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Poetic T Feb 2019
Sitting silently
               fishing for worth

But all that is caught is a gaze  
                   of illegitimate worth.

A slave to a statue of limitations.
The Dybbuk Nov 2018
Green tea, red fire,
Glowing in the place.
Black screen, white tusk,
A poised trunk with grace.
Pupil-less and empty,
Stare into the soul.
Thick flesh-less life,
Ebony and coal.
Distinctly creepy in its eyes,
But beautiful without.
Distracting from its evil,
With the fountain of its spout.
Denise Uy Oct 2018
Ivory frozen in grace,
Lifeless sight unerased.
They take their place
in the hall of fame.
The artist, the art,
we know their names.
Art <3
Nikos Kyriazis Oct 2018
A blue cat is quivering
inside a recumbent statue's eye
Its wintry eyeball
a bleak shelter to her
She ponders to be grabbed
by a cypresse that soars around
But she dares not
to attempt the leap
You see...
the statue is fastened
to a bony finger
And the height at the firnament
is tremendous
So she remains dormant,
snared to the will of time

Some pewter birds flying above
Celebrating their capability to fly
Cerasium Aug 2018
I love you

Three words that should be easy to say right?
Well they are easy when you don’t mean them
But when you do, it’s like a war inside you
And it’s the hardest thing to ever do

Thoughts of denial and being outcasted
The fear of rejection and laughter
These build up as you look at the one you wish to say them to
And you realize simply that it just takes two seconds

Two seconds that can either make or break your world
Two seconds that can build you up or shatter you to the ground
And yet you pray that it’s received
You pray that the words are reciprocated

Those two seconds can feel like an eternity
And the second after can make you regret ever saying them
The fear can build so great that the words never come out
Or it builds so much that the words turn to a plague

A plague in which the fear takes hold
And once the words are uttered
You have instant regret and shame
So much that you run and hide

Let not the fears of these words control you
For if you just take a moment and breath
It might become easier to pass them out
And finally say them to the one they are truly meant for

The one that those words built so much fear
The one with whom they are mutual
The one in which will smile and feel relief
For they too had difficulty saying

I love you
Reciprocated in this phrase means respond to (a gesture or action) by making a corresponding one.
Brandon Conway Aug 2018
I have drank the philters of the oceans
inside the notches of your sculpted bust
chiseled to perfection by my minds notion
immortal beauty to never crumble to dust

Skin of ivory with curves carved by a god
my little ivory girl how my fire burns
breathless, stiff, and lifeless left me aw'd
a singular lonely lover forever yearns

Just one kiss to those stone cold lips
just one before I visit in my dreams
my lips upon yours, hands on hips
how you look while the moon beams

lighting your lovely void face
The lips how they grow so warm!
Your arms how they tightly embrace!
By the gods, a living art form
to forever love in this dark place
Lucie Jul 2018
sometimes i wish
i could
dip my hand into ceramic

let the gloss crash
like a
tidal wave of utter cold

seeping into
my skin
but then i pause and realize

statues can't move
stopdoopy Jul 2018
(In a vacant church Little Girl and Big Man sit on a parish
a few feet apart, in between them lies a book titled"My Feelings".)

(The curtain opens. Little Girl sits staring at Big Man. Big Man gets up and goes to the statue of himself in front of them for a closer look.)

Big Man: Will talking in person really make a difference?

Little Girl: I like to think it does.

Big Man:  (turns to look at her incredulously.) What wishful thinking, you're so naïve.

(Little Girl opens her book and starts to read aloud.)

(Big Man cuts her off with a noise every time she starts to say something until she falls silent.)

Big Man: Just as I thought, it doesn't change anything.

Little Girl: But you don't-

Big Man: (cuts her off again.) You just can't let things go, that's your problem. I told you I didn't want to do this, yet you dragged me out here. It didn't accomplish anything!

Little Girl: That's because you don't even want to listen or try to talk, you just want to yell and blame me!

Big Man: That's enough, this conversation is over. (Walks off stage right.)

(Little Girl screams in anger and throws "My Feelings" at the Big Man Statue.)

(The Curtain closes.)
I wanted to try something a little different! I've never written stage directions or a play before but I thought this would be a nice change. I didn't really convey the raw anger or passion, nor was it the scene what I originally wanted but maybe it's a step in the right direction. Trying out different styles is neat. Not happy with this piece though but... oh well.
Lydia Hirsch Jun 2018
Wooden woman waiting outside of a grocery store
in North Berkeley

Made tired by time,
chips of wood had fallen in masses from her body,
entire aspects of her anatomy had eroded away--
most of her nose, her left ear,
her right cheek, her *******, half her stomach

She had been a tree,
torn apart, reassembled
in the form of a female human being,
no sign of life in her sightless gaze

I guess she’s gone now,
after all those years

I went to look for her
and found only an antique shop
with a peculiar name
at the address where she should have been

I would have liked to have seen her
one last time, this statue
that fascinated and frightened me as a child

I’m glad she’s gone, though--
She resemble less and less a woman,
was becoming clearly merely wood
cut into tiny pieces and glued together

She resembled less and less a woman,
and I’m glad she was killed
before she ceased to be art
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