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"preening" poems
a (the) woman’s body (pretty pleasing) is my reciprocal her waist is my happy place her neck is my doorway the rest is best when she is mirror accessorizing, preening, **** upon first rising, tallying the gains and the losses unaware of my watching, never satisfied she, tho she is 98% unadmitting contented, as she shifts her weight, from knee to knee extended alternating with slow delicacy for the pleasure is trebled for her imagine image reverberates throughout the house for ever(y) mirror is pre-positioned, accidentally angled just so, lol, her image transported from living room to dining alcove all the way to the kitchen’s bleacher seats she doesn’t know and asks why I’m grinning, answer is no confessionary, no telling I’m swelling and sinning eyes scheming-dreaming of her reciprocity she smiles and says   “good morning bad boy” maybe she does know but you won’t tell her, we, you and me, are pretty pleasing she is 1/me she is won over me
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Aug 19, 2018
Aug 19, 2018 at 8:39 AM UTC
a woman’s body/ 1 over me/pretty pleasing reciprocal
The night has been long, The wound has been deep, The pit has been dark, And the walls have been steep. Under a dead blue sky on a distant beach, I was dragged by my braids just beyond your reach. Your hands were tied, your mouth was bound, You couldn't even call out my name. You were helpless and so was I, But unfortunately throughout history You've worn a badge of shame. I say, the night has been long, The wound has been deep, The pit has been dark And the walls have been steep. But today, voices of old spirit sound Speak to us in words profound, Across the years, across the centuries, Across the oceans, and across the seas. They say, draw near to one another, Save your race. You have been paid for in a distant place, The old ones remind us that slavery's chains Have paid for our freedom again and again. The night has been long, The pit has been deep, The night has been dark, And the walls have been steep. The hells we have lived through and live through still, Have sharpened our senses and toughened our will. The night has been long. This morning I look through your anguish Right down to your soul. I know that with each other we can make ourselves whole. I look through the posture and past your disguise, And see your love for family in your big brown eyes. I say, clap hands and let's come together in this meeting ground, I say, clap hands and let's deal with each other with love, I say, clap hands and let us get from the low road of indifference, Clap hands, let us come together and reveal our hearts, Let us come together and revise our spirits, Let us come together and cleanse our souls, Clap hands, let's leave the preening And stop impostering our own history. Clap hands, call the spirits back from the ledge, Clap hands, let us invite joy into our conversation, Courtesy into our bedrooms, Gentleness into our kitchen, Care into our nursery. The ancestors remind us, despite the history of pain We are a going-on people who will rise again. And still we rise.
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4.3k
Million Man March Poem
The night has been long, The wound has been deep, The pit has been dark, And the walls have been steep. Under a dead blue sky on a distant beach, I was dragged by my braids just beyond your reach. Your hands were tied, your mouth was bound, You couldn't even call out my name. You were helpless and so was I, But unfortunately throughout history You've worn a badge of shame. I say, the night has been long, The wound has been deep, The pit has been dark And the walls have been steep. But today, voices of old spirit sound Speak to us in words profound, Across the years, across the centuries, Across the oceans, and across the seas. They say, draw near to one another, Save your race. You have been paid for in a distant place, The old ones remind us that slavery's chains Have paid for our freedom again and again. The night has been long, The pit has been deep, The night has been dark, And the walls have been steep. The hells we have lived through and live through still, Have sharpened our senses and toughened our will. The night has been long. This morning I look through your anguish Right down to your soul. I know that with each other we can make ourselves whole. I look through the posture and past your disguise, And see your love for family in your big brown eyes. I say, clap hands and let's come together in this meeting ground, I say, clap hands and let's deal with each other with love, I say, clap hands and let us get from the low road of indifference, Clap hands, let us come together and reveal our hearts, Let us come together and revise our spirits, Let us come together and cleanse our souls, Clap hands, let's leave the preening And stop impostering our own history. Clap hands, call the spirits back from the ledge, Clap hands, let us invite joy into our conversation, Courtesy into our bedrooms, Gentleness into our kitchen, Care into our nursery. The ancestors remind us, despite the history of pain We are a going-on people who will rise again. And still we rise.
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52
Crowded lakeside, more than expected on a normal day. Hoping for a quiet rendezvous in private she looked aghast, at such a turn of events, nevertheless started to make eyes at him; patience wasn't her best friend. Shutting up like a clam he was a picture of contrast. Every desire she expressed turned to a love sick wood duck soon  a flock was billing and cooing preening and polishing in haste, making amorous advances with an aggressiveness suggesting intolerance to his reticence. They chased his silence with irresistible  mating calls, raising hell as if in heat, making him regret.
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Oct 27, 2013
Oct 27, 2013 at 2:30 PM UTC
Lovesick Antics
Incessent drumming and the roar of raindrops Keep me from sleeping past dawn Welly boots step into the cold, wet day as the sky weeps for the loss of summer. The wind takes the wheel, driving water up trouser legs, into socks, under hats Blown out beş lira umbrellas discarded on the overpass A graveyard of useless metal spiders. Still, Still it rains Impromptu lakes form from the spontaneous rivers flowing in every street Bosphorus babies, cleansing the heart of the city People look like street cats; Soaked, preening, cowering under any shelter they can find And still, Istanbul. Still she rains.
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Oct 29, 2010
Oct 29, 2010 at 1:33 AM UTC
Long May She Rain
I am shylock, In the attic barely used, Barren exuberant floorboards creak in exhalation, Of your footsteps. There you find me, In the dust; A wooden trunk with brass fixings, Didn't I tell you I held a million treasures? You breathe in the sunlight,   From the round attic window, Preening itself in your vision basked in gold. I am shylock, You moved a gilded hand, Guided by a unknown force of union with the lock, The air is silent around you, The room is intrepid in its wanton stranger, Who dares to enter this chamber of dust. I am shylock, You take my fingertips from the cup of a hand I had placed gently on your cheek, The night before I had told you, Of this room, You gently take my fingers and place it on the lock. I am shylock, There is a gentle click, That soon awashes the abated room, That sways into a tsunami of grandeur, Of history, emotion, silence and tears, And it consumes the dust, The acrid air and essence of my fears settle on your eyes and the homely mouth. I am shylock, You know how I came about, Now, You know how this room became accustomed to the dust, And the floorboards, the dust, And the window, the dark, You are breathing me, The trunk is open and waiting, And at the bottom, A ragdoll awaits your palm, Your strength, your gentleness and patience, This is my shy, This is my lock, And you entered the room and consumed me. Burst through the door, cut down the labyrinth, and found me. Picking me up, You, Became me, attended me, held me, with grace sensitive to my touch,   with the intention of a protector to my defence, And the brazen warrior to my battle. Now I am entered and countered. Protected and put together, Unbound and in your arms; Now I am open and free. My ragdoll, your love, and me. Together, unlocked, together I and you become, we.
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Sep 11, 2013
Sep 11, 2013 at 6:51 PM UTC
The ragdoll in the attic
I am shylock, In the attic barely used, Barren exuberant floorboards creak in exhalation, Of your footsteps. There you find me, In the dust; A wooden trunk with brass fixings, Didn't I tell you I held a million treasures? You breathe in the sunlight,   From the round attic window, Preening itself in your vision basked in gold. I am shylock, You moved a gilded hand, Guided by a unknown force of union with the lock, The air is silent around you, The room is intrepid in its wanton stranger, Who dares to enter this chamber of dust. I am shylock, You take my fingertips from the cup of a hand I had placed gently on your cheek, The night before I had told you, Of this room, You gently take my fingers and place it on the lock. I am shylock, There is a gentle click, That soon awashes the abated room, That sways into a tsunami of grandeur, Of history, emotion, silence and tears, And it consumes the dust, The acrid air and essence of my fears settle on your eyes and the homely mouth. I am shylock, You know how I came about, Now, You know how this room became accustomed to the dust, And the floorboards, the dust, And the window, the dark, You are breathing me, The trunk is open and waiting, And at the bottom, A ragdoll awaits your palm, Your strength, your gentleness and patience, This is my shy, This is my lock, And you entered the room and consumed me. Burst through the door, cut down the labyrinth, and found me. Picking me up, You, Became me, attended me, held me, with grace sensitive to my touch,   with the intention of a protector to my defence, And the brazen warrior to my battle. Now I am entered and countered. Protected and put together, Unbound and in your arms; Now I am open and free. My ragdoll, your love, and me. Together, unlocked, together I and you become, we.
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58
Young women know all about style - how to fix the decimal point between them and their mothers differentiate themselves from Special K over 40s wanna bees mini skirted and high heeled trying to catch their husband’s eye Yummy mummies in their 30’s are separated from the new stock by firm elastic flattened midriffs no bulge or wobble unlined skin taut sometimes navel peirced or ******* their legs wear the 4” heels again on winklepicker pointed toes for a mid century crop of bunioned feet. No scraggy necks or waddle no tea tray arses only plump peaches in the bend over show of skimpy, lacy thongs of ****** floss So, **** femme fatale is cool body object the thing to be flouncing and preening flirting and ******* random hook-ups on the run in the alleys of time on the net in the warp of space Killer ! Whatever ! Wicked ! Yeah feral !
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Aug 25, 2014
Aug 25, 2014 at 1:08 AM UTC
Feminism's Babes
Sighting the preening peacock Slithered into the bush Wily snake
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Nov 16, 2018
Nov 16, 2018 at 9:10 PM UTC
Be wise as serpents...
I can't stop to chat Sorry, I'm really busy There's so much to do I'm getting quite dizzy Wallpapering, painting And a whole lot of chores Along with scrubbing and replacing Handles on doors Carpentry's enjoyable A skill that I relish But it tires me out So for a break, I'll wish Got a five minute break Rush a quick cigarette And a well-earned coffee Then back off to work I set Packing my boxes And many a bag Put them all in the attic So tired, it's a drag Hoovering all day Kitchen needs cleaning For the fourth time today Then the garden needs preening Make something to eat To recharge energy Sit down for a moment With another coffee Then it's time to go shopping For food, drinks and more Come back to yelling As I walk through the door "Mel, help me out!" "Mel, pass me that!" "Mel, clean the carpet... The pup crapped on that!" "Mel, make a coffee!" "A sandwich might help!" "Then get back to work!" I can't help but yelp Back to more painting And scrubbing the halls Cleaning the windows And papering more walls Then rest for a while With a lovely big meal To end the working day And help muscles to heal I'm aching all over And I can't seem to sleep So restless and sore The job-pile's too steep Toss and turn all night I'm going insane But I have to get up in the morning And do it all again
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Apr 6, 2013
Apr 6, 2013 at 8:28 AM UTC
Busy, Busy, Busy!
In plain sight, the Peacocks ply their wearisome Colours. Awkwardly swaying, pompously preening, They cry to be seen, their voices are gurgling And gawking. The direction of wind is their vane. Overhead, in the secret sky fleet wings are truth. In the sun the searing Falcon is seeing all; His talons turn and steal away, they are mad, Playful fingers— they will have their say.
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Jun 12, 2014
Jun 12, 2014 at 12:10 PM UTC
In Plain Sight
you are the heckler in the crowd trying to rip out the rug from beneath my toes silent was the treatment firm was my resolve indifference between books, tables, & legs. it lasted until the viewing party preening, fresh dye, a new luster to your slick, sheared visage you smile & draw a little bit of blood it comingles with your own hot & thick, (they await with baited breath the proper demise of union that never was) & slackjawed, wide eyed, resolve dis- solved I set you on a pedestal again
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Dec 3, 2013
Dec 3, 2013 at 12:54 AM UTC
mechanical pencil
Maturity is knowing what your limitations are…(my daily chore) <> “Maturity is knowing what your limitations are. Maturity is a bitter disappointment for which no remedy exists, unless laughter can be said to remedy anything.” Kurt Vonnegut <> maturity comes when you cannot, even try, to fool oneself, indeed, you preposterousness, make you laugh hardest at your very, fully owned, selfhood preening mirror disguise Is this a poem, a lamentation, a pithy regurgitation of Vonnegut, and you say: “Don’t care, it’s words that gotta come out, be released to empty the heart” a daily excess removal of that daily overflow of the days first words when new day light and nighttime’s REM sleep overlap, and the music starts of a life time of favorites, and like a pleasant thorn direct into your temples brain, the leaking, then the spilling spirals unstoppable onto the pages, and the first true relieving exhalation comes with the excited exorcism of the stones of your life, come outside your body and there is a freshly born stripe upon your face, not yet a scar for it is yet to ripen by healing, but it is your creature for loving…and it is good company with so many prior guests who have checked in, stayed for a moment’s observation, departed after getting an extended checkout time, joining the many who came and went, disappearing in to the internet’s ether, where we one will join them eventually, though you smile at that thought, cause you’re mature enough, baby, an all growled up dude, to know that when you reached that stage, you will be, non-stop laughing at *** serious you imagined you were, and wondering out loud why it took so long to recognize that mirrored visage as one big ole fool with a smile upon his face… p.s so much for that promise to take a break from beating yourself up, but you know what, it is pleasing, in that way when upon the grand occasion of waking up to another unexpected day of living deserves a deep, but rueful, laugh out loud and others’ look at your self and argue to only mischievously agree, you are indeed, still crazy after all these years
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Jul 8, 2023
Jul 8, 2023 at 8:24 AM UTC
Maturity is knowing what your limitations are...(my daily chore)
Maturity is knowing what your limitations are…(my daily chore) <> “Maturity is knowing what your limitations are. Maturity is a bitter disappointment for which no remedy exists, unless laughter can be said to remedy anything.” Kurt Vonnegut <> maturity comes when you cannot, even try, to fool oneself, indeed, you preposterousness, make you laugh hardest at your very, fully owned, selfhood preening mirror disguise Is this a poem, a lamentation, a pithy regurgitation of Vonnegut, and you say: “Don’t care, it’s words that gotta come out, be released to empty the heart” a daily excess removal of that daily overflow of the days first words when new day light and nighttime’s REM sleep overlap, and the music starts of a life time of favorites, and like a pleasant thorn direct into your temples brain, the leaking, then the spilling spirals unstoppable onto the pages, and the first true relieving exhalation comes with the excited exorcism of the stones of your life, come outside your body and there is a freshly born stripe upon your face, not yet a scar for it is yet to ripen by healing, but it is your creature for loving…and it is good company with so many prior guests who have checked in, stayed for a moment’s observation, departed after getting an extended checkout time, joining the many who came and went, disappearing in to the internet’s ether, where we one will join them eventually, though you smile at that thought, cause you’re mature enough, baby, an all growled up dude, to know that when you reached that stage, you will be, non-stop laughing at *** serious you imagined you were, and wondering out loud why it took so long to recognize that mirrored visage as one big ole fool with a smile upon his face… p.s so much for that promise to take a break from beating yourself up, but you know what, it is pleasing, in that way when upon the grand occasion of waking up to another unexpected day of living deserves a deep, but rueful, laugh out loud and others’ look at your self and argue to only mischievously agree, you are indeed, still crazy after all these years
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41
Old stones weep in the rain their darkling gaze unblinking Glowering with ancient pain of distant glories thinking Preening Lords arrogant in imagined might would quail could they perceive The majesty of osprey flight True rulers still of Threave
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Feb 14, 2014
Feb 14, 2014 at 6:34 AM UTC
Osprey Flight
There are many limitations sometimes. Of course these are only restrictions we place on ourselves, but we groom certain communities to fulfill a certain appearance and dismiss the breakers of unspoken rules. Don't drop the status quo. Paradigm. I want to write and not write about things. I don't know. No, I do know. I want to write without the stigma that these topics bring. I want to write a poem about Facebook. See how much appreciation that gets. Poetry about Facebook won't be liked often. Write about how it ****** me off that your ex boyfriend (that I dumped, by the way) has a new girlfriend with better taste and better photography skills than me. Remember how I made fun of his ex's for that? They're doing that about me now, I stomped on his heart. I teem with insecurity thinking about it. ******* selfish, I feel like a ***** How I'm tired of being self-depricating because I don't want to seem like an ******* I've come a long way as a person and I'm not allowed to brag about it. I'm barely allowed to take a compliment or I'll look like I'm preening. Write about how I'm tired of being kinda ugly sometimes. Write about how I had *** with someone, how when I told someone else, I could see them and society drawing a big **** crown of judgement, and how that's ****** I wish we could all grow up. I wish I could explain that my apathy is, to a certain degree, purposeful. Because looking at feminism articles every day made me feel like **** I felt like a victim constantly, and I alienated myself from making friends with normal people because I was an extremist. I got tired of constant misery and misinformation. The feminist community was cannibalistic too, and I don't think I wanted to make friends with such hyper-aggressive people. Write about how I want to be a writer and how I can only write three sentences and then I look at the screen hopelessly. How lame. I'M SO ******* NAIVE BECAUSE I want so badly to be different in a better way, but I know I'm just the same. I want to be able to change the world and I know I can't, it doesn't matter anyway. I haven't been able to cry in three months. I'm tired of trying to find my brand of catharsis.
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Jun 27, 2013
Jun 27, 2013 at 10:39 PM UTC
bleaky bleaker doesn't fit in his sneakers
There are many limitations sometimes. Of course these are only restrictions we place on ourselves, but we groom certain communities to fulfill a certain appearance and dismiss the breakers of unspoken rules. Don't drop the status quo. Paradigm. I want to write and not write about things. I don't know. No, I do know. I want to write without the stigma that these topics bring. I want to write a poem about Facebook. See how much appreciation that gets. Poetry about Facebook won't be liked often. Write about how it ****** me off that your ex boyfriend (that I dumped, by the way) has a new girlfriend with better taste and better photography skills than me. Remember how I made fun of his ex's for that? They're doing that about me now, I stomped on his heart. I teem with insecurity thinking about it. ******* selfish, I feel like a ***** How I'm tired of being self-depricating because I don't want to seem like an ******* I've come a long way as a person and I'm not allowed to brag about it. I'm barely allowed to take a compliment or I'll look like I'm preening. Write about how I'm tired of being kinda ugly sometimes. Write about how I had *** with someone, how when I told someone else, I could see them and society drawing a big **** crown of judgement, and how that's ****** I wish we could all grow up. I wish I could explain that my apathy is, to a certain degree, purposeful. Because looking at feminism articles every day made me feel like **** I felt like a victim constantly, and I alienated myself from making friends with normal people because I was an extremist. I got tired of constant misery and misinformation. The feminist community was cannibalistic too, and I don't think I wanted to make friends with such hyper-aggressive people. Write about how I want to be a writer and how I can only write three sentences and then I look at the screen hopelessly. How lame. I'M SO ******* NAIVE BECAUSE I want so badly to be different in a better way, but I know I'm just the same. I want to be able to change the world and I know I can't, it doesn't matter anyway. I haven't been able to cry in three months. I'm tired of trying to find my brand of catharsis.
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17
I’ve spent thousands of smiling hours cupping the soft pit of intellect in my hands preening with its glow, casting the shadow of lecture on my greedy eyes. when my feet sank beneath her earthly soil weeks slipped quiet (like notes shaken from leather spines) with no discussion of Plato. the hardened sphere was drained of all prestige footnote and reference. sometimes, before sleep, I sharpen my doubts and carve it out. it sleeps by me, a guilty golden mistress. I am afraid she will hear the warmth through my phone.
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Jan 29, 2013
Jan 29, 2013 at 7:05 PM UTC
Plato the Mistress Pit
She strolled along the narrow pathway through the park. Her soft skirt flitting in the breeze, her long legs smooth and pampered, sandaled feet took mellow steps under the Springtime sun. She caught the eye of Fred, who from his book rose up bespectacled and drank the scene of one young beauty carried by the breeze, and thanked the Lord for all His wondrous things. She noticed that he noticed and she sneered, disdainfully and crushed him with the lids of scornful eyes that closed upon his face, and cursed the womb that birthed this pervert live. She caught the eye of Tom, whose magazine dropped to the bench from fingers preening hair, his lion's gaze devouring this gazelle, and she took notice of his notice there. She threw back hair and turned to meet his gaze with sideways glance, a wink, and half pursed lips, amazed a stroll from bench to bench could find a pervert and a stud so side by side. Both men came to the park to sit and read, and read indeed, then both, like men, did do what men so do, and neither differed there, yet one was deemed a pervert, one a stud. (C)2014, Christos Rigakos
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Apr 15, 2014
Apr 15, 2014 at 4:16 PM UTC
What is a pervert?
pigeons perch themselves preening on marble fauns ambivalent to their perch, while dark skinned men prowl; seeking tourists (Americans) to sell cheap novelty items, over priced, yet bought to drive away the insistent merchants; ignorant to the realization: if you remain silent and don’t make eye contact you will not forfeit your money... merchants who ruin the peace and awe of grand feats of sculpture—I know they are human (on a base level)—craving money to make a living, yet there are many (more respectable) professions… their presence crowds the already crowded (streets and) piazzas—aggregates of language babble—old women and men meandering along waiting to die—hoping it is true: the slower you move the faster time flows—if not: to hell with relativity! (should have put chips on more than one table) can math really explain all?—or is life more than abstract objects? while the din of crowds palpitates my heart making way for anxious calculations, C— and I hurry pass to find some area to give the artefacts the respect they deserve
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Apr 9, 2013
Apr 9, 2013 at 1:08 PM UTC
Piazza Navona Meditation (edit)
In plain sight, the Peacocks ply their wearisome Colours.  Awkwardly swaying, pompously preening, They cry to be seen, their voices are gurgling   And gawking.  The direction of wind is their vane. Overhead, in the secret sky fleet wings are truth. In the sun the searing Falcon is seeing all; His talons turn and steal away, they are mad,   Playful fingers— they will have their say. — after W. B. Yeats
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Jul 11, 2012
Jul 11, 2012 at 1:51 PM UTC
In Plain Sight
Shhh. Tell no-one. The dragons are sleeping like baby lizards in their caves. Breathless from a day of pillage. Restful after a time of destruction. Somewhere, on the other side of the hill, a boy is playing in the woods. Caressing his manhood, he becomes a symbol of self appreciation. Be quiet. Don't disturb the boy in his game. It is his only means of achieving satisfaction. A reaction would disturb the molecules from their expected conclusion. The boy does not realize how close he is to potential danger. If he awakens the dragons, he awakens his death. Shhh. Tell no-one. The dragons are dreaming of future conquests. Illusionary REM's of human body parts dancing in their heads. Helpless after a day of mass frustration. Hopeless after a time of complete desolation. The boy is finished his game. He smiles to himself at his clever disguises. Yesterday he was a soldier in the war of indifference. Today he is a hero, a legend in his own mind. He screams in abandoned pleasure. He yells because he can. Racing through the woods until he comes upon the entrance to a cave. Takes a breath, than slowly enters in. The dragons are no longer sleeping. They are preening their scales in preparation. Their red soul-less eyes look at the boy. The boy, with his brown empty eyes looks at the dragons. None of them make a move. Each of them recognize the emptiness of the other.
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May 7, 2016
May 7, 2016 at 1:23 PM UTC
A Boy And The Dragons
I watched a preening robin on my windowsill today. Looking around, it watch itself from every angle scratching at feathers. It did not flinch at me behind the glass & I felt there was some sort of a connection of some sorts. Never once did I consider this beautiful creature a narcissus, it was only taking care if itself.
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Jan 24, 2014
Jan 24, 2014 at 7:28 AM UTC
Robins Are Not Narscistic
Inhaling, hushed, from hashed cigars my mind implodes in Malimar where Naiads bathe in caviar - I dream of dwarves and three-eyed tsars. The captive kiss of Princess Mars (who talks in tongues at seminars) burns red beyond Her blue boudoir - I writhe within Her pale peignoir. Her Maids gloss lips with cinnabar, bedizen cheeks in dusts that mar, serve teas beside the reservoir - I sip them from a samovar. Disguised in smoke and lamps of spar Her Genies gender gold dinars, evoking flames in ginger jars - I plea before the Commissar. At Princess’ neighbourhood bazaar, white shadows slip through doors ajar to drape my dreams in ash and char - I long await the Avatar. Her Merchants (preening, proud Hussars) paint pretty scenes on VCR’s while sailing ships to Zanzibar - I strum the strings of warped sitars. Her Prophets sometimes cruise in cars else while at each and every bar to speak of space and time bizarre - I pass my pride for small pourboires. Her Necromancers trace in tar tall tales of wisdom flung afar, transported by the Registrars - I hitchhike on their handlebars. Her seers conjure repertoires where She and I are on a par in infinite surreal memoirs - I sometimes sense the void is ours. My Princess never sees the scars cut by Her whispered “au revoirs” - I often wake to ask ‘who are these Gods that sail the distant stars?’
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Aug 12, 2013
Aug 12, 2013 at 6:49 PM UTC
Malimar (Monorhyme)
In plain sight, the Peacocks ply their wearisome Colours. Awkwardly swaying, pompously preening, They cry to be seen, their voices are gurgling And gawking. The direction of wind is their vane. Overhead, in the secret sky fleet wings are truth. In the sun the searing Falcon is seeing all; His talons turn and steal away, they are mad, Playful fingers— they will have their say.
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Oct 23, 2012
Oct 23, 2012 at 2:18 PM UTC
In Plain Sight
In plain sight, the Peacocks ply their wearisome Colours. Awkwardly swaying, pompously preening, They cry to be seen, their voices are gurgling And gawking. The direction of wind is their vane. Overhead, in the secret sky fleet wings are truth. In the sun the searing Falcon is seeing all; His talons turn and steal away, they are mad, Playful fingers— they will have their say.
0
Feb 8, 2014
Feb 8, 2014 at 12:34 PM UTC
In Plain Sight
Soft weakness gives to absorb the blows Like some vague elastic stretched over the chimney top Stubbornly holding the black smoke in Pigeons nesting and ******** Causing the thinning elastic to cave in further White birds like the warmth of that sick steam building underneath Preening, oblivious Hot weight questions the integrity of black edges Mother bird stands at attention Baby birds bicker, oblivious Their hearts skip in unison when they begin to fall The smoke swallows them and that black elastic
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Feb 7, 2010
Feb 7, 2010 at 5:14 AM UTC
Black Elastic
Blue hills yet again beacon in a language my spirit understands so very well. I trek alone, prompted by the  most sublime love brimming in my being that makes my life less of a puzzle. dreamily I move following in my mind a subtle music that seems to me is the greatest reward above all else in this world. No method to value its worth is yet invented, is there a need? The path winds up I drink  foaming green with my eyes, jungle orchids of various kind, play their orchestra blending fragrances with finesse. the music playing in my mind, merges with it; real magic is within us yet again I realize. Two jungle babblers catch my eye, cuddling closely preening each other In a world so deceptive I cannot but wonder: a love so mature or a parting gesture? I ponder a moment, in silence about the vagaries of life before my ascent.
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Dec 14, 2013
Dec 14, 2013 at 10:09 PM UTC
A trek uphill alone
Faded gilding, rubbed through to cracking, flaking wood. A glamour of ages, sliding, flies to the breeze. The little bird perches on a once-fine moulding; Head tilted, one bright eye turned towards the mantle where a half-blind mercurised mirror barely reflects an army of creeping vines, consuming naked angels and the God of this house. Our hero’s velvets are ruined, dripping and eaten through. Where riches have lived, decay succeeds. Nature’s velvets; opulent mosses and emerald lichens are devouring damask and smoothing over marbled hardness. The bird listens for footsteps. The lady would scatter crumbs on the windowsill and he would flutter, unafraid, to peck at her sweet feast. Once, she drew him. Fine-lining passerine delicacy, her pencils fetched him, and bestowed him an artist’s nobility. He turned, this way and that, flashing gold-touched wings, miming a duchess snapping open a fan. She’s gone now, and so have the crumbs. The bird senses no sugar on the sill, nor the faintest reminiscence of lavender perfume, glittering as star bursts at the hollow of her throat. He sings regardless, a mournful beauty longing to return to a glorious, lustful age, where light refracted in cut crystal, danced upon frescoes and illuminated the ugly – - to render them enchanting. He swoops to dance on the mantle, answered by the mirror and sits a while, preening. The gentlemen and ladies are gone forever. Ejected from history to echo as ghosts of fancy and excess, undeserving of remembrance or pity. The bird will never forget. And knots up secrets kept tightly in his breast, committed to his tiny, fierce heart.
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Aug 20, 2018
Aug 20, 2018 at 5:15 PM UTC
Cardellino al palazzo
Faded gilding, rubbed through to cracking, flaking wood. A glamour of ages, sliding, flies to the breeze. The little bird perches on a once-fine moulding; Head tilted, one bright eye turned towards the mantle where a half-blind mercurised mirror barely reflects an army of creeping vines, consuming naked angels and the God of this house. Our hero’s velvets are ruined, dripping and eaten through. Where riches have lived, decay succeeds. Nature’s velvets; opulent mosses and emerald lichens are devouring damask and smoothing over marbled hardness. The bird listens for footsteps. The lady would scatter crumbs on the windowsill and he would flutter, unafraid, to peck at her sweet feast. Once, she drew him. Fine-lining passerine delicacy, her pencils fetched him, and bestowed him an artist’s nobility. He turned, this way and that, flashing gold-touched wings, miming a duchess snapping open a fan. She’s gone now, and so have the crumbs. The bird senses no sugar on the sill, nor the faintest reminiscence of lavender perfume, glittering as star bursts at the hollow of her throat. He sings regardless, a mournful beauty longing to return to a glorious, lustful age, where light refracted in cut crystal, danced upon frescoes and illuminated the ugly – - to render them enchanting. He swoops to dance on the mantle, answered by the mirror and sits a while, preening. The gentlemen and ladies are gone forever. Ejected from history to echo as ghosts of fancy and excess, undeserving of remembrance or pity. The bird will never forget. And knots up secrets kept tightly in his breast, committed to his tiny, fierce heart.
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