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Sharon Talbot Jul 2018
Doctor Larch peers out the window,
Pulling aside brocaded curtains to hide
The grief that he will not show,
The rending emptiness he feels inside.

As his son Homer rides past the sunset,
Not knowing where he goes
But aspiring to see the wide world,
The ocean at Mount Desert,
Seeing wonder in the expanse
And worlds inside a circle of glass.

He has taken with him his heart,
A dark picture of frailty.
He finds unexpected work in an orchard,
Leisurely harvesting round, garnet jewels.
The nomads, dark and wary,
Ask him to read about death and stars.

There are rules for the workers.
And Homer finds that they apply
To no one, neither nomads or
Curious young men.
He sees in the errant father
The reflection of his own,
The man who made him good.
“You are my work of art”
He wrote.

Like an artist with his painting,
Who resists giving it away,
So Doctor Larch holds on to him
Hoping his adolescence ends
And he returns.
Finding peace at the last.

The lack of rules bring about a sea change,
Allowing forbidden love and pain.
He ventures out once more into the vacuum
Of conscience set free,
He devises his own rules about the womb
And how to help those in agony
But eventually…

With all the rules now open,
There is nothing left for him to do.
So he boards the migrant truck
Just as the pilot returns, broken.
He watches the struggle with a wheelchair
Sees his lover watch him with her yellow hair
Knows her future, years of sacrifice.
And he admits at last
That he has a purpose,

The train to St. Cloud huffs slowly away,
With Homer standing in the wet snow.
There is the old asylum,
The orphanage and home on the hill,
Almost black, with the sunset behind,
Homer begins the long climb.
He approaches slowly.

But then, a burst of laughter
And children from the door
Flock around him, dancing, shrieking,
Some holding him like an errant dog,
Who must be told to stay.
“Will you stay?” they ask.
“I think so,” he smiles in irony.
He is home at the last.
I wrote this while watching "The Cider House Rules", one of my favorite films. Homer realizes that his life on his own is not that much different than it was at St. Cloud, yet it's much emptier.
Sharon Talbot Jul 2018
"A blue and gold mistake",
Wrote Emily from inside her room,
A self-inflicted tomb,
About a path she could not take,
Into the month of June.

Let others stroll beneath its cerulean sky
And thank the sward, on which they lie,
A lunging into voluptuous play,
Yet blinded to the rushing by
Of sultry month and jovial day.

Did the poet’s being kept apart
From worldly joys well-made,
Or from crystal pools and glaucous glades,
From brilliant sun that fashions shade,
Embitter her admiring heart
To look askance at anything that fades?

Did she not care that
One month, though doomed to end,
Was also made to reappear
After the long march of winter’s year
As the sun came round again,
To loose us from our unlocked pens?
This was inspired by Emily Dickinson's assessment of June as a mistake in her poem "These are the days when the birds come back". I imagined I was writing to her, perhaps reading it outside her window, trying to cheer her up a bit by reminding her that changing seasons are not all bad--that the month of June is not only joyous, but reappears.
  Jul 2018 Sharon Talbot
Pagan Paul
.
As his words flow like honey onto the page
with a nod of approval from a linguistic sage.
Long gone are the days when a woman's plays
would look at the poet with a romantic gaze.

His sad verse no longer makes her cry,
his love poems fail to lift her heart to fly.
Her attention wanders like a lonely voice
away from sanctuary, towards more choice.

And as his pen drifts across a blank page
he remembers the ladies, being centre stage,
the looks of adoration in a beautiful face,
deep pools of experience for his art to embrace.

Melancholic he dips his pen again and tries,
imagination musing her gorgeous ****** eyes.
But the words won't flow, so defeated he cries,
and arranges poets tears into convenient lies.


© Pagan Paul (2017/18)
.
Sharon Talbot Jul 2018
We three met
Beneath the Eye In the Sky,
Above the green-blue lake.

You two were sent for a lesson;
I met you to escape.

Stories from long ago
And old films that you two know
Are shining new to me.

One of you loves me
And to the other
I made love.

But in teaching me your lessons,
(Balzac is our favourite!)
You have taught me not to love.

Let us lie here under the sky
Unwatched by others’ eyes,
Away from what you know.

One day you will accept this place,
But then, I will need to go.

Years from now, if you return,
You will still not find me.

Look for my name
On a candle-lit, paper boat,
In the twilight of
Zhongyuanjie
On the blue-green lake.
On the last day of Zhongyuanjie (Hungry Ghost Day), Many families float river lanterns on little boats in the evening. People make colorful lanterns out of wood and paper, and families write their ancestors’ name on the lanterns. The ghosts are believed to follow the floating river lanterns away. Mai’s name may be one one of the lanterns. Luo swims out into the lake to find her.
Sharon Talbot Jul 2018
Twilight washes the bedlinens blue
And striped with flickering light they seem to move
And beckon us to lie in their folds,
Drawing away our clothes,
Pushing some to the floor.
Who are we to resist,
As the pretty song of strings off-key,
Winding through the forest rain
Like a goddess shedding robes,
Manipulates our minds and skins,
Only appeased by the union of
Heaven and Earth, of you and I?
Let us oblige them with our bodies,
You descending like the rain upon me
And I rising to you as the urgent river in waves
Beneath you until we are One?
If only for a night, in the Indonesian dark,
The tinkling droplets on the roof,
The flickering fires, the clouded desires.
We will send our lust into the mist and air,
So that it knows us when we are done at last,
And in every night until the world ends.
This was probably inspired by a scene in the film "The Year of Living Dangerously", about two lovers caught in the overthrow of Sukarno in 1965, now known as a coup by British and probably American governments. Their liaison in the forest is a more basic acting out of the overthrow of tyranny...but of which tyrant?
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