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"porters" poems
Third day of this trek descending rapidly from cloud forest into high jungle habitat, alive with hummingbirds and orchids, her Q'ero porters guide the tour group to Intipunko, "Gate of the Sun". At 4:30 AM and 10,000 feet altitude biting cold cracks stone, eats exposed flesh, stealing breath as she gulps pale sunlight. Coca leaves wadded in her cheek forge mind against the acts of atmosphere. A lifelong pilgrimage to this purpose, observation of the sunrise over Machu Picchu. The Q'ero pass around a sack of pemmican. What meat it is, she doesn't ask. It smells of canvas, but tastes of apricot. Her fate entrusted to these guides, she eats what they offer. This Inca Trail is marked with their scent; they follow signposts painted on thin air, read morning mists like road maps. They have brought her to this citadel, Lost City of Peace and Power. Her life for now at equinox, shaman-guides have opened her vision to the hitching post of the sun.
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Feb 20, 2012
Feb 20, 2012 at 12:05 AM UTC
In the Company of Strangers
Men with picked voices chant the names of cities in a huge gallery: promises that pull through descending stairways to a deep rumbling. The rubbing feet of those coming to be carried quicken a grey pavement into soft light that rocks to and fro, under the domed ceiling, across and across from pale earthcolored walls of bare limestone. Covertly the hands of a great clock go round and round! Were they to move quickly and at once the whole secret would be out and the shuffling of all ants be done forever. A leaning pyramid of sunlight, narrowing out at a high window, moves by the clock: disaccordant hands straining out from a center: inevitable postures infinitely repeated— two—twofour—twoeight! Porters in red hats run on narrow platforms. This way ma’am! —important not to take the wrong train! Lights from the concrete ceiling hang crooked but— Poised horizontal on glittering parallels the dingy cylinders packed with a warm glow—inviting entry— pull against the hour. But brakes can hold a fixed posture till— The whistle! Not twoeight. Not twofour. Two! Gliding windows. Colored cooks sweating in a small kitchen. Taillights— In time: twofour! In time: twoeight! —rivers are tunneled: trestles cross oozy swampland: wheels repeating the same gesture remain relatively stationary: rails forever parallel return on themselves infinitely. The dance is sure.
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1.9k
Overture To A Dance Of Locomotives
After morning matinee and after dinner of sausages and mash and baked beans you met Helen by the post office at the end of Rockingham Street she had on the red flowered dress you liked and held Battered Betty her doll by an arm her hair was held in plaits by elastic bands and her thick lens spectacles were smeary where she'd touched them but not cleaned them where are we going? she asked how about London Bridge train station? you said we can watch the trains come and go and watch the porters rush about with luggage and things she gazed at you through her thick lens shall I tell my mum where we're going? sure if you think she'll worry you said be best if she knows Helen said don't want her to worry where I've gone ok you said and so you both walked back to her mother's house and she told her mother and her mother came out and looked at you and said ok so long as you're with Benedict and so you walked back along Rockingham Street and got a bus to London Bridge railway station and sat on the seats downstairs by the conductor and this guy with glasses and a thin moustache gazed at Helen from the seat opposite his eyes moving over her his gaze focusing on her knees where her dress ended he licked his lips his hands on his thighs Helen looked away pretending she didn't see him looking you stared at the man watching his eyes dark and deep they say it's rude to stare you said the man looked at you kids should be seen not heard he replied and you're seeing a lot you said he muttered something and got off at the next stop giving you a hard stare Helen said nothing but seemed relieved after a while you got off the bus at the railway station and went inside there were crowds of people and the smell of steam and bodies washed and unwashed and the sound of trains getting ready to leave and voices and shouts of porters and rushing and going and coming of people and you sat with Helen on a seat on the platform she with Battered Betty and you with your six-shooter in your inside pocket ready to get any bad cowboys who came your way and Helen said why was that man staring at me on the bus? just a creep wanting a peep you said peep at what? she asked I'm not beautiful yes you are you said anyway it wasn't your beauty he was looking at you said what then? she asked oh something he oughtn't you said and a loud blast of steam echoed around the station and a voice called and a whistle blew and you all sat watching Helen and Battered Betty and six-shooter carrying cowboy you.
0
May 23, 2013
May 23, 2013 at 8:09 AM UTC
HELEN AND YOU TRAINSPOTTING.
After morning matinee and after dinner of sausages and mash and baked beans you met Helen by the post office at the end of Rockingham Street she had on the red flowered dress you liked and held Battered Betty her doll by an arm her hair was held in plaits by elastic bands and her thick lens spectacles were smeary where she'd touched them but not cleaned them where are we going? she asked how about London Bridge train station? you said we can watch the trains come and go and watch the porters rush about with luggage and things she gazed at you through her thick lens shall I tell my mum where we're going? sure if you think she'll worry you said be best if she knows Helen said don't want her to worry where I've gone ok you said and so you both walked back to her mother's house and she told her mother and her mother came out and looked at you and said ok so long as you're with Benedict and so you walked back along Rockingham Street and got a bus to London Bridge railway station and sat on the seats downstairs by the conductor and this guy with glasses and a thin moustache gazed at Helen from the seat opposite his eyes moving over her his gaze focusing on her knees where her dress ended he licked his lips his hands on his thighs Helen looked away pretending she didn't see him looking you stared at the man watching his eyes dark and deep they say it's rude to stare you said the man looked at you kids should be seen not heard he replied and you're seeing a lot you said he muttered something and got off at the next stop giving you a hard stare Helen said nothing but seemed relieved after a while you got off the bus at the railway station and went inside there were crowds of people and the smell of steam and bodies washed and unwashed and the sound of trains getting ready to leave and voices and shouts of porters and rushing and going and coming of people and you sat with Helen on a seat on the platform she with Battered Betty and you with your six-shooter in your inside pocket ready to get any bad cowboys who came your way and Helen said why was that man staring at me on the bus? just a creep wanting a peep you said peep at what? she asked I'm not beautiful yes you are you said anyway it wasn't your beauty he was looking at you said what then? she asked oh something he oughtn't you said and a loud blast of steam echoed around the station and a voice called and a whistle blew and you all sat watching Helen and Battered Betty and six-shooter carrying cowboy you.
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149
Men with picked voices chant the names of cities in a huge gallery: promises that pull through descending stairways to a deep rumbling. The rubbing feet of those coming to be carried quicken a grey pavement into soft light that rocks to and fro, under the domed ceiling, across and across from pale earthcolored walls of bare limestone. Covertly the hands of a great clock go round and round! Were they to move quickly and at once the whole secret would be out and the shuffling of all ants be done forever. A leaning pyramid of sunlight, narrowing out at a high window, moves by the clock: disaccordant hands straining out from a center: inevitable postures infinitely repeated— two—twofour—twoeight! Porters in red hats run on narrow platforms. This way ma’am! —important not to take the wrong train! Lights from the concrete ceiling hang crooked but— Poised horizontal on glittering parallels the dingy cylinders packed with a warm glow—inviting entry— pull against the hour. But brakes can hold a fixed posture till— The whistle! Not twoeight. Not twofour. Two! Gliding windows. Colored cooks sweating in a small kitchen. Taillights— In time: twofour! In time: twoeight! —rivers are tunneled: trestles cross oozy swampland: wheels repeating the same gesture remain relatively stationary: rails forever parallel return on themselves infinitely. The dance is sure.
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1.6k
Overture To A Dance Of Locomotives
Lydia's father said she could go with you to Waterloo railway station mind the roads though he said(in his sober moments he could be quite considerate) and not too near the edge of the platform can't have you falling in front of a train so you took a bus to Waterloo station both sitting at the rear of the bus on the side seats having paid the conductor the fare and sitting there watching the passing views she in her pale blue dress her dark straight hair pale features thin arms and legs you thinking of the steam engines the power and the puff of smoke grey white and she thinking of her big sister coming home in the early hours puking in the bog her mother giving one hell of a loud scream of abuse and her father saying O give the girl a chance and Lydia turning over in the double bed dreading her sister's arrival stinking of sick hanging off the side of the bed with a bucket beside throwing up what was once inside the bus arrived and you got off and you said hang on to my hand we'll cross together and so she held your hand her thin bony fingers wrapped about yours her hand cold thin nails chewed got to keep an eye on you your old man said you said and you crossed running to avoid the rushing traffic and once across she said that man next to me on the bus put his hand on my thigh quickly but then we got off and I didn't know what to say she added you should have told me you said she looked anxious and bit her lip no matter now too late but if you see him again tell me and we'll get the ****** you said she nodded and so you walked into the station past crowds of people and porters pushing trolleys of luggage or mail by the tall copper with hands behind his back and on to the platform and took a seat together to watch trains and hear the sounds and smell the acrid smoke and engines come and leave sense the overpowering sounds of released steam and whistles blown and flags waved and passengers boardings and disembarking and you taking a side view of her sitting there anxiety in the features of her face her hair straight and well brushed she unaware you gazed and took it all in and she thinking of her sister's moans and occasional vomiting and she hardly sleeping and now here watching trains you beside her in your short sleeved jumper and cowboy shirt and jeans and sniffing in the smell of smoke and steam and listening to the engines start up and sense the thrill of power in the huff and puff and she for once happy just being there far from her sister's snores and her brother's tease here to be with you and be as she please.
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Nov 24, 2013
Nov 24, 2013 at 10:11 AM UTC
BE AS SHE PLEASE.
Lydia's father said she could go with you to Waterloo railway station mind the roads though he said(in his sober moments he could be quite considerate) and not too near the edge of the platform can't have you falling in front of a train so you took a bus to Waterloo station both sitting at the rear of the bus on the side seats having paid the conductor the fare and sitting there watching the passing views she in her pale blue dress her dark straight hair pale features thin arms and legs you thinking of the steam engines the power and the puff of smoke grey white and she thinking of her big sister coming home in the early hours puking in the bog her mother giving one hell of a loud scream of abuse and her father saying O give the girl a chance and Lydia turning over in the double bed dreading her sister's arrival stinking of sick hanging off the side of the bed with a bucket beside throwing up what was once inside the bus arrived and you got off and you said hang on to my hand we'll cross together and so she held your hand her thin bony fingers wrapped about yours her hand cold thin nails chewed got to keep an eye on you your old man said you said and you crossed running to avoid the rushing traffic and once across she said that man next to me on the bus put his hand on my thigh quickly but then we got off and I didn't know what to say she added you should have told me you said she looked anxious and bit her lip no matter now too late but if you see him again tell me and we'll get the ****** you said she nodded and so you walked into the station past crowds of people and porters pushing trolleys of luggage or mail by the tall copper with hands behind his back and on to the platform and took a seat together to watch trains and hear the sounds and smell the acrid smoke and engines come and leave sense the overpowering sounds of released steam and whistles blown and flags waved and passengers boardings and disembarking and you taking a side view of her sitting there anxiety in the features of her face her hair straight and well brushed she unaware you gazed and took it all in and she thinking of her sister's moans and occasional vomiting and she hardly sleeping and now here watching trains you beside her in your short sleeved jumper and cowboy shirt and jeans and sniffing in the smell of smoke and steam and listening to the engines start up and sense the thrill of power in the huff and puff and she for once happy just being there far from her sister's snores and her brother's tease here to be with you and be as she please.
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154
Behold me waiting--waiting for the knife. A little while, and at a leap I storm The thick, sweet mystery of chloroform, The drunken dark, the little death-in-life. The gods are good to me: I have no wife, No innocent child, to think of as I near The fateful minute; nothing all-too dear Unmans me for my bout of passive strife. Yet am I tremulous and a trifle sick, And, face to face with chance, I shrink a little: My hopes are strong, my will is something weak. Here comes the basket? Thank you. I am ready. But, gentlemen my porters, life is brittle: You carry Caesar and his fortunes--steady!
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1.2k
Before
I hear you in the music I see you in designs I smell you in pints I taste you in ******* I feel you everywhere I go. I hear you In all the funky jazz beats I feel you In the rhythm Even when I'm dancing with other men You never leave my side Our bodies Electrified Our souls Intertwined. Got me mesmerized All wrapped up In your rap tunes You know how they make me feel Like I'm floating On the *** vibes Totally lost in our world You understand My art My love My *** They're all the same thing, you know. I see you In passing In stores In movies In products In fine dining establishments This is when I know I know you When I can see you in the designs In clothing In an artist's painting In a pair of shoes The colors and shapes in a tie All the art I see I see you. I smell you In spliffs Rolled in the finest tobacco Packed exquisitely by you Late nights after ***   You'd roll one up for us I'd feel like a ******* queen In your arms But now I smell you in the morning When the coffee's being made Never have I ever Woken up by your side Without the boldness of your coffee Greeting me With your love I taste you In every whiskey cocktail In every bartenders ice cubes In every microbrew I taste you mostly in the IPA But some nights I taste you in porters And chocolate beers Most of the time Your flavor shows up In the finest French restaurants That we used to adore I'd always have my red wine And you the whiskey. We were in love With each other's art And that's when I figured out That's all life is, is Sharing each other's love Through art *** And mystery You are my love My past My present And my future Even when you are not in my present Or my future You will always be with me I will always hear you In the music See you In paintings Smell you In spliffs Taste you In whiskey and love you Like I've never loved before.
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Jul 15, 2015
Jul 15, 2015 at 10:44 PM UTC
chad's beat.
I hear you in the music I see you in designs I smell you in pints I taste you in ******* I feel you everywhere I go. I hear you In all the funky jazz beats I feel you In the rhythm Even when I'm dancing with other men You never leave my side Our bodies Electrified Our souls Intertwined. Got me mesmerized All wrapped up In your rap tunes You know how they make me feel Like I'm floating On the *** vibes Totally lost in our world You understand My art My love My *** They're all the same thing, you know. I see you In passing In stores In movies In products In fine dining establishments This is when I know I know you When I can see you in the designs In clothing In an artist's painting In a pair of shoes The colors and shapes in a tie All the art I see I see you. I smell you In spliffs Rolled in the finest tobacco Packed exquisitely by you Late nights after ***   You'd roll one up for us I'd feel like a ******* queen In your arms But now I smell you in the morning When the coffee's being made Never have I ever Woken up by your side Without the boldness of your coffee Greeting me With your love I taste you In every whiskey cocktail In every bartenders ice cubes In every microbrew I taste you mostly in the IPA But some nights I taste you in porters And chocolate beers Most of the time Your flavor shows up In the finest French restaurants That we used to adore I'd always have my red wine And you the whiskey. We were in love With each other's art And that's when I figured out That's all life is, is Sharing each other's love Through art *** And mystery You are my love My past My present And my future Even when you are not in my present Or my future You will always be with me I will always hear you In the music See you In paintings Smell you In spliffs Taste you In whiskey and love you Like I've never loved before.
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101
dilapidated memories of porters holding luggage pointed north, south, east, west till above greasy lighted seas a semblance poses: broken windows hanging in melancholic cadences of dank repair and doors of half remembered cabarets open and close on treacherous gardens seething tiny bones of lost dreams a lover's whispered kiss hiding betrayal a ballerina's advent through billowing pink clouds a yacht moored to the docks of a mansion slow winter sunsets kindling false yearns naked summer skin now expanse of cautious smiles and tender smokes beneath the azure skies of answered praise and fall to each gathered day
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May 15, 2015
May 15, 2015 at 12:56 AM UTC
SCOTT AND ZELDA, 1929, CANNES
The old ones seem haunted even with ole Presidents making their whistle-stop campaigns. Blacks on their exodus from the south, streaming into them, one can visualize with their souls and spirits accompanying them as they seek a decent life. Imagine the shoeshine stands with their shoeshine “boys” and black attendants in the restrooms which was probably as far as some of them got. The newsstands with their variety of newspapers and sundries alerted the lonely travelers to Wall Street and elsewhere, businessmen who would stream in with a sophistication the common traveler feared. The smells of leather baggage, the cleanser that porters used to keep the coaches clean wafted in. The smell of cigars and wrinkles of old men’s skin let us know that the porters would be appearing with a bevy of special guests. History speaks in these stations as well as some bus stations around the country with their dangerous drifters who would serial **** and the ambitious young talents off to the big city to seek success who we would later never hear of. The local Union Station in Champaign has been turned into businesses, but I can just see Abe Lincoln arriving speaking from the caboose and making his way to a horse and buggy outside to go to the local county courthouse. Long live ghost-filled train stations everywhere, and don’t let us forget the homeless and destitute street people who need to use their restrooms and sit down in the waiting area seats to take a needed load off. They’re that important in the general pictures of things, at least to me.
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Sep 8, 2016
Sep 8, 2016 at 12:51 PM UTC
ODE TO TRAIN STATIONS
The old ones seem haunted even with ole Presidents making their whistle-stop campaigns. Blacks on their exodus from the south, streaming into them, one can visualize with their souls and spirits accompanying them as they seek a decent life. Imagine the shoeshine stands with their shoeshine “boys” and black attendants in the restrooms which was probably as far as some of them got. The newsstands with their variety of newspapers and sundries alerted the lonely travelers to Wall Street and elsewhere, businessmen who would stream in with a sophistication the common traveler feared. The smells of leather baggage, the cleanser that porters used to keep the coaches clean wafted in. The smell of cigars and wrinkles of old men’s skin let us know that the porters would be appearing with a bevy of special guests. History speaks in these stations as well as some bus stations around the country with their dangerous drifters who would serial **** and the ambitious young talents off to the big city to seek success who we would later never hear of. The local Union Station in Champaign has been turned into businesses, but I can just see Abe Lincoln arriving speaking from the caboose and making his way to a horse and buggy outside to go to the local county courthouse. Long live ghost-filled train stations everywhere, and don’t let us forget the homeless and destitute street people who need to use their restrooms and sit down in the waiting area seats to take a needed load off. They’re that important in the general pictures of things, at least to me.
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46
Picture yourself in a boat on a river With tangerine trees and marmalade skies Somebody calls you, you answer quite slowly Cellophane flowers of yellow and green Towering over your head Look for the girl with the sun in her eyes And she's gone Follow her down to a bridge by a fountain Where rocking horse people eat marsh mellow pies Everyone smiles as you drift past the flowers That grow so incredibly high New paper taxis appear on the shore Waiting to take you away Climb in the back with your head in the clouds And you're gone Picture yourself on a train in a station With plasticine porters with looking glass ties Suddenly someone is there at the turnstyle The girl with the kaleidoscope eyes
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Feb 6, 2015
Feb 6, 2015 at 9:46 PM UTC
The girl with the kaleidoscope eyes
The forgotten essential workers Who is seldom mention. Who is so often belittle, Porters, Cooks, Laundry workers Dish-washers, Elevator-repair men Recreations, Front Desk clerks Certified Nurse’s Aide Home health aide Waiters, God! Oh how hard we work! Private’s aides Now as we celebrate Juneteenth 19 Black lives matters, can we really be seen After four hundred years of oppressions Can we tossed back river of tears we are in 2020 is this our commission? We as Essential workers in your nursing homes Being tested twice a week, By your essential worker phlebotomist Who puncture my vein with his cannula? For the governor executives order listen up you uncouth nurses who poke The swab sticks deep into my nose. Listen this quackery has to end! Pandemic, politics, election strategy We essential need more respect. You with your white privileges, and your treats (RE: PCR swabbing, week being on Wednesday and ends on Tuesday. If you work 4 or more days you need to be swabbed 2x per week In a 48hrs time frame, if not you will be taken off the schedule You will be humiliated, said the Administrator  Mr. Sal Because he is not a babysitter there to reminds you.. Said a non- professional white privileges) as the city navigate the pandemic moving on to injustices of systemic racism, poverty, militarism and a war economy: Mr. Governor Cuomo: I cannot breathe.. I Mr. Governor Cuomo: I cannot breathe
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Jun 20, 2020
Jun 20, 2020 at 9:16 AM UTC
The Forgotten Essential Workers
Lydia pale and thin lanky hair lightish brown walks with me to see hot steam engines at Kings Cross train station her old man grudgingly said she could go with me we get on a bus there sitting on a side seat some big guy stares at us his deep eyes drinks us in then gawks at Lydia she blushes looks away I give him my John Wayne cowboy stare he looks back then away we get off at our stop at Kings Cross smell of steam sound of trains huff and puff and people rushing by on to trains off of trains we both sit on a seat watching this unfolding train drama with porters with trolleys and luggage and parcels passengers going by rich and poor Lydia beside me wanting this as I do the grey smoke rising high to the roof turning blue.
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Nov 21, 2014
Nov 21, 2014 at 1:49 AM UTC
KINGS CROSS WITH LYDIA.
So Are You A Conformer... Or A... Gangster Shot Caller... ? Or The Type of Fast Talker... Whose Talk Walks With Porters... Or In Other Words Those... Who Serve Those On Thrones... And DON'T Walk The Walk... of... All Their BIG Talk... !?! Cos' It’s Clear Now That MANY... Like To Talk Like Their Ready... To Make Things Unsteady... When It Comes To Our Lives... And These Leaders Who Lie... And Leave People Downsized... So Of Course Run Their Gums... About Being... " TOUGH "... And How They'’ll Stand Up... To Modern Systems... ... Until Money Comes... ?!? And Then They CONFORM... To... Walking The Walk... of Clowning Like MORK... !?! Or Souls Who’ve Been BOUGHT... !!! Now I’m NOT Gonna Lie... l’ve Conformed In My Life... Simply To Survive... But NOT To Make Money... To Live Life... CORRUPTLY... Cos' People Act Funny... To Run With The Chumps... Who Run Governments... As Well As The Punks... Within... Entertainment... !!! Who Conform To Do Stuff... That Clearly Corrupts... Just Like Our Leaders... And The Money They Love... !!! A Thing That Makes Some... Embrace Taking Drugs... And Forsake What They CLAIM... To Behave Like A Stray... Whose Veered Off The Straight... To Bend Like Chicanes... And Start To Act Strange... !?! It’s The Way of Today... CONFORMING Away... To New Gender Ways... And This New Virus Strain... That’s Caused Many Pain... And Forced Us To Play... The Masking Up Game... !?! And YES I Mean ME... Conforming To Please... But Mainly To FEED... And Avoid These Police... And Having To Pay... A Fine Or Face Jail... !!! Because OBVIOUSLY... I’d Rather Be FREE... Than Face Life In Prison... And Being Conditioned... By Those Who ARE Villains... !!! So CERTAIN Conformers... Should Cut Their Talk Shorter... Instead of Make CLAIMS... That REBELLIOUS Ways... Seem To Get Locked Away... When THEY Are The Ones... Who’ve Let Money Become... What CONTROLS How They Live... So Are Quick To Submit... To New Age Politricks’... That Shut Down Businesses... !!! That Right Just Like THEIRS... Because They’ve Conformed... To Levels of Thought... Where Cash Is The Source... of Talk That They Court... That Helps Them Breathe Air... ?!? CONFORMING To Think... In Ways That Are Linked... To Something That STINKS... !!! That’s RIGHT CONFORMISTS... Who Are Clearly TOO QUICK... To Start RUNNING THEIR LIPS... !!! Like A Fast Mouthed Dumb Kid... Who Cannot Raise A Fist... Just Like John Carlos Did... !!! A TRUE NON-Conformist... !!! Now I’m NOTHING Like Him... !!! But I THINK And RESIST... Conforming Through Scripts... And Poems I Bring... Cos’ I’m NOT A Performer... A Big Money Baller... Or Gangster Shot Caller... !!! But I Am A STRAIGHT Talker... Whose Really NOT DOWN With... All These NEW AGE... ..... “ Conformers “.....
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Sep 27, 2021
Sep 27, 2021 at 10:01 PM UTC
“Conformers” ... A Poem written by Big Virge 21/2/2021
So Are You A Conformer... Or A... Gangster Shot Caller... ? Or The Type of Fast Talker... Whose Talk Walks With Porters... Or In Other Words Those... Who Serve Those On Thrones... And DON'T Walk The Walk... of... All Their BIG Talk... !?! Cos' It’s Clear Now That MANY... Like To Talk Like Their Ready... To Make Things Unsteady... When It Comes To Our Lives... And These Leaders Who Lie... And Leave People Downsized... So Of Course Run Their Gums... About Being... " TOUGH "... And How They'’ll Stand Up... To Modern Systems... ... Until Money Comes... ?!? And Then They CONFORM... To... Walking The Walk... of Clowning Like MORK... !?! Or Souls Who’ve Been BOUGHT... !!! Now I’m NOT Gonna Lie... l’ve Conformed In My Life... Simply To Survive... But NOT To Make Money... To Live Life... CORRUPTLY... Cos' People Act Funny... To Run With The Chumps... Who Run Governments... As Well As The Punks... Within... Entertainment... !!! Who Conform To Do Stuff... That Clearly Corrupts... Just Like Our Leaders... And The Money They Love... !!! A Thing That Makes Some... Embrace Taking Drugs... And Forsake What They CLAIM... To Behave Like A Stray... Whose Veered Off The Straight... To Bend Like Chicanes... And Start To Act Strange... !?! It’s The Way of Today... CONFORMING Away... To New Gender Ways... And This New Virus Strain... That’s Caused Many Pain... And Forced Us To Play... The Masking Up Game... !?! And YES I Mean ME... Conforming To Please... But Mainly To FEED... And Avoid These Police... And Having To Pay... A Fine Or Face Jail... !!! Because OBVIOUSLY... I’d Rather Be FREE... Than Face Life In Prison... And Being Conditioned... By Those Who ARE Villains... !!! So CERTAIN Conformers... Should Cut Their Talk Shorter... Instead of Make CLAIMS... That REBELLIOUS Ways... Seem To Get Locked Away... When THEY Are The Ones... Who’ve Let Money Become... What CONTROLS How They Live... So Are Quick To Submit... To New Age Politricks’... That Shut Down Businesses... !!! That Right Just Like THEIRS... Because They’ve Conformed... To Levels of Thought... Where Cash Is The Source... of Talk That They Court... That Helps Them Breathe Air... ?!? CONFORMING To Think... In Ways That Are Linked... To Something That STINKS... !!! That’s RIGHT CONFORMISTS... Who Are Clearly TOO QUICK... To Start RUNNING THEIR LIPS... !!! Like A Fast Mouthed Dumb Kid... Who Cannot Raise A Fist... Just Like John Carlos Did... !!! A TRUE NON-Conformist... !!! Now I’m NOTHING Like Him... !!! But I THINK And RESIST... Conforming Through Scripts... And Poems I Bring... Cos’ I’m NOT A Performer... A Big Money Baller... Or Gangster Shot Caller... !!! But I Am A STRAIGHT Talker... Whose Really NOT DOWN With... All These NEW AGE... ..... “ Conformers “.....
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101
The nurse said she's outside on the lawn don't take her out to the pub though she's been banned ok you said and trotted out to the lawn through the double doors of the hospital to where Julie was sitting in a chair by a white table smoking she was clothed in a white dressing gown and slippers she sat with one leg over the other with one of her elbows resting on the knee did you bring me any more ciggies? she asked when she saw you yes you said and passed her the packet you'd bought at the railway station thanks I am getting desperate she said I was on the point of offering myself up for a smoke earlier but one of the porters gave me one for nothing cigarette that is she said smiling she put the packet in the pocket of her dressing gown the nurse said you'd been banned from the pub along the road you said Julie looked towards the ward doors which were open to let in the afternoon sunlight and warmth someone gave me a joint and the landlord saw and chucked us both out and said I was banned she inhaled deeply on the cigarette you saw how thin she had become her wrists seemed too thin to hold her hands she exhaled now I can't have a drink or **** or blow my ****** nose she ranted looking at the horizon of hospital buildings and trees and sky sorry about that you said not your fault she said I should have been more careful should have said no to a smoke of that **** but I couldn't she inhaled again and you saw her thigh where her dressing gown rose as she moved her leg it too had become thinner are you eating properly? you asked you're becoming like my father now she said puffing out smoke when he turns up that is you're thinner you said the hospital food is crap she said I'd rather starve than eat some of it she stubbed out the cigarette **** in an ashtray on the table looks like you have you said have you come to talk about how thin I've become? or to cheer me up? to cheer you up you said she looked towards the open ward doors they've locked that cupboard we went in last time she said do they suspect anything? you asked I guess so she said some of the nurses make hints about it call it the love room just because they have a life they deny me of one you took out a cigarette from a packet you had in your pocket and offered her one and take one yourself she lights hers with a red lighter then lights yours you both sit smoking sitting in silence watching the smoke rise she thinking of another place to **** you wondering how far she'd fallen from her middle class home through drugs at some party and the long ride down the slippery slope she thinking of no *** no ***** no dope.
0
Sep 17, 2013
Sep 17, 2013 at 6:02 PM UTC
NONE OF THAT OR THE OTHER.
The nurse said she's outside on the lawn don't take her out to the pub though she's been banned ok you said and trotted out to the lawn through the double doors of the hospital to where Julie was sitting in a chair by a white table smoking she was clothed in a white dressing gown and slippers she sat with one leg over the other with one of her elbows resting on the knee did you bring me any more ciggies? she asked when she saw you yes you said and passed her the packet you'd bought at the railway station thanks I am getting desperate she said I was on the point of offering myself up for a smoke earlier but one of the porters gave me one for nothing cigarette that is she said smiling she put the packet in the pocket of her dressing gown the nurse said you'd been banned from the pub along the road you said Julie looked towards the ward doors which were open to let in the afternoon sunlight and warmth someone gave me a joint and the landlord saw and chucked us both out and said I was banned she inhaled deeply on the cigarette you saw how thin she had become her wrists seemed too thin to hold her hands she exhaled now I can't have a drink or **** or blow my ****** nose she ranted looking at the horizon of hospital buildings and trees and sky sorry about that you said not your fault she said I should have been more careful should have said no to a smoke of that **** but I couldn't she inhaled again and you saw her thigh where her dressing gown rose as she moved her leg it too had become thinner are you eating properly? you asked you're becoming like my father now she said puffing out smoke when he turns up that is you're thinner you said the hospital food is crap she said I'd rather starve than eat some of it she stubbed out the cigarette **** in an ashtray on the table looks like you have you said have you come to talk about how thin I've become? or to cheer me up? to cheer you up you said she looked towards the open ward doors they've locked that cupboard we went in last time she said do they suspect anything? you asked I guess so she said some of the nurses make hints about it call it the love room just because they have a life they deny me of one you took out a cigarette from a packet you had in your pocket and offered her one and take one yourself she lights hers with a red lighter then lights yours you both sit smoking sitting in silence watching the smoke rise she thinking of another place to **** you wondering how far she'd fallen from her middle class home through drugs at some party and the long ride down the slippery slope she thinking of no *** no ***** no dope.
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144
Paddington train station is busy Lydia and I walk through the crowds of people passengers and porters with trolleys and voices calling out about trains smell of trains smell of steam of people keep with me I tell her so she grabs hold of me by the hand and we swim through people they pass us or swim by us quickly hers hand's warm inside mine me thinking us 2 kids aged just 9 swimming through this vast sea of bodies and their smells high perfumes or B.O. over there I tell her on that seat so we rush to a long wooden bench and sit down studying the people passing by either way whistles blown loud voices trains shushing puffs of steam and her hand still in mine holding on her green dress slight fading her white socks I notice have holes in brown shoes have scuff marks it's lovely seeing trains she tells me all the steam and the smell and the sounds yes it is I agree I tell her and we sit as the train shushes loud and pushes out a monster of blackness the steam train from the long wide platform out of sight like some large dark phantom of the night.
0
Nov 4, 2015
Nov 4, 2015 at 2:33 AM UTC
AT PADDINGTON 1958
In dark dreams I walk again those empty hospital corridors with their dull lights and smell of disinfect and death in those dreams I look for you again my son passing by the blanks faces of others looking at their eyes for glimpses of life or concern or such as humans sometimes have I go by room after room pass porters pushing the occasional trolley by the various side wards passing by the bright lights of hospital shops in the dream I am hoping to find you once more sitting there on the bed your back turned your head lowered but this time I am hoping for a healthier you my son not one so ill so lost in this dream sunlight shines through the window of the small ward a bird sings not that dull curtain the murmur of voices the usual limbo like air about the place this time my son I wish to find you well looking at me with your own familiar smile not that haunted expression and tired eyes that draw from me a steam of deep felt cries.
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Feb 15, 2014
Feb 15, 2014 at 5:01 AM UTC
IN DARK DREAMS.
_Hire purchase, Hewlett-Packard, hand phones and - just maybe - Harry Potter have got nothing on Hello Poetry. A house party of honey pies, head pixies, and horizontal plotters hot piping their harmonic power from Hyde Park to Hunter’s Point, the High Plains to Himachel Pradesh. Household profilers, home porters, health practitioners and - it may be said - the odd human particulate here to engage in high-priority human performance. P.S. Heart points and historic preservation aside, what the hoi polloi is up with those hit-by-pitch holding patterns, Eliot?_
0
Oct 28, 2019
Oct 28, 2019 at 2:33 AM UTC
HP: Disambiguation
The hustle and bustle of people everywhere rushing by in suits and skirts and some in bowler hats some in trilbys and some hatless running for a train the steam engine letting out steam with a sudden gush and me and Lydia standing back a bit to allow it all to happen I kept her near me protectively the porters pushing trolleys with bags and suitcases the smell yes the smell of the trains and the crowds the sun shining shyly through the gaps in walls and rooftop and sky we both looked there watching the steam rise the smoke ooze out and Lydia said so loud can hardly hear and I couldn't for a moment then the engine stopped and it went quieter for a moment and I had just begun to say makes you feel DEAF the last word echoed around the nearby part of the station and she laughed and people stared at us   and one man with a bowler hat stared at us and walked on with brolley and case and some woman looked down her nose at us standing there by the gates waiting to get on the platform with our platform tickets and the smell of the trains seeping into our noses and I loving it wanting it more the bite of it and then once the crowd had gone in the ticket collector let us in with a wave of his hand and clipped our tickets wish we could go somewhere nice on one of these trains Lydia said somewhere where there's sunshine and beaches and sand and ice creams and donkey rides maybe one day I said as we walked along the platform one day we will you and I and we followed the big people along the platform and watched as they got on the train and closed the carriage doors and we sat on a seat and waited and watched the steam rising upward from the engine the power of the black engine the driver looking out at us the stoker black faced smiling the guard waved his green flag and the train huffed and puffed loudly and he got on and closed his door and opened his window on the train and it moved it chugged loudly like some giant awaking and we sat and stared and cheered it on its way that morning that bright sun giving off heat day.
0
Jun 9, 2014
Jun 9, 2014 at 2:28 AM UTC
TRAIN SPOTTING WITH LYDIA.
The hustle and bustle of people everywhere rushing by in suits and skirts and some in bowler hats some in trilbys and some hatless running for a train the steam engine letting out steam with a sudden gush and me and Lydia standing back a bit to allow it all to happen I kept her near me protectively the porters pushing trolleys with bags and suitcases the smell yes the smell of the trains and the crowds the sun shining shyly through the gaps in walls and rooftop and sky we both looked there watching the steam rise the smoke ooze out and Lydia said so loud can hardly hear and I couldn't for a moment then the engine stopped and it went quieter for a moment and I had just begun to say makes you feel DEAF the last word echoed around the nearby part of the station and she laughed and people stared at us   and one man with a bowler hat stared at us and walked on with brolley and case and some woman looked down her nose at us standing there by the gates waiting to get on the platform with our platform tickets and the smell of the trains seeping into our noses and I loving it wanting it more the bite of it and then once the crowd had gone in the ticket collector let us in with a wave of his hand and clipped our tickets wish we could go somewhere nice on one of these trains Lydia said somewhere where there's sunshine and beaches and sand and ice creams and donkey rides maybe one day I said as we walked along the platform one day we will you and I and we followed the big people along the platform and watched as they got on the train and closed the carriage doors and we sat on a seat and waited and watched the steam rising upward from the engine the power of the black engine the driver looking out at us the stoker black faced smiling the guard waved his green flag and the train huffed and puffed loudly and he got on and closed his door and opened his window on the train and it moved it chugged loudly like some giant awaking and we sat and stared and cheered it on its way that morning that bright sun giving off heat day.
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124
CORTÉS             Trailblazing pioneers, God’s harbingers:             The shining daylight of the Renaissance             Now swiftly dissipates the blindfold gloom             Of this benighted, dark, and iron age.             And as this dawn of culture greets the globe,             Our own Castile, of all the hosts of Europe,             Emerges as its greatest modern power.             If we receive the bounty of these lands,             So must we bear our duty to convert,             And shall redeem these hell-bound debutantes.             Coincidence?- That as the graceless Moors             Were drubbed and shunted from our Christian sands,             And in the very year our spiring cross             Eclipsed that toenail paring of a moon-             That new horizons opened in the west?             Do you not feel, my fresh adventurers,             That you are precious to the Lord, and chosen?             Strike sail!                                                          Exit.                ALVARADO                  You heard the captain. Up and at ‘em.             You porters, lash the tents to tame these winds.             The horsemen will untwine the provender.             Exit Garrido. SANDOVAL             The women must find tinder, turf, and fuel.             The sun is down. We race against the dusk.           Exit María. ESCUDERO             These heavy, gathering clouds have opened up,             And threaten to bestow unwanted gifts. DÍAZ             It is the cyclone season out at sea. SANDOVAL             Such scuddy weather bodes a sudden turn. ALVARADO             Let’s hustle then to fumble up a camp,             And save our “oo-” and “ahh”ing for the dawn.                                                                                       Exit all but Olmedo. OLMEDO             Thus shall the ardent lights of Europe come,             And pour upon these newfound neophytes.             But will they be enlightening Catholic lamps,             Or a consuming fire to destroy them?                     Exit.
0
Oct 9, 2016
Oct 9, 2016 at 11:58 AM UTC
The Floral War 1:3:32-63
CORTÉS             Trailblazing pioneers, God’s harbingers:             The shining daylight of the Renaissance             Now swiftly dissipates the blindfold gloom             Of this benighted, dark, and iron age.             And as this dawn of culture greets the globe,             Our own Castile, of all the hosts of Europe,             Emerges as its greatest modern power.             If we receive the bounty of these lands,             So must we bear our duty to convert,             And shall redeem these hell-bound debutantes.             Coincidence?- That as the graceless Moors             Were drubbed and shunted from our Christian sands,             And in the very year our spiring cross             Eclipsed that toenail paring of a moon-             That new horizons opened in the west?             Do you not feel, my fresh adventurers,             That you are precious to the Lord, and chosen?             Strike sail!                                                          Exit.                ALVARADO                  You heard the captain. Up and at ‘em.             You porters, lash the tents to tame these winds.             The horsemen will untwine the provender.             Exit Garrido. SANDOVAL             The women must find tinder, turf, and fuel.             The sun is down. We race against the dusk.           Exit María. ESCUDERO             These heavy, gathering clouds have opened up,             And threaten to bestow unwanted gifts. DÍAZ             It is the cyclone season out at sea. SANDOVAL             Such scuddy weather bodes a sudden turn. ALVARADO             Let’s hustle then to fumble up a camp,             And save our “oo-” and “ahh”ing for the dawn.                                                                                       Exit all but Olmedo. OLMEDO             Thus shall the ardent lights of Europe come,             And pour upon these newfound neophytes.             But will they be enlightening Catholic lamps,             Or a consuming fire to destroy them?                     Exit.
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41
We've been maids. We've been butlers. We've been porters. We also been called some of the very best lovers. That's us. We've been called this. We've been called that. We've been called many things. That's us. Until you tag us with the wrong slogan of words. We've been preacher. We've been teacher. We've been part of legislatures. That's us. We have partake in various military wars. Without credit sometimes been afforded to us. We've been judged. We've been slaves. We've been taught several trades. And fought many struggles along the way. That's us. To us , there's so much more. Somethings, we never thought was possible.
0
Dec 6, 2013
Dec 6, 2013 at 11:27 AM UTC
That's Us
john porker was a friendly man who was being tortured by voices of his youth like his mates would say, trying to be a young dude, when he was trying to live his life and his father was a very strict person who wanted him to be an adult at the age of 8 john hated it, but the young dudes also wanted john to be an adult as well, and if he doesn’t they will come and bash him up, john said, you just try and bash me up, if you do, you’ll be fucken toast tomorrow morning, the young dudes said ok, but be careful or we’ll bash you. this made the porters very angry, which made them want to wrap john up in cotton wool, which john hated john went through his life going through stage after stage, which forced him to break the cotton wool and attempt to argue with or bash his parents, saying he can look after himself and his father said, we are doing this cause we love you, john, john threw his fist at his parents saying i can look after myself, really i can and then told his dad we better stay away from you, for you are an aids carrier and this made mrs parker very very concerned for her family’s well being, saying oh no, our special little guy is having a few problems we must help him, and his father said, let him help himself, he thinks we hate him, and john said leave me alone i really do hate you protecting me because i can look after myself, mr parker said, you are a fool john, you really are such a fool and john told mr parker to **** OFF, mr parker slapped john across his face saying, john, you are a flaming fool and then john got up and brought his father to the garage and banged the door on his fathers head, and his father said be careful, you realty hurt your daddy, john ran up to his room and slammed the door very hard and his father followed him and when he got to the door, he knocked on the door very hard, but john said, go away you great big old fogie and mr parker went for a walk to escape this whole mess john is putting on him, and all the outside hooligans said to john your father is like us, now man, you’re not, so stay in your room, you see mr parker got home in 1 hour and john started up again, and was sent to his room, what are the parkers going to do with john, dunno mate!, these fights happened every time mr parker tried to discipline him, it’s hard to medicate him, because john is very violent, he said to his dad, i want to stab you in the back, but the big question is, where’s the knife.
0
Jul 14, 2015
Jul 14, 2015 at 7:36 AM UTC
the trouble with john parker
john porker was a friendly man who was being tortured by voices of his youth like his mates would say, trying to be a young dude, when he was trying to live his life and his father was a very strict person who wanted him to be an adult at the age of 8 john hated it, but the young dudes also wanted john to be an adult as well, and if he doesn’t they will come and bash him up, john said, you just try and bash me up, if you do, you’ll be fucken toast tomorrow morning, the young dudes said ok, but be careful or we’ll bash you. this made the porters very angry, which made them want to wrap john up in cotton wool, which john hated john went through his life going through stage after stage, which forced him to break the cotton wool and attempt to argue with or bash his parents, saying he can look after himself and his father said, we are doing this cause we love you, john, john threw his fist at his parents saying i can look after myself, really i can and then told his dad we better stay away from you, for you are an aids carrier and this made mrs parker very very concerned for her family’s well being, saying oh no, our special little guy is having a few problems we must help him, and his father said, let him help himself, he thinks we hate him, and john said leave me alone i really do hate you protecting me because i can look after myself, mr parker said, you are a fool john, you really are such a fool and john told mr parker to **** OFF, mr parker slapped john across his face saying, john, you are a flaming fool and then john got up and brought his father to the garage and banged the door on his fathers head, and his father said be careful, you realty hurt your daddy, john ran up to his room and slammed the door very hard and his father followed him and when he got to the door, he knocked on the door very hard, but john said, go away you great big old fogie and mr parker went for a walk to escape this whole mess john is putting on him, and all the outside hooligans said to john your father is like us, now man, you’re not, so stay in your room, you see mr parker got home in 1 hour and john started up again, and was sent to his room, what are the parkers going to do with john, dunno mate!, these fights happened every time mr parker tried to discipline him, it’s hard to medicate him, because john is very violent, he said to his dad, i want to stab you in the back, but the big question is, where’s the knife.
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23
TEUHTLILLI Then down to brass tacks: These wan wanderers Indeed match those who skimmed our shores last year. See- Here’s my schoolyard scribbling of their looks: MOTECUHZOMA What are these? Iron pipes on lumbering wheels? TEUHTLILLI A roaring, dragon-mouthed machine of war, Whose entrails discharge hails of shooting stars. When leveled at a mountain’s rocky crags, The cliff face cracked, disgorging its rich veins, Then, splintered into chips a knotted pine. Their porters picked their teeth with the remains, Like sullied spirits in a sulfurous haze. MOTECUHZOMA What is this shambling menagerie? TEUHTLILLI Some over-magnifying strain of hound, Whose urine-yellow eyes flash sparks of flame, And lolling tongues lob down to glut for blood. MOTECUHZOMA And these? Some hybrid hash of man and stag? TEUHTLILLI No, sire, but merely stilted, toothy does That suffer men to play at pick-a-back. Their plate-wide hooves dig wells at each impress, And lofty eyes peep over the city walls. MOTECUHZOMA What is their destination? TEUHTLILLI Here, my lord. They’re full of inquiries, but send you gifts: These chokers of green glass- Quite lovely things. MOTECUHZOMA What is the subject of their questions? TEUHTLILLI You, my lord.
0
Jun 11, 2017
Jun 11, 2017 at 4:06 PM UTC
The Floral War 2:8:15-38
The old ones seem haunted even with ole Presidents making their whistle-stop campaigns. Blacks on their exodus from the south, streaming into them, one can visualize with their souls and spirits accompanying them as they seek a decent life. Imagine the shoeshine stands with their shoeshine “boys” and black attendants in the restrooms which was probably as far as some of them got. The newsstands with their variety of newspapers and sundries alerted the lonely travelers to Wall Street and elsewhere, businessmen who would stream in with a sophistication the common traveler feared. The smells of leather baggage, the cleanser that porters used to keep the coaches clean wafted in. The smell of cigars and wrinkles of old men’s skin let us know that the porters would be appearing with a bevy of special guests. History speaks in these stations as well as some bus stations around the country with their dangerous drifters who would serial **** and the ambitious young talents off to the big city to seek success who we would later never hear of. The local Union Station in Champaign has been turned into businesses, but I can just see Abe Lincoln arriving speaking from the caboose and making his way to a horse and buggy outside to go to the local county courthouse. Long live ghost-filled train stations everywhere, and don’t let us forget the homeless and destitute street people who need to use their restrooms and sit down in the waiting area seats to take a needed load off. They’re that important in the general pictures of things, at least to me.
0
Oct 19, 2016
Oct 19, 2016 at 11:27 AM UTC
ODE TO TRAIN STATIONS
The old ones seem haunted even with ole Presidents making their whistle-stop campaigns. Blacks on their exodus from the south, streaming into them, one can visualize with their souls and spirits accompanying them as they seek a decent life. Imagine the shoeshine stands with their shoeshine “boys” and black attendants in the restrooms which was probably as far as some of them got. The newsstands with their variety of newspapers and sundries alerted the lonely travelers to Wall Street and elsewhere, businessmen who would stream in with a sophistication the common traveler feared. The smells of leather baggage, the cleanser that porters used to keep the coaches clean wafted in. The smell of cigars and wrinkles of old men’s skin let us know that the porters would be appearing with a bevy of special guests. History speaks in these stations as well as some bus stations around the country with their dangerous drifters who would serial **** and the ambitious young talents off to the big city to seek success who we would later never hear of. The local Union Station in Champaign has been turned into businesses, but I can just see Abe Lincoln arriving speaking from the caboose and making his way to a horse and buggy outside to go to the local county courthouse. Long live ghost-filled train stations everywhere, and don’t let us forget the homeless and destitute street people who need to use their restrooms and sit down in the waiting area seats to take a needed load off. They’re that important in the general pictures of things, at least to me.
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45
Travelers knew the destination, Porters knew the way, Explorers knew the pain, And here we are, jolly l-a-y-m-e-n We know the story!
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Apr 2, 2020
Apr 2, 2020 at 10:41 PM UTC
Story of that journey!
Frosty stares match withered trees; fallen leaves deck cobbled floors and faces. Coffee cups lick fur-lined fingers, shirking morning freeze. The wooden gala poignant porters sup their taste of morning revel. Flocking geese set down to bristle 'gainst stone steps. Scattered voices pool by slumbering streams, each fleece a dot of pride and presence. The battered boats are drawn out from their silent dreaming, lined along the cusp; left to bob. Voyagers teeming take their seat 'midst shivers; scheming paddles mutter threats in slurful rages. The coldest figure takes to stand with gun, takes aim, takes breath, McHammering fun.
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Dec 24, 2017
Dec 24, 2017 at 6:36 PM UTC
Poignant Gala