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Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
L B Mar 2018
I hadn’t meant to spy
just an evening’s walk along the beach
knowing that things are sometimes strewn there after storms
between a gust of wind—a break in clouds

Coming upon moonlight
gleaming on wet teenage backs
Two—
by a leaning erosion fence
fondling the last discoveries of childhood
fumbling with the barriers of her bikini
behind the erosion fence
out of sight and forbidding

Breeding like sea grass by rhizomes
prowling that neck, those *******
Gasping! Warring!
for the land of white warmth below their tans
His hands grip, lift, position, insist
By such undertow
mouths and hips pinioned in disbelief...

where they cannot be seen
two half-rounds in rhythm – struggle in the surge of being

as the surf binds them in refrains
about the ankles
Needing the ocean again.
PJ Poesy May 2016
}I{
“Sinuhe”

King Khety is blinking madly
Haruspex has left him ominous oracle
Sinuhe is on his return, fugitive no more
Sinuhe brings with him enemy’s daughter
Not prize, Nefru his wife and Libyan lore
Sinuhe from slavery came, poet she did adore

Egyptian tombs do tell in detail
Hieroglyphic tales, this juncture of peril
Khety not King, but Sinuhe’s noble brother
Knows true King come to claim throne
Sinuhe the nobler, knows a life of none other
Than slave sold by Odious, the step-mother

Yes Queen Odious, deep in den of asps
Collected poison venom to undue her marriage
To Sinuhe’s father Merikare, Pharaoh of Moon
Odious’ ghastly act nearly tore Egypt in two
Her derangement sent Sinuhe far across sand dune
Odious took crown, added gilded teeth of baboon

Made her son King, though he did implore
Khety saw insanity and for what, he was in store
Khety remembers his Great Father’s words
“The heart of someone who listens to his temper
Is doomed to follow the stink of camel herds
Better to let heart fly upon sky, as do birds”

Yet by years tormented, Khety became undone
More like his mother and even more sniveling
Than the Odious one, so he did as he was told
Incessant dribbling marked a life for him
He minded his words lest he knew he’d be sold
Mother’s high priest Abhorus was bitter and cold

Sinuhe’s struggles were unknown to King Khety
Years of near starvation and wearisome labor
Made Sinuhe the better man, as he did never forget
Assurances of his noblest Father, Pharaoh Merikare
Virtue ascribed, Sinuhe kept valor in each trial met
Furthermore, his noblest task still to come as of yet



}II{
“Numidian Queen”

Nefru, Numidian Queen to Land of Libya
Recalls young slave Sinuhe’s hostility to captivity
His intelligence overcoming, who once would be King
Of Egypt had not violent arm but ferocious mind
Using wit to overcome adversity and words he did sing
To free his self of internment and all oddity it did bring

Nefru looks upon loyal husband Sinuhe
It is an arduous journey this man has taken
Her commitment be bound now by ivory ring
Loyalty to this man before all forsaken
It is spring, and amongst abundant life come dead things
Fledgling birds first flight failed or so siblings did fling

Now swept into his pilgrimage, Nefru perceives
All adversity Sinuhe did overcome so nobly
To her, he is chukar, partridge of rare plumage
It is to the ground, which this bird be bound
Never reaching sky, low brush be its’ *******
Though its’ song give to her heart an anlage

Freedom from slavery, is Sinuhe’s triumph
Vindication of crown be the mark of new flight
He prays to Horus Behudety, Winged Sun God
Nefru knows of her husband’s will and might
She gifts to him her father’s pinioned golden rod
Scepter of enslaver Mehru, and his feathered shod

It was not of great agreement by Mehru
Should his daughter Nefru marry a slave?
Much less to son of Merikare, an arch enemy
Yet he be so brave, impressions of Sinuhe’s strength
Be made so to change, very nature Sinuhe’s destiny
So much so, Mehru did lament in Merikare’s elegy

So it came to be, a slave marries Queen
Sinuhe and Nefru’s love broke all patterns
Such a love to win hearts of, Gods and Goddess’ unseen
Who rule other worlds and all rings of Saturn
History had never known affection so purely clean
Gatherings from far off fields came to witness such glean



}III{
“Haruspex And Detritus”

Haruspex, soothsayer speaks in half-truths
King Khety believes only small contingent
Be on way to Byblos, presently approaching Qedem
Little does he know, armies of Elephant in tow
Masses of feathered and golden archer’s stem
Blessed by breath of Bat, Goddess and her phlegm

Detritus, Animal Man, hired scout to King Khety
Possesses claws and hair of lion, his home Serengeti
Animal Man’s mane is thrashed in thorns and rubble
Smells of cat ***** but has nose that knows much
Such why Detritus be tolerated, though be much trouble
Haruspex twists tale of tailed man, speaks of him double

Calls him lazy, shiftless, yet Haruspex be cryptic mess
Detritus be banal yes, but true to Khety none the less
Knew his father well, Merikare be his master
It was always Queen Odious, Detritus distrusted
Knowing her demonic betrayal and Egypt’s disaster
She kept him in gypsum cave, scratching alabaster

Kindness had left this Kingdom sometime ago
When Odious and Abhorus overthrew rule
Merikare Moon Pharaoh mummy cry from tomb
Sinuhe ripped from his side by Abhorus
His funeral a very mockery and Detritus’ doom
Haruspex made way from Libya, eyes mucous rheum

Planted by Mehru, Haruspex be sent through desert
King of Libya be wise, sent this oracle as disguise
Not soothsayer at all but spy of opposition
King Mehru knew upon Moon Pharaoh’s death
Peace upon land would not soon come to position
Quickly he sent Haruspex, strangest magician

Detritus knew by the first smell of him
Haruspex came from earth west, not with best
Intentions to natural order of land and sky
And this test of two egos be quite perplexed
With each other and another reason why
This brawny epic riled through years gone by



}IV{
“Ode ‘O’ Odious”

Motioning her battalions, priests and beasts
Evil Queen who overthrow, joins Abhorus’ feast
Beldams be this clergy, **** all about Odious
Snapping of rabbits heads in cacophony of blood
Plunking chalices of malice’s, sacrifices melodious
All in dark chamber halls in depth’s commodious

Stretching of intestine to fine tune harp
Butchers waylay innards with daggers sharp
Mawkish music be Odious’ fame
Concavity’s entrance a perilous scarp
Passers-by enticed by bergamot oil’s flame
Fall to their death to be eaten by dame

Ode ‘O’ Odious, Ode ‘O’ Odious
Drunken mayhap through day and nightcap
She rumpus muck, she ruckus all luck
Ode ‘O’ Odious, Ode ‘O’ Odious
Chambers fill with all matter of bile guck
Bites cobra tails, hooded heads protrude to ****

Death be her power to innocence’s pain
Queen Odious oblivious to her own danger
Seems unstoppable to submissive subjugates
Spinning her terror, cackle calls to maidens
Fem ferocious, how ‘O’ Odious undulates
Casualties collected in long hundredweights

Probity of her high priest be none
Abhorus puppets Odious and will be done
With her second rare blue water lilies run out
The Nile produces this flower of intoxication
Extinction of it is of all certainty, no doubt
Named after her, O Odious flora beguiles lout

Ode ‘O’ Odious, Ode ‘O’ Odious
It is Evil Sorceress and midnight blue flower
Power of it be all in her high flighty head
She misuses its’ tincture to her own final hour
Harvesting it foolishly, nearly till it is dead
And when it is, it will be to all worlds’ dread



}V{
“Oasis In Iaa”

Sinuhe receives word elephants parched
Water need be found, arduous trek campaigned
Nefru never witness such worry, Sinuhe’s face
Ox tail be split to drain nourishment from beasts
No water for miles, no sea birds upon sky to trace
Sinuhe prays, “Montu, God of War find oasis to race!”

Sekhmet, Archer Goddess visits Nefru
Great Lady is besieged by dessert’s spell
Hallucinations bring mirage to Nefru’s sight
Transfixed on dessert’s horizon her eyes
Contingents warriors, bands of archer’s fright
Paths set forth, only to journey by starlit night

At dawn Sinuhe strands his band
Takes his most devoted men of arms
Bhaktu, Parsi, Rhaktu, follow their Lord
Each having faith in man and his wisdom
Eastward they find Syrian tribe in horde
They are welcomed, none need draw sword

Master of Syrian tribe Abu Sefa
Understands who Sinuhe is and was
Orders falconers to find Nefru and throng
Apprises Sinuhe of oasis beyond hummocks
All are soon joined together in wine and song
Oasis found, Iaa, fruited land and lagoon long

Khety is warned of revelry in Iaa
Sends legions Egyptian arms, by order Odious
Anubis, jackal head God given zebra sacrifice
Detritus employed for battle with spears
Copper shields, mediocrity will not suffice
All swords be sharpened by order thrice

Lifeblood battle of Egypt ensues
Sinuhe taken off guard in Iaa,
Elephant screams to be heard for miles
Bhaktu cut down, Rhaktu not found
Parsi’s archers never saw such trials
From lagoons come seething crocodiles



}VI{
Twist Of Fate

Rensi was chosen by Abhorus to speak for Khety
As High Priest, Abhorus did most doling of employs
This proxy Rensi though, be mockery of King
His speech more stammered than Khety’s noise
Grossly disfigured as well, soundings as mice sing
Rensi aware of this, musters all dignity he may bring

Perigee moon at present, o howling now
Hyena laughing at dissertation of Khety’s proxy
Ill ease overcomes this Rensi, an impediment
Speech undone on terrestrial stairs to Memphis
Escalades flora, fauna; monsoons washing sediment
Tefnut, great rain goddess turns world to excrement

This not so illustrious disquisition muted
By torrent winds and torrential liquid compounds
Tefnut’s tears plunk upon all, turning mud blood
Looking out from his great house Khety embroiled
Bares soul to Sobek-Re, Crocodile God; Sun and Crud
Sobek-Re answers prayer, suspending flash flood

In Iaa, as gore of battle ensues, fate lose
As twist of tale find new bemuse and worlds infuse
Detritus sees his lost master Sinuhe encroaching peril
This recognition swells an emotion deep and confuse
Detritus bent in memories flash reacts nobly not feral
With a roar to be heard over all, clamor become sterile

Sounds of battle cease and gaze of majesty
Sinuhe seeing Detritus is overcome by sensibility
Two old beloved friends stare upon each other
Dragging swords behind each move to indemnity
Embrace of each other; secures allegiance another
Sinuhe kisses feet of Detritus; calls him “brother”

As witness to such, all weary legions unite
Moon turn blue, assured sign of Pharaoh Merikare
Mehru’s star battalions federate Moon Pharaoh’s armies
Together as one to Memphis they shall siege Khety
Overthrow Queen Odious and her sinister parties
This mainly being High Priest Abhorus’ autocracies



}VII{
Epitaph Of Detritus

Odious in lair drinks tinctures blue water lilies
Abhorus her advisor suggests only more intoxicants
Khety is shrilling at sight of this deceptive lure
Haruspex makes prophesy of Detritus’ betrayal
Khety sends hunters to trace Animal Man’s spoor
Abhorus finds more legions of archers to procure

Leaving Iaa and moving toward Memphis
Detritus is fitted by Nefru’s maidens new armor
Embroidered with gold, a striped khat is made to adorn
Detritus is humbled by Sinuhe and Nefru’s gifts
His body is perfumed and oiled; his mane then shorn
Beholden to the true King of Egypt, Detritus is sworn

Two men of different lands, both once slaves
Overcome their adversities and rise upon sun
Sinuhe and Detritus’ bond is legitimately noble
Wearing of these worlds bare them new providence
Seemingly this union appears fortuitous global
Keeping steadfast of Abhorus’s archers now mobile

In Sakkara, south of Memphis come tempest
Raining arrows as if raindrops, Sinuhe’s challenge
Detritus’ valor finds reckoning to his last will
Defending Sinuhe, Detritus falls to cumulating
By strength this virtue witnessed, Sinuhe rise still
Throwing down legions of archers, making his ****

Abhorus, Odious, and Khety with no troops left
Surrender to Sinuhe upon his return to Memphis
Odious drinks last vials blue lily tincture, expires
Abhorus struck dead by hand of Khety in resolve
Khety bows to Sinuhe and his Queen as requires
King Sinuhe , Queen Nefru read parchments and fliers

In honor of great Detritus and his noble deeds
Commissioned is greatest sculpture Animal Man
During its’ long construction, most joyful jinks
Song and dance to honor a great warrior true
Each artisan so proud to have heritage to links
Of Animal Man, Detritus, now known as Sphinx
This is my adaptation of The Tale Of Sinuhe. It is the oldest known work of Egyptian literature. This epic poem was written by me with the intent of creating a puppet opera. I hope to collaborate with other poets, musicians, artists and puppeteers to see this come to life. Between each chorus should be arias which embellish the plot and theme. If you may be interested in working on this piece, please let me know via private message. I hope to make it a collaborative work.
(A Virginia Legend.)

The Planting of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

His fear was on the seaport towns,
The weight of his hand held hard the downs.
And the merchants cursed him, bitter and black,
For a red flame in the sea-fog's wrack
Was all of their ships that might come back.

For all he had one word alone,
One clod of dirt in their faces thrown,
"The hemp that shall hang me is not grown!"

His name bestrode the seas like Death.
The waters trembled at his breath.

This is the tale of how he fell,
Of the long sweep and the heavy swell,
And the rope that dragged him down to hell.

The fight was done, and the gutted ship,
Stripped like a shark the sea-gulls strip,

Lurched blindly, eaten out with flame,
Back to the land from where she came,
A skimming horror, an eyeless shame.

And Hawk stood upon his quarter-deck,
And saw the sky and saw the wreck.

Below, a **** for sailors' jeers,
White as the sky when a white squall nears,
Huddled the crowd of the prisoners.

Over the bridge of the tottering plank,
Where the sea shook and the gulf yawned blank,
They shrieked and struggled and dropped and sank,

Pinioned arms and hands bound fast.
One girl alone was left at last.

Sir Henry Gaunt was a mighty lord.
He sat in state at the Council board;
The governors were as nought to him.
From one rim to the other rim

Of his great plantations, flung out wide
Like a purple cloak, was a full month's ride.

Life and death in his white hands lay,
And his only daughter stood at bay,
Trapped like a hare in the toils that day.

He sat at wine in his gold and his lace,
And far away, in a ****** place,
Hawk came near, and she covered her face.

He rode in the fields, and the hunt was brave,
And far away his daughter gave
A shriek that the seas cried out to hear,
And he could not see and he could not save.

Her white soul withered in the mire
As paper shrivels up in fire,
And Hawk laughed, and he kissed her mouth,
And her body he took for his desire.


The Growing of the Hemp.

Sir Henry stood in the manor room,
And his eyes were hard gems in the gloom.

And he said, "Go dig me furrows five
Where the green marsh creeps like a thing alive --
There at its edge, where the rushes thrive."

And where the furrows rent the ground,
He sowed the seed of hemp around.

And the blacks shrink back and are sore afraid
At the furrows five that rib the glade,
And the voodoo work of the master's *****.

For a cold wind blows from the marshland near,
And white things move, and the night grows drear,
And they chatter and crouch and are sick with fear.

But down by the marsh, where the gray slaves glean,
The hemp sprouts up, and the earth is seen
Veiled with a tenuous mist of green.

And Hawk still scourges the Caribbees,
And many men kneel at his knees.

Sir Henry sits in his house alone,
And his eyes are hard and dull like stone.

And the waves beat, and the winds roar,
And all things are as they were before.

And the days pass, and the weeks pass,
And nothing changes but the grass.

But down where the fireflies are like eyes,
And the damps shudder, and the mists rise,
The hemp-stalks stand up toward the skies.

And down from the **** of the pirate ship
A body falls, and the great sharks grip.

Innocent, lovely, go in grace!
At last there is peace upon your face.

And Hawk laughs loud as the corpse is thrown,
"The hemp that shall hang me is not grown!"

Sir Henry's face is iron to mark,
And he gazes ever in the dark.

And the days pass, and the weeks pass,
And the world is as it always was.

But down by the marsh the sickles beam,
Glitter on glitter, gleam on gleam,
And the hemp falls down by the stagnant stream.

And Hawk beats up from the Caribbees,
Swooping to pounce in the Northern seas.

Sir Henry sits sunk deep in his chair,
And white as his hand is grown his hair.

And the days pass, and the weeks pass,
And the sands roll from the hour-glass.

But down by the marsh in the blazing sun
The hemp is smoothed and twisted and spun,
The rope made, and the work done.


The Using of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

He sailed in the broad Atlantic track,
And the ships that saw him came not back.

And once again, where the wide tides ran,
He stooped to harry a merchantman.

He bade her stop. Ten guns spake true
From her hidden ports, and a hidden crew,
Lacking his great ship through and through.

Dazed and dumb with the sudden death,
He scarce had time to draw a breath

Before the grappling-irons bit deep,
And the boarders slew his crew like sheep.

Hawk stood up straight, his breast to the steel;
His cutlass made a ****** wheel.

His cutlass made a wheel of flame.
They shrank before him as he came.

And the bodies fell in a choking crowd,
And still he thundered out aloud,

"The hemp that shall hang me is not grown!"
They fled at last. He was left alone.

Before his foe Sir Henry stood.
"The hemp is grown, and my word made good!"

And the cutlass clanged with a hissing whir
On the lashing blade of the rapier.

Hawk roared and charged like a maddened buck.
As the cobra strikes, Sir Henry struck,

Pouring his life in a single ******,
And the cutlass shivered to sparks and dust.

Sir Henry stood on the blood-stained deck,
And set his foot on his foe's neck.

Then from the hatch, where the rent decks *****,
Where the dead roll and the wounded *****,
He dragged the serpent of the rope.

The sky was blue, and the sea was still,
The waves lapped softly, hill on hill,
And between one wave and another wave
The doomed man's cries were little and shrill.

The sea was blue, and the sky was calm;
The air dripped with a golden balm.
Like a wind-blown fruit between sea and sun,
A black thing writhed at a yard-arm.

Slowly then, and awesomely,
The ship sank, and the gallows-tree,
And there was nought between sea and sun --
Nought but the sun and the sky and the sea.

But down by the marsh where the fever breeds,
Only the water chuckles and pleads;
For the hemp clings fast to a dead man's throat,
And blind Fate gathers back her seeds.
Pagan Paul Oct 2017
.
The night the Veil is thinnest
between the living and the dead.
Samhain eve reverberates darkly,
Worlds hanging by a single thread.

The Moon is high and midnight approaching,
as she slips from beneath the sheets so warm,
gently placing her wand in the secret drawer,
dressed in her hooded cloak, making for the door.
Barefoot along a path so long and  dark,
accompanied by the sounds of insects chirping,
the night songs creeping around her body,
Spirits of the Night smile at her wanton flirting.
Her legs carry her across green meadows
and on through the deep woods to a field,
drawn by hunger to a lonely figure on a hill,
she lets drop her cloak, her nakedness revealed.


Alone and pinioned, arms extended,
a warning stood upon a mound,
the guardian, a sentinel unbended,
statuesque, and tithed to the ground.

Her voice lifts high above the wind
and soft incantations fall as spells.
The Enchantress sings songs of yearning,
chiming along with Samhains bells.
And the warm midnight air shimmers
as the figure starts to turn to flesh,
reconstruction from the sacred heart,
for her painful memories to redress.

Thunder rolled, lightening flashed,
as she sank down to her knees,
reaching out to release his manhood,
and the howling wind began to ease.
His responsive flesh quickens with blood,
but not one sound does he make,
as she spies a grin upon his face,
a true sign that he was fully awake.
Lips and tongue work hard to arouse,
so his wand would stand with pride.
She stands up trembling and bending over
reversing a step to take him inside.
The storm rages with wild abandon,
like their frantic mating upon the hill.
Then as conjoined lovers reach ******
the storm is spent, and everything is still.


And the Spirits of the Night smiled upon her bliss,
at the Enchantress Crossing the Veil of the Abyss.

And with the passing of the storm
the spell died and was no more.
The one thing that her lover left,
her ****** purse filled with straw.

So smiling at her naughty nights play
she set her feet towards her home,
on this the very darkest of nights,
where both the living and dead roam.
Along the paths and back to her bed,
she giggles manically and starts to sing,
hoping the future reveals her joy,
of what her scarecrow lover may bring.


Samhain night over, to deep sleep she goes,
and soon Winters Solstice bells will ring,
It is then her dreams will surely know
whether her belly will swell in the Spring.


© Pagan Paul (15/10/17)
.
Marshal Gebbie Aug 2012
A sadness has come over me
As I pass this corner bye,
A junction on the highway,
A lonely cobalt sky.
A sodden pale blue teddy bear
Stands pinioned to a cross
And the glassy glint in Teddy’s eyes
Transfix a sense of loss.

The traffic whizzes past this point
Most people fail to see
The sadness manifested
In his glassy stare at me.
The sadness of a lost young soul
Who failed to take the bend,
Who with his motor cycle crash
Did meet his Maker’s end.

I know not why he died so young,
I know not why he sped.
But know I do, the child like love
He felt for his blue Ted.
The sadness of a pale blue Ted
When pinioned to a cross
Stands sodden on a lonely road
Invoking tears of loss.

Marshalg
At Blue Ted Corner
Highway 20
Taranaki
14 August 2012
Portentous enunciation, syllable
To blessed syllable affined, and sound
Bubbling felicity in cantilene,
Prolific and tormenting tenderness
Of music, as it comes to unison,
Forgather and bell boldly Crispin's last
Deduction. Thrum, with a proud douceur
His grand pronunciamento and devise.

The chits came for his jigging, bluet-eyed,
Hands without touch yet touching poignantly,
Leaving no room upon his cloudy knee,
Prophetic joint, for its diviner young.
The return to social nature, once begun,
Anabasis or slump, ascent or chute,
Involved him in midwifery so dense
His cabin counted as phylactery,
Then place of vexing palankeens, then haunt
Of children nibbling at the sugared void,
Infants yet eminently old, then dome
And halidom for the unbraided femes,
Green crammers of the green fruits of the world,
Bidders and biders for its ecstasies,
True daughters both of Crispin and his clay.
All this with many mulctings of the man,
Effective colonizer sharply stopped
In the door-yard by his own capacious bloom.
But that this bloom grown riper, showing nibs
Of its eventual roundness, puerile tints
Of spiced and weathery rouges, should complex
The stopper to indulgent fatalist
Was unforeseen. First Crispin smiled upon
His goldenest demoiselle, inhabitant,
She seemed, of a country of the capuchins,
So delicately blushed, so humbly eyed,
Attentive to a coronal of things
Secret and singular. Second, upon
A second similar counterpart, a maid
Most sisterly to the first, not yet awake
Excepting to the motherly footstep, but
Marvelling sometimes at the shaken sleep.
Then third, a thing still flaxen in the light,
A creeper under jaunty leaves. And fourth,
Mere blusteriness that gewgaws jollified,
All din and gobble, blasphemously pink.
A few years more and the vermeil capuchin
Gave to the cabin, lordlier than it was,
The dulcet omen fit for such a house.
The second sister dallying was shy
To fetch the one full-pinioned one himself
Out of her botches, hot embosomer.
The third one gaping at the orioles
Lettered herself demurely as became
A pearly poetess, peaked for rhapsody.
The fourth, pent now, a digit curious.
Four daughters in a world too intricate
In the beginning, four blithe instruments
Of differing struts, four voices several
In couch, four more personae, intimate
As buffo, yet divers, four mirrors blue
That should be silver, four accustomed seeds
Hinting incredible hues, four self-same lights
That spread chromatics in hilarious dark,
Four questioners and four sure answerers.

Crispin concocted doctrine from the rout.
The world, a turnip once so readily plucked,
Sacked up and carried overseas, daubed out
Of its ancient purple, pruned to the fertile main,
And sown again by the stiffest realist,
Came reproduced in purple, family font,
The same insoluble lump. The fatalist
Stepped in and dropped the chuckling down his craw,
Without grace or grumble. Score this anecdote
Invented for its pith, not doctrinal
In form though in design, as Crispin willed,
Disguised pronunciamento, summary,
Autumn's compendium, strident in itself
But muted, mused, and perfectly revolved
In those portentous accents, syllables,
And sounds of music coming to accord
Upon his law, like their inherent sphere,
Seraphic proclamations of the pure
Delivered with a deluging onwardness.
Or if the music sticks, if the anecdote
Is false, if Crispin is a profitless
Philosopher, beginning with green brag,
Concluding fadedly, if as a man
Prone to distemper he abates in taste,
Fickle and fumbling, variable, obscure,
Glozing his life with after-shining flicks,
Illuminating, from a fancy gorged
By apparition, plain and common things,
Sequestering the fluster from the year,
Making gulped potions from obstreperous drops,
And so distorting, proving what he proves
Is nothing, what can all this matter since
The relation comes, benignly, to its end?

So may the relation of each man be clipped.
rachel burch Feb 2013
I watched you today;
I admired your strutting decadence
Unruly, dishevelled bird of jagged honesty
Ruffled, disrespectful feathers that shine
And reflect your begging, squawking call

You and four of your friends,
Dragged down a helpless potato I
Left out for you;
Pinioned it to the ground
With strutted abandon

Oh bird much maligned;
Bird of ungainly beauty
Hobo, derelict, winged, caller
When you murmur the
Shaking stirred skies
With your flocks,

The noise black swirled and reckless
Never fails to make us catch our breath
That such flock - formed beauty could come
From a ragged kingdom call
Makes my own wings;
Take Flight
rachel burch Dec 2012
An ode to the raggedy starling

I watched you today;
I admired your strutting decadence
Unruly, dishevelled bird of jagged honesty
Ruffled, disrespectful feathers that shine
And reflect your begging, squawking call

You and four of your friends,
Dragged down a helpless potato I
Left out for you;
Pinioned it to the ground
With strutted abandon

Oh bird much maligned;
Bird of ungainly beauty
Hobo, derelict, winged, caller
When you murmur the
Shaking stirred skies
With your flocks,

The noise black swirled and reckless
Never fails to make us catch our breath
That such flock - formed beauty could come
From a ragged kingdom call
Makes my own wings;
Take Flight

Just written :-)
Tammy Boehm Oct 2014
This peace you offer
Pinioned prayers and platitudes
Scry in the mercury shattered
Your brittle whispers snap in the rarified air

This madness is thunder at the back of my throat
Ragged and storm weary
I tread water in your wake
Spin my tahrihim and trim the fringe
I am the terminus of fragile breath
Falling away from you

Benedicimus Deum meum adventum et egrediente
There is solace in the blind blue moments
Let me surrender
To the baptism of despair
The upwelling catechism of deliquescence

Souls fall clutching the flesh
Gasping for one more shredding dream
Fill the spinnaker and set sail

I am no longer a seaworthy vessel
This tethered hope you offer
Stinging nettles in my mouth
On flitting wings
Is the drone of hornets in my hair

I crave
Oblivion
And you are bound to your promise
It is my free will

To let go...

06/12/12
TL Boehm

God bless my coming and my going out
*melt away/decay
BB Tyler Feb 2014
The soothsayer only smiles and whispers,
stays anticipation and decays til you kiss her.

Leaning in:

Posture is, as much as
a broken back,
lacking.

Caught,
stiff and bare,
in a stare.
"I'm not acting,"

I'm retracting my opinions
backtrack to begin again.
Pinioned by inclusion;
on the right foot, left
to my conclusions.

If it's a game,
then i'm losin'.
Ann Marcaida Jul 2012
I buried them in a shallow grave

outside the sunroom where their cage hung

rain washed their bones into a deep earth cellar

Where I descend by night with my lone candle

to find them fixed in strata, yet not fixed

scaled claws striking Jurassic dragonflies



My shadow flickers and dissolves

as I sit at the sunroom desk

Tiny scaled claws strike my head

Pinioned dervishes scold:

My suit of black and white feathers

my smooth hands and my scientist's smirk

my two-finger typing and opposable thumbs

my missing wings and manifesting teeth




We dinosaurs live on, incantations of ancestral rebirth

templates used, discarded, and used again

as our sphere cycles on, now warming, now cooling

the uniforms change, the costumes evolve

but the sudden-death scrimmage is eternal.
I wrote this after the death of my parakeets.  Dinosaurs and birds are no longer considered separate lineages.  Birds are simply living dinosaurs.
Joseph Valle Oct 2013
A barren home,
but not of things,
where silence wanders
curiously
down the empty halls.
"Who's there?"
She stands to peek
through door ajar
at the dust  ::BOOM::
on the floor.  ::BOOM::

Nothing's stirred
and all's in place
and all is still
but subject’s face:
fieldstone hues
and wrinkles too.
A desol't eve
in fickle blue,
she’s marching dusk
with throated heart.

Purpled cirri
and pinholes white
high above her
stalwart ceiling.
Shunted thought.
Listless thunder.
Turn on heel
to pinioned sleep;
a reeling sanct,
an effete lover.
Corset Jun 2015
I watched the paper
soak up the ink
as it blotched
breast strokes
across the page...
suddenly,
street bound
jazz hounds
legs,
pinioned
to pavement,
hand signals
of  July scroll by,
a memory strolls
in reverse as a
name  scrawled contra
across  wheat covered
hills...returned to me
chaotic,
lovely.

A single day
took it's light
from the crayon
colored buildings
laughter ran out
from a beautiful city
where the seagulls  
brushed it's wings
against my cheek
like lovers once
embraced
arm in arm,
long before
infancy.

A memory plucked
from the eye of
golden Roses
littering the street
in irradiant petals
like pieces
of shattered
poetry
in the blood
of a waxing
poet.
JP Goss Sep 2013
Why am I always bereft of the thing that I seek the most?
I always seek a willing soul
A soul who would entreat my own
And I the same
I, the slave of my nerves
A slave to the pulsations of my skin
The very thing I’ve always hated
I want hate
I want to hate myself
I want inspiration
That comes from the hate that flows
So freely from my finger tips
So beautiful a thing that passes by
So ignorant of what I could say
What I could appeal to
What drunken emotions accentuated
By the feelings of night
My pointless words
My sickened intellect
What I perceive as truth and the right way
I’m sorry to everyone
All those with the displeasure
Of hearing my obtuse
Faked heart, faked mind
I’m sorry
But I’m not authentic
I’m a replica
I’m not genuine
I’m a thing so pinioned around
The thought of ***
It clouds everything else
I want this false notion of love
I want a distraction
Something that keeps me away
From the emptiness of existence
I don’t want to face it alone
There has to be someone who thinks my skin worthy
There has to be an individual
I didn’t trick
Someone with
The very fantasy of love within them
Someone as foolish as me
With fake blood pulsating through their heart
Like me
Someone with the raw, acknowledged beat of lust
Flowing through those impermanent veins
Like the worthlessness
Extending from every extremity
Nothing is right
There is no light
Goodness has gone beyond me
Genuine Morality
Only the flame of passion
Ebbs in my matter
Not that story
Not that fantasy
Only a lie
One I can’t even abuse
Everyone is gone
I feel like life
Is but staring into a mirror:
Nothingness
Abstraction
Distance
Let this failure,
This over interpretation of a life
Die in the obscurity
Of the night Time
Good night all
Enjoy your lives
If only I could distract myself
From the awful reality
Like you
I want to be like you
Where life has meaning
Like action has sway
I am nothing
And never will be.
If only love could find me.
Tammy Boehm Oct 2013
These breathless moments

Dreams flutter boundless

Pinioned on stellar winds

Constellations rise in indigo eyes

And I pull in spinning

Euphoric aspirations glow

In vertigo as the accretion heats

Birthing a new universe

I am astounded by the light



Interminable epochs

Found me comatose

At the divination point

The juncture of the void and life

I dance the staccato steps of departure

Memory of thin skin disappears

Beatific vision shimmers

In glistened entreaties

Lacrimae sunt arma femina.

Console me with forever

The emulation of flight defines me

Zenith in your twilight skies

On Heaven's breath I rise

*tears are the weapons of woman

TL Boehm
2/22/08
Another Godpoem of sorts.
HEK Feb 2011
Shifting red-wine shadows
pinioned against your hand.
This will end badly.
Copyright Hannah Kollef 2011
Tammy Boehm Oct 2013
starlit spectre
on crescent thoughts descend
the lonesome days I spend
apparitions disappear in daylight
Like whispered promises
of friends

celestial solace
nocturne's daydream
on pinioned wing visions stream
the sparkled rush of lovers hands
cross silvered sands
mercurial stream

Cast away imagination
Set to flight in ravened skies
the ghost of hope now flies
shh don't wake me
to the harsh light
I despise.....
TLBoehm
032808
sometimes Tam (that's me) gets the blues....
Sigilism Sep 2011
tranquil pain   holds  this
facade
pinioned to a past that never was.
when i awoke this morning
were you there?

or were you gone
living your life without me
A W Bullen May 2016
No sound disturbs
The cloud curled steeps of sea green pines
whose clinging oceanic thoughts
are freed, released from malted slopes.
Respired slow , the sallow spirals
herd to high, still, corrugations,
Their purse; a billion brooches
For their keep.


And, then a Raven
Barks its gloat across the drab pavilions
A dauntless hermit sculls away,
on myth buoyed strokes, to beat the bounds.
Carried from the pinioned ridge
away to secret monasteries.
Climbing from embroidered
oriental looms of Beech
An Autumn day in the Eifel region of Germany. The verse is really just selected field notes.
Nigel Morgan Apr 2014
When the leaves fall
and cover the concrete
with their daring script,
we pause to read their asemic form,
a kind of language universal lodged
deep in our unconscious minds.

With curve and line,
join and stem,
these nothing words reform
again with each gust of wind.

Or pinioned by grass and rain
these natural letters
in the language of leaves
remain - in situ -

and slowly curl and colour,
shimmer with dew,
glisten in sunlight, revealing
their inscription, thus:

*O friend whoe’er you are
I feel through every leaf
The pressure of your hand,
Which I return,
And thus upon our journey
Linked together, let us go.
Afterword

Poets need good titles and The Language of Leaves was one title waiting to be acted upon. The poems in the sequence I -V are little narratives: a Victorian poet waits in his conservatory for tea, an ever-observant women searches the pavements for treasures, a Japanese princess practices her calligraphy for a distant lover, a correspondence ensues between scientists father and son, a painter patiently rehearses a single stroke of the brush. There are both real and fictional people featured here. You don’t need to know who they are. The Introduction and Conclusion are poems-proper about leaves and how we read the script of their movement and being.

There is some sampling here of existing texts, and credits should include Cid Corman, Joanne Harris, Arthur Waley, The Darwins father and son, Nicholas Serota, , Francis Ponge and Walt Whitman.

This collection is inspired by a series of five images in the medium  of print and stitch by Alice Fox, to whom these words are dedicated.
nnyaa Feb 2015
Find me,
I'm lost in the whorls of a faceless crowd
Like a solitary bubble ; a lonesome cloud
I'm tossed by the froth of the azure waves;
By the wanton breeze, that rants and raves
I've stared at destiny's elusive face
Locked eyes with its million dimensions
But I cannot find myself ,
And I cannot find my place
So find me, Oh! find me,
For the map of my life, i cannot comprehend
I am lost, so find me
Find me and be my friend.
Tell me,
My winsome dreams are for real.
My honey-scented , rose coloured dreams;
And all wounds of past, time will heal
By the elixir of its ever flowing stream.
In whispers , like the swish of a seraph's wings
Like a wandering minstrel ; Be the one
To sing to me of all joyful things
Of hopes redeemed and battles won
So tell me, Oh! tell me
Sweet symphony to my silence lend.
I am listening , so tell me.
Tell me, and be my friend
Save me,
There are demons inside my head
In murky shadows of native fears.
From cold dark dungeons, I fear to tread
Its all in the caverns of my mind, it appears.
But it brings me down,
And I am pinioned by its chains
Neck deep in darkness all around
Marooned in uncharted terrains
So save me, oh! save me
Be a beacon of my path, God sent
I am ambushed, so save me.
Save me, and be my friend.
Like a willow in the midst of a wilderness untamed
I'm swaying to the tempest, in a pagan trance
Like the rise and fall of kingdoms unnamed
Like billows in ever shifting psychedelic stance
Find me, make me rise, I want to shine
Tell me of miracles I can yield , I want to shine
Be my stalwart sentry , lest my hopes descend
And be my friend , be my friend.
(2008)
Brother Jimmy Sep 2017
Throbbing twinge
To blinding light

Doubling over

Pinioned, you'll hover
For a moment

The trap is set
All it takes is a tiny misstep

Just an inch
And the bone and sinew

Unhinge
...
Like a snubbed lover

Crippling and crumpling
My very form

To this spot on the pavement
Where I squirm comically

Attempting to right myself
Useless.

I resolve to keep moving

Grit teeth
Eyes squeezed shut

The elusive sigh of relaxation
Seems like a long forgotten myth
Black Wolf May 2014
Your brand new heart I do not need
Your threads don't hold me down
Your needle doesn't pierce my scales
Those days never to be found.

Two fallen angels, dancing
On wings of ebony
Embraced in a death spiral
Entwined, they're never free.

As feathers fall, resentment calls
They're wings are pinioned now,
You can't fly? I can't fly.
I've never known how...

..to safely shake this dragon
That's been nipping at your thigh,
A thousand miles have flown so fast
In the blinking of an eye.

And roaring winds grow louder
As we grow farther from mother sun
A hail of fire smoldering,
She whispers "Run, my children, run"

Scar for scar, bruise for bruise
They plummet to the earth
The ground is getting closer,
It's time for a rebirth

Warm blood has splattered both our eyes
From each others missing wings
We're flapping numbly, falling dumbly
As we give into these things..

Head first and tumbling faster
Engaged to this gravity
It's will it seems still holds their fate
As she rips their feathers free

He sawed at her ****** stubs
And she did the same for he
Drenched in each other's burgundy
Resemble devils, free.

Words and lines are rolling off his serpentine tongue,
falling upon deaf ears
It's only been mere seconds
but feels like neverending years.

But in the midst of all of this,
She hummed a song so sweet
A language dead, it has been said

It haunts my every dream.
Tammy Boehm Jul 2014
La Luna lifts from the cosmic abyss
Pinioned in stellar skies
For a moment or two swept away by you
Sparkling life lit up in your eyes
Carry me away from anywhere
To that special hideaway called you and I

Cool Luna's fog sweeps round me
Spring night a bluer hue
You sitting there, soft breeze through your hair
Falling in love again with you
Take me away from the chaotic day
Lose my self in eyes so blue

I catch my breath and I
Close my eyes wish I could fly
As moments sweeping by
La Luna lifts in ebonyed sky
TL Boehm
050407
yeah well its a clunker....
(20 minute poetry)


Time becomes another line
that
sits deep upon my face

centrally located
suffocated by the mass
of
those who then would pass by me
without a single glance.

Each day strips off the day before
a peep show that I've seen and
in somewhat less than awe
I find I have to look.

People
pinioned by their lack of care
I know it
because
I've been there

never watched nor seen those
Inbetween
stepped over the cracks in
worn down steps,

let's hear it for the blind men
who can see
but are
unkind men
let's hear it for them
after all
aren't we those kind
men too?
Duncan Brown Jul 2018
A scarecrow dwells on the horizon
Such a lonely image of crucifixion
No ragged thieves surrounding
Sublimely frightening and beautiful
Observing this world’s unfolding
From the inside solitude of loneliness
Externally gazing at the moving distance
Tethered and shackled to lifelessness
Exposed to nature’s scorning passage
A victim of insignificant circumstance
This symbol of something miraculous
Sowing each souls fertile imagination
Harvesting it in the rags of the future
Fixed and pinioned to the present
The lonely ballerina on the landscape
Unmoved the world moves around it
Like a dancing figure on a music box.
Dave Hardin Oct 2016
Red
Red

Open Jeep
That raptured us to the bottom of
Cherokee Hill

Aunt Shirley’s
face, nails, her flip flops, elastic
band that

barely tamed
her whipping hair, weeping  
bead work

my knee aflame
reopened on blacktop
only minutes

before sirens
split the sun ripe afternoon
Red

Bank
Baptist Church at the apex of a blind
curve

Beetle
helpless on its back, cans of
Bud

scattered
empties, some full ones
church key

perhaps
thrown clear with the passengers
blood

pooling
beneath the pinioned driver
everything

except the snow
white sheet I could not help
but imagine

drawn gently
over my astonished
fevered face.
Derrek Estrella Oct 2020
Perhaps its best we cannot sleep
That eyes burn
That fingers weep

In the morning, should we still blink
The breath returns
The feeling sinks

Under the noon, where dreams are cold
The chest will collapse
As memory folds

Before the sea, where light is frail
The arms will creak and wrap
Around the shallow pale

When favour leaves the lame and young
They will speak in toothless tone
They will pay to use their tongue

As statues lead the morning choir
The children all wear shoes of stone
For fear of seeing any higher

The willow bursts and spring combusts
Onto the row of newborn nimbus
A sight beyond our awe or disgust

The angels lift us off the ground
To the gilded cliff of old Olympus
Where heaven was murdered by one last sound

The stale sound repeated, and pounded with sour trembling rasp
The sun was defeated, retreating a coward with the angel's gasps
As they too were shot, ****** dry by leech with pinioned skin
Now lay in their rot, plucked and beached on shores of sin

O, the sound of horrid noon
And every lasting ache
Came from the hidden moon
Begging me to wake
JG O'Connor Jun 2017
The cottage in the hollow,
It’s beams and rafters a rotting ship.
The walls are pinioned together,
With spiders' webs.

The two black gaping windows,
Reflect the sockets of souls.
Abandoned during the days,  
When all time brought misery.

The creatures that inhabited here,
Bore every genus of distress.
Sleeping in their bed of filth,
With the same dream in collective misery.

Lost to an indifferent world,
Buried in an indifferent ground.
Mocked by indifferent words,
Forgotten by indifferent thoughts.

The Famine potato drills now waves of grass,
Left to the wandering sheep.
Original human sin repeats itself in every form,
Somewhere,  Eternally, to The Unkown.
Napolis Oct 2018
Deep kisses.

and opened
wounds
to lick
and heal.

ghosts
of lesser
things.

lost and
found
in the
night.

cold bedroom
blankets.

no lover's
toes
to tangle
with and
dance,

no imagination
left to
paint the
watercolor
dreams
of your
youth.

and fear
shows
it's pinioned
yellow
teeth.

and it's
loneliness
bursts
through
you with
all its
might.

and love
is now
a fallen
fruit
rotting
from
the vine

for the

blackbirds

to pick at

and carry on.

and your
whispers
are pledges
of hope

etched in

blood
to the
night..

and I
pray
that God
will
hear you.

and that

the time
is coming
soon.

as the sun

watches you

on this hill

as you
sit.

looking for
faith at
2 o" clock
in the
afternoon.

both eyes
opened
wide.
~ May fourth, 2005
wedded bliss nearly fifty years
half a century almost
me not most favorite grown offspring,
she (when alive) did boast,
about youngest sister and her family,
unlike me – severely socially withdrawn
a veritable wallflower
as a result, I suffered emotional contusions.

When thru life yours truly did
nervously, frightfully, blisteringly coast,
nevertheless her spirit dwells
within wonky tonk prodigal host
crafted in the following poem he doth post
holding tumblr full of favorite brew
probiotic kombucha drink
to thee mother dearest
foregone fading memories
your long haired heir does toast.

Often these days,
the following genuine sentiment
Matthew Scott Harris
doth wish to share
how one and only son,
remembers his mother
cuz about eighteen years
after she succumbed
courtesy of terminal illness
he trots out and updates yearly
a poem initially crafted
when she passed away.

I still reckon eyes how yours truly
analogous to the fountainhead  
of Atlas shrugged off,
whose fanciful essence coalesced
immensely helped  sired,
and yelped ****** ******
when ******* ***** in heat whelped  
at what human biology wrought
doggone muttering schlep
despite being nurtured,

proffered, and registered
tender loving care
within whose womb,
a mature haploid female cell
experienced fertilization courtesy
complimentary male haploid *****
underwent fertilization yielding
zygote thru mother nature's gestation
this sole male offspring born,
thus subsequently after her demise,
yours truly shouldered himself with self scorn.

He clearly recounts
when she felt the scythe of the grim reaper
as if her death occurred yesterday...,
when all mine troubles
(emotional, financial, and physical)
moost definitely
no more farther away
then present moment.

Tempus fugit popular worded couplet
brings Latin alive with succinct precision
or imagine an hourglass
where fine granules
analogous to last remaining
grains representing sands of time
trickle from one to another
(upper to lower) bulbed chamber.

Just prior when coroner decreed death,
yet once in a lifetime opportunity prevailed,
wherein said self (me) chose
NOT to stand vigil at deathbed
(analogous to sitting Shiva)
of she who begat
an older and younger daughter
(mine sibling sisters).

Last breath(s) expelled while mama
tethered to machines,
one or more helped diminish
agonizing, depressing, and writhing
pain and discomfort
figuratively and literally
wracked and pinioned once fitness
and health conscious, flirtatious
industrious, tenacious, and vivacious body,
dinged, harangued, peppered
nefarious carcinoma by dint of
common atomic beastie boy
among certain Semitic people
linkedin to presumptuous inbreeding.

According to google search
frequency of breast, ovarian,
and uterine cancer among Ashkenazi
elicited revelatory statistic
1% of all Ashkenazi Jews
living today inherited
a defective copy of one
of their BRCA2 genes.

Unbeknownst to them,
these carriers of BRCA2 mutation
at increased risk for developing
breast, ovarian, prostate
and pancreatic cancer.

Indomitable esprit de corps
eradicated courtesy regimen of
chemotherapy and radiation,
which latter malignant terminal illness
(no joke) riddled a former robust
Arthur Murray ballroom dance instructor
(think approximately sixty nine years past),
whose coy and coquettish demeanor
instantaneously caught fancy of handsome
twenty something papa at his prime.

Before rigor mortis quickly
stole precious lifeblood, and
final minutes ticked away until
countdown to... realm
of absent consciousness
scant moments before subtle transition
slipped our beloved mother
out of misery (a veritable battleground)
where she did silently rage into deadzone...,
neither final adieu, caress, grief...,

nor poem written...
never communicated to deceased,
not an iota of sorrowful lament
bequeathed, prevailed, relinquished...
over lifeless body (mommy dearest)
relegated limp suddenly
cold stone pilot less body,
where morgue aged corpse
kept in cold storage
(despite aversion to frigid air
exhibited when mama alive)
preparatory to cremation process.

Rather... suppressed resentment
exhibited itself at 1148 Greentree Lane
(partially listed abode -
Matthew Scott Harris,
where family of mine then resided)
by mister recalcitrant,
felt ambivalent carte blanche blasé affection
regarding once young bride,
(who metaphorically
smothered cingular heir insync
with dada i.e. Boyce Brandon Harris),

cuz he (yours truly) overstayed
livingsocial under same roof as parents,
which happenstance situated
at me boyhood home
once located upon
six plus wooded acres;
324 Level Road
constituted the whittled down
once sprawling Leiper Estate,
which encompassed about
one hundred plus acre wood
home to Winnie the Pooh.

Both thee aforementioned
supposed biological guardians
railed, screamed, tormented
(albeit verbally traumatized)
yours truly, upon attaining
mine eighteenth birthday,
when great expectations
greatly exacerbating
emotionally hard times,
which ill suited poet de jure
experienced, brickbats rained

akin to fountainhead spewing
painful pelting piercing
poisonously pummelling (python like
hashtagged with moniker Monty)
down upon these
considerably mooch younger lovely bones,
whose anger (mine) smoldered
linkedin to constant epithets of expletives
out the mouths of those who begat me,
subsequently their livid with rage
tsunami festered within me
every holy moly molecule.

Mine atomized corporeal being
manifesting itself as deprivation
to embrace dear mama
attended at hospital with
both my non twisted sisters;
one hailed from Woodbury, New Jersey
and the younger staked out
modest digs within Bend, Oregon,
meanwhile thee grim reaper
did patiently soon scythe
heading back to his old curiosity shop,
a rather bleak house, I now conclude.
Often these days
(closing in on the eighth
anniversary of eighth orbit
around mister sun),
the following genuine sentiment
Matthew Scott Harris
doth wish to share
how one and only son,
remembers his mother
cuz about eighteen years
after mother succumbed
courtesy of terminal illness
he updates yearly a poem initially crafted
when she passed away.

I still reckon eyes how yours truly
analogous to Atlas -
shrugged off proffering
tender loving care
within whose womb,
one zygote underwent gestation
this sole male offspring born,
thus subsequently after her demise,
yours truly shouldered himself with self scorn.

He clearly recounts
as if her death occurred yesterday...,
when all mine troubles
(emotional, financial, and physical)
moost definitely
no more farther away
then present moment.

Tempus fugit popular worded couplet
or imagine an hourglass
where fine granules
analogous to last remaining
grains representing sands of time
trickle from one to another
(upper to lower) bulbed chamber
just prior when coroner decreed death,
yet an opportunity prevailed,

wherein said self (me) chose
NOT to stand vigil at deathbed
of she who begat
an older and younger daughter
(mine sibling sisters).

Last breath(s) expelled while mama
tethered to machines,
one or more helped diminish
agonizing, depressing, and writhing
pain and discomfort
figuratively and literally
wracked and pinioned once fitness
and health conscious, flirtatious
industrious, tenacious, and vivacious body,
dinged by a former carcinoma

eradicated courtesy regimen of
chemotherapy and radiation,
which latter malignant terminal illness
(no joke) riddled a former robust
Arthur Murray ballroom dance instructor
(think approximately sixty eight years past),
whose coy and coquettish demeanor
instantaneously caught fancy of handsome
twenty something papa at his prime.

Before rigor mortis quickly
stole precious lifeblood, and
final minutes ticked away until
countdown to... realm
of absent consciousness
scant moments before subtle transition
slipped our beloved mother
out of misery (a veritable battleground)
where she did silently rage into deadzone...,
neither final adieu, caress, grief...,
nor poem written...
never communicated to deceased,

not an iota of sorrowful lament
bequeathed, prevailed, relinquished...
over lifeless body (mommy dearest)
relegated limp suddenly cold stone body,
where morgue aged corpse
kept in cold storage
(despite aversion to frigid air
exhibited when mama alive)
preparatory to cremation process.

Rather... suppressed resentment
exhibited itself at 1148 Greentree Lane
(partial listed abode -
Matthew Scott Harris,
where family of mine then resided)
by mister recalcitrant,
felt ambivalent carte blanche blasé affection

regarding once young bride,
(who metaphorically
smothered cingular heir insync
with dada i.e. Boyce Brandon Harris),
cuz he (yours truly) overstayed
livingsocial under same roof as parents,
which happenstance situated
at me boyhood home
once located upon
six plus wooded acres;
324 Level Road
constituted the whittled down
once sprawling Leiper Estate,
which encompassed about
one hundred plus acre wood
home to Winnie the Pooh.

Both thee aforementioned
supposed biological guardians
railed, screamed, tormented
(albeit verbally traumatized)
yours truly, upon attaining
mine eighteenth birthday,
when great expectations greatly exacerbating

emotionally hard times,
which ill suited poet de jure
experienced, brickbats rained
akin to fountainhead spewing
painful pelting piercing
poisonous pummels
down upon these
(considerably mooch younger) lovely bones,
whose anger (mine) smoldered

linkedin to constant epithets of expletives
out the mouths of those who begat me,
subsequently their livid with rage
tsunami festered within me
every holy moly molecule.

Mine atomized corporeal being
manifesting itself as deprivation
to embrace dear mama
attended at hospital with
both my non twisted sisters;
one hailed from Woodbury, New Jersey

and the younger staked out
modest digs within Bend, Oregon,
meanwhile thee grim reaper
did patiently soon scythe
heading back to his old curiosity shop,
a rather bleak house, I now conclude.

— The End —