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"contortionists" poems
Scars are fireworks. They dance like breaths, breath, pause, breath, pause. Breathing is a cry for help. You brushed my forehead with your fingertips like wind and smiles and time and what kisses are supposed to be. Like time, time, time, memory typewriters tick and tock. They sound like footsteps, like pallbearers and raindrops and heartbeats and whispers and time and time and time and time. Scars are like spiderwebs and patterns in half-full coffee mugs and scales that shield, that measure. and they're like empty stairs and definitions the textbook wouldn't accept. Scars are dreams. A skirt and skin and whatever else that implies. Scars are consensual, like sugarcoated suicides. Scars are bodies. Bend them, break them, cracked contortionists. Watch stardust pours from eyes and arcing, narrow roads.
0
Jan 30, 2014
Jan 30, 2014 at 8:38 PM UTC
Scars
we drove for over an hour yesterday to reach mother nature's home, a playground for adults, we only wanted to reach a destination that held sincere afterthoughts and the smell of moss covering our sight. it was off the grid, only the locals could direct you to the tree coverings and caves that whales could sleep in, but my brother and i decided it was only right to keep looking on our own, we have stubbornness engraved on our foreheads. not short of three hours into the wilderness, wearing out our shoes and losing energy in our joints, we found panther caves parallel to where my brother and his roommate from iraq dragged on cigarettes for answers to show them the way to go. they were magnificent with majestic slabs of sediments that had stories dating from the 1800's, graffiti painted in fluorescent shades and charcoal from the last fire, presented on the highest cliff as if the last person had something to prove. we climbed and angled our bodies like contortionists, we were nothing short from nature - our existence was made here, within the grains of sand and the tangled roots from trees growing on the embankments. i wanted that to be reality. when we found our boundaries and landed back into the car, we drove away in silence because our eyes were heavy and our hands could tell facts of frustration, senselessness, livelihood, and something words cannot measure up to. that world could be my gateway drug, the ignorant bliss from social networking, the war with no apparent reasoning (with the amount of debt we are in), the pressure on myself. i felt so simple when everything else has been so complex. i now know i want to be an architect of the woods, to preserve the chiseled names of strangers who felt alive, who had nowhere else to be at that moment. i want to be a navigator, the one who could tell you what the markings on the bark meant. i want to fall into a love so deep, only the leaves could catch me. i think i found home.
0
Jun 3, 2011
Jun 3, 2011 at 6:32 AM UTC
architects of the woods.
we drove for over an hour yesterday to reach mother nature's home, a playground for adults, we only wanted to reach a destination that held sincere afterthoughts and the smell of moss covering our sight. it was off the grid, only the locals could direct you to the tree coverings and caves that whales could sleep in, but my brother and i decided it was only right to keep looking on our own, we have stubbornness engraved on our foreheads. not short of three hours into the wilderness, wearing out our shoes and losing energy in our joints, we found panther caves parallel to where my brother and his roommate from iraq dragged on cigarettes for answers to show them the way to go. they were magnificent with majestic slabs of sediments that had stories dating from the 1800's, graffiti painted in fluorescent shades and charcoal from the last fire, presented on the highest cliff as if the last person had something to prove. we climbed and angled our bodies like contortionists, we were nothing short from nature - our existence was made here, within the grains of sand and the tangled roots from trees growing on the embankments. i wanted that to be reality. when we found our boundaries and landed back into the car, we drove away in silence because our eyes were heavy and our hands could tell facts of frustration, senselessness, livelihood, and something words cannot measure up to. that world could be my gateway drug, the ignorant bliss from social networking, the war with no apparent reasoning (with the amount of debt we are in), the pressure on myself. i felt so simple when everything else has been so complex. i now know i want to be an architect of the woods, to preserve the chiseled names of strangers who felt alive, who had nowhere else to be at that moment. i want to be a navigator, the one who could tell you what the markings on the bark meant. i want to fall into a love so deep, only the leaves could catch me. i think i found home.
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62
it is not just pink for girls and blue for boys or laundry for moms and desk jobs for dads. it is self confidence plummeting because your nine year old legs look different than the others girls aren’t supposed to be hairy. it is watching the cheerleading team through the windows of the gymnasium hoping the other kids don’t see you boys are supposed to play basketball. it is being called bossy for voicing your ideas to say what you believe in girls are supposed to be quiet. it is a lack of empathy from years of quieting your emotions boys aren’t supposed to cry. it is being placed in a box that is too small and being told to cut off your legs so you can fit inside it we are not contortionists.
0
Jan 10, 2019
Jan 10, 2019 at 8:21 AM UTC
we are not contortionists
habitat for angry things his face is a contortionists wet dream his fists flex through three hundred versions of ready but are rendered immaculate by the thought that binds him to this difficult maze that there's got to be a way out there is a light at the end of the tunnel he suffers from smaller and smaller versions of self esteem and as that window slowly closes his innermost thought is that someone somewhere holds the key that somehow at the last possible possum of a second she will jump out of yonder shrubbery and save the day so rather than show the ever watching world his apparent weaknesses he will wait for her reality is playing dead today and all the goth girls say in horrible unison that your cute and all but i don't date outside my species could ***** Mae have been less cruel she wont be coming to save anyone not even herself habitat for angry things his face contorts with the simple pleasures of destruction and dances with glee over the graves of the once defeated but in the small hidden room of his soul he sits in his discomfort chair and works the meat of his sorrows with a weeping a terrible weeping that fills the cathedral of his hearts broken dream like a photograph folded in upon itself one image is the end one the beginning but  only the blade separates and that sound of weeping that awful sound of weeping that goes on for hours that goes on for years benith it is the sound of creatures that defy that are unspeakable sharp little monsters of thought and feeling that are contortions of rage etched forever into his soul he is buried there in the quiet cemetery with his rages and sorrows replete with his soul intact forever to be in that small dark room working the meat of his regrets never to know the solace of her hand never to know the freedom of forgiveness it is in his hand in smaller and smaller versions
0
Sep 24, 2013
Sep 24, 2013 at 11:00 AM UTC
smaller and smaller versions
habitat for angry things his face is a contortionists wet dream his fists flex through three hundred versions of ready but are rendered immaculate by the thought that binds him to this difficult maze that there's got to be a way out there is a light at the end of the tunnel he suffers from smaller and smaller versions of self esteem and as that window slowly closes his innermost thought is that someone somewhere holds the key that somehow at the last possible possum of a second she will jump out of yonder shrubbery and save the day so rather than show the ever watching world his apparent weaknesses he will wait for her reality is playing dead today and all the goth girls say in horrible unison that your cute and all but i don't date outside my species could ***** Mae have been less cruel she wont be coming to save anyone not even herself habitat for angry things his face contorts with the simple pleasures of destruction and dances with glee over the graves of the once defeated but in the small hidden room of his soul he sits in his discomfort chair and works the meat of his sorrows with a weeping a terrible weeping that fills the cathedral of his hearts broken dream like a photograph folded in upon itself one image is the end one the beginning but  only the blade separates and that sound of weeping that awful sound of weeping that goes on for hours that goes on for years benith it is the sound of creatures that defy that are unspeakable sharp little monsters of thought and feeling that are contortions of rage etched forever into his soul he is buried there in the quiet cemetery with his rages and sorrows replete with his soul intact forever to be in that small dark room working the meat of his regrets never to know the solace of her hand never to know the freedom of forgiveness it is in his hand in smaller and smaller versions
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58
it’s the time of the parochial baby tread with care; it’s the time of fear and violence walk with eyes before and behind you the barbarians are everywhere tearing down libraries; there are demon contortionists who can bend Truth and sense; and there is violence blessed by God and justified in anyone’s Holy Book there is a man who looks at how you dress and look; there is a team taking notes the mindless are everywhere and they want to eat your minds; there is blackhole-distortion and everything you might hold dear is taken to be twisted and turned look to your mind baby look to your heart; there’s the dread of Satan who walks in God’s clothes; they try and take what you got and give you salt and sand to eat it’s the time of the parochial baby tread with care; it’s the time of fear and violence walk with eyes before and behind you
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Sep 23, 2010
Sep 23, 2010 at 12:25 PM UTC
it’s the time of the parochial
i see him straightening the ruffle of his native clothing, putting words of truth inside the empty parentheses of mendacities - it is through his leonine eyes that i see the pointlessness of men. through the TV's hoarse static i can hear his voice occupy the space of obligation without swerving to paths made available for ease without clear trudge.     sir, you make it painless to conceive these cutting truths - death trembles in these taut attestations. in half-lighted periphery i can see the shadows threatening to cast us into damnation, and it is in the bright ray of your speech that i have started to uncover the beasts   and their diminutive language. dark as dark these ploys could be,   now that they are whiter than   ever with their transparencies, you have handed these people   flames to torch effigies    and use their glare to light   the intransigent paths     to this nation's true calling!     spare us from the debaucher of this once sacred land, the contortionists   of these ill fates. and preserve our just tillage over these archipelagos! save us from the vertigo of these    mangled, twisting roads! give our speech obdurate    magnitude so we can hammer down the lies thrown at us and cast them away together with their wretched demagogues!     let us once more, be brave     to withstand the eye of storms     and emerge wizened like      trees in the summer of     our old, resplendent memories      where everything is    and nothing          is speaking loosely    of something far from our hands      to hold, like    prosperity,         or effulgence - altogether!
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Sep 18, 2015
Sep 18, 2015 at 9:32 AM UTC
Ernesto Mercado
i see him straightening the ruffle of his native clothing, putting words of truth inside the empty parentheses of mendacities - it is through his leonine eyes that i see the pointlessness of men. through the TV's hoarse static i can hear his voice occupy the space of obligation without swerving to paths made available for ease without clear trudge.     sir, you make it painless to conceive these cutting truths - death trembles in these taut attestations. in half-lighted periphery i can see the shadows threatening to cast us into damnation, and it is in the bright ray of your speech that i have started to uncover the beasts   and their diminutive language. dark as dark these ploys could be,   now that they are whiter than   ever with their transparencies, you have handed these people   flames to torch effigies    and use their glare to light   the intransigent paths     to this nation's true calling!     spare us from the debaucher of this once sacred land, the contortionists   of these ill fates. and preserve our just tillage over these archipelagos! save us from the vertigo of these    mangled, twisting roads! give our speech obdurate    magnitude so we can hammer down the lies thrown at us and cast them away together with their wretched demagogues!     let us once more, be brave     to withstand the eye of storms     and emerge wizened like      trees in the summer of     our old, resplendent memories      where everything is    and nothing          is speaking loosely    of something far from our hands      to hold, like    prosperity,         or effulgence - altogether!
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47
The clouds in the sky are talented contortionists Vital beauty to rival the most talented goddess My lungs eat a meal of purity and exhale clarity My eyes ease at the sights of great complexity I'm free to discover the language of the wind Witness the birth of new generations
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May 17, 2016
May 17, 2016 at 1:07 PM UTC
Clouds Are Contortionists
Laying Contortionists, Bodies twisted, tangled together, in beauty, For in this moment, our selfless souls are twisted, twisted in our purity, in our naivety, all an act to try for transcendence, yet it is all in vein. All the effort in our entanglement, a failed attempt at two souls becoming one, We are always left alone in the end.
0
May 11, 2018
May 11, 2018 at 7:25 AM UTC
***
I'm from the side of the tracks where you won't come back Sometimes fade to white, sometimes to black Secreting the pus of another failed lust My intentions only bending on a whim or a **** So break the glass over my face and watch me go hard If I got no other outlet you better hope you'll go far Because sickles and hammers aren't only symbolic They can be used to intrude on your systems metabolic Contortionists form a fist and slick the road for communists A bottomless populace heavy handed and cacophonous Desolate like postulates from existentialists, mop your **** And follow it with sawed-off **** shotguns for columnists So open up these ******* veins, I got no reason to try and change Scatter-brained, like blood insane in dark fantasies untamed Unchained and ********* and horse-laced with your taste My way is the highway so don't **** with my **** deranged I'm sick like *** it's exciting To know you're dying From the first breath You're primed for death And there's nothing left Like 21 grams And ***** sexts It's a blank slate And my blood's paint For the walls of The Satanic Saints To **** my brain And **** myself Because it's easier Than killing everyone else No ******* effort, no giving a **** Surely I am broken like a Muslim's **** So you're right to be scared Sure you're checking my history To make sure that no one Is trying to **** me I'm ugly, my soul is black And I'm happily taking nothing back I told you I needed an outlet But don't assume I'm finished yet
0
Nov 24, 2017
Nov 24, 2017 at 11:33 PM UTC
Red
I'm from the side of the tracks where you won't come back Sometimes fade to white, sometimes to black Secreting the pus of another failed lust My intentions only bending on a whim or a **** So break the glass over my face and watch me go hard If I got no other outlet you better hope you'll go far Because sickles and hammers aren't only symbolic They can be used to intrude on your systems metabolic Contortionists form a fist and slick the road for communists A bottomless populace heavy handed and cacophonous Desolate like postulates from existentialists, mop your **** And follow it with sawed-off **** shotguns for columnists So open up these ******* veins, I got no reason to try and change Scatter-brained, like blood insane in dark fantasies untamed Unchained and ********* and horse-laced with your taste My way is the highway so don't **** with my **** deranged I'm sick like *** it's exciting To know you're dying From the first breath You're primed for death And there's nothing left Like 21 grams And ***** sexts It's a blank slate And my blood's paint For the walls of The Satanic Saints To **** my brain And **** myself Because it's easier Than killing everyone else No ******* effort, no giving a **** Surely I am broken like a Muslim's **** So you're right to be scared Sure you're checking my history To make sure that no one Is trying to **** me I'm ugly, my soul is black And I'm happily taking nothing back I told you I needed an outlet But don't assume I'm finished yet
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42
Groggy and hungover Pounding in her head Aggravated by the gull screeching Lulu….. Lulu They call her girlhood name Same each morning Get used to it all over again Grappling with her self-pity and disgust Dead weight She can’t not hold herself back She’s seen so much worse, in the day Bellies torn open, guts strewn Limbs twisted like contortionists Heartbreakingly graceful Rotting, swollen faces she dreams of A man, mummified Head held up ******* from a ****** straw Invisible man What did that soul see when the bandages came off Welcome to the final decline Still got her mind, probably Not sure what she wants to lose first The inevitable slide Unfit for the task It’s her own fault They were her choices But where could she have gone right What had she to do- what she had to do That’s all over, done, and gone now Bloodbaths and blow-ups She’d forgotten safety Her ground still shakes Run for cover Still, everyday, everytime Why her not them Why them not her How dumb is God “Survivors guilt” But the doctors know nothing Solitude made for her Broken way too much Why can’t they let her be Isolation… fight that war Wrong choice then and no choice now Desolate in disrepair She’s in ruins more than it The house leans in around her They’re a good fit It works on its own Devil or angel She has it back The original vice Good thing she’s all alone She doesn’t know Doesn’t want to remember Distance and isolate Intimacy out of the question She’s useless anyway What good is left Where has hope gone? Bloodbaths take lovebeds She struggled She fought Stalemates rule Why must she live Good and right Evils be gone War is blinding Wipe away schoolgirls Why have hope Why bother with love Nothing gold can stay Why fight a victorless war
0
Oct 14, 2017
Oct 14, 2017 at 4:13 PM UTC
Morning
Groggy and hungover Pounding in her head Aggravated by the gull screeching Lulu….. Lulu They call her girlhood name Same each morning Get used to it all over again Grappling with her self-pity and disgust Dead weight She can’t not hold herself back She’s seen so much worse, in the day Bellies torn open, guts strewn Limbs twisted like contortionists Heartbreakingly graceful Rotting, swollen faces she dreams of A man, mummified Head held up ******* from a ****** straw Invisible man What did that soul see when the bandages came off Welcome to the final decline Still got her mind, probably Not sure what she wants to lose first The inevitable slide Unfit for the task It’s her own fault They were her choices But where could she have gone right What had she to do- what she had to do That’s all over, done, and gone now Bloodbaths and blow-ups She’d forgotten safety Her ground still shakes Run for cover Still, everyday, everytime Why her not them Why them not her How dumb is God “Survivors guilt” But the doctors know nothing Solitude made for her Broken way too much Why can’t they let her be Isolation… fight that war Wrong choice then and no choice now Desolate in disrepair She’s in ruins more than it The house leans in around her They’re a good fit It works on its own Devil or angel She has it back The original vice Good thing she’s all alone She doesn’t know Doesn’t want to remember Distance and isolate Intimacy out of the question She’s useless anyway What good is left Where has hope gone? Bloodbaths take lovebeds She struggled She fought Stalemates rule Why must she live Good and right Evils be gone War is blinding Wipe away schoolgirls Why have hope Why bother with love Nothing gold can stay Why fight a victorless war
Continue reading...
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