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"oboes" poems
Flower petals fall from trees In a kaleidoscope of colours Red, pink, blue, white, lavender, Orange, and yellow Different instruments Chime out a melody sweet Harps, violins, and oboes Fill the air Along with violas, cellos, Acoustic guitars, pianos, And many more instruments Each one sounds beautiful in it's own way But Fairies play and create a melody That sounds so heavenly Beautiful rainbows Fill the sky with a maze of colours And raindrops refresh the earth Which feels so nice and warm beneath our feet Dewdrops kiss those flowers The same dew that sparkled On the grass like a million jewels Enchanted by those honeyed rays Of earthbound sunshine Dancing and waltzing in the morning air We walk down those paths That seem so large to us And are spellbound by the shade of the forest We sit down to rest On those mushrooms that grow Alongside that forest path We love to appear In front of your eyes And make you look at us In a dazzled sort of way In Winter we love to fly And walk upon the blanket of snow And play a tune upon the frozen icicles Hanging from the pine needles Covered in white snow We love to fly about Those falling snowflakes And dance with them Through the grey sky In Spring we love To fly and dance In a meadow of flowers I could go on forever But here I stop ~Marian~
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Jul 8, 2013
Jul 8, 2013 at 12:12 AM UTC
A Day In Fairyland
SUMMER MARCHES IN (Movement no. 1) It comes crashing down like doom. A martial fanfare begins a long conversation questioning fate, arguing for the human condition, and for death's open invitation, which we dare not deny. WHAT THE MEADOW FLOWERS TELL ME (Movement no. 2) Their blooming voices are oboes and lush violins. The sun is surely brassy bright in the sky above. Radiant alpine flowers and woodwinds from deep within their burrows make the case for a music well tended and serenely fed by sweet springs emerging from the depths here below. WHAT THE CREATURES OF THE FOREST TELL ME (Movement no. 3) The life force tends to run amok. Yet things do not fall apart, the center still holds. And though it is mundane - pedestrian, at times - we cannot deny the joy in this life, nor do we wish to. But know, traveler, that submerged in every caldron of joy is a small *** of darkness. And it will find you or you will find it - not only because it is fated, but for the sake of your sanity. WHAT MAN TELLS ME (Movement no. 4) Here darkness sings. Again the plucked string. O Mensch! You tell the tale! You take this story back to the mountain. A woeful tale you bring, but it is gilded with joy. A chorus exalts your condition. Deep is its grief, but joy is deeper still. WHAT THE ANGELS TELL ME (Movement no. 5) Bimm Bamm Bimm Bamm the children's choir sweetly intones. And what, pray tell, do Angels have to say to us? I've heard about love I've heard about emptiness I've heard about absence without presence, about nothingness and the void. But I have never heard such singing! WHAT LOVE TELLS ME (Movement no. 6) Sweet the air we breathe. Pleasant the sights before us. Words are stilled, anxious thoughts banished. There is nothing on Earth or in Heaven that disputes this sweet resolution all the parts made whole Nothing that could possibly speak against it (though French Horns will have their interests heard). But here it is. The end. O Mensch come to your last and best resting place. Also sprach Gustav Mahler.
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May 25, 2016
May 25, 2016 at 9:19 PM UTC
Mahler's Third Symphony
SUMMER MARCHES IN (Movement no. 1) It comes crashing down like doom. A martial fanfare begins a long conversation questioning fate, arguing for the human condition, and for death's open invitation, which we dare not deny. WHAT THE MEADOW FLOWERS TELL ME (Movement no. 2) Their blooming voices are oboes and lush violins. The sun is surely brassy bright in the sky above. Radiant alpine flowers and woodwinds from deep within their burrows make the case for a music well tended and serenely fed by sweet springs emerging from the depths here below. WHAT THE CREATURES OF THE FOREST TELL ME (Movement no. 3) The life force tends to run amok. Yet things do not fall apart, the center still holds. And though it is mundane - pedestrian, at times - we cannot deny the joy in this life, nor do we wish to. But know, traveler, that submerged in every caldron of joy is a small *** of darkness. And it will find you or you will find it - not only because it is fated, but for the sake of your sanity. WHAT MAN TELLS ME (Movement no. 4) Here darkness sings. Again the plucked string. O Mensch! You tell the tale! You take this story back to the mountain. A woeful tale you bring, but it is gilded with joy. A chorus exalts your condition. Deep is its grief, but joy is deeper still. WHAT THE ANGELS TELL ME (Movement no. 5) Bimm Bamm Bimm Bamm the children's choir sweetly intones. And what, pray tell, do Angels have to say to us? I've heard about love I've heard about emptiness I've heard about absence without presence, about nothingness and the void. But I have never heard such singing! WHAT LOVE TELLS ME (Movement no. 6) Sweet the air we breathe. Pleasant the sights before us. Words are stilled, anxious thoughts banished. There is nothing on Earth or in Heaven that disputes this sweet resolution all the parts made whole Nothing that could possibly speak against it (though French Horns will have their interests heard). But here it is. The end. O Mensch come to your last and best resting place. Also sprach Gustav Mahler.
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Bonobo oboes Bongoes goes ******* agent Bonny nymphomaniacs Bonanza 'za Bonbon bones Bonker kerosene Bonsai saints
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Mar 16, 2014
Mar 16, 2014 at 11:10 AM UTC
**** Hill
When Twilight falls the Fairies Play gracefully upon their Enchanted instruments Celtic harps and violas Join in this beautiful solo Double basses and violins Ring out through the calm Night The Fairies play from Twilight 'Til Midnight Then move on somewhere else And play upon their instruments 'Tis the Fairies' melody For they love living in Instrumental harmony With happiness and smiles From little pink lips They play upon the prettiest Bells and chimes ever Celestas and harpsichords, Pianos and organs Raise their beautiful But meek and humble voices Creating a tapestry of music The mandolin also follows And lifts its voice And the flute comes next Beautiful sounding oboes Sing sweetly on the Night breeze Next come the wood winds and brass winds And their beauty cries out A bittersweet paradise The most beautiful music Played while All humans are asleep But when Fairies are awake ~Marian~
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May 16, 2013
May 16, 2013 at 11:18 PM UTC
The Fairies' Melody
I have been urged by earnest violins And drunk their mellow sorrows to the slake Of all my sorrows and my thirsting sins. My heart has beaten for a brave drum's sake. Huge chords have wrought me mighty: I have hurled Thuds of gods' thunder. And with old winds pondered Over the curse of this chaotic world,- With low lost winds that maundered as they wandered. I have been gay with trivial fifes that laugh; And songs more sweet than possible things are sweet; And gongs, and oboes. Yet I guessed not half Life's symphony till I had made hearts beat, And touched Love's body into trembling cries, And blown my love's lips into laughs and sighs.
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Music
The audience, silent, took a breath in unison Included in the orchestra was every instrument imaginable Banhus and Gadulkas played folk and polkas The brutish brass, bodyguards and protectors of stringed melodies Included in the orchestra was every instrument imaginable A concert harp, plucked by fingers long, smooth and sharp The brutish brass, bodyguards and protectors of the woodwind class Saxophones provided a melancholy lilt, the timp was traditionally built A concert harp, stroked by running fingers, smooth and sharp Every sharp and flat note was passed through the throaty reeds of oboes Saxophones reminiscent of ‘jive’, the timp in its size had nowhere to hide This exhibition of musical traditions played late into evening with no intermissions Every sharp and flat note accounted for, motifs carried whispers of folklore Banhus and Gadulkas, swapped stories with bassoons and bagpipes The exhibition had finished, piano keys rested, every note has its operatic death The audience, silent, took a breath in unison
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Jun 14, 2016
Jun 14, 2016 at 8:56 PM UTC
In Unison
Movement no.1 Andante con moto Farewell. I am leaving you with the sweetness and the sadness of every creature on this earth draped over my shoulders as a shroud We rest now before the final struggle looking down upon our lives from a precipice The wind calls up a faint sound a song of healing as resignation So bring forth the dirge let dogs and oboes cue the horns as we embark upon a tender struggle We are whipped back and forth between grief and glory in this life an indifferent life lush with raw power But thankfully at the end of every day there is sleep. Movement no. 2 Im tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb. Dance returns and goes mad Who could lift a leg that high?   Not I. The music careens off the walls in a dissonant minuet of the hours The clenched teeth of each and every minute grind here as if time itself took heel and made a sparkling trace across the pines of this exalted floor of dance. Movement no. 3 Rondo Burleske: allegro assai. Sehr trotzig. A music major's delight. Fugues against fugues. Dense contrapuntal figures and sarcastic counterpoint shouting out from the back of the class. And then just love confused perhaps but real love indeed. Movement no. 4 Sehr langsam und noch zurüclhaltend The violin noblest of instruments takes its place In bitter sorrow life soon lost the fruit of the tree is extinguished the promise of green days burned by drought All is withheld. There is peace at the end but no joy the abyss is only silence and a taut string connecting us to eternity.
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Jul 14, 2016
Jul 14, 2016 at 10:47 PM UTC
Mahler's Ninth Symphony
Movement no.1 Andante con moto Farewell. I am leaving you with the sweetness and the sadness of every creature on this earth draped over my shoulders as a shroud We rest now before the final struggle looking down upon our lives from a precipice The wind calls up a faint sound a song of healing as resignation So bring forth the dirge let dogs and oboes cue the horns as we embark upon a tender struggle We are whipped back and forth between grief and glory in this life an indifferent life lush with raw power But thankfully at the end of every day there is sleep. Movement no. 2 Im tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb. Dance returns and goes mad Who could lift a leg that high?   Not I. The music careens off the walls in a dissonant minuet of the hours The clenched teeth of each and every minute grind here as if time itself took heel and made a sparkling trace across the pines of this exalted floor of dance. Movement no. 3 Rondo Burleske: allegro assai. Sehr trotzig. A music major's delight. Fugues against fugues. Dense contrapuntal figures and sarcastic counterpoint shouting out from the back of the class. And then just love confused perhaps but real love indeed. Movement no. 4 Sehr langsam und noch zurüclhaltend The violin noblest of instruments takes its place In bitter sorrow life soon lost the fruit of the tree is extinguished the promise of green days burned by drought All is withheld. There is peace at the end but no joy the abyss is only silence and a taut string connecting us to eternity.
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What does infinite longing sound like? Where is the vault that holds the seed corn of sadness? And how can we mute our fear when the barred owls in these dank woods sob in perfect sympathy with the night? Here the tense oboes find their range silence pervades their thoughts the drum marks a beat while the string section weaves a hieroglyph of grief and resignation. This symphony is called the song of the night and night proves to be full of whispered life rustling leaves and the courage to face it. But night is not synonymous with darkness. Its ways and means harmonize with the light render half the whole parcel our sleeping hours into dreams and fitful moments beneath the staring moon. In the morning a plaintive bird song stirs thought brings the sun into the east and wraps night's dreams into a silk handkerchief where dreams are tightly bound and forgotten.
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Jun 12, 2016
Jun 12, 2016 at 9:42 PM UTC
Mahler's Seventh
as a whole I have {been listening to your godawful racket} ruminated for an entire rehearsal number {though it felt like six} and have a few things I would like to address as a {brutal bandslaughter} kindly input for your improvement flutes {come on now, have we ever heard of a tuner} great job, watch your pitch on the A, though again {scratch that, where's the shotgun} ...right. clarinets first parts play {no, stupid, you are SECOND part you got demoted last week when you couldn't play the riff in measure nine} wonderful, now could we take it from letter B just first clarinets, okay {FIRST clarinets FIRST FIRST FIRST god where's my coffee} right. let's just move right along, shall we oboes oboes, I-- right. let's have that F again {you're flat you're sharp and both of you just plain **** okay, one at a time {oh my LORD my ears are bleeding who the hell invented this thing} you're a little sharp can you fix that ...your reed is old {you bought it last week} ...you've got spit in it {you just took an entire twenty measures of the last movement to pull out your swab} ...someone broke your horn. right. okay French horns let's hear the G
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Apr 27, 2010
Apr 27, 2010 at 1:44 PM UTC
to stifle the voices
the sky is an orchestra of oboes, clarinets cellos, strings and brass instruments we make the sound of thunder and lightning before the coronation of storm
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Jan 4, 2016
Jan 4, 2016 at 9:19 AM UTC
The Coronation of The Storm
Success & Excess, the double-headed goliath atop the mountain drinking wine laughed with all the slop-eating swine at the ant-sized pilgrims crafting their shrine. But soon the mountain cracked under the lives spent toiling over construction & protection of their collective prison-- the bitter stench of cynicism wafted freely through its halls & prisoners prayed for the crumbling to bring them fresh air. The mountain did crumble, success & excess met pilgrims in fate as the trumpets of creation harmonized with the oboes of destruction to wring out a nocturne for the newly born babes. Cynicism dissipated & their souls grew stronger, their will followed & filled the void of Excess with imagination to create the world again. Success, the wounded foe, was forced to strut around town-- pilgrims & prisoners laughed and poked, yet at the nucleus, Success whispered: "nothing can stop me."
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Dec 2, 2011
Dec 2, 2011 at 5:43 PM UTC
Success
At the old downtown Theater a curious group of performers appear after closing time , a little after sundown ! The pipes of the grand pipe ***** make the stage their own ...Large ones , tiny ones and gadgets the likes you've never ever known ! Instruments of various heights , shapes and sizes ! Teeny weeny flutes and big oboes answer and call ! Vox humanas sing like the choirs above , Rooga horns from old cars sound off , little blue birds twinkle lovely alms ! Wood Flutes tower sixteen feet high ! Brass trumpets heard from miles around , contra bassoons big enough to blow a man down ! The clap of wooden horses crossing covered bridges , antique telephones and drumhead switches ! Lovely diapasons lead the show , big burly Reeds make the stage their own !! The mops , buckets , brooms and dust pans dance as the entourage bellows , the music grows louder as the pipers come together ! As all the pipes blow a beautiful song , debonair Sir Console graciously invites you all to sing along !
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Jan 25, 2016
Jan 25, 2016 at 7:23 PM UTC
After Hour Symphony
*The Devils popping the bubble wrap Hail is bouncing off the front door steps Blustery tree lines wrapped in sheets of lightning blue , rivers forming at downspouts , thunder growing louder Cars come to a crawl Peace and violence are poised to draw Suddenly showers stall , a lull ensues Quiet resumes , the night is rescued The treefrogs strike a tune , the June bugs swoon The timid moon looms , the insect musicians balloon The oboes , the clarinets , the piccolos and the cellos Sweet voices , the harps , the guitars and the pianos A whippoorwill calls the orchestra to order , the thrushes , mockingbirds , the katydids , the cricket chorus , the coyotes , the bobcats , the hoot owls and the sprites The jays , the cicadas  and the songsters of night Goodbye Old Man Squall , may the creatures of the eve now come to call , may the maidens of the forest render ballads of rest , may the fledglings of the morrow lay peacefully in their nest* ...
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Mar 1, 2017
Mar 1, 2017 at 8:19 PM UTC
Piedmont Showers ...
Children’s voices crying out and laughing loud and clear Like an orchestra of sound for everyone to hear The bass starts first, parental leave gives go ahead to play The marching beat as kids go forth and out into the day A trumpet hail for company is raised from door to door The flute returns, the oboe too accompanied by more The fun begins on strings and swings go back and forth with speed All cares and woes are flung away percussion takes the lead A drumroll raises up the stakes a dangerous new move Chromatic scales, gymnastic fails the cymbal’s sharp reprove The roundabout reveals the chorus repeating the refrain The highs, the lows and all between All voices sing again The seesaw conversation starts bassoons begin up high The oboes and an English horn ascend into the sky A far away note penetrates the happy symphony A lone voice trills with increased speed and calls out ‘Time for Tea’ As kids go home the conductor Bows and takes his leave The park is left in quietness notes floating in the breeze
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Aug 21, 2018
Aug 21, 2018 at 7:41 AM UTC
The Playground
Érase un cura, tan pobre, que daba grima mirar sus zapatos descosidos y su viejo balandrán. Érase un cuasi mendigo que solía regalar a los más pobres que él con la mitad de su pan. Un cura tan divertido para hacer la caridad, que si daba el desayuno se acostaba sin cenar. Érase un pobre curita llamado el Padre Julián, a quién vían como a un perro los grandes de la ciudad, pues era tan inocente y era tan humilde el tal, que en la casa de los grandes daba risa su humildad. Un día amaneció muerto, siendo causa de su mal no se sabe si mucha hambre o alguna otra enfermedad. Entonces un gran entierro se ofreció al padre Julián, donde sólo en cera y pábilo se quemara un dineral. Y se vieron coches fúnebres y hubo un lujo singular, a los ecos de las marchas de la música marcial. Y cuentan que los timbales y oboes al resonar, hacían burla del muerto pobre de solemnidad... Y que el muerto se reía pensando en su balandrán, con una de aquellas risas que dan ganas de llorar.
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Abrojos - lii
The bass fades in, nice and slow, fading out again for a moment of silence. The flash of a flute in the distance, a slow cymbal shaking into existence, cellos driving out a deep and quiet rhythm. The tin whistles of frightened seabirds fly for shelter from the rising and falling of bassoons floating in the dark sky. The conductor unleashes a mighty roar from his orchestra and gone again, the violins with their staccato carrying on for a bit longer before the orchestra erupts again, playing a few more notes than before, the oboes constantly playing. Drumsticks beat down steadily on a cymbal held in a gloved hand, rising up in crescendo and accelerando, harder and faster they fall, harder and faster they strike, the orchestra blares again as we in the wings start to get unnerved but the storm has used all its power, the players are tired tonight and all that is left is the tambourine man shaking his hand as he walks off stage.
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Jul 21, 2017
Jul 21, 2017 at 10:52 AM UTC
The Symphony of Summer Storms
The moon and stars they wept. The grey blanket of clouds covered the light source. The morning sun was dead. In a bunked lowly chair I sat as I stare the first drop of sky's tears fall in the windowpane. It's like watching a full played orchestra. The loud crackles of every droplet hitting my roof sounded like violins. The wind steered the tempo of each cello sounding raindrops. Marvelous harmonies of saxophones, bassoons, oboes, clarinets and flutes symphonized the silence. Sky, the orchestra conductor is crying. So am I. Then I remembered, that I'll play a function too. I'm the orchestra's vocal soloist. Oh, here's my part . . . I screamed.
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Aug 12, 2017
Aug 12, 2017 at 3:52 AM UTC
Downcast Symphony
Woke up way to early this morning went to sleep too **** late but the universe was already awake, loose and free eons before my eyes opened this day. The sun was up and around walking in the garden searching for weeds among the flowers and onions he trod the mulch to fertilize creation - he is at home there in the dirt and clay in the failures of the day. So when I arrive in the garden room and sit at my little computer amidst the plants and shells and cats and angels I feel as if I have come home from the misty crazy regions of sleep to find my deeper self here in this tiny dot in the universe. Here I listen to Chopin and Indian flute and music from beyond awakened from somewhere in the shadows and blood circulating and populating my organs playing the grand pianos , cellos violins, flutes and mellow mysterious oboes within. The sun is present in the clattering molecules of stone and bone infiltrating crashing creeping and propagating making life and death into a great and glorious symphony. Before I woke this morning the sun was wandering the creases and crevasses of my brain preparing me and making me whole taking my timid self and making it bold for the vagaries and variations of this day ready to climb into this small moment of time.
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Feb 23, 2019
Feb 23, 2019 at 11:38 AM UTC
Before I Woke
If she did hollowly aggress me in distemper she's but a shoe in these oboes then a girl as somebody that shan't belay my forethought in ways that shapely her heart that matters more
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Jan 3, 2018
Jan 3, 2018 at 3:33 PM UTC
Little Hannah
*Tuesday pouts like a stubborn child Gale fervor and weather wild Staccato cellos and violins , oboes blaring in the wicked wind Mischievous elves rattle the hickory branches Bullfrogs shout with glee as the rain advances Old man Sunshine takes a nap Picklenose Pappy has a cat in his lap Kingfishers tap dance in the shallows till black becomes blue with evening day-glo and puffy marshmallow* ...
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Dec 27, 2016
Dec 27, 2016 at 12:43 PM UTC
Stormy December ....
Los pianos golpean con sus colas enjambres de violines y de violas. Es el vals de las solas y solteras, el vals de las muchachas casaderas, que arrebata por rachas su corazón raído de muchachas. A dónde llevará esa leve brisa, a qué jardín con luna esa sumisa corriente que gira de repente desatando en sus vueltas doradas cabelleras, ahora sueltas, borrosas, imprecisas en el río de música y metralla que es un vals cuando estalla sus trompetas. Todavía inquietas, vuelan las flautas hacia el cordelaje de las arpas ancladas en la orilla donde los violoncelos se han dormido. Los oboes apagan el paisaje. Las muchachas se apean en sus sillas, se arreglan el vestido con manos presurosas y sencillas, y van a los lavabos, como después de un viaje.
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Vals de atardecer