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"highwaymen" poems
High on the mountain, I’m all alone, Sittin’ by the river, Water splashin’ on the stones; As mornin’ fills the valley Where before, the night was hung, I wake up from the wine But the pines block-out the sun And the rain ain’t pleasin’, And the cold is on the ground, And strung-out on the byways All the highwaymen stand round; And above the crooked timber, All the whippoorwills fly blue, And they sing a song so lonesome, Can’t you hear it comin’ thru? Or did you decide That you’ve gone deaf and blind And I’ve been on the job so long Who knows if I’ll survive, you just sigh, As I wonder why I keep on Tryin’ to get to you; it’s no use… There at your window, Leanin’ on the ledge, Y’got ‘em tryin’ to beat the blade With a nine-pound sledge; Y’got ‘em workin’ on a building, Ev’ry carpenter in town; Well if I had it my way I would tear that building down But it won’t get done All I could ever win’s been won; And I’ve been on the job so long Who knows if I’ll survive, you won’t cry, But will you try, if I die While tryin’ to get to you, to Bury Me in Georgia Next to you After all that I’ve been had You’d think that I’d go mad, But my anticipation Outweighs my lack of patience; ‘Cause I’ve been on the job so long Who knows if I’ll survive, so Bury Me in Georgia Next to you
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Aug 10, 2017
Aug 10, 2017 at 10:39 PM UTC
Bury Me in Georgia
Her Name is Woman ~for Woman~ The body replenishes, even the signs of decay that come for reparation, Positive confirmation her organism survives, alive, tree circles yet measuring time, Till a devitalizing time comes, when, this cellular process concedes degeneration Then the wondering shifts; new facts sifted; now the reckoning is not a calculation of Mortality but of her living immortality; dive to divine neath her black cloaking, reading Wounded word revelations, her own Bible stories, giving nomination to Woman-name The long shadows that her souls excavations cast, costs of her stories individual, Highwaymen robbed her with glass knives but each remaining black hole lights a story, lost, but Burning icy inviting, pulling us into book boxes inside, compost of sheets of composed white clarity Care not that each riddling reference is obliged to be oblique, inexplicit, Woman her name, all encompassing, her views codified in lines of faith, Woman, is that not a mining, and a manifest, of hidden birthing, comforting us in warm shades of Human courage 12/26/18  5:51pm
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Dec 26, 2018
Dec 26, 2018 at 5:57 PM UTC
Her Name is Woman
I remember well The creaking of One hundred year old Pine planked floor And the ticking Of the 100 year old clock In my family's old home Before the highwaymen Took it with the widening Of Highway 91 But Mom got her new house Set back just a little She loves it and new amenities At least they didn't steal the barn Or clock But I miss the creaking and the ticking Of my childhood home On Highway 91 Across from Stoney Creek My real home
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Aug 25, 2013
Aug 25, 2013 at 3:52 PM UTC
The Creaking and the Ticking
There he sat All dark unsaddled Brains quite addled From the blow Brigands laughing All about him There to clout him Should he run From his good eye Squinting sneaky Peeking out From swollen brow Primrose Pete Considered options Acquiesce Or fight or flee Counting up The five marauders Such close quarters Peter smiled In a wink The first two fell Hellbound from Pete's shining blade One was cut From prow-to-keel Didn't feel The lightening slash Two was dead but Still a-stagger From Pete's dagger Through the throat Pete then turned His one good eye Upon the three Left standing there "Knock ME from My gentle ride!" He chided them And took a step In a flash The third man died His manhood hung From Peter's blade Number four Jumped up in-close They danced a rosy Final step "One last waltz" Said Primrose Pete And short and sweet The blood ran hot Last of all The Highwaymen The fifth of five The last alive A tall man Taller quite than most With ghostly eyes And hammer hands A man who felt That pain was fun This one-on-one Was just a tryst So they stood there Eying up While trying not To give a tell Of their planned Last brave attack While Pete held back To catch a breath All at once The fight was on That bloodied lawn Would find no peace Both men fought With all their might From Noon til Night On into dark No Moon sang The stars shone mute A suit of cloud Hung o'er the fray Blood and dark With ought a sound Save the pounding Steel on steel Come the Sun There on that field Without yield For Honor's sake Cut for cut Both men held true And on into A second night A third then Into a fourth A fifth of course They battled on It's said that Both men died that day T'was slay for slay Though neither fell He fights on Old Primrose Pete His ghosted feet Still dancing true With his blade Of shadow pure Against a worried ******* dark And it's said On summer nights When the wind Is right and odd One can hear Old Pete's mare Out there braying On the moor And beneath The old hag's whinny If you skinny Up your ear You can catch Old Primrose Pete Sweetly dancing With his sword.
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Jun 9, 2011
Jun 9, 2011 at 12:30 PM UTC
Primrose Pete
There he sat All dark unsaddled Brains quite addled From the blow Brigands laughing All about him There to clout him Should he run From his good eye Squinting sneaky Peeking out From swollen brow Primrose Pete Considered options Acquiesce Or fight or flee Counting up The five marauders Such close quarters Peter smiled In a wink The first two fell Hellbound from Pete's shining blade One was cut From prow-to-keel Didn't feel The lightening slash Two was dead but Still a-stagger From Pete's dagger Through the throat Pete then turned His one good eye Upon the three Left standing there "Knock ME from My gentle ride!" He chided them And took a step In a flash The third man died His manhood hung From Peter's blade Number four Jumped up in-close They danced a rosy Final step "One last waltz" Said Primrose Pete And short and sweet The blood ran hot Last of all The Highwaymen The fifth of five The last alive A tall man Taller quite than most With ghostly eyes And hammer hands A man who felt That pain was fun This one-on-one Was just a tryst So they stood there Eying up While trying not To give a tell Of their planned Last brave attack While Pete held back To catch a breath All at once The fight was on That bloodied lawn Would find no peace Both men fought With all their might From Noon til Night On into dark No Moon sang The stars shone mute A suit of cloud Hung o'er the fray Blood and dark With ought a sound Save the pounding Steel on steel Come the Sun There on that field Without yield For Honor's sake Cut for cut Both men held true And on into A second night A third then Into a fourth A fifth of course They battled on It's said that Both men died that day T'was slay for slay Though neither fell He fights on Old Primrose Pete His ghosted feet Still dancing true With his blade Of shadow pure Against a worried ******* dark And it's said On summer nights When the wind Is right and odd One can hear Old Pete's mare Out there braying On the moor And beneath The old hag's whinny If you skinny Up your ear You can catch Old Primrose Pete Sweetly dancing With his sword.
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128
ol king crab kingo the highwaymen cumma walking down that hallways street oll king crab king o the highwaymen he got swagger boom swagger he got boom bap pow pow pow - i seen im runnat comb through his hair i seen it move back i seen it glitter-glisten under em bright lights onna ceeling - i seen im touchin mercury aphrodite i seen im touchin onna ladies hera n persephone he been touchin onna ladies backadatruck backadatruck back seat pull em uppa cliffside pull em uppa cliff bring em inna that backseat 5 minutes in heaven baby you know it - ol king crab dont go to school he appears he come-and-go touch-and-go in-out he just visiting dont need no work dont need to work get nuffa that at home - ol king crab drop out not too much trouble he never drop in get a job drivin a truck aint no better way to live then watching those glitter-glisten lights on that highway run that comb through your hair do it one more time, do it for us king crab yeah, just like that - down that road he go b back l8r b back b back down down down hot stuffy old car dice onna mirror just like a movie luck pair of dice such a lucky paradise inna truck down that road fulla nuthin fulla nuthin fulla NOTHING. - Ol' King Crab he ***** he chew he ***** that how to live that how to live? yeah, son. in back o tha gas station he ***** back inna gas station he chew tobacco gum tobacco he take em ladies by the hand them ladies aint outta worry king crab outta worry watch whose hand you take. - Listen. Don't let him take you by the hand. Don't let him TAKE YOU. DON'T LET HIM TAKE YOU BY THE HAND - ol king crab gettin ****** inna back of the gas station pullin outta driveways and outta women watch whose hand you take on that open road you lose yo head
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Nov 8, 2011
Nov 8, 2011 at 9:15 PM UTC
ol king crab kingo the highwaymen
ol king crab kingo the highwaymen cumma walking down that hallways street oll king crab king o the highwaymen he got swagger boom swagger he got boom bap pow pow pow - i seen im runnat comb through his hair i seen it move back i seen it glitter-glisten under em bright lights onna ceeling - i seen im touchin mercury aphrodite i seen im touchin onna ladies hera n persephone he been touchin onna ladies backadatruck backadatruck back seat pull em uppa cliffside pull em uppa cliff bring em inna that backseat 5 minutes in heaven baby you know it - ol king crab dont go to school he appears he come-and-go touch-and-go in-out he just visiting dont need no work dont need to work get nuffa that at home - ol king crab drop out not too much trouble he never drop in get a job drivin a truck aint no better way to live then watching those glitter-glisten lights on that highway run that comb through your hair do it one more time, do it for us king crab yeah, just like that - down that road he go b back l8r b back b back down down down hot stuffy old car dice onna mirror just like a movie luck pair of dice such a lucky paradise inna truck down that road fulla nuthin fulla nuthin fulla NOTHING. - Ol' King Crab he ***** he chew he ***** that how to live that how to live? yeah, son. in back o tha gas station he ***** back inna gas station he chew tobacco gum tobacco he take em ladies by the hand them ladies aint outta worry king crab outta worry watch whose hand you take. - Listen. Don't let him take you by the hand. Don't let him TAKE YOU. DON'T LET HIM TAKE YOU BY THE HAND - ol king crab gettin ****** inna back of the gas station pullin outta driveways and outta women watch whose hand you take on that open road you lose yo head
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91
As you can see now We've lost two men to Father Time They were your friends As they were mine They both were outlaws and they lived life their own way If we had our choice They'd still be here today But, I am not the one Who took them both away That's all I've got to say They were our brothers And they stood here dressed in black Close your eyes and they are back They're in the ether Waiting there for their return They'll tell us what they saw And then we will all learn That life's a circle And death is no concern When they do return.... We are all highwaymen And we all travel different roads We all bear witness Carry loads We will all pass this way More than once I'm sure There will be other times When we meet at death's door But as for now, I say No more than evermore For we will meet again.... Once there were four of us And the world was our domain We've gone away Come back again We sailed the seven seas And rode the highway roads We flew on starships And we followed our own code We met the horsemen And our souls we did unload And we'll be back again...
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Aug 4, 2015
Aug 4, 2015 at 11:09 AM UTC
Highwaymen
Can you hear the wheels of the carriage, as they hasten along the stony tracks of Anglican countryside? Oh, deviant highwaymen, you are concealed by damp foliage, and I have not yet reduced the heat. I fully appreciate those discussions where connection to other realms freely occurs without inhibition. Oh protector of the commonwealth, I long for your parliamentary executions.
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Jan 12, 2014
Jan 12, 2014 at 11:21 PM UTC
Cromwellian Indulgences
The Quiet of a Pickwickian World By Sy Roth In the silence of my Pickwickian world, A transcendent quiet stands vigil. Left to its own devices it rattles around, a lonely brown-suited courier, Hefting weighty cargo from one sooty corner to the next. Seeks tranquility in a world where, Fettered by golden reins Hobbled by unceremonial chain mail Lanced by coronets of thorns, Astride, a long-in-the-tooth steed Spurred on to wrestle shredded windmills, A cavil of unrepentant correctors rest. And they still come-- Tidal waves of disturbances, Tsunamis that rip ashore and sweep all away Into a loathsome pile, Bilious flotsam of a generation bereft of empathy. A forced silence clings to the dusty rafters Where sages once stood Hanging like KKK castoffs In a closeted Jim Crow attic of rules and regulations gone mad. A quiescent quiet demands quiet. Nestles behind muffled screams Of ages of piles of rotting flesh. Dolorous vision of a peaceful world Where peace packed for a long vacation To Edens that exist only in fairy tales. Bring with them untruths of understanding Swaddled in ****** soiled bedclothes. Leave me to my silence, Lave me of the Ash Wednesday smudge Where realities come home to roost in the dim corners Where the highwaymen have no access.
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Feb 27, 2015
Feb 27, 2015 at 8:03 AM UTC
The Quiet of a Pickwickian World
Step into the cobbled courtyard where highwaymen roar with drunken debauchery, and rotten vegetables pelt the bare buttocks of ancient harlots who are shackled to the stocks of occult accusation. Forbidden encounters are a certain mischief in the rafters of aristocracy, where disgust and desire mingle in unspoken dialogues and roll within the stench of damp hay. I am captivated by the vanity of those carnal gratifications where Black Death casts her treacherous shadow across European boundaries. Our markets are organised by macabre executioners in the finest of linen, who shout joyous proclamations, whilst the wise are aggressively coerced by vile salesmanship. Please, open the gates to the city wall. My desire is to listen to the wind, as she whispers reassurance amidst the haunted woodlands where those who are superstitious and faint-hearted fear to tread. There is no taxation in the wilderness.
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May 16, 2014
May 16, 2014 at 11:36 PM UTC
Licentious Liberty
TO HELL AND BACK FOR CAPTAIN JACK her sails are set all hands on deck she's off by early light her hull it dances on the waves like lovers in the night she's on her way to nowhere it's a place she's been before no latitude or longitude no charts to show the course her cargo is a mystery her destination is unknown she's sailed by men who long ago in some way lost their souls her wooden hull will creek and bend till her sails they find a breeze with grit and spit she rides the sea with a crew of broken dreams Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep For captain jack old captain jack and the schooner Albatross - they'll brave the storms of unknown worlds no matter what the cost Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep they're beggars thieves and highwaymen no place to call their own they wear barnacles for britches with skin leathered to the bone summer heat or winter cold still they sing their sailors songs as they climb the ropes take down the sails through the worst of storms they tell their tales on bar room stools of maps and chests of gold or sing their songs and drink their *** until they pass out cold some nights they'll pay an ugly ***** so they won't sleep alone but better men be hard to find who call this ship their home Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep For captain jack old captain jack and the schooner albatross - they'll brave the storms of unknown worlds no matter what the cost Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep by vjkelly (c)2015 (1-1400253851) FROM my song 'TO HELL AND BACK FOR CAPTAIN JACK'
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Aug 23, 2015
Aug 23, 2015 at 11:59 PM UTC
TO HELL AND BACK FOR CAPTAIN JACK
TO HELL AND BACK FOR CAPTAIN JACK her sails are set all hands on deck she's off by early light her hull it dances on the waves like lovers in the night she's on her way to nowhere it's a place she's been before no latitude or longitude no charts to show the course her cargo is a mystery her destination is unknown she's sailed by men who long ago in some way lost their souls her wooden hull will creek and bend till her sails they find a breeze with grit and spit she rides the sea with a crew of broken dreams Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep For captain jack old captain jack and the schooner Albatross - they'll brave the storms of unknown worlds no matter what the cost Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep they're beggars thieves and highwaymen no place to call their own they wear barnacles for britches with skin leathered to the bone summer heat or winter cold still they sing their sailors songs as they climb the ropes take down the sails through the worst of storms they tell their tales on bar room stools of maps and chests of gold or sing their songs and drink their *** until they pass out cold some nights they'll pay an ugly ***** so they won't sleep alone but better men be hard to find who call this ship their home Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep For captain jack old captain jack and the schooner albatross - they'll brave the storms of unknown worlds no matter what the cost Cause- to hell and back for Captain Jack be it devil or the deep no man or sea shall take their ship they'll fight and die to keep by vjkelly (c)2015 (1-1400253851) FROM my song 'TO HELL AND BACK FOR CAPTAIN JACK'
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31
The simple leaf displays her complexity with utmost transparency, whilst beautiful chords convey a rhythm which is beyond the parameters of articulation. A droplet of dew can generate a deep sense of perspective in the South Eastern gardens of Saxony, where uncertainty droops her head with daily lamentations and the quest for connectedness. Is it possible for us to be at one now? Let us give credence to ancient runes, as we are wanting in our understanding of pagan orchards. Every picture tells a story under a forest canopy, where stagecoaches compete against highwaymen of contemporary political propaganda. Numerology is depicted in your iris. Grow your plants, and we will engage at an opportune time, with wise insights. Semantics are inadequate to define familial bonds.
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Dec 17, 2014
Dec 17, 2014 at 12:33 AM UTC
Fungal Growth
On the highway They’re sitting down and rolling joints Contemplating If it was freedom When she pierced the muscles Struggling beneath her frail bones. They all draw wings on the wall behind the road and Some say about her rings, That in a corner in Thamel Scientific instruments in a white room replicate force (And it doesn’t hurt so much anymore) On the highway The times before rolling joints She rubbed elbows. ***** in the mud like a pig. But the tourists still took pictures of her snout, and called it “Cute.” When that mother came into her room She was sleeping with a pout on her face. Until the highway men drawing wings on the high wall “Woke” her up. (The first day, she thought she was still rubbing elbows) Until the marks came on hers and bled But not on the other side as well. Almost simultaneously with the gypsy’s work Aureliano had been reading On wires metamorphosis-ed into the air (Brought the world to her feet, or the other way round) And she knew it must have been a high because The ground was cold. And all above she saw the skies cheat Right before they pressed in on your lungs Leaking smoke (When you thought you were made of blood) Yet before, in your head you’ve smashed the universe And eaten its brains for lunch – they are green. Before it gulped her down In a go. So you know How drawing wings on the wall Has gotten no one nowhere except Talking about that girl Who pierced the skin under her bones In Thamel. Storm 5.14.014
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May 14, 2014
May 14, 2014 at 4:01 AM UTC
Highwaymen
On the highway They’re sitting down and rolling joints Contemplating If it was freedom When she pierced the muscles Struggling beneath her frail bones. They all draw wings on the wall behind the road and Some say about her rings, That in a corner in Thamel Scientific instruments in a white room replicate force (And it doesn’t hurt so much anymore) On the highway The times before rolling joints She rubbed elbows. ***** in the mud like a pig. But the tourists still took pictures of her snout, and called it “Cute.” When that mother came into her room She was sleeping with a pout on her face. Until the highway men drawing wings on the high wall “Woke” her up. (The first day, she thought she was still rubbing elbows) Until the marks came on hers and bled But not on the other side as well. Almost simultaneously with the gypsy’s work Aureliano had been reading On wires metamorphosis-ed into the air (Brought the world to her feet, or the other way round) And she knew it must have been a high because The ground was cold. And all above she saw the skies cheat Right before they pressed in on your lungs Leaking smoke (When you thought you were made of blood) Yet before, in your head you’ve smashed the universe And eaten its brains for lunch – they are green. Before it gulped her down In a go. So you know How drawing wings on the wall Has gotten no one nowhere except Talking about that girl Who pierced the skin under her bones In Thamel. Storm 5.14.014
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45
you know, after collecting an obscure library of music, i feel nothing for the MP3 highwaymen of Napster et al., being the forager on the internet from time to time for the diamond berries, then from time to time turning the radio on and relaxing with these high brow moral airs on the backseat with a d.j. surprising me - like any man respecting the arts, i'd tell these MP3 thieves to turn on the radio from time to time, but, oh wait... they haven't invested in music, so i guess listening to the radio would be like running stark naked on a football pitch. **** no pause, and i'm about to refill - absolute, or ageing with 40 year old's nostalgia concerning Brit-Pop and their older brother's or uncles tastes; match-made-in-heaven.
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Aug 2, 2016
Aug 2, 2016 at 10:08 PM UTC
absolute radio
No more tears allowed. There is a Palace at the end of this road, Which turned out to be long and stony, Pieces washed out by floods of tears And avalanches of regrets, Highwaymen around each corner. No more sobbing in the night. The castle walls are within sight And the drawbridge is slowly coming down. There is a light in the tower window And the smell of dinner in the air. Only one last mile to conquer And at last I will be safely home. ljm
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Jul 20, 2018
Jul 20, 2018 at 7:59 PM UTC
ATTAINMENT
I have, from time to time, heard this simple phrase: “The road to hell is paved with good intentions.” It’s always puzzled me. It seems illogical. No, the road to hell isn’t paved at all. It’s an old road, constructed when the first stars lit up the sky. It’s been here longer than us. And we’ve used it. Many of us, over and over. The road, once pristine, has seen the footprints of a billion souls. And so, it’s cracked, withered, decayed. The dust, which was once cobbles, blown into the wind, never seen again. In fact, it’s not a road anymore. Roads are strict, they instruct where to go. But the road to hell is so distraught that it guides no more. Loose stones are all about, and any semblance of a path is gone. The empire has forgotten the road. There is no surveyor coming. No highwaymen traveling horseback. We’re on our own. We’ll have to find our own way to hell.
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Oct 21, 2024
Oct 21, 2024 at 11:28 AM UTC
The Road to Hell
Grinding along its age-old axis which knows of approaching death, The world pivots on a baby’s breath. The Rock beholds his baby as a plinth, Its lungs lamenting the loss of a leisurely labyrinth. Highwaymen hit the open road in rattling carriages, Bibbed and drooling with mouths welcoming meat wedges. In the mind’s meandering pathway And the incubator cot’s cold corridors, I sought to take away Routine’s rasp and all of its bores. No toy to be found. The whirling wheels left vapors On highway tracks, chafing the skin of tarmac like sandpaper. Only as the Old Bull lifted me from my minute home And took me for a restful roam Did I see the tempting toy in Guy’s den. Now ground to a refueling halt, I skated to the highwaymen.
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Sep 24, 2018
Sep 24, 2018 at 2:45 AM UTC
Just a Wooden Toy