So you know you’re looking at two very different styles of dress, here. But precisely what decades? When did that waistline move back down? What details are the defining touches of their era? How long were women actually walking around with bustles on their backsides?

Lydia Edwards’s How to Read a Dress is a detailed, practical, and totally beautiful guide to the history of this particular form of clothing from the 16th to the 20th centuries. It tracks the small changes that pile up over time, gradually ******* until your great-grandmother’s closet looks wildly different than your own. As always, fashion makes for a compelling angle on history—paging through you can see the shifting fortunes of women in the Western world as reflected in the way they got dressed every morning.

Of course, it’ll also ensure that the next lackadaisically costumed period piece you watch gives you agita, but all knowledge has a price.

I spoke to Edwards about how exactly we go about resurrecting the history of an item that’s was typically worn until it fell apart and then recycled for scraps; our conversation has been lightly trimmed and edited for clarity.

The title of the book is How to Read a Dress. What do you mean by “reading” a dress?

Basically what I mean is, when you are looking at a dress in an exhibition or a TV show, reading it in terms of working out where the inspirations or where certain design choices come from. Being able to look at it and recognize key elements. Being able to look at the bodice and say, Oh, the shape of that is 1850s, and the design relates to this part of history, and the patterning comes from here. It’s looking at the dress as an object from the top down and being able to recognize different elements—different historical elements, different design elements, different artistic elements. “Read” is probably the best word to use for that kind of approach, if that makes sense.

It must send you around the bend a little bit, watching costume adaptations where they’re a bit slapdash. The one I think of is the Keira Knightley Pride and Prejudice, which I actually really enjoy, but I know that one’s supposed to have all over the place costuming-wise.

Yeah, it does. I mean, I love the BBC Pride and Prejudice one, because they kept very specifically to a particular era. But I can see what they did with the Keira Knightley one—they were trying to keep it 1790s, when the book was written, as opposed to when it was published. But they’ve got a lot of kind of modern influences in there and they’ve got a lot of influences from 30, 40 years previously, which is interesting to an audience and gives an audience I suppose more frames of reference, more areas to think about and look at. So I can see why they did that. But it does make it more difficult if you’re trying to accurately decode a garment. It’s harder when you’ve got lots of different eras going on there, but it makes it beautiful and interesting for an audience.

The guide spans the 16th to the 20th century. Why start with the 16th century?

Well, partly because it’s where my own interest starts, in terms of my research and the areas I’ve looked at. But more importantly in terms of audience interest, we get a lot of TV shows, a lot of films in recent years—things like The Tudors—that type of era seems to be something that people are interested in. That time is very colorful and very interesting to people.

And also because in terms of thinking about the dress as garment, obviously people wore dresses in medieval times, but in terms of it being something that specifically women wore, distinct from men’s clothes, I really think we start to see that more in the 15th, 16th century onwards.

Where do you go to get the historical information to put together a book like this? What do you use as your source material? Because obviously the thing about clothing is that it has to stand up to a lot of wear and tear and a lot of it doesn’t survive.

This is the other thing about the 16th century stuff—there’s so little surviving. That’s why that chapter was a lot shorter and also that’s why I used a lot of artworks rather than surviving garments, just because they don’t exist in their entirety.

But wherever possible, you go to the garments themselves in museum collections. And then if that’s proving to be difficult, you go to artworks or images, but always bearing in mind the artist will have had their own agenda, so they won’t necessarily be accurate of what people were actually wearing. So then you have to go and look up written source material from the time—say, diaries. I like using letters that people have written to each other over the centuries, describing dress and what they were wearing on a daily basis. Novels can be good, as well.

Also the scholarship that has come before, the secondary sources, works by people like Janet Arnold, Aileen Ribeiro. Really well researched scholarly books where people have used primary sources themselves and put their own interpretation on it can be really, really helpful. Although you take some of it with a pinch of salt, and you put your own interpretation on there, as well.

But always to the dress itself wherever possible.

What are some of the challenges you face, or the constraints on our ability to learn about the history of fashion?

Well, the very practical issue of trying to see garments—some of them I did see here in Australia, but a lot of them were in the States, in Canada, in New Zealand, so it’s hard to physically get there to see them. And often, even when you can get to the museum, garments are out on loan to other exhibitions or other museums. That’s a practical consideration.

But also, especially when I’m talking about using artworks and things, which can be really helpful when you’re researching, but as I’ve said they do come from a place where there’s more interpretations and more agendas. So if someone’s done a portrait and there’s a beautiful 1880s dress in it, that could have been down to the whims of the person who was wearing it, or the artist could have changed significantly the color or style to suit his own taste. Then you have to do extra research on top of that, to make sure that what you are seeing is representative.

It’s a fascinating area. There’s a lot of challenges, but for me, that’s what makes it really exciting as well. But it’s really that question of being able to trust sources and knowing what to use and what not to use in order to make things clear for the audience.

Obviously many of these dresses were very expensive and took a lot of labor and it wasn’t fast fashion—people didn’t just give it away or toss it when it fell out of season. A lot of times, you did was you remade it. When you’re looking at a dress that’s been remade, how do you extract the information that you need as a historian out of it?

I love it when something like that comes up. I’ve got a couple of examples in the book.

Well, it can be quite challenging, because often when you’re first looking at a piece it’s not obvious that it’s been remade. But if you’re lucky enough to look inside it and actually hold it and turn it round different angles, there’ll be things like the placement of a seam, or you’ll see that the waist has been moved up or down according to the fashion. And that’s often obvious when you’re looking inside. You can see the way the skirt’s been attached. Often you can tell if a skirt’s been taken off and then reattached using different pleats, different gatherings; that can give you a hint that it’s then been remade to fit in with a different fashionable ideal.

One of the key ways is fabric. You can often see, especially in early 19th century dresses when they’ve been made of these beautiful 18th century silks and brocades. That’s nice because it’s the first obvious clue that something’s been remade or that an old dress has been completely taken apart and it’s just the fabric that’s been used. I find it particularly interesting when the waist has been moved or the seams have been taken off or re-sewn in a different shape or something like that. It can be subtle but once your knowledge base grows, that’s one of the most fascinating areas that you can look at.

You page through the book and you watch these trends unfold and there are occasional sea changes will happen fairly quickly, like when the Regency style arises. But how much change year-to-year would a woman have seen? How long would it take, just as a woman getting dressed in the morning, to see styles just radically alter? Would you even notice?

Well, this is the thing—I think it’s very easy, when we’re looking back, to imagine that in 1810 you’d be wearing this dress and then all the frills and the frouf would have started to come in the late 1810s and the 1820s, and suddenly you would have had a whole new wardrobe. But obviously, unless you were the very wealthiest women and you had access to dressmakers who had the absolute newest patterns and newest fabrics then no, you wouldn’t have seen a massive change. You wouldn’t have afforded to be able to have the newest things as they came in. You would have maybe remade dresses to make them maybe slightly more in line with a fashion plate that you might have seen, but you wouldn’t have had access to new information and new fashion plates as soon as they came. To be realistic, there would have been very little change on a day to day level.

But I think also, for us now—it’s hard to see it without hindsight, but we feel like we’re fairly fluid in wearing the same kind of styles, but obviously when we look back in 20 years, we’ll look at pictures of us and see greater changes than we’re now aware. Because it happens on a slow pace and it happens on such a subconscious level in some ways.

But actually, yeah, it’s to do with economics, it’s to do with availability. People living in towns where they couldn’t easily get to cities—if you were living in a country town a hundred miles away from London, there’s no way that you would have the resources to see the most recent fashion plates, the most recent ideas that were developing in high society. So it was a very slow process in reality.

If you have a lot of money you can change out your wardrobe quicker and wear the latest styles. And so the wealthiest people, their clothes were what in a lot of case stood the best chance of surviving and being in modern collections. So how do we know what working women would have worn or what middle class women would have worn?

Yeah, this is hard. I do have some more middle class examples, because we’re lucky in that we do have quite a few that have survived, especially in smaller museums and historical collections, where people have had clothes sitting in their attics for years and have donated them, just from normal families over the years.

But, working women, that’s much more difficult. We’re lucky from the 19th century because we have photographic evidence. But really a lot of it will come down to written descriptions, mainly letters, diaries, not necessarily that the people themselves would have kept, but there’s examples of people that worked in cotton mills, for instance, and people that ran the mills and their families and wives and friends who had written accounts of what the women there were wearing. Also newspaper accounts, particularly of people who would go and do charity work and help the poor. They often wrote quite detailed descriptions of the people that they were helping.

But in terms of actual garments, yeah, it’s very difficult. Certainly 18th century and before, it’s really, really hard to get hold of anything that gives you a really good idea of what they wore. But in the 18th century—it’s quite interesting, because then we get examples of separate pieces of clothing worn by the upper classes, like a skirt with a jacket, which was actually a lower middle class style initially and then it became appropriated by the upper classes. And then it became much fancier and trimmed and made in silks and things. So then, we can see the inspiration of the working classes on the upper classes. That’s another way of looking at it, although of course that’s much more problematic.

It’s interesting how in several cases you can see broader historical context, or other stories happening through clothes. Like you point out that the rise of the one-piece dresses is due to the rise of mantua makers, who were women who were less formally trained who were suddenly making clothing. Are there any other interesting stories like that, that you noticed and thought were really fascinating?

There’s a dress in the book that a woman made for her wedding. I think she was living on her own, or she was living with a servant and her mother or something. She made the dress and then turned up to her wedding and traveled quite a long way to get there, and when she arrived, the groom and all the guests weren’t there. There was nobody. So she went away and came back again a week later, and everyone was there. And the reason that no one was there before was that a river had flooded in the direction that they were all coming from. She had obviously no way of finding out about this until after the fact, and we have this beautiful dress that she spent ages making and had obviously gone to a lot of effort to try and work out what the latest styles were, to incorporate it into her wedding dress.

Things like that, I find really interesting, because they talk so much about human and social history as well as fashion history, and the garment is the main way we have of keeping these stories alive and remembering them and looking into the kind of life and world these people lived, who made these garments.

Over the centuries, how does technology affect fashion? Obviously, we think of the industrial revolution as really speeding up the pace of fashion. But are there other moments in the history of fashion where technology shapes what women end up wearing?

One example is where I talk about the Balenciaga dress from the early 1950s—with a bubble hem and a hat and she would have worn these beautiful pump shoes with it—with the introduction of the zipper. Which just made such a huge difference, because it suddenly meant you’d have ease and speed of dressing. It meant that you didn’t have to worry about more complicated ways of fastening a garment. I think the zipper made a massive change and also in terms of dressmaking at home, it was a really quick and simple way that people had of being able to create quite fashionable styles on a budget and with ease and speed at home.

Also, of course, once women’s dress started to become simpler and they did away with the corset and underwear became a lot less complicated, that made dressing a lot easier, that made the introduction of the bias cut and things that sit very closely to the natural body much more widely used and much more fashionable.

I would say the introduction of machine-made lace as well, particularly from the late 19th, early 20th century onwards where it was so fashionable on summer dresses and wedding dresses. It just meant that you could so much more easily add this decadent touch to a garment, because lace would have been so much more expensive before then and so time-consuming to make. I think that made a huge difference in ordinary women being able to attain a kind of luxury in their everyday dress.

That actually makes me think of something else I wanted to ask you, which is you point out in your intro the way we casually use this word “vintage.” I think about that with lace. Lace is described as being a “vintage” touch but it’s very much this question of when, where, who, why—it’s a funny term when you think about it, the way we use it so casually to describe so much.

Oh, yes. It’s crazy. I used to work in a wedding dress shop and I used to make historically inspired wedding dresses and things. And brides used to come in and say, “Oh, I want something vintage.” But they didn’t really know what they meant. Usually what they meant is they wanted something with a bit of lace on it, or with some sort of pearls or beading. I think it’s really inspired by whatever is trending at the time. So, you know, Downton Abbey became vintage. I think ‘50s has always been kind of synonymous with the word vintage. But what it means is huge,

limbs dancing
dark hair flowing
arms and legs
wound around the sky
pockets full of autumn leaves
above the rushing clouds
her heels pushed into
their misty brocades
twisting like a ghost
of the white skies
then singing on her ivy-covered swing.

There was a homeless lady,
one afternoon, outside the hospital.
Was she homeless? I don’t know.
She had a ladened shopping cart,
which, on TV, is kind of a signature.
We were inside, waiting for an Uber.

She was outside, in chiaroscuro relief.
Dressed in bright, multilayered, mismatched
florals and brocades, she reminded me
of a gypsy. There are still gypsy caravans
in France. Are there gypsies in America?

She wore boots and long strings of beaded jewelry.
They would have had to have been glass, I supposed,
but tinseled with the glitter of those pop spangles,
she looked, en bloc, the richest and the poorest of us.

She wasn’t young and she wasn’t old. She sat alone,
on a short retaining wall, her cart within guarded reach.
I noticed her because every time I glanced over, she
was watching me with the dark unblinking eyes of a bird.

She had an easy confidence, in the wild, sitting safe
and protected by her clam, obstinate shell of boredom.

What must I look like to her - with her tangled hair
and unwashed face? Me in my permanent pressed
hospital wear, diminished by over-washing. A doll
behind glass, whose whole life is patterned by plans?

Our Uber pulled up, the number matched and as Lisa
opened the car door, I gathered my things and looked
back but the gypsy lady was gone, leaving a blank space.

I

Under a hollow sky
grey worn concrete listens
scream of a solitary car.

“Just want to write something. anything. been too long. Mind, liquid pencil. You know.”

Jazz tickets on the dash.
(solo performer – no net over absurdity)

“Write about that..”

Street lamps recede infinitely
fathomless ether’s lost
slipstream of rust swallows all.

“See what he’s like first.”…”Your call.”

There’s a tug, a pull towards
the light and motion
the swirling abstraction
luminescent dance in glass and shadow
seeping out of brocades of steel and concrete

the city at night
night tides thick with colour.

“Empty road, inviting city. Very Kerouacian.”

Car screams a little louder.

The outskirts come into view.

II

Empty streets repeat in circle
asphalt constant self devouring.

Neon hums, street lamps chatter
sidewalk smoke ripples
reflections upon reflections.

Jazz tickets slide across the dash.

Chicken broth of ancient forever
rides night airs
long ago memories
fast filing seats, flavours upon flavours.

Logic abandoned
signs abandoned
knowing abandoned
we just follow the way.

Neon roar echoes in hollow factory caves
colourless flames abstract burn.

There, under the
Ashen Dragons gaze
empty seats, luck that can’t be passed up.

We eat noodles under starlight.

Ashen Dragon, indomitable
keeps flickering,
and flickering.

III

Stage lights roll.

Red light
hangs in dust.

In the hall, over the seats, over the stage.

Jazz tickets now stubs now becoming cranes.

Silence, bass ambles forth.
First steps turn into
stumbles, tumbles,
scrapes, hacks,
accumulation of mistakes
collective hang in red dust.

He tries everything. Arco, pizzicato,
bass as percussion – devoid thumps.

He’s patient though. Amidst the inferno,
there’s the sense, the knowing, he’ll find the way.

He stops. Stops seeking. Turns to sought.

IV (Musical Interlude)

A thread only he can see
faint, and fainter still gossamer.
bow swish arc, tentatively ensnared
dark enigma thread entwined among bow strings
a weave drawn into a screen
across the stage wall.

Abstractions start to turn into form.

Pizzicato dance
chips away,
immortal peaks of gleaming jade.

Arco slide
carves away,
innumerable valleys of shining emerald.

Tips and taps
river flows, duckweed and herons
hermit huts in forest and moss
troops of gibbons with melodious howls.

Tunings align with heavens changes
cherry blossoms bounce on singing winds
oriole songs drift through five willow forests
recluse paths swept clean of tumbled pine cones
pines rest under blankets of silent white.

Across the stage
crafted in pregnant emptiness
the ancient forever
in a down town dive.

Two cranes rest on a table.

V

Re-emergence under the
hollow sky.

“…there’s truth in abstraction.”

Ashen Dragon
still flickers.

Chicken broth
still lingers.

Empty seats,
still luck runs.

Noodles under starlight,
and sky grey caravans.

“Nice title…hanging around?”
“Catch the train back, gotta write this.”
“See you soon. Stay safe kid.”

Ashen eyes flicker
words clatter by under a neon gaze.

I recalled the smell of junipers warming in the sun,
Or maybe mice nesting under the cupboard.
Or bleached linen hung out by Mum,
Reminds me of something about Dad from long ago,
You ask me…to say if it was gin;
There are things I can’t tell you, Son.
Some people think that it’s a sin;
So just use your imagination.

Another time I smelled crushed daisies of
The housemaids, I remember from Kleßheim.
Thunderstorms rolled down from the Alps at night,
Then turned at morning into clarified, buttered sun.
They remind me of someone’s blonde hair,
I just can’t tell you when or where,
So use your imagination.

Scent is the most potent mnemonic,
Triggering mystical cells inside,
Creating a stream of biophotonics,
Rapture returns in histrionics,
Tracking things from skin and hair,
To lips and eyes, to a groan, an intrigued stare.
Things we can never tell another, even if
He or she or they were there
What happened in those brilliant days?
Only imagination can say.

Crystal hanging in the window at nine o’clock,
Rays strike the glass, opening up the past.
Before me spreads a wide, green lawn,
Ladies and lords stroll with their finery on.
I sit and watch, while the procession advances,
Tricornes doffed and stays undone in dances.
Until the satin, silk and brocades lie on the ground,
Gavotte kisses become tender, sensual rounds
And naked, youth flees into woods.
And everything is happening;
Everything is good.

What shall we talk of?  Li Po?  Hokusai?
You narrow your long dark eyes to fascinate me;
You smile a little. . . Outside, the night goes by.
I walk alone in a forest of ghostly trees . . .
Your pale hands rest palm downwards on your knees.

'These lines--converging, they suggest such distance!
The soul is drawn away, beyond horizons.
Lured out to what?  One dares not think.
Sometimes, I glimpse these infinite perspectives
In intimate talk (with such as you) and shrink . . .

'One feels so petty!--One feels such--emptiness!--'
You mimic horror, let fall your lifted hand,
And smile at me; with brooding tenderness . . .
Alone on darkened waters I fall and rise;
Slow waves above me break, faint waves of cries.

'And then these colors . . . but who would dare describe them?
This faint rose-coral pink . . this green--pistachio?--
So insubstantial!  Like the dim ghostly things
Two lovers find in love's still-twilight chambers . . .
Old peacock-fans, and fragrant silks, and rings . . .

'Rings, let us say, drawn from the hapless fingers
Of some great lady, many centuries nameless,--
Or is that too sepulchral?--dulled with dust;
And necklaces that crumble if you touch them;
And gold brocades that, breathed on, fall to rust.

'No--I am wrong . . . it is not these I sought for--!
Why did they come to mind?  You understand me--
You know these strange vagaries of the brain!--'
--I walk alone in a forest of ghostly trees;
Your pale hands rest palm downwards on your knees;
These strange vagaries of yours are all too plain.

'But why perplex ourselves with tedious problems
Of art or . . . such things? . . . while we sit here, living,
With all that's in our secret hearts to say!--'
Hearts?--Your pale hand softly strokes the satin.
You play deep music--know well what you play.
You stroke the satin with thrilling of finger-tips,
You smile, with faintly perfumed lips,
You loose your thoughts like birds,
Brushing our dreams with soft and shadowy words . .
We know your words are foolish, yet sit here bound
In tremulous webs of sound.

'How beautiful is intimate talk like this!--
It is as if we dissolved grey walls between us,
Stepped through the solid portals, become but shadows,
To hear a hidden music . . . Our own vast shadows
Lean to a giant size on the windy walls,
Or dwindle away; we hear our soft footfalls
Echo forever behind us, ghostly clear,
Music sings far off, flows suddenly near,
And dies away like rain . . .
We walk through subterranean caves again,--
Vaguely above us feeling
A shadowy weight of frescos on the ceiling,
Strange half-lit things,
Soundless grotesques with writhing claws and wings . . .
And here a beautiful face looks down upon us;
And someone hurries before, unseen, and sings . . .
Have we seen all, I wonder, in these chambers--
Or is there yet some gorgeous vault, arched low,
Where sleeps an amazing beauty we do not know? . . '

The question falls: we walk in silence together,
Thinking of that deep vault and of its secret . . .
This lamp, these books, this fire
Are suddenly blown away in a whistling darkness.
Deep walls crash down in the whirlwind of desire.

Hall Of Blank Portraits

To my father,
I paint you as the sea,
Ebbing and flowing
In my memory.
Drifting in the doldrums
Immortal and serene,
Sleeping forever
In blues and green,
I sit on the shore
And dip my feet,
Fearing your portrait
Will remain incomplete.

To my mother,
I sketch you in chalk,
Across a torn canvas
Where my demons walk,
Every brushstroke
Dusty and smudged,
Devoid of the colours
You have always begrudged,
I kneel in the nothingness
Cold and dank,
Praying your portrait
Will always remain blank.

To my wife
I paint a pastiche,
The detail and shading
A masterpiece,
Some of the hues
I will need to borrow
From the darker years
And the times of sorrow,
Today I blend them
Into the colours of your face
Tomorrow your portrait
Will take pride of place.

To my son
I create a collage,
An abstract of shapes
You can sabotage,
Rearranging the pieces
In the chaos of your mind,
Forming some kind of sense
From the images you find,
I watch you methodically
Cut and paste,
Your portrait will never
Be worked on in haste.

To my daughter,
I colour in pastel shades,
Subtle white lace
And multicoloured brocades,
Basking in the sunlight
That lights up your face
Where you'll always pretend
You're in a better place,
I stand on the edge,
Distant and alone,
Your portrait is only one
I will never own.

To my siblings,
I draw you as trees,
Rigid in stature,
Defying the breeze,
The roots are tangled
In crumbling rock,
The branches separate
Where they should interlock,
I stand in the forest
Alone and lost
Selling your portraits
At little or no cost.

To my friends,
I etch you in gold
So the creases that define you
Can never unfold,
The plaque will be small
But the lines true,
The faces I will polish
Will be but a few,
I reflect in the image
Blurred and a folly,
I will frame your portraits
With melancholy.

To my lovers,
I depict you weeping,
Washed in watercolours
Bleeding and seeping,
And on your tears
I will always sip
As off the parchment
You slowly drip,
I will mop your faces
Until the paper is dry,
I will keep your portraits
Until I die.

To my life,
I charcoal in greys,
Layer upon layer
For the rest of my days,
Eventually the blackness
Of sadness and rage
Will become solid layers
On a liquid page,
I will live in my comfort zone
In an empty hall
And hang blank portraits
On a forgotten wall.

©RJVHorton2014

a shadow blue beam of dust
encases me;
they weave through me,
embroidering
gloomy brocades of
steel dullness.

the skies ebb and flow,

the unquenchable harmonics
of a lonely violin,

tenderness and flowers,
impressionism and ghosts,
layers of clouds rushing....

the brocades of the day
wrapping its skirts to
ankles that stride
like the wind.    

jealousy like
smouldering fire,
always wanting you
most.

(The latter paragraphs are more persuasive than the introductory one)

Clinched by the cloture of clinkstone nebels exhorted the kerygma to truckle nebulizing egintoch nepionic nevosities once pristine now reformed by aggiornamento nidamental to furor and favor against bisontine imaginative byre by the bobstays of badigeon steeving inclemency sequacious to tantony shabracking incontinence (delegating the shakuhachi of fairer brocades for chiffon simity jaded by permissive recidivism) by pushful skalding spurriers bracing for thalassic ucalegon in abthane absterged amende dire to notitia umbels of ultraism isorithmic lest the echard immanent and prevenient over egelidated soteriology florid and variegated in the elutriation of apodictic truth (rather than crumpled deadwood davenport emotivism) that bewilders emys of lost dirigisme foundering in enthymemes against stalwart erotesis of the maieutic ambit and dominion designated for plebania above the naves skeldering for merciful pontiffs to engage the nembutsu windlass around the hadal novantique (established by hamarchy now regnant abroach of elastane prerogatives) eleutherian in nimble recourse. Sociodynamic abscissae prone to abuna trouncing conscientious acapnotic deployment of moral agastopia ahimsa predicated on soteriology renewed despite the akinesia of precedent and the alameda concatenations of tacenda hinged to ameplography wed to sophistries of psephology designated by psaphonic priority ignorant of the proairesis of liberty vouchsafed by anamorphic noogenesis abetted by sleek balustrades of anbury among assorted desmans thwarting detraque in favor of didascalic diremption of baldfaced balbriggan secularism into culminated quatorzain apotheosis regnant in supernal amaranthine energism hybridized with quietism factive to elect ratiocination even when bereaved of common lionization.

Jawhole fairleads of oppositive causes fantigued in the throes of despotism often invoke festination over fissicostation flagitated primordial flenched titrations of frith betrothed to lambrequin lurdan prisoptometry negligent of lineolated limpkins because the brunt of zaftig bronteums transmogrifies zappy junctures into zarzuela plenary because the zayat is just too hinnable in moral brehon to bend their mettle to hods holobenthic in deontology who champion hopsack qasida emphatic in qawwali derricking a deft future for the industrious dobhash of entelechy of broadened dromonds versed in opodeldoc gilded with olivaster onagers (obsequent to insidious oblations of wokism) ixiodic with newfangled irriguous bonanza rather than iopterous conflagrations of dholes indigned in inaniloquent apyrexy. The paragon for civic moralism is arrayed in a matrix of appurtenances apotropaic in sedated throes of stalwart interpunction in idoneous subservience to vulcanized mackintoshes pegged to aleatory nimonic stridulation, bolted in bedrock faith and thriving with idiochromatic genius umbrilizing hippiatric doomsters (hinnable only in specious zuche alloquy of zayat) and foiling farcical ichnology with transcendent sophianic nidor nidamental to sophrosyne spiritualism allodic to trifling secular strife histing godless hoggasters against integral hodiernal homologation.

The hordeiform consensus defalcates hotchpot zendik zenana zabaglione of scripted lycnoscopes of lycanthropy stipulated by their compital nomogeny often lorikeeting mutual laevoduction despite lapatic overhangs of scruple frowning at lazaret frostworks of drygulched fourgon forcipation of desiccated flysch falsidical brinkmanship of specious standpipes masquerading as salvation but only amounting to the **** of stulms against stanjant in sybotic quatsch quademed to profligacy despite frustraneous defaulting inertia of supercilious protanopia repugnant to our best collective enterprises. Orrery orguinnet oryx is mesothermic to osnaburg bootstraps in the overlock of hamstrung ekistics sunken by irrevocable organdie because emphatic empasm less hobbled by multicultural enallage scacchic with enthalpy gradgrinded through gingerly haqueton abducent to fondink dowitchers (whom droshky appoints preeminent) fixating on constellated faculae just to feague around with fontinal ochlesis of powellization freeboarding on deliberate dilapidation of laches laystalling crambos connumerated in tenure of the ulterior congelation of collimated pataphysics bankrolling insatiable cementum cambering with jagged jacquard bonanza for the thickets of constringed monolithic diaspora callow in coordination juddering ancillary skirmishes of boondoggle to bunting fanfare in the jubbah of aleatory jinks. The immarcesible imparidigitate ormolu quaky lest eupsychics and eurhythmics devolve into hamerkop evulsions of abaft nidor of olid aboulia in stark acropathy mandated by ulterior acyesis they fear diminishing returns of wretched adrogation tag-teamed by gammerstangs of barmcloth jarveys of jasperated emasculation aduncating cultural redundancy in the narrowcasted affiance of hamshackled aftergame cobaltiferous in aggerose vengeance against stanjant and lavolta so steep in alembication that pedestrian andragogy must drail isallobar inculcating isobath as sequacious simplicity becomes the byword of the balbriggan flautino to denature (after toiling decades in isopach verisimilitudes of slugabed fysigunkus isostasy) in the most contrary ways to ithomiid nationalism such that we resort to oriflamme conflagrations of ludic phlegmatic osmol into ****** cacotopia.

****** kymatology in the windlass of obtuse tympanies sculpted of pergola parabolaster pomace klendusic to vagary kirking the testudo bellwethers misyoked to godless mofette trutinates the nimble reedbucks pliant to oscitation equipped eagre to ecdysiast stampedes toward eclaircise because of manufactured wantage jaleos and jarabes among the ghawazis handspike repentantly for habanera pupating into moral fullness and divine nimiety isangelous in proxemic sympatric plerophory in revolutionary phoniatrics aggiornamentos vitative to every twiring turtleback taffrail may the volplane of revelation become a virgation and a vastation against rheotaxis vendible as cascading vecordy dismantled by compital grace convolved with evolved kerygma nacreous as synclastic destiny beneficiating oikonisus and holobenthic communion never a bergamask pretense for opaque scofflaw bedaggle baize nympholepsy outlasts. Allemande iceblinks of verglas saccadic idiorhythmic illaqueating implodent mortmains imbruting thorny thickets of impedimenta for expedient skullduggery coempted by blackmasters gridlocked in ineradicable jamdani often postulate in unstercorated tirades the tentation of indehiscence and the inferiae vaccimulgent in retroactive disgust by throttling ingluvies to traffic isanemone contingent on obeluses halyarding wellaway welkins of whelky crutched on alamode abasia divorced from the veteran paradigm of albescent androlepsia supplanted by annectant wellsprings of dodecafid digladiated bangtail footholds of backstay vestige transmogrified into footling forcipation vaunting cultural enallage lagotically optimized into incorrigible and ingravescent hawsehole highbinder rigmarole hindermated often by eximious sedigitation because of epiphenomenal cnicnodes many hotchpots bury in anachoric huggeries of adoptive dedans tasked with the demurrage of akinesia friendly to dentirostral vogues ever pinguefied by wanigans of wapentake by lucrative woodreeves of bobstaying at all cost.

The woonerf of nimonic stridulation calipacing casefied bickerns of sunbittern stanhope sumpters of monolithic harvested indigent outrage solfatara engenders as cathexis to naïve sondation for spodomancy of restive cladogenesis ironmaster vastation of chiffon brocades of rumchunder rhubarbs of smug cultural isanther and pathetic icterical tomfoolery of bonces of isochrone mugience projicient to glochidate presbyophrenia beziqued by briquets and berceuse mockado canque inert in yawny torporific mazut endeavors of virulent mithridatism only demassified to the recherche limitrophes of perspicacity. The afterclap of uxorious tephra mowing tamburitza grampus of gossypine vernalization of vaccimulgent minnesinger singults sintering crepitated jacana jerkinheads cuculine in scaffmaster voltinism simultaneous to vorticism is the impetus of neutrosophy chockablock with allantoid bosky stulms and stannaries replete with ivorride brackling with whorling sastruga rife with scissures seahogging finite notoriety in headlong skintles convenient to chatelaines of mazopathia aggrieved of atocia hedged in thick jawhole quagmires of skiving snallygaster vigor (the protectorate of stalwart strahl of quotidian industry of both striga and stritch in subtended immunifacience) the progenitor of indomitable suretyship swanskin undinism rackrent in dentagra yet redeemed by resurgent soteriology. In conclusion, among both chlamydate springhares and termagant gammerstangs (both monolithic iceblink orguinette abusers of oriel or oryx) one panders oxter oriflamme trapezes above varsal sterility and the other enlists the camber of architectonic bontbokian pergolas of invidious wrox subservient to widespread epilation and imperious squamation are neither the answers nor the questions mandated by this zeitgeist but (sadly) inevitably supined by the eyeservice of modern neutrosophy. We must handspike, therefore, the springboks through the acequia of nomogeny cooperative with quokkas, vangermytes, jordans, britskas and the grognards never mercenary in their heroic devotions to acipenser acropodia acuminating moral integrity to bypass adiathermancy to institute aerophane eunomia aimed at aeviternity agentive in amberjacking moral virtues from the florilegium for aggiornamento and scrupulous revival of nomothetic noogenesis pliant to persuasive ideogeny forever tantalized (even in elflock) to broaden saffron horizons and vouchsafe prosperity and equity for aborning generations predicated on aboriginal compassions.  

Addendum: With gingerly caution, I exhort anyone to read this keeping in mind that my loose figurative language could be misconstrued as menacing, militant, disrespectful or otherwise disheveled and levies no obligation upon the readership. It is an exegesis of many deep arcane truths and constative hypotheses that should be treated with latitude rather than bartered by counterfeit means to miscegenate nolitions mandating the steepest compurgation and bowdlerization of the thickets of tartarology wagering spiritual warfare against the righteous throne of demassified sophrosyne wisdom persevering beyond the thickets of boschveldt schadenfreude that compital degringolade yeuks for so insistently in rabid compagination commorient with evanescent fables destined to die in the aceldama of conscience over the brehon of moral indigence contrahent to the prerogatives of God himself my vindicator and champion who defeats the bronteum of satanic prestidigitation by vanquishing an honest oversight tethered to a marginal maeiutic clairvoyance misleading in maladroit collimations radically spayed by polyphiloprogenitive cofferdams from the dominion and domain of the righteous and the snares and wickedness of false scales of rabid codswallop cackling for a moment only to be snuffed benighted and forever cast into the deepest barathrum of oblivion. God is my vindicator and my champion and my most earnest ambitions staked on love and fortune remain preeminent in every consideration of soldiered entelechy vanguarded by peremptory cloture in spiritual warfare against petty pettifoggery of jagged cisvestism forever defeated.

September 29th 2022 Philosophy

The spavined strumpets of aleatory nimonics stranded in the dimpled pelargic mythos of the nebelwerfers of scansorial elitism burroling the stokehold of pragmatic lurch useful for the progeny of powellisation interned by potichomania for balefires against the throbbing thremmatology of the strickle of jabirus vexed by stunsail argumentation of sumpter sidelong in oblique ginglymus to such a grave extent the thalwegs of contemplation daver in marauded orbit around ceraceous and cespitous thaumaturgy manacled by subservience in sequacious filagersion honing upon stereopsis for nomenclators of high squarson brigadoon fidelity to finessed wheals brackling away at tattermedalion squalor in squirmish facade of brockfaced brockens of wasserman to infiltrate against banjolins the pedigree of berceuse mendaciloquence that the branchiform sedigitation of all sesquiplicated sondage in the barnstorm of whelky during the subterfuge of wallfish cofferdams entrenched in boskets of the deepest regard of bathmism that we might fetch the canicular and cannular talents of susceptible bonhomie to retrace the elemental supralunar chrysopoetics of the transubstantiation of all stellions beyond provincial jansky and above fracklings of disrepute to array never a protervity of loimic stiction but always a sovenance of the highest fidelity to bellarmine briquets that can be sustained by mediagenic diffusion of volplanes of vulpecular vasotribes thereby careworn of future plight by preterition and chronobiology superfused for sporrans calculated for bonanza rather than retching with carpology. In the sustainable calculus of stanhopes and standpipes against the nivellated carnage of many a nivial hotspot grandiose with bruxomania rarely plodged by the subsultus of virgation nor flummoxed into glochidate barbs against the cephaligation of turmoil subduplicated by the gnomics of rebarbative betise flagrant upon caballine taunts of persiflage of percocted vexililogy curmudgeons of companionway spurtle upon cibophobias yearning for yeeps trouncing yaffs in a suitable mascon that trounces the pentapolis for its misfire of finicky stoichometry gradate in the traipse of ginglymus rotated succinctly by a minor machinule degradation of venostastis that the wens of wanchancy never vex or vitiate the providence of prattle of umbrageous stultification whelkied by the patriolatry of foreign observers of the brocade of balbriggan springhares reticulated by grimgribbers of jaunty jabberwocky levying murage with murengers against the trident spodium of overwrought negotiosity spinescent in capacity to deturpate never with a carnassial intent the tribuloid fictions vaccimulgent by reedbucks who learn from stockinette harbingers the calculus of specular redintegration and redhibition that fewer in number are those scollardical taunts of poststructuralism and many more rancorous attempts at chrematistic nurture above camouflets of the vees of vecordy singulting melancholy upon the canzone of cadrans mobilized by motile wafture into cavernous applause that we might witness the secundine generation waft rather than wamble through its throes of goatish goliardy deposed by gonfaloniers of stridor rather than brackle over truculent developments of the lurch of wainage and wantage burroling the constative prisoptometers of tritanopia leveraged by finifugal finesse of stricklers of sifflation that the saffron glow of refulgence is contingent upon the biotaxy and biocenosis of evolved human trust in the stirpiculture of many fascinated disciplines into a chaptalized chapbook of enlightenment above the murky morass of snallygasters of casemate. With an improvident regisseur domineering by the labile fears of neuropynology that understates the mainlined efforts of the nervure against the nesh nessberries of overindulgent popinjays straggling through the stench of sprag winzing in fumatoriums of maieutic latency bored by the tedium of the laveers of the propriety of neolagnium restive because of plumeopicean nidor frowning upon the badigeon of baedekers becoming centripetal to all harmonized gambados seeking the same terminus against the vexatious simultagnosia of the graft between crevices of paltripolitan wrox and the bailivated society we govern better by the rhombos of rhizogenic answers to papaverous problems of chaetophorous vengeance wagered by the groundlings of kyphosis in their idiosyncratic bascules of stentorian elocution that the taxidermy of selenodesic traipses through barnstorms of plurrennial wastelots of cachalots suborned only by the betise and bezique of portentous diestrus fledgling in its inadequacies of torment to roodge any subservience to carpology or any allegiance to the miscegenation of the political yaffingales of plemyrameters overcapacitated by misyoked fears meeting inclement rhigosis that the fortunes of cimelia rather than the boggarts of cimex might enchant future generations to supplant history with a calculated cecutiency that never avoids the boygs of boskets carping by cymaphens of the semaphores of all wheelhouses of wheaten inventions that we might witness the historicity never of sesquiplicated subduplicated biocenosis gorging on the gorgonization of internecine ignorance of varsal velocious cynegetics that the stranded victims of spathspey only in ceremony rather than in supernumerary contemplation that the vigorish vagantes and newels among the badigeons might thrive despite turmoil and the jugodi of broadcloth happenstance devolved upon popular cynography rather than annealed by the ballicatter of avenged samara and samarra that find requital in the wedeln modality rather than nodality of propriety in purpresture rather than crassified demassification of the slore of poltophagous crimogenic procrypsis simileter to all shortsighted gambits of a farsighted batrachian fidelity to nektons suspended among the stunsails of the wager of man to better himself. Because of the motile capacity of thaumaturgy of the wafting baedekers circulated with superfusion incidental to its warped dimensions against thalwegs of strigine configuration that boltropes of emacity swindle from the registry of the coffles of bailivated marivaudage scanscorial in its own moulin capable of entombing the cenote of even the most strident efforts of the nembutsu of gonfaloniers to issue cheer instead of malinger with precipitogenic intimidations of spinescent spiraculated pickelhaubes of porbeagle insights collated from sublime authority because the world awaits not a faineant corpse of morigeration upon the shend of sheol crepitating in heavenly judicature rather than the juggins of notoriety of crambos and crampons that cadge licentiousness that we might all marvel at synechdocial capacities against baryecoia weaponized by a modern bacillicide by blesboks whose candent semaphores of whittled stepneys of swank picaresque by degrees of leverage and largesse taxed by stenometers of pycnostyle elevated because of pyretology that the eventual harbinger of piscary reconnaissance is worth the awaited junctition of all sociogenesis captivated by the selfsame rapture of the chaptalized discovery of a greater biocenosis brockened to rejoice upon decisive conquest rather than backfire in mekometers of coquelicot carnage. The vees of veepstakes admonished by prevenience in vitrail that the fewer casualties of macropicide slangwhanging the brocade of the insular rhotacism of the cannular heist of springald necrologues deposed by cardophagous lies about necrophages so immunized in their stanjant stolinicity boltroped by annealed wheals of endeavor cavorted with portfires of yuzbashi above the petty pedestrian concerns of the spavineds of vauriens of varietism that they can jolt even the jolterheads and surprise with rudenture even the most poikilothermic negotiosities to truckle with a hint of truculence to spare the world from starvelings on the outskirts of spirketti that the scarfskin of the collective endeavors of the ventrad vanguard might resemble the coalition of forbearance for the broadest bronteum of ptarmic awakening ever enjoyed by the vigilance of men and the simity of women against the phallocrats twinged with meritodespotism. When we steeve our way past the mazut of balkanized mazopathia in mercedary wainage rarely taxed by the forefront of  considerate myopia we might celebrate the kalamkari spathspeys in their inordinate caution developed into a nympholepsy splendor of refulgent thrills demassified for the curglaff of generosity upon the crumpled brannigans of wizened applause upon the heyday of saturnalia that the whittawers of willowish repute might barnstorm yet again past the precipice of indecency naively wagered never by the sageships of conciliabule capacity to wheedle their way through their attempts at bacillicide regardant always of the caudles of the past commiseration of privileged cribbles of bathmism rather than repugnant spathodea of retorted pelargic barbarism congealed in oppositive valor to enchant only a regelation of nightjars vigilant in sciatheric darkness that the sondage of siffilated barnstorm might jar the very foundations of heaven and earth that the welkins of those whelking might find the couveuse of attempted blatternophones of past decorum the stridor of many taunted nightmares rather than the precipice of the most copulated acclaim ever registered in the foundries of men above the carcasses of subternatural plebeian mythos that stagnates the world rather than ameliorates it into congenial harmony of concordat against interregnum. The suretyship of so many strictions that the sprahl of sprachgefuhl intermittent with janitrices of stanjant jansky beblubbered by the maudlin sentiments of the many recklings ignorant of stockinette despite the nephroliths against nervifolious demise pregnant with absolution rather than replete with gullywashers of metaplasm in the exposure of ragmatical soteriology jaunty only to elective privilege rather than preserved by the conformed chapbooks of catechumen that our fears incumbent on catastrophism always brackle against the truculence of truckling masses of corpses of infirmity that gimcracks of the pentapolis exalt above the treasury of life itself inviolable. The caverniloquys of the jobbernowls of jolterhead infamy regardless of the purpresture of imperious strigrine secrecy embossed upon the pogroms of caudles rarely commiserating with any enchantment of wanchancy brockfaced in its geopolitical fanfire of the portfire of perendination that swashbuckles with the freebooter flarmeys of past coquelicot catalfalque notoriety always a kilmarge to the boondoggles of syndicalism arrayed in satnav ratomorphism that we might storge our present culture with the heyday of glamour intransigent to the chronobiology of preterition always glozing with glottogonic piecemeal dashpots against catastrophism even when done with metaplasm against metapolitics we can fight together with a unified brigade and sodality against the carping objectionable trends of a momentary amnesia so refulgent it overpowers every other inclination that the solfatara of weatherboards of wethers might convene upon the sumter of clochards becoming vagarish rather than prurience becoming simileter to a popular culture ****** of cisvestism upon the scarpetti of crambazzled crampons of senicide rather than the registries of seismotic impetus roundhousing through jobbled configurations of nimonic harbinger to etch themselves indelibly upon the sociogenesis of bellarmine among men and eutrapely among every other facet of attention never too calcimine with calvous calvers that the bolar of our existence depends on the synclastic momentum of the cynegetic valor rather than porlecking insecurities of babirusa of baboonery. The silkaline improvidence of the many boondoggles of lacking stolonicity or a casemate lockjaw jawhole internment of castrametation created by the pourparler of powellisation entombed in the liturgy that laments the past rather than accelerates the amelioration of the future might wilt because of wilding accidia rather than bonzoline acrasia because those people of nevosity that barnstorm against the nivial haunts of the lionized precipitogenic groundprox of naivety derived never from svedberg of swag of gromatic completion that alleviates all wambling grognards of desperation that we might fetch a new epoch superior to the one we have inherited by our callous poikilothermic poivrades of carnage and carnassial deprivations created by stagnant recession rather than optimized reflation because it behooves us all collectively to inseminate the future for the nitids of troilism rather than argue and pander to the bifids of blackmasters nidificating suboptimal steeves of the bobbinet to storge the inoculated beerocracy davering against the best interests of principality rather than the mainline of bayaderes of bargemasters locked into combat with stevedores from other dimensions of cordial conduct and contact that we no longer cower out of polyphiloprogenitive goals or teleonomic insufficiencies but that we brook and embraced age of praxeology above ragtaggers of retchination that the brassage of squamation can supervise into fluency rather than lurch into internecine schmeggegy that remains and always will be the cynosure of schwerpunkt in domestic manifestation of regal impetus above the detritus of defenestration. We should muster an assault against the plodges of kistvaens and the carnassial carnifician yeltings of wights of widgeons that the wicket of campanile shortsightedness might recoil upon its very foundations of ineptitude to become sempervirent in the sashays of surahs contemplated by the magnality of both mahouts and sansculottes to together forge ahead in commonplace articles of enchantment rather than the reliction of ideation in the swamp menaced by vinegaroons rather than elevated by picaroons who thrive even against snallygasters of importunate jawholes that crave a schoenabatic portfire to distract people from the rudenture of rubefaction in such a finicky way as to alleviate the coacervation of cespitous and cepivorous disdain. The faineant world orbiting around cynosures enjoying sinecures that the balbriggan springhares of reticulose pleonexia designed by veilleuses of brachet serectrium asterongue popularity designated with crass balizes of only bakelite answers of echopraxia to every dented quidlibertarian fascination with their quisquilous periergia floundering because the bathmism of elite pedigree imposes the steepest murage against avenged cachalots that their beziques of betise immolated by the discernment of the capable against the brazen incompetence of hortatory disdain that the thermolysis of sacrilege becomes a better portfire than protective jaundice designated by gamidolatry to perform intorted gambados to soothe the idiosyncratic jobbernowls whose incapacity to subduplicate societal quandaries and correctly weigh the subreption of jannock provides a paralytic inertia to fasten schadenfreude above the tympany of macarism because the catastrophism against the metaplasm correctly brazen rather than cordial only to inauthenticity always bristles at the perendination of evil skullduggery that it might eventually fade from the brocades of supercilious elitism that uses pundonors against mercedary enrichments. Many a time ago already elapsed by the portfire of skalds of jimswingers of sarangousty predicating their vehemence on axiomatic psyiurgic morkins the casualties of many a conflict witnessed by the depredation of morale even when sustained by the puckery of whipstaffs that the fewterers of modern taste deranged by their ginglymus constrained by their thalwegs that sejugate raltention from comprehension might find it incumbent to celebrate never a saiga that berates the many nightjars of saki but rather to entomb novelty because of the pickelhaubes of portbeagles flummoxed by their evaporating fortunes always avenge those who stand in the way of nivial and nivellated securiform and scalariform dementia that is the senicide of many a monocular cause witnessed by barbaric cyclops so intorted in the most pedestrian of antics that his incapacity to even see single borts from the boschveldt and singular leaps among the varsal capacity of proselytism that his ineptitude staggers the stenometers of the most dismal apprehension of his wagered capacity for any kind of stamina in any discipline. These poltophagous idiosyncrasies enjoyed by the oppositive acclaim of those pourparlers of castrametation designed by jabirus preventing stirpiculture of chrysopoetics for cachalots guarded by the blackguard of the ventrad camarilla rather than spayed by the cespitous vinegaroons of poikilothermic aims to plumeopicean ragtaggers entrapped by vapulation rather than informed of bonanza that we might starkly refrain from endorsing majoritarian lewdness as the new credo of a reborn republic constituted around the mahouts of idealism and the magnalities of those who posture in support of the noosphere rather than entangle themselves in the wase of imposture only because catalfalques angry of coquelicot politics might find the calcariferous disdain of pollarchy too much of an enormity to stomach with a stomacher. In the secundine revival of riveted artifacts of sometimes galeanthropic velleity that the skalds of scavons always maraud around to deprive of vehemence the maladroit malaise of the junctition of clitter and clinkstone because of a widespread malcontent that the sedigitated sidestep by every careful lurch on the bobbinet common to resourceless bodaches that we might witness the dying wish of the stellions to become the hamparthia of entire nations cribbling with propriety the bathmism centripetal to the public morale rather than the vacillation of internecine political balkanization in the barnstorm against the security of gonfaloniers to thrive without synsematic declension because of misappropriated vilipended ignorance widespread among those that clamber insistently and with insolence against the gravity and gravitas of the pundonors of cadastre rather than a sublime lackaday morose regret of saturnism waged by sideration in thick boschveldt to depose and derange many. Many tarry because of the umbrage of ultrageous litigation enthusiastically brought with coemption of the celebrated vanguard baldric retinue jolting the enthusiastic boltrope wegotists into the braxy of their shakuhachi of shantung bucentaurs and shenangos emboldened by the vicissitude of the collective remnants of the shambles of sottoportico to assemble with the borts in their possession the wilding zalkengur of absolution rather than the faltering groundprox of phugoid and mugient demands of bolar that laveer silently in the slithers of a puckery night scaffolded by the dashpots of insular providence against termagants of negaholic deprivations of lifestyle and pedigree because of the bradyseismic subsultus against the moya of carpology that is axiomatic in its retched mistetches of ceratoid configuration around the ballaster of schadenfreude enthusiastic in its moribund capacity to disembrangle the better soldiers from the recklings of morose enchantment with lugubrious toil flummoxing all propriety in regard for the sanctiloquence of the present never to result in a future martyrdom of saturnism that would assuredly wipe out the blemishes of portfire from the memory of a disheveled Earth into a shambolic configuration that would result in a nivial morigeration to nivellated conditions of egestuous sejugated cephaligation of nebelwerfers rather than primiparas always lachrymose in regret now pregnant with reactionary desires to coerce change rather than wamble in the ginglymus of sesquiplicated triage around petty boundaries of shakuhachi inviting balbriggan disgrace. In the trismus of crackjaw siderism ennobled by baldric syntalities elective of belletrist in their formative cadges of procatalepsis and jarvey of the intorted blunge of degenerative capacities for meharis combustible only in camouflets of prestige that skirpettis contain by the skinters of springhares of denouement carefully managing larithmics to optimize the mantissa never of a vagarish vagantes venostasis of mottled pternology megacerine because of meleagrine despots of sedigitated attempts to provoke casualties of corbels in the neorama of many sinecures of simultagnosia extorted endlessly by vaccimulgent reedbucks of sinister racemation that the phugoid eutrapely and bellarmine capacity to trounce the sudd that creates the rebarbative bosket of embattled retrenchment in survival ethos because of the macropicide and yirds of many a poikilothermic wretchock of morality to denounce as a denizen of unholy chaptalization that the chaomancies of chabouks between the pleiromorphy of convictions and the moulin of lickerish fascinations of beerocracy of beeskeps of yaraks a commonplace deturpation that finally the pomace of regalia might sustain the mainsail cardimelech and cardiognost capacity of piscary urbacity finicky of any desultory castrametation wagered by sinturong of piscifauna negligent of agapism that their fortuitist regard for humane sanctiloquence that already perished from the Earth might be revived by the vasotribes of the whipstaff of declared decorum vanquishing all tantrels of gambados of gamidolatry so pickelhaube in their dereliction of picaroons that vinegaroons capable like jerboas disguised in the thickets of the night will depose their serendipity and revoke their citizenship from the habitations of the woubits of hell rather than the brevets of widgeons of animadversion propining in every saccadic misyoke of endeavor to find a commonplace destination agreeable beyond the bifids of internecine thalwegs of sejugation rather than assimilation.

there was a lumpy brown couch against the wall of the living room
I sat on beige carpet facing beige wall and couch
light scattered by the pale yellow lamp in the corner
it was upholstered in tough fabric stitched with white diamond brocades punctuated by little red and blue squares
my mother and father somewhere behind me in the kitchen
the squat brown coffee table draped with delicate white cloth sat in between me and the couch
we were just beginning back then, my family and I
and sometimes my nascent memories of this home
happen to intrude upon my thoughts
and I capture this image with fond words
like an awestruck lepidopterist
as the vision in my head flutters like his subject
cherished for as long as it is mine

The snow was falling thick that night
like tiny feathers to the ground
while stiff white fossil-coral trees
Stood still as statues all around


And in their midst a mansion rose
with towers and frozen weather-vane
Where sparkling pavé diamond snows
encrusted every window pane

The match-girl shivered in the cold
then made a spy-hole in the ice
And peered into a golden realm,
an ante-room to paradise

But all the velvets and brocades,
the glowing fir-tree there inside
Appeared to her like pictures painted
on a magic lantern slide

For in her world these plush divans
with cushions bursting at the seams
The draperies and tapestries
would always be the stuff of dreams


Two cats with buttonholes for eyes
and fur that shone like watered silk
Were purring by an open fire
no doubt with bellies full of milk

While what our little match girl ate
was scarce enough to feed a fly
Though she was told by men in gold
her feast was waiting in the sky

No, here on earth, these coddled cats
like pharaohs basking in the heat,
Or padding round on velvet paws,
had choicer food than her to eat

So when she saw the gingerbread,
the frosted fruit, the marzipan
She wondered how this hunger could
be part of the Almighty's plan

And then, beside two girls, a youth
with dreamy gaze and rippling hair
Came in and hardly seemed to see
the many treasures waiting there

The  match-girl watched him button-eyed
as if he were a fire-plumed bird
Or some chimeric creature from
a fairy tale that she had heard

And as she dreamt she felt such joy
though hunger gnawed her like a mouse
For now she stood with him right there
inside that warm, ancestral house

They danced a sweeping ballroom waltz
while she was draped in crispest white
With diamonds sprinkled in her hair
like stars upon a cloudless night

Then as the lilting music swelled
he picked her up and twirled her round
Until, just like a swan in flight,
her feet were lifted off the ground

A swan who'd left her murky pond
with all the fetters lurking there
To reach up for the firmament
and taste its sweet, untainted air
                      ii
Next day as she was hard at work
she passed the house and there they were,
Her prince dressed all in powder-blue
the sisters swathed in sable fur

They'd flown down from their iv'ry tower
to tread with serfs upon the street!
Oh how she longed to be in silk
with buckled shoes upon her feet!

But as she blushed and stepped aside
to let the "dvoryanstvo".pass
The boy stared through her sallow face
as if it were a pane of glass

Dvoryanstvo=Russian nobility

In nothing you participate your fingers just twitterpate
Your looking underweight get some eggs with sodium nitrate
Instead of eating up drama an hate you a library of it au fait
Still no ideas or plans to fix **** just sit ******* your privates
Hashtags you post it, celebritys you cancel it, actions you dont do ****

Thats the way of the internet facades as thick as brocades
Your whole persona patent stolen read it off some cards
Copy pasted your fit its blatant obvious in your intent
Every word a dishonest bent not worth a cent
Dont got a shred of sense wont ever repent
Need the roleplay to supplement the lack of respect

Internet gangsters, keyboard warriors, fake woke supporters  
Plenty a arrogance, talk hard put out airs, tell everyone they inferior
Feign ignorance when it benefit but anothers mistake never forgotten
Take any stance all you are is happenstance you aren't anyone
Clone of whoever but only in fairweather never in the autumn

You kick at any who have fallin but ride when they ballin
At another **** you baptizin on the ground kneelin
Before anyone whose poppin your legs are droppin
Which one you feeling today whose personality you groping
which mask your morphine hit to keep you coping

Empty of whats real your life is revolting
Red pill, black pill, everyones a shill, its insulting
Hate leaves behind a shell empty and floating
No anchor fell lost in a sea of loathing

Motions of course and change
Oceans through night and mighty gales
Sundance in the shade and pages of blue brocades
Alas! When time comes all the world shall be my world!
And you my manly page will fold your deck
Until we find light in dark
There will be only one boy in the stable
At least you'll be my final eternal reflection
I'll be the river of Stygian dreams where sorrow saddens
Where you seek destiny and lies
Ancient ruins still reside ruinous and timeless
Where a traveller once wandered the gardens
The borders of prosecutors and senators fully equipped
Grapes squashed by squalls, till the boy turns squalid
Can one take such agony in the mooned drapes
I gaze at her, almost mooning
I'll show you her futile dream of being boyish still
All the world's a world and the stage is set for the staged play
I'll show you soon, my love is better
******* is like playing except
It needs a stage and a spectacular performance