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Denel Kessler Apr 2016
Lone leatherback cruises up from the deep, pausing on the fragile reef

to feast ancient eyes upon the show, a bright parade laid out below

butterfly couples paired for life, graceful angels in black and white stripe

brilliant clowns and their toxic lovers, a plodding gang of giant groupers

puffers bob like comic balloons, humble gobies on every menu

beaked parrotfish grinding the coral down, in the ears a constant sound

cowfish blowing puckered kisses, sea stars catching fishy wishes

white-tipped, hammerhead, tiger sharks, triggerfish mean bite worse than their bark

untamed unicorns too wild to ride, dogfish snapping, biting alongside

coral trout color-shifting fools, attracting ladies in dull-hued schools

**** headed wrasse rumbling through, thick lips mumbling go get a room

sea horses nod in labyrinth caves, razor-toothed eels lying in wait

if tentacled embrace should be your fate, nudibranchs will light the way

to a place of bliss, none of this can exist, without the builders

coral and algae bewildered, the ways of man egotistical

rising ocean temperatures, carbon emissions, and el Niño

victim of abundant greed, say goodbye to the Great Barrier Reef

so massive is this magical place, one can see it from outer space

astronauts witness its demise, ninety-percent barren, bleached bone white.
NaPoWriMo2016#27
Write a poem using haiku-like, seventeen syllable long lines.
Mary McCray Apr 2014
(NaPoWriMo Challenge: April 12, 2014)


Can poetry survive? Can we survive as poets?
There are more poets than tigers or black rhinos.
There are more readers of verse than Leatherback Turtles
or all of the Yangtze Finless Porpoise.

Grand Theft Auto, Strive-and-Thrive books,
Brave-New-World movie rentals—
they may have taken over living room pleasures.
But now with our tweets and submittables,

our bad poems travel fast.
The wires and workshops are still full of weedy thinkers
and word-tinkers. Maybe the distribution will change
and who makes the money, like the printing press

set the monks to the curb. The medium was always unstable.
As soon as an invention is born, it begins to die.
Don’t put all your eggs in one anthology.
Speaking of which, we’re not as big as a chicken-

processing lobby, nor our players as emboldened
as enthusiasts visiting Comic-Con. But we’re full of deviance
and underground custom, perfectly respectable as a cult:
religious, novel, obsessively durable.
Naptural Mermaid Jan 2019
It’s been told she has the heart of the Sun A bright bronze sphere
That can never turn down fun
Brazen is she towards those who stand in her way
Guided by faith, her feet never stray
No matter the currents or the strength of the Tides
She goes low when they fly high
Like Hawksbill, Green, Loggerhead and Leatherback
She attains the longevity they endure
Her voice is as sweet as the Black Pineapple
Her beauty resembles the Antiguan hibiscus
Some might even say more
For her beauty is something you can’t ignore
Whenever one door closes
She makes one more open
Always giving faith a fighting chance
Whenever the option arises
She always chooses to DANCE!
As the soca rhythm flows into her blood steam
And the bright colors of carnival collide
There outshining the others
You can find the person I call my “MOM”
My Antiguan Queen
Always representing red white black blue and gold pride
Amelia Jo Anne Jun 2013
I'm not worthy
of his
total affection adoration enthrallment
it isn't fair for him, truthfully, to have the one
who is scared of all that.
terrified to not be the girl who
belongs to everyone & no one at once
the girl who is writhing
trying to hold tight & strangle
the guilt grief regret shame
but also driven by
anxiety that all my writing
suddenly needs to tell everyone
that I am trying & anxiety
that I am so moved by him, the
affected girl who can't
function
walking into the sunset hand in hand.
I seem to fight every step
as if I'm not sure
I feel safe
being near the ocean that lets roam unchained & wild the
sharks, giant squids, leviathans & my beloved giant leatherback sea turtles
so endangered & dear.
The anxiety of the surprise contract to
dedicate every poem to him
& plan a future
without planning an end, too.
Torak May 2015
She kisses me as if I am her prized scotch stained leatherback book
There isn’t enough writing in the lines of my pages
no footnotes in this decree of insanity
repetition throbbing as if asphyxiation is
tattooed across my esophagus
only to resuscitate every apology I’ve choked on
too stuck on the goodbye in between my teeth
she tells me that my spine reminds her
of the ripples in a pond during a year long drought
there isn’t enough water in the shallow puddle of my soul
to pour anything into her cup
she breaks her knees crawling away to another solution for her thirst
she is driving on the highway passing every carcass
of previous versions of herself i fell in love with
i’ve been too busy chewing on her back tires
attempting to slow down the roaring engine
my ears are bleeding from every time
she laughs at another boy’s sense of humor
I am too caught up bringing down the skeletons in my closet
that have decided to hang themselves
their nooses are wrapped in every metaphor I have ever written
she is busy grinding my ego into a line for inhalation
getting high on my fault lines has always been a pastime for her
no baseball archive of happiness in her smile
only the hesitation before every time her lips crease like
a subpoena to an AA meeting that you can never leave
I attempted to soak every “I love you” I have ever dared whisper
into the nape of her neck
a spiraling contusion that is a novelist’s ****** desire
she is choking on every slammed doorway
she never had the courage to walk out of
she dreams of diving off of parking garages
to swim in the lucid concrete
she is convinced she is nothing short of a sore jaw
the bruxism caused from chewing on every
roadside cross written in memory of her
my fingers haven’t stopped bleeding as I continue to try
to fill every ******* scotched stained leatherback book
in the library that is my love for her
so while there may be short infinites
I will  write too many of them for the both of us to count.
Hewasminemoon Jan 2015
When I moved to this town, I dreamed that one day I would own the little yellow boathouse that sat on the riverside (the one with the white trim) From what I heard, it was abandoned years ago, and no one in the town had bothered ever fixing it up, so slowly it decayed. But I always pictured myself making the repairs necessary to turn it into the beautiful home I imagined it once was. I would turn the corner room that faced the water into an office and spend my summers working on my novel.
But today, Caleb, the youngest son of the neighbor boys who lived in the house down the street told me it had been destroyed by an old oak tree that stood behind it. When he told me the news, he and I were standing out in the long driveway, my hands wrapped around my coffee mug.
‘There’s nothing here’ I thought. ‘Just him and I’ (and I was air) ‘so it’s just him here.’
I dropped off my cup inside and headed across town to see the damage. I reached the house by noon, and as I stood, staring out at what was left of what was supposed to be my home one day, I began to sob. I felt like a child. All of my dreams had been crushed, literally. The tree reminded me of a giant spiderweb, it was bare and it’s branches stretched out like long fingers, wrapping themselves around the house. Besides the river, the wind was the only sound I could hear. It whistled and howled at me.
I had given up the one thing that inspired me: my city. For this. A little house on the river. It’s like I ripped off my skin, and all that remained was my bones, and all they could do was clank together in the cold like a wind chime.
Everything was upside down. This is not how I imagined my life. I had nothing mapped or planned, but where I was now seemed so far away from where I envisioned myself being. Everything was unfamiliar to me, and it frightened me. All I wanted to do was take gasoline to whatever it was I had created here, and start a new. But this tipsy topsy life was mine, and I had to make do.


He picks me up in front of a family of statues under a green isling. The side of his car reminds me of crinkled paper, or mashed potatoes. We sit silently in the car at first, then he begins to tell about a woman he had encountered today. The word ‘*****’ comes out of his mouth so smoothly. But when I hear it, I feel it’s sting on me like wasps. Is there something to be said to prevent me from becoming that woman? (if i’m not already) A woman he hates? A woman he resents? A woman who’s dry in the morning and too boring in the evening? My tongue curls and I feel my stomach coil. Men use the word ‘*****’ to describe women who are strong. Women who are assertive. And when men feel threatened, or rejected or emasculated by a woman, all they can say is “that *****”. There is no male equivalent. There’s no word like “*****” for men. Sure, there’s ‘*******’ and ‘*****’ or ‘******’ but none of them feel as harsh. None of them sting like ‘*****’ does.


We pull into the long driveway, and pass the other neighbor boy who’s name I honestly can’t remember. When we get into the house, he pulls me into the bedroom.
“I need you” he says.
‘What’s the difference between want and need?’ I ask myself. There isn’t much we NEED. To eat. To sleep. To drink. I NEED a drink. He WANTS me. It’s a primal thought. Instinct. I am not a need, not really. But he knows how I think. He  know’s “need” works on me. Because I hear “need” and feel desired, until I’ve been had. And then I remember “need” means “want” and I remember “need” means he’s tricked me.
I think what we all REALLY need is a day. Spring cleaning for our insides. Be it your body or mind. For the housewives of Castle Creek, that means cleanses, and binging. For me, it means sitting down with a leatherback journal and a good pen. Scribbling down everything and anything that comes into my mind. No filtration. No distractions.

He finishes, kisses me on the cheek, and disappears. I’m left on the bed, my dress pulled up, exposed. And so, a few minutes later, after I’ve collected myself, I head down the hallway to the kitchen. I have become the woman I never wanted to be. The woman who’s making dinner for her husband as he sits and watches some terrible Tom Cruise movie. It makes me sick how average my life has become. ‘What a sad way to live.’ I think. Just like everyone else. But I am not everyone else. If I were, perhaps everything here would be so much easier. I am not the woman the people of this town want me to be. I am far too artsy. Far too independent. When I walk into the grocery store, people stare at me. As if they were looking at a wanted poster. The worst part of going to the store isn’t the weird looks. I’m used to that by now. It’s the music. Smooth jazz. It makes me feel like i’m in an elevator. An elevator that’s stuck, and i’m waiting for someone to come and rescue me. But no one’s coming. I’m stuck in Castle Creek. The world’s smallest, ******* elevator in the United States.
Lily Jun 2018
In the sand,
We met each other,
And names exchanged between friends
Turned into faces with personalities,
Characteristics, and ambitions.
In the sand,
We played together,
Building homes out of sand,
Pouring our heart and soul
Into the project,
And each other.
In the sand,
We walked together,
Side by side, hand in hand.
Bright sunsets become a backdrop to
Meaningful talks, important words,
And shared smiles.
In the sand,
We partied together,
The firepit blazing under the stars,
Music blaring and friends dancing,
Their forms basking in the fire’s glow.
In the sand,
We argued,
And harsh words were hurled,
Not unlike the terrible stinging sensation
Sand creates when trapped in your eye.
In the sand,
We parted ways,
Under the same sunset backdrop,
And I watched your footprints
Fade away.
In the sand,
I lay there lonely,
Babies crying and mothers yelling
All around me, with me trying to
Fathom the reasons why you left me.
In the sand,
Like a loyal leatherback sea turtle,
We came back to our beach, and
With tears in your eyes and
Sand in your hair, you apologized.
In the sand,
You apologized for your selfishness,
The way you jumped to conclusions,
And you confessed that you had never,
Ever forgotten me and our beach.
A year later, in the sand,
You went down on one knee,
And after saying yes, I thanked God above
That I had fallen in love with you
In the sand.
K Eaglechild Jan 2019
Because I Am Indigenous.

There’s always a brume of skepticism (of fear) that will loom like a fly,
Slightly past 9:30pm on a Friday and the twilight is taking the sky
I find myself reciting; “It’s too dangerous. It’s too dangerous.”
I feel this way because it’s another day with another alert on the news broadcast; another “missing person’s” poster hanging on the bleak walls,
The articles are increasing while the fight to battle against it is decreasing,
We attend more social gatherings where we mourn more than we celebrate;
We mourn, can’t you hear us?  
Our missing indigenous women;
Of injured sisters, mothers, Aunty’s and cousins.
Of our murdered women.

There’s so much injustice and shame in our system,
Our voices get silence and we get dismissed with one wave of your ******* palm and no second glance.
Shame.

Because I am Indigenous,
My cultural beliefs are frowned upon; my healing ceremonies that takes away the discrimination toxicity, my herbs that help heal my throat that’s yelling at you to listen,
My prayers in my two native tongues for those effected by your colonialism.
My cultural heritage that is label as witchcraft and locked away in shelves cloaked by their leatherback book that they hold so close to their sinful chests

And dangling cross.

Colonialism.
Discrimination.

Because I am Indigenous woman,
I am afraid to walk alone.

Because I am Indigenous,
I am afraid to be a victim of a hate-crime.

Because I am Indigenous.

I am also resilient.
#becauseiamindigenous
brooke Apr 2017
I've always fallen in love in autumn
always to fall apart early spring--
call me deciduous, the abscission just happens,
I've considered my winter coats, my shields,
the neat places I've tucked myself away

were we to overwinter?
to hibernate until further notice?
the titles were frightening, impending and
ominous, each one a textbook on subjects
we had no knowledge of, dark leatherback novels
featuring versions of ourselves we never meant
to be or never knew we could --

wrapped in sleeping bags and white down duvets
best during the winter becase we were both
raging fires, flames licking at eachothers doors
stopping short of our naked toes, put out by the
here and there snow, but sometimes
we were embers, pulsing stones of coal
settling, wishing, waiting, kissing wounds
breathing secrets over bruises--

but migration comes suddenly,
i've been in and out dormant for years
a sputtering volcano rumbling and groaning--

were we to overwinter?
I lost the dream woke with a start,
the caldera gave way and sunk in
terrified I'd take you with,
but travelers don't pause for eruptions
or make their way through magma --

and volcanos don't plead
   for them to
       stay
       were we to    
                overwinter?
(c) Brooke Otto 2017
leatherback is largest
seven existing species
the marine turtles

— The End —