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jaden Jan 2019
it is not just pink for girls
and blue for boys
or laundry for moms
and desk jobs for dads.

it is self confidence plummeting
because your nine year old legs
look different than the others

girls aren’t supposed to be hairy.

it is watching the cheerleading team
through the windows of the gymnasium
hoping the other kids don’t see you

boys are supposed to play basketball.

it is being called bossy
for voicing your ideas
to say what you believe in

girls are supposed to be quiet.

it is a lack of empathy
from years of quieting
your emotions

boys aren’t supposed to cry.

it is being placed in a box
that is too small and
being told to cut off your legs
so you can fit inside it

we are not contortionists.
Michael Blonski May 2016
The clouds in
the sky
are talented contortionists

Vital beauty
to rival
the most talented goddess

My lungs eat
a meal
of purity and exhale clarity

My eyes ease
at the
sights of great complexity

I'm free to discover
the language
of the wind

Witness the birth
of
new generations
Trevor Gates May 2013
Adamant, nocturnal dalliance
Egregious, insidious, velvet ambiance

An unyielding, dark but brief love affair
The flagrant, seductive and comely au pair

The Eclectic, unmatched, Androgynous Circus
Red devils, black sheep and felines in service

Contortionists, gypsies, and malevolent magicians
All twisting to a dance played by faceless musicians

A night in Tunisia or a place above the Siene
Where else but all in the shadows of dreams?

Enchanted, redolent wonder of festive illumination    
Her eyes absorbed, glimmering in the lush captivation

Enveloping, engulfing silk around our bodies
Days, nights measured by tragic commodities

Arpeggios, rippling across glistening string inventions
Bowing cellos; cellists bowing with audience permission

Masks, costumes, carnivals and the golden mirror
Cerulean dripping limbs that slither while near her

The alabaster piano played by a three-armed puppet
The statues turn and welcome us for a crumpet

Maria Callus sings Ave Maria backwards then stops
The statues and demons laugh while playing with props

“This requiem for the living, begins with a kiss”
The statues said in a tone of voice I could not resist.

“Our overture shall be a ******, a nail in the coffin; a death.
All while you swallow the nectar on your lover’s last breath.”


Needles protruded my head
And I watched as my love was torn
Limb from limb
While the jackals and ballroom guests
Fornicated on the spilled blood and guts
I cried and they cheered as the lights dimmed
For All I could see was the sight of them leave
Into the darkness.
But the noises were as loud as ever as hands
And digits groped my body.
Moaning voices and rhythmic thrusting
And tongues in my ear
And teeth gnawing on my neck
Pain felt, endured, experienced
Then
I was released into the middle of the scarlet draped room
When the phlegm of ****** fluids whipped into a dried crust

A sharp edge stabbed me in the back of the neck
Running along my back, through my spine, down my skin and ending in my ******.
Mechanical hands ripped apart my skin  
I slid out of my flesh like a serpentine ******.
I stood there
shaking from the excruciating, unfathomable pain
the grid and design of my muscular system bare and seen.  

From the pieces of my departed lover,
the master with the many mechanical hands
slathered the slips
and sleeves of her skin onto my own.

Needles and thread went to work.
The puppet master sewed.
The healing plasma
the drying blood
the encapsulating tears lubricated my whole

Once he was finished, I was dunked into a pool of clear gelatin.

For hours I soaked and became whole again.
Then I rose and I was dressed
the finest garments, from across the globe.
I sat once again at the table where the statues invited me.
The musicians, the magicians, the demons, gypsies, masks and serpents
Watched and gleamed
while I sipped my tea

I out spread my fingers.

Layers of skin and stitches

No more hair.
No more nails.
Not just a regular face
but one all shall remember.

I was born as one

Then made from many

In the imminence of zealous devils in my wake
Of the attrition I have forsake

Now as the curtain rose and the spider-silk strings hoisted me up on stage
The master showcased my story to all whoever wished to engage

“Adamant, nocturnal dalliance
Egregious, insidious, velvet ambiance

An unyielding, dark but brief love affair
The flagrant, seductive and comely au pair

The Eclectic, unmatched, Androgynous Circus
Red devils, black sheep and felines in service

I am Vincent Andromeda
Your Strangelove phenomena.”
Emma Johnson Jan 2013
I felt empty. I didn’t know how to explain it either, I felt empty in the most hopeful way. My dancing skin cells all ached for you, and while I knew that sooner or later you would be in my arms, in that moment I still felt so empty without you.

It had been four hours since the blue, flowered tab dissolved under my tongue. The bitter taste of it was gone and I was left with a distorted world and the attention span of a goldfish.

I found myself in a park searching for you. I don’t remember how I got there. From the top of the slide I watched a filmstrip in the streetlight’s glare; two people were holding each other, they were dancing and smiling and laughing. I watched the patterns in the snow. I watched the tree branches grow and shrink, curling themselves like contortionists and I finally understood Dr. Seuss’s secret to writing his books. His worlds were not reality and this wasn’t either.

There was a person next to me. I don’t know when he got there. I knew him, but I might as well not have; he was just as much as a stranger as any.

“See that house over there?” I found myself saying, “Their sidewalk is moving. We should tell them their sidewalk is moving. They should call somebody about that.”

We burst into laughter.

In reality, their sidewalk was not moving. But this was not reality, and their sidewalk was turning over itself like it was ribbon instead of cement.

I got bored of the Truffula Trees. I parachuted down the slide to follow the footprints in the snow, footprints I was entirely sure were from the Star-Bellied Sneeches. They led me down street after street, I could not read the signs because of the flashing lights that overtook my vision.

I stopped in the middle of the street where the ground was a thick layer of ice. The stranger asked me how I was feeling, I replied with “I don’t even know where I am right now,” a saying not uncommon to come out of my mouth.

I couldn’t tell if it was five minutes or three hours later, but we were back at an apartment familiar to me. It was the stranger’s. You were still nowhere to be found, and the daydreams of your lips on my neck were driving me crazy. Even in this unreal world, I still remembered your taste and there was nothing I needed more.

For hours I watched the ceiling and the walls, silent. The world had been carved from crayons and somebody had a giant blowdryer to melt it all. I watched as the walls drip, drip, dripped onto the floor.

A light from somewhere else turned on and it was reflecting with the already glaring light.
“I feel like I’m inside of a CD,” I said to the stranger, trying to make him understand my Dr. Seuss world. “The lights are jumping everywhere, like the lights when you hold a CD in the sun. Do you hear the music too?”

With the empty feeling, the crayon walls and ceiling, and the jumping lights, I had to close my eyes. It felt so nice. I wanted reality back. I watched the kaleidoscope on the inside of my eyelids and tried to sleep.

I still wondered where you were. I wondered why anything would stop us from being together right now, why is there a force in the world that could willingly take my home away from me? Without you, I realized I am nothing more than cells escaping the body they form; I am not a being but rather a mind living in an alternate reality. In the Dr. Seuss world I float, in the real world I am anchored to you.

As I drifted off to sleep, hoping to wake up in the real world because I was sick of the patterns moving on inanimate objects, your words hung in my ear. “Goodnight my beautiful girl, I love you so.”

You are my home. I am empty, aimless, and unreal without you. I do not find comfort in Dr. Seuss’s worlds, nor do I find comfort in the real world.

When the world is made of melting crayon and my cells are bouncing out of their perimeters, you are real and you are refuge for the lost and drugged girl.

“Goodnight my beautiful girl, I love you so.” The words tasted so sweet I almost wanted to cry.
Nat Lipstadt Dec 2013
first read
http://hellopoetry.com/poem/life-circles/#after-reading
After-reading
including the notes  and the  exchange in the comments section. Then begin to read the words below, for they are derivative thereof.
Also
ponder this quote from a play by Richard Greenberg.
''I speak when I have something to say. When I have nothing to say, I write.''


the contriving is all that remains,
so,
with a bow and a great flourish,
my hat, right-handed swooping,
grazing my knee,
I tender my amazement at what the
lives of all these contrivers,
bring me each day.

Long Live All Poets!

the contortionists, the evolutionists,
hard working smithies, risers with dawn,
selectors, all day long tasters,
all night long scene stealers,
of each word that parses their
five senses,
even the contrivers,
need, deserve,
get their day in court.

you know the real poets
by their every day
discourses,
for your subconscious
rhymes their every response,
even their *thank you's
and yes, please,
please all nearby,
like a thanksgiving prayer
spent, sent heavenwards ,
each word
lifted up skyward, alongside the hearts
that move to hop on, join their
poetic alephs and bets.

the haiku masters who
breath lifetimes into a moment,
the balladeers who ferment
tales unseen but conjure them
as forever keeps of yes! I was there,
the sonneteers, the lyricists,
so powerful these wizards place their
visions in our throats to hum when hearing
spoke a single one, a phrase, of their words

the contriving.
how I adore that word
as if the work was
the easy part,
and the insighting,
the feeling,
the noticing,
the tugging at the heart was
the easy art.

oh lord forgive me I write too much,
see beyond what I see,
hear the street snatches of conversation
and drip those reformatted words from mine eyes,

is that your blessing or your curse?

let me be just a contriver,
a poet who
follows form and function,
and gets an A from his English Lit. professor,
acknowledging expertise
at contriving
per poetic custom acceptable

whY did you insert this knowing,
this sensory malfunctioning that cusses
lest I not transform the everyday of the
everysay into verses and stanzas.

Reimer, Reimer, beloved scoundrel and schemer,
what have you undone to me!
he who never sleeps, just
weeps and weeps,
for you have contrived me yet gain
to see something I saw before,
always knew but never wrote,
in this exact format,
but all life long knew, and blubber anew
at words that I never knew existed in
this precise combination.

you can cannot contrive the spirit that
moves us to write, the words employed,
yes perhaps, but all
even the struggle for
le mot jus,
oft for naught^^
the repetitive, the uninventive,
glorify.

I survive,
I contrive.
but far more imposing,
is the knowing,
that tho the contriving still remains,
it is a cost so costly,
and I must include herein
that every verse
of every poem
ever writ,
every contrivation,
every submission,
even the worst simplest is a blessing,
even the simplest worst is a blessing.


all are:
"the fruit of promise,
a table replete,
hope restored,
a circle complete."^

Yet, t'is the fluid visionaries shall lead us
to our restful place
even if they cannot speak,
even if they cannot write,
just contrive.
___________________________________________
^ http://hellopoetry.com/poem/life-circles/#after-reading


*It is in an instant, that life makes a poem in a man's mind, that will live longer than that that oak.
Nat*

*Reply
SE Reimer
i've reflected on your words, several times now, Nat, and find them to be such an accurate description of my experience with writing... though the words may move around a bit, once conceived, the contriving is all that remains.*

^^le mot juste
"the right word" in French. Coined by 19th-century novelist Gustave Flaubert, who often spent weeks looking for the right word to use.
Flaubert spent his life agonizing over "le mot juste." Now Madame Bovary is available in 20 different ****** english translations, so now it doesn't really make a **** bit of difference.
Brendan Watch Jan 2014
Scars are fireworks.
They dance like breaths,
breath, pause, breath, pause.
Breathing is a cry for help.
You brushed my forehead with your fingertips
like wind and smiles and time
and what kisses are supposed to be.
Like time, time, time,
memory typewriters tick and tock.
They sound like footsteps,
like pallbearers and raindrops
and heartbeats and whispers and
time and time and time and time.

Scars are like spiderwebs
and patterns in half-full coffee mugs
and scales that shield, that measure.
and they're like empty stairs
and definitions the textbook wouldn't accept.

Scars are dreams.
A skirt and skin and whatever else that implies.
Scars are consensual, like sugarcoated suicides.
Scars are bodies.
Bend them, break them,
cracked contortionists.
Watch stardust pours from eyes
and arcing, narrow roads.
Danielle Jones Jun 2011
we drove for over an hour yesterday to
reach mother nature's home,
a playground for adults,
we only wanted to reach a destination
that held sincere afterthoughts and
the smell of moss covering our sight.
it was off the grid, only the locals
could direct you to the tree coverings
and caves that whales could sleep in,
but my brother and i decided it
was only right to keep looking on
our own, we have stubbornness
engraved on our foreheads.
not short of three hours into the
wilderness, wearing out our shoes
and losing energy in our joints,
we found panther caves parallel
to where my brother and
his roommate from iraq
dragged on cigarettes for answers
to show them the way to go.
they were magnificent with majestic
slabs of sediments that had stories
dating from the 1800's,
graffiti painted in fluorescent shades
and charcoal from the last fire,
presented on the highest cliff
as if the last person had something
to prove.
we climbed and angled our bodies
like contortionists, we
were nothing short from nature -
our existence was made here,
within the grains of sand and
the tangled roots from trees
growing on the embankments.
i wanted that to be reality.
when we found our boundaries
and landed back into the car,
we drove away in silence because
our eyes were heavy and our hands
could tell facts of frustration,
senselessness, livelihood, and something
words cannot measure up to.
that world could be my gateway drug,
the ignorant bliss from social networking,
the war with no apparent reasoning (with the
amount of debt we are in),
the pressure on myself.
i felt so simple when everything else
has been so complex.
i now know i want to be an architect
of the woods, to preserve
the chiseled names of strangers
who felt alive, who had nowhere
else to be at that moment.
i want to be a navigator,
the one who could tell you what
the markings on the bark meant.
i want to fall into a love so deep,
only the leaves could catch me.

i think i found home.
Danielle Jones © 2011
Xander Duncan Aug 2015
Step right up, step right up
Watch your drink
Watch your purse
Watch the eyes of the guys around you
Watch out on behalf of the other girls, you never know what might happen
When you go to college a ******
Life is a ******* circus and
The elephant in the room has always been ***
But they told you that life would be a circus
And that’s where the elephants are meant to be seen, right?
So even though you were prepared to paint your face a sad clown
You put on a leotard and start walking fine lines like a tightrope
Looking for flashy colors on your skin
You wear hickeys and purity rings with the same amount of pride
And you won’t always know why you care so much about either

You’ll learn to be a ringmaster
who can conduct a proper show
But you get used to staying offstage
So the first time he sets off firecrackers behind your eyes and between your hips
Don’t be so scared of the light that you curl up under the circus tent in shame
And shake until sunrise, spitting out the ashes that remain on a briefly lit fuse
Because even though you’ve tasted sparks before
Breathing fire has never been a partner act
But you know that this boy knows how to feed you flames without cooking you inside out
So you attempt to rationalize that perfect double act

And you’ve seen contortionists always return to the shape they were taught
But you’re sure your muscles would stretch enough to change your build
So when the lion tamer brings his head away from a newly domesticated maw
And you start swallowing swords
Your first reaction should not be to gargle alcohol searching for open wounds
And ponder what shade of virginity you’re still allowed to identify with
Take a bow, darling, or at least take a breath
The heat on your tongue is only an afterthought

When he leaves you
shortly afterward
Do not singe your skin in an attempt to burn away his fingerprints
The tears that catch in your throat are as hot as the cinders he put there
And neither one will do away with the other
You just have to let them react and steam until you can breathe again
And breathe until you can feel again
And feel until the cold no longer numbs you and the heat no longer melts your bones
Spitting out the fire means you risk setting everything else ablaze
But swallowing coals until your stomach rejects anything else isn’t the best course of action either
So you hold the match between your teeth and the sparklers in your veins and deny the passage of time
Certain that they will burn out before you have to worry about them again anyway

When you go to college a ******
You’ve been told that fire is cleansing
But chewing on ashes makes you feel *****
And when the heat of passion sets off smoke alarms
It can be hard to remember which drills to follow
So remember this
Don’t catch fire to entertain
If what you really want is to keep warm
mark john junor Sep 2013
habitat for angry things
his face is a contortionists *******
his fists flex through three hundred versions
of ready but are rendered immaculate by
the thought that binds him to this difficult maze
that there's got to be a way out
there is a light at the end of the tunnel

he suffers from smaller and smaller
versions of self esteem
and as that window slowly closes
his innermost thought is
that someone somewhere holds the key
that somehow at the last possible possum of a second
she will jump out of yonder shrubbery
and save the day
so rather than show the ever watching world
his apparent weaknesses
he will wait for her

reality is playing dead today
and all the goth girls say in
horrible unison
that your cute and all but
i don't date outside my species
could ***** Mae have been less cruel
she wont be coming to save anyone
not even herself

habitat for angry things
his face contorts with the simple pleasures of destruction
and dances with glee over the graves of the once defeated
but in the small hidden room of his soul
he sits in his discomfort chair
and works the meat of his sorrows
with a weeping
a terrible weeping
that fills the cathedral of his hearts broken dream

like a photograph folded in upon itself
one image is the end
one the beginning
but  only the blade separates

and that sound of weeping
that awful sound of weeping
that goes on for hours
that goes on for years
benith it is the sound of creatures
that defy
that are unspeakable
sharp little monsters of thought and feeling
that are contortions of rage
etched forever into his soul

he is buried there in the quiet cemetery
with his rages and sorrows replete
with his soul intact
forever to be in that small dark room
working the meat of his regrets
never to know the solace of her hand
never to know the freedom of forgiveness
it is in his hand
in smaller and smaller versions
I will **** trees, miss fleas, hiss bees & kiss cheeses like nervously-
nervous nut jobs with neurotical, nerve-racking, miss-ease diseases
Half way up from the bottom down, left of center, tilted backwards,
is the contorted stance that cripples contortionists lunging forwards
Charles Puffy's jumbled diphtherial litter & rot got him caught cold
& brought to higher authorites who knew that Puffy needn't be shot
I must **** freeze, miss fleas, kiss pleas & sis knees like nervously-
nervous **** aces with a neurotic, verve-backing, mist-fees disease
in prison abuse programs for los Indios maricones of British Belize
where we choke Chinese grocers often for greenish imports of peas
from divine Cathay where Falun Gong worship's a Maoistical tease
for the likes of Planters honey peanut butter franchisee John Cleese
who unites skin-sloughing French sheep with shepherds who fleece
along knee, shoulder & pelvic joints & where pink **** ***** crease
which is alright with ****-flap pervert, the flitty queer Edwin Meese
who seeks gay normality & normal gayety with 32 gym locker keys
that unlock a twilit exo-scientometrical face that God frozenly frees
under the gun like a he/she; as known by goys blown in shot breeze
through statues soiled by pigeons above ½ moon toenails of tweeze
long after the decapitation of 91-year-old screen writer Robert Lees
whose bid to keep head & torso as 1 died like Yukio's Shogun pleas
whose fight to keep his head & frame attached died in ½-assed seas
just like ****** Bruce Jenner showing he's a she by varying degrees
that has his ill family of mule-******* climbing like chimps up trees
that has his donkey-******' family climbin' like apes up jungle trees
where syndicated-business-share-differentials run like a viral sneeze
brought on anaphylactically from the sting of gay Cuban killer bees
I caught what you got: a catchy social malady, a red, twisted nose, a
splintered bone sprain & iliac crest pain from a celiac disease strain
as our fiery Icelandical love derailed your icy Africanical soul train,
new A.P.S. screening for Chinese students made Dutch folks insane
as a homosexy Irish turn would flash a burn with Gay Gaybo Byrne
who worshiped all beans save, of course, the stringy mung, because
1 dead Martin Luther King hung sun bred rotten puker string strung
on *****/spine/pines/Ipsen, as anagrammatically fill words are sung
by Ted Nougat & Steady Nugget, Cud New Ghent, Bed **** Gent,
Freddy Knew Chant, Bad Gnu Jaunt, Red Glue **** or Ted Nugent
Ted often changes his name as a dodge for Earthen-plane espionage
with his squatting-over-a-milk-bucket-trick because his heifer's sick
'cause for you I lie to everybody else: Darryl, Charlie, Keef & ****
& lush Woody, whose affair with ***** made the Small Faces click
while avoidin' having massive holes drilled into his filthy neck Ron
managed to remain not dead to complete his homosexy concert trek
while the 2 flat signs of ratty liver brings on thrills + chills, it's only
after you abuse your flat, ratty liver that a flat, ratty liver rat squeals
squeakier than gay drug store cowboys on patented analgesical pills
washed down in ginger beer, tainted by the gooey guts of harp seals
that were buggered by moon-lying *** wipes, 2 gay Buzzes & Neils Lyrics of a geriatrical age that play epidemiological reflect old Paul McCartney's 1960's albums proving that bold jowl pigs aren't knees
as the 2 symptoms of ratty liver disease clog you with rat droppings
atop promontories, in gullies & beneath Algerian cliff outcroppings
where fleet of feet sheet beat tweet bird **** after we eat Crete meat
Raj Arumugam Sep 2010
it’s the time of the parochial
baby
tread with care;
it’s the time of fear and violence
walk with eyes
before and behind you

the barbarians are everywhere
tearing down libraries;
there are demon contortionists
who can bend Truth and sense;
and there is violence
blessed by God
and justified in anyone’s Holy Book

there is a man
who looks at how you dress
and look;
there is a team taking notes


the mindless are everywhere
and they want to eat your minds;
there is blackhole-distortion
and everything you might hold dear
is taken to be twisted and turned

look to your mind baby
look to your heart;
there’s the dread of Satan
who walks in God’s clothes;
they try and take what you got
and give you salt and sand to eat


it’s the time of the parochial
baby
tread with care;
it’s the time of fear and violence
walk with eyes
before and behind you
i see him straightening the
ruffle of his native clothing,
putting words of truth
inside the empty parentheses
of mendacities -

it is through his leonine eyes
that i see the pointlessness
of men. through the
TV's hoarse static i can hear
his voice occupy the space
of obligation without swerving
to paths made available for ease
without clear trudge.
    sir, you make it painless
to conceive these cutting truths -
death trembles in these taut attestations. in half-lighted periphery i can see the shadows
threatening to cast us into damnation, and it is in the bright ray of your speech that i have started to uncover the beasts
  and their diminutive language.

dark as dark these ploys could be,
  now that they are whiter than
  ever with their transparencies,
you have handed these people
  flames to torch effigies
   and use their glare to light
  the intransigent paths
    to this nation's true calling!

    spare us from the debaucher
of this once sacred land, the contortionists   of these ill fates.
and preserve our just tillage
  over these archipelagos!
save us from the vertigo of these
   mangled, twisting roads!
give our speech obdurate
   magnitude so we can hammer down
the lies thrown at us and cast them away together with their wretched demagogues!

    let us once more, be brave
    to withstand the eye of storms
    and emerge wizened like
     trees in the summer of
    our old, resplendent memories
     where everything is
   and nothing
         is speaking loosely
   of something far from our hands
     to hold, like
   prosperity,
        or effulgence - altogether!
for Ernesto Mercado and his staunch will for truth.
AW Gray May 2018
***
Laying Contortionists,
Bodies twisted, tangled together,
in beauty,
For in this moment,
our selfless souls are twisted,
twisted in our purity,
in our naivety,
all an act to try for transcendence,
yet it is all in vein.
All the effort in our entanglement,
a failed attempt at two souls becoming one,
We are always left alone in the end.
I must **** trees, miss fleas, kiss cheese & hiss bees like nervously-
nervous nut cases with a neurotic, nerve-racking, miss-ease disease
I will **** trees, miss fleas, hiss bees & kiss cheeses like nervously-
nervous nut jobs with neurotical, nerve-racking, miss-ease diseases
Half way up from the bottom down, left of center, tilted backwards,
is the contorted stance that cripples contortionists lunging forwards
Charles Puffy's jumbled diphtherial litter & rot got him caught cold
& brought to higher authorities who knew old Puffy needn't be shot
I must **** freeze, miss fleas, kiss pleas & sis knees like nervously-
nervous **** aces with a neurotic, verve-backing, mist-fees disease
in prison abuse programs for los Indios maricones of British Belize
where we choke Chinese grocers often for greenish imports of peas
from divine Cathay where Falun Gong worship's a Maoistical tease
for the likes of Planters honey peanut butter franchisee John Cleese
who unites skin-sloughing French sheep with shepherds who fleece
along knee, shoulder & pelvic joints & where pink **** ***** crease
which is alright with ****-flap pervert, the flitty queer Edwin Meese
who seeks gay normality & normal gayety with 32 gym locker keys
that unlock a twilit exo-scientometrical face that God frozenly frees
under the gun like a he/she; as known by goys blown in shot breeze
through statues soiled by pigeons above ½ moon toenails of tweeze
long after the decapitation of 91-year-old screen writer Robert Lees
whose bid to keep head & torso as 1 died like Yukio's Shogun pleas
whose fight to keep his head & frame attached died in ½-assed seas
just like ****** Bruce Jenner showing he's a she by varying degrees
that has his ill family of mule-******* climbing like chimps up trees
that has his donkey-******' family climbin' like apes up jungle trees
where syndicated-business-share-differentials run like a viral sneeze
brought on anaphylactically from the sting of gay Cuban killer bees
I caught what you got: a catchy social malady, a red, twisted nose, a
splintered bone sprain & iliac crest pain from a celiac disease strain
as our fiery Icelandical love derailed your icy Africanical soul train,
new A.P.S. screening for Chinese students made Dutch folks insane
as a homosexy Irish turn would flash a burn with Gay Gaybo Byrne
who worshiped all beans save, of course, the stringy mung, because
1 dead Martin Luther King hung sun bred rotten puker string strung
on *****/spine/pines/Ipsen, as anagrammatically fill words are sung
by Ted Nougat & Steady Nugget, Cud New Ghent, Bed **** Gent,
Freddy Knew Chant, Bad Gnu Jaunt, Red Glue **** or Ted Nugent
Ted often changes his name as a dodge for Earthen-plane espionage
with his squatting-over-a-milk-bucket-trick because his heifer's sick
'cause for you I lie to everybody else: Darryl, Charlie, Keef & ****
& lush Woody, whose affair with ***** made the Small Faces click
while avoidin' having massive holes drilled into his filthy neck Ron
managed to remain not dead to complete his homosexy concert trek
while the 2 flat signs of ratty liver brings on thrills + chills, it's only
after you abuse your flat, ratty liver that a flat, ratty liver rat squeals
squeakier than gay drug store cowboys on patented analgesical pills
washed down in ginger beer, tainted by the gooey guts of harp seals
that were buggered by moon-lying *** wipes, 2 gay Buzzes & Neils Lyrics of a geriatrical age that play epidemiological reflect old Paul McCartney's 1960's albums proving that bold jowl pigs aren't knees
as the 2 symptoms of ratty liver disease clog you with rat droppings
atop promontories, in gullies & beneath Algerian cliff outcroppings
where fleet of feet sheet beat tweet bird **** after we eat Crete meat
Ryan Bowdish Nov 2017
Red
I'm from the side of the tracks where you won't come back
Sometimes fade to white, sometimes to black
Secreting the pus of another failed lust
My intentions only bending on a whim or a ****
So break the glass over my face and watch me go hard
If I got no other outlet you better hope you'll go far
Because sickles and hammers aren't only symbolic
They can be used to intrude on your systems metabolic

Contortionists form a fist and slick the road for communists
A bottomless populace heavy handed and cacophonous
Desolate like postulates from existentialists, mop your ****
And follow it with sawed-off ****, shotguns for columnists
So open up these ******* veins, I got no reason to try and change
Scatter-brained, like blood insane in dark fantasies untamed
Unchained and ******* and horse-laced with your taste
My way is the highway so don't **** with my **** deranged

I'm sick like
***, it's exciting
To know you're dying
From the first breath
You're primed for death
And there's nothing left
Like 21 grams
And ***** sexts
It's a blank slate
And my blood's paint
For the walls of
The Satanic Saints
To **** my brain
And **** myself
Because it's easier
Than killing everyone else

No ******* effort, no giving a ****
Surely I am broken like a Muslim's ****
So you're right to be scared
Sure you're checking my history
To make sure that no one
Is trying to **** me
I'm ugly, my soul is black
And I'm happily taking nothing back

I told you I needed an outlet
But don't assume I'm finished yet
I'm just playing baby, you know I love you.
Brianna Duffin Oct 2017
Groggy and hungover
Pounding in her head
Aggravated by the gull screeching
Lulu….. Lulu
They call her girlhood name

Same each morning
Get used to it all over again
Grappling with her self-pity and disgust
Dead weight
She can’t not hold herself back

She’s seen so much worse, in the day
Bellies torn open, guts strewn
Limbs twisted like contortionists
Heartbreakingly graceful
Rotting, swollen faces she dreams of

A man, mummified
Head held up
******* from a ****** straw
Invisible man
What did that soul see when the bandages came off


Welcome to the final decline
Still got her mind, probably
Not sure what she wants to lose first
The inevitable slide
Unfit for the task

It’s her own fault
They were her choices
But where could she have gone right
What had she to do- what she had to do
That’s all over, done, and gone now

Bloodbaths and blow-ups
She’d forgotten safety
Her ground still shakes
Run for cover
Still, everyday, everytime

Why her not them
Why them not her
How dumb is God
“Survivors guilt”
But the doctors know nothing

Solitude made for her
Broken way too much
Why can’t they let her be
Isolation… fight that war
Wrong choice then and no choice now

Desolate in disrepair
She’s in ruins more than it
The house leans in around her
They’re a good fit
It works on its own

Devil or angel
She has it back
The original vice
Good thing she’s all alone

She doesn’t know
Doesn’t want to remember
Distance and isolate
Intimacy out of the question

She’s useless anyway
What good is left
Where has hope gone?
Bloodbaths take lovebeds

She struggled
She fought
Stalemates rule
Why must she live

Good and right
Evils be gone
War is blinding
Wipe away schoolgirls

Why have hope
Why bother with love
Nothing gold can stay
Why fight a victorless war
This is about a woman struggling to recover from her experiences in WWII. She describes her morning routine in the present while flashing back to the past.
Big Virge Nov 2020
Now I Have To Say...
That In These Strange Days...
My Use of Wordplay...
Is In A RICH VEIN... !!!!!

From Reflecting On Things...
That Are Proving To STING... !!!

Like Corona Pain...
And Societal Strain...
Due To Deals About Trade...

To Election Campaigns...
And Debate TIRADES...
From Names Now Displayed...
That Seem To Have NO SHAME... !?!

There’s Much That INFLATES...
IGNORANCE AND WEAK CLAIMS...
That DEFINE What’s POOR...
And That’s Fa’ SURE... !!!

From Provisions For...
... A Corona Cure...

To... Media Views...
That Seem Far From Shrewd... !!!

From These Journalists...
Who Lack Balance So Twist...
And Then FLIP Scripts...
Like CONTORTIONISTS... !!!

To... Right Wing Fascists...
Whose Views Seem RACIST...
To These Centrist Leftists...
Who To Me Are Now Visceral...
Liberal... CRIMINALS... !!!

While Words I Use...
Are Those That Peruse...
Todays’ World Issues...
Without Getting Confused...

Like Those That Ensure...
That Tough Times Are In Store...
For The Poor And More... !!!

Because of Those...
... In The Commons...
And Those In The Lords...

Whose NONSENSE AIN’T Shocking...
To Me... Anymore... !!!

And As For Those ABROAD...
From... American Shores...

Their LACK of Thought...
And ABUSE of Laws...
Is A Thing SO POOR...
That They Shouldn’t Be Ignored... !!!

Because I Wouldn’t Advise...
Ignoring Their LIES And Political Ties...
In These Days And Times... !!!

From The Left To The Right...
Their Talk CONTRIVES...
To Feed Bias And PRIDE...

That Is POORLY Used...
To Keep People Confused... !!!

With... Election News...
And POOR Interviews...
From Political Crews...
Who Choose To Allude...
To NOT BEING TRUE... !!!

Or To... What’s IMPORTANT...
Like Being Straightforward... !!!

What They Do Is TORMENT...
The Truth To Feed Falseness...
In... What Their Reporting... !!!

So Proceed With CAUTION... !!!

Cos’ It’s A CIRCUS Show...
That... Constantly Flows...

That’s POOR Beyond Belief... !!!
When You Hear Most of Them Speak... !!!

These Media Teams...
That Are TRULY WEAK... !!!

It’s Like Watching A Scene...
From Some Kind Of Movie...
Where The News Is Just USED...

To Sensationalise And SKEW...
Somewhat Like... PREDATOR Two... !!!!!

I Guess It’s Nothing New...
From NBC To Fox News It’s TRUE... !!!

Their Crews Have Got More Letters...
Than These Alphabet Genders... !!!!!

And Their Crews Are Those...
Who Have Them As Presenters...
That’s Right Women And Fellas...
Who Are FUELLING Agendas... !!!!

That Try To Play BOTH Sides...
of What’s... Now In Sight...

... Political Fights...
Everyday And Every Night... !!!

They Just POLITICISE...
While People Now DIE...
From... Corona Vibes... !!?!!

I Wonder Sometimes...
If What They CONTRIVE...
Is What They TRULY Believe...
Or Do They Just Deceive...
Every Time That They Speak... ?!?

There’s A Lot That WREAKS...
In Their Daily News Feeds... !!!

of... HYPOCRISY... !!!

That’s POOR And Sustains...
SO MUCH That Is LAME... !!!!!

That I’d Rather Not Name...
Those Now In The Frame...
of Today’s News Game... !!!

As They’ve Already Gained...
... FAR TOO MUCH FAME...
And... Rates of Pay... !!!
For Their POOR Displays...
of What They... “ CLAIM “...

To Be Reporting That’s Straight...
That DOESN'T Make MISTAKES...
Or INFLATE What's FAKE... !!!

Well While They Play...
Their DODGY Games... !!!

I Stick To What’s RICH...
Wordplay Through Lyrics...
That... DO NOT SINK... !!!!!

Like... TITANIC Ships... !!!

That Now Seem To Exist...
In The Media Links...
That Are Now Being Shipped...
ALL OVER The WORLD...
That Now Need To Be CURBED... !!!

Because They Seem To PERVERT...
Rather Than... OBSERVE...
  
... Engaging Brains...
With The Type of Thought Waves...

That Like This Piece...
of Big Virge Wordplay...

Are CLEARLY Those...
……….. of A ………..

...... “ RICH VEIN “..... !!!
This years election news, has truly been something to behold, and much like the first debate, has been far from great !
I will **** trees, miss fleas, hiss bees & kiss cheeses like nervously-
nervous nut jobs with neurotical, nerve-racking, miss-ease diseases
Half way up from the bottom down, left of center, tilted backwards,
is the contorted stance that cripples contortionists lunging forwards
Charles Puffy's jumbled diphtherial litter & rot got him caught cold
& brought to higher authorities who knew old Puffy needn't be shot
hearts beating,
black blood

limbs twisted together wildly,
like contortionists

fingers gripping onto fingers,
like icicles

something beautiful,
made obscene

we are a mere echo of love
I must **** trees, miss fleas, kiss cheese & hiss bees like nervously-
nervous nut cases with a neurotic, nerve-racking, miss-ease disease
I will **** trees, miss fleas, hiss bees & kiss cheeses like nervously-
nervous nut jobs with neurotical, nerve-racking, miss-ease diseases
Half way up from the bottom down, left of center, tilted backwards,
is the contorted stance that cripples contortionists lunging forwards
Charles Puffy's jumbled diphtherial litter & rot got him caught cold
& brought to higher authorities who knew old Puffy needn't be shot
I must **** trees, miss fleas, kiss cheese & hiss bees like nervously-
nervous nut cases with a neurotic, nerve-racking, miss-ease disease
I will **** trees, miss fleas, hiss bees & kiss cheeses like nervously-
nervous nut jobs with neurotical, nerve-racking, miss-ease diseases
Half way up from the bottom down, left of center, tilted backwards,
is the contorted stance that cripples contortionists lunging forwards

— The End —