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Matt Mar 2016
I watched
Those ex-military Brits
Go on an expedition

They climbed Mandela
A 15,000 foot mountain
In New Guinea

They had to travel
Into unexplored territory

They were there
On a tourist passport

Even the local tribes
Could not give them too much
Information
About where
They were going

They found
Four or five porters
From a local village

One kind hearted man
They named him "Superman"

He spoke one of the dialects
Of The first tribe they encountered

They spotted boys across
The river
Picking berries

And then the elders came
They explained to these tribal leaders
Their mission

They told them to leave their land
Or they would be dead in the morning

They were moving into unchartered territory
The cannibalism had stopped completely in some
Of the tribes in the 50's
Others still maintained that practice into the 70's

They journeyed farther into the jungle
Heavy packs

And they had to carry two sets of gear
One for the jungle
And one for the mountain terrain

Hardy Brits they were
Rugged too!

One a retired Royal Marine
Who was more accustomed
To carrying a heavy pack

The other a retired tank commander
They had been on many expeditions together

One suffered from a type of trenchfoot
Oh the wet conditions!
And leeches too were a nuisance

They left most of their food at
A storage dump
And took four days supply
As they scouted ahead
They were down to just nine bananas

Only the local "Superman"
Would accompany them
Were they were going
The other porters stayed

They came across a family
In a house on stilts
In the middle of the jungle

And my you should have seen
The look of shock on their eyes
As they peered down on those Brits!

They were tapping their heads
And pointing to the sky

The coming of the white man
Their guide told them
That to them this could mean
The end of the world

The Brits and their guide
Mimicked their gestures
And bowed to them on their knees
To show they meant no harm

One villager in the home
Pointed a bow
At one of our courageous travelers

They decided it was best to turn back
Better not to end up as part
Of the evening stew after all

They finally reached the foot of the mountain
And the porters were not sure
If these men had the strength
To summit the 15,000 foot mountain

They were weary from making their way
Through the jungle
The struggling with heavy packs

The porters had often built bridges
Out of sticks
To help them cross streams

And they described what a simple
Type of living it was
Their comrades the porters
Helped them accomplish the task

And enjoyed helping them too

They did reach the summit
And one shouted, "bullocks"
Just for the fun of it

They had grown beards
And had lost quite a bit of weight

One proclaimed
He knew he would be there one day
After seeing Mandela Mountain
On a map

Thank you for filming your journey
This one was en expedition
For the ages

Bless you and your comrades

For you are
The Brits
Who Braved Mandela Mountain
There’s a whisper down the line at 11.39
When the Night Mail’s ready to depart,
Saying “Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can’t start.”
All the guards and all the porters and the stationmaster’s daughters
They are searching high and low,
Saying “Skimble where is Skimble for unless he’s very nimble
Then the Night Mail just can’t go.”
At 11.42 then the signal’s nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he’ll saunter to the rear:
He’s been busy in the luggage van!

He gives one flash of his glass-green eyes
And the signal goes “All Clear!”
And we’re off at last for the northern part
Of the Northern Hemisphere!

You may say that by and large it is Skimble who’s in charge
Of the Sleeping Car Express.
From the driver and the guards to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travellers in the First and the Third;
He establishes control by a regular patrol
And he’d know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it’s certain that he doesn’t approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He’s a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.

Oh, it’s very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there’s not a speck of dust on the floor.
There is every sort of light-you can make it dark or bright;
There’s a handle that you turn to make a breeze.
There’s a funny little basin you’re supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
“Do you like your morning tea weak or strong?”
But Skimble’s just behind him and was ready to remind him,
For Skimble won’t let anything go wrong.
And when you creep into your cosy berth
And pull up the counterpane,
You ought to reflect that it’s very nice
To know that you won’t be bothered by mice—
You can leave all that to the Railway Cat,
The Cat of the Railway Train!

In the watches of the night he is always fresh and bright;
Every now and then he has a cup of tea
With perhaps a drop of Scotch while he’s keeping on the watch,
Only stopping here and there to catch a flea.
You were fast asleep at Crewe and so you never knew
That he was walking up and down the station;
You were sleeping all the while he was busy at Carlisle,
Where he greets the stationmaster with elation.
But you saw him at Dumfries, where he speaks to the police
If there’s anything they ought to know about:
When you get to Gallowgate there you do not have to wait—
For Skimbleshanks will help you to get out!
He gives you a wave of his long brown tail
Which says: “I’ll see you again!
You’ll meet without fail on the Midnight Mail
The Cat of the Railway Train.”
Terry Collett May 2013
After morning matinee
and after dinner
of sausages and mash
and baked beans

you met Helen
by the post office
at the end
of Rockingham Street

she had on
the red flowered dress
you liked
and held Battered Betty
her doll
by an arm

her hair was held
in plaits
by elastic bands

and her thick lens spectacles
were smeary where
she'd touched them
but not cleaned them

where are we going?
she asked
how about London Bridge
train station?
you said
we can watch the trains
come and go
and watch the porters
rush about with luggage
and things

she gazed at you
through her thick lens
shall I tell my mum
where we're going?

sure if you think
she'll worry
you said

be best if she knows
Helen said
don't want her to worry
where I've gone

ok
you said
and so you both
walked back
to her mother's house
and she told her mother
and her mother came out
and looked at you
and said
ok so long
as you're with Benedict

and so you walked back
along Rockingham Street
and got a bus
to London Bridge
railway station

and sat on the seats
downstairs
by the conductor

and this guy with glasses
and a thin moustache
gazed at Helen
from the seat opposite
his eyes moving over her
his gaze focusing
on her knees
where her dress ended
he licked his lips
his hands on his thighs

Helen looked away
pretending she didn't
see him looking
you stared at the man
watching his eyes
dark and deep
they say it's rude to stare
you said

the man looked at you
kids should be seen
not heard
he replied

and you're seeing a lot
you said
he muttered something
and got off
at the next stop
giving you
a hard stare

Helen said nothing
but seemed relieved
after a while you got off
the bus at the railway station
and went inside

there were crowds
of people
and the smell of steam
and bodies washed
and unwashed

and the sound of trains
getting ready to leave
and voices and shouts
of porters and rushing
and going and coming
of people

and you sat
with Helen
on a seat
on the platform
she with Battered Betty

and you with your
six-shooter in your
inside pocket ready
to get any bad cowboys
who came your way

and Helen said
why was that man
staring at me
on the bus?

just a creep
wanting a peep
you said

peep at what?
she asked
I'm not beautiful

yes you are
you said
anyway it wasn't
your beauty
he was looking at
you said

what then?
she asked

oh something
he oughtn't
you said

and a loud blast of steam
echoed around
the station
and a voice called
and a whistle blew

and you all
sat watching
Helen
and Battered Betty
and six-shooter
carrying cowboy
you.
The First Voice

HE trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,
She took it up and gave it him.

A while like one in dreams he stood,
Then faltered forth his gratitude
In words just short of being rude:

For it had lost its shape and shine,
And it had cost him four-and-nine,
And he was going out to dine.

"To dine!" she sneered in acid tone.
"To bend thy being to a bone
Clothed in a radiance not its own!"

The tear-drop trickled to his chin:
There was a meaning in her grin
That made him feel on fire within.

"Term it not 'radiance,'" said he:
"'Tis solid nutriment to me.
Dinner is Dinner: Tea is Tea."

And she "Yea so? Yet wherefore cease?
Let thy scant knowledge find increase.
Say 'Men are Men, and Geese are Geese.'"

He moaned: he knew not what to say.
The thought "That I could get away!"
Strove with the thought "But I must stay.

"To dine!" she shrieked in dragon-wrath.
"To swallow wines all foam and froth!
To simper at a table-cloth!

"Say, can thy noble spirit stoop
To join the gormandising troup
Who find a solace in the soup?

"Canst thou desire or pie or puff?
Thy well-bred manners were enough,
Without such gross material stuff."

"Yet well-bred men," he faintly said,
"Are not willing to be fed:
Nor are they well without the bread."

Her visage scorched him ere she spoke:
"There are," she said, "a kind of folk
Who have no horror of a joke.

"Such wretches live: they take their share
Of common earth and common air:
We come across them here and there:

"We grant them - there is no escape -
A sort of semi-human shape
Suggestive of the man-like Ape."

"In all such theories," said he,
"One fixed exception there must be.
That is, the Present Company."

Baffled, she gave a wolfish bark:
He, aiming blindly in the dark,
With random shaft had pierced the mark.

She felt that her defeat was plain,
Yet madly strove with might and main
To get the upper hand again.

Fixing her eyes upon the beach,
As though unconscious of his speech,
She said "Each gives to more than each."

He could not answer yea or nay:
He faltered "Gifts may pass away."
Yet knew not what he meant to say.

"If that be so," she straight replied,
"Each heart with each doth coincide.
What boots it? For the world is wide."

"The world is but a Thought," said he:
"The vast unfathomable sea
Is but a Notion - unto me."

And darkly fell her answer dread
Upon his unresisting head,
Like half a hundredweight of lead.

"The Good and Great must ever shun
That reckless and abandoned one
Who stoops to perpetrate a pun.

"The man that smokes - that reads the TIMES -
That goes to Christmas Pantomimes -
Is capable of ANY crimes!"

He felt it was his turn to speak,
And, with a shamed and crimson cheek,
Moaned "This is harder than Bezique!"

But when she asked him "Wherefore so?"
He felt his very whiskers glow,
And frankly owned "I do not know."

While, like broad waves of golden grain,
Or sunlit hues on cloistered pane,
His colour came and went again.

Pitying his obvious distress,
Yet with a tinge of bitterness,
She said "The More exceeds the Less."

"A truth of such undoubted weight,"
He urged, "and so extreme in date,
It were superfluous to state."

Roused into sudden passion, she
In tone of cold malignity:
"To others, yea: but not to thee."

But when she saw him quail and quake,
And when he urged "For pity's sake!"
Once more in gentle tones she spake.

"Thought in the mind doth still abide
That is by Intellect supplied,
And within that Idea doth hide:

"And he, that yearns the truth to know,
Still further inwardly may go,
And find Idea from Notion flow:

"And thus the chain, that sages sought,
Is to a glorious circle wrought,
For Notion hath its source in Thought."

So passed they on with even pace:
Yet gradually one might trace
A shadow growing on his face.

The Second Voice

THEY walked beside the wave-worn beach;
Her tongue was very apt to teach,
And now and then he did beseech

She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.

She urged "No cheese is made of chalk":
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.

Her voice was very full and rich,
And, when at length she asked him "Which?"
It mounted to its highest pitch.

He a bewildered answer gave,
Drowned in the sullen moaning wave,
Lost in the echoes of the cave.

He answered her he knew not what:
Like shaft from bow at random shot,
He spoke, but she regarded not.

She waited not for his reply,
But with a downward leaden eye
Went on as if he were not by

Sound argument and grave defence,
Strange questions raised on "Why?" and "Whence?"
And wildly tangled evidence.

When he, with racked and whirling brain,
Feebly implored her to explain,
She simply said it all again.

Wrenched with an agony intense,
He spake, neglecting Sound and Sense,
And careless of all consequence:

"Mind - I believe - is Essence - Ent -
Abstract - that is - an Accident -
Which we - that is to say - I meant - "

When, with quick breath and cheeks all flushed,
At length his speech was somewhat hushed,
She looked at him, and he was crushed.

It needed not her calm reply:
She fixed him with a stony eye,
And he could neither fight nor fly.

While she dissected, word by word,
His speech, half guessed at and half heard,
As might a cat a little bird.

Then, having wholly overthrown
His views, and stripped them to the bone,
Proceeded to unfold her own.

"Shall Man be Man? And shall he miss
Of other thoughts no thought but this,
Harmonious dews of sober bliss?

"What boots it? Shall his fevered eye
Through towering nothingness descry
The grisly phantom hurry by?

"And hear dumb shrieks that fill the air;
See mouths that gape, and eyes that stare
And redden in the dusky glare?

"The meadows breathing amber light,
The darkness toppling from the height,
The feathery train of granite Night?

"Shall he, grown gray among his peers,
Through the thick curtain of his tears
Catch glimpses of his earlier years,

"And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?

"Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes

"The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood."

Still from each fact, with skill uncouth
And savage rapture, like a tooth
She wrenched some slow reluctant truth.

Till, like a silent water-mill,
When summer suns have dried the rill,
She reached a full stop, and was still.

Dead calm succeeded to the fuss,
As when the loaded omnibus
Has reached the railway terminus:

When, for the tumult of the street,
Is heard the engine's stifled beat,
The velvet tread of porters' feet.

With glance that ever sought the ground,
She moved her lips without a sound,
And every now and then she frowned.

He gazed upon the sleeping sea,
And joyed in its tranquillity,
And in that silence dead, but she

To muse a little space did seem,
Then, like the echo of a dream,
Harked back upon her threadbare theme.

Still an attentive ear he lent
But could not fathom what she meant:
She was not deep, nor eloquent.

He marked the ripple on the sand:
The even swaying of her hand
Was all that he could understand.

He saw in dreams a drawing-room,
Where thirteen wretches sat in gloom,
Waiting - he thought he knew for whom:

He saw them drooping here and there,
Each feebly huddled on a chair,
In attitudes of blank despair:

Oysters were not more mute than they,
For all their brains were pumped away,
And they had nothing more to say -

Save one, who groaned "Three hours are gone!"
Who shrieked "We'll wait no longer, John!
Tell them to set the dinner on!"

The vision passed: the ghosts were fled:
He saw once more that woman dread:
He heard once more the words she said.

He left her, and he turned aside:
He sat and watched the coming tide
Across the shores so newly dried.

He wondered at the waters clear,
The breeze that whispered in his ear,
The billows heaving far and near,

And why he had so long preferred
To hang upon her every word:
"In truth," he said, "it was absurd."

The Third Voice

NOT long this transport held its place:
Within a little moment's space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

"Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark."

"Her speech," he said, "hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

"Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book."

Low spake the voice within his head,
In words imagined more than said,
Soundless as ghost's intended tread:

"If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?"

"Rather than that," he groaned aghast,
"I'd writhe in depths of cavern vast,
Some loathly vampire's rich repast."

"'Twere hard," it answered, "themes immense
To coop within the narrow fence
That rings THY scant intelligence."

"Not so," he urged, "nor once alone:
But there was something in her tone
That chilled me to the very bone.

"Her style was anything but clear,
And most unpleasantly severe;
Her epithets were very queer.

"And yet, so grand were her replies,
I could not choose but deem her wise;
I did not dare to criticise;

"Nor did I leave her, till she went
So deep in tangled argument
That all my powers of thought were spent."

A little whisper inly slid,
"Yet truth is truth: you know you did."
A little wink beneath the lid.

And, sickened with excess of dread,
Prone to the dust he bent his head,
And lay like one three-quarters dead

The whisper left him - like a breeze
Lost in the depths of leafy trees -
Left him by no means at his ease.

Once more he weltered in despair,
With hands, through denser-matted hair,
More tightly clenched than then they were.

When, bathed in Dawn of living red,
Majestic frowned the mountain head,
"Tell me my fault," was all he said.

When, at high Noon, the blazing sky
Scorched in his head each haggard eye,
Then keenest rose his weary cry.

And when at Eve the unpitying sun
Smiled grimly on the solemn fun,
"Alack," he sighed, "what HAVE I done?"

But saddest, darkest was the sight,
When the cold grasp of leaden Night
Dashed him to earth, and held him tight.

Tortured, unaided, and alone,
Thunders were silence to his groan,
Bagpipes sweet music to its tone:

"What? Ever thus, in dismal round,
Shall Pain and Mystery profound
Pursue me like a sleepless hound,

"With crimson-dashed and eager jaws,
Me, still in ignorance of the cause,
Unknowing what I broke of laws?"

The whisper to his ear did seem
Like echoed flow of silent stream,
Or shadow of forgotten dream,

The whisper trembling in the wind:
"Her fate with thine was intertwined,"
So spake it in his inner mind:

"Each orbed on each a baleful star:
Each proved the other's blight and bar:
Each unto each were best, most far:

"Yea, each to each was worse than foe:
Thou, a scared dullard, gibbering low,
AND SHE, AN AVALANCHE OF WOE!"
Charles Sturies Sep 2016
The old ones seem haunted
even with ole Presidents
making their whistle-stop
campaigns.
Blacks on their exodus from the south,
streaming into them, one can visualize
with their souls and
spirits accompanying them as they seek
a decent life.
Imagine the shoeshine stands with their shoeshine “boys” and black attendants in the restrooms
which was probably as far as some of
them got.
The newsstands with their variety of
newspapers and sundries alerted
the lonely travelers to Wall Street
and elsewhere, businessmen
who would stream in with a sophistication
the common traveler feared.
The smells of leather baggage,
the cleanser that porters used
to keep the coaches clean wafted in.
The smell of cigars and wrinkles
of old men’s skin let us know
that the porters would be appearing
with a bevy of special guests.
History speaks in these stations
as well as some bus stations
around the country with their
dangerous drifters who would serial ****,
and the ambitious young talents off
to the big city to seek success who we would
later never hear of.
The local Union Station in Champaign has been
turned into businesses, but I can
just see Abe Lincoln arriving
speaking from the caboose and making
his way to a horse and buggy
outside to go to the local county courthouse.
Long live ghost-filled train stations
everywhere, and don’t let us forget
the homeless and destitute street people
who need to use their restrooms and
sit down in the waiting area seats
to take a needed load off.
They’re that important in the general
pictures of things, at least to me.
Brian Oarr Feb 2012
Third day of this trek descending
rapidly from cloud forest into high jungle habitat,
alive with hummingbirds and orchids,
her Q'ero porters guide the tour group
to Intipunko, "Gate of the Sun".
At 4:30 AM and 10,000 feet altitude
biting cold cracks stone, eats exposed flesh,
stealing breath as she gulps pale sunlight.
Coca leaves wadded in her cheek
forge mind against the acts of atmosphere.
A lifelong pilgrimage to this purpose,
observation of the sunrise over Machu Picchu.

The Q'ero pass around a sack of pemmican.
What meat it is, she doesn't ask.
It smells of canvas, but tastes of apricot.
Her fate entrusted to these guides,
she eats what they offer.
This Inca Trail is marked with their scent;
they follow signposts painted on thin air,
read morning mists like road maps.
They have brought her to this citadel,
Lost City of Peace and Power.
Her life for now at equinox,
shaman-guides have opened her vision
to the hitching post of the sun.
Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.

                              The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.

Covertly the hands of a great clock
go round and round!  Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.

A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated—
                  two—twofour—twoeight!
Porters in red hats run on narrow platforms.
This way ma’am!
                          —important not to take
the wrong train!
                        Lights from the concrete
ceiling hang crooked but—
                                        Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow—inviting entry—
pull against the hour.  But brakes can
hold a fixed posture till—
                                      The whistle!

Not twoeight.  Not twofour.  Two!

Gliding windows.  Colored cooks sweating
in a small kitchen.  Taillights—

In time: twofour!
In time: twoeight!

—rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
                                            The dance is sure.
Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.

                              The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.

Covertly the hands of a great clock
go round and round!  Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.

A leaning pyramid of sunlight, narrowing
out at a high window, moves by the clock:
disaccordant hands straining out from
a center: inevitable postures infinitely
repeated—
                  two—twofour—twoeight!
Porters in red hats run on narrow platforms.
This way ma’am!
                          —important not to take
the wrong train!
                        Lights from the concrete
ceiling hang crooked but—
                                        Poised horizontal
on glittering parallels the dingy cylinders
packed with a warm glow—inviting entry—
pull against the hour.  But brakes can
hold a fixed posture till—
                                      The whistle!

Not twoeight.  Not twofour.  Two!

Gliding windows.  Colored cooks sweating
in a small kitchen.  Taillights—

In time: twofour!
In time: twoeight!

—rivers are tunneled: trestles
cross oozy swampland: wheels repeating
the same gesture remain relatively
stationary: rails forever parallel
return on themselves infinitely.
                                            The dance is sure.
Terry Collett Nov 2013
Lydia's father said
she could go with you
to Waterloo railway station
mind the roads though

he said(in his
sober moments
he could be quite
considerate)

and not too near
the edge
of the platform
can't have you

falling in front
of a train
so you took a bus
to Waterloo station

both sitting at the rear
of the bus
on the side seats
having paid

the conductor the fare
and sitting there
watching
the passing views

she in her pale
blue dress
her dark straight hair
pale features

thin arms and legs
you thinking
of the steam engines
the power

and the puff of smoke
grey white
and she thinking
of her big sister

coming home
in the early hours
puking in the bog
her mother giving one

hell of a loud scream
of abuse
and her father saying
O give the girl a chance

and Lydia turning over
in the double bed
dreading her sister's
arrival stinking of sick

hanging off
the side of the bed
with a bucket beside
throwing up

what was once inside
the bus arrived
and you got off
and you said

hang on to my hand
we'll cross together
and so she held
your hand

her thin bony fingers
wrapped about yours
her hand cold
thin nails chewed

got to keep an eye
on you
your old man said
you said

and you crossed
running to avoid
the rushing traffic
and once across

she said
that man next to me
on the bus
put his hand

on my thigh quickly
but then we got off
and I didn't know
what to say

she added
you should have told me
you said
she looked anxious

and bit her lip
no matter now
too late
but if you see him again

tell me
and we'll get
the ******
you said

she nodded
and so you walked
into the station
past crowds of people

and porters
pushing trolleys
of luggage or mail
by the tall copper  

with hands behind
his back
and on to the platform
and took a seat together

to watch trains
and hear the sounds
and smell the acrid
smoke and engines

come and leave
sense the overpowering
sounds of released steam
and whistles blown

and flags waved
and passengers
boardings
and disembarking

and you taking
a side view of her
sitting there
anxiety

in the features
of her face
her hair straight
and well brushed

she unaware
you gazed
and took it all in  
and she thinking

of her sister's moans
and occasional vomiting
and she hardly sleeping
and now here

watching trains
you beside her
in your short
sleeved jumper

and cowboy shirt
and jeans
and sniffing in
the smell of smoke

and steam
and listening
to the engines
start up

and sense
the thrill of power
in the huff and puff
and she for once

happy just being there
far from her sister's snores
and her brother's tease
here to be

with you and be
as she please.
A BOY AND GIRL IN LONDON IN 1950S AT WATERLOO RAILWAY STATION.
Behold me waiting--waiting for the knife.
A little while, and at a leap I storm
The thick, sweet mystery of chloroform,
The drunken dark, the little death-in-life.
The gods are good to me:  I have no wife,
No innocent child, to think of as I near
The fateful minute; nothing all-too dear
Unmans me for my bout of passive strife.
Yet am I tremulous and a trifle sick,
And, face to face with chance, I shrink a little:
My hopes are strong, my will is something weak.
Here comes the basket?  Thank you.  I am ready.
But, gentlemen my porters, life is brittle:
You carry Caesar and his fortunes--steady!
Hannah Jul 2015
I hear you
in the music
I see you
in designs
I smell you
in pints
I taste you
in *******
I feel you

everywhere I go.

I hear you
In all the funky jazz beats
I feel you
In the rhythm
Even when I'm dancing with other men
You never leave my side
Our bodies
Electrified
Our souls
Intertwined.
Got me mesmerized
All wrapped up
In your rap tunes
You know how they make me feel
Like I'm floating
On the *** vibes
Totally lost in our world
You understand
My art
My love
My ***
They're all the same thing, you know.

I see you
In passing
In stores
In movies
In products
In fine dining establishments
This is when I know
I know you
When I can see you in the designs
In clothing
In an artist's painting
In a pair of shoes
The colors and shapes in a tie
All the art I see
I see you.

I smell you
In spliffs
Rolled in the finest tobacco
Packed exquisitely by you
Late nights after ***  
You'd roll one up for us
I'd feel like a ******* queen
In your arms
But now
I smell you in the morning
When the coffee's being made
Never have I ever
Woken up by your side
Without the boldness of your coffee
Greeting me
With your love

I taste you
In every whiskey cocktail
In every bartenders ice cubes
In every microbrew
I taste you mostly in the IPA
But some nights I taste you in porters
And chocolate beers
Most of the time
Your flavor shows up
In the finest French restaurants
That we used to adore
I'd always have my red wine
And you the whiskey.

We were in love
With each other's art
And that's when I figured out
That's all life is, is
Sharing each other's love
Through art
***
And mystery
You are my love
My past
My present
And my future
Even when you are not in my present
Or my future
You will always be with me
I will always hear you
In the music
See you
In paintings
Smell you
In spliffs
Taste you
In whiskey
and love you
Like I've never loved before.
Charles Sturies Oct 2016
The old ones seem haunted
even with ole Presidents
making their whistle-stop campaigns.
Blacks on their exodus from the south,
streaming into them, one can visualize
with their souls and
spirits accompanying them as they seek
a decent life.
Imagine the shoeshine stands with their shoeshine “boys” and black attendants in the restrooms
which was probably as far as some of
them got.
The newsstands with their variety of
newspapers and sundries alerted
the lonely travelers to Wall Street
and elsewhere, businessmen
who would stream in with a sophistication
the common traveler feared.
The smells of leather baggage,
the cleanser that porters used
to keep the coaches clean wafted in.
The smell of cigars and wrinkles
of old men’s skin let us know
that the porters would be appearing
with a bevy of special guests.
History speaks in these stations
as well as some bus stations
around the country with their
dangerous drifters who would serial ****,
and the ambitious young talents off
to the big city to seek success who we would
later never hear of.
The local Union Station in Champaign has been
turned into businesses, but I can
just see Abe Lincoln arriving
speaking from the caboose and making
his way to a horse and buggy
outside to go to the local county courthouse.
Long live ghost-filled train stations
everywhere, and don’t let us forget
the homeless and destitute street people
who need to use their restrooms and
sit down in the waiting area seats
to take a needed load off.
They’re that important in the general
pictures of things, at least to me.
Ronald Jones May 2015
dilapidated memories of
porters holding luggage
pointed north, south, east, west
till above greasy lighted seas
a semblance poses:
broken windows hanging in
melancholic cadences of
dank repair and
doors of half remembered cabarets open and
close on treacherous gardens seething
tiny bones of lost dreams
a lover's whispered kiss hiding betrayal
a ballerina's advent through billowing pink clouds
a yacht moored to the docks of a mansion
slow winter sunsets kindling false yearns
naked summer skin now
expanse of cautious smiles and tender smokes
beneath the azure skies of
answered praise and fall
to each gathered day
Surreal Portrait
DC raw love Feb 2015
Picture yourself in a boat on a river
With tangerine trees and marmalade skies
Somebody calls you, you answer quite slowly

Cellophane flowers of yellow and green
Towering over your head
Look for the girl with the sun in her eyes
And she's gone

Follow her down to a bridge by a fountain
Where rocking horse people eat marsh mellow pies
Everyone smiles as you drift past the flowers
That grow so incredibly high

New paper taxis appear on the shore
Waiting to take you away
Climb in the back with your head in the clouds
And you're gone

Picture yourself on a train in a station
With plasticine porters with looking glass ties
Suddenly someone is there at the turnstyle
The girl with the kaleidoscope eyes
beatles
Terry Collett Nov 2014
Lydia
pale and thin
lanky hair

lightish brown
walks with me
to see hot

steam engines
at Kings Cross
train station

her old man
grudgingly
said she could

go with me
we get on
a bus there

sitting on
a side seat
some big guy

stares at us
his deep eyes
drinks us in

then gawks at
Lydia
she blushes

looks away
I give him
my John Wayne

cowboy stare
he looks back
then away

we get off
at our stop
at Kings Cross

smell of steam
sound of trains
huff and puff

and people
rushing by
on to trains

off of trains
we both sit
on a seat

watching this
unfolding
train drama

with porters
with trolleys
and luggage

and parcels
passengers
going by

rich and poor
Lydia
beside me

wanting this
as I do
the grey smoke

rising high
to the roof
turning blue.
BOY AND GIRL AT KINGS CROSS TRAIN STATION IN 1950S
Terry Collett Sep 2013
The nurse said
she's outside on the lawn
don't take her out
to the pub though

she's been banned
ok
you said
and trotted out

to the lawn
through the double doors
of the hospital
to where Julie

was sitting in a chair
by a white table
smoking
she was clothed

in a white dressing gown
and slippers
she sat with one leg
over the other

with one of her elbows
resting on the knee
did you bring me
any more ciggies?

she asked
when she saw you
yes
you said

and passed her the packet
you'd bought
at the railway station
thanks I am getting desperate

she said
I was on the point
of offering myself up
for a smoke earlier

but one of the porters
gave me one for nothing
cigarette that is
she said smiling

she put the packet
in the pocket
of her dressing gown
the nurse said

you'd been banned
from the pub
along the road
you said

Julie looked towards
the ward doors
which were open
to let in

the afternoon sunlight
and warmth
someone gave me a joint
and the landlord saw

and chucked us both out
and said I was banned
she inhaled deeply
on the cigarette

you saw how thin
she had become
her wrists seemed too thin
to hold her hands

she exhaled
now I can't have a drink
or **** or blow
my ****** nose

she ranted
looking at the horizon
of hospital buildings
and trees and sky

sorry about that
you said
not your fault
she said

I should have been more careful
should have said no
to a smoke of that ****
but I couldn't

she inhaled again
and you saw her thigh
where her dressing gown rose
as she moved her leg

it too had become thinner
are you eating properly?
you asked
you're becoming

like my father now
she said puffing out smoke
when he turns up
that is

you're thinner
you said
the hospital food is crap
she said

I'd rather starve
than eat some of it
she stubbed out
the cigarette ****

in an ashtray
on the table
looks like you have
you said

have you come to talk
about how thin I've become?
or to cheer me up?
to cheer you up

you said
she looked towards
the open ward doors
they've locked that cupboard

we went in last time
she said
do they suspect anything?
you asked

I guess so
she said
some of the nurses
make hints about it

call it the love room
just because they have a life
they deny me of one
you took out a cigarette

from a packet you had
in your pocket
and offered her one
and take one yourself

she lights hers
with a red lighter
then lights yours
you both sit smoking

sitting in silence
watching the smoke rise
she thinking
of another place to ****

you wondering how far
she'd fallen
from her middle class home
through drugs at some party

and the long ride down
the slippery *****
she thinking of no ***
no ***** no dope.
Terry Collett Feb 2014
In dark dreams
I walk again
those empty
hospital corridors

with their dull lights
and smell of disinfect
and death
in those dreams

I look for you again
my son
passing by
the blanks faces

of others
looking at
their eyes
for glimpses of life

or concern
or such  
as humans
sometimes have

I go by
room after room
pass porters
pushing

the occasional trolley
by the various
side wards
passing by

the bright lights
of hospital shops
in the dream
I am hoping

to find you once more
sitting there
on the bed
your back turned

your head lowered
but this time
I am hoping
for a healthier you

my son
not one so ill
so lost
in this dream

sunlight shines
through the window
of the small ward
a bird sings

not that dull curtain
the murmur
of voices
the usual limbo like

air about the place
this time my son
I wish to find you well
looking at me

with your own
familiar smile
not that haunted
expression

and tired eyes
that draw from me
a steam
of deep felt cries.
Big Virge Sep 2021
So Are You A Conformer...
Or A... Gangster Shot Caller... ?

Or The Type of Fast Talker...
Whose Talk Walks With Porters...

Or In Other Words Those...
Who Serve Those On Thrones...
And DON'T Walk The Walk...
of... All Their BIG Talk... !?!

Cos' It’s Clear Now That MANY...
Like To Talk Like Their Ready...
To Make Things Unsteady...

When It Comes To Our Lives...
And These Leaders Who Lie...
And Leave People Downsized...

So Of Course Run Their Gums...
About Being... " TOUGH "...
And How They'’ll Stand Up...
To Modern Systems...

... Until Money Comes... ?!?

And Then They CONFORM...
To... Walking The Walk...
of Clowning Like MORK... !?!
Or Souls Who’ve Been BOUGHT... !!!

Now I’m NOT Gonna Lie...
l’ve Conformed In My Life...
Simply To Survive...

But NOT To Make Money...
To Live Life... CORRUPTLY...

Cos' People Act Funny...

To Run With The Chumps...
Who Run Governments...
As Well As The Punks...
Within... Entertainment... !!!

Who Conform To Do Stuff...
That Clearly Corrupts...

Just Like Our Leaders...
And The Money They Love... !!!

A Thing That Makes Some...
Embrace Taking Drugs...
And Forsake What They CLAIM...
To Behave Like A Stray...
Whose Veered Off The Straight...

To Bend Like Chicanes...
And Start To Act Strange... !?!

It’s The Way of Today...
CONFORMING Away...
To New Gender Ways...
And This New Virus Strain...
That’s Caused Many Pain...
And Forced Us To Play...
The Masking Up Game... !?!

And YES I Mean ME...
Conforming To Please...
But Mainly To FEED...
And Avoid These Police...

And Having To Pay...
A Fine Or Face Jail... !!!

Because OBVIOUSLY...
I’d Rather Be FREE...
Than Face Life In Prison...
And Being Conditioned...
By Those Who ARE Villains... !!!

So CERTAIN Conformers...
Should Cut Their Talk Shorter...

Instead of Make CLAIMS...
That REBELLIOUS Ways...
Seem To Get Locked Away...

When THEY Are The Ones...
Who’ve Let Money Become...
What CONTROLS How They Live...
So Are Quick To Submit...
To New Age Politricks’...
That Shut Down Businesses... !!!

That Right Just Like THEIRS...
Because They’ve Conformed...
To Levels of Thought...
Where Cash Is The Source...
of Talk That They Court...
That Helps Them Breathe Air... ?!?

CONFORMING To Think...
In Ways That Are Linked...
To Something That STINKS... !!!
  
That’s RIGHT CONFORMISTS...
Who Are Clearly TOO QUICK...
To Start RUNNING THEIR LIPS... !!!

Like A Fast Mouthed Dumb Kid...
Who Cannot Raise A Fist...

Just Like John Carlos Did... !!!

A TRUE NON-Conformist... !!!

Now I’m NOTHING Like Him... !!!

But I THINK And RESIST...
Conforming Through Scripts...
And Poems I Bring...

Cos’ I’m NOT A Performer...
A Big Money Baller...
Or Gangster Shot Caller... !!!

But I Am A STRAIGHT Talker...
Whose Really NOT DOWN With...

All These NEW AGE...

..... “ Conformers “.....
As ever, inspired by a comment someone made to me, suggesting that my wearing mask in their business, showed that I am not so rebellious, but am quick to conform...

How little they know....
Terry Collett Jun 2014
The hustle and bustle
of people everywhere
rushing by
in suits and skirts

and some in bowler hats
some in trilbys
and some hatless
running for a train

the steam engine
letting out steam
with a sudden gush
and me and Lydia

standing back a bit
to allow it all to happen
I kept her near me
protectively

the porters
pushing trolleys
with bags and suitcases
the smell

yes the smell
of the trains
and the crowds
the sun shining shyly

through the gaps
in walls and rooftop
and sky
we both looked there

watching the steam rise
the smoke ooze out
and Lydia said
so loud

can hardly hear
and I couldn't
for a moment
then the engine stopped

and it went quieter
for a moment
and I had just begun
to say

makes you feel DEAF
the last word echoed
around the nearby
part of the station

and she laughed
and people stared at us  
and one man
with a bowler hat

stared at us
and walked on with
brolley and case
and some woman

looked down
her nose at us
standing there
by the gates

waiting to get on
the platform
with our platform tickets
and the smell of the trains

seeping into our noses
and I loving it
wanting it more
the bite of it

and then
once the crowd
had gone in
the ticket collector

let us in
with a wave of his hand
and clipped our tickets
wish we could go

somewhere nice
on one of these trains
Lydia said
somewhere where

there's sunshine
and beaches and sand
and ice creams
and donkey rides

maybe one day
I said as we walked
along the platform
one day we will

you and I
and we followed
the big people
along the platform

and watched
as they got on
the train and closed
the carriage doors

and we sat on a seat
and waited
and watched
the steam rising upward

from the engine
the power
of the black engine
the driver looking out

at us
the stoker black faced
smiling
the guard waved

his green flag
and the train
huffed and puffed loudly
and he got on

and closed his door
and opened his window
on the train
and it moved

it chugged loudly
like some giant awaking
and we sat
and stared

and cheered it
on its way
that morning
that bright

sun
giving off
heat
day.
A BOY AND GIRL IN 1950S LONDON AT VICTORIA TRAIN STATION.
annh Oct 2019
Hire purchase, Hewlett-Packard, hand phones and - just maybe - Harry Potter have got nothing on Hello Poetry. A house party of honey pies, head pixies, and horizontal plotters hot piping their harmonic power from Hyde Park to Hunter’s Point, the High Plains to Himachel Pradesh. Household profilers, home porters, health practitioners and - it may be said - the odd human particulate here to engage in high-priority human performance.

P.S. Heart points and historic preservation aside, what the hoi polloi is up with those hit-by-pitch holding patterns, Eliot?

On Friday afternoon I had a conversation:
‘Got much planned for the long weekend?’ asked the checkout operator clicking the tips of her dark lacquered nails together while we waited for the till supervisor.
‘Catching up on some well overdue reading...HP...y’know?’
‘Do I ever! Mind you take a squiz at the small print. Those repayment schedules can be a real killer.’
Needless to say, by Saturday evening I was snorkelling for acronyms.

‘The machinations of ambiguity are among the very roots of poetry.’
- William Empson
Dark n Beautiful Jun 2020
The forgotten essential workers
Who is seldom mention.
Who is so often belittle,
Porters,
Cooks,
Laundry workers
Dish-washers,
Elevator-repair men
Recreations,
Front Desk clerks
Certified Nurse’s Aide
Home health aide
Waiters,
God! Oh how hard we work!
Private’s aides

Now as we celebrate Juneteenth 19
Black lives matters, can we really be seen
After four hundred years of oppressions
Can we tossed back river of tears
we are in 2020 is this our commission?

We as Essential workers in your nursing homes
Being tested twice a week,
By your essential worker phlebotomist
Who puncture my vein with his cannula?
For the governor executives order
listen up you uncouth nurses who poke
The swab sticks deep into my nose.
Listen this quackery has to end!
Pandemic, politics, election strategy
We essential need more respect.
You with your white privileges, and your treats

(RE: PCR swabbing, week being on Wednesday and ends on Tuesday.
If you work 4 or more days you need to be swabbed 2x per week
In a 48hrs time frame, if not you will be taken off the schedule
You will be humiliated, said the Administrator  Mr. Sal
Because he is not a babysitter there to reminds you..
Said a non- professional white privileges)
as the city navigate the pandemic
moving on to injustices of systemic racism,
poverty, militarism and
a war economy:

Mr. Governor Cuomo: I cannot breathe..
I
Mr. Governor Cuomo: I cannot breathe
David Betten Oct 2016
CORTÉS
            Trailblazing pioneers, God’s harbingers:
            The shining daylight of the Renaissance
            Now swiftly dissipates the blindfold gloom
            Of this benighted, dark, and iron age.
            And as this dawn of culture greets the globe,
            Our own Castile, of all the hosts of Europe,
            Emerges as its greatest modern power.
            If we receive the bounty of these lands,
            So must we bear our duty to convert,
            And shall redeem these hell-bound debutantes.
            Coincidence?- That as the graceless Moors
            Were drubbed and shunted from our Christian sands,
            And in the very year our spiring cross
            Eclipsed that toenail paring of a moon-
            That new horizons opened in the west?
            Do you not feel, my fresh adventurers,
            That you are precious to the Lord, and chosen?
            Strike sail!                                                          E­xit.
              
ALVARADO                  You heard the captain. Up and at ‘em.
            You porters, lash the tents to tame these winds.
            The horsemen will untwine the provender.             Exit Garrido.

SANDOVAL
            The women must find tinder, turf, and fuel.
            The sun is down. We race against the dusk.           Exit María.

ESCUDERO
            These heavy, gathering clouds have opened up,
            And threaten to bestow unwanted gifts.

DÍAZ
            It is the cyclone season out at sea.

SANDOVAL
            Such scuddy weather bodes a sudden turn.

ALVARADO
            Let’s hustle then to fumble up a camp,
            And save our “oo-” and “ahh”ing for the dawn.
                                                           ­                           Exit all but Olmedo.
OLMEDO
            Thus shall the ardent lights of Europe come,
            And pour upon these newfound neophytes.
            But will they be enlightening Catholic lamps,
            Or a consuming fire to destroy them?                     *Exit.
From my play in verse, http://thefloralwar.com
In secret place where once I stood
Close by the Banks of Lacrim flood,
I heard two sisters reason on
Things that are past and things to come.
One Flesh was call'd, who had her eye
On worldly wealth and vanity;
The other Spirit, who did rear
Her thoughts unto a higher sphere.

"Sister," quoth Flesh, "what liv'st thou on
Nothing but Meditation?
Doth Contemplation feed thee so
Regardlessly to let earth go?
Can Speculation satisfy
Notion without Reality?
Dost dream of things beyond the Moon
And dost thou hope to dwell there soon?
Hast treasures there laid up in store
That all in th' world thou count'st but poor?
Art fancy-sick or turn'd a Sot
To catch at shadows which are not?
Come, come. I'll show unto thy sense,
Industry hath its recompence.
What canst desire, but thou maist see
True substance in variety?
Dost honour like? Acquire the same,
As some to their immortal fame;
And trophies to thy name *****
Which wearing time shall ne'er deject.
For riches dost thou long full sore?
Behold enough of precious store.
Earth hath more silver, pearls, and gold
Than eyes can see or hands can hold.
Affects thou pleasure? Take thy fill.
Earth hath enough of what you will.
Then let not go what thou maist find
For things unknown only in mind."

Spirit.
“Be still, thou unregenerate part,
Disturb no more my settled heart,
For I have vow'd (and so will do)
Thee as a foe still to pursue,
And combat with thee will and must
Until I see thee laid in th' dust.
Sister we are, yea twins we be,
Yet deadly feud 'twixt thee and me,
For from one father are we not.
Thou by old Adam wast begot,
But my arise is from above,
Whence my dear father I do love.
Thou speak'st me fair but hat'st me sore.
Thy flatt'ring shews I'll trust no more.
How oft thy slave hast thou me made
When I believ'd what thou hast said
And never had more cause of woe
Than when I did what thou bad'st do.
I'll stop mine ears at these thy charms
And count them for my deadly harms.
Thy sinful pleasures I do hate,
Thy riches are to me no bait.
Thine honours do, nor will I love,
For my ambition lies above.
My greatest honour it shall be
When I am victor over thee,
And Triumph shall, with laurel head,
When thou my Captive shalt be led.
How I do live, thou need'st not scoff,
For I have meat thou know'st not of.
The hidden Manna I do eat;
The word of life, it is my meat.
My thoughts do yield me more content
Than can thy hours in pleasure spent.
Nor are they shadows which I catch,
Nor fancies vain at which I ******
But reach at things that are so high,
Beyond thy dull Capacity.
Eternal substance I do see
With which inriched I would be.
Mine eye doth pierce the heav'ns and see
What is Invisible to thee.
My garments are not silk nor gold,
Nor such like trash which Earth doth hold,
But Royal Robes I shall have on,
More glorious than the glist'ring Sun.
My Crown not Diamonds, Pearls, and gold,
But such as Angels' heads infold.
The City where I hope to dwell,
There's none on Earth can parallel.
The stately Walls both high and trong
Are made of precious Jasper stone,
The Gates of Pearl, both rich and clear,
And Angels are for Porters there.
The Streets thereof transparent gold
Such as no Eye did e're behold.
A Crystal River there doth run
Which doth proceed from the Lamb's Throne.
Of Life, there are the waters sure
Which shall remain forever pure.
Nor Sun nor Moon they have no need
For glory doth from God proceed.
No Candle there, nor yet Torch light,
For there shall be no darksome night.
From sickness and infirmity
Forevermore they shall be free.
Nor withering age shall e're come there,
But beauty shall be bright and clear.
This City pure is not for thee,
For things unclean there shall not be.
If I of Heav'n may have my fill,
Take thou the world, and all that will.”


ስጋና መንፈስ

ከለታት አንድቀን ከኝኝ ብላ ወንዝ
በድብቅ ከቆምኩበት ሰዋራ ስፍራ
ስለአለፉና ስለሚመጡ ነገሮች
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ሁለት እሕትማማቾች፡፡

ስጋ ለበሽ ትባላለች  አንዷ ፣
ግብዝ ሆና ምድራዊ ነገር ላይ
ዓይኗን መትከል ነበር ልምዷ!

ሌላዋ ደግሞ ነፍስ ነው የምትባለው፣
የትኩረቷ ክበባዊ ማረፊያ የተቀነበበው
ምጡቅ ሆኖ ሰማይ ስላለው፡፡

(መጠሪያዋ ስጋ የሆነው)

እሕቴ እኔ የምለው
ቀለብሽ ምንድን ነው?
መመሰጥ፣ በመመሰጥ
ዝምብሎ መስመጥ?

አስረስቶ ሁሉን ነገር
አስከዓለም ዳርቻ
እንዴት ቀለብ ይሆንሻል
ሃሳብ ብቻ?

ግምታዊ ምልከታ
እንዴት ነው የሚፈቅደው
ሐሳባዊ ዕይታ
ተጨባጭ ሁኔታውን
እንዲረታ?

ታልሚለሽ ስለሁሉ
ከጨረቃ ባሻገር
ቦታ ለመያዝ
እዚያ መንደር?

እዚያ ብዙ ሃብት አለ
አንቺን የሚጠብቅ
ምድራዊ ሃብትን
አጠልሽቶ የሚያስንቅ?

ምናባዊ ምልከታሽ ትንሽ
አልተሳከረም አልተምታታም
እነኛን ጥላዎችን የሌላቸው
አካላዊ ድንበር
ለመያዝ ሲፍጨረጨር?››

ስሚኝማ ስሚኝማ
እኔማ  ቀልብ እንደትገዢ አደርጋለሁ
‹‹ጥረት ይገዛል ግርማ
ደምቆ በውጤት ሸማ!››

ምን ልትሺ ትችያለሽ
ከልዩነት መሐል
የአይንሽ ብረት
ከሚያየው
ተጨባጭ ግዝፈት?

ክብር ትወጂያለሽ
ለመሆን ገናና
ልክ  ለማግኘት እንደጣሩት
ሞትን ተሻጋሪ ዝና?

ትፈልጊያለሽ ዋንጫ ማንሳት
ስምሽን ለማስተጠራት
እርጅና የማይገድባት?

በጣም ትቋምጪያለሸ
ሀብት በደንብ ለማግኘት
የሱን ክምር ማየት?
መሬት አላት ገና
መዳብ፣እንቁና ወርቅ
ዓይን የሚሰርቅ
ክጅ እቅፍ የሚተርፍ፡፡

ደስታ ተፅኖ አይፈጥርብሽም?
ልምከርሽ አትንገልጀጅ
የምትፈልጊውን ድርሻሽን ውሰጅ
ሑሉ ተትረፍርፎ
ከመሬት ደጅ፡፡

የምትመኚውን ስታገኚው
እባክሽ እንዳትለቂው
አስበልጠሸ ነገሮች ወና
እነኛን  የምታስሺያቸውን
በምናብሽ ዳና፡፡

(መንፈስ )

ግን አንቺ አሁንም ሳትፀፀቺ
ሆነሽ በስሜትሽ የምትነጂ
ልቤን አትጉጂ!

ታውቂያለሽ ምያለሁ
(በርግጥ አደርገዋለሁ)
አንቺን አንደጠላት
አሳዶ ለማጥቃት!

በርግጠኝነትእንደቤትሥራ
የግድ እንደሚሠራ
እፋለምሻለሁ
እስካይ ተንኮታኩተሽ
ከአቧራ ተደባልቀሽ!

እሕቴ እርግጥ ነው
መንታነታችን
ግና ታውጇል
ፍልሚያ በመሓከላችን
ምከኒያቱም አባታችን
አንድ አይደለም?
አንቺ የአዳም
አምሳያ አይደለሽ
የተገኘሽ ከሱ  ስጋ ና ደም፤
የኔ ግን ስሪት ከሰማይ ነው
ተወዳጅ አባቴን እንዳፈቅረው፡፡

አስመሳይ ነሽ
የምትይው
አይሆንም በጭራሽ
አንቺ መልቲና
ሸርዳጅ ጉዳተት አድራሽ!

ገና በደል ታደርሸብናለሽ
ስለዚህ ያንቺን ከቱ ሙገሳ
ነኝ ወዲያው የምረሳ
በዚህ ምክኒት
ምንም፣ ላምንሽ አልችልም !

ስንቴ ያንቺ ባሪያ
መናጆ ልሁን
ስፈጽም
አንቺ የምትይውን?
ከአሁን ወዲያ
ጆሮዬ ለምክርሽ
መስሚያው ጥጥ
ነው የሚሆንብሽ፡፡

በአንቺ እኩይ ደስታ
በጣም ነው የምናደድ
እንዲሕ አይነት ሃብት
አይችልም አኔን ሊያጠምድ!

አንቺ አንደጀብዱ
የምታነሺውን ተግባር
አልችልም እኔ ላፈቅር
ጭራሽ ስለሚስገድደኝ
ቅንድቤን አንድቋጥር!
ምከኒያቱም የኔ እይታ
ከፍ ካለ ቦታ
አንዲሁም የኔ ስኬት ደስታ
አንቺን ስረታ
በመለጠቅ
የድልአድራጊነት ካባ ሳጠልቅ፤
በካቴና ተጠፍረሽ
ሳይሽ‹‹ ምሪ ቀጥይ ተብለሽ!››

የእኔ የኑሮ ሁኔታ
ምንጭ  ሊሆን  አይገባም
ያንቺ ሐሜታዊ ደስታ፡፡
ስለኔ ስጋ ቀለቤ
በጭራሽ ሊኖርሽ
አይችልም ህሳቤ!

የኔ ስውር መኖ
የኔ ምግበ ስጋ
የህይወት ቃል ነውና
አንቺ ምድራዊ ደስታን
ከመሻት፣ ከምታጠፊው ሰአት
የኔ ምልከታ
ያጎናፅፈኛል እርካታ፡፡

ጥላ አይደለም የማባርረው
በብልጭልጭ ነገር
አይደለም የምደመመው
ሁሌ አርካብ የምረግጠው
ከፍ ወዳለው ለመውጣት ነው፤
ግና ለክፋቱ ይሄ ነገር
ይዘለላል ከአንቺ
አንኮላ  ጭንቅላት ድንበር!

ለሰማዊ አሴቶች
ነፍሴ ተመንጥቃ ሥታበቃ
እኔማ፣
እቀየራለሁ ልክ
በምስኖ አንደለማ፡፡


አይኖቼ
ሰንጥቀው አፍላጦኑን
ያያሉ ስውር የሆነውን
ካባዬ የተሰራው
ከወርቅ ወይ
ሐር አይደለም
ወይ ከተመሳሳይ
መሬትላይ ከሚታይ
የኔ ካባ ልዩ ሆኖ ይልቃል
ከምታንጸባርቀው ፀሃይ ፀዳል፡፡


የኔ ፀዳል
ዘውዴም ከቶፓዘ እንቁ ከወርቅ
ይበልጣል መላኮች ራሰ ላይ
ክብ ሰርቶ ከሚታይ!

ያከተማ
ልኖርበት የማስበው ነው
መሬት ላይ አቻ የለው
ግድግዳው ረዥምና ጠንካራ ነው
በሩን የሚጠብቁት
መላዕክት ናቸው
መንገዱ የተሰራው
አይን አይቶት ከማያውቅ
ብርሃን ከሚያሳልፍ ወርቅ፡፡

ከዙፋኑ ስር ተነስቶ
የወትት ወንዝ ይፈሳል
ቀልብ ገዝቶ!

ለህይወት የሚሆነው ውሃ
ኩልል እንዳለ ይዘልቃል!
ለፀሃይ ለጨረቃ
ማንም ደንታ የለውም
የግዚአብሔር ግርማ
ለሁሉም ስለሚበቃ
ሻማ መለኮስ
መብራት ማብራት
የለም
ስለማይኖር ለጨለማ ስጋት፡፡

ከህማም አንዲሁመ ድካም
ነፃ ይሆናለ ሁሉም
ማርጅት የሚባለ  ነገር
አይታስብመ ከቶ
ውበት ስለሚታይ
ገዝፎ፣ደምቆና አብርቶ!

ያፀአዳ ከተማ ለአንቺ አይደለም
እኩይ ነገር እዚያ የለም፡፡

የኔ ድረሻ ከሆን ከሰማይ
መሬትና በቅፉ ያሉት
ይሁኑ ያንቺ ሲሳይ፡፡

(በአን ብራንደስትሪት/ ትርጉም  በዓለም ኃይሉ ገ/ክርሰቶስ)
https://www.gradesaver.com/anne-bradstreet-poems/study-guide/summary-the-flesh-and-the-spirit
jeffrey conyers Dec 2013
We've been maids.
We've been butlers.
We've been porters.
We also been called some of the very best lovers.
That's us.

We've been called this.
We've been called that.
We've been called many things.
That's us.

Until you tag us with the wrong slogan of words.

We've been preacher.
We've been teacher.
We've been part of legislatures.
That's us.

We have partake in various military wars.
Without credit sometimes been afforded to us.
We've been judged.
We've been slaves.
We've been taught several trades.
And fought many struggles along the way.
That's us.

To us , there's so much more.
Somethings, we never thought was possible.
john porker was a friendly man who was being tortured by voices of his youth

like his mates would say, trying to be a young dude, when he was trying to live his life

and his father was a very strict person who wanted him to be an adult at the age of 8

john hated it, but the young dudes also wanted john to be an adult as well, and if he doesn’t

they will come and bash him up, john said, you just try and bash me up, if you do, you’ll be fucken toast

tomorrow morning, the young dudes said ok, but be careful or we’ll bash you.

this made the porters very angry, which made them want to wrap john up in cotton wool, which john hated

john went through his life going through stage after stage, which forced him to break the cotton wool and

attempt to argue with or bash his parents, saying he can look after himself and his father said, we are doing

this cause we love you, john, john threw his fist at his parents saying i can look after myself, really i can

and then told his dad we better stay away from you, for you are an aids carrier and this made mrs parker

very very concerned for her family’s well being, saying oh no, our special little guy is having a few problems

we must help him, and his father said, let him help himself, he thinks we hate him, and john said leave me alone

i really do hate you protecting me because i can look after myself, mr parker said, you are a fool john, you really are such a fool

and john told mr parker to *******, mr parker slapped john across his face saying, john, you are a flaming fool

and then john got up and brought his father to the garage and banged the door on his fathers head, and his father said

be careful, you realty hurt your daddy, john ran up to his room and slammed the door very hard and his father followed

him and when he got to the door, he knocked on the door very hard, but john said, go away you great big old fogie

and mr parker went for a walk to escape this whole mess john is putting on him, and all the outside hooligans said to john

your father is like us, now man, you’re not, so stay in your room, you see mr parker got home in 1 hour and john started

up again, and was sent to his room, what are the parkers going to do with john, dunno mate!, these fights happened every

time mr parker tried to discipline him, it’s hard to medicate him, because john is very violent, he said to his dad, i want to

stab you in the back, but the big question is, where’s the knife.
David Betten Jun 2017
TEUHTLILLI
            Then down to brass tacks: These wan wanderers
            Indeed match those who skimmed our shores last year.
            See- Here’s my schoolyard scribbling of their looks:

MOTECUHZOMA
            What are these? Iron pipes on lumbering wheels?

TEUHTLILLI
            A roaring, dragon-mouthed machine of war,
            Whose entrails discharge hails of shooting stars.
            When leveled at a mountain’s rocky crags,
            The cliff face cracked, disgorging its rich veins,
            Then, splintered into chips a knotted pine.
            Their porters picked their teeth with the remains,
            Like sullied spirits in a sulfurous haze.

MOTECUHZOMA
            What is this shambling menagerie?

TEUHTLILLI
            Some over-magnifying strain of hound,
            Whose *****-yellow eyes flash sparks of flame,
            And lolling tongues lob down to glut for blood.

MOTECUHZOMA
            And these? Some hybrid hash of man and stag?

TEUHTLILLI
            No, sire, but merely stilted, toothy does
            That suffer men to play at pick-a-back.
            Their plate-wide hooves dig wells at each impress,
            And lofty eyes peep over the city walls.

MOTECUHZOMA
            What is their destination?

TEUHTLILLI                                   Here, my lord.
            They’re full of inquiries, but send you gifts:
            These chokers of green glass- Quite lovely things.

MOTECUHZOMA
            What is the subject of their questions?

TEUHTLILLI                                                     You, my lord.
From my play in verse, thefloralwar.com
I was just there wherever, doing nothing overtly sinless when I saw
this scruffy dog with a nastily-productive T.B. cough, crapping on a
bench. I sniffed him from an angle, peed on him & gaily trotted off.
Last Friday, I was fishing for fish with a fishing pole in France, at a
fishery in short fishing pants, beseiged by huge French gnats, when
I fell into a filthy-street-drug-induced-comatose-like-terminal trance
Giuseppe Stokes Dec 2017
Frosty stares match withered trees; fallen leaves
deck cobbled floors and faces. Coffee cups
lick fur-lined fingers, shirking morning freeze.
The wooden gala poignant porters sup
their taste of morning revel. Flocking geese
set down to bristle 'gainst stone steps. Scattered
voices pool by slumbering streams, each fleece
a dot of pride and presence. The battered
boats are drawn out from their silent dreaming,
lined along the cusp; left to bob. Voyagers
teeming take their seat 'midst shivers; scheming
paddles mutter threats in slurful rages.
The coldest figure takes to stand with gun,
takes aim, takes breath, McHammering fun.
Shimbo Pastory Apr 2020
Travelers knew the destination,
Porters knew the way,
Explorers knew the pain,
And here we are, jolly l-a-y-m-e-n
We know the story!
Often we don't just know what it takes to reach there, we only know the stories.
Sunset Man Sep 2017
Our rails embarked
on differing rolls
cast about to
meander through
questionless hovels
weigh-station trials and
points compulsatory
yet gaining steam for
longed assignation
coupling cars on
single track
someday.

The tick tick clack
of each mile
count was to bring
the exodus nearer
to terminal
wrestling the locomotive
to our will
the whishing
as stale air parted
more rapidly to
our rendezvous junction
someday.

Engineer engaged
pauses points
****-water halts to
re-fuel re-fresh
re-new re-track
and the miles
tick tick clack
and the tramped
porters too late to see
that each mile passed
was one mile less
for someday.
Tony Luxton Mar 2019
Documentary on fast forward,
lacking commentary, towns flash by
Coronation Street domestic dramas,
ordered rank and file urban pedantries.

Perhaps like one of those old westerns,
where they wound the scenery past
a mock-up stagecoach interrior,
so that's where all the porters went.

Rolling landscapes, seascapes, mile on mile,
stiles and paths and telegraph poles,
rain fraying skies and foaming sea,
criss-cross links and creaking carriages.

Slowing down, a shuddering stop,
stiffened limbs begin to flop,
stiffened brains still travel dizzy,
busy station, platform tizzy.
But it's when they're suffering
and won't or can't let you in.

It'll click with them one day
that he who plays with the devil
will have a hell of a price to pay,
but
we all pay one way or another
for actions with consequences
as yet undefined.

Interval

When kitchen porters are
confined to quarters everything
is done by halves.

— The End —