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One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Edna Sweetlove Nov 2014
I heard the world's loudest **** today
It echoed round the town enough to say
"I am a **** of great renown and fame,
I am a **** who's worthy of the name
Of
  KING of FARTS!"  Unthinkingly I sniffed
And, let me tell you, I have never whiffed
Aught so potent, dank and dread and foul
Blasted out from heaving human bowel
As that king of farts I smelled today
And which took my ******* breath away.

Who was the pumper of that putrid beauty?
How many curries in the line of duty
Had he consumed?  It must have been a man -
No pong so strong ere blew from female can.
Can no one answer yet my urgent question:
And say who suffereth such dire indigestion?
O heavens! his torment must be something chronic.
Can no one subsidise a high colonic
Irrigation to prevent another
Noisier and more noisome than its younger brother?
This has a slightly Shakespearian or even Chaucerian ring to it I feel. Or maybe even Marlovian, bearing in mind some of Christopher's well-documented sodomitic frolics. Yes I know it's a teeny bit ******, but then so were Shakespeare, Chaucer, and Marlowe. It has tragically never won a prize of any sort, although it's secured quite a few rounds of applause elsewhere. It is truly one of my masterpieces.
Cameron Greer Feb 2016
Beat-Up Old Car
Vastly under-appreciated possession
In dull blue, a MK1, no less, with original rust
Inside lingering scents of Exchange and Mart
top-notes of WD-40 and miscellaneous mix tapes

A car like this gets into your life
in lumpy knuckle-barking unsubtle ways,
stays there in subtle ones

That long drive back to Yorkshire
in the quintessential exemplar
Clutch cable snaps.
****** and Crap.

Hardly helpful but can be accommodated
with enough thought
rough though it is
on starter motor
and nerves whenever
anticipatory powers inadequate
and we are forced
to a complete red-light stop

Brakes dodgier, exhaust noisier
than ideal or legal
Gender-ambiguous
elderly tyres flirt outrageously with slick tarmac
Showing their canvas underwear
and male-pattern baldness

Keeping this unstable, unsafe, unreliable
ultimately essential lump of metal
moving and on the road
is a fine art

Engaging, fluid and intense art;
The Clash and The Specials
Costello and The Cure in support

A distraction then
getting hauled over by plod
somewhere near Bury St. Edmunds
Thatcher's boys.

Tax? MoT? Insurance? ID?
No real interest shown

Any passengers in the back?
Clearly no.  Pickets?  
Pickets? What?
Please open the boot sir... Oh.
On your way lad. Drive carefully

I was, officer, I was
More than you will ever know
Thirty Years ago the conservative govt. under the egregious Margaret Thatcher, gleefully aided by a despicable bunch of oleaginous yes-men and sociopathic creeps, knocked into line by the creatively destructive ghoul Norman Tebbit...  ratchetted-up the creeping politicisation of the police force.   What she started has never been properly undone.  Yes, it's simplistic to point to one person alone as 'the cause', but her legacy remains and is as toxic and divisive as ever.
Nat Lipstadt Oct 2017
once upon a wrote


here and there, in fables and tales,
some in no guile and others
in chancier disguises,
some sine-known and some sign-unknown,
some dead in stillbirth,
some penned these words,
some a few decades old,
some of but a moment ago eyelash distant,
making me think that
someday I will scribe,
cobble some truths and
some falsehoods into one
leaping heaping melting scoop,
letting you decide,
which for better,
which for worse...


<•>

"No matter that plain words
are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say,
about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?"

<•>

the reason we say so oft,
in whispers emboldened,

I love you

to our children
is not the utility of
its summarizing brevity

no, no.
it is because
the eloquence of simplicity
supersedes any other poem
any of us could ever write...

<•>

is this craft that chose you,
not defined by machine millimeters,
precision absolute,
curvatures, so eye-pleasing,
they demonstrate no tolerance
for tolerance of the ordinary?

the skill of words, too, cut so fine,
find the  extraordinary within,
refine, refine, refine,
shave away the trite,
the reused,
discard the instant recognition,
unusable

<•>

There are natural toxins in us all,
if you wish to understand the
whys, the reasons,
of the nearness of taking/giving away
what soully belongs to you,
do your own sums,
admit your own truths,
query not the lives of others,
approach the mirror...

<•>

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drop in and upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

<•>

come, sit for awhile, in poet's nook,
soft pillows for our hard Adirondack chairs,
situe hard by the bay, if too hot, we'll slow
drift to the sun room of
lace curtains and suicide poems,
still we'll observe the water, the rabbits, the cacophony low,
listening to all the noisier, nosier
creatures asking themselves,
and the trees and leaves,
where did all those poets come from?

<•>

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity,
subsidiaries of centricity,
tributaries of complexity

<•>

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, welded and wedded,
neither snow or sun,
can ever extinguish


<•>

now I ken better distance 'tween
artist and art,
I, a workingman's
daily dallying in simplistic machine craft,
my works deservedly lost in
the water-falling
of the endless also rans

non-nebulous distances.between skies of
Oregon country blue and
the worldy worn asphalt grayed words of
a graying man aging,
then let clarity speak, in plainest harmony,
know my deference’s soars to the high above,
one of us at birth, god gifted,
was not I,
it ain't me babe, but
one of us, his tongue,
like Moses-stung
with a hot coal
of language's divinity


<•>
onlylovepoetry Oct 2017
"Who writes poems like these?"

She, Miss Patty,
from Missouree? Missouruh?
asks me this question
round about a year ago,
after eavesdropping on an open poem line,
about a conversation,
a dialectic chat between me and the big guy in the sky^

(yeah, him, the magic marker Maker, who graffitis our lives only in
ink that just never goes away, cannot be erased,
talkin' bout this 'n that, ending, in a request from him for a
love poem personal (denied, fyi))

my answer:

come, sit for awhile, in poet's nook, upon soft pillows for our
tired sighs born in chests with a different kind
of breast cancer.
and upon these tough worn Adirondack chairs hard,
by the bay, we shall coverse in alternating verses

if too hot, the poetry's temperature.
we'll slow drift to the sun room of lace curtains and
heated suicide poems,
and after cool drinks
we'll observe the water, the rabbits, the cacophony low
of all the noisier creatures asking the trees and the
shuckling cappuccino frothy leaves
where did all those poets come from?
~
so to the question at hand and heart,

Who writes poems like these?

answers scarce, confessions plenty,
evasions conjured,
but tried, tired, and true, indeed
always ask myself, my sole troop,
that very same question every time,
the brain chimes poem time

'tis a truth, sort of, for the question is
asked by me, so oft,
should I, would I,
dare deflect the inflect of the eyes who cannot lie
and write a poem like this,
knowing it ends always only in tears,
or quit while ahead,
while my heart is slow beating,
and the pounding is temporarily,
halftime shelved

when
I ride the bus, open the kitbag,
find messages so privy
with and from the other poets,
(it is a privilege to be so councillor entrusted,)
picking up the gleaming gleanings of
fellow earth-extraordinaires,
reading the tales of the mad lunar lovers,
each of whom believe the moon has been following
only, each of them individually,
from childhood

when
exercising the muscle memories of love and ache
when watching the little gestures of my babies, my loved ones,
clues to who they are,
clues to who they will be.
after I am not

but let me be measured for measure by this:
Who writes poems like these?

well, after every writ complete,
weep and weep, if not laugh uproariously,
for though the question earnest, and I too,
never ever let adulthood interfere
with actions of my eyes, my mouth, my gut,
they all, masters now of me,
forcing me to write with abandon reckless and yet,
slicing off choicer cuts of me, carefully crafted, into
word etchings, painted water colors coming from the body's oils,
for my ration of rationality
has left town
for the summer, following the little drummer
boy,
perhaps, for the (double meaning) good

this each, a parcel of me, writing beguiling amuse bouches
of cache and cant, of poodles who speak human,
long legs in bed, high heels attached, conversations with moons,
crying to my lovers, I am a little boy, so needy,
and then the left foot turns to face
any and all gods who permit their names to be abused
for muddying murdering purposes,
as if we, all humans, all poets, were playthings,
bowling pins and not poets of some, any, the, way,
coming from the place
to where we all speak words, in our differing dialects,
accepting the blessings & curses thereof,
words but never fists

have I answered the question?

suspect not,
cause I am the suspect prime
in the crime
of low poetry
and high mis-demeanors,
and the authorities have been asking me the question for a lot longer than you, but no longer than one peculiar man,
Who writes poems like these?*
and they haven't caught me yet
and I haven't quite caught
the plain answer
rained-on parade Jan 2014
You cannot fix
a person with missing
pieces.

And I have
fallen apart
so
many
times,
the pieces don't even
fit anymore.

To live in
pieces of your remembrance, I
wonder
how tomorrow could
ever follow today.

Empty rooms,
noisier thoughts.

The edges
have begun
to ***** away
at my heart.

And it
bleeds words.
"How do you move on when you don't know how?"
Dark n Beautiful May 2017
The young people have exalted notions, because they have not been humbled by life or learned its necessary limitations; moreover, their hopeful disposition makes them think themselves as equal to great things and that means having exalted notions.
They would always rather do noble deed than useful ones. Their lives are regulated more by moral feeling than by reasoning all their mistakes are in the direction of doing things excessively and vehemently. They overdo everything they love too much hate too much and the same with everything else. (Aristotle)**


The Hereford cattles talk quietly among themselves
The commute home on the B train was noisier than ever
The passenger beside them youth squirmed and frigid
Youth of today is selfish and only think of themselves
If you asked for a passed, they will give you a laugh
If the elderly asked for the seat, they will give it to
Their backpacks, and scream louder, old geeks

Discipline, like if it’s outdated: no structure
A lost generation without stability:
A dark history, I lay awake and wonder
How can we fix this? Problem, problem
And more problem heading their way

While in the field the Hereford cattle
talk quietly among themselves
Nursing their calf without being asked of their mothers
to cover up their babies faces:
Nat Lipstadt Apr 2018
good god a gaggle of girls

read the dispatch thrice; the hierarchical lines some straight and some dotted but all I know they got a genealogical baseball team femi-nine
and maybe an NFL eleven when the twins get older

(husbands and sons ride the motorcycle bench and
back up if necessary, and good for musical accompaniment)

~oh yeah,
for Medusa~

this megillah message team meant for  me to assauge my
mother hubbard accusations  only partial reveals the player’s names:
but if you google a
gaggle of strong women you become informed there is a:

Queens Esther, Miriam, an Eve, four matriarchal outfielders, Batsheva pitching and only Ruth, can catch her **** curveball

in between an occasional poem gig whose costs are covered
under the mental health clause of a health care plan
but only in
California  

too cavalier, get it, you prefer this perhaps

sinewed strength in arms that can
carry three children at once,
age is not a factual issue,
for there is an army of
women soldiers who are a troop contingent,
everyone’s back is covered always-full stop-
they curve like the Earth’s crust,
magma formed strong and mineral rich,
curved to better resist
the comets the heavens cannot resist
to send & test the mettle
of a gaggle of stronger women sinewy arms entwined
reenforced

alas

the grandpa must here resist and rest,
lunch prep before Sgt. Stubby movie at noon,
in reclining chairs they ride like wild horses
and all our shushing noisier than their giggles
just google a gaggle of strong kids,
you’ll see what I mean
in this, we do possess a giggle of expertise




sunday 10:15am
written to the 1812 overture
BarelyABard Mar 2017
I want a life of quiet wildness.
A soul roaming free
in a forest
made for me.
The steady
drop
drop
drop
of rain landing on each leaf.

Ive been running through the green in my mind,
while walking through the day to day.


A safe haven of feral peace where I listen to a loud world through the ears of a quiet spirit is what I require.


The world seems to be getting noisier,
but the untamed parts seem to be vanishing.


Like entropy,  
is the beautiful chaos seeping out of the world...


...or out of me?
Sally A Bayan Nov 2014
10W X 3


It wasn't the rooster's crowing, 
that woke me
this morning.

The neighbor's pet's
loud declaration
intensifies.
blatantly,  
it is moaning.

Nightcalls are
noisier tonight
mating's unfinished
dauntlessly, cat
keeps calling.



Sally


Copyright 2014
Rosalia Rosario A. Bayan
For Lady Jane, Brie, Gus, and other cat pets here on HP...
Deana Luna Apr 2014
she is comforting herself can’t you see that.
the way she lies on his chest listens to his heart beat slower slower after fast.
i simply speak what is on my mind why do you love me because because starry moon child you are made up of all the things i cannot grasp.
the way he bends she bends loud bubbling *** noisier and higher pitched keep it down shhh don’t wake the neighbors.
the way she gasps he gasps look what you did
is that from last time or this time
last and the other one from now
let me see the marks that were made no wonder she never stayed.

red. as the lips you have touched. the remedies on my tongue. the stains on my toweled thighs. the handprints on my ***. the hearts above my head.

his head will lie between her thighs. his hands will find their way back to gripping hips. leaving the marks. her back will remember its familiar curve.

why do you love me?
i wasn’t expecting that question.
there are always too many people jumbled up in my poems
Paul Butters Nov 2020
In bitter winds the little Pipistrelle bats
Flitter hither and thither
Into the hills,
Around tree-timber limbs
With brittle twigs.
They wing their way
In thrills
Of twists
And turns.

Meanwhile, deep down below
The cows moan,
Roaming through the range.
They moo while they chew the cud,
Ruminating their food
Grazed earlier from prairie meadows.

Through the long day
They are accompanied
By flocks of birds
Twittering and tweeting,
Much noisier than the bats.
A feather flung chorus
Singing operas and arias
Amongst the misty trees.

Word composers love these things:
Mother Nature wrapping us
In her arms
And filling the air
With sights and sounds
That sooth the soul,
Sending us soundly to sleep
While those bats
Come out to play.

Paul Butters

© PB 26\11\2020.
Musical words.
Kabelo Maverick May 2014
No breath, no heartbeat, inside dreams we tend to feel infant and vivid. The great fall or fairy ***, bite tongue and taste the blood...we people flood limits. Hearts spin, No... Love spins at times we crush our own doves like hard twins. Anticipate the future, big dreams, true being...I'm marching loyal with all, I look back to secure, and 'true scenes' short keys to insert and free the mental. The flesh gets raggedy and within cash trades shortcomings, gradually we getting thin. Newspapers now reads child mates goat, politicians come live now to fake votes. Grown foods to feed us, you...touch your soil for mankind, neither do I wish to view a grown foetus. Water is no longer priceless, a bottled value, go ahead your highness...sparkle freedom and add a flavour. Nothing can reciprocate the Life of Lakes, Trees and Landscapes, it seems as we move forth the noisier it gets, Escape? Change needs a push, you can't hide behind the bush. Love, loathe, friends and foes in war when peace come to shove, we call a Truce...And if God's Equation solves the coffins, then I suspect his Creation can solve the orphans etc....
Everything©
Kimberley Leiser Mar 2022
When people keep telling me about why I should
consider moving to a new flat
it just all upsets and angers me,
there are many new things and arrangements
that my brain would have to get use to around me
other than of course me and Sophie feeling safe.
What would my neighbours be like?
whether they will be more quieter or noisier every night.
Whether the place will be too hot or cold
my last flat had a lot of damp which turned into mould;
and affected my breathing and health.
What will the people be like in the local area too?
whether they would be friendly
or unkind when they are talking to me.
Then I would have all my things in my place all rearranged and
moved around again.
I do not wish to move as I finally feel comfortable
I have never felt settled and happy much
as I have been moved from place to place since I was a child.
I have finally in my 3 and bit years found a place that I enjoy living
at and me and Sophie can call our home.
I always put my foot down with my decision over the last 3 years as
Sophie and me are both happy here;
I want her to feel settled in this space.
She will know all her friends and be comfortable when she attends
school which is not far walking distance from our home.
The bus routes are more accessible for us both too we can
eventually travel to the nearby city or town when we both feeling
better and when its needed.
Life is not about having bigger houses as the larger the space the
more isolated and empty you feel,
my family had a large 5 bedroom house when I was a teenager
it always made me feel so lonely and unhappy;
the close connection as a family unit of 4
was no longer there it felt as if it all drifted apart,
we kept to our rooms and we lost the connection that we had
as we were all growing older moving on with all our lives.
My memory in my brain is foggy down to my cyst
I do still remember the happy feelings from time to time
and still smile and have a laugh the main thing is we
keep in touch with one another by phone, video call
and see each other for a catch up every now and then.
Moving to a new place made my personality unstable growing up
as I never knew or felt I ever belonged anywhere and finally I feel a
sense of calm and purpose that this place is now my home I love
the place I live at and Sophie enjoys it too and that is all that really
all that matters in life.
I don't live my life for material possessions or bigger properties.
I am all about feeling comfortable, safe and being real to myself.
Our happiness and good family memories are the main thing we
all share and you never really know what will happen in the future
so you have to make the most of it and enjoy every minute of your
life no matter how difficult it can be.
I want the best for Sophie to get a good education behind her but
more to learn all her important life skills so she can learn to survive.
Having a good education helps in life but she doesn't need a
degree to impress me or Vern she just needs to be happy and have
dreams in life that she wants to follow. I will support her wherever I
can same as vern and the family too. I want her to enjoy life as
being happy and stable is the most important thing not having lots
of money and cutting yourself from other people.
I value human connections and nature way more than money as it
makes me feel happy. I will do the best I can for myself, Vern, my
family and of course Sophie but this is why I put my foot down.

I don't want to move to a new place I am finally feeling settled,
calm and more at peace as this is me and Sophies home.
I feel more comfortable and I am very happy here
and Sophie is too. I may consider moving to a house one day
but more when Sophie is a teenager as she will need more space
it will always be a 2 bedroom and I only will move
if its still situated in the same area.

Moving is a big change in life I don't want Sophie
to feel unsettled she will make friends as she goes school
I want her to keep all that for as long as possible
I want her to achieve all her dreams in life too.
This is why I will not move for a very long time
I am very happy here and this is what we call our home.
I bet the sounds inside my head were noisier than the sounds of cars that jammed in the middle of traffic in Surabaya.
Especially when it comes to rush hour.
I often caught myself were slowly dying.
And I'm not even sure who the hell I am.
But I'm always like this, isn't it?
Isn't it a tragedy?
For being someone who watches me with misery.
That's why I made this poetry.
But someone out there is despising this part of me.
I wrote this because my capability with words that I put and I spend to think are well composed than the words that I never been able to say out loud.
So please, honks by all means.
So I wouldn't hear the sound inside my head was talking about.
A day with hundreds of overthinking
Déjà
you know
when you know
that I've known you before.

Today seems a tad like this,

kiss the wife
stroke the cat
close the door
don't forget that

catch the bus
run for the train
'Mathew and Son'
all over again,

cross eyed looks
'cause I got a seat
steaming now because
of the heat
and the sweaty smell
as well
from him
sitting next to me,

oh, sweet Jesus
don't you worry none
It'll soon be done
and I'll go back home
to
kiss the wife and pat the cat
and other things mostly
similar to that.

In the in between
for which they have
a machine,
it's cut and dried.

Monday
a gun to my head day
and a hollowness in my
gut,
attempting to shout trying to blot Monday
out
just makes it noisier.

When you haven't got a leg
to stand on
and random events overtake
you
it's only Déjà
and I've been here
before.
tranquil Feb 2021
A six year old once
Thought of a great plan
A huge kite
Made out of ivory sheets,
Broomsticks and yarn spool
Finish it before evening
Tie himself
Ride the breeze
And fly to the moon

He knew every evening
Winds died out by the time bells ring
In temple at street corner
And be finished before seven thirty
When mom shouts him down the roof
One of the troubles
Was he didn’t have anyone
To hold the string in place
But tying the kite to
Iron grill would work he assumed
But his sister won’t tell him
Where the glue was
And he didn't have enough string
To reach the moon
So he borrowed some
Wool yarn from an unfinished
Sweater grandma made last year
A matching red for my kite

But much to do
With not much time
Sky was getting orangier
Mosquitoes noisier
Time for quick decisions
Sitting on water tank
Gazing at the sky
Kids flying them like inebriated pilots
Failing and falling like leaves
Thinking of those fools
I could do better
Fly higher
If only a bit older

Three decades later
Searching for a forsaken photocopy
He found a drawing
Made on a summer evening
A red kite smiling in clouds
With a half moon behind it
sparkjams Mar 2019
goat head grin lie spinning worm spinning worm
hell's ambassador grinning tongue eating
species defunct with killer monk
this old bone is rotted
carcass is now knotted
don't feed the beasts

stain on liver is a mark of a thriving industry
breeding ground for contempt and desperation
what more do you have beyond priests and hot bargains
WAIT you have a stork!
it doesn't speak much English...

birds fly around it, too
happy content whoop whoop
this isn't musically sound at least
make it noisier for the harshest crowd before the preface
it's over before it's won

greed is body and sin is soul
mind is heavy with moisture
sinking into it
speeding up into that
vortex downward with volcanic ash
this place was not meant to last

EAT IT! before it griefs you
it'll mold before it scolds your deterrent
scoffing at me
keep it off your back
but put your back into it

how brutal
how obvious
Evan H Davis Oct 2017
There is breathing that is yours
it is mine for now
and it is warm
the breaths I borrow from you fleet rhythm

We play a song from bad speakers
that I've been listening too everyday for a few days

The song is a blanket
it's not down but nothing's perfect
underneath it is warm like the breathing

The wind outside is noisier than the song
not knocking but clanking cold on my windows
I am thinking of the cold outside
I am under the blanket that is the song
I am under a window that faces the highway
I try to think of nothing

But I cannot think of nothing
because I am thinking of the song
this song written decades before me
this song that is short
I am afraid that the song will end
I am warm and thinking of being cold

Even under this blanket
I am not listening to the song
I am thinking of the next song
the song I don't know
the song that I am afraid of
Ryan O'Leary Aug 2020
I have enough lead in my
head to commit suicide.

A plumb bob pendulum
a metallic metronome
a tinnitus of titanium.

Noisier than Niki Lauda's
Ferrari at the pitstop.

Eternally on the last lap
a paper chase leading to
a summit where there is
a meeting of insomniac
poets, on Pencil Hill.
Ryan O'Leary Jan 2020
I have enough lead

in my head

to commit suicide

a plumb bob pendulum

a metallic metronome

a tinnitus of titanium

noisier than Niki Lauda's

Ferrari at the pit stop

eternally on the last lap

a paper chase leading to
          
a summit where there is

a meeting of insomniac
                                    
poets, on pencil hill  ^

— The End —