my arm by its own volition, how did it find me here on this patch of earth formed into mound by ancestors buried below.

Opening up all channels now.

Death locks the door with life’s key.

Should I let him crawl over me repeatedly?

Ten words to speak before the coming of the night.

Creative Destruction
Awake from the trance
Guns and Bullets
Shoot from our hands
Teller of Tales
Faint whisperer
Of sordid man’s
Hallucinatory waking
Follow the Beam
Follow the beam
The world before this world
Secrets unseen
My best thoughts come
As I lie suspended awake in sleep
Before sleep
No troubles
The curse runs blood deep
He closes the book but still speaks in rhyme
The riddle draws madness
The tongue laps up the fire
Drawn from self same wells
Will and Desire
Pruning and Preening
Political Beasts are we
Lost in our notions
I find, I keep
Braggadocioc Players
Upon the Worldly stage
Every person has the story
Only what is real?
What is fate?
So I lift my hat
To another year born true
A quarter century passed
Play the tune


Am I awaken by words from another man’s sleep?
What is the source of the tetradactyl nature?
My hexagonal heap
Of flesh and bones
Earth and dust
Brought together again by unending sound vibrating ceaselessly
I sleep but am not rested
Eat but am never full
The piper plays among the sand
Whirling in the heart of the caged word
If I keep my eyes fixated on a point, in actuality my vision expands and visualizes all

Reputationally speaking,
I am an ant, with male pattern baldness
We forget to chuckle at life’s absurdities, just as we pass by flowers without engaging the fragrance.


Rest your head with the hillside now
Restless wanderer of fantastical dreams

Treading water silently until our legs melt
Just as the weary albatross cries its last song over the harbor or the butterfly ***** its freckled wings, so too will we see the setting of the sun and a coming of the new dawn. If the chalk works carved in the abandoned sidewalk are to be believed, so must we girdle ourselves for the coming tides and lift our spirits once more for the ebb and flow of circumstance. The bike rides in the gutter all the same, and the forgotten cemetery stone stands as testament to the age gone by.
The curtain on the
CPAC convocation rolls back,

as the revolution
in Tahrir Square boils.

America’s theater
of deadly political

absurdity commences;
to witness demagogues

recite holy scripture to
evangelize a religion of war.

A heavily invested
audience marvels

at the marionettes
pirouetting on strings

jigged along by hands
of invisible puppet-masters

donning dark masks of
clever 503C llcs

disguised in self serving
hues of red, white and blue.

This grand folly of masquers
conceals a fatal pantomime,

a cast of reactionary characters,
Neo-Conmen auditioning for

the leading role in a lurid play
of a deadly nation projecting
a dying imperial preeminence.

The martinets engage zero
sum games where the victor
belongs to the despoilers,

and the merchants of death
richly confer multimillion dollar
reasons for being, underwriting
the gilded egos of candidates

and their infatuation with the
vanity of feigned power.

These master rhetoricians
skillfully lather up the crowd

by pandering to basest
xenophobic nationalist
instincts and fantasies
of laissez-faire proclivities.  

Slathering on the partisan
pretense in layers so thick

a master chef, armed
with the sharpest Ginsu Knife

couldn't slice a hock tip
of blood red meat

hurled into the crowd of
gobbling Republicons

howling and yodeling
it’s derisive acclaim.

The rankled party line,
gibberish talking points

are hammer blows of
incessant propaganda,

so cocksure that any room for
doubt is crowded out by the

phantasmagorical McMansions
of hyperbole they ***** in

the pliant minds of their
gibbering minions.

The candidates preening for
president show off their

falangist affectations
in eager duels of oratorical

one upmanship; constantly
jockeying to outflank their

other Neo-Conmen opponents,
always concluding their brutish

diatribes with a solemn
denouement of a Republicon

psalm ending with a
Holy Hosanna Hallelujah

to the Ronald Reagan
Heavenly Buddha.

Punchline of the holy Amen
“what would Reagan do?”

to remind the faithful
to remain the faithful

bearers to the fiction
of dead Reaganism.

Evoking anything
Ron and Nancy

induces sanctioned
comportment of a

slow simmering
******* eubellence

providing a welcomed
relief of repressed
libidinal energy.

The mention of Goldwater
sends GOP acolytes to

pause in reverence,
envisioning Barry and

Ronnie looking down
from heaven upon the gathered,

inciting immediate ruminations
of falling dominos and

the viability of a
tactical nuke strike

against Ayatollah’s
underground
uranium factories.

The host of Neo-Conmen,
new age Falangist pitchmen

belch from the dais,
in ever increasing alacrity,

the stirring drum beats
and slick videos,

of glorious warriors
winning the battlefield

with the rippling glory
of the Stars and Stripes

flowing in a continual
loop behind them.

Romney,
Bachmann

Gingrich
take center stage,

goose stepping
to the roll of piercing timpanis.

Words slither
out of their mouths
like poisonous snakes.

Lies, hiss through
their teeth.

Open mouths
expose Black Mamba
fangs, dripping with venom.

Eyes squint
as their reptilian brains

implore the besieged
to flee from the
light of truth.

Seeking refuge in fear;
yet on the ready

to coil and strike;
while trembling

in ignorance,
exalting loathsomeness

worshiping violence;
they remain

poised to unleash
first strike armies;

boastfully evoking moral
platitudes of Bush Doctrine
prerogatives.

Trembling in ignorance
worshiping violence

exalting fear,
these dogs of war bay

to unleash armies
against the

Godless apostates
that threaten

to expose the
stasis of their

Capitalismo-Judeo-Christian
view of the world.

They have hijacked
the great faith traditions

to serve a narrow
political aim

and relish any
opportunity to

demonize Islam
in service to their lies.

Watch as they
they crouch down

on the dais to
open the nest

of vipers welling
deep within the
bowels of their souls.

They find relief
by excreting their

spawn of deadly asps
into the veins of

cable news networks;
scoring political points

with the terrorized
children of Faux News

capturing battalions
of straw men villains

to rise atop meaningless
straw polls.

They agitate for a second
American revolution

by injecting the venom
of fear and lies

into the body
politic.

Ron Paul
stands alone,

perplexed why
American's love

war as much as
they hate civil liberties?

Cheney and
Rumsfeld brood.

The people of
Iraq and Afghanistan

fail to embrace their armies
of liberation that run up

unfortunate collateral damage
body counts required to sustain
the American way of life.

Ever the defender of
democracy and liberty,

Gingrich slams Obama's
condemnation of Suleiman

"hes an able diplomat."
Gingrich  forgot to add

that Suleiman is a
skilled torturer and

an able tyrant any self
serving democracy would
be proud to call ally and friend.

Cheney and Rumsfeld
remain flummoxed.

Their armies of liberation bogged
down in the marshy Blackwaters

of intractability;  trying to solve
the conundrum of the diminished

equity returns of asymmetrical
warfare.  Spinning the math

to justify building aircraft carriers
to **** a gnat.

The families of dead soldiers
surround them and wave dime

store flags hoping the plastic
eagle remains fixed atop the pole.

Perpetually smiling
Michele Bachmann
raises the specter
of Muslim Brotherhoods
taking over Egypt.

The persecution of Christians
and the escalating war on

Christianity have the Crusaders
up on their seats waving Excalibur
once again.

Gingrich pink cheeks
flush with the cash

of a Zionist casino
entrepreneur

doubles down, stacks
his chips high.

“The Israeli Embassy
in Cairo was overrun
by angry mobs.”  

“Is this a precursor of
cancelling the peace treaty
signed with Sadat?”

“The pullout in Iraq hands the country to
radical Shiites effectively handing our
hard won victory to Iran.”

“Israel is threatened and will not
permit Iran to acquire nuclear

weapons. A nuclear empowered Iran
will not stand!”

“We mustn't let do nothing Obama
threaten the safety of our good ally
Israel.”

CPAC willingly holds the deadly asp
to the breast of a proud nation.

Urging, coaxing it to gently sink
its teeth into the sacred heart
of our dear republic...

John Lee ******
Crawlin King Snake

CPAC 2011

Matthew 23
Brood of Vipers


jbm
Oakland
2/10/11
Terry O'Leary Nov 2013
Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.
Z Apr 2014
Sorry.

Not for the bruises inscribed in my knees at six years old,
or gravel-shaped cuts dotting my palms
after being kicked off my bike like a rodeo bull,
or even the sliver of a scar on my right index finger
from closing it in a van door when I was seven.

No, I have no remorse
for the innocent;
not a twinge of sympathy regarding the unfortunate results
of relatively harmless careless actions
and playful worth-it memories.

I’m sorry for the other things.

I don’t mean running
or swimming
or dancing
until the soreness embedded itself in my muscles, my
heart racing, pulse pounding
in my ears.
I don’t regret that.

I’m sorry
for the other things.

I’m sorry for hating you.
I’m sorry for all of the
preening and plucking and
shaving and waxing and
hair burning.

I’m sorry for the countless repulsed glances at the spot
where my stomach puffs out
and all of the daggers I stared into the place
where my thighs meet.

I am sorry for getting slashed at
by the perfectly intact glass
of the bathroom mirror, for feeling severed,
just by seeing its reflective surface.

I’m not sorry for taking up space,
but I’m sorry I ever was.

I am sorry for
switch off the light,
lock the door,
the scratch of fingers in my throat
and the starkness of the cold linoleum floor
routines
I practiced because I loathed
the way you curved
and the fatness of my pseudo-waist.

I’m sorry for falling into patterns of self-hate
that I aimed at you. Patterns
not unlike that of an alcoholic,
commencing with afternoon drinks or slightly restricted meals
and ending with wildly depressing stories to tell
and crying on stranger’s floors—
but there is no Lackers of Self-Esteem Anonymous,
no chips to collect
for every time I tell myself I’m beautiful
or, better yet, value more
than my appearance.

I am sorry for thin red lines that ran deep into my wrists
and I am sorry for the faint-inducing heat
that followed,
caused by the oversized and long-sleeved sweatshirts I hopelessly donned
to cover you up.

I’m sorry for discarding that one dress
(that you looked stellar in, by the way)
because I had degenerated into such an unhealthy
and addictively abhorrent relationship with you
that I feared
even the slightest tightness
in my attire.

I’m sorry for habitual body monitoring. I’m sorry
for using my fingers to count calories
and not positive attributes. I’m sorry
for all of the aforementioned repugnant routines
I’ve picked up over the past few years,
whether I’ve stopped them or not,
I’m sorry.

I am.

So, body, when I say
that this is an apology note,
I don’t mean I’m sorry for  the time
I skipped salad and went straight to pizza,
or even the countless dinners when
I put an extra brownie on my plate.

No, I have no remorse for that.
I don’t regret that.

I’m sorry for hating you.

But, like a sinner coming up after sinking
in a blessed lake of holy water,
I am ready to fill my lungs with new breath. I will repent
with the radical act of self-love

and I promise that I will treat you better.
K Balachandran Oct 2013
Crowded lakeside,
more than expected
on a normal day.
Hoping for a quiet
rendezvous in private
she looked aghast,
at such a turn of events,
nevertheless started
to make eyes at him;
patience wasn't her best friend.
Shutting up like a clam
he was a picture of contrast.
Every desire she expressed turned
to a love sick wood duck
soon  a flock was billing and cooing
preening and polishing in haste,
making amorous advances
with an aggressiveness suggesting
intolerance to his reticence.
They chased his silence with
irresistible  mating calls,
raising hell as if in heat,
making him regret.
The night has been long,
The wound has been deep,
The pit has been dark,
And the walls have been steep.

Under a dead blue sky on a distant beach,
I was dragged by my braids just beyond your reach.
Your hands were tied, your mouth was bound,
You couldn't even call out my name.
You were helpless and so was I,
But unfortunately throughout history
You've worn a badge of shame.

I say, the night has been long,
The wound has been deep,
The pit has been dark
And the walls have been steep.

But today, voices of old spirit sound
Speak to us in words profound,
Across the years, across the centuries,
Across the oceans, and across the seas.
They say, draw near to one another,
Save your race.
You have been paid for in a distant place,
The old ones remind us that slavery's chains
Have paid for our freedom again and again.

The night has been long,
The pit has been deep,
The night has been dark,
And the walls have been steep.

The hells we have lived through and live through still,
Have sharpened our senses and toughened our will.
The night has been long.
This morning I look through your anguish
Right down to your soul.
I know that with each other we can make ourselves whole.
I look through the posture and past your disguise,
And see your love for family in your big brown eyes.

I say, clap hands and let's come together in this meeting ground,
I say, clap hands and let's deal with each other with love,
I say, clap hands and let us get from the low road of indifference,
Clap hands, let us come together and reveal our hearts,
Let us come together and revise our spirits,
Let us come together and cleanse our souls,
Clap hands, let's leave the preening
And stop impostering our own history.
Clap hands, call the spirits back from the ledge,
Clap hands, let us invite joy into our conversation,
Courtesy into our bedrooms,
Gentleness into our kitchen,
Care into our nursery.

The ancestors remind us, despite the history of pain
We are a going-on people who will rise again.

And still we rise.
Allen Davis Feb 2014
God runs a carnival
With a test of strength
Right by the gate
If you ring the bell,
You get a stuffed animal
And free admission.
Just past the ticket taker,
There on the left,
Is an old carousel
Painted ponies preening,
Careening the children astride
Mirrors by their heads
Flashing the crowd's smiles
As they glide
Forever and ever amen.
The ground is littered with ticket stubs
From a raffle they had earlier,
And despite the crying losers
And the broken boozers
I can't see the person who won.
Just billions of blue ripped ribbons
Carrying call numbers
For the lottery of a life time,
While the rest of us are left
To brave the creaking tilt-a-whirl
Assembled by two clowns out on bail
One roll of duct tape and a promise not to fail
This time.
As the fire eaters and game cheaters
Line the midway
Barking promises of heavenly repose
If only you can hit the elephant's nose
With a jet of water, streaming
Into its beaming mouth,
Grinning despite your loss
Try again, kid.
Better luck next time.
You'll wander into the hall of mirrors
To see your sins grow and bulge
Like the battle that rages
In the pages of your gold-leafed heart
Thin enough to tear
So take care to mend
Your broken ways
Or you'll find yourself
Climbing onto the Ferris wheel
To sit on high
And by God,
You can see your house from here
And down and around
And you're bound to lose your lunch
So you'll pay too much for a bunch of frozen
Fries and to your surprise
Sweet mercy, manna from heaven.
Even though you don't know what it is,
You gobble it up
Because you don't wanna go to hell,
But you have to get the hell away from that bell
Ringing and ringing over and over
Chiming in time to the line that winds
Out through the dark parking lot,
Every winner another sinner
Washed clean by the lamb
And *******
A petting zoo
Never felt so good.
If you ring that bell,
You won't go to hell,
But you won't go to heaven either.
Oh no.
You'll go to work
Tearing tickets 'til you're sick of it,
Bending mirrors in the fun house
To split and bounce
And reflect onto the patron
That part of your heart
Too broken to pump,
Running the tilt-a-whirl with a burly
Bouncer who got up early
To **** his wife
And this ain't a life sentence,
Baby, it's eternity.
I guess that's what you get
For trusting a ******' carnie.
Lost for words Oct 2010
Incessent drumming and the roar of raindrops
Keep me from sleeping past dawn
Welly boots step into the cold, wet day
as the sky weeps for the loss of summer.
The wind takes the wheel,
driving water up trouser legs, into socks, under hats
Blown out beş lira umbrellas discarded on the overpass
A graveyard of useless metal spiders.
Still,
Still it rains
Impromptu lakes form from the spontaneous rivers flowing in every street
Bosphorus babies, cleansing the heart of the city
People look like street cats;
Soaked, preening, cowering under any shelter they can find
And still, Istanbul.
Still she rains.
Maggie Emmett Aug 2014
Young women know all about style -
how to fix the decimal point
between them and their mothers
differentiate themselves
from Special K over 40s wanna bees
mini skirted and high heeled
trying to catch their husband’s eye

Yummy mummies in their 30’s
are separated from the new stock
by firm elastic flattened midriffs
no bulge or wobble
unlined skin taut sometimes
navel peirced or *******
their legs wear the 4” heels again
on winklepicker pointed toes
for a mid century crop
of bunioned feet.

No scraggy necks or waddle
no tea tray arses only
plump peaches
in the bend over show
of skimpy, lacy thongs
of ****** floss

So, **** femme fatale is cool
body object the thing to be
flouncing and  preening
flirting and *******
random hook-ups on the run
in the alleys of time on the net
in the warp of space
Killer !  Whatever !
Wicked ! Yeah feral !
An ironic take on **** feminism and glam-**** kulcha.
I am shylock,
In the attic barely used,
Barren exuberant floorboards creak in exhalation,
Of your footsteps.
There you find me,
In the dust;
A wooden trunk with brass fixings,
Didn't I tell you I held a million treasures?
You breathe in the sunlight,  
From the round attic window,
Preening itself in your vision basked in gold.
I am shylock,
You moved a gilded hand,
Guided by a unknown force of union with the lock,
The air is silent around you,
The room is intrepid in its wanton stranger,
Who dares to enter this chamber of dust.
I am shylock,
You take my fingertips from the cup of a hand I had placed gently on your cheek,
The night before I had told you,
Of this room,
You gently take my fingers and place it on the lock.
I am shylock,
There is a gentle click,
That soon awashes the abated room,
That sways into a tsunami of grandeur,
Of history, emotion, silence and tears,
And it consumes the dust,
The acrid air and essence of my fears settle on your eyes and the homely mouth.
I am shylock,
You know how I came about,
Now,
You know how this room became accustomed to the dust,
And the floorboards, the dust,
And the window, the dark,
You are breathing me,
The trunk is open and waiting,
And at the bottom,
A ragdoll awaits your palm,
Your strength, your gentleness and patience,
This is my shy,
This is my lock,
And you entered the room and consumed me.
Burst through the door, cut down the labyrinth,
and found me.
Picking me up,
You,
Became me, attended me, held me,
with grace sensitive to my touch,  
with the intention of a protector to my defence,
And the brazen warrior to my battle.
Now I am entered and countered.
Protected and put together,
Unbound and in your arms;
Now I am open and free.
My ragdoll, your love, and me.
Together, unlocked,
together I and you become, we.
SR Nirmal Kumar Nov 2018
Sighting the preening peacock
Slithered into the bush
Wily snake
Julian Jan 2016
Gruesome blister on a denatured mind
Chimes rumble the anchored soul foggy with Elysian wine
Flippant ruse ignites a battered fuse rusty with malevolent impotence
Blustery portents beyond expired extent throngs the chapels and pickets along the electrified fence
That separates the grave from the gravity of a physics enslaved
A physics where disillusioned mathematics and decay are as sure as taxes and the last earthen day
Nescient of giant leaps our stepwise ascension is helical and cheap
It snails along with unctuous repetition of pendulous rhythm and sails biologically with evolved and animated meat
The advent of acid and bass is a keepsake for the epicurean chase
Of a fulgurant galvanization of phases that remain unfazed
Trends punctuate vain diversions and lionized conversions both raise and raze
The velocity of money ensures a melliferous alchemy of a well-oiled plutocracy buffered by praise and pay
Ivory-tower elegance is immune to demotic ignorance
When the shot-callers devise the rules to the game with impenetrable clandestine eloquence
Hebetude and lassitude sink abundant platitude and offer trite prescriptions for useless attitudes
But the vogue of disembogued vanity entraps individualism and trains martial raillery
Trends tantalized by preening epigamic tens makes the roosters become owls that neglect nest egg hens
Fatuous ambush of the Kardashian putsch is as clockwork as Big Ben
Murky lies appear in flimsy disguise suitable for mice “say cheese” demise
Privacy cries and answers only lurk accessibly when spurred by wise “why’s” never asked when garish time flies
Tweets and beats make us obese with threadbare wheat cultivated by nescient bleats
Beatific ambition obscured by the wail of sheepish sheep
Outnumbered by obtuse angels and a cute horde of meretricious dissolution that ever wrangles
The shelter turns to rubble and the cloister turns to bustle: useful convolution thus entangles
Agorophilia defiles a voiceless lechery on speed dial
Disembodied violence sprints a green mile bankrolled by the peaceful throngs slowed through the paid but dilatory turnstile
Thus we loiter in queue as the slew of vibrant militarized celerity taxes our pews
Pews which enthuse jingoism eager to apportion sentient deaths through religious abuse
We can surf beams of light chasing verisimilitudes of diversion bright
Of unwagered immersion gambling a pittance for vicarious thrills and riskless fright
To discover the vestige of war, a useless artifact of sore egos we now deplore
An enormity of unmoored evil percolating apace of the paradoxical rush hour from shore to shore
But more decisively than an implacable brush fire on pristine ground abetted by sleek star-crossed winds that soar
Irenic ignorance placates, because a vagrant vacant mind is more a felicity than a bellicose grimy crease
Because excess corrodes squinty detests, and partial enslavement is both a rest and arrest to earth’s untenanted lease
Decries the devolution of pop culture that transmogrifies people into sheep and then makes them sheepish over their peccadillos. It also bashes war as a callous mechanism of useless death. It concludes by asserting the paradox that the throngs in real life slow our movement but we can move at light speed through technological implements. It concludes that useful idiots are irenic if also disheartening. In the earlier sections it laments that materialistic monism is taking over because science has made us deterministic and thus blind to the numinous beyond that staggers beyond our comprehension. It addresses how we are silently monopolized by artful esoteric chess masters immune to trifling quibbles, and how distracted society has become with respect to digital plasticity and consumerist disfiguration spurred on by fatuous and meretricious values. It further satirizes the effigy of modern culture deliberately disfigured with grandiloquence to deploy resourceful linguistic invention. I hope you enjoy this piece!

Here is a response I posted on another poetry site with respect to this poem. It explains the emblems, themes, philosophical agenda and metaphors of this poem so that more people can appreciate the level of meticulous care I preen with my craft
“I understand the charge of hyperbole, that was unintentional. It is an epiphenomenon of protean grandiloquence ( multi-pronged connotations suffering entropy through translation) crafted to emblazon lurid imagery and to conceal arcane mystery with an emphasis on cadence. When you use big words it is inevitable that some words chosen connote more strongly than you originally hoped for when writing it initially. Also, it was not designed to be solely a scathing harangue bemoaning the decadence and anomie endemic to this zeitgeist. You should read the final four or five lines (after I lambasted how war makes human life unnecessarily disposable for expedient aims). In those lines I marvel at miracle of technology wizardry and insinuate that in modern times we can wager much less to gain the same thrills we would have risked life and limb for before. Instead of a bottlenecked turnstile of industry that admits one person at a time like when entering an amusement park (the sluggish pace of premodern industry) to fund the clunky and internecine annihilation operated through rapid-fire death ( “Disembodied violence sprinting ‘the green mile’ A.K.A. a prisoner’s last walk before execution). The pace of society is a central theme of the poem throughout. The gravity of a physics enslaved implies the dilatory and dismal apprehension of a universe moving at an infinitesimally slow rate. A helical and cheap evolution mediated by animal meat snails along throughout history only to precipitate the exponential acceleration of human progress witnessed more recently after the advent of language. The rate of speed (the velocity of money line) is the lifeblood of all culture and all entertainment but it has become such a blur that it obscures the inveterate values of a leisurely stroll rather than a hedonistic galloping gallivant. Ironically, the plutocracy depends on gradate—(thus slow enough to lull people into the “say cheese” mousetrap (privacy eradication)—cultural devolution (clockwork like Big Ben to me evokes the imagery of a slowly ticking clock, a fixture and emblem of the proctor of the old world domineering over newfangled world prospects). Pop culture centered in the Anglophonic world depends on a rapid velocity of vagary blustery with money inuring people to fast-paced changes that abide by slow-moving subterfuge( the Kardashian putsch). The word ambush in that sentence implies that the encroachment of hegemons depends on a furtive approach solidified by an alacritous leap at the heartstrings of mankind in a moment of brinkmanship. The mousetrap is the slow roll but steady bet “say cheese demise”. The irony is that the only way this plan could work is because “wise why’s are never asked when garish time flies. This bewilderingly rapid pace is also the mechanism whereby sheltered obtuse angels are desensitized by breakneck cultural celerity that disabuses their naivety thus leading to useful convolution (paradigm shift). But there is also a lament that “meretricious wranglers” could lead to unmoored decadence bewildered by a smug agnostic relativism tethered to nothing more than the culmination of momentary fads reverberating in a plangent delay chamber like a finely crafted sound effect in a musical production program. The poem ends optimistically by concluding war is a vestige and concedes that partial enslavement (PC culture) is irenic precisely because it shepherds pedestrian considerations predictably in order to secure a stalemate. The Earth’s Untenanted Lease is thus arrested by counterbalanced nuclear specters. This leads to a rest and also an arrest of territorial claims. There is so much deliberate and emblematic imagery deployed here, drenched with subconscious enrichment that is unintended. A perfunctory interpretation of this piece misses so many astute cultural commentaries. The poem ends on a relatively positive note. The final several lines announce war as a vestige but concede that peace is built upon a latticework of acquiescent sheep indoctrinated to despise the past rather than learn from it (this goes slightly beyond what is directly stated). This poem in essence is about the ironic dynamics of history at the intersection of our modern cultural identity.
nivek Oct 2016
I left all enticement behind
no longer fluff up my feathers
or puff out my chest
aftershave is superfluous
when your beard is a scarf.
Melissa Blair Apr 2013
I can't stop to chat
Sorry, I'm really busy
There's so much to do
I'm getting quite dizzy

Wallpapering, painting
And a whole lot of chores
Along with scrubbing and replacing
Handles on doors

Carpentry's enjoyable
A skill that I relish
But it tires me out
So for a break, I'll wish

Got a five minute break
Rush a quick cigarette
And a well-earned coffee
Then back off to work I set

Packing my boxes
And many a bag
Put them all in the attic
So tired, it's a drag

Hoovering all day
Kitchen needs cleaning
For the fourth time today
Then the garden needs preening

Make something to eat
To recharge energy
Sit down for a moment
With another coffee

Then it's time to go shopping
For food, drinks and more
Come back to yelling
As I walk through the door

"Mel, help me out!"
"Mel, pass me that!"
"Mel, clean the carpet...
The pup crapped on that!"

"Mel, make a coffee!"
"A sandwich might help!"
"Then get back to work!"
I can't help but yelp

Back to more painting
And scrubbing the halls
Cleaning the windows
And papering more walls

Then rest for a while
With a lovely big meal
To end the working day
And help muscles to heal

I'm aching all over
And I can't seem to sleep
So restless and sore
The job-pile's too steep

Toss and turn all night
I'm going insane
But I have to get up in the morning
And do it all again
Seán Mac Falls Jun 2014
In plain sight, the Peacocks ply their wearisome
Colours.  Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling  
And gawking.  The direction of wind is their vane.

Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,  
Playful fingers— they will have their say.
jeremy wyatt Jun 2012
I went down to Monmouth fair
a sword and pistol to buy there
I thought to go a'soldiering
for the gold and glory it would bring

I saw a Maiden dark and sweet
a Raven played around her feet
a gleaming pistol she did hold
of fine rosewood and chased with gold

"Wear this pistol at your side
a spirit dwells here deep inside
half your silver this will buy
it's bark will be your battle-cry"

I proudly set it in my belt
the comfort of it keenly felt
then set to search for a sharp blade
then I espied the Raven and the Maid

A yard of steel was in her hands
ancient and blue from spirit-lands
graven runes were on the side
and I sang fell songs as I swung it wide

Alone now silver spent at last
I headed homeward tired and fast
but standing there amongst a crowd
the Maiden crying out aloud

"Who will save my Raven fair
and set him free into the air
these men have taken him to ****
they torture him my heart is chilled"

A group of drunken soldier's swayed
and with the girl's dear pet they played
their evil mouths called curses dire
as they pushed the bird towards the fire

"What cost it's life?" I called out loud
those preening King's-Men vain and proud
"A bag of silver" they replied
"Or those fine weaons at your side"

Moved by pity for the crying child
the captured bird that should fly wild
I gave the weapons with a curse
though they cost me deeply in the purse

The bird we tended all the night
come day it was returned to flight
it gazed deeply into my eyes
then soared up strong to freedom skies

So to the battles I did go
my heart for glory all aglow
but all that I did learn from war
a soldier's life is cheap and poor

Twenty years of war and strife
I lie here clinging to my life
a sword cut deep  into my chest
a great bird lights upon my breast

A raven old still strong and ****
gazing at my wounds so raw
recognition in it's eyes
this King of woeful battle's skies

"I well recall your sacrifice
the pistol fair and battle knife
so now I will repay to you
My debts I pay my heart is true"

"No crow or bird will feast this day
the wolves that slink I'll drive away
To watch and guard you till you die
and see your spirit soar on high"

"And when  your body they do lay
beneath the soil of this spring day
I'll mourn forevermore the loss
and watch your grave from yew and cross"

And now that place is swathed in green
A Lady fair there can be seen
Her ancient raven  watches still
that lonely graveside on the hill.
Really this is a folk song, but would need us to trim it . Makes a nice reading poem I hope x
puremourning Dec 2013
you are
the heckler in the crowd
trying to rip out
the rug from
beneath my toes

silent was the treatment
firm was my resolve
indifference
between books,
tables, & legs.

it lasted until
the viewing party

preening, fresh
dye, a new luster to
your slick, sheared visage
you smile & draw
a little bit of blood

it comingles with your own
hot & thick,

(they await
with baited breath
the proper demise
of union that never was)

& slackjawed, wide
eyed, resolve dis-
solved

I set you
on a pedestal again
glass can Jun 2013
There are many limitations sometimes. Of course these are only restrictions we place on ourselves, but we groom certain communities to fulfill a certain appearance and dismiss the breakers of unspoken rules. Don't drop the status quo.

Paradigm.

I want to write and not write about things. I don't know.
No, I do know. I want to write without the stigma that these topics bring.

I want to write a poem about Facebook. See how much appreciation that gets.
Poetry about Facebook won't be liked often.

Write about how it ****** me off that your ex boyfriend (that I dumped, by the way) has a new girlfriend with better taste and better photography skills than me. Remember how I made fun of his ex's for that? They're doing that about me now, I stomped on his heart. I teem with insecurity thinking about it. ******* selfish, I feel like a *****.

How I'm tired of being self-depricating because I don't want to seem like an *******. I've come a long way as a person and I'm not allowed to brag about it. I'm barely allowed to take a compliment or I'll look like I'm preening.

Write about how I'm tired of being kinda ugly sometimes.

Write about how I had *** with someone, how when I told someone else, I could see them and society drawing a big "****" crown of judgement, and how that's ******. I wish we could all grow up.

I wish I could explain that my apathy is, to a certain degree, purposeful. Because looking at feminism articles every day made me feel like ****. I felt like a victim constantly, and I alienated myself from making friends with normal people because I was an extremist. I got tired of constant misery and misinformation. The feminist community was cannibalistic too, and I don't think I wanted to make friends with such hyper-aggressive people.

Write about how I want to be a writer and how I can only write three sentences and then I look at the screen hopelessly. How lame.

I'M SO ******* NAIVE BECAUSE
I want so badly to be different in a better way, but I know I'm just the same.
I want to be able to change the world and I know I can't,
it doesn't matter anyway.

I haven't been able to cry in three months. I'm tired of trying to find my brand of catharsis.
I'm doing okay. I wish I was doing better, but I don't think I'm depressed.
jeremy wyatt Feb 2014
Old stones weep in the rain
their darkling gaze unblinking
Glowering with ancient pain
of distant glories thinking

Preening Lords arrogant in imagined might
would quail could they perceive
The majesty of osprey flight
True rulers still of Threave
Written two years ago after a dreamy day at Threave Castle viewing a Welsh osprey who moved to Scotland (via Africa)
Glen Brunson Jan 2013
I’ve spent thousands of
smiling hours
cupping the soft pit
of intellect in my hands
preening with its glow,
casting the shadow of lecture
on my greedy eyes.

when my feet sank
beneath her earthly soil
weeks slipped quiet
(like notes shaken from leather spines)
with no discussion of Plato.

the hardened sphere was
drained of all prestige
footnote and reference.

sometimes, before sleep,
I sharpen my doubts
and carve it out.

it sleeps by me,
a guilty golden mistress.
I am afraid
she will hear the warmth
through my phone.
Still Crazy Jul 2023
Maturity is knowing what your limitations are…(my daily chore)


<>

Maturity is knowing what your limitations are. Maturity is a bitter disappointment for which no remedy exists, unless laughter can be said to remedy anything.”
Kurt Vonnegut


<>

maturity comes when you cannot,
even try, to fool oneself,
indeed, you preposterousness,
make you laugh hardest
at your very, fully owned, selfhood
preening mirror disguise

Is this a poem, a lamentation, a pithy regurgitation
of Vonnegut, and you say: “Don’t care, it’s words
that gotta come out, be released to empty the heart”
a daily excess removal of that daily overflow of the
days first words when new day light and nighttime’s REM
sleep overlap, and the music starts of a life time of favorites,
and like a pleasant thorn direct into your temples brain,
the leaking, then the spilling spirals unstoppable onto the pages, and the first true relieving exhalation comes with
the excited exorcism of the stones of your life, come outside
your body and there is a freshly born stripe upon your face,
not yet a scar for it is yet to ripen by healing, but it is your
creature for loving…and it is good company with so many
prior guests who have checked in, stayed for a moment’s
observation, departed after getting an extended checkout
time, joining the many who came and went, disappearing
in to the internet’s ether, where we one will join them eventually,
though you smile at that thought, cause you’re mature
enough, baby, an all growled up dude, to know that when
you reached that stage, you will be, non-stop laughing
at *** serious you imagined you were, and wondering out loud
why it took so long to recognize that mirrored visage as
one big ole fool with a smile upon his face…

p.s so much for that promise to take a break from beating
yourself up, but you know what, it is pleasing, in that way
when upon the grand occasion of waking up to another
unexpected day of living deserves a deep, but rueful,
laugh out loud and others’ look at your self and argue to
only mischievously agree,
you are indeed,
still crazy after all these years
7:59 am
Sabbath
Jul 8
2023
Kendall Mallon Apr 2013
pigeons perch themselves preening
on marble fauns ambivalent to their
perch, while dark skinned men prowl;
seeking tourists (Americans) to sell
cheap novelty items, over priced, yet
bought to drive away the insistent
merchants; ignorant to the realization:
if you remain silent and don’t make eye
contact you will not forfeit your money...
merchants who ruin the peace and awe
of grand feats of sculpture—I know they
are human (on a base level)—craving
money to make a living, yet there are
many (more respectable) professions…
their presence  crowds the already
crowded (streets and) piazzas—aggregates
of language babble—old women and men
meandering along waiting to die—hoping
it is true: the slower you move the faster
time flows—if not: to hell with relativity!
(should have put chips on more than one table)
can math really explain all?—or
is life more than abstract objects?
while the din of crowds palpitates my heart
making way for anxious calculations,
C— and I hurry pass to find some area
to give the artefacts the respect they deserve
Seán Mac Falls Jul 2012
In plain sight, the Peacocks ply their wearisome
Colours.  Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling  
And gawking.  The direction of wind is their vane.

Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,  
Playful fingers— they will have their say.


*— after W. B. Yeats
Jonny Angel Jan 2014
I watched
a preening robin
on my windowsill
today.

Looking around,
it watch itself from
every angle
scratching at feathers.
It did not flinch
at me behind the glass &
I felt there was some
sort of a connection
of some sorts.

Never once
did I consider
this beautiful creature
a narcissus,
it was only
taking
care if itself.
Christos Rigakos Apr 2014
She strolled along the narrow pathway through
the park.  Her soft skirt flitting  in the breeze,
her long legs smooth and pampered, sandaled feet
took mellow steps under the Springtime sun.

She caught the eye of Fred, who from his book
rose up bespectacled and drank the scene
of one young beauty carried by the breeze,
and thanked the Lord for all His wondrous things.

She noticed that he noticed and she sneered,
disdainfully and crushed him with the lids
of scornful eyes that closed upon his face,
and cursed the womb that birthed this pervert live.

She caught the eye of Tom, whose magazine
dropped to the bench from fingers preening hair,
his lion's gaze devouring this gazelle,
and she took notice of his notice there.

She threw back hair and turned to meet his gaze
with sideways glance, a wink, and half pursed lips,
amazed a stroll from bench to bench could find
a pervert and a stud so side by side.

Both men came to the park to sit and read,
and read indeed, then both, like men, did do
what men so do, and neither differed there,
yet one was deemed a pervert, one a stud.

(C)2014, Christos Rigakos
Blank verse
Shhh. Tell no-one. The dragons are sleeping
like baby lizards in their caves. Breathless from
a day of pillage. Restful after a time of destruction.

Somewhere, on the other side of the hill, a boy
is playing in the woods. Caressing his manhood,
he becomes a symbol of self appreciation.
Be quiet. Don't disturb the boy in his game.
It is his only means of achieving satisfaction.
A reaction would disturb the molecules from
their expected conclusion.

The boy does not realize how close he is
to potential danger. If he awakens the
dragons, he awakens his death.

Shhh. Tell no-one. The dragons are dreaming
of future conquests. Illusionary REM's of human
body parts dancing in their heads. Helpless
after a day of mass frustration. Hopeless
after a time of complete desolation.

The boy is finished his game. He smiles
to himself at his clever disguises. Yesterday he
was a soldier in the war of indifference. Today
he is a hero, a legend in his own mind.

He screams in abandoned pleasure. He
yells because he can. Racing through the woods
until he comes upon the entrance to a cave.

Takes a breath, than slowly enters in.
The dragons are no longer sleeping. They are
preening their scales in preparation. Their red
soul-less eyes look at the boy. The boy, with
his brown empty eyes looks at the dragons.

None of them make a move.

Each of them recognize the emptiness of the other.
Terry O'Leary Aug 2013
Inhaling, hushed, from hashed cigars
    my mind implodes in Malimar
        where Naiads bathe in caviar -
            I dream of dwarves and three-eyed tsars.

The captive kiss of Princess Mars
    (who talks in tongues at seminars)
        burns red beyond Her blue boudoir -
            I writhe within Her pale peignoir.

Her Maids gloss lips with cinnabar,
    bedizen cheeks in dusts that mar,
        serve teas beside the reservoir -
            I sip them from a samovar.

Disguised in smoke and lamps of spar
    Her Genies gender gold dinars,
        evoking flames in ginger jars -
            I plea before the Commissar.

At Princess’ neighbourhood bazaar,
    white shadows slip through doors ajar
        to drape my dreams in ash and char -
            I long await the Avatar.

Her Merchants (preening, proud Hussars)
    paint pretty scenes on VCR’s
        while sailing ships to Zanzibar -
            I strum the strings of warped sitars.

Her Prophets sometimes cruise in cars
    else while at each and every bar
        to speak of space and time bizarre -
            I pass my pride for small pourboires.

Her Necromancers trace in tar
    tall tales of wisdom flung afar,
        transported by the Registrars -
            I hitchhike on their handlebars.

Her seers conjure repertoires
    where She and I are on a par
         in infinite surreal memoirs -
             I sometimes sense the void is ours.

My Princess never sees the scars
    cut by Her whispered “au revoirs” -
        I often wake to ask ‘who are
            these Gods that sail the distant stars?’
Seán Mac Falls Oct 2012
In plain sight, the Peacocks ply their wearisome
Colours.  Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling  
And gawking.  The direction of wind is their vane.

Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,  
Playful fingers— they will have their say.
Seán Mac Falls Feb 2014
In plain sight, the Peacocks ply their wearisome
Colours.  Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling  
And gawking.  The direction of wind is their vane.

Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,  
Playful fingers— they will have their say.
Miranda Peterson Feb 2010
Soft weakness
gives to absorb the blows
Like some vague elastic stretched
over the chimney top
Stubbornly holding the black smoke in
Pigeons nesting and *******
Causing the thinning elastic
to cave in
further
White birds like the warmth of that sick steam building
underneath
Preening, oblivious
Hot weight questions the integrity of black edges
Mother bird stands at attention
Baby birds bicker, oblivious
Their hearts skip in unison when they begin to
fall
The smoke swallows them
and that black elastic
K Balachandran Dec 2013
Blue hills yet again beacon
in a language
my spirit understands
so very well.
I trek alone,
prompted by
the  most sublime love
brimming in my being
that makes my life
less of a puzzle.
dreamily I move
following in my mind
a subtle music
that seems to me
is the greatest reward
above all else in this world.
No method
to value its worth
is yet invented,
is there a need?
The path winds up
I drink  foaming green
with my eyes,
jungle orchids of various kind,
play their orchestra
blending fragrances
with finesse.
the music
playing in my mind,
merges with it;
real magic is within us
yet again I realize.
Two jungle babblers
catch my eye,
cuddling closely
preening each other
In a world so deceptive
I cannot but wonder:
a love so mature
or a parting gesture?
I ponder a moment,
in silence
about the vagaries of life
before my ascent.
Seán Mac Falls Aug 2012
In a drearing height on grave dead bones of branch,
Where leaves conspicuously kept craven distance,
Forsaken lovers set about to roost on topple-
Down sprig to break each side of their own family
Tree.  With a clutch of ruff stones, pulled hardly
Rare, with green hearts a-glowing from gizzards,
They fed six hatchling harpies, all tooth and wail
But one, whom they feared would not take to tearing
Flesh and to them appeared a foundling, not a rock,
But some down weathered creature, without lift,
All weight and no sun, savage grace had shaped
A new bound Prometheus, still dying for sleep.

                                                                  Provided
At birth, with nest and wings, each lashing rigged
In wax.  My father, who from a race of lions,
A king and the last of his kind, built, whilst mother
Destroyed and she, the culling raptor, by incestuous
Murdering, would pick and scrape to clean the marrow
From our souls, preening, like a clip winged eagle,
Would screech throughout all season, suffering close
To the essence of faith, my father, who with her formed
Two halves of a wounded gryphon, un-noble in pride
With a bent on fatal flights of his own undoing,
Marveled at her eyes, gray and gay as accusers,
She cursed in sight of angels, all wings below
Heaven.

My brothers, exotic birds all, limbo dancers,
Preferring the colder climes, flopped after me
And never became fliers, for feathers to them
Were but fantails for a harpy, or for gathering
Dust or at best, something to support their own
Lying.  And I found myself, the mid-heiring brood,
In a state when the soul is after dreaming to its body,
Hobbled-de-boyed at the abyss and I saw through
That air and my fold, I dreaded like omens and echoes
Of extinction, like mixed messages of flightless birds
And managed to pierce the innards of ovate shrouds,
To spike that filmy firmament and the yoke, fell away
And the seep hole ground was spurting and the sky,
An ocean of bloom, in all direction, winked—
With a maelstrom eye, for amongst my family, full
Of strangers, I heard that soul lifting love only God
Could send, sleepwalking on thresholds of faith.

I awoke from a dream and felt that I could fly,
Not like the yearning Icarus but, like a rash
Of spirit or that Arabian bird— simply leave
This earth and make my way through its mantle, blithely
Fallow, shedding my harrowed bone, I dropped off,
Sprung from my ashen bed of down and rose—
Out of doors, splintering from the smote that cut
Down the youth of my days, almost smothered away
And I blazed above the icy coal pelted perch,
My wings spreading far from gross flames as they died,
Unfettered in judgements, scaled so feathery, they conceived
That weight was a lie and the waste I kept, from eyes,
As leaves, became a parish of open palms as I spred
My plume and breath now bore an atmosphere
And lungs, they powered the wind and streaming rays;
My frozen veins, burst, blinding an earthen sun
And fled my shadow, transfigured in flight, into
Being, some aerial creature— not a pure spirit,
But like a child soaring, whose wound was as a wing,
On the heal.
A metamorphosis

— The End —