LA California
Starting on the bus
Just shy of 2,600 miles to go
Florida or bust!

All alone and slightly scared
I got into my seat
There was excitement in the air
Anticipation sweet

At 19 and still a babe
I was sure grass green
No carry-on to worry about
$20 in my jeans

I was a waif of a girl
Pixie-like and fey
The men-folk all were looking
As I got on the bus that day

Naive, I didn't notice
But the black woman, she did
Though she had 5 babes with her
Next to me she slid

That lady sure had carry-on!
Ice Coolers and bags
Her kids were toting it all on
Dressed in their best rags

They had the jitters in their legs
As in their seats they jumped
She was smiling, jovial,
Substantial and plump.

"How you doin', Missy!
Where you going to?"
"Clearwater, Florida" I said to her
"Hey, ma'am, how 'bout you?"

"A town in Mississippi
You wouldn't know the name,
But it's where I've lived my life
It's home just the same.

"What's your name then, Missy?
Lands! You're goin' far!"
"Ma'am, my name is Cathy,
Yep. This trip's gonna be hard!"

She said her name was Elsie
Her smile was sweet and good
She reached into her cooler
And broke out some food!

And what food! Hot Fried Chicken!
Fresh made that same day!
Collard greens and hush puppies
That gal fed me the whole way!

Corn on the cob and ice cold pop
Sweet potato pie
Best food I've ever eaten
I tell you no lie!

We did a lot of talkin'
Durin' that long ride.
I found out she loved Jesus
When she talked of Him she cried.

I didn't understand it
It was something that I missed,
Headed for Scientology
Raised an atheist.

It left a great impression
Though didn't know it then.
I accepted Him much later
And I remembered when.

She told me His value,
She told me His cost.
She got off in a town
You could throw a rock across.

I helped her with her baggage
Scared to be alone...
There was a ******* standing there
Eyes hard and cold as stones

I was so offended
"What you lookin' at?
He rolled his chaw within his mouth
Disdainfully he spat.

"At choo, ****** lover...
You is quaaht a sight
Movin' that ol' ******'s bags
Even tho you white."

"God bless you for sneezing".
I said acidly
"This lady needed her some help.
This country is still free".

"Don' mind him", Elsie whispered
And she was plainly scared
Not for herself. But for myself!
And for the feelings that I aired.

"Get back on the bus now!"
She gave the man a look
By then some of her men-folk
Had come over to help.

I got back on that Greyhound,
Just as I was bid,
Didn't know I was in danger
But that black lady did.

The rest of that trip was painful
When I reached New Orleans
My ankles were so swollen
They almost tore my jeans.

But I arrived in Clearwater
Tired yet unscathed.
I'll never forget Elsie
Who helped me on the way.


When I accepted Jesus
I will tell you frank
I remembered Elsie's witness

I have her to thank.


SoulSurvivor
(C) 7/3/2016

He looked on down from the higher ground
At the village he held in thrall,
A gaggle of bowers, of steeples and towers
And he ruled them, overall.
They went their way each enchanted day
Unknowingly bound in his spell,
Not able to leave, to fret or to grieve
While he ruled their wishing well.

The wishing well in the village square
That had been since ancient days,
Nobody knew who put it there
Some sage with enchanted ways,
Its spirit was always known for good
Till they dragged her from a ditch,
That haggard harridan, Elsie Hood,
Known as the village witch.

They’d ducked her once in the village pond
To see if the crone would float,
Pricked her skin with many a pin
So the Witch Finder could gloat,
The sentence passed was the first and last
For a witch, in that village dell,
While some were stern, said a witch should burn,
She was tossed, head first down the well.

The well grew an ugly, creeping moss
That gave off an evil smell,
And everything good from it was lost
Some said, ‘It’s the witches spell!’
Then he had come to the village square
And tossed in a coin or two,
Said, ‘I command, let me rule the land
And the village surrounding you.’

And from that day they were cut away
From the villages all around,
Each road would twist with an evil mist
They were lost, and not to be found,
While he looked down from the higher ground
To gloat on each church and bower,
For then by stealth he had taxed their wealth
Though all that he had was power.

A maiden sat in the village square
Selling her flowers and blooms,
Each day, enchanting the people there
By night, in the Tavern’s rooms,
She caught his eye, and he breathed a sigh
When she smiled, so innocently,
So he went to tell the wishing well
‘That’s who I want, for me!’

The spirit flew from the wishing well,
The spirit of Elsie Hood,
‘I’ve done the thing that you want me to,
But now you want her, for good!’
It dragged him screaming across the square,
And tore at his eyes and skin,
His blood was spread almost everywhere
By the time that she dropped him in.

The mist has gone, it has moved along
The roads in and out are clear,
The moss dried up on the wishing well
And the girl, well she’s still here.
They filled the well to the top with sand
So no-one conjures a spell,
They’d rather be part of the greater land
Than wish in a wishing well.

David Lewis Paget

W

ith us they laugh and with us they weep;

And when we're young rock us to sleep;

And all the things we ever had;

Through the good times and through the bad;

My Mother gave these things to me;

And made me what I came to be.



I

sit here on a summers day;

And remember how I used to play;

How she had the time for me;

In between her jobs all three;

How did she find the time to sleep;

With children jobs and house to keep;



A

nd now near forty  and much older;

I've grown wiser and much bolder;

And I don't forget who gave me the courage;

Because all the negatives she discouraged;

And from the slums to a flat in Chelsea;

Who made it happen? 'Was my mother Elsie.

Elsie is exasperated with her worriment and woeing.. the poor soul does not know which way she is coming or going..Alas she can’t control her restlessness this is the way Elsie Morgan is.. her mind is always ******* in knots from her forever in a tizz

So you will see this poor fragile old woman standing by her windowsill stood staring from inside her livingroom looking so ill..waiting for her family whenever they will call..Elsie is constantly thinking one of them will have an accident or a disasterous fall..All the while she picks her fingers and has each single one red raw.. if only she could stop this nervousness coz her fingers are sore

Oh poor old Elsie Morgan has always lived on her wits..forever imagining the worst in life she has worn her mind to bits.. So much so that she has suffered a second stroke.. but this was inevitable with her fretting over folk..Each and every minute and second of the day you can see her frightened face staring out in dismay..with such a look of anxiety..ashen and grey

ELSIE FLIMMERWON, you got a job now with a jazz outfit in vaudeville.
  
The houses go wild when you finish the act shimmying a fast shimmy to The Livery Stable Blues.
  
It is long ago, Elsie Flimmerwon, I saw your mother over a washtub in a grape arbor when your father came with the locomotor ataxia shuffle.
  
It is long ago, Elsie, and now they spell your name with an electric sign.
  
Then you were a little thing in checked gingham and your mother wiped your nose and said: You little fool, keep off the streets.
  
Now you are a big girl at last and streetfuls of people read your name and a line of people shaped like a letter S stand at the box office hoping to see you shimmy.

A story in three movements after the painting by Mary Elwell*
 
 I

She’s out. Changed her frock, left me a list and her letters on the hall table. I heard the door bang. She was in a hurry. Wednesday afternoon she’s often in a hurry. I don’t know where she goes, but she’s usually back about 9.0, and Mr Fred has his tea by himself. I come in here when she’s out and I’ve done the necessary. It’s a big house and apart from Janet and Elsie in the mornings I look after the place, and her when necessary. She’ll call me into her bedroom to tell me what she wants done with her laundry. She’s fussy, but she can afford to be. She has two wardrobes, what I call her Mrs Fred clothes and her ‘Mrs Knight’ clothes. They’re quite different; like she’s two different people. When she paints she’s someone I don’t know at all – she looks like a *****. She doesn’t belong in this room anyway when she paints. She has her studio in the attic and doesn’t even let Mr Fred in there. I don’t go in there. I’ve never got further than the door. She doesn’t want anyone to see what goes on in there. Oh, I see the pictures when they’re finished. She places them on Mr Fred’s easel in the drawing room and spends hours pacing up and down looking at them. She pulls up a chair and sits there. She doesn’t like being interrupted when she’s doing that. I like to come in here when she’s out. It’s a lady’s bedroom. I don’t think Mr Fred comes in here very often. She likes to go to him when she does, which isn’t often. When I first came here they were always in each other’s bedrooms, but she keeps herself to herself now except when Mrs Knight comes.
 
II
 
 When I was a young man I often used to look up from Walkergate at the windows of this room. You can’t miss them really as you walk towards the Bar. I coveted this house you know. Marrying Mary suddenly made that a possibility. When Holmes died and left her his fortune it came on the market and I said lightly one afternoon – she was in my studio in London – I see Bar House is up for sale. Yes, she said, we could buy it. I think she knew I wasn’t going to get anywhere in London, and she wanted to go back to Yorkshire.  She was from the first going to be her own person having been Holmes’ for ten years – an older man, dull and old. She felt by marrying me, an artist, her desire to be solitary, self-absorbed, would be understood. I don’t often come in here. She comes to me, usually to talk at the end of the day. She doesn’t sleep well, never has. We don’t, well you know, it was all about friendship, companion-ship I suppose, and money. She had it. I didn’t. You know the light in this room is so wonderful in the afternoon – like honey. I like to sit on her bed and think of the days when I would wake in this room. There were two beds here then. She’d be sitting at her writing table in her blue gown. She liked to get up with the dawn and write long letters to her friends, mainly Laura of course. After that first sitting she began writing to me, all about her love of painting and how Alfred had never encouraged her, and would I help her, advise her? She wanted to go to Paris and be in some Impressionist’s atelier. I soon realised in Paris I was never going to be a great artist or a modern painter. There’s one picture from that time . . . only one; that girl from the theatre, Amelie. I’d seen Degas and thought . . . no matter, I could never match her letters. I was always a disappointment. I still am. I would sit down at my desk with one of her letters  - she wrote to me almost every day - and think ‘I’ll just deal with that enquiry from Alsop’s’, and then I’d find another pressing letter, or I’ll look at my accounts, and all my good intentions would be as nothing. If I’d really loved her I would have written I’m sure. It takes time to write, to think what to say. It’s time I always felt I couldn’t allow myself. Painting was more than enough, and more important than letters to Mary. She wanted to talk to me, and wanted me to talk back. So she talks to Laura now, who returns her ‘talk’ with equally long letters – with sketches and caricatures of people she’s met or ‘observed’. Occasionally, I catch sight of one of these illustrated letters on the sitting room sofa, placed inside a book she is reading. I have a box of Mary’s letters, and when she’s away I look at them and read her quiet words – what she’s seen, what she’s read, what she hoped  we might become.
 
 III

I often stand at the door, even today when I’m in a rush, to gaze at my room before going out and leaving it to itself. I love it so in the afternoons when the sun takes hold of it, illuminates it. You know each item of furniture has its own story; my mother’s quilt on my bed, the long mirror from Alfred’s house; my writing box given to me by my Godmother on my 21st; the little blue vase by my wash stand – that back street shop in Venice, my first visit. I stand at the door and think, well, just what do I think? Perhaps I just rest for a moment at the sight of myself reflected in these ‘things’, my possessions, my chosen decoration, the colours and tones and shapes and positions of objects that surround my daily life. My precious pictures; some important gifts, others all about remembrance, a few from my childhood, my first marriage – Alfred was very generous. The silver vase on my writing table glows with delphiniums from the garden – and a single rose from Laura. And today we will meet, as we do on alternate Wednesdays, to drink tea in the Station Hotel, arriving on our different trains from our different lives. This friendship sustains me, and more than she will ever know. She is so resolute, so gifted as an artist. She is a painter. She has imagination, whereas as I just see and record. She puts images together that carry stories. That RA **** – that’s Laura you know – and the painter is me – and wearing a hat for goodness sake! Me paint in a hat! I remember her going through my wardrobe to dress me for that picture. Why the hat? I kept asking. But she made me look as I’ve always wanted to look in a picture – as though I was a real artist and not a wealthy woman who ‘plays’ at painting. Fred’s portraits say nothing to me, whereas Laura’s make me feel weak inside. I remember her trying out that pose in front of my long mirror. ‘Will this do?, she would say, ‘Or this? All I could look at were her long, long fingers, imagining her touch on my arm when she kissed me goodbye.

This is one of the racier "Memories" poems by the great Barry Hodges, my alter ego.
It might well make you come involuntarily in your ******.

How happy was I once with the wind in my hair
Wandering o'er the dales with joyousness unmeasur'd,
In the sweet long passed innocent days of platonic love
When stolen gropes and kiss were to be treasured.

But all good and true things come to a sad close
And my poor first love lies in her grave so sorrowfully
Having been crushed to death by a runaway steamroller
Before I managed to go all the way quite thoroughly.

What a waste of delightful teenage flesh was that
Yet perhaps I had a narrow escape from the derangement
Which might have been mine had our trysting
Led to a semi-permanent matrimonial arrangement.

For I recall one afternoon in the old ABC cinema
In the delighful Yorkshire spa town of Harrogate,
Sitting next to my gorgeous love in the back row,
Exploring her not so very private parts on a hot date.

How I cursed the management's niggardly folly
In not showing a film with hot romantic blood
But saving pathetic pennies by putting on
Daffy ******* Duck and Elmer ******* Fudd.

But yet I perserved with my digital explorations
Unaware that the throbs my fingers felt were no dream
But darling Elsie laughing like a proverbial drain
At Daffy's hilarious anatine adventures on-screen.

'Twas then I began to wonder about the viscous liquid
I had hitherto imagined was Elsie's lovejuice flowing
(dear, dear reader, cease your perusal of my tale forthwith
if you are of a nervous disposition or prone to food up-throwing)*.

It was only a careful examination of my sopping knuckles
In the dimly lit gents after old Daffy's film was done and dusted
Which revealed that my dearly beloved had leaked
Big time out of both ends, leaving my fingers well encrusted.

O to think that, but for Daffy, I might have been lumbered
With a different kind of bird for whom double incontinence
Was a way of life (thus, the fatal steamroller she encountered
The very next day was a blessing from kindly Providence).

Childhood was the greatest time for Timothy, and he remembers it that way. No disposition on the fact that his parents divorced when he was eight. Just old enough to develop a mental connection with the idea of a union. So when he was ten, his father remarried, moved to a farm in the southeast, and tried living off the land. The topic of an ecological environment had hit the internet heavier than global warming hit the ice caps. And everyone was pursuing happiness with steep drops in city living, and an up swing in rural living.
Timothy's mom refused to believe it though. She wrote about such cultural climates, the invasion of neo-british pop boy bands, the decline of football, and the hippie lifestyle clawing its way back up the columns of big city papers. So when the recession hit, and it suddenly became cool to dress like a homeless person, she saw the disgust, moved overseas and focused on the world-political spectrum.
“Societal fads be ******! I'm going to do something that actually matters.” And she did.
Timothy Glasser, age 82 looks back on that moment with pride.
“There was a sense that she had the ***** to change the world. With Russia building up Imperial popularity, it was cool to be big. America was on the decline by the word of all the heavy-hitter magazines.
“That was when I started to take my life serious. She had shown me all the would-be Bob Dylans, Lennons, Hunter S. Thompsons. She would say, 'These kids have all the brass words of a ****** who can bite down ******* the world, but they don't have the actual brass. Men who are not recognized for what they've done have the brass. Hell, women have ten more pounds of that kind of brass!'
'I would laugh, but she was serious. I think she thought I was too masculine to understand what she was saying.”
When Timothy's father moved him and his little sister, Sunni Glasser out to the backwater community of Oggta-Cornelius, there was a certain relief in his demeanor. In a matter of months the country way of living had worn down his impatience to a sluggish pace.
“Greg was my father's name. He's been raised in a similar place in the Midwest, but the slowness of that life got to him in his teens so he left for the city. I guess when he met my step-mom he found the good ol' girl that he'd been trying to cling to since he left home. And it was Sunni's choice to come with us. She always had the same kind of 'brass' Mom had, but there was a closeness she shared with Dad that adventure couldn't break. It's a **** shame too. But once the slow pace of the backwater hit Sunni, she rebelled. It was a catastrophe to watch her and Dad argue over the most petty things you've ever seen. The way our step-mom, Claire would fold clothes or how early she had to wake up in the morning for school. Five o'clock, five days a week, and sometimes Dad would wake her on Saturday just to punish her for talking back. There was always blood in the water.”
Timothy's face settles, his lower lip curls, and his eyelids clinch for a moment before he changes his position in his chair.
“Is everything okay, Timothy?” I ask.
There is a pause, almost as if he is reliving what he was just describing.
“**** has always been real, you've been fantasizing.” I hear him say. He refuses to look at me, let alone answer my question.
“Mr. Glasser?” I ask again.
He exhales suddenly, eyes watery, and lets out a sigh.
“Let's talk about Sunni. I never really talk about her much, and I think now is a good time. Don't you?”
I nod in agreement and try to give him a smile.
He still refuses to look me in the eye.
“When Sunni was in first grade, she was beginning to prove to be a bit of a handful. There was a small patch of corn out back. Maybe half an acre Dad keep for us to put up for the winter. Sunni was about seven years old around this time and she had the idea to make crop circles. Now I was out with my friends, played football in those days so I didn't have the time to be home all the time. Dad and Claire kept themselves busy with the work about the place, so Sunni got bored real fast. One day during the summer, Dad went to the store to get some groceries. A friend of his came up to him and said, 'I was up in the plane yesterday and I saw something strange in your cornfield. Like some kind of crop circle. Weird ain't it?'
“This rattled my Dad's brain for a few minutes until he got home and saw the two-by-four with rope tied to either end of the thing. Sunni was staring at the clouds and Dad walked over to her, and yanked her up off the grass. 'What are you doing flattening my corn for? Don't you know that's goin' to save us money in the long run?” She just stared at him. Not dumbfounded, just intrigued.
“That was kind of the starting point of their bickering. She had blonde hair running to the base of her skull brushed down neatly. A subtle blush in her cheek from the sun. And she always wore a dress, especially if it had sunflowers on it. She brought life to that house.
“On her tenth birthday, Mom sent her a touch screen phone, an iPhone, I think it was called with a two-year contract. It was so long ago minor facts like that seem to hang on for no reason.”
Timothy shuffles in his chair. Then clears his throat.
“Would you like to take a break, Timothy?” I ask him.
“I ignored most of the arguments Sunni and dad had after I graduated high school. As soon as fall semester started at Cornelius College I fled the backwater and started by life near the OceanFront. Oggta-Cornelius was divided into two sections: the Backwater and OceanFront. And like a sports rivalry there was always trash talk about the tax bracket you were in or how much you worked. After the first few weeks for sneaking into bars and partying on campus, the fun died down because of the arrests. I almost got caught twice, but my sixth sense for trouble tingled at just the right time. When the middle of the semester hit I was over-booked with mid-terms and reading assignments. I actually lived in my dorm then. Never really left the place. And soon fall semester was over. Nothing worth mentioning now. Sunni and I texted often, but she had become a brat and I wanted alone time to learn what I'd read. For everything literary to go beyond just test and quizzes.
“But right towards the end of the semester, one morning I was walking to an early exam and on the ground was a kid, a little older than me lying there looking up at the sky. I had the urge to walk up and ask him what he was doing, but it felt too rude so I left him. I kept walking and heard a voice call back to me, 'Hey, guy.' I turned around, 'Yeah you, come here.'
“I walked up to him, he motioned for me to kneel beside him.
'What day is it?
I told him it was a Monday.
'Really? Wow, must've fell out watching the stars with this gir--'
He reached to his other side, feeling for a body, but no one was there. He never broke eye contact with me.
'Well, with his lovely imaginary girlfriend I have. Her name's Elsie. She's a charm.'
I helped him up and he left without much of a goodbye. A disrespectful mysteriousness. And I didn't see him again till the weather warmed up in the spring semester. Which was a repeat of the fall.”
Timothy asks me for some water. I started to feel like I'm one of his grandkids. How far in the trunk of memories is he going for this information?
“Thank you. Now the next time I saw Alan was in a smoking gazebo along a walking path on campus.
'Hey, guy!” he shouted, getting my attention. I walked back to the gazebo, coughing as the smoke roughhoused it's way into my lungs. He had those circular shades on, like the one John Lennon wore back in the day. A tie around his head, a light blue button up shirt that hung loose off his think frame. His hair was long and parted, and he sported a straggly red and black beard.
'Top of the morning, ta ya.' he said, putting out a cigarette on the tray. I opened my mouth, but all that came out was coughing.
'Course, the Irish don't really say that. It's actually quite racist, but I'm half Irish so no skin of my knuckles. I'm a mutt.'
“He smiled with such pomp. The arrogance was so natural, it fit him like his face. Other people around him were having conversations about Samuel Beckett, John Irving, Stephen King, and Jimmy Hendrix tripping acid together in the great T.A.R.D.I.S. in the sky. I remember laughing at that. They were all smiling at the ludicrous actuality of it happening. And it was late evening.
'Stay! Be silly and merry with us!” he shouted. I held my breath and sat down. I never made it to the rest of my classes that afternoon or for the next week. Alan and I chilled in my dorm, burned incense and plotted a protest. The whole time I was telling him he had to be literal with the cause. It couldn't be just because the college bookstore sold shot glasses, but confiscated any paraphernalia they found in the dorms.
'*******,I say. It's hypocritical and a scam. Like police pulling you over for going two-miles over the limit because they need to feed their kids. It's a Darwin rip-off.'
“Later that week he took my phone while I was sleeping, got my number, and Sunni's too. He never asked if he could come over after that night. He just did.
'I thought it was cool since we had a good time.'
"I didn't know what to say so I let it continue. His reason for stealing Sunni's number still baffles me. He said he thought she was a girl I was into. She was my sister, he was right in his own way. It was a while before he ever texted her.
“The next time I saw him he told me, 'I feel like a clockwork man running on thousands of gallons of caffeine.' I laughed at him and told him to stop reading Burgess.”
I stop Timothy for a moment. “Anthony Burgess? The author of A Clockwork Orange?” He nods and goes back to the story.
“You know, with the Second Cold War flaring up again I don't think it's wise to be worrying about an old man like me. This has been a century of second fillings. There are still Hipsters running about. This makes me feel no better. I want to go home.”
“Alright Mr. Glasser, but can we reschedule? I need to finish this article.” As he rises out of the chair, he agrees and goes for his coat.
“One more question, Mr. Glasser. Can you give me another quote from Alan? A bit of closing for this bit?
He turns around and looks me in the eye for the first time since the beginning of the interview. He squints his eyes at me and says, “When we would hang out at the gazebo where we actually met for the first time, and after that week I got back in the habit of going to class and doing my work. As I would leave I'd say, 'Alright man, I'm off to class, to learn and stuff.' He'd moan about it, and say, 'Look at him now, growing old and dying young.' Behind that same pompous grin."

Se hai effettuato il login per Style Me Pretty questa mattina alla ricerca di qualcosa che stava per allietare la abiti da sposa on line vostra giornata .siete fortunati .Abbiamo un super allegro .super felice .assolutamente stupendo Tahoe matrimonio da Em The Gem e di mettere un sorriso sul



mio volto che non sta andando da nessuna parte in qualunque momento presto .

ColorsSeasonsSummerSettingsRanchStylesCasual Elegance

dalla splendida sposa .Mio marito .Nick .e ** incontrato 10 anni fa a Tahoe come membri della UC Davis Ski Team .Quando diventando impegnati lo scorso agosto .abbiamo concordato la nostra posizione di nozze doveva essere significative e univoche .Tahoe è stata la scelta naturale .dal momento che è dove ci siamo conosciuti e continuiamo a visitare .Dopo la visualizzazione di più sedi Tahoe .abbiamo scoperto la splendida Northstar Zephyr Lodge .Con una splendida vista Tahoe Mountain Vista e la capacità di ospitare comodamente i nostri 200 + ospiti .il lodge Zephyr forma il conto perfettamente .La caratteristica migliore : gli ospiti sarebbero arrivati ​​tramite impianti di risalita !Essendo un nuovo lodge di sci .il nostro matrimonio è stata la prima cerimonia e il ricevimento nella posizione .quindi è stato emozionante mettere insieme tutti i dettagli .

Come graphic designer .si è ipotizzato che vorrei progettare tutto da solo .e io volentieri ha accettato la sfida .Per i nostri colori di nozze .abbiamo scelto il fucsia e giallo senape .Abbiamo apprezzato la felice .combo estate e anche come spuntato contro i colori forestali naturali .Per i nostri materiali cartacei di matrimonio .volevamo un look semplicistica che era spensierata e riflette il nostro spazio .** creato semplici caricature di Nick e io.insieme con uno dei nostri Goldendoodle .Maisie .che abbiamo usato per gli inviti .oltre alla giornata di materiali nozze e segnaletica .Abbiamo inserito dettagli in legno nella nostra cancelleria per riflettere la posizione.** disegnato tutto.dal salvare le date e programmi .fino ai pacchetti Toss riso .

La maggior parte delle decorazioni era DIY .Volevamo semplici decorazioni che mostrare il luogo moderno .ancora rustico e non eclissare gli scorci visti attraverso il soffitto stava quasi per finestre del piano .Abbiamo ordinato i nostri fiori alla rinfusa da un negozio di fiorista locale e .con l'aiuto di amici e familiari .organizzato loro il giorno prima dell'evento con barattoli riciclati.La sede ha fornito bei tavoli in legno che abbiamo accentato con corridori di colore neutro.Ai tavoli .abbiamo lasciato divertente gratta carte pop - quiz e penny per i nostri ospiti di godere .

schede magnetiche da Ikea visualizzare le nostre schede di scorta .Abbiamo fatto il nostro tessuto coperto di senape gialla e fucsia magneti pulsante per apporre le carte per le tavole .Per favori .abbiamo implementato la versione montagna Tahoe di un candy bar : il bar self-service trail mix !

abiti da sposa corti le damigelle indossavano gonne di seta neutri da BHLDN e ciascuno ha scelto i propri piani oltre a scarpe gialle .I testimoni dello sposo indossava pantaloni J. Crew e camicie bianche e senape cravatte gialle per una sensazione causale montagna .La madre dello sposo ha creato tutti i mazzi di fiori e boutonnieres .

Northstar ha fatto un lavoro meraviglioso appartamento il cibo cena e bevande .Il dessert buffet consisteva di tutti i dolci fatti in casa per gentile concessione di amici e familiari .Macarons .brownies .biscotti .caramelle e dolcetti piacquero molte pance .Dopo una lunga notte di balli .feste e bere .gli ospiti afferrato bastoncini luminosi per illuminare la loro strada giù per la montagna tramite gondola.E 'stata una bella giornata e la notte magica ricorderemo per sempre

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Rita
Sullen, sultry but delectable nevertheless
She looked at me like an adjudicator
And my confidence sank way down low
I became a blubbering idiot
Whimpering like an orphaned puppy

                      Theodora
Bereft of height but redeemed somewhat by her face
She looked at me like I was the answer to all her prayers
And my disdain for seekers of things personal shot through the roof
I became this despicably insensitive yuppie living only for music
And her pining heart sent her home early upon a light breeze

                       Maria
clear complexion with the tone of ripe yellow peaches
She walked out of a shower into the sunshine like a subject of art
When her gaze touched my doting eyes I was lost forever
And my obsession with beauty and allure was well and truly fanned
I became a frequent visitor at the altar of romantic slaughter where dreams die

                        Elsie
Dark, with dancing eyes and a bobbing ***** replete with femininity
Elsie tortured me with her hungry look then huffed like she was breathing her last
My infatuation with girls that treated me like a killer of their hearts began here
I desperately wanted to reciprocate her take-me-now urges under the June sky
But alas, these things were never meant to be; she was just a maid and I was on the way up

                        Peggy
Tall and sweet with articulate eyes and a younger sister that spoke for her
She was not one to play hard to get and declared her love like it was a blessing
She made my ego grow in leaps and bounds and had a figure like an artist's model
I was stunned by her loving openness and could have tied the knot if I could
But circumstances, as always, altered cases and we went our separte ways for good

                        Clementine
Succulent like the clementine, her namesake, she aired her feelings out for me to see
She had a bigger sister who treated me like I was what her sister needed in perpetuity
Clementine and I shared a secret that we kept from my besotted cousin
My love for intrigue and convolution henceforth was my driver in matters of the heart
And I grew into this heartless beau who needed to be rescued from his own folly

And today in my armchair under the leafy avocado pear tree I sit and wonder where I lost it

The Fiery Red Head

It is time to pay honor to one who doesn’t know it is do I begin from this point as all of us in a sense we
Are doing the same thing for me it is writing my way out yours is different but before I go I will have my
Say I realize I gave all my attention to her mother and father now it is time to shine the light on her
Reveal her inner and outward glory and beauty to do this and to make sense I have to lay a little ground
Work on how we met and ultimately what it meant as brief as possible I had a Simi normal life until I
Was five and my family left church you need paints from hell to paint the rest of my parents life we
Banged and stumbled along and then at twelve they divorced and all of a sudden my dad and I weren’t
A family in the eyes of those we rented from so they kicked us out and we ended up in a mine shack no
Sheet rock on the walls no ceiling no bathroom no heat after about a month the family had a meeting I
Was delivered from hell to heaven I went from sleeping under ten blankets to a sheet and light blanket at
His sister’s house what luxury then my mother bribed me by buying me a television to live with her folks
That where Judy comes in she lived down the street I already knew her because her brother and I was
Best friends but my move put me into a place ruled by two laws Willie’s law and Judy’s law I learned in
School supposedly the wave came about when you met someone long ago it was showing you had no
Weapon and that you were friendly well with Judy there was a different wave you instinctively put your
Hand behind you back feeling to see if anything would impede your escape put it this way you didn’t
Want to whirl around and run head first in to something and then fall back in her arms you heart could
Stop no problem she would scream and it would start in a hurry when you’re young your naturally stupid
Or one time I was told ignorant that means you just haven’t been taught yet anyway it sounds better but
First to show innocent stupid she and her sister Barb were pretty they sing about California girls Illinois
Isn’t full of woofers this isn’t a kennel well I was in the living room and barb goes back to her bedroom
She is back there about an hour she went back there just like always but as fate would have it I was
Moving across the floor and she walks out God she looked like she stepped out of a glamour magazine I
Didn’t know it but I was doing a Gomer impression not the aw shucks degum but I found out my mouth
Had fallen open barb looked at me and laughed and said what’s the matter I was dumbstruck Max
Factor and Barb hit a homerun that day that was good stupid but I followed my uncle in a sense he left
Home at thirteen and worked and lived with the local bootlegger I was basically on my own at fourteen I
Had to make decisions and find my way not always making the smartest moves that’s where Judy comes
In God made her with a sense of justice and what Washington doesn’t have the guts to take action she
Was never mean just for meanness sake but *****-up don’t worry I don’t know the avenging angel but I
Knew his helper people cry God is distant he is close at hand he puts people in your life so you don’t end
Up like my fiend Melvin we would listen to our dad’s story of the antics they pulled when they were
Younger this farmer the next day would try to top them he stole something from the store when the
Manager was looking at him and then chased him of the store each act of defiance made him more
Reckless worse than that it made him meaner I finally cut him loose I heard about him he walked into a
Liquor store pulled out a gun the store owner shot first he died on the operating table I had many helps
Getting to adult hood gentle souls were positioned along the way and tough ones when needed like Rex
Perry’s mom Roxanna she was a red head to but her rule was quiet and powerful midst storms for sure
But I took notice and I never forgot and there was tom’s mother another red head Elsie pretty and sweet
A true charmer I’m bring these folks up to Judy’s mind a little thrill for her special day Friday one
Last addition her neighbor Sara because of this special memory I don’t think Judy saw this I will share it
Now we were out at the end of Sara’s house snow was already falling but all of a sudden and I truly think
That if Heaven ever did disintegrate this would be the first evidence of it the flakes became big as silver
Dollars the sky filled with them they floated so softly and slow you were pulled skyward and you were
Allowed to float down with them a wonderland was forming before our eyes I said I would never forget
And I never have another precious memory from childhood and a great street just right for Christmas
Greeting and a happy birthday for a special friend thanks Jude making my life great have a great
birthday

Show me how to love,
what it's like to have Family.
You meet us in the middle
so there is no extra mile.
The Love bombs you drop,
expanding out, with a Love explosion.
You touch us and we know it,
I can feel your strength, you make me wiser, stronger.
When you lay there, dying, not being able to talk,
I could feel you and you knew your time had come.
The day you slipped, two times an Eagle flew circles, just outside your window.

Dear, Elsie.
You left me with a curse.
I understand you had to leave,
we had no time to converse.

I've tried so hard
to doubtlessly believe
That there's a heaven above me
And a hell at my feet.

I've inhaled the smoke,
I've drank the fire.
I've done everything I can
to take me higher.

Mother, I'm not sure
That I'm complete.
I'm convinced that you can see.
With buried eyes, the ghosts in me.

Ridvan Dibra


Everyone forgot Sephorah, the Prophet’s wife.



The heavens are unfolding like pages of a book,
My Lord.

Pages worn from time
Yet I say they are more worn from their daily reading,
Some are creased and some are shredded
From bolts of lightning and our impatience.

Just as blind as we were in the beginning,
My Lord.

Not a single page did we know how to decipher,
Not a single line, not a single letter,
Simply because we searched upward and afar
When the alphabet was taught around us and everywhere.

Just as deaf as we were in the beginning,
My Lord.

We did not know how to hear your voice
Distracted by a thousand and one false voices,
When everything was so simple and light
It sufficed that we bow our heads and listen to our breathing.

Just as hungry as we were in the beginning,
My Lord.

Simply because we desired our neighbour’s vine
And never blessed our wild weeds
Neither the globe that we should not have bitten
In a rush like the unripe apple.

Just as alone as we were in the beginning,
My Lord.

Scattered about like grains of sand
From the wind that we blew with our cheeks,
Or rather like repentant orphans
Because they raised their hands and slew their parents.
Just as much in the dust as we were in the beginning,
My Lord.

On our lips, in our lungs there is dust
And when we think we are flying higher and higher
The dust pursues us simply because we are idle or forget
To cleanse ourselves before every departure.

Just as homeless as we were in the beginning,
My Lord.

Our huts collapse before being completed,
No thousand years could they suffer your anger,
Until, one after the other, we blame
The walls and the roof, and then the foundations.

Just as thirsty as we were in the beginning,
My Lord.

With our dried and withering lips blistered as in August
We desiccated the sources of life one by one,
Sought and then created
Endless springs of blood.  

Just as ignorant as we were in the beginning,
My Lord.

Simply because we took the second step before the third
And said the first word after the second,
Thus, even our knowledge is nothing
But a correction of errors once made.

You are still everywhere
And we are nowhere,
My Lord.

We disregarded all the reasons for blood,
We forgot even the screams of grieving folk,
We forgot that the wounds of our foes
Would one day hurt even more in our *******.

And they hurt in my breast,
My Lord.


THE FIRST PLAGUE: BLOOD


You shake more from the blood than from the shadows, Sephorah.
From the blood that has no name, that rises out of the fresh wound,
Blood that shines the same in all wounds,
Blood that never knew how to become water.

But the water becomes blood,
My Sephorah.

I only need to strike it with my snake-shaped staff,
That is, with my untamed will,
Bang-bang-bang,
Bang-bang,
Bang.

See how the rivers and all other waters have been bloodied,
The snow is melting and it drips blood
The sharp-pointed icicles are dripping blood,
Drip-drip-drip,
Drip-drip,
Drip.

Understand now the value of water
And let my purpose go
You blistered lips and you arid lands,
You thirsty ******* and you hungry fish,
You forgot that they fished me from the water with my name:

It was life at the beginning
Death followed in its footsteps.


THE SECOND PLAGUE: THE FROGS  


You shudder more from the swamp than from the blood, Sephorah,
The swamp called oblivion and lack of attention,
The sallow swamp that chokes the green,
As the moment strangles eternity.

The swamp that spawns monsters,
My Sephorah.

All sorts of reptiles, repulsive, slowly creeping,
All types of lilies, brightly coloured, but poisonous,
All kinds of breaths, all of them muddied,
And in the end, the emblematic frogs:

Lured by my snake-shaped staff,
That is, by my untamed will.

They approach and enter your home, Sephorah,
In the room where you sleep,
They creep into your bed.

They stain its white sheets
Disturb your tranquil sleep
With their salivating cries,
Croak-croak-croak,
Croak, croak,
Croak.

When the Gods fight with one another
Man must make peace with himself.

My Sephorah.


THE THIRD PLAGUE: THE MOSQUITOES


You recoil more from the cause than from the consequences, Sephorah,
The cause that is me or somebody else within me,
It happens rarely, very rarely to human beings,
And perhaps never to the daughters of Eve.

The swirls of dust have now become clouds of mosquitoes,
My Sephorah.

Over your face and over your tall body,
Over your lips and over your small *******,
Over your sleep and over your ****** dreams,
Over your silence and over your divine patience,
Over your tears and over your rare smile,
Over your motherhood and over your rare fruit,
Over your roots and over your green stem
Have remained the gray scars of bites,

My Sephorah.


THE FOURTH PLAGUE: THE FLIES


They are tiny and everywhere and drive you crazy, Sephorah,
Like grains of the pale sand falling through the fingers,
Or like words and daily routines
That we could do without.

This cloud of flies is the shroud,
My Sephorah.

Neither wound, nor bite, nor poison
On your marble-white body
Or all three at once, somewhere under your skin
Where feelings sting like an uncommitted sin
And where the start is projected as an expected end.  

Because death comes rarely
Without being invited in advance by us,

My Sephorah.


THE FIFTH PLAGUE: THE BEASTS


Once I spoke of you as I did of the beasts, Sephorah.
Finding in them everything that is yours
Or finding in you everything that is theirs, it’s the same thing.

I am talking about those times when you were called nature
Or when nature was a woman, it’s the same thing.

But the beasts all perished,
My Sephorah.

They perished in you, grievously, one by one
Died the grace of mares in the fields at sunset,
Died the sacrifice of camels in the fallow desert,
Died the naivety of the donkeys chewing on thorny bushes,
Died the kindness of the sheep and the fertility of the cow.

They were cut, one by one ,
And perhaps it was I who cut them, one by one,
The threads that tied you to nature,

My Sephorah.


THE SIXTH PLAGUE: THE DUST


The dust is like prejudice, Sephorah,
With your lungs you breathe it in,
It envelops you entirely
In a mantle that changes according to season.
It’s the sky that sifts furnace ashes,
My Sephorah.

On you and on every other breathing being around
Falls the gray sorrow that thereafter conceives
Autumn, eternally ailing,
From its inability to be another season,
More similar to human beings and their fate,
For fates under the dust all become the same,
Or so it may seem to the untrained eye
To the stare that only strokes the surface
Like the dust strokes your senses,

My Sephorah.


THE SEVENTH PLAGUE: THE HAIL


Intermediate things have always caused you to shake, Sephorah,
Hail, for example - neither a raindrop nor a snowflake,
Not even a raindrop and a snowflake together.  

You are alone between fire and ice,
My Sephorah.

They are not pearly garlands that hang in the heavens
But ropes with hailstone spines,
Enticed by my wooden staff
With the fiery snakes of lightning,
Scorching like blind passion.

The barley in the sheaves is scorched and withered
As is the flax which just bloomed,

But not the wheat that endures and is late to ripen
Nor your invincible core,

My Sephorah.  


THE EIGHTH PLAGUE: THE LOCUSTS


The healed wound brings forth another, Sephorah,
As desire brings forth desire and pain brings forth pain,
Until the moment when the soul becomes a soulless object
And the body a soul and a breath together

The dancers of death are approaching,
My Sephorah.

A wind from the east has borne them in throngs,
An army of hungry moments, never satiated,
A plague that gobbles up everything that remains
Especially young sprigs, as yet to grow shoots
And everything else that is green and that nourishes the hope
Sown in your soul
And in your warm body,
My Sephorah.


THE NINTH PLAGUE: THE DARKNESS


You dread more the darkness than the fire, Sephorah,
When shapes disappear and everything becomes the same,
The highest and the lowest, and the black and white

You dread the darkness that is touched by hands,
My Sephorah.

Then you have no other salvation but to turn towards yourself
As to a friend lost and found after many many years,
Because darkness is darkness, and dissipates not like the mist,
Because it hides the unknown and reveals the known.
Man does not see man, and touches him only
When avoidance becomes impossible.

The belated reward pains you
As it does me and my rediscovered self,

My Sephorah.


THE TENTH PLAGUE: DEATH


You’re disturbed more by death than by life, Sephorah,
That is, life near to me and my isolated people
With their eternal and false aspirations for salvation
In their arduous attempts to be understood.,

While the death itself flees from you,
My Sephorah!

On your wise brow as on the crossbeam of a heated house
I have left the telling sign of blood:
May death remember and seek another shelter,
For man can recognize only what he has created himself,
Whereas the beginning and the end are the creations of others,
Even though the elephants return to die in their birthplace.

“Who is not with me is against me”
Said even death to itself one day.

My Sephorah.


THE ELEVENTH PLAGUE: SEPHORAH


Stronger and safer than on my wooden will,
I rely on your silent sacrifice, Sephorah,
You, the most unhealed of all my wounds
That pains me most when the others are silent.

Long has been the road, Sephorah, far too long,
Full of turns and ambushes that delayed my purpose,
Even though I knew that only children expect instant victory
And that all the prophets of old were marching through me.

But long roads never end, Sephorah,
My staff and my faith were too small: only to the Lord does its own self suffice.
I needed more love than understanding,
And then you came, with your body enwrapped in spirit.

I loved only the purpose and thus the people did not love me, Sephorah,
Filled with poison, the cup in your fair hands
And yet, despair is a virtue and joy is a sin,
Whereas events live less than people.

When you teach someone, they pay you, Sephorah,
When you teach all, you must pay yourself.

It is both beautiful and hard to be the wife of a prophet,

My Sephorah.  


March, 2000


Translated from the Albanian by Shinasi Rama, Janice Mathie-Heck and Robert Elsie